Search results for ""guernica editions,canada""

Winner of the 2020 Guernica Prize for Literary FictionWhen the lies of thirteen-year-old Ellie Turner cause a black man's lynching in 1930s Florida, her younger sister Mavis begins to question the family's long-held beliefs about race. At the same time, the novel focuses on the courageous story of Sliver, a black midwife whose love for her grandson forces her to flee to Washington DC with the child, and Mavis, in tow. As the novel progresses through the decades, the lives of the three women merge and troubling family secrets are revealed.The Shade Tree is a dramatic exploration of racial injustice and conflict set against the backdrop of some of America's most turbulent historical events. The lives of two white sisters and a black midwife are inextricably linked through a series of haunting tragedies, and the characters must make difficult, life-changing decisions about where their loyalties lie: with their biological families or with a greater moral cause. From a Florida orange grove to the seat of power in Washington, DC, during the height of the civil rights movement, The Shade Tree tells a sweeping yet intimate story of racial discrimination and the human hunger for justice.

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Most Anticipated Fall Fiction from 49th ShelfYour basic damsel-in-distress gig sounds perfect to private investigator Ashley Smeeton, who's got her own personal and professional struggles in Montreal. Against the backdrop of the winter Carnaval, the job first takes her to Paris where she's drawn into an unsettling world of mirages and masks, not to mention the murderous Bortnik brothers. When she returns to Montreal, a city rife with its own unreasonable facsimiles, the case incomprehensibly picks up again. Convinced she's being played, Ashley embarks on an even more dangerous journey into duplicity. In a world of masks behind masks, it's hard to say where the truth lies.

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Over the years Anna Yin has had the honour to translate more than 50 poets' works. With more and more people growing interested in translation and bilingual poetry, it is time to publish these translations in book form. I hope this serves as a good resource, and will further stimulate wider and stronger interest and conversation for cross-cultural exchange. As Maya Angelou said: "I long, as does every human being, to be at home wherever I find myself." I hope this contribution will open more of these homes.

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Higher Teaching is divided into two sections: "Practice," which addresses what to teach when you get your first course outline, how to choose strategies and plan lessons, and how to manage your classroom so it is a safe and positive place in which students learn. There are chapters on instructional media, teaching online assessment and evaluation, dealing with difficult students and academic integrity issues, and how to improve your teaching. The second part "Theory and Background," focuses on the theories that inform current higher education teaching and curriculum, adult education, and a very useful chapter of advice extracted from experienced teachers responding to the question, "What's the advice you would give to a brand new teacher?" Also useful to a new teacher are the glossary of academic jargon and a lesson plan template.

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Less than an hour after Millington receives his permanent resident visa, he wonders if his husband Jay would now end their marriage. And Jay has multiple reasons to. Millington is an ex-Methodist minister, who once believed he could be celibate. When he fled Caribbean Methodism and came to Montreal, he thought he'd resolved the issues that made him leave, but he comes to understand that psychological trauma, childhood conditioning, parental and community expectations and his own need for community and family valorization are not easily exorcised. The third installment in the No Safeguards quartet of novels.

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Winner of BEST CRIME NOVELLA at The Crime Writers of Canada Awards of Excellence 2022Set in Toronto 1970, just as the FLQ crisis emerges to shake an innocent country, eleven year old Johnny Wong uncovers an underbelly to his tight, downtown neighbourhood. He shares a room with his Chinese immigrant mother in an enclave with American draft dodgers and new Canadians. He is befriended by Rollie, one of the draft dodgers who takes on a fatherly and writing mentor role. Johnny's mother is threatened by the "children's warfare society." A neighbour is found murdered. He suspects the feline loving Catwoman next door and tries to break into her house. Ultimately he is betrayed but he must act to save his family. He discovers a distant kinship with Jean, the son of one of the hostages kidnapped by the FLQ who have sent Canada into a crisis. As his world spins out of control, his only solace are letters to Dave Keon, who "as Captain of the Toronto Maple Leafs, can be trusted."

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"Two friends two friends, how close could they get without being one man … one in love with a ghost, the other … longed for the son who'd more than likely already become a ghost.” RubÉn Arenal, nicknamed Rocket by his close friends and family, and Ernesto Cisneros are longtime friends, as close as brothers, living in Mexico's northern state of Chihuahua.  RubÉn is a potter who lives alone in his studio apartment. Ernesto is married to Guadalupe and they have one son, Coyuco, who is training to be a teacher. Out of these bald facts spins magic. RubÉn falls in love with an eerily lifelike mannequin in a shop window, widely rumored to be more flesh and bone than mere artifice and modelled on a local beauty nicknamed La Pascualita, who died young many decades ago. RubÉn trails after her ghost while Ernesto leaves their hometown to go in search of his son, kidnapped and disappeared by the police while out on a student protest with forty-two of his comrades from the Ayotzinapa Rural Teachers' College.

