Search results for ""manchester university press""

The changes and divisions on the left over the Israel-Palestine conflict forms the central theme of this archive based study. While the Labour Party supported establishing a Jewish state in Palestine, as a modernising force, the communist movement opposed it, on the grounds that it facilitated imperial influence in the Middle East. In 1947, however, the British Communist Party rallied to the Zionist cause, leaving the Palestinian cause with no effective protagonists in Britain. The left’s sympathy, at the time, was overwhelmingly with the Israeli state, considering its establishment a recompense to the Jewish people for the Holocaust. It was only after the 1967 Arab-Israeli War and Israel’s occupation of the West Bank and Gaza, that the new left in Britain began to articulate a critical attitude to Israel and support for Palestinian nationalism. It is a perspective which has gradually gained ground in the political mainstream.

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Scholars of Edmund Spenser have focused much more on his accomplishments in epic and pastoral than his work in satire. Scholars of early modern English satire almost never discuss Spenser. However, these critical gaps stem from later developments in the canon rather than any insignificance in Spenser's accomplishments and influence on satiric poetry. This book argues that the indirect form of satire developed by Spenser served during and after Spenser's lifetime as an important model for other poets who wished to convey satirical messages with some degree of safety. The book connects key Spenserian texts in The Shepheardes Calender and the Complaints volume with poems by a range of authors in the late sixteenth and early seventeenth centuries, including Joseph Hall, Thomas Nashe, Tailboys Dymoke, Thomas Middleton and George Wither, to advance the thesis that Spenser was seen by his contemporaries as highly relevant to satire in Elizabethan England.

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The Independent Group is now the subject of global scholarly interest, and this book, a sequel to The Independent Group: Modernism and mass culture in Britain, 1945–59, explores the Anglo-American phenomenon from a new perspective. The Group included fine artists Magda Cordell, Richard Hamilton, Nigel Henderson, Eduardo Paolozzi and William Turnbull; architects Alison and Peter Smithson, James Stirling and Colin St John Wilson; graphic designer Edward Wright; music producer Frank Cordell; and writers Lawrence Alloway, Reyner Banham, John McHale and Toni del Renzio. This radical collective met at the ICA in London during the early 1950s, and worked with and within the new world of both the avant-garde and popular culture. This sequel includes an in-depth discussion of the recent historiography of the Independent Group, and examines its history from an alternative perspective – that of popular culture. The themes of domestic space, Hollywood film, fashion, mass-circulation magazines, science-fiction and popular music are explored, broadening our general understanding.

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The changes and divisions on the left over the Israel-Palestine conflict forms the central theme of this archive based study. While the Labour Party’s supported establishing a Jewish state in Palestine, as a modernising force, the communist movement opposed it, on the grounds that it facilitated imperial influence in the Middle East. In 1947, however, the British Communist Party rallied to the Zionist cause, leaving the Palestinian cause with no effective protagonists in Britain. The left’s sympathy, at the time, was overwhelmingly with the Israeli state, considering its establishment a recompense to the Jewish people for the Holocaust. It was only after the 1967 Arab-Israeli War and Israel’s occupation of the West Bank and Gaza, that the new left in Britain began to articulate a critical attitude to Israel and support for Palestinian nationalism. It is a perspective which has gradually gained ground in the political mainstream.

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Lifelong learning, the arts, and community cultural engagement in the contemporary university maps the work of adult educators, teachers, researchers and graduate students from North America, Europe and Africa who use the arts in their university classroom teaching, their research and in service. It is written specifically for graduate students, and educators working in higher education, communities, schools, and practitioners who want to learn how to better integrate the arts in their practice to critically and creativity communicate, teach, make meaning, uncover, and involve. The book contextualises the place and role of the arts in society, adult education, higher education and knowledge creation, outlines current arts-based theories and methodologies and provides examples of visual and performing arts practices to critically and creatively see, explore, represent, learn and discover the potential of the human aesthetic dimension in higher education teaching and research.

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William Trevor: Revaluations offers a comprehensive examination of the oeuvre of one of the most accomplished and celebrated practitioners writing in the English language: the author of fifteen novels, three novellas and eleven volumes of short stories, as well as plays, radio and TV adaptations and film screenplays.Drawing on the talents of a team of distinguished international scholars, this volume shines a critical light on Trevor’s core concerns with individuality and the family, and cultural and national identity, extending significantly the scope of current scholarship. Essays scrutinise the author’s prolonged concern with domestic, communal and national violence, his interrogation of patterns of inheritance and ideological heritage, and the impact of the past on choices his characters make. William Trevor: Revaluations is a groundbreaking collection of essays, and will also be seen as a definitive introduction to the work of a major contemporary novelist and short-story writer.

