Search results for ""pindar press""
Pindar Press Proceedings of the First International Conference on the History of Ethiopian Art
This was the first International Conference specifically devoted to the study of Ethiopian art. The Proccedings of the Conference makes available papers devoted to the study of Ethiopian art, as distinct from papers on other aspects of Ethiopian life and civilization. As such, it represents a significant contribution to the study of the art of the Ethiopian people over two thousand years. Convened by Dr. Richard Pankhurst at the Warburg Institute in October 1986, it was the first of a series, the second meeting of which was held in Warsaw in 1990. The contents of this volume are principally devoted to studies of Ethiopian painting, both manuscript illuminations and murals. There are also individual studies on Ethiopian metalwork and architecture, with a section on folk art.
£50.00
Pindar Press Further Studies in Italian and Spanish Bibliography
This new volume by Dr. Rhodes consists of forty studies on the printing and bibliography of Italy and Spain published over the years 1981-1991. The Italian material relates largely to printing in the Northern Italian cities in the fifteenth and sixteenth centuries, including Verona, Venice, Brescia, Treviso and Bologna. The Spanish papers deal with Italo-Spanish editions and cross-influences in this period, and the early printing of a number of important Spanish centres.
£50.00
Pindar Press Studies in Indian Sculpture and Painting
Douglas Barrett was one of the leading western authorities on the arts of India. The articles brought together here are grouped into three separate sections. The first comprises six studies dealing with sculpture in North India. The following section covers painting and sculpture in the Deccan, with five papers on the Amaravati school. The final section is devoted to the sculpture of South India.
£50.00
Pindar Press Studies in Persian Art, Volume I
Over the last forty years, Basil Robinson has established a reputation as a leading authority on the art of Persia. His work on Persian manuscript illumination represents one of the most important contributions made in this century to the study of the development of this pivotal branch of Islamic art, which absorbed the influence of Arab and Chinese painting, and influenced in turn the miniature painting of Mughal India. This first volume concentrates on Persian painting. Seven papers examine the general evolution of painting in Persia from the fourteenth to the nineteenth centuries, "mostly preserved in manuscript illumination, with emphasis on that most characteristic of Persian manuscripts, "the Shah-Nameh, the national epic. Particular attention is paid to the Timurid period and the sixteenth and seventeenth centuries. Four reviews of exhibitions of Persian art follow. Thirteen studies are devoted to a later period, the school of painting that arose under the Qajar rulers, when Persian art flourished in such new and diverse media as oil painting and painted enamels. Vol I Contents: Preface A Survey of Persian Painting 1350-1896 Persian Painting and the National Epic Persian Miniatures and Manuscripts Persian Miniatures of the 16th and 17th Centuries Shah Abbas and the Mughal Ambassador Khan Alam: the Pictorial Record Areas of Controversy in Islamic Painting Book Illustration in Transoxiana: the Timurid Period Some Modern Persian Miniatures Persian Miniatures at the British Museum Persian Painting: A Loan Exhibition at the Victoria and Albert Museum Persian Miniature Painting from Collections in the British Isles Qajar Art: An Introduction The Court Painters of Fath Ali Shah The Amery Collection of Persian Oil Paintings Persian Royal Portraiture and the Qajars Some Thoughts on Qajar Lacquer Qajar Lacquer Persian Lacquer in the Bern Historical Museum Persian Lacquer and the Bern Historical Museum Casket A Pair of Royal Book-Covers A Lacquer Mirror Case of 1854 Qajar Painted Enamels A Royal Qajar Enamel The Tehran Nizami of 1848 and other Qajar Illustrated Books Inde.
£60.00
Pindar Press Studies in Early Tuscan Painting
Professor van Os has spent twenty years working on Tuscan painting, and his contributions to the study of the Sienese school are of great importance. This volume brings together for the first time his articles on Tuscan art in the period leading up to the Renaissance in Florence and Siena. They represent one of the most important individual approaches to the subject in recent decades. A number of the studies reprinted here have been specially translated from Dutch for this book. The volume begins with five studies on problems of methodology involved in dealing with the art of this period. Eight further studies follow on the iconography of early Tuscan art. Finally eight studies deal with individual Sienese painters.
£75.00
Pindar Press Studies in the Art of China and South-East Asia, Volume I
Professor Sullivan is a leading authority on the art of China, and has published a number of standard works on both traditional and modern Chinese art. These two volumes bring together for the first time his papers on the subject, and include a number of important studies on the related art of South-East Asia. The first volume concentrates on traditional Chinese art. In its long and relatively uninterrupted development over a period of two thousand years, Chinese art can only be compared with the art of ancient Egypt. The author gives a resume of the stages of this development in his first paper, and isolates certain recurrent themes and attitudes in the four studies that follow. Other papers deal with screen and scroll painting in the early period, and with the excavation of a T'ang emperor's tomb. The period of the Ming and Ch'ing emperors is also covered, leading up to the first contacts with Western art in the seventeenth and eighteenth centuries, and the work of European artists in China. The volume concludes with a number of Professor Sullivan's reviews of works by other scholars on Chinese art, and of exhibitions, and an appreciatlon of the work of Arthur Waley. There is a new preface and index, and the author has supplied additional notes to the original articles which draw attention to subsequent research.
£50.00
Pindar Press Studies in the Art of China and South-East Asia, Volume II
This second volume of Professor Sullivan's studies covers his work on modern Chinese art and the art and archaeology of South-East Asia. The break between traditional Chinese painting and the European-influenced art of the twentieth century is charted in detail, with an introductory paper that explores the value of the traditional aesthetic for the future of China and East Asia. The developments in Chinese art in the twentieth century are then examined. The conflict between traditional values and new ideas in art, particularly the Marxist legacy of modern China, are dealt with in three further papers, and a final study is devoted to new trends in Chinese art following the trauma of the Cultural Revolution. The author's work on the art of South-East Asia is introduced by three studies on finds of Chinese export porcelain in this region. The close links between Chinese civilization and the native cultures is covered in detail, but as the following studies show, there was much that was original in the art of the region, and Indian elements were also important. The volume concludes with a study of the nineteenth-century Japanese painter, Tessai, whose debt to Chinese art was considerable. Additional notes again draw attention to subsequent work in the field.
