Search results for ""oldcastle books ltd""

'A sentence to Dartmoor Prison is a sentence to a living hell...' Lord Charles Sheridan and his American wife, Kate, have heard some truly awful things about Britain's most notorious prison. But Dartmoor and its mist-shrouded environs hold special appeal for both Sheridans. Kate hopes to find inspiration for her new Gothic novel, while Charles plans to implement a fingerprinting program at the prison - and arrange a meeting with one of its most infamous inmates, Samuel Spencer. He's convinced that Spencer - a Scotsman who admitted to killing his wife - is, in fact, innocent. What's more, he believes he has the evidence to prove it. But Spencer continues to maintain his own guilt - and, as if to confirm it, he soon stages a daring prison escape. Lord Charles and his acquaintance Arthur Conan Doyle are most perplexed by this odd turn of events. And when a body turns up on the moor, it's up to the two men - and the clever Kate - to discover if the missing convict is connected to this murderous new case...

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A second book in the ROCLIFFE NOTES series, formed from the questions of newer filmmakers. This is a practical compendium for screenwriters and filmmakers in the form of notes and opinions. These provide a step-by-step, common-sense guide, with suggestions on how filmmakers package a film. The book covers everything you need to know to get a low-budget film made, from understanding budgeting and different types of finance, to casting, crewing, scheduling, production and festival strategy. This book explains how to turn your script into a film. It offers a unique insight by providing insider confidences, from established industry players to peers, on how you don't need permission to make films. A revelation for all would-be filmmakers, this is a guide to the nuts and bolts of making a film.

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The Black Death is the name most commonly given to the pandemic of bubonic plague that ravaged the medieval world in the late 1340s. From Central Asia the plague swept through Europe, leaving millions of dead in its wake. Between a quarter and a third of Europe's population died. In England the population fell from nearly six million to just over three million. The Black Death was the greatest demographic disaster in European history. In this Pocket Essential, Sean Martin looks at the origins of the disease and traces its terrible march through Europe from the Italian cities to the far-flung corners of Scandinavia. He describes contemporary responses to the plague and makes clear how helpless was the medicine of the day in the face of it. He examines the renewed persecution of the Jews, blamed by many Christians for the spread of the disease, and highlights the bizarre attempts by such groups as the Flagellants to ward off what they saw as the wrath of God. His book is a vivid and dramatic account of one of the great catastrophes of history.

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The definitive guide to the decade when swinging London was the film capital of the world After The Beatles stormed America, every Hollywood and European production company descended on London to be part of the new swinging scene... and they didn't leave until they'd signed up every able-bodied pop group or singer to appear in one of their films. A unique and carefully researched cultural history of UK film, TV and music in the swinging 60s; a time when no film or TV programme was without a group, singer or fantastic soundtrack - and London was briefly the film capital of the world. Containing individual summaries of over 120 films, covering everything from John Barry to Pink Floyd via Blow Up, the Electric Banana, Serge Gainsbourg, Magical Mystery Tour, David hemmings, Kubrick, Godard, Jodorowsdky and the London cast of Hair. With comprehensive listings of over 500 related features, documentaries, TV programmes and shorts, an unforgettable trip through the swinging 60s.

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Today it is known as Istanbul, the modern city which stands at the crossroads of Europe and Asia. For centuries past, it was Constantinople. But before that, it was Byzantium, and it gave its name to an ancient empire. Ancient Greeks, led by a man named Byzas, founded the city in the seventh century BC. A millennium later, it was revitalised by the Roman emperor Constantine the Great, who played a crucial role in making Christianity the official religion of the Empire. When the Roman Empire in the West collapsed, it was Byzantium that kept the imperial idea alive. For centuries, surrounded by hostile neighbours, Byzantium remained a Christian city at the heart of a Christian empire. As the new religion of Islam expanded, it was Byzantium and the Byzantine Empire that stood on the frontline of the confrontation between two faiths. When, in 1453, the city fell to the Turks and its last emperor died, the world was changed forever. The Byzantine Empire created remarkable art and architecture and a lasting cultural and religious legacy. Giles Morgan provides a concise history of a city which gave its name to an extraordinary civilisation.

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Movie Movements: Films That Changed the World of Cinema is a one-stop guide to the major movements that have shaped our sense of what cinema is and can be. It introduces the reader to definitions of the founding concepts in Film Studies such as authorship and genre, technological impacts and the rise of digital cinema, social influences and notions of the avant-garde, and cinema's emergence as a major art form that reflects and shapes the world. It explores, in concise and clear sections, how major works from the classic French realist La Regle de Jeu to the dazzling animation of Norman McLaren and the memorial documentary of Shoah, were conceived, developed and produced, and eventually received by the public, critics and film history. Offering a concise overview of a vast and compelling subject, it's a book for both the film enthusiast and the Film Studies student.