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This genealogy of the 'odd woman' compares representations of spinsters, lesbians and widows in British women’s fiction and auto/biography from the 1850s to the 1930s.Women outside heterosexual marriage in this period were seen as abnormal, superfluous, incomplete and threatening, yet were also hailed as ‘women of the future’. Before 1850 odd women were marginalised, minor characters in British women’s fiction, yet by the 1930s spinsters, lesbians and widows had become heroines. This book examines how women writers, including Charlotte Brontë, Elisabeth Gaskell, Ella Hepworth Dixon, May Sinclair, E. H. Young, Radclyffe Hall, Winifred Holtby and Virginia Woolf, challenged dominant perceptions of singleness and lesbianism in their novels, stories and autobiographies. Drawing on advice literature, medical texts and feminist polemic, it demonstrates how these narratives responded to contemporary political controversies around the vote, women’s work, sexual inversion and birth control, as well as examining the impact of the First World War.

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This book examines Irish Poor Law reform during the years of the Irish revolution and Irish Free State. This work is a significant addition to the growing historiography of the twentieth century which moves beyond political history, and demonstrates that concepts of respectability, social class and gender are central dynamics in Irish society. This book provides the first major study of local welfare practices and exploration of policies, attitudes and the poor.This monograph examines local public assistance regimes, institutional and child welfare, and hospital care. It charts the transformation of workhouses into a network of local authority welfare and healthcare institutions including county homes, county hospitals, and mother and baby homes.The book’s exploration of welfare and healthcare during revolutionary and independent Ireland provides fresh and original insights into this critical juncture in Irish history. The book will appeal to Irish historians and those with interests in welfare, the Poor Law and the social history of medicine and institutions.

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This book critically examines the range of policies and programmes that attempt to manage economic activity that contributes to political violence. It offers a new framework for understanding both the problem of economic activity in conflict zones as well as programmes aimed at managing these and transforming them into more peaceful economic and political relationships. Through this examination, both the problems of liberal modes of peacebuilding, implemented by the development-security industry, and opportunities for policy innovation are explored. Useful charts and frameworks throughout the book provide the reader with a range of analytical tools that can be easily used to explore war economies and related policies in a range of contexts, making this book an essential read for students, policy makers and aid practitioners working in a range of disciplines and conflict-affected areas.

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This book looks at how that oft-maligned institution, the Anglican Church, coped with mass migration from Britain in the first half of the nineteenth century. The book details the great array of institutions, voluntary societies and inter-colonial networks that furnished the Church with the men and money that enabled it to sustain a common institutional structure and a common set of beliefs across a rapidly-expanding ‘British world’. It also sheds light on how this institutional context contributed to the formation of colonial Churches with distinctive features and identities. One of the book’s key aims is to show how the colonial Church should be of interest to more than just scholars and students of religious and Church history. The colonial Church was an institution that played a vital role in the formation of political publics and ethnic communities in a settler empire that was being remoulded by the advent of mass migration, democracy and the separation of Church and State.

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Everyday life after the Irish conflict is the first book to address the specific topic of the intersection of the processes of conflict transformation and devolution with daily life in Northern Ireland in a rigorous and systematic fashion. Bringing together new research from established academics, new voices and civil society actors, this book documents the changes that have occurred in people’s everyday lives as the region moves away from a violent past. Supported with a wealth of new empirical material, the book charts the impact of devolution and conflict transformation in four parts: an overview of the changes is followed by chapters that explore the areas of space, place and human relations. The third part looks at economic and social life while a concluding chapter takes a comparative approach by addressing the differences and similarities between the Northern Irish and Scottish experiences of devolution.

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Many people are shocked upon discovering that tens of thousands of innocent persons in the United States were involuntarily sterilized, forced into institutions, and otherwise maltreated within the course of the eugenic movement (1900–30). Such social control efforts are easier to understand when we consider the variety of dehumanizing and fear-inducing rhetoric propagandists invoke to frame their potential victims. This book details the major rhetorical themes employed within the context of eugenic propaganda, drawing largely on original sources of the period. Early in the twentieth century the term “moron” was developed to describe the primary targets of eugenic control. This book demonstrates how the image of moronity in the United States was shaped by eugenicists. This book will be of interest not only to disability and eugenic scholars and historians, but to anyone who wants to explore the means by which pejorative metaphors are used to support social control efforts against vulnerable community groups.