£50.00
Pindar Press Studies in English Bible Illustration, Volume I
George Henderson's work on English biblical illumination has thrown new light on the sources of some of the most celebrated Anglo-Saxon and Norman illustrated manuscripts and helped to place the astonishing creativity and skill of the artists who worked on these manuscripts within the developing tradition of Bible illumination in the Middle Ages. These two volumes make available Professor Henderson's studies published over twenty years. In the first volume, he traces the links with late-antique pictorial sources, and compares the innovations in interpreting the Bible text with contemporary developments in other artistic media. He also deals with those works of art from the Anglo-Saxon period known from historical sources but now lost, and with the influence that the art of this early period exerted on a later period, the seventeenth century, and its religious disputes. The second volume of Professor Henderson's studies deals mainly with the celebrated Anglo-French illuminated Apocalypses of the thirteenth century. The principal manuscripts are all covered, and the iconographic programmes are examined in detail. Two articles draw attention to newly-discovered fragments of other Apocalypse manuscripts. The volume also includes a number of the author's studies on medieval English seals, where the iconography is often of considerable art-historical importance.
£50.00
Pindar Press Eastern Turkey: An Architectural & Archaeological Survey, Volume I
Civilizations of great diversity have succeeded each other or co-existed in Eastern Turkey, and most of them have left monuments of high quality. Hittite, Urartian, Hellenistic, Roman, Syrian, Byzantine, Armenian, Arab, Seljuk and Ottoman, their remains are all represented in the region. These include some of the most important sites in Near Eastern archaeology, in regions in and near the heartland of the Hittite and Urartian cultures. The Hellenistic cities reflect the introduction of a new civilization, and the Roman and Byzantine empires included all or part of the region, with the prosperous feudal states of Georgia and Armenia on their borders. Besides the Byzantine, three great East Christian monastic traditions, Syrian, Georgian and Armenian, flourished here from the late fourth century onwards, and their monuments have left a permanent mark on the landscape. The Seljuk invasion, followed by the more recent period of Ottoman rule, led to the imposition of a new culture on the region, and its reflection in the monuments. Some of the finest Seljuk buildings are in Eastern Turkey, and the buildings of the Turkish states east of the Seljuk empire form much of the early history of Turkish architecture. The independent Greek empire of Trebizond and two of the four Crusader states lay in Eastern Turkey. The lands of the empires and the smaller medieval states were heavily fortified, and their castles and other fortifications are now spread over the region. The cultural diversity of its inheritance has made Eastern Turkey one of the most fascinating regions for archaeological and art-historical research. These four volumes provide the first comprehensive guide to all of the important historical sites of the region, the result of eight years of travel and research. The monuments are dealt with by geographical location, including a full description of each site, and details on how it can be reached. In the case of the more important monuments, a full bibliography of earlier work is provided. The ample provision of photographs and plans enhances the value of the author's detailed descriptions.
£225.00
Pindar Press Miniature Paintings in the Latin Kingdom of Jerusalem
The publication of Professor Buchthal's work on Crusader miniature painting represented a landmark in medieval studies, and for nearly thirty years this book has remained the standard work of reference on the subject. For the first time the illuminated manuscripts produced in the Latin Kingdom of Jerusalem were assembled as a group, from the twelfth-century Melisende Psalter to the later manuscripts written in Acre, following the fall of Jerusalem itself. Professor Buchthal provides an exhaustive description of the individual manuscripts, with each miniature reproduced. The author's photographs have been used again for this reprint, to maintain the high quality of the original publication, and the format remains the same. Professor Buchthal's examination of the material remains unchallenged, and subsequent research has confirmed the links originally suggested with Byzantine, French and Italian illuminated manuscripts of the same period. The scope of this work, which includes a palaeographical and liturgical study of each of the manuscripts covered, set new standards for art-historical research, and it remains invaluable both as a detailed introduction to the manuscripts and as the most comprehensive study of Crusader miniature painting that has yet appeared. It has been almost unobtainable for a number of years, and this reprint will be welcomed by art-historians and manuscript specialists alike.
£95.00
Pindar Press Studies in Fifteenth-century Printing
The work of George D. Painter on incunabula and early printing needs no introduction. Ranging from Gutenberg and Caxton to the first printing in France and Spain, the author has done much to illuminate the tangled history of the earliest editions of some of the rarest and most attractive books in European printing. The articles reprinted here feature a number of studies which have become classics in their field. The author’s investigation of Gutenberg’s early work represents a major contribution to the age-old controversy surrounding the invention of printing. Similarly, his studies on Caxton have helped to clarify the date and development of the work of England’s first printer. Also included is his celebrated essay on the most outstanding illustrated book from the fifteenth century, Aldus Manutius’ edition of the Hypnerotomachia Poliphili There is a preface by Dennis E. Rhodes.
£50.00
Pindar Press Studies in Late Medieval Italian Art
In this second volume of Professor White's studies, the emphasis shifts to Italian art in the thirteenth and fourteenth centuries, and the major figures who were responsible for the decisive changes in painting and sculpture that were to lead on to the Renaissance. Here again, however, there is the same concern with the actual monuments. The author devotes two major studies to the reconstruction of the "original appearance of Duccio's Maestà and of Nicola Pisano's Perugia Fountain. An important new study of the physical evidence for Cimabue's work at Assisi shows the value of an understanding of the working processes involved there. This conviction that the starting point in a thorough investigation into the original appearance or development of any work of art lies in the observation of the physical evidence is central to Professor White's approach, whether this may be the arrangement of panels on a polyptych, or the scrutiny of giornate on a painted ceiling.