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It's the early 1990s, and in the Irish village of Crossmore, Lucy feels out of place. Despite her fierce friendships, she's always felt this way, and the conventional path of marriage and motherhood doesn't appeal to her at all. Not even with handsome and doting Martin, her closest childhood friend. Lucy begins to make sense of herself during a long hot summer, when a spark with her school friend Susannah escalates to an all-consuming infatuation, and, very quickly, to a desperate and devastating love. Fearful of rejection from her small and conservative community, Lucy begins living a double life, hiding the most honest parts of herself in stolen moments with Susannah. But with the end of school and the opportunity to leave Crossmore looming, Lucy must choose between two places, two people and two futures, each as terrifying as the other. But only one can offer her real happiness. Sunburn is an astute and tender portrayal of first love, adolescent anxiety and the realities of growing up in a small town where tradition holds people tightly in its grasp.

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Emily has settled in the picturesque village of Ashton Mead, where she lives with her puppy, Poppy. Life is finally going well for Emily. She has a cottage of her own, a job she likes and friends. Then she stumbles on the body of a woman who apparently drowned in the river. The other villagers suspect foul play and are quick to blame Richard, Emily's next-door neighbour and a newcomer to the village. Emily finds it hard to believe her friendly neighbour could be a cold-hearted murderer. When she meets his attractive son, Adam, her feelings become more complicated. Determined to find out the truth behind the death in the village, Emily travels to London to track down the man with whom Richard's wife was having an affair. Unfortunately for Emily, her visit does not go as planned. Instead of helping clear Richard's name, she finds her own life is in danger...

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Innocent lives are at risk. But who is the real enemy...? INNOCENT LIVES ARE AT RISK... BUT WHO IS THE REAL ENEMY? Eli Amiran is Mossad's star spy runner and the man responsible for bringing unparalleled intelligence to the Israeli agency. Now, he's leading an audacious operation in the UK that feeds his ambition but threatens his conscience. The British and the Americans have intel Mossad desperately need. To force MI6 and the CIA into sharing their priceless information, Eli and his maverick colleague Rafi undertake a risky mission to trick their allies: faking a terrorist plot on British soil. But in the world of espionage, the game is treacherous, opaque and deadly... A twisting international spy novel, The Righteous Spy is an intriguing page turner that portrays a clandestine world in which moral transgressions serve higher causes. A must-read for fans of Homeland, Fauda and The Americans, it will also appeal to readers of Charles Cumming and John le Carré.

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Bloody Valentine is the story of the murder of a young woman called Lynette White in the Cardiff docklands (aka Tiger Bay) on Valentine's Day 1988. It's also the story of the miscarriage of justice that came after, when three black men, 'the Cardiff Three', were wrongly convicted of her murder. It's a brutally frank tale of racism and police corruption, terrible misogynist violence and the grim realities of sex work. It's a book that got so close to the bone that the author was sued for libel by the police and received death threats from a variety of minor characters. It's an indelible portrait of life in the underbelly of Thatcher's Britain. This new edition includes an introduction and afterword bringing the extraordinary, unhappy saga up to date.

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The most wanted, the most feared, the most hated, the most powerful job in journalism: being a reviewer means writing about something you love and getting paid for it. So for a lot of people it's the No 1 dream job in the media. Whether your passion is film, music, books, visual arts or the stage, you can get closer to it as a reviewer and establish a career in one of the most influential roles open to a writer. Get the edge on the competition with a book that's a treasure trove of wisdom, experience and downright cunning, passed on by the best critics writing today. A great review will be read by millions, and writing it calls for a high degree of skill. Based on a lifelong passion, packed into a few hundred words and often written in less than an hour, a review makes heavy demands on writer's technique and experience. This book explains how to seize your readers' attention and how to be witty always, fascinating most of the time and bitchy when you need to be. Reviews from classic writers like Pauline Kael or Kenneth Tynan are contrasted with today's hot names including Mark Kermode and Stewart Maconie. We look back at the history of the critic and some of the groundbreaking groups who have shaped our culture, including Dorothy Parker and the Algonquin Round Table, the French New Wave directors who founded Les Cahiers du Cinema and London's celebrated Modern Review, founded by Julie Burchill, Toby Young and Cosmo Landesman.

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Just what is 'independent' cinema? D. K. Holm aims to define a term all too carelessly used both by media commentators and marketers, and distinguish it from categories such as avant-garde, underground, experimental or 'art' films, with which it is often confused. By contrasting studio-era Hollywood with changes in the business since the 1970s, and the rise of companies such as Miramax and New Line, it shows the birth of a commercial environment in which the new independent cinema can emerge. Profiles of specific filmmakers suggest how diverse personalities use independent cinema for individual ends; directors such as James Mangold, who found indie cinema to be a stepping stone to more mainstream movies, Jill Sprecher, who uses its flexibility to explore philosophical ideas, and Guy Maddin, one of the few true independent filmmakers, whose films are beholden to his own unique vision rather than financiers or abstract audience markets.