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Hillman explores English tragedy in relation to France with a frank concentration on Shakespeare. He sets out to theorise more abstract tragic qualities (such as nostalgia, futility and heroism) with reference to specific French texts and contexts.Three manifestations of the 'Shakespearean tragic' are singled out: Hamlet, Antony and Cleopatra and All’s Well That Ends Well, a comedy with melancholic overtones whose French setting is shown to be richly significant. Hillman brings to bear on each of these central works a cluster of French intertextual echoes, sometimes literary in origin (whether dramatic or otherwise), sometimes involving historical texts, memoirs or contemporary political documents which have no obvious connection with the plays but prove capable of enriching interpretation of them It will be of interest not only to scholars specialising in early modern English theatre, but also to both specialists and students concerned with the circulation of information and the production of meaning within early modern European culture.

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This collection of essays on the alternative establishments which both Presbyterians and Catholics attempted to create in Britain and Ireland offers a dynamic new perspective on the evolution of post-reformation religious communities. Deriving from the Insular Christianity project in Dublin, the book combines essays by some of the leading scholars in the field with work by brilliant and upcoming researchers. The contributions, all of which were commissioned, range from synoptic essays which fill in gaps in the existing historiography to tightly coherent research essays that break new ground with regard to a series of central institutional and intellectual issues and problems.This is a book which will appeal to all those interested in the religious history of early modern Britain and Ireland.

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The European Union and its member states are investing in ambitious programmes for ‘better regulation’ and targets of regulatory quality. This book, available in paperback for the first time, lifts the veil of excessively optimistic propositions covering the whole better regulation agenda. It provides an innovative conceptual framework to handle the political complexity of regulatory governance. It approaches better regulation as an emerging public policy, with its own political context, actors, problems, rules of interaction, instruments, activities and impacts. Focusing on the key tools of impact assessment, consultation, simplification, and access to legislation, the authors provide fresh empirical evidence on the progress made in the member states and in Brussels, drawing on an extensive research project and an original survey of directors of better regulation programmes in Europe. Radaelli and De Francesco show how indicators define, measure, and appraise better regulation policy, linking measures to policy processes in which the stakeholders learn by monitoring. Although better regulation is a top priority for competitiveness in Europe and the legitimacy of EU policy, the level of commitment and the development of tools vary considerably. The major challenge for better regulation is institutionalisation - this calls for clear choices in terms of what the EU wants from better regulation.Essential reading for academics (political scientists, lawyers, and public economists) and policy-makers in charge of regulatory reforms in governments and international organisations.

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This book aims to sketch the diversities of South Asian social History, focusing on Orissa. It highlights the problems of colonialism and its impact upon the lives of the colonised, even as it details the manner in which the internal order of exploitation worked. Based on archival and rare, hitherto untapped sources, including oral evidence, it brings to life diverse aspects of Orissa’s social history, including the environment; health and medicine; conversion (in Hinduism); popular movements; social history of some princely states; and the intricate connections between the marginal social groups and Indian nationalism. It also focuses on decolonisation, and explores the face of patriarchy and gender-related violence in post-colonial Orissa. This volume will be of interest to students of history, social anthropology, political sociology and cultural studies, as well as those associated with non-governmental organisations and planners of public policy.

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This is the first book to provide a clear overview and innovative analysis of the multiple ways the European Union affects industrial relations. It frames the EU as the provider of both a new institutional framework and policy context for industrial relations. It first examines the European level institutional framework for industrial relations, namely the European social dialogue at cross-sectoral, sectoral and company level, as well as interactions between these and transnational developments. It then focuses on the EU’s role as a driver for institutional change in industrial relations at the national level, and subsequently analyses how the EU’s policy framework, such as the common market freedoms, economic governance and Agenda 2020, influences industrial relations. The book will be of great interest particularly to all those involved in industrial relations and EU studies and more generally to anyone interested in the EU’s debated and contested role in socio-economic governance in the face of an economic crisis that puts into question existing national and transnational governance structures.

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Now in its second edition, Racism and Social Change in the Republic of Ireland provides an original and challenging account of racism in twenty-first century Irish society and locates this in its historical, political, sociological and policy contexts. It includes specific case studies of the experiences of racism in twenty-first century Ireland alongside a number of historical case studies that examine how modern Ireland came to marginalize ethnic minorities. Various chapters examine responses by the Irish state to Jewish refugees before, during and after the Holocaust, asylum seekers and Travellers. Other chapters examine policy responses to and academic debates on racism in Ireland. A key focus of the various case studies is upon the mechanics of exclusion experienced by black and ethnic minorities within institutional processes and of the linked challenge of taking racism seriously in twenty-first century Ireland.