£75.00
Pindar Press Early Italian Painting Vol. II: Selected Studies. Volume II - Manuscripts
Edward Garrison's work on early Italian panels resulted in the publication in 1949 of the first comprehensive index of Romanesque Italian panel painting, which remains the standard work of reference on the subject. Subsequently, his four-volume Studies in the History of Medieval Italian Painting, published in Florence between 1953 and 1962, represents the most considerable body of research yet published on Italian miniature and panel painting from the eleventh to the thirteenth centuries. These two volumes collect together all the author's articles on Italian fresco and panel painting which have been published in art-historical journals since 1945. This provides both an indispensable supplement to the author's earlier Studies in the History of Medieval Italian Painting, and in including three successive Addenda to his Index of Italian Romanesque Panel Paintings, also serves the function of updating the earlier publications.
£150.00
Pindar Press The Churches and Monasteries of Tur'Abdin
The Tur 'Abdin is a mountainous region in the south-east of modern Turkey, and is architecturally one of the most interesting areas for the study of early Christian architecture. In two journeys into the Tur 'Abdin early in this century, Gertrude Bell examined the more important monastic sites. Her two reports on these journeys, published in 1910 and 1913, made available for the first time a full study of the Christian architecture of the region, and her photographs are particularly valuable since many of the churches have since been destroyed or suffered considerable damage. In the present volume these two seminal studies are reprinted, with the addition of over a hundred and twenty previously unpublished photographs of these monuments from the Bell archive. Gertrude Bell's text is printed as originally published, but has been up-dated by Marlia Mundell Mango with extensive notes which draw attention to subsequent work. The editor has also added an extensive Catalogue of sites and monuments visited by Bell in and around the Tur 'Abdin; this provides an alphabetical gazetteer to all of the sites mentioned in Bell's text, and supplies information about other sites and monuments visited by Bell, but of which she did not publish her photographs. The entries in this sixty-page Catalogue give the relevant information from Bell's published work for each monument; a bibliography of other work on it; building dates from inscriptions and texts; changes to the monument since visited by Bell; and a short summary of publications on the monument. Marlia Mundell Mango has also added a short glossary; a list of dated monuments in the region from A.D. 200-1500; an administrative list of provinces, metropolitan bishoprics and bishoprics covering the ecclesiastical administration of the region in late antiquity; a detailed map which incorporates most of this new information; a bibliography with a survey of archaeological and historical work on the Christian monuments of northern Mesopotamia and a total of 256 of Bell's plates, of which 128 are published here for the first time.
£95.00
Pindar Press The Decorative Arts of Europe & The Islamic East: Selected Studies Vol. I
This selection of twenty-one essays by Professor Kurz is a unique introduction to the art and culture of Europe and the Near East from the Renaissance onwards. His examination of the flow of artistic ideas and artefacts from Europe to the Islamic world is an important contribution to the study of the spread of Western European influence in this period; at the same time the reader is made aware of the extent of European borrowings from Islamic civilization, and the importance of a shared classical heritage. Characterized by an extensive acquaintance with both European and Islamic works of art, Professor Kurz's research in this field remains of fundamental importance. This volume also includes a number of important articles on several major figures in Renaissance and Baroque art, and a study of the patronage of the Emperor Rudolf II, previously available only in a Czech translation. The preface by Professor Sir Ernst Gombrich is both an introduction and a memoir. A bibliography of Otto Kurz's publications and an index are included. The volume is illustrated with 191 plates.
£150.00
Pindar Press Design and Techniques in Early Medieval Celtic Metalwork
Niamh Whitfield is a leading authority on the metalwork of early Medieval Ireland and Scotland . Celtic metalwork of the seventh to twelfth centuries is extremely accomplished technically, and she has aimed at a thorough understanding of its manufacture. She has also been concerned to place Early Medieval Celtic design in its European context, and to analyse its relationship with Anglo-Saxon and continental work, as well as its debt to traditions which ultimately originated in the Classical world. Dr Whitfield has written about subjects as diverse as the origins of the gold used in early Medieval Ireland and Scotland, the development of animal ornament and geometrical principles of design. Her archival studies have succeeded in identifying the find-spot of the celebrated 'Tara' brooch and in documenting panels of ornament which are now missing. In addition, she has explored early Irish texts for attitudes to jewellery and clothing, considered the brooch as an emblem of status, looked at how brooches were worn, and whether descriptions of clothing and accessories in an early Irish saga provide an accurate description of contemporary finery.
£150.00
Pindar Press Studies in Carolingian Manuscripts
For the last forty years Florentine Mutherich has worked as editor of the corpus of Carolingian illuminated manuscripts she has recently published the School of Reims and is currently preparing the Franco-Saxon schools. In addition to her work on these volumes, she has explored various aspects of Carolingian book illumination. This volume presents a selection of her studies where the different types of school - court schools, and monastic and episcopal schools - are represented, as well as the different types of manuscripts. These are mostly Bibles, Gospel books, Psalters and Sacramentaries, but also secular works such as copies of late antique authors, Vergil, Aratus and the treatises of Roman land surveyors. Other articles deal with special problems such as the relationship to Roman or to Byzantine art.
