Search results for ""indiana university press""

Emphasizing the human body in all of its forms, Beauty Unlimited expands the boundaries of what is meant by beauty both geographically and aesthetically. Peg Zeglin Brand and an international group of contributors interrogate the body and the meaning of physical beauty in this multidisciplinary volume. This striking and provocative book explores the history of bodily beautification; the physicality of socially or culturally determined choices of beautification; the interplay of gender, race, class, age, sexuality, and ethnicity within and on the body; and the aesthetic meaning of the concept of beauty in an increasingly globalized world.

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Richard McCombs presents Søren Kierkegaard as an author who deliberately pretended to be irrational in many of his pseudonymous writings in order to provoke his readers to discover the hidden and paradoxical rationality of faith. Focusing on pseudonymous works by Johannes Climacus, McCombs interprets Kierkegaardian rationality as a striving to become a self consistently unified in all its dimensions: thinking, feeling, willing, acting, and communicating. McCombs argues that Kierkegaard's strategy of feigning irrationality is sometimes brilliantly instructive, but also partly misguided. This fresh reading of Kierkegaard addresses an essential problem in the philosophy of religion—the relation between faith and reason.

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In this absorbing autobiography, Herman B Wells, the legendary former president of Indiana University, recalls his small-town boyhood, the strong influence of his parents, his pioneering work with Indiana banks during the Great Depression, and his connection with IU, which began as a student when the still provincial school had fewer than 3,000 students. At the end of his 25-year tenure as president, IU was a university with an international reputation and a student body that would soon exceed 30,000. Both lighthearted and serious, Wells's reflections describe in welcome detail how he approached the job, his observations on administration, his thoughts on academic freedom and tenure, his approach to student and alumni relations, and his views on the role of the university as a cultural center. Being Lucky is a nourishing brew of the memories, advice, wit, and wisdom of a remarkable man.

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Tracing the expansion of South African business into other areas of Africa in the years after apartheid, Richard A. Schroeder explores why South Africans have not always made themselves welcome guests abroad. By looking at investments in Tanzania, a frontline state in the fight for liberation, Schroeder focuses on the encounter between white South Africans and Tanzanians and the cultural, social, and economic controversies that have emerged as South African firms assume control of local assets. Africa after Apartheid affords a penetrating look at the unexpected results of the expansion of African business opportunities following the demise of apartheid.

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Focusing on the idea of universal suffrage, John Llewelyn accepts the challenge of Derrida's later thought to renew his focus on the ethical, political, and religious dimensions of what makes us uniquely human. Llewelyn builds this concern on issues of representation, language, meaning, and logic with reflections on the phenomenological figures who informed Derrida's concept of deconstruction. By entering into dialogue with these philosophical traditions, Llewelyn demonstrates the range and depth of his own original thinking. The Rigor of a Certain Inhumanity is a rich and passionate, playful and perceptive work of philosophical analysis.

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Spurred by major changes in the world economy and in local ecology, the contemporary migration of Africans, both within the continent and to various destinations in Europe and North America, has seriously affected thousands of lives and livelihoods. The contributors to this volume, reflecting a variety of disciplinary perspectives, examine the causes and consequences of this new migration. The essays cover topics such as rural-urban migration into African cities, transnational migration, and the experience of immigrants abroad, as well as the issues surrounding migrant identity and how Africans re-create community and strive to maintain ethnic, gender, national, and religious ties to their former homes.

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Passed in 1965 during the height of the Civil Rights movement, the Voting Rights Act (VRA) changed the face of the American electorate, dramatically increasing minority voting, especially in the South. While portions of the Act are permanent, certain provisions were set to expire in 2007. Reauthorization of these provisions passed by a wide margin in the House, and unanimously in the Senate, but the lopsided tally hid a deep and growing conflict. The Most Fundamental Right is an effort to understand the debate over the Act and its role in contemporary American democracy. Is the VRA the cornerstone of civil rights law that prevents unfair voting practices, or is it an anachronism that no longer serves American democracy? Divided into three sections, the book utilizes a point/counterpoint approach. Section 1 explains the legal and political context of the Act, providing important background for what follows; Section 2 pairs three debates concerning specific provisions or applications of the Act; while Section 3 offers commentaries on the previous chapters from attorneys with widely divergent viewpoints.