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The period since 1939 saw more rapid and significant change than any other time in Welsh history. Wales developed a more assertive identity of its own and some of the apparatus of a nation state. Yet its economy floundered between boom and bust, its traditional communities were transformed and the Welsh language and other aspects of its distinctiveness were undermined by a globalizing world. Wales was also deeply divided by class, language, ethnicity, gender, religion and region. Its people grew wealthier, healthier and more educated but they were not always happier. This ground-breaking book examines the story of Wales since 1939, giving voice to ordinary people and the variety of experiences within the nation. This is a history of not just a nation, but of its residents’ hopes and fears, their struggles and pleasures and their views of where they lived and the wider world.

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In one of the first monographs of its kind to focus on the aesthetic and emotional impact of lighting in cinema, Lara Thompson looks at the way light informs the cinematic experience, from constructing star identities, sculpting natural light and creating imaginary worlds, to the seductive power of darkness, fading representations of the past and arresting twilight encounters.This groundbreaking and accessible introductory study offers a unique insight into the way illumination has transcended its diffuse functional boundaries and been elevated to a position of narrative and emotional importance, transforming it from an unobtrusive element of film style to an expressive and essential component. It includes analyses of over fifty renowned international films, discussed in inventive and illuminating combinations, from cinema's earliest moments to its most recent digital manifestations, and is essential reading for all those who want to understand what film light means and how it makes us feel.

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This book offers the first in-depth study of one of the most gripping trials of inter-war Britain, that of farmer’s wife Beatrice Pace for the arsenic murder of her husband. A riveting tale from the golden age of press sensationalism, the book offers insights into the era’s justice system, gender debates and celebrity culture. Based on extensive research, it locates the Pace saga in the vibrant world of 1920s press reporting and illuminates a forgotten chapter in the history of civil liberties by considering the debates the case raised about police powers and the legal system.Spanning settings from the Pace's lonely cottage in the Forest of Dean to the House of Commons and using sources ranging from meticulous detective reports to heartfelt admirers’ letters, The most remarkable woman in England combines serious scholarship with vivid storytelling to bring to life the extraordinary lives of ordinary people between the wars.

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The history of the First World War continues to attract enormous interest. However, most attention remains concentrated on combatants, creating a misleading picture of wartime Britain: one might be forgiven for assuming that by 1918, the country had become virtually denuded of civilian men and particularly of middle-class men who – or so it seems – volunteered en masse in the early months of war. In fact, the majority of middle-class (and other) men did not enlist, but we still know little about their wartime experiences. Civvies thus takes a different approach to the history of the war and focuses on those middle-class English men who did not join up, not because of moral objections to war, but for other (much more common) reasons, notably age, family responsibilities or physical unfitness. In particular, Civvies questions whether, if serviceman were the apex of manliness, were middle-class civilian men inevitably condemned to second-class, ‘unmanly’ status?

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‘Mercenaries’, ‘cheats’, ‘destroying the soul of (English) football’, ‘destroying the link between football clubs and their supporters’: foreign football players have been accused of being at the origin of all the ills of contemporary football. How true is this? Foreign players and football supporters: The Old Firm, Arsenal, Paris Saint-Germain is the first academic book to look at supporters’ reactions to the increase in the number of foreign players in the very clubs they support week in week out. It shows that football supporters identify with their club through a variety of means, which may change or be replaced with others, and provides the most comprehensive view on football supporters’ attachment to their club in the European Union, following the increase in European legislation. Divided into three case studies on Glasgow (Celtic and Rangers), Paris Saint-Germain and Arsenal in London, the book adopts a multidisciplinary approach to chart the evolution of the link between supporters and club between 1995 and today. It is based on extensive research through the press of three nations, as well as interviews with officials and supporters.It provides an excellent read for students and researchers in Sports Studies, Politics, European Studies, French Studies and other Social Sciences, or to anyone interested in one of the most original institutions of contemporary western societies: mass spectator sports.

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This book is the second part of an important experimental trilogy in text archaeology of all the various ideas about the 1664 and later versions. Tartuffe ou L'Imposteur, (Tartuffe or the Hypocrite), is Molière’s most famous play and was first performed at Versailles in 1664. It attacked religious hypocrisy and as a result caused much scandal and was then banned. Tartuffe means ‘hypocrite’ especially one who shows affected religious piety and exaggeratedly feigns virtue. Revised versions of Tartuffe were performed at various times between 1667 and 1669. McBride provides a reconstruction of the 1667 version in this book. McBride’s work is meticulous and nuanced and he provides a scholarly reconstruction of one of Molière’s masterpieces.