£30.59
Pindar Press An Obscure Portrait: Imaging Women's Reality in Byzantine Art
Recent discussions on Byzantine art have been dominated by the question of representing realia. Among these, however, the way works of art reflect the daily life of women have not received much space or attention. The present book studies various images representing women's status and her performative tasks, and their significance from the fourth century to the fall of the Empire, through analysis of archaeological evidence and works of art. It addresses a wide range of questions, some pertaining both to pictorial traditions and to their late antique antecedents, others peculiar to changing and evolving Byzantine culture and mentality. The first chapter deals with the imagery of childbearing, starting with conception and concluding with the care given to the new born and the mother. The second chapter investigates motherhood imagery (breastfeeding, child care, and child-mother intimacy) and the portrayal of women as caretakers and managers of the household (preparing food, bringing water, carding and weaving, or working side by side with their husbands). The third chapter is dedicated to representations of women holding positions outside the house: midwives, maidservants, wet nurses, and mourners. Images of women engaged in disreputable occupations-dancers, musicians, prostitutes and courtesans - complete this chapter. The fourth chapter discusses images of women portrayed in the metaphorical margins - looking out from the gynaikon (the women's apartments), or at their private toilette; it also deals with representations of women who stray from the societal mainstream - concubines; adulteresses, women consenting to sexual acts or being coerced into them - considered symbolically as belonging to the margins of society. The book concludes with a discussion of the degree to which the visual material reliably reflects reality and changing attitudes toward women between Late Antiquity and late Byzantium; and further, to what extent it reveals embedded perceptions and conceptions of women, constructed by canonic regulations and imperial law, popular beliefs and accepted customs. The book aims to lift a veil from known and less known works of art and to present the rarely described picture of the daily life of women in Byzantine art over a very wide chronological span of time, in an effort to expand our knowledge of women in Byzantium and their realia.
£30.59
Pindar Press Studies in Manuscript Illumination, 1200-1400
The author is Helen Gould Sheppard Professor of Art History at New York University , Institute of Fine Arts, and a leading authority on English medieval manuscript illumination. This volume bring together twenty-six of Professor Sandler's studies, focusing on illustrated manuscripts produced in England in the thirteenth and fourteenth centuries, particularly on the illuminated psalters. The marginal illustrations in these psalters are a topic of particular interest, and there are a number of iconographic studies derived from this material. A separate section deals with the illustrated encyclopedias of the period, particularly the Omne bonum.
£30.59
Pindar Press The Church of the Archangel Michael at Kavalariana: Art and Society on Fourteenth-Century Venetian-Dominated Crete
Dr Angeliki Lymberopoulou lectures on Byzantine Studies at the Open University, and is an expert on the art and society of Venetian-dominated Crete (1211-1669). During this period, Crete was perhaps the most important Venetian stronghold in the Mediterranean . The traditional view that there was little cultural interaction between the native Greek Orthodox population and the Venetian colonists has recently been cast in doubt. From the early fourteenth century onwards, the two ethnically and religiously different inhabitants of Crete formed in fact a hybrid society, and Cretan artistic development reflects this progress. The book focuses as a case study on the church of the Archangel Michael at Kavalariana. This is a small church in the village of Kavalariana on the south-western part of the island. It is dated by a dedicatory inscription to the year 1327/28. The conservative iconographic programme of the wall paintings inside the church consists of seventeen religious scenes and thirty-three isolated saintly figures. As the paintings are signed Ioannes, they have been attributed to the prolific fourteenth-century Cretan artist Ioannes Pagomenos. A close examination of the style and comparisons with Pagomenos' oeuvre suggest, however, that Ioannes of Kavalariana was a separate artist with an identity of his own. A unique feature of the Kavalariana cycle is the pro-Venetian inscription which, in combination with the fourteen portraits of the donors that appear in the church, forms an important witness to Venetian/Cretan cultural interaction.
£30.59
Pindar Press Studies in Manuscript Illumination, 1200-1400
The author is Helen Gould Sheppard Professor of Art History at New York University , Institute of Fine Arts, and a leading authority on English medieval manuscript illumination. This volume bring together twenty-six of Professor Sandler's studies, focusing on illustrated manuscripts produced in England in the thirteenth and fourteenth centuries, particularly on the illuminated psalters. The marginal illustrations in these psalters are a topic of particular interest, and there are a number of iconographic studies derived from this material. A separate section deals with the illustrated encyclopedias of the period, particularly the Omne bonum.
£150.00
Pindar Press Lombard Legacy: Cultural Strategies and the Visual Arts in Early Medieval Italy
Using the great south-Italian monastery of San Vincenzo al Volturno, one of the best preserved monasteries of the earliest Middle Ages, as a case-study and heuristic paradigm, John Mitchell has engaged in a wide-ranging examination of the ways in which visual culture was developed and deployed by ambitious states and institutions in early medieval Europe. The present volume includes studies on the cultural dynamics of Italy and its contribution to the visual complexion of Europe in the period, as well as essays on many aspects of the artistic culture of San Vincenzo, including a series of papers on the display of script in the physical fabric of the monastery and the prominent role it played in its self-image.
£150.00
Pindar Press The Churches of Rome, 1527-1870 Volume I: Vol. I. The Churches
The churches of Rome constitute what is probably the most important assemblage of art and architecture in the Western world. This book is a comprehensive and detailed description of 261 churches in Rome and the Vatican City, built or decorated between 1527 and 1870. It includes a history of their construction and a description of the interior decorations, including frescoes, marble and metal work, stucco decorations, monuments and altarpieces. This is based on extensive research in state, church and private archives, as well as an exhaustive survey of modem and historical bibliographical sources. Its aim is to provide a more complete picture of the construction and decoration of these churches than has previously been known. This entails not only providing the names of the architects who designed the churches, but also the names of the masons and stonecutters who built the churches and whose skills were essential for realising the architects' plans. This depth of information is carried through to the interior decorations. The interior of each church is described in detail, on a chapel by chapel basis, and includes stucco work, marble revetments, monuments, metalwork, frescoes and painted decorations and altarpieces. Again care is taken to document the names of the painters, sculptors, stucco workers, metal founders, silversmiths and wood carvers who carried out this work. Archival research has thrown new light on a large number of works of art whose authorship and date have hitherto been unknown. This includes works by well-known artists, but also many others unknown to scholars. An alphabetic index of artists is supplied in Vol. II, and includes the churches where their works are to be found and accurate biographical information for each artist. In addition there is an index of patrons, and a street and rione index. The book is intended to be used as a reference and resource book, as well as being a guide for visitors to these churches. It is lavishly illustrated with 250 photographs.