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Elisa Joy White investigates the contemporary African Diaspora communities in Dublin, New Orleans, and Paris and their role in the interrogation of modernity and social progress. Beginning with an examination of Dublin's emergent African immigrant community, White shows how the community's negotiation of racism, immigration status, and xenophobia exemplifies the ways in which idealist representations of global societies are contradicted by the prevalence of racial, ethnic, and cultural conflicts within them. Through the consideration of three contemporaneous events—the deportations of Nigerians from Dublin, the aftermath of Hurricane Katrina in New Orleans, and the uprisings in the Paris suburbs—White reveals a shared quest for social progress in the face of stark retrogressive conditions.

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A critical examination of the films of Oscar Micheaux.One of the most original and successful filmmakers of all time, Oscar Micheaux was born into a rural, working-class, African-American family in mid-America in 1884, yet he created an impressive legacy in commercial cinema. Between 1913 and 1951 he wrote, directed, and distributed some forty-three feature films, more than any other black filmmaker in the world, a record of production that is likely to stand for a very long time.Micheaux's work was founded upon the concern for class mobility, or uplift, for African Americans. Uplift provided the context for Micheaux's extensive commentary on racist cinema, such as D. W. Griffith's 1915 blockbuster, The Birth of a Nation, which Micheaux "answered" with his very early films Within Our Gates and Symbol of the Unconquered. Uplift explains Micheaux's use of "negative images" of African Americans as well as his multi-pronged campaign against stereotype and caricature in American culture. His campaign produced a body of films saturated with a nuanced intertexual "signifying," boldly and repeatedly treating controversial topics that face white censorship time after time, topics ranging from white mob and Klan violence to light-skin-color fetish to white financing of black cultural productions.

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While many scholars consider Simone de Beauvoir an important philosopher in her own right, thorny issues of mutual influence between her thought and that of Jean-Paul Sartre still have not been settled definitively. This title explores the philosophical and literary relationship between Beauvoir and Sartre.

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From the mid-13th to the mid-18th century the ability to dance was an important social skill for men and women. This work presents a picture of dance in society from late medieval period to the middle of the 18th century and shows how dance practices during this period participated in intellectual, artistic, and political cultures of their day.

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". . . an up-to-date, comprehensive, and accessible single-volume text to introduce the Mau Mau movement and its part in Kenya's nationalism and independence . . ." —International Journal of African Historical Studies"Mau Mau and Kenya is a well written work which provides a clear and candid picture of the highly complex movements that were Mau Mau." —African HistoryMau Mau and Kenya traces a unique peasant revolt against British colonialism. Was Mau Mau a national effort or an ethnic outburst? What were its political aims? Maloba describes the participants and their differing ideologies; relationships between the revolt and the conventional party politics of the Kenya African Union; and the impact of Mau Mau on decolonization in Kenya.

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In The Chinese Atlantic, Sean Metzger charts processes of global circulation across and beyond the Atlantic, exploring how seascapes generate new understandings of Chinese migration, financial networks and artistic production. Moving across film, painting, performance, and installation art, Metzger traces flows of money, culture, and aesthetics to reveal the ways in which routes of commerce stretching back to the Dutch Golden Age have molded and continue to influence the social reproduction of Chineseness. With a particular focus on the Caribbean, Metzger investigates the expressive culture of Chinese migrants and the communities that received these waves of people. He interrogates central issues in the study of similar case studies from South Africa and England to demonstrate how Chinese Atlantic seascapes frame globalization as we experience it today. Frequently focusing on art that interacts directly with the sites in which it is located, Metzger explores how Chinese migrant laborers and entrepreneurs did the same to shape—both physically and culturally—the new spaces in which they found themselves. In this manner, Metzger encourages us to see how artistic imagination and practice interact with migration to produce a new way of framing the global.