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Two screenwriters once walked into a Hollywood producer's office and said three words 'Jaws in space.' Those three words won them the contract for the blockbuster movie Alien. The ability to pitch well is essential for all writers, directors and producers in cinema and TV. Strong pitching skills will accelerate your career - not only helping you sell your projects, but also developing them in the first place, focusing on what makes a story work, clarifying character and plot, and working more successfully with industry collaborators. This book takes you from the essentials of what makes a good pitch to advanced skills that will help you in all kinds of pitching situations. Charles Harris gives a clear-sighted view of how pitching works in the industry and a series of very practical techniques for developing a gripping and convincing pitch. Drawing on his experience, he examines the problems that can arise with both mainstream and unconventional projects - from a range of different cultures - and explains how to solve them. He also analyses the process of taking a pitch meeting and shows you how to ensure you perform at your best.

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In this volume, Leni Dipple explores how poetry might be represented in a range of contexts, cutting across cultures and languages. An esoteric collection designed for the serious reader of poetry, Between Rivers forms a simultaneously intricate and epic narrative inspired by the epistolary of Dipple's grandfather and the work of Rainer Maria Rilke. This collection travels across time and continents, seeking its language and its roots, making connections, making sense of the present out of the past. Words are lifted from their origins, held to the light, and replanted in an eclectic and vibrant range of poems, synthesising Dipple's many journeys and charged with a personal vitality.

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'A clear, insightful and sensitive look at the work of script editors and screen writers' - Hossein Amini: writer of Drive and writer and director of The Two Faces of January The Art of Script Editing provides a comprehensive overview of this vital role, examining its responsibilities and functions during all stages of the development process, both in film and television. Detailing the nuts and bolts of the job, it looks at what's required and expected, how script editors assess a script, their approach to working with writers and producers, and their input during rewrites and pre-production, and up to a project's completion. It also examines the ways in which writers and producers can benefit from working with a professional script editor as they seek to refine and communicate their vision. The Art of Script Editing; A Practical Guide is a valuable resource for anyone developing a script no matter where they are in the process, for writers and producers interested in expanding their understanding of how a script is advanced, and for those pursuing a career in script development.

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It may be drama features that win the most awards and kudos from critics, but in the current marketplace you're unlikely to sell a drama screenplay in the way you would a genre script. Breaking down the nuts and bolts of what differentiates drama from genre, Writing and Selling Drama Screenplays will consider questions such as: What is 'emotional truth'? What separates stereotypical and authentic characters? What are the different types of drama feature screenplay? How do we make these films, when there's 'no money'? What are the distribution opportunities for dramas? Exploring the ways in which drama and authenticity work, it will empower screenwriters to make their own story and character choices, so they can write and also help to package, finance and even make their own drama features. Writing and Selling Drama Screenplays includes detailed case studies of produced dramas made on both shoestring and bigger budgets, and industry insights from their writers, directors and producers. It looks in-depth at Scottish BAFTA-winning Night People, the iconic coming out movie Beautiful Thing, the touching New Orleans drama Hours, starring the late Paul Walker, and the ambitious true story of Saving Mr Banks, based on the battle of wills between Mary Poppins author PL Travers and Walt Disney himself. It will also discuss films such as Brokeback Mountain, American Beauty, The King's Speech, Juno, Erin Brockovich, Changeling and Girl, Interrupted.

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A no-nonsense, direct down-the-lens look at the television industry written from the point of view of a television drama producer who's been there, done it, fought some battles and won the odd award. Written in an engaging, anecdotal tone, Writing for Television provides advice on: Getting an agent The type of writer television's looking for The tool kit a television writer needs The writer /script editor relationship How to structure a storyline How to write good treatments and outlines Packed full of useful insights, links and information, the book includes interviews with successful television writers working today, pointers on how to work collaboratively in the industry and how to make good contacts with the people who can further your career.

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The Art of Screenplays is a working handbook for writers with stories to tell. Addressing the key issues of creativity and craft, its aim is to connect with our natural understanding of story, to demystify the screenwriter's art, and to enable fresh, original and authentic writing. Working on the central premise that drama reflects nature, and screenplays simply echo life as we know it, the areas Mukherjee discusses include: The Writer's eye. How to gather, ferment and communicate story. The art of action. Understanding structure through observation. Who am I? Exploring the levels of characters. Vertical structure. Say what you mean. Mean what you say. Speak the speech. The art of not writing dialogue.

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This guide to anime offers an overview of the art form, looking at its development in Japan and its export to other cultures. It includes a history of Japanese animation from early examples to the relaunch of animation as a viable commercial entity and its enormous rise in popularity after WWII. Anime explains the difference between manga and anime, offering a brief history of manga including its development from traditional art form (woodblock prints) to massive commercial success with millions of readers in Japan and worldwide. Odell and Le Blanc also consider anime style and genres, its market and importance in Japanese culture, and its perception in the West including controversy, such as criticisms of sex and violence in anime that affect other national markets, including the UK (notably Urotsukidoji) and the USA, where it is considered a 'kids only' market.