£150.00
Pindar Press Second Chance: Greek Sculptural Studies Revisited
Trained in Italy, Greece, and the United States, the author has taught for over 35 years at Bryn Mawr College, and at other universities in the U.S. and abroad, receiving the Gold Medal of the Archaeological Institute of America for Distinguished Achievement. A pupil of Rhys Carpenter, she has devoted all her writing to Greek sculpture. The articles in this volume were selected from over 95 studies she has published. In addition, her books have surveyed the entire span of Greek sculpture from the Archaic to the Late Hellenistic period. The articles are here presented in the chronological order in which they first appeared, to document Profesor Ridgway's evolving views on the history of Greek sculpture. Preference has been given to those that were published in foreign journals and honorary volumes; two have been translated from the original Italian and one from French. Notes at the end of the book update all the studies.
£41.49
Pindar Press Art and Archaeology of Antiquity Volume III
Over the last fifty years Professor Cornelius Vermeule, formerly curator of Classical Art at the Boston Museum of Fine Arts, has consolidated his reputation as one of the foremost American authorities on Graeco-Roman art. His published work has covered the entire period from Mycenean to Byzantine art, and his papers have included studies of metalwork, sculpture, numismatics and the history of collecting. His studies have been particularly concerned however with Greek and Roman sculpture, especially that of the Roman Empire. These four volumes are designed to make available the most important of Professor Vermeule's contributions to periodicals. Volume I covers studies published between 1953 and 1964, and volume II continues the selection up to 1973. Volume III contains studies published between 1974 and 1984, and volume IV brings the selection up to 1995. Each volume has a new preface by Professor Vermeule and a comprehensive index.
£30.59
Pindar Press Studies of Renaissance Miniaturists in Venice Vol II
Lilian Armstrong is Professor of Art at Wellesley College, Massachusetts, and a specialist on Venetian Renaissance book illumination. She is the author of The Paintings and Drawings of Marco Zoppo and Renaissance Miniature Painters and Classical Imagery: The Master of the Putti and His Venetian Workshop, and she was a major contributor to the exhibition catalogue The Painted Page: Italian Renaissance Book Illumination 1450-1550 (ed. by Jonathan Alexander). Her publications have focussed particularly on the transition from illuminated manuscripts to the hand-illuminated early printed book in Venice. The present volume collects Professor Armstrong's papers on miniaturists active in Venice and Northern Italy in the 15th and early 16th centuries, and on the impact of the new invention of printing on these artists and their patrons. Included are papers on Marco Zoppo, primarily a monumental"painter, who nevertheless also painted in manuscripts and incunables. The studies variously identify miniaturists and designers of woodcuts through stylistic groupings, trace iconographic traditions for Pliny's Natural History and Petrarch's De viris illustribus, demonstrate the importance of heraldry for studying patronage of Venetian printed books, and explore the distribution of Venetian incunables throughout Europe based on analysis of their decoration.
£95.00
Pindar Press Studies of Renaissance Miniaturists in Venice. Vol 1
Lilian Armstrong is Professor of Art at Wellesley College, Massachusetts, and a specialist on Venetian Renaissance book illumination. She is the author of The Paintings and Drawings of Marco Zoppo and Renaissance Miniature Painters and Classical Imagery: The Master of the Putti and His Venetian Workshop, and she was a major contributor to the exhibition catalogue The Painted Page: Italian Renaissance Book Illumination 1450-1550 (ed. by Jonathan Alexander). Her publications have focussed particularly on the transition from illuminated manuscripts to the hand-illuminated early printed book in Venice. The present volume collects Professor Armstrong's papers on miniaturists active in Venice and Northern Italy in the 15th and early 16th centuries, and on the impact of the new invention of printing on these artists and their patrons. Included are papers on Marco Zoppo, primarily a monumental"painter, who nevertheless also painted in manuscripts and incunables. The studies variously identify miniaturists and designers of woodcuts through stylistic groupings, trace iconographic traditions for Pliny's Natural History and Petrarch's De viris illustribus, demonstrate the importance of heraldry for studying patronage of Venetian printed books, and explore the distribution of Venetian incunables throughout Europe based on analysis of their decoration.
£30.59
Pindar Press Studies in Imagery Volume II: The World Discovered
Dr Jean Michel Massing is a Reader in the History of Art and a Fellow of King's College, Cambridge. The first volume of Studies in Imagery, Text and Images, consists of 25 "studies grouped under four sections: Classical Art and its Nachleben; Symbolic Languages; Saints and Devils; Comets, Dreams and Stars. The topics include the Celto-Roman "goddess Epona, the Calumny of Apelles and its reconstructions, the Triumph of Caesar, proverb illustration, the art of memory, emblematic and didactic imagery, the temptations of St Anthony, as well as dreams and celestial phenomena. They span a wide range of periods, from classical antiquity to the nineteenth century. Vol. 2, The World Discovered, deals variously with the relationship of European with non-European cultures, cartography in medieval and early modern times, the representation of foreign lands and people, and the collecting of exotic artefacts. A central theme involves the imagery of black Africans from the Middle Ages up to the nineteenth century.
£150.00
Pindar Press Byzance, Les Slaves et L'Occident: Etudes sur l'art paléochrétien et médiéval
A pupil of André Grabar, Tania Velmans has worked for over thirty years on the art of the Byzantine empire and its wider diffusion throughout the neighbouring Slavic lands. This volume makes available sixteen of the author's studies divided into four sections. The first examines the development of such themes as the Fountain of Life and the Akathistos cycle in Byzantium, and their radiation throughout the Slavic world, and looks at other Byzantine-derived subjects in the art of Western Europe. The second group of studies looks at iconographic developments within the Byzantine Empire. A third section looks at later Western influence on Byzantine and medieval Slav art. The final section deals with drawings and bookbinding.