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In the twenty years after Ireland joined the UN in 1955, one subject dominated its fortunes: Africa. The first detailed study of Ireland’s relationship with that continent, this book documents its special place in Irish history. Adopting a highly original, and strongly comparative approach, it shows how small and middling powers like Ireland, Canada, the Netherlands and the Nordic states used Africa to shape their position in the international system, and how their influence waned with the rise of the Afro-Asian bloc. O’Sullivan chronicles Africa’s impact on Irish foreign policy; the link between African decolonisation and Irish post-colonial identity; and the missionaries, aid workers, diplomats, peacekeepers, and anti-apartheid protesters at the heart of Irish popular understanding of the developing world. Offering a fascinating account of small state diplomacy, and a unique perspective on African decolonisation, this book provides essential insight for scholars of Irish history, African history, international relations, and the history of NGOs, as well as anyone interested in Africa’s important place in the Irish public imagination.

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Jacob Talmon: Combining histories and presents is not the biography of a historian. Rather, it is a discourse on a mind tormented by fear of the masses as well as the mistakes of the leadership. Talmon often applied his views on contemporary events and trends to his own actions as a humanist and historian. The changing role of the university, the decline of the liberal arts in favour of technology and the social sciences and the displacement of humanism by the market economy were of particular concern. His brilliant and paradoxically prophetic interactions with Arnold Toynbee, David Ben-Gurion, and Menahem Begin have been vindicated by the very history he sought to avoid. This new work in the English language makes Talmonic wisdom available for the first time to a much larger audience

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English folk–rock, a former progressive rock music style, remains a stimulus for further change in folk music and has enabled English folk–rock to become regarded as popular music by a new audience with diverse musical tastes. From musicological and historical perspectives, this book maintains that folk music performance continues to be influenced by rock and other popular music styles. From a cultural studies perspective, this book also demonstrates how the popularity of folk music presented at world music festivals has stimulated significant growth in folk music audiences since the mid–1990s and consequently the UK is experiencing a new phase of revivalism – the third folk revival.The book contains contributions from Martin Carthy (The Imagined Village), Simon Nicol (Fairport Convention), Ashley Hutchings (The Albion Band), Gerry Conway (Fairport Convention) and Rick Kemp (Steeleye Span).

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Performance in a time of terror offers a thought-provoking investigation of the way performance has given shape and form to wars on terror past and present, as both a tactic of violence and a strategy of resistance.The book focuses on an array of performances created during the ‘war on terror’ of the first decade of the twenty-first century. Beginning with the spate of carefully rehearsed beheadings carried out by Islamic insurgents in Iraq in 2004, a key proposal is that the radical in performance can be most clearly identified in acts of violence that have obliterated life. Here, the reader is also taken back in time to encounter how performance was employed as part of counterinsurgency operations during the ‘war on terrorism’ in Northern Ireland (1969–1998). Moving on to explore how theatre-makers and performance activists have used performance to generate habitable worlds for life in times of crisis, Hughes argues for a re-engagement with the conservative in the critical project of art-making. As part of this, original discussions of the resurgence of political theatre on London stages and the proliferation of performative anti-war activism during the war in Iraq (2003–2008), are provided. Also documented are an extraordinary series of theatre productions commissioned by counterterrorism agencies following the suicide attacks in the UK in 2005.Performance in a time of terror will appeal to researchers and students of contemporary theatre and performance, especially those interested in the politics of performance. It will also be of general interest to anyone researching wars on terror andterrorism from an interdisciplinary perspective.

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Telling tales explores the narrative construction of identity within organisations and how this is resisted and challenged by writing coming from other lifestyles.Since the early 1990s, US-inspired changes in workplace culture have radically altered the experience of UK workers. This book argues that the corporate communication supporting these changes, which seeks to align employee behaviour and attitudes with emerging organisational market values, is having a powerful and harmful effect on those whose identity rests in opposing qualitatively-based occupational standards. By focusing on accountability measures, introduced to the public sector post-1997 by New Labour as a means to raise productivity and lower cost, and with forensic attention to a supporting transformational identity discourse, author Angela Lait shows how workers struggle to achieve the satisfaction and fulfilment at work that was once the mainstay of their professional middle class identity.Reading these identity problems into and across business self-help manuals, fiction (Ian McEwan’s Saturday), the writing of celebrity chefs (Nigella Lawson, Jamie Oliver et al) and autobiography, the argument traces a sickness/recovery dialectic in which sufferers find resistance and solace through engagement with particular types of creative labour. These are, most notably, cookery, gardening and writing, which each employ alternative language and narrative forms that order experience according to more regulated rhythms and rituals, and more productive and stable relationships than are possible in paid employment. Telling tales is a highly-readable, engaging, broad-ranging and interdisciplinary story that will have strong appeal to academics, particularly in literature, sociology, organisational and cultural studies. It will also resonate with anyone trying to reconcile the conflicting work and personal needs of a hectic twenty-four/seven modern world.