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A Living Jazz Legend, musician and composer David Baker has made a distinctive mark on the world of music in his nearly 60-year career—as player (chiefly on trombone and cello), composer, and educator. In this richly illustrated volume, Monika Herzig explores Baker's artistic legacy, from his days as a jazz musician in Indianapolis to his long-term gig as Distinguished Professor and Chairman of the Jazz Studies department at Indiana University. Baker's credits are striking: in the 1960s he was a member of George Russell's "out there" sextet and orchestra; by the 1980s he was in the jazz educator's hall of fame. His compositions have been recorded by performers as diverse as Dexter Gordon and Janos Starker, the Beaux Arts Trio, the Composer's String Quartet and the Czech Philharmonic. Featuring enlightening interviews with Baker and a CD of unreleased recordings and Baker compositions, this book brings a jazz legend into clear view.

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Chef Daniel Orr spent years working in high-stress Manhattan kitchens before shifting gears and heading to the calm, turquoise waters of Anguilla in the British West Indies. Ever the student of world cuisine and an expert in combining the best of his local environment and global training, Orr unleashes the flavors of the island with his inspired dishes in Paradise Kitchen. Tales of island culture, local traditions, and personal discoveries add flavor to the chef's recipes for morning, midday, and evening meals, including tapas. Orr's innovative drink recipes using local fruits, spices, and herbs carry you through the day—from morning smoothies to sunset cocktails, after-dinner teas and flavored rums. Cookbook, memoir, and travel guide, this delightful book invites home cooks to savor the culinary joys of the Caribbean.

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Plants in Mesozoic Time showcases the latest research of broad botanical and paleontological interest from the world's experts on Mesozoic plant life. Each chapter covers a special aspect of a particular plant group—ranging from horsetails to ginkgophytes, from cycads to conifers—and relates it to key innovations in structure, phylogenetic relationships, the Mesozoic flora, or to animals such as plant-eating dinosaurs. The book's geographic scope ranges from Antarctica and Argentina to the western interior of North America, with studies on the reconstruction of the Late Jurassic vegetation of the Morrison Formation and on fossil angiosperm lianas from Late Cretaceous deposits in Utah and New Mexico. The volume also includes cutting-edge studies on the evolutionary developmental biology ("evo-devo") of Mesozoic forests, the phylogenetic analysis of the still enigmatic bennettitaleans, and the genetic developmental controls of the oldest flowers in the fossil record.

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Stephen J. King is Associate Professor of Government at Georgetown University. He is author of Liberalization against Democracy: The Local Politics of Economic Reform in Tunisia (IUP, 2003).

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Who tends to volunteer and why? What causes attract certain types of volunteers? What motivates people to volunteer? How can volunteers be persuaded to continue their service? Making use of a broad range of survey information to offer a detailed portrait of the volunteer in America, Volunteers provides an important resource for everyone who works with volunteers or is interested in their role in contemporary society. Mark A. Musick and John Wilson address issues of volunteer motivation by focusing on individuals' subjective states, their available resources, and the influence of gender and race. In a section on social context, they reveal how volunteer work is influenced by family relationships and obligations through the impact of schools, churches, and communities. They consider cross-national differences in volunteering and historical trends, and close with consideration of the research on the organization of volunteer work and the consequences of volunteering for the volunteer.

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Drew A. Hyland is Charles A. Dana Professor of Philosophy at Trinity College. He is editor (with John Panteleimon Manoussakis) of Heidegger and the Greeks (IUP, 2006).

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"This is a major contribution to the literature on social participation and voluntary action. It is the first systematic ethnographic study I know that treats volunteers and the institutions they create." —John Van Til, author of Growing Civil Society "Students and faculty interested in the issue of homelessness will find the book instructive. . . Recommended." —Choice Why do people volunteer, and what motivates them to stick with it? How do local organizations create community? How does voluntary participation foster moral development in volunteers to create a better citizenry? In this fascinating study of volunteers at the Partnership for the Homeless in New York City, Robert S. Ogilvie provides bold and engaging answers to these questions. He describes how volunteer programs such as the Partnership generate ethical development in and among participants and how the Partnership's volunteers have made it such a continued success since the early 1980s. Ogilvie's examination of voluntarism suggests that the American ethic is essential for sustaining community life and to the future well-being of a democratic society.