£30.59
Pindar Press Art and Archaeology of Antiquity Volume II
Over the last fifty years Professor Cornelius Vermeule, formerly curator of Classical Art at the Boston Museum of Fine Arts, has consolidated his reputation as one of the foremost American authorities on Graeco-Roman art. His published work has covered the entire period from Mycenean to Byzantine art, and his papers have included studies of metalwork, sculpture, numismatics and the history of collecting. His studies have been particularly concerned however with Greek and Roman sculpture, especially that of the Roman Empire. These four volumes are designed to make available the most important of Professor Vermeule's contributions to periodicals. Volume I covers studies published between 1953 and 1964, and volume II continues the selection up to 1973. Volume III contains studies published between 1974 and 1984, and volume IV brings the selection up to 1995. Each volume has a new preface by Professor Vermeule and a comprehensive index.
£30.59
Pindar Press Etudes Cappadociennes / Studies in Byzantine Cappodocia
This volume makes available Professor Jolivet-Lévy's papers on the art of Byzantine Cappadocia published over the last twenty years. They deal mainly with wall-paintings, a field in which the author has specialized. In its richness and "diversity, the archaeological documentation preserved in Cappadocia provides important evidence for the society and religious life of the Byzantine province (subsequently, from the end of the 11th century, part of the Seljuk sultanate of Rum). Although often little known to art historians, these monuments are of great importance for the history of Byzantine art, in particular for the period of the ninth and tenth centuries.
£30.59
Pindar Press Art and Archaeology of Antiquity Volume I
Over the last fifty years Professor Cornelius Vermeule, formerly curator of Classical Art at the Boston Museum of Fine Arts, has consolidated his reputation as one of the foremost American authorities on Graeco-Roman art. His published work has covered the entire period from Mycenean to Byzantine art, and his papers have included studies of metalwork, sculpture, numismatics and the history of collecting. His studies have been particularly concerned however with Greek and Roman sculpture, especially that of the Roman Empire. These four volumes are designed to make available the most important of Professor Vermeule's contributions to periodicals. Volume I covers studies published between 1953 and 1964, and volume II continues the selection up to 1973. Volume III contains studies published between 1974 and 1984, and volume IV brings the selection up to 1995. Each volume has a new preface by Professor Vermeule and a comprehensive index.
£30.59
Pindar Press Collected Textile Studies
The late Donald King (d. 1998) was the founding father of textile studies in England. His knowledge of the technology and history of textiles of all periods across many lands remains unsurpassed. An erudite and yet modest scholar, he did much to promote the academic understanding of textiles, both in this country and abroad. His role as Keeper of Textiles in the Victoria and Albert Museum, allowed first-hand technical analysis of a large number of medieval and later textiles over a very wide range of techniques. This laid the foundations for his abiding interest in textile techniques, which was allied to his fascination with textile terminology as it appeared in documentary sources. Much of his museum scholarship found its way into publications such as the Victoria and Albert Museum Bulletin and Hali magazine. From 1977 onwards, as President of C.I.E.T.A. (the International organisation for the study of early textiles), he led a powerful lobby of textile specialists, including all the major museum keepers of textiles across the globe. His scholarship during this period was well represented through detailed and erudite articles of technical, art historical and contextual significance, published in the C.I.E.T.A. Bulletin. His twin role as scholar and textile keeper represented the meeting of the academic and the museum worlds across textile studies. This publication gathers together for the first time a representative selection of Donald King's scholarship, in seventeen studies written and published over the period 1960-1999. Seven of the papers are grouped to illustrate the wide range of techniques across which he was able to publish (woven IX; embroidered X, XI; tapestry XII; printed XIIIand pile/carpet techniques XIV, XV). Three further papers (II, III, VIII) illustrate his tremendous facility for close technical analysis of his materials, whilst his linguistic gifts, which allowed him to solve the intricate puzzles posed by textile terminology used in medieval sources, are celebrated in four further papers (IV-VII). Study II shows how he integrated these different avenues of approach into the intricate textile method that he developed. Two more papers have been included, to illustrate Donald King's notable ability to communicate his enthusiasm and expertise about textiles to a wide audience. The study entitled 'Magic in the Web' (XVII) was designed to engage the general public and it was received with tremendous enthusiasm both as a lecture and as a published piece. The paper on 'Early Textiles with Hunting subjects in the Keir collection', (I) served both the academic and the museum world, and it illustrated for the connoisseur what could be learnt by those engaged in building up private collections of medieval textiles.
£75.00
Pindar Press L'Art Monumental de la France Romane: Le XI Siecle
The most important of Eliane Vergnolle's publications focus on the study of Romanesque art in France. In particular, she has concentrated on the period during which this type of art was born and has investigated the processes which, from the beginning of the 11th century onwards, led to the renewal of monumental sculpture in several regions. Having investigated previous methods of analysis, she has proposed a new way of looking at the chronological order of the first steps in this period, notably from the example of the exceptional workshop which created the abbey of Saint-Benoît-sur-Loire. Her study of the Corinthian capital and its multiple transformations came about from a greater understanding of the notion of the Renaissance of Antiquity, which recurs throughout the period. Other studies concentrate on the role of sculptural decoration in the buildings, as well as the genesis of certain forms of architectural structure. Much of this research has appeared in the form of monographic studies of important individual monuments. These nineteen studies are principally concerned with the Loire valley, the Berry, the Bourbonnais and Burgundy and they delineate the artistic landscape of those regions which were among the most precocious and the most inventive in the Capetian kingdom.