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Issues around the policing of public order and political expression are as topical today as in the past, and are likely to remain so in the future.Janet Clark explores the origins of the National Council for Civil Liberties (the precursor to Liberty) that emerged in 1934 in protest at the policing of political extremes. The book deals with police attempts to discredit the NCCL and the use of intelligence to perpetuate a view of the organisation as a front for the Communist Party. It also examines the state and police responses to this organised criticism of police powers. This book is essential reading for students and lecturers studying British social history, the development of civil liberties and of policing in Britain, as well as anyone interested in this enduring topic. Included is a foreword by Clive Emsley, Emeritus Professor in History at the Open University, and widely regarded as the doyen of police history.

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Beyond text? Critical practices and sensory anthropology is about the relationship between anthropological understandings of the world, sensory perception and aesthetic practices. It suggests that if different sensory experiences embody and facilitate different kinds of knowledge, then we need to develop new methods and more creative forms of representation that are not based solely around text or on correspondence theories of truth. The volume brings together leading figures in anthropology, visual and sound studies to explore how knowledge, sensation and embodied experiences can be researched and represented by combining different visual, aural and textual forms which it demonstrates through an accompanying DVD. The book and DVD make an argument for a necessary, critical development in anthropological ways of knowing that take place not merely at the level of theory and representation but also through innovative fieldwork methods and media practices.

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In the last decade Ireland’s immigrant population grew to more than one in ten. Now in the midst of an economic crisis the integration of immigrants has become a topical issue. Drawing extensively on demographic data and research on immigrant lives, immigrant participation in Irish politics and the experiences of immigrants living in deprived communities, this book offers a thorough study of the immigrant experience in Ireland today. Well-researched chapters and case studies examine the effects of immigration on social cohesion, the role of social policy, the nature and extent of segregation in education, racism and discrimination in the labour market, and the barriers faced by immigrants seeking Irish citizenship. This book will be essential reading for students and scholars of immigration in Ireland and will appeal more broadly to those studying politics, sociology, geography and social policy.

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Cue & Cut is a ‘practical approach to working in television studios’ for anyone who might want to work in that medium. It’s full of useful information about kit, and how you would use it to create multi-camera content. Written by a multi-camera producer-director with years of drama and teaching experience, it presents both a way of handling studios and a source of information about how things have changed from the days of monochrome to HD tapeless modes - with some thoughts on 3D HDTVThe book is firmly based in first-hand teaching experience and experience of producing, direction, floor managing (and so on) and on working with top flight Actors, Writers, Musicians, Designers of all disciplines and Sound and Camera crews, both at the BBC and in ITV. The book will certainly cover multi-camera aspects of Undergraduate, HND and B.Tech courses and should be useful to those on short courses, whether practical or post-graduate.

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Projected-image art occupies an increasingly important place in the contemporary art-world. But does the projected image have its own specificity, beyond the histories of experimental film and video on the one hand, and installation art on the other? What is a projected image, and what is the history of projected-image art? These questions and others are explored in this thoughtful collection of nine essays by leading international scholars of film and projected-image art. Clearly structured in three sections - ‘Histories’, ‘Screen’, ‘Space’ - the book argues for recognition of the projected image as a distinctive category in contemporary art, which demands new critical and theoretical approaches. The contributors explore a range of interpretive perspectives, offering new insights into the work of artists including Michael Snow, Carolee Schneemann, Pipilotti Rist, Stan Douglas, Gillian Wearing, Tacita Dean, Jane and Louise Wilson, amongst others. The Introduction supplies a concise summary of the history of projected-image art and its interpretation, and there is a focus throughout the book on detailed analysis of individual artworks.

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This book examines same-sex unions policy (SSU) developments in eighteen western democracies and seeks to explain why the overwhelming majority of these countries has implemented a national law to recognise gay and lesbian couples since 1989. Drawing on extensive interview and document analysis the book illustrates the ways in which SSU policy debates and outcomes have been catalysed by international norm diffusion and social learning. The second part of the study analyses these processes in greater depth using two comparative case studies (Germany and the Netherlands; the United States and Canada) to identify how the norm influences domestic policy debates as well as which factors determine how much power it can exert in different national environments. The case study analysis also reveals why western democracies have implemented different models of recognition (marriage vs. registered partnership vs. unregistered cohabitant).