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"This collection offers a treasure trove of primary sources of interest to students of women's history. Carefully introduced and annotated, these documents illustrate the diversity of Russian women's lives." —Barbara Alpern Engel"There is no other work that offers such a wide variety of documents and such a successful combination of literary and historical materials." —Ann Hibner KoblitzThis rich anthology of source materials makes available for the first time in any language a multitude of primary sources on the lives of Russian women from the reign of Peter the Great to the Bolshevik revolution. The selections are drawn from a wide variety of documents, published and unpublished, including memoirs, diaries, legal codes, correspondence, short fiction, poetry, ethnographic observations, and folklore. Primacy is given to sources produced by women and previously unavailable in English translation. Organized thematically, the documents focus on women's family life, work and schooling, public activism, creative self-expression, and sexuality and spirituality, as well as on the cultural ideals and legal framework which constrained women of all social classes.

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"Being governor is like no other job although it has similarities to being a country doctor. Like a physician, a governor is on call 24 hours a day, seven days a week, asleep, awake, eating, in the shower, traveling in a car, or at a meeting. There are emergencies, so he lives with unpredictability. As earlier noted, many state government activities involve health and medical questions, areas in which I have expertise. There, the similarities end. There is nothing like being governor, not even being a member of a president's Cabinet."—from Doc No Indiana governor in the 20th century has been more popular or successful than Otis R. Bowen. In his long-awaited autobiography, "Doc" writes in rich detail about the hard work and persistence that got him into and through medical school. His commitment to serving people made him a beloved family physician in Bremen, a respected state legislator and legislative leader, and one of the most esteemed governors in Indiana history. Otis Bowen grew up poor in Fulton County, but was rich in the things that matter. With the support of his parents, siblings, teachers and friends, he pursued a dream of becoming a family physician, making many sacrifices to finance his way through medical schoolAs a newly minted doctor, Bowen first practiced medicine in the Army. He describes his experience on the field of combat in the Pacific during the last major battle of World War II, and tells of his life after coming home from the war to serve the medical needs of a small northern Indiana community. We learn, too, of his personal life, about his own family and his first two wives, Beth Bowen and Rose Bowen, the loneliness and emptiness he endured after they died painfully of cancer, and how his third wife, Carol, has filled that void. An almost accidental entry into politics and public life led Bowen to the capitals of Indiana and the nation. Drafted as a candidate for Marshall County coroner in 1952, Bowen moved up from that office to become a member of the Indiana House of Representatives, to House leadership as Minority Leader and Speaker, to the governor's office in 1973, and to President Ronald Reagan's cabinet in 1985. The first person to serve eight consecutive years as Indiana's Governor, Bowen candidly explores the challenges, crises and triumphs of that period. In an equally candid way, he recounts his efforts and frustrations as Secretary of the U.S. Department of Health and Human Services.As warm, down-to-earth, and genuine as its subject, Doc will be welcomed by all Hoosiers, no matter their political stripe.

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Rice Talks explores the importance of cooking and eating in the everyday social life of Hoi An, a properous market town in central Vietnam known for its exceptionally elaborate and sophisticated local cuisine. In a vivid and highly personal account, Nir Avieli takes the reader from the private setting of the extended family meal into the public realm of the festive, extraordinary, and unique. He shows how foodways relate to class relations, gender roles, religious practices, cosmology, ethnicity, and even local and national politics. This evocative study departs from conventional anthropological research on food by stressing the rich meanings, generative capacities, and potential subversion embedded in foodways and eating.