£42.98
Pindar Press Studies on Claude and Poussin
Michael Kitson (1926-98) taught European art history at the Courtauld Institute for thirty years. He had a special interest in landscape, and in the relationship between 17th-century artists and their later followers in Britain. His most substantial scholarly contributions are confined chiefly to the subjects of this book, Claude Lorrain and Nicolas Poussin - especially to Claude. It is fair to say that he transformed the study of Claude Lorrain's work. His approach was informed by his earlier studies of English literature, both in its insistence on close scrutiny of the work of art, and in its emphasis on the aesthetic or 'poetic' qualities of Claude's work. The present volume contains twenty essays and reviews, chiefly concerning Claude Lorrain, but also including one on Gaspard Dughet, two on Nicolas Poussin (including the latest piece, an authoritative review of the 1994 Poussin"exhibition), and a comparison of Claude and Poussin in landscape. The writings range considerably in scale and scope, from closely focussed analyses of one or two paintings, or a group of drawings, to reviews of exhibitions and"catalogues raisonnés, and the introduction to the 1969 Hayward Gallery exhibition, which introduced a wider public to an"appreciation of Claude and ideal landscape. There is an introduction by Dr. Claire Pace covering the work of Professor Kitson, and a comprehensive index.
£30.59
Pindar Press From Caravaggio to Artemisia: Essays on Painting in Seventeenth-century Italy & France
A prominent scholar of Baroque painting, Richard Spear has explored a wide range of cultural, iconographic, connoisseurial, and conservation problems in his publications, many of which arose from two of his earliest research projects: organization of an international loan-exhibition, Caravaggio and His Followers, and his dissertation on the Bolognese painter, Domenichino, which resulted in a two-volume monograph with catalogue raisonné. His directorship of the Oberlin College museum strengthened his view that the work of art is the essential fact of inquiry, regardless of the approaches he has taken to interpreting the art of Domenichino, Guido Reni, Guercino, Artemisia Gentileschi, Georges de La Tour, and Poussin, among other 17th-century artists. As Editor-in-Chief of the Art Bulletin (1985-88) he commissioned essays on "the state of research" in Western art history, whose varied methodologies and interdisciplinarity underpin his recent writings, notably The "Divine" Guido: Religion, Sex, Money and Art in the World of Guido Reni. This volume brings together more than thirty of Richard Spear's most important articles and selected chapters from his main books, organized in three sections, Caravaggio and Caravaggism, Italy and France, and Bolognese Painters. The author provides important addenda and retrospective critical reflections on each of the essays.
£120.00
Pindar Press Studies in English Pre-Romanesque and Romanesque Architecture Volumes I and II
These two volumes, which have been published separately, present a collection of Richard Gem's archaeological and architectural assessments of individual buildings written over the last 25 years which, together, form an overview of the development of English church architecture from the 7th to the 12th century. He demonstrates that English sacred architecture has to be placed within a broader European context and cannot be simply classified as pre- or post-Norman conquest. Volume I presents 15 essays which focus on Pre-Romanesque styles and themes, Anglo-Saxon churches and minsters, Carolingian structures in France and England, and Pre-Romanesque architecture in England. Volume II focuses on specific medieval Romanesque churches in England. Each volume must be purchased separately but pagination continues in Volume II.
£95.00
Pindar Press Shaping Sacred Space and Institutional Identity in Romanesque Mural Painting: Essays in Honour of Otto Demus
Romanesque mural painting was arguably the most visible field for religious images in Western churches between the eleventh and thirteenth centuries. Beyond its traditional justification as Bible of the illiterate mural painting demarcated the principal functional spaces within the church and propagated the sacred narratives, the systems of belief and institutional politics. The present volume provides the first accessible collection of essays devoted exclusively to the contextual interpretation of Romanesque mural painting. They are offered in homage to Otto Demus, who established the essential parameters for the field with his unsurpassed survey of the field over thirty years ago. Presenting previously unpublished research on individual case studies from Italy, France and Spain, the collection of essays published here pursues Demus's premise that mural painting was designed both to shape the experience and ritual use of distinctive spaces within the medieval church, and to advertise certain institutional affiliations and political agendas. The introduction, by Thomas Dale, provides a methodological overview to the field, assessing Demus's contribution to the study of Romanesque mural painting and surveying the scholarship of the past thirty years. It also furnishes the first overview of primary texts that refer to the functions and exegesis of mural painting between the tenth and thirteenth centuries. The ten essays are grouped under four topics 1. Patterns of Narrative Disposition in Sacred Space 2. Reinforcing the Praesentia of the Saints: The Church as Locus Sanctus 3. The Burial Crypt as Mediator between the Living and the Dead, Terrestrial and Celestial Space 4. Ecclesiastical Politics and Institutional Identity.
£75.00
Pindar Press Studies in Byzantine and Serbian Medieval Art
In her study of the relationship between art and its theological, liturgical and literary background in Byzantium, Dr. Gavrilovic has devoted a great deal of attention to the medieval state of Serbia, where, in the process of a strong cultural influence, Byzantine art had taken deep root and was practised with much vigour and individuality. Serbia's position on the north-western flank of the Empire, in the proximity of the city of Salonika, assured an uninterrupted contact with Byzantine masters in the artistic field. This was enhanced by the great building schemes and patronage of Serbian rulers and their allegiance to Orthodoxy, as well as by the particularly strong ties between the Serbian Church and Mount Athos. The good state of preservation of some of the vast church decoration programmes in Serbia contribute to a better understanding of art in Byzantium where the destruction through the centuries was more severe.
£75.00
Pindar Press Studies in Medieval Islamic Architecture, Volume II
Professor Hillenbrand has written extensively over the last twenty-five years on Islamic architecture from Spain to India and from the seventh to the twentieth century. He has paid consistent attention to the architecture of Iran, focusing particularly on the Saljuq period (11th-12th centuries), but has also worked on Umayyad monuments in the Levant between 660 and 750 A.D., a period when Islamic architecture came of age. Apart from recording unfamiliar buildings, he has increasingly concerned himself with the iconographic significance of Muslim buildings The papers in these two volumes closely reflect these interests. Some present primary material, others attempt to explore the achievements of a specific period or dynasty while yet others analyse the religious, royal, or political context of an important monument or school of architecture. The opportunity has been taken to add illustrations to articles, and to provide additional notes and a comprehensive index.