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Canticles is a lyric-styled epic. Clarke's visions of canonical and apocryphal scriptures are black in ink, but lightning in illumination. Testament II issues re-readings, revisions, rewrites of scriptures crucial to the emergent (Anglophone) African Diaspora in the Americas. Canticles II (MMXIX) and Canticles II (MMXX) follow Testament I (also issued in two parts) whose subject is History, principally, of slavery and imperialism and liberation and independence. Canticles II is properly irreverent where necessary, but never blasphemous. It is scripture become what it always is, really, anyway: Poetry.

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A precocious boy and his harried father are making a movie from scratch, using only materials in the backyard--or entertaining the possibilities. Their discussion expands to an examination of various cosmogonies and cosmologies, rational and borderline-psychotic, and gradually becomes a duel to the death

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What if the lady -- Jane Austen’s contemporary --who conceived the world's most intriguing modern monster (Doc Frankenstein’s creature) -- was also a proto-suffragette, precursor-feminist, and, simultaneously, much to her chagrin, wedded to a narcissist poet, whose liberalism urged on his libertinism? How would such a woman think? What would she say about her majuscule Romantic dilemma and miniscule romantic predicament? Such are the questions that Chad Norman pursues in his act (and art) of sympathetic re-animation: Squall: Poems in the Voice of Mary Shelley.

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An act of introspection, a lifting of the curtain, a gnaw at the jugular, a wisp of the jocular, all this and more in Earl Fowler's reverent and irreverent exposition of the pain and joy of an aged woman from India plopped into a nursing home on the West Coast. Beyond a culture clash, it is a cultural explosion for Mummy, who finds most things and people repugnant, especially the author, The Printer, while she lusts for A&W chicken strips. Fowler's poetic prose is an uber mash of cultural references, from James Joyce to Glen Campbell, Hollywood to Bollywood, Rabindranath Tagore to Sylvia Plath. A 21st century coat of many colours, these snapshots of immigration, aging, loneliness and loss are salted with irony and Fowler's unique humour. A tale ingeniously told.

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Shattered Fossils, a collection of short stories, takes its title from themes of the irretrievable past, particularly within Ark of Gopherwood, in which the narrator describes his friend as someone who has pieced together elements of the historical past, to create a more complete picture of history. From the short story in which a character enters a "painted sidewalk," the collection moves into an exploration of the creation of memoir and memory. Some of the stories, but especially one about a 'bard,' set in Montreal, another set in Iceland and one set off the coast of England, contain ghosts. The last is told from a ghost's perspective. Her husband, a mathematician, has called her from the shadows. While she was alive, he insisted time was immutable. Now he is attempting to solve the equation that will bring her back.

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A young, mixed-race composer, raised without meaningful connections to his Chinese heritage and struggling with identity issues, travels to China in search of his long-missing uncle, an uncle who vanished in the aftermath of Tiananmen Square. An Idea About My Dead Uncle--winner of the inaugural Guernica Prize for the best unpublished novel manuscript--is about the identities we choose and the ones that are imposed on us. It is about being on the outside looking in. It is about dealing with pain through the artistic process. It is about delusion and healing. It is about the power of narrative. According to Gabriella Goliger, winner of the 2011 City of Ottawa Literary Award for Fiction for her novel Girl Unwrapped and a juror for the Guernica Literary Prize: A witty, sharp-edged, finely-crafted story about a young man struggling with identity issues, which causes relationship disasters and a quest for his long lost uncle in China. The introspective but straightforward narrative eventually plunges into the surreal, mirroring the madness that can result from an uncompromising search for self.

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This rich volume begins with a major new essay by renowned short story critic and theorist Charles E. May, "Returning to the Source: Alice Munro, Flannery O'Connor, and Eudora Welty," followed by a major new essay by one of Munro's most long-standing and most perceptive readers, Catherine Sheldrick Ross, identifying and examining the major concerns which Munro has revisited so compellingly for the duration of her astonishing career. Overall, the twenty contributions to Alice Munro Everlasting take an ardently literary approach, with each essay focussing -- uniquely amongst studies of any short story writer -- on the last stories in Munro's fourteen volumes from Dance of the Happy Shades to Dear Life. Collectively, the many different contributions to Alice Munro Country and Alice Munro Everlasting offer a new model for the art of the critical essay -- combining imagination and analysis, personal testimony and scholarship. They are intended equally to honour the genius of Alice Munro and to give enjoyment to all interested readers. And as one excited advance reader remarked, "I imagine that these two books will form the core of Alice Munro studies in the future."