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As South Africa consolidates its democracy, chieftaincy has remained a controversial and influential institution that has adapted to recent changes. J. Michael Williams examines the chieftaincy and how it has sought to assert its power since the end of apartheid. By taking local-level politics seriously and looking closely at how chiefs negotiate the new political order, Williams takes a position between those who see the chieftaincy as an indigenous democratic form deserving recognition and protection, and those who view it as incompatible with democracy. Williams describes a network of formal and informal accommodations that have influenced the ways state and local authorities interact. By focusing on local perceptions of the chieftaincy and its interactions with the state, Williams reveals an ongoing struggle for democratization at the local and national levels in South Africa.

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This book analyzes representative works of African American fiction, film, and music in which interracial desire appears in the context of same sex desire. In close readings of these "texts," Stefanie K. Dunning explores the ways in which the interracial intersects with queerness, blackness, whiteness, class, and black national identity. She shows that representations of interracial desire do not follow the logic of racial exclusion. Instead they are metaphorical and anti-biological. Rather than diluting race, interracial desire makes race visible. By invoking the interracial, black gay and lesbian artists can remake our conception of blackness.

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The first American frontier lay just beyond the Appalachian Mountains and along the Gulf Coast. Here, successive groups of pioneers built new societies and developed new institutions to cope with life in the wilderness. In this thorough revision of his classic account, Malcolm J. Rohrbough tells the dramatic story of these men and women from the first Kentucky settlements to the closing of the frontier. Rohrbough divides his narrative into major time periods designed to establish categories of description and analysis, presenting case studies that focus on the county, the town, the community, and the family, as well as politics and urbanization. He also addresses Spanish, French, and Native American traditions and the anomalous presence of African slaves in the making of this story.

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A follow-up to Grant McCracken's groundbreaking Culture and Consumption, this new book trades the usual platitudes about the consumer society for a more detailed, exacting anthropological treatment. Each section of the book pairs a brief essay with an academic article. The essay is designed for a quick, provocative glimpse of the topic; the article provides a deeper anthropological treatment. The book opens with a broadside against the now thoroughly conventionalized attack on the consumer culture. Essays follow on homes, cars, people, and social mobility; celebrities, consumerism, and self-invention; museums and the power of objects; the anthropology of advertising; and marketing, meaning management, and value. Like McCracken's previous volume, this new book is an engaging, informative, and eye-opening foray into modern consumer culture.

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In France, both political culture and theatrical performances have drawn upon melodrama. This "melodramatic thread" helped weave the country’s political life as it moved from monarchy to democracy. By examining the relationship between public ceremonies and theatrical performance, James R. Lehning sheds light on democratization in modern France. He explores the extent to which the dramatic forms were present in the public performance of political power. By concentrating on the Republic and the Revolution and on theatrical performance, Lehning affirms the importance of examining the performative aspects of French political culture for understanding the political differences that have marked France in the years since 1789.

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"[Wolff] is a remarkable pianist, an excellent theoretician, a learned teacher, a brilliant thinker and writer." —Artur Schnabel"This collection of [Wolff's] writings and letters should bear ample testimony to a musician who happily combined the artist, the teacher, the musicologist, and the charm and integrity of a human being." —Alfred Brendel"Konrad Wolff writes about music with the verve and enthusiasm of a great teacher who has never lost his sense of music as an adventure. To read him is to enter into a lively dialogue with a superior musical mind and a buoyant spirit." —Richard GoodeThis collection provides elegant and thorough portraits of an important 20th-century performer and lover of music, as well as of his greatest influences.

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The Crisis was an integral element of the struggle to combat racism in America. As editor of the magazine (1910–1934), W. E. B. Du Bois addressed the important issues facing African Americans. He used the journal as a means of racial uplift, celebrating the joys and hopes of African American culture and life, and as a tool to address the injustices black Americans experienced—the sorrows of persistent discrimination and racial terror, and especially the crime of lynching. The written word was not sufficient. Visual imagery was central to bringing his message to the homes of readers and emphasizing the importance of the cause. Art was integral to his political program. Art in Crisis: W. E. B. Du Bois and the Struggle for African American Identity and Memory reveals how W. E. B. Du Bois created a "visual vocabulary" to define a new collective memory and historical identity for African Americans.