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Edmund Spenser famously conceded to his friend Walter Raleigh that his method in The Faerie Queene 'will seeme displeasaunt' to those who would 'rather have good discipline delivered plainly in way of precepts, or sermoned at large'. Spenser's allegory and Elizabethan biblical exegesis is the first book-length study to clarify Spenser's comparison by introducing readers to the biblical typologies of contemporary sermons and liturgies. The result demonstrates that 'precepts ... sermoned at large' from lecterns and pulpits were themselves often 'clowdily enwrapped in allegoricall devises'. In effect, routine churchgoing prepared Spenser's first readers to enjoy and interpret The Faerie Queene.A wealth of relevant quotations invites readers to adopt an Elizabethan mindset and encounter the poem afresh. The 'chronicle history' cantos, Florimell's adventures, the Souldan episode, Mercilla's judgment on Duessa and even the two stanzas that close the Mutabilitie fragment, all come into sharper focus when juxtaposed with contemporary religious rhetoric.

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Can the participation of civil society organisations democratise policy making in the European Union? This book challenges the widespread optimism about civil society participation in European governance and offers a nuanced and realistic evaluation of its democratic potential. Friedrich argues that the participation of these groups is only of democratic value if participatory patterns are democratised through appropriate institutional means. This book systematically brings together insights from normative democratic theory with an empirical evaluation of concrete policy-processes. It demonstrates that the participation of civil society organisation cannot be conceived as a panacea for the European Union’s democratic deficit, because the participatory pattern of EU policy-making violates the key democratic value of political equality.This book will be of interest to all of those concerned about the future of European democracy, those studying and teaching European politics, the European Union, international relations and democratic theory.

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This book addresses the special relationship from the perspective of post-Second World War British governments. It asks how they have perceived the special relationship and performed a foreign policy role within it? This enables the book to argue that Britain’s foreign policy challenges the dominant idea that its power has been waning and that it sees itself as the junior partner to the hegemonic US.The book also shows how at moments of international crisis successive British governments have attempted to re-play the same foreign policy role within the special relationship. By setting contemporary foreign policy into its historical context, it provides fresh insights into why Tony Blair’s government felt it must participate in the Iraq War and questions anew why this decision was flawed. The book concludes that these failings are likely to be re-played and demonstrates why the special relationship’s role in British foreign policy must be urgently re-thought.

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This book is about the life and work of David Milch, the writer who created NYPD Blue, Deadwood and a number of other important US television dramas. It provides a detailed account of Milch’s journey from academia to the heights of the television industry, locating him within the traditions of achievement in American literature over the past in order to evaluate his contribution to fiction writing. It also draws on behind-the-scenes materials to analyse the significance of NYPD Blue, Deadwood, John From Cincinatti and Luck. Contributing to academic debates in film, television and literary studies on authorship, the book will be of interest to fans of Milch’s work, as well as those engaged with the intersection between literature and popular television.

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Postnationalist African cinemas convincingly interrogates the ways in which African narratives locate postcolonial identities and forms beyond essentially nationalist frameworks. It investigates how the emergence of new genres, discourses and representations, all unrelated to an overtly nationalist project, influences the formal choices made by contemporary directors. By foregrounding the narrative, generic, discursive, representational and aesthetic structures of films, this book shows how directors are beginning to regard film as a popular form of entertainment rather than political praxis. Tcheuyap investigates filmic genres such as comedy, dance, crime and epic alongside cultural aspects including witchcraft, sexuality, pornography and oracles.

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This book explores the arrival and development of Muslim immigrant communities in Britain and Germany during the post-1945 period through the case studies of Newcastle upon Tyne and Bremen. It traces Newcastle’s South Asian Muslims and Bremen’s Turkish Muslims from their initial settlement through to the end of the twentieth century, and investigates their behaviour and performance in the areas of employment, housing and education. At a time at when Islam is sometimes seen as a barrier to integration and harmony in Europe, this study demonstrates that this need not be the case. In what is the first comparison of Muslim ethnic minorities in Britain and Germany at a local level, this book reveals that instances of integration have been frequent. It is essential reading for both academics and students with an interest in migration studies, modern Britain and Germany, and the place of Islam in contemporary Europe.

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War and politics in the Elizabethan counties reassesses the national war effort during the wars against Spain (1585–1603). Drawing on a mass of hitherto neglected sources, it finds a political system in much better health than has been thought, revising many existing assumptions about the weaknesses of the state in the face of military change. It examines politics and government from the court and privy council to the counties and parishes, assessing the central regime as well as the local machinery of lord lieutenancies which provided troops to fight Elizabeth’s wars and ran the militia which defended against Spanish invasion attempts. The problems of government are assessed in a wide-ranging set of contexts, addressing popular attitudes to the war, government propaganda, local resistance and the problems of governing a country divided in religion. In this way the book covers much more than the war alone, providing a new assessment of the effectiveness of the whole Elizabethan state.