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'Luca Antara is a book-lover's book, a graceful and mesmerizing blend of history, autobiography, travel and romance.' - JM Coetzee Part memoir, travelogue, history and part detective story, Luca Antara is a rich tapestry of history and the present. It parallels the life of the author, an émigré to Sydney, and the life of an historical figure, António da Nova, the servant of a Portuguese explorer who in the 1600s sends him to find out more about Luca Antara (now Australia). New to Sydney, Martin Edmond finds himself impoverished and displaced. He earns money as a taxi driver but spends his spare time frequenting second hand bookshops trying to learn more about the history of Australia and the wider region. The people Edmond encounters in his taxi and in his search for rare books are varied and strange, offering the reader a voyeuristic glimpse into Sydney's sub-culture. Sent to discover more about Luca Antara, António da Nova's crew mutiny and dump him on the West Australian coast. He is found by Aborigines, who take him on an epic walk across northern Australia. Eventually he manages to return to his master in Portugal who awaits news of his explorations. Edmond's reading centres upon da Nova, but each book he reads leads to another and the subject becomes broader and increasingly fascinating. The lives of the two men and the strange customs and unique social mores of each man's culture and time intertwine throughout the book, ending with Edmond literally walking in the footsteps of da Nova across northern Australia.

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Robin Hood is England's greatest folk hero. Everyone knows the story of the outlaw who robbed from the rich and gave to the poor. Nick Rennison's highly entertaining book begins with the search for the historical Robin. Was there ever a real Robin Hood? Rennison looks at the candidates who have been proposed over the years, from petty thieves to Knights Templar, before moving on to examine the many ways in which Robin Hood has been portrayed in literature and on the screen. He began as the hero of dozens and dozens of late medieval ballads. He appeared in plays by contemporaries of Shakespeare. In the Romantic era Robin was reinvented by Walter Scott as a Saxon champion in the struggle against the Normans. During the nineteenth century, he emerged as a hero in children's literature. More recently he has been portrayed as everything from proto-socialist man of the people to anarchist thug. In the cinema he put in an appearance as early as 1908 and Douglas Fairbanks and then Errol Flynn turned him into the typical hero of Hollywood swashbucklers. In the last twenty years, Kevin Costner and Russell Crowe have provided their own very different interpretations of the character. On the small screen, Robin has been the hero of half-a-dozen TV shows from the 1950s series starring Richard Greene, which used many writers blacklisted by Hollywood, via the well-remembered Robin of Sherwood in the 1980s to the recent BBC series. As the twenty-first century marches through its second decade, Robin Hood is still very much with us. He is the subject of graphic novels and computer games. New films are in the offing. Robin is an archetypal hero who, it seems, can never die. This engaging book charts his life so far.

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Provides a basic introduction and general advice for people wishing to develop their skills as actors or actresses. It is aimed at both the amateur enthusiast and those wishing to pursue their interest further and undertake professional training. Advice is given on the basic skills which every actor needs to develop, such as breathing, voice control, the use of body language, timing and handling the audience. The importance of understanding a text and the interaction of the characters within it is also considered.

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Spring 1971. Vera Kelly and her girlfriend, Max, leave their cosy Brooklyn apartment for an emergency visit to Max's estranged family in Los Angeles. Max's parents are divorcing - her father is already engaged to a much younger woman and under the sway of an occultist charlatan; her mother has left their estate in a hurry with no indication of return. Max, who hasn't seen her family since they threw her out at twenty-one, prepares for the trip with equal parts dread and anger. Upon arriving, Vera is shocked by the size and extravagance of the family estate which reveals a privileged upbringing that, up until this point, Max had only hinted at. Tensions boil over at dinner as Max attempts to navigate her father, who is hostile and controlling, and the occultist, St James, who is charming but appears to be siphoning family money. The next morning, when Vera wakes up, Max is gone... In Vera Kelly Lost and Found, Rosalie Knecht gives Vera her highest-stakes case yet, as Vera quickly puts her private detective skills to good use and tracks a trail of breadcrumbs across southern California to find her missing girlfriend. She travels first to a film set in Santa Ynez and, ultimately, to a most unlikely destination where Vera has to decide how much she is willing to commit to save the woman she loves.

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Julia Lerner is one of the most powerful people in Silicon Valley and an icon to professional women across the country. She is the COO of Tangerine, one of America's biggest technology companies. She is also a Russian spy. Julia has been carefully groomed to reach the upper echelons of the company and use Tangerine's software to covertly funnel information back to Russia's largest intelligence agency. Alice Lu works as a low-level analyst within Tangerine, having never quite managed to climb the corporate ladder. One afternoon, when performing a server check, Alice discovers some unusual activity and is burdened with two powerful but distressing suspicions: Tangerine's privacy settings aren't as rigorous as the company claims they are and the person abusing this loophole might be Julia Lerner herself. Now, she must decide what to do with this information - before Julia finds out she has it.