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"No matter how wise a mother’s advice is, we listen to our peers." At least that’s writer Naomi Wolf’s take on the differences between her generation of feminists—the third wave—and the feminists who came before her and developed in the late ’60s and ’70s—the second wave. In Not My Mother’s Sister, Astrid Henry agrees with Wolf that this has been the case with American feminism, but says there are problems inherent in drawing generational lines.Henry begins by examining texts written by women in the second wave, and illustrates how that generation identified with, yet also disassociated itself from, its feminist "foremothers." Younger feminists now claim the movement as their own by distancing themselves from the past. By focusing on feminism’s debates about sexuality, they are able to reject the so-called victim feminism of Catherine MacKinnon and Andrea Dworkin. Rejecting the orthodoxies of the second wave, younger feminists celebrate a woman’s right to pleasure. Henry asserts, however, that by ignoring diverse older voices, the new generation has oversimplified generational conflict and has underestimated the contributions of earlier feminists to women’s rights. They have focused on issues relating to personal identity at the expense of collective political action.Just as writers like Wolf, Katie Roiphe, and Rene Denfeld celebrate a "new" feminist (hetero)sexuality posited in generational terms, queer and lesbian feminists of the third wave similarly distance themselves from those who came before. Henry shows how 1970s lesbian feminism is represented in ways that are remarkably similar to the puritanical portrait of feminism offered by straight third-wavers. She concludes by examining the central role played by feminists of color in the development of third-wave feminism. Indeed, the term "third wave" itself was coined by Rebecca Walker, daughter of Alice Walker. Not My Mother’s Sister is an important contribution to the exchange of ideas among feminists of all ages and persuasions.

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Susan Snow Wadley is Ford Maxwell Professor of South Asian Studies and Anthropology at Syracuse University. She is author of Struggling with Destiny in Karimpur, 19251984 and co-author of a revised edition of William and Charlotte Wiser's classic Behind Mud Walls.

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Written for everyone fascinated by the huge beasts that once roamed the earth, this book introduces the giant hornless rhinoceros, Indricotherium. These massive animals inhabited Asia and Eurasia for more than 14 million years, about 37 to 23 million years ago. They had skulls 6 feet long, stood 22 feet high at the shoulder, and were twice as heavy as the largest elephant ever recorded, tipping the scales at 44,100 pounds. Fortunately, the big brutes were vegetarians. Donald R. Prothero tells their story, from their discovery just a century ago to the latest research on how they lived and died.

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A Dance of Assassins presents the competing histories of how Congolese Chief Lusinga and Belgian Lieutenant Storms engaged in a deadly clash while striving to establish hegemony along the southwestern shores of Lake Tanganyika in the 1880s. While Lusinga participated in the east African slave trade, Storms' secret mandate was to meet Henry Stanley's eastward march and trace "a white line across the Dark Continent" to legitimize King Leopold's audacious claim to the Congo. Confrontation was inevitable, and Lusinga lost his head. His skull became the subject of a sinister evolutionary treatise, while his ancestral figure is now considered a treasure of the Royal Museum for Central Africa. Allen F. Roberts reveals the theatricality of early colonial encounter and how it continues to influence Congolese and Belgian understandings of history today.

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Bold, brash, and full of ambition, George Brinton McClellan seemed destined for greatness when he assumed command of all the Union armies before he was 35. It was not to be. Ultimately deemed a failure on the battlefield by Abraham Lincoln, he was finally dismissed from command following the bloody battle of Antietam. To better understand this fascinating, however flawed, character, Ethan S. Rafuse considers the broad and complicated political climate of the earlier 19th century. Rather than blaming McClellan for the Union's military losses, Rafuse attempts to understand his political thinking as it affected his wartime strategy. As a result, Rafuse sheds light not only on McClellan's conduct on the battlefields of 1861-62 but also on United States politics and culture in the years leading up to the Civil War.