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In formulating a notion of filmic reality, The Reality of Film offers a novel way of understanding our relationship to cinema. It argues that cinema need not be understood in terms of its capacities to refer to, reproduce or represent reality, but should be understood in terms of the kinds of realities it has the ability to create.The Reality of Film investigates filmic reality by way of six key film theorists: André Bazin, Christian Metz, Stanley Cavell, Gilles Deleuze, Slavoj Žižek and Jacques Rancière. In doing so, it provides comprehensive introductions to each of these thinkers, while also debunking many myths and misconceptions about them. Along the way, a notion of filmic reality is formed that radically reconfigures our understanding of cinema.This book is essential reading for film scholars, students and philosophers of film, while it will also appeal to graduate students and specialists in other fields.

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On Anachronism joins together Shakespeare and Proust as the great writers of love to show that love is always anachronistic, and never more so when it is homosexual. Drawing on Nietzsche, Freud, Heidegger, Derrida, Blanchot and Levinas and Deleuze, difficult but essential theorists of the subject of ‘being and time’ and ‘time and the other’ the book examines why speculation on time has become so crucial within modernity. Through the related term ‘anachorism’, it considers how discussion of time always turns into discussion of space, and how this, too, can never be quite defined. It speculates on chance and thinks of ways in which a quality of difference within time – heterogeneity, anachronicity – is essential to think of what is meant by ‘the other’.The book examines how contemporary theory considers the future and its relation to the past as that which is inescapable in the form of trauma. It considers what is meant by ‘the event’, that which is the theme of all post-Nietzschean theory and which breaks in two conceptions of time as chronological.

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This, the first book length study of one of Britain's leading television writers, Jimmy McGovern, links his work to key changes in British television over the last thirty years. McGovern's versatility has meant that his work ranges from soap opera to crime series, studio based single drama to art house features for theatrical release. The book therefore acts partly as a survey of the way that drama for the small screen has mutated and changed over a key period in its history. Steve Blandford's percipient and readable book extensively examines some of McGovern's most influential work, including Brookside, Cracker, The Lakes, Hillsborough and The Street.

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This lively and ground-breaking collection brings together work on forms of popular television within the authoritarian regimes of Europe after World War Two. Ten chapters based on new and original research examine approaches to programming and individual programmes in Spain, Greece, Czechoslovakia, Romania, the USSR and the GDR at a time when they were governed as dictatorships or one-party states. Drawing on surviving archives, scripts and production records, contemporary publications, YouTube clips and interviews with producers and performers, its chapters recover examples of television programming history unknown beyond national borders and often preserved largely in the memories of the audiences who lived with them. The introduction examines how television can be considered ‘popular’ in circumstances where audience appeal is often secondary to the need for state control. Published in English, Popular television in authoritarian Europe represents a significant intervention in transnational television studies, making these histories available to scholars for the first time, encouraging comparative enquiry and extending the reach – intellectually and geographically – of European television history.There is a foreword by John Corner and an informative timeline of events in the history of television in the countries covered.

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This book represents the first ever comprehensive study of the EU’s foreign and security policy in Bosnia. Drawing on a wealth of fresh empirical material, it demonstrates that institutions are a key variable in explaining levels of common foreign security policy (CFSP) coherence and effectiveness over time. In doing so, it also sheds new light on the role that intergovernmental, bureaucratic and local political contestation have played in the formulation and implementation of a European foreign policy. The study concludes that the EU’s involvement in Bosnia has not only had a significant impact on this Balkan country in its path from stabilisation to integration, but has also transformed the EU, its foreign and security policy and shaped the development of the EU’s international identity along the way. The book will be of great interest to researchers and students of EU politics, International Relations and Bosnian politics.

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As an educated gentleman and naval officer, Richard Brothers dramatically altered eighteenth-century expectations and perceptions of what prophets were and the nature of prophecy itself. The messianic messages delivered to Londoners by the self-styled prophet are central to the religious politics and culture of the 1790s, mockingly referred to by one contemporary critic as the ‘age of prophecy’. The Paddington Prophet is the first book-length study which probes deep under the skin of Brothers’s apparently idiosyncratic writings and religious ‘enthusiasm’. Close textual analysis of Brothers’s writings shows the extent to which his Biblical, ‘prophetic imagination’ arose out of the same theological, political and cultural context that spurred ‘radicals’ like Tom Paine whilst inspiring poets and artists such as William Blake. Tracing the contours of his visionary experiences, this book exposes the intensity and vibrancy of Brothers’s faith, the power of his prophetic imagination and the internal logic of his theology.

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