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A dead employee. A missing child. Anonymous phone calls in the dead of night. Judi Westerholme's troubles aren't over yet... Already struggling to juggle co-running the local pub with her childcare responsibilities for her orphaned niece, Judi does not need life to become any more complicated. Yet, as usual, complications arrive in spades: she starts receiving threatening, late-night phone calls before discovering one of her employees, Kate, shot dead. Judi finds herself caught up in a murder investigation, as well as the hunt for the Kate's fourteen-year-old daughter, who has been missing since the murder. Add in the uncertainty of her relationship with Melbourne-based DS Heath and the fact that her estranged mother's nursing home keeps urging her to visit, and Judi might finally be at breaking point.

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In 1935, six-year-old Emily Evans vanishes from her family's summer house on a remote Minnesota lake. Her disappearance destroys the family - her father takes his own life, and her mother and two older sisters spend the rest of their lives at the lake house, keeping a decades-long vigil for the lost child. Sixty years later, Lucy, the quiet and watchful middle sister, lives in the lake house alone. Before her death, she writes the story of that devastating summer in a notebook that she leaves, along with the house, to the only person who might care: her grandniece, Justine. For Justine, the lake house offers freedom and stability - a way to escape her manipulative boyfriend and give her daughters the home she never had. But the long Minnesota winter is just beginning. The house is cold and dilapidated. The dark, silent lake is isolated and eerie. Her only neighbor is a strange old man who seems to know more about the summer of 1935 than he's telling. Soon Justine's troubled oldest daughter becomes obsessed with Emily's disappearance, her absent mother reappears, and the man she left launches a dangerous plan to get her back. In a house haunted by the sorrows of the women who came before her, Justine must overcome their tragic legacy if she hopes to save herself and her children.

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New York City, 1962. Vera Kelly is struggling to make rent and blend into the underground gay scene in Greenwich Village. She's working night shifts at a radio station when her quick wits, sharp tongue, and technical skills get her noticed by a recruiter for the CIA. Next thing she knows she's in Argentina, tasked with wiretapping a congressman and infiltrating a group of student activists in Buenos Aires. As Vera becomes more and more enmeshed with the young radicals, the fragile local government begins to split at the seams. When a betrayal leaves her stranded in the wake of a coup, Vera learns war makes for strange and unexpected bedfellows, and she's forced to take extreme measures to save herself. An exhilarating page turner and perceptive coming-of-age story, Who is Vera Kelly? introduces an original, wry and whip-smart female spy for the twenty-first century.

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There's nothing more dangerous than revenge. Judi Westerholme has been through it. Brave and strong-willed, she's just about coping in her new role as foster parent to her orphaned niece, taking a job at the local pub to help make ends meet. Then the pub's landlord and Judi's friend, army veteran Pete 'Macca' Maccasfield, is murdered, and her world is suddenly turned upside down. Despite warnings from the city police to keep out of it, Judi can't help but get involved in the search for Macca's killer. But she soon becomes deeply entangled with some ruthlessly dangerous men. She must act fast and think smart to work out what they want - before anyone else gets hurt... Long buried secrets resurface in Sherryl Clark's pacey crime novel that pushes Judi Westerholme to her limits to protect the people she loves most.

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A French patisserie opens in the village of Ashton Mead in time for Christmas. Local residents are pleased but Hannah, owner of the Sunshine Tea Shoppe, feels threatened by the competition. When the owner of the patisserie is killed, Hannah is suspected of murdering her business rival. Her friend, Emily, is determined to clear Hannah''s name. She seems to be facing an impossible task... until her little dog Poppy makes a surprising discovery.

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1974 WAS A YEAR OF MAJOR CHANGE AROUND THE WORLD. Presidents resigned, emperors were deposed, and new governments came to power. On both sides of the Atlantic, major political figures left the scene, either through resignation or electoral defeat. Leaders of nations died. Regimes crumbled. In society, the second wave of feminism grew in strength and the rights of historically underrepresented groups were more powerfully asserted. The BBC aired the first lesbian kiss on British TV. In Italy, the right to divorce was protected in a landmark referendum. However, terrorism and the pursuit of political ends through violence became ever more commonplace. The arts and entertainment industries were in the midst of a period of great creativity and innovation. In America, Scorsese, Spielberg and Coppola were making their mark. Popular music was arguably at a low point but the first stirrings of the punk revolution to come could be heard in New York clubs. And a Swedish band that were to become a phenomenon won the Eurovision Song Contest. The roots of many aspects of today's society which we take for granted lie in the 1970s and particularly in this, the decade's pivotal year.