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In a speech from which Nation of Cowards derives its title, Attorney General Eric Holder argued forcefully that Americans today need to talk more—not less—about racism. This appeal for candid talk about race exposes the paradox of Barack Obama's historic rise to the US presidency and the ever-increasing social and economic instability of African American communities. David H. Ikard and Martell Lee Teasley maintain that such a conversation can take place only with passionate and organized pressure from black Americans, and that neither Obama nor any political figure is likely to be in the forefront of addressing issues of racial inequality and injustice. The authors caution blacks not to slip into an accommodating and self-defeating "post-racial" political posture, settling for the symbolic capital of a black president instead of demanding structural change. They urge the black community to challenge the social terms on which it copes with oppression, including acts of self-imposed victimization.

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Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance.

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This compilation assembles previously published and unpublished essays by Schnittke and supplements them with an interview with cellist and scholar Alexander Ivashkin. The book is illustrated with musical examples, many of them in Schnittke's own hand. In A Schnittke Reader, the composer speaks of his life, his works, other composers, performers, and a broad range of topics in 20th-century music. The volume is rounded out with reflections by some of Schnittke's contemporaries.

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First published in German in 1984 as volume 45 of Martin Heidegger's collected works, this book is the first English translation of a lecture course he presented at the University of Freiburg in 1937–1938. Heidegger's task here is to reassert the question of the essence of truth, not as a "problem" or as a matter of "logic," but precisely as a genuine philosophical question, in fact the one basic question of philosophy. Thus, this course is about the essence of truth and the essence of philosophy. On both sides Heidegger draws extensively upon the ancient Greeks, on their understanding of truth as aletheia and their determination of the beginning of philosophy as the disposition of wonder. In addition, these lectures were presented at the time that Heidegger was composing his second magnum opus, Beiträge zur Philosophie, and provide the single best introduction to that complex and crucial text.

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Applying an ever more radical hermeneutics (including Husserlian and Heideggerian phenomenology, Derridian deconstruction, and feminism), John D. Caputo breaks down the name of God in this irrepressible book. Instead of looking at God as merely a name, Caputo views it as an event, or what the name conjures or promises in the future. For Caputo, the event exposes God as weak, unstable, and barely functional. While this view of God flies in the face of most religions and philosophies, it also puts up a serious challenge to fundamental tenets of theology and ontology. Along the way, Caputo's readings of the New Testament, especially of Paul's view of the Kingdom of God, help to support the "weak force" theory. This penetrating work cuts to the core of issues and questions—What is the nature of God? What is the nature of being? What is the relationship between God and being? What is the meaning of forgiveness, faith, piety, or transcendence?—that define the terrain of contemporary philosophy of religion.

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Ideas and concepts have been a driving force in human progress, and they may be the most important legacy of the United Nations. UN ideas have set past, present, and future international agendas in many global economic and social arenas and have also led to initiatives and actions that have improved the quality of human life. This capstone volume draws upon findings of the other 14 books in the acclaimed United Nations Intellectual History Project Series. The authors not only assess the development and implementation of UN ideas regarding sustainable economic development and human security, but also apply lessons learned to suggest ways in which the United Nations can play a fuller role in confronting the challenges of human survival with dignity in the 21st century.

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Just a few years ago, most Russian citizens did not recognize the notion of domestic violence or acknowledge that such a problem existed. Today, after years of local and international pressure to combat violence against women, things have changed dramatically. Gender Violence in Russia examines why and how this shift occurred—and why there has been no similar reform on other gender violence issues such as rape, sexual assault, or human trafficking. Drawing on more than a decade of research, Janet Elise Johnson analyzes media coverage and survey data to explain why some interventions succeed while others fail. She describes the local-global dynamics between a range of international actors, from feminist activists to national governments, and an equally diverse set of Russian organizations and institutions.

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J. S. Bach's Suites for Unaccompanied Cello are among the most cherished and frequently played works in the entire literature of music, and yet they have never been the subject of a full-length music analytical study. The musical examples herein include every note of all movements (so one needs no separate copy of the music while reading the book), and undertakes both basic analyses—harmonic reduction, functional harmonic analysis, step progression analysis, form analysis, and syntagmatic and paradigmatic melodic analysis—and specialized analyses for some of the individual movements. Allen Winold presents a comprehensive study intended not only for cellists, but also for other performers, music theorists, music educators, and informed general readers.