£150.00
Pindar Press Byzantium, Eastern Christendom and Islam Vol. II: Art at the Crossroads of the Medieval Mediterranean, Volume II
The central theme of the articles reproduced in these two volumes is the role of the visual arts and architecture in the cultural interaction between medieval societies, Christian and Muslim, in the eastern Mediterranean. Visual forms of production and communication amongst Christian communities themselves, and between Christian and Muslim, are discussed within their specific social and political contexts. Placing the emphasis on areas which passed between Christian and Muslim raises questions of the formation of identities as well as the relationship of the periphery to the centre. Focusing on the areas of Egypt, Syria and Palestine in relation to Byzantium, Islam, and the West provides a framework for consideration of particular issues, especially the identity of particular communities. The core of the work considers the period between the twelfth and fourteenth centuries, when these areas were at the centre of eastern Mediterranean politics, and seeks to interpret little known evidence in the light of political and cultural circumstances with an interdisciplinary approach as its starting noint. Vol. I features papers on the legacy of Byzantine art, and the medieval Christian art of Egypt. Vol. II covers the Christian art of Medieval Syria, and the art of the Crusader states.
£95.00
Pindar Press Studies in Medieval Art and Interpretation
This selection of articles by Walter Cahn, the Carnegie Professor of the History of Art at Yale University, embraces work by the author that spans a period of some thirty years. Professor Cahn's interests here represented range from the illustration of the lost 10th-century Prayer Book of the late Carolingian Queen Emma to a 15th-century guide to the churches of Rome from the library of Margaret of York, Duchess of Burgundy, though their primary focus is Romanesque art of Latinate Europe in the 11th and the 12th century. Somewhat against the grain of academic specialization, the author is equally at home in sculpture, painting, book illumination, and fundamental questions of methodology. Among the topics that particularly engage his attention in this collection are connections between art and Biblical exegesis, Cistercian art and imagery, the role of art in the expression of orthodox and heretical beliefs, and perhaps most insistently, the figuration of religious, social and political structures within the pictorial languages of the medieval world.
£75.00
Pindar Press Studies in Chinese Archaeology and Art, Volume II
For more than forty years William Watson has occupied a unique place in the study and teaching of Chinese art in Great Britain. Professor Watson's publications cover a wide field, his command of Chinese, Japanese, Russian and western languages giving access to the fullest literature on his subjects. The colloquies he organized at the Percival David Foundation achieved international repute, with results that remain on record. At the Royal Academy of Arts he took a leading part in the Chinese archaeological exhibition of 1972 which reinstated cultural relations between Britain and China. Also at the Royal Academy he was the instigator and chief organizer of the Japanese exhibition of 1982, in which for the first time the art of the Tokugawa period was comprehensively presented outside of Japan as enshrining the national genius. The present two volumes collect Professor Watson's main smaller publications made in the course of museum and university careers. Many are specific studies of works in terms of cultural context, dating and historical significance. They contain mainly writing on Chinese, Japanese and Korean subjects, in particular the bronze art, ceramics and sculpture of the T'ang and earlier periods. Painting is treated in some closely defined topics.
£50.00
Pindar Press Studies in Byzantine and Islamic Silk Weaving
Professor Anna Muthesius is a leading specialist on Byzantine silks. This book brings together the most important of her papers published over 20 years on Byzantine and related silks from 400 to 1200 AD. Some of the papers and plates are currently only available in this book. All items have been amended or annotated as necessary in the light of current knowledge. The figures have been re-drawn especially for this volume, and the text has been reset to an appropriate standard. The articles deal with the economic, political, social, religious, artistic and cultural aspects of mediæval silk production, distribution and use. They illustrate the tremendous impact of Byzantine silk weaving on the Islamic Mediterranean and Near East, and on the Latin West before 1200 AD. The volume contains the research results of a working lifetime, in a form not otherwise obtainable.
£120.00
Pindar Press Studies in the History of Italian Art 1250-1550
Professor Cole has written extensively over the last twenty years on Italian art of the fourteenth and fifteenth centuries, with monographs published on Giotto, Masaccio and Piero della Francesca, and a standard work on Agnolo Gaddi. He is co-editor of the Corpus of Early Italian Paintings, now in preparation. This book brings together thirty-five of Professor Cole's papers and reviews. They include studies of the great figures of trecento and quattrocento Tuscan art, reconstructions and rediscoveries of works from the period, catalogues of Italian works of art in American collections, and reviews of new and standard works in the field.
£75.00
Pindar Press Cathedrals and Sculpture, Volume I
Professor Sauerländer is the leading authority on Gothic sculpture of the twelfth and thirteenth centuries. The papers collected here have been published over the last 35 years. They represent important contributions to the subject - two are published here for the first time - and reflect sensible shifts of method and approach in the study of the art of this period. The studies form two volumes, and are grouped around a number of common themes: the great centers, the survival of antiquity, the new interest in nature and its representation, and the European spread of the Gothic style. Ten are in German, six in French, and six in English. Early studies have been updated with references to the more recent literature. There is a comprehensive index and a bibliography of Professor Sauerländer's work.
£120.00
Pindar Press Studies on Metalwork, Ivories and Stone
Peter Lasko is the leading authority on the luxury arts of the Middle Ages. His book, Ars Sacra, has become the standard reference work on the subject. This collection of twenty-one papers by Professor Lasko contains two studies on sculpture, as well as a number of studies on the arts of the metalworker and ivory carver for which he is best known. There is also an essay on the ethics of restoration, and three studies on the discipline of art history.
£50.00
Pindar Press Studies in Late Byzantine Painting
Doula Mouriki's death in 1991 was a great loss to Greek scholarship. In a career of just under thirty years she made a major contribution to the study of Byzantine art in Greece. This volume brings together eight of the most influential of Professor Mouriki's papers on late Byzantine painting. These are principally concerned with Palaeologan monumental painting in Greece, and include two papers on Georgian fresco cycles, and an important study of the thirteenth-century icons of Cyprus. Dr. Melita Emmanuel has contributed a preface and supplementary notes.
£83.79