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Presidents resigned, emperors were deposed, and new governments came to power. On both sides of the Atlantic, major political figures left the scene, either through resignation or electoral defeat. Leaders of nations died. Regimes crumbled. In society, the second wave of feminism grew in strength and the rights of historically underrepresented groups were more powerfully asserted. The BBC aired the first lesbian kiss on British TV. In Italy, the right to divorce was protected in a landmark referendum. However, terrorism and the pursuit of political ends through violence became ever more commonplace. The arts and entertainment industries were in the midst of a period of great creativity and innovation. In America, Scorsese, Spielberg and Coppola were making their mark. Popular music was arguably at a low point but the first stirrings of the punk revolution to come could be heard in New York clubs. And a Swedish band that were to become a phenomenon won the Eurovision Song Contest. The r

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Writing and Selling Thriller Screenplays has the lowdown on how to get your thriller feature script on to the page, and how to get it in front of producers and investors. First published in 2013, this new edition offers an all-new resources section and a host of new case studies that map the considerable changes of the past decade. With marketplace disruptors such as Netflix and the first phases of The Marvel Cinematic Universe leaving their mark, new opportunities have been created for screenwriters and filmmakers who are keen to get their stories in front of industry professionals. This time around, Lucy V Hay doesn't just guide you through the writing of movies, but spec TV pilots too. Putting iconic, mixed-genre projects under the microscope -such as Stranger Things (horror thriller), Brooklyn 99 (comedy thriller) and Lost (sci fi thriller) - she considers what writers can learn from these shows. She also argues that the lone protagonist in a thriller has had its day and looks at how the genre is moving into a space beyond 'The Hero's Journey'. Case studies to support this include The Hunger Games, Captain Marvel, Iron Man and many more. Finally, the book considers how the screenplay might be sold to investors, exploring high concept ideas, pitching, packaging and the realities of film finance - all updated for the 2020s - and lays out alternative routes to sales and production, including transmedia such as novels and adaptation, and immersive storytelling online.

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After losing her job and her boyfriend, Emily is devastated. As she is puzzling over what to do with the rest of her life, she is surprised to learn that her great aunt has died, leaving Emily her cottage in the picturesque Wiltshire village of Ashton Mead. But there is one condition to her inheritance: she finds herself the unwilling owner of a pet. Not knowing what to expect, Emily sets off for the village, hoping to make a new life for herself. In Ashton Mead, she soon makes friends with Hannah who runs the Sunshine Tea Shoppe and meets other residents of the village where she decides to settle. All is going well... until Emily's ex-boyfriend turns up and against the advice of her new friends, she takes him back. When Emily decides to investigate the mysterious disappearance of a neighbour, she unwittingly puts her own life in danger...

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The Art of Wandering is a history of that curious hybrid, the writer as walker. From the Ancient world to the modern day, the role of the walker continues to evolve, from philosopher and pilgrim, vagrant and visionary, to experimentalist and radical. From Rousseau and De Quincey to Virginia Woolf and Werner Herzog, this seemingly innocuous activity has inspired a literary tradition encompassing philosophy and poetry, the novel and the manifesto. Today, this figure has returned to the forefront of the public imagination, as writers and walkers follow in the footsteps of earlier generations. For the walker is once again on the march, seeking out new territory and recording new impressions of the landscape. Newly revised and updated, The Art of Wandering explores these adventures on foot. Every walk can be expressed as a story narrated by the walker; it is these stories and the lives of those who walked them which are examined here.

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Fleabag... The Queen\'s Gambit... Peaky Blinders... Happy Valley... All phenomenally popular shows, whose creators had to work hard to hone their pitches and get their ideas noticed. And even harder to deliver on those ideas. From the initial spark of inspiration to the delivery of a creative, commercial series, From Creation to Pitch sets out to demystify the entire process of Television Series Drama Development for writers who are keen to get their voices heard and their stories read, discussed and viewed. Employing a practical, no-nonsense approach to what can be a minefield for many creatives, Yvonne Grace applies her decades of experience in development, script-editing and production. She also includes illuminating, in-depth interviews with leading practitioners about working on their own TV shows, including Tony Jordan who discusses the making of hit shows Sanditon and Death in Paradise, Ashley Pharoah who talks about his passion project The Living and the Dead and his multi-facetted drama Around the World in 80 Days, and Sarah Pinborough on her successful Netflix thriller Behind Her Eyes, adapted from her own bestseller. Perfect for anyone who is just starting out in the industry, as well as more experienced screenwriters looking to take the next step in their career.