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David McGill has assembled an exhaustive study that uses the musical concepts of the legendary Marcel Tabuteau as a starting point from which to develop musical thought. McGill methodically explains the frequently misunderstood "Tabuteau number system" and its relationship to note grouping-the lifeblood of music. The controversial issue of baroque performance practice is also addressed. Instrumentalists and vocalists alike will find that many of the ideas presented in this book will help develop their musicianship as well as their understanding of what makes a performance "musical."

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India is widely regarded as the most celebrated case of a "failed" developmental state, seemingly the exception that belies the prediction of a triumphant Asian century. Its central political and economic institutions have been variously characterized as both "soft" and "strong"—at once weak, predatory, and interventionist. Aseema Sinha presents an innovative model that questions conventional views of economic development by showing that the Indian state is a divided leviathan: its developmental failure is the combined product of central-local interactions and political choices by regional elites. To develop this disaggregated model, she examines three regional states with sharply divergent development trajectories: Gujarat, West Bengal, and Tamil Nadu. Drawing on recent work in comparative political economy, the theory of nested games, incentive theory, and an ethnographic analysis of business actors, this study directs analytical attention at the creation of micro-institutions at the subnational level, explores the role of provinces in shaping investment flows, and considers the role of federalism as a mediating institution shaping the vertical strategies of provinces. A comparative chapter applies the model to data from China, Brazil, Russia, and the former Soviet Union.

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This volume reconstructs Martin Heidegger's lecture course at the University of Marburg in the winter semester of 1924-25, which was devoted to an interpretation of Plato and Aristotle. Published for the first time in German in 1992 as volume 19 of Heidegger's Collected Works, it is a major text not only because of its intrinsic importance as an interpretation of the Greek thinkers, but also because of its close, complementary relationship to Being and Time, composed in the same period. In Plato's Sophist, Heidegger approaches Plato through Aristotle, devoting the first part of the lectures to an extended commentary on Book VI of the Nichomachean Ethics. In a line-by-line interpretation of Plato's later dialogue, the Sophist, Heidegger then takes up the relation of Being and non-being, the ontological problematic that forms the essential link between Greek philosophy and Heidegger's thought.

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As a United States war crimes investigator during World War II, Benhamin B. Ferencz participated in the liberation of Nazi concentration camps. He returned to Germany after the war to help bring perpetrators of war crimes to justice and remained to direct restitution programs for Nazi victims. In Less Than Slaves, Ferencz describes the painstaking efforts that were made to persuade German industrial firms such as I. G. Farben, Krupp, AEG, Rheinmetall, and Daimler-Benz to compensate camp inmates who were exploited as forced laborers. The meager outcome of these efforts emerges from searing pages that detail the difficulties confronted by Ferencz and his dedicated colleagues. This engrossing narrative is a vital resource for all who are concerned with the moral, legal, and practical implications of the recent significant increase in the number of compensation claims by victims of persecution. First published in 1979, Ferencz's penetrating firsthand account returns to print with the author's evaluation of its historical significance and current relevance.

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Originally published in 1985, Liberated Cinema: The Yugoslav Experience received the first annual "Close-up" award from the Yugoslav Film Institute in 1986 for "outstanding scholarship and for promoting the values of Yugoslav film art internationally." This new edition has been revised and updated throughout. It has been expanded to complete the story of the new Yugoslav cinema of the 1980s and to address major film developments that have taken place in the former Yugoslavia's five successor states. As in his analysis of past periods of Yugoslav cinema, Goulding situates the most recent developments within the context of film economics, state subsidies, and changing patterns of political control. Most significantly, however, he provides an insightful discussion of the ways in which critically important domestic feature films produced or co-produced from 1991 to 2001 reflect on recent brutal internecine warfare and other contemporary social, cultural, and political realities after the breakup of Yugoslavia.

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