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Noah Cross, Norma Desmond, Norman Bates, Harry Lime - these are a few of nearly a hundred names that inhabit the mind of the narrator as he starts to compose short biographies of some of the most famous characters in the history of film noir. He sketches in whole lives, lives as intense as the dreams put up on the screen. Then these characters start to meet each other outside the films as if they were real people with real needs and passions. The book is becoming a novel. The names and faces are familiar to us - Jake Gittes from Chinatown, Laura Hunt and Waldo Lydecker from Laura, Rick and Ilsa from Casablanca - but is it true that Noah Cross and Norma Desmond were lovers in the twenties, that she and Joe Gillis had a son who grew up to be Julian Kay in American Gigolo? For the narrator is not merely the author. Married to the sister of Laura Hunt, he has a mission to carry out, a lost family link to find, a thread to pull so that nearly all these disparate characters come together to form a kind of society. Suspects is the most inspired of commentaries on film noir and the forms of Hollywood story-telling. It is in its way a biographical dictionary, but it is also a dazzlingly original work of fiction, so full of America, of an old man's dread of loss and failure, and of a simultaneous love and rage for these movies that you may find its impossible world as real and as touching as any you have ever inhabited. Ultimately an examination on how movies affect the way we think and how film not only shapes our perceptions and our memories but in some ways comes to stand in for them, Suspects can be read as an unsettling examination of identity and the construction of self through the medium of narratives, or simply as a fascinating take on movie fandom. Either way, it's fabulous.

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Disease has plagued human civilisations throughout history, claiming more lives than natural disasters and warfare combined. The Black Death took the lives of one third of Europe's population in the fourteenth century. The conquest of the New World was accompanied by devastating waves of smallpox. The Industrial Revolution happened in a world blighted by the diseases of urbanisation and overcrowding, typhoid and cholera, typhus and TB. New diseases such as AIDS, Ebola, and COVID-19 present further challenges to medical science and healthcare. A Short History of Disease chronicles the historical and geographical evolution of infectious and non-infectious diseases, from their prehistoric origins to the present. It offers a comprehensive guide to ailments and the medicines developed to combat them. Analysing case studies - including the Black Death, Spanish Flu, cholera, leprosy, syphilis, cancer, and Ebola - Sean Martin maps the growth of our understanding of disease. The book offers a fascinating insight into an important area of social history, providing an accessible introduction to disease and the ongoing quest to protect human health.

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It is 1933 and wealthy Australian artist Rowland Sinclair is enjoying a leisurely sojourn in the luxury Hydro Majestic Hotel in the Blue Mountains. As ever, he is accompanied by his entourage - a poet, a fellow painter and a brazen sculptress. The Depression-era troubles of the wider world seem far away; until long-time Sinclair family ally and employee Harry Simpson disappears. Rowland must leave for the High Country to find Harry. He encounters resentful stockmen, dangerous gangsters and threatening belligerence all round. With his trusted friends' help, he uncovers a dark conspiracy which suddenly renders the beautiful Australian outback very sinister... Sulari Gentill expertly weaves real events and personalities into her tension-fuelled murder mysteries which are sure to enthral lovers of deep intrigue and history.

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What is Europe? Firstly, of course, it is a continent made up of countless disparate peoples, races and nations, and governed by different ideas, philosophies, religions and attitudes. Nonetheless, it has a common thread of history running through it; welded together by the continent's great institutions, such as the Church of Rome, the Holy Roman Empire, the European Union. Europe, however, is also an idea. From almost the beginning of time, people have harboured aspirations to make this vast territory one. The Romans came close and a few centuries later, the foundations for a great European state were laid with the creation of the Holy Roman Empire. Napoleon overreached himself in attempting to create a European-wide Empire - as did Adolf Hitler. The European Union is a club of which everyone in Europe wants to be a member; although, as the rejection of the European Constitution by the French and the Dutch, and the British situation demonstrates, we Europeans still cling to our national independence.

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Lizard Village, 1903. Cornwall is rich with natural wonders: gorgeous shorelines and imposing cliffs. But these natural beauties conceal dangerous secrets, as amateur detectives Lord and Lady Sheridan discover. Wireless telegraph companies around the world scramble to develop the new communications technology. But an Italian named Guglielmo Marconi beats them to it. His feat has bruised some egos, but no one expects sabotage, much less murder. After two apparently accidental deaths at the Marconi wireless transmission station, Charles, Lord Sheridan, is asked to head an investigation and finds that valuable equipment has disappeared. And when Kate discovers the truth behind the drowning of a local girl, it becomes clear that these deaths and the dirty tricks at the station are connected.

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Queen Victoria is dead, long live King Edward! Kate and Charles Sheridan are attending the new king's coronation ceremony when an anarchist blows himself up in Hyde Park, with a bomb that was obviously meant for the Royals. Now, it's up to Kate and Charles to discover who is threatening the crown, and how a brash and arrogant American author named Jack London is involved. Who are the terrorists and what dangers do they really pose? Are the anti-terrorists even more frighteningly dangerous? What happens to truth and innocence when Scotland Yard conspires to spin a spider's web of lies and false evidence? If you think these are only contemporary questions, join Kate and Charles Sheridan as they are unwillingly dragged into the real world of turn-of-the-century terrorism.

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The Third in the Mr & Mrs Darcy Mystery Series After the excitement of recent adventures, Elizabeth and Fitzwilliam Darcy retire to the peace and quiet of Pemberley as they await the birth of their first child. Such tranquility, however, cannot last. First, a mysterious letter from the late Lady Anne Darcy is discovered - propelling Elizabeth on a quest to learn more about Darcy's deceased mother and an unsettled matter she left behind. Then a summons to Northanger Abbey involves the young couple in an intrigue that threatens not just the Darcy family name, but Darcy's freedom as well. And just when it seems their situation could not grow worse, Darcy's overbearing aunt, Lady Catherine de Bourgh, takes up residence at Pemberley. Add to all this rumors of treasure and hints of deceptions old and new, and it becomes apparent that Pemberley is filled not with peace, but with secrets and spirits of the past. Secrets which, if exposed, could profoundly affect the generation of Darcys to come...

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Born in a gaol and raised in a workhouse, Cora Burns has always struggled to control the violence inside her. Haunted by memories of a terrible crime, she seeks a new life working as a servant in the house of scientist Thomas Jerwood. Here, Cora befriends a young girl, Violet, who seems to be the subject of a living experiment. But is Jerwood also secretly studying Cora ?

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Images of WWI in the popular consciousness normally involve the bloody attrition of trench warfare, the miles of mud, the shattered earth, the tangled miles of barbed wire. However there was another significant arena of war - the battle for control of the sea. In 1914 at the beginning of the war, Britain's maritime supremacy had remained unchallenged for around a hundred years. Many expected another Battle of Trafalgar but advances in technology saw a very different kind of warfare with the widespread use of mines, submarines and torpedoes. This book examines the events that led to war and the naval arms race between Britain and Germany. It traces the events of the war at sea looking at the major battles as well as the effects of unrestricted submarine warfare and the sinking of the Lusitania. It also profiles key figures such as Fisher, Beatty, Tirpitz and Graf von Spee.

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Euro Noir by Britain's leading crime fiction expert Barry Forshaw (author of Nordic Noir) examines the astonishing success of European fiction and drama. This is often edgier, grittier and more compelling than some of its British or American equivalents, and the book provides a highly readable guide for those wanting to look further than the obvious choices. The sheer volume of new European writers and films is daunting but Euro Noir provides a roadmap to the territory and is also a perfect travel guide to the genre. Barry Forshaw covers influential Italian authors, such as Andrea Camilleri and Leonardo Sciascia and Mafia crime dramas Romanzo Criminale and Gomorrah, along with the gruesome Gialli crime films. He also considers important French and Belgian writers such as Maigret's creator Georges Simenon to today's Fred Vargas, cult television programmes Braquo and Spiral, and films, from the classic heist movie Rififi to modern successes such as Hidden, Mesrine and Tell No One. German and Austrian greats are covered including Jakob Arjouni and Jan Costin Wagner, and crime films such as Run Lola Run and The Lives of Others. Euro Noir also covers the best crime writing and filmmaking from Spain, Portugal, Greece, Holland and other European countries and celebrates the wide scope of European crime fiction, films and TV.

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Andy Glynne subjects the whole documentary process to scrutiny with advice on: Developing your concept Funding Writing pitches and treatments Interview technique Narrative Writing commentary Dealing with ethical issues Camera technique Sound Lighting Post-production, editing and grading Marketing and distribution Film festivals The history of documentary With additional interviews with industry insiders and award-winning filmmakers who contribute their tips,tricks and advice, as well as layouts for budget spreadsheets, release forms, contracts and more...

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In 1983 visionary director John Cassavetes asked journalist Michael Ventura to write a unique film study - an on-set diary of the making of his film Love Streams. Cassavetes laid out his expectations. He wanted 'a daring book, a tough book'. In Ventura's words, 'All I had to do for 'daring' and 'tough' was transcribe this man's audacity day by day.' Cassavetes Directs describes the creation of Love Streams shot by shot, crisis by crisis. During production, the director learned that he was seriously ill, that this film might, as it tragically turned out, be his last. Starring alongside actress and wife Gena Rowlands, Cassavetes shot in sequence, reconceiving and revising his film almost nightly, in order that Love Streams could stand as his final statement. Both an intimate portrait of the man and an insight into his unique filmmaking philosophy, Cassavetes Directs documents a heroic moment in the life of a great artist.

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A body burns in the desert... Does the boy who found it know more than it seems? Sal Prentiss, orphaned and burdened with a terrible secret, just wants a place to belong. Sal lives with his uncles on a desolate ranch in the hills, and finds himself at the centre of a brutal murder mystery when he discovers the body of his maths teacher, charred almost beyond recognition, half a mile from his uncles' compound. In the seven months he worked at Lovelock's middle school, the quiet and seemingly unremarkable Adam Merkel had formed a bond with Sal and was one of the few people to look out for the boy. Nora Wheaton, the school's social studies teacher, sensed a kindred spirit in Adam - another soul bound to Lovelock by guilt and duty. After his death, she delves into his past for clues to who killed him. For Sal's grief seems shaded with fear, and Nora suspects he knows more than he's telling about his teacher's death.

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