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Making coal patties. Selling liquid soap. Shopping at a glittering shoe mecca. She's done them all living half her life in deprived-post-war-communist-Vietnam-turned-free-market. It's life in a vacuum when strange types of brainwashing happened. Part memoir and part social criticism, Why Do You Look at Me and See a Girl? is a provocative read about a full-fledged bilingual who fights to get free from the dead past and her ancestors' sins.The story starts with her grandmother's prison visit and moves to a journey through the jungle carried out for family reunion. Drawing strength from her, Hoàng completes her transformation in America from an international student to a free naturalized being. As she sheds her adoration for the impeccable American logic, oscillates between languages, and crosses oceans, she confronts the power play and biases, cultural inhibitors and prejudices that condition human behaviors, be it in Vietnam, America or Thailand. All along, she claims justice for her under-appreciated grandma, straightens male and white patronization, tears down tradition and brainwashing, uncovers the Asian submission to western iconography, and resists the attraction of a white guy. In lucid prose and with a hint of quiet humor, Why Do You Look at Me and See a Girl? is an unflinching pursuit of questions about family, finding one's voice, home, and freedom.

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Daniella believes her lost mother is a World War II spy, but is terrorized by a dream of a war-torn jungle, raining fire. At forty, with her life and career stalled, Daniella is visited by four dead ancestors, who try to help her put her life back together. When this fails, propelled by curiosity about her recurring dream, she travels to the nuclear testing grounds at the Bikini Islands, to find out her mother's real role in the war and its aftermath.

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Nadine Ltaif's poems reflect deeply on the meaning of life, of regrets and the irrepressible determination to continue living. The poet takes us to Carthage; to Andalusia to contemplate its history of Moors, wars and religion; to India where women?s lives, past and present, are expressed through vivid imagery. Hamra sees the exiled poet return to Beirut, the childhood home she fled in 1975. Yet, her poems are full of colour and lightness as she explores her old neighbourhood. This you will not read is a letter of love and absence in Montreal. Journeys are inspirational for Ltaif.

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Canticles is a lyric-styled epic. This second testament--Canticles II (MMXIX) and Canticles II (MMXX)--issues re-readings--revisions, rewrites--of scriptures crucial to the emergent (Anglophone) African Diaspora in the Americas. Canticles II (MMXIX) follows Testament I (also issued in two parts--Canticles I (MMXVI) and Canticles I (MMXVII)) whose subject is History, principally, of slavery and imperialism and liberation and independence. Canticles II, the second part of a trilogy, is properly irreverent where necessary, but never blasphemous. It is scripture become what it always is, really, anyway: Poetry.

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Asylum features interviews with sixteen Canadian refugees from around the world. The interviews are shaped into a five-act play in the likeness of Shakespeare's A Midsummer Night's Dream to address poignant questions about what is true, what is real. Philosophers, artists, and politicians take the stage alongside the refugees to highlight stories of war, displacement, and being other.

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In Wait, relationship and reflection are drawn on to free emotion and understanding from fear, whether it would grow in praise of passion or cooling love, or arise from being trapped by power or lost to indulgence. The poems in Wait seek to cut through the dishonesty and abuse that skew life.

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Like consists of fifty poems every one of which uses the word "like." Like is about people and things Layton likes -- or, sometimes, dislikes. In these poems, Layton expresses a gamut of emotions, from the fear of death to the peaceful contentment of watching two nesting Canadian geese. However, "like" is more than an emotionally charged verb. It is also the basis of simile. It is by likening one thing to another that Layton finds meaning in ordinary things. Since all things are alike in some way, Like is a book of poetry about the underlying unity of all creation.

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A boy finds a vocation as a weaver of bread. A Russian woman, thought dead, e-mails greetings to her adolescent sister in a Canadian suburb. An investment banker vanishes and is found fifteen years later when his daughter discovers a painting of herself in a distant gallery. With wit and ache, Daniel Karasik's Faithful and Other Stories evokes a world of seekers, characters panning for meaning in environments by turns hostile, mystifying, and enchanted. This collection brings together stories honoured with the CBC Short Story Prize, The Malahat Review's Jack Hodgins Founders' Award for Fiction, and the Alta Lind Cook Prize.

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From Black Hand criminals to stand-up cops, from innocent victims and ordinary people to schemers and dreamers: a novel that chronicles one hundred years in the lives and relationships of those who have lived in New York City's Little Italy. A multi-generational, multi-dimensional tale that digs deep into the minds and hearts of this vibrant neighborhood.

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Two brothers come to school and do nothing but tell stories. A man goes to a singles dance. A retired man in India tries to collect his pension. A woman tells the story of her husband's death in partition India. An unnamed narrator offers his "notes" on modern-day America, the culture of success. Some of the stories are set in India, some in America. Some stories are fable-like, others more realistic. Some deal with sex, some are "intellectual" stories. But all stories deal, in one way or another, with small, "mediocre" people, people trying to fit into a world of bigness, applause, success.

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A Rogue's Decameron consists of ten stories - tales - that loosely follow the fabliaux style and are based within the spirit of Chaucer's The Canterbury Tales and Boccaccio's The Decameron: extravagance, joy and ribald humour around sex, lust, vice, death and other ?hungers' of human beings. Using similar framing technique as these works - a prologue, a short description of each story and an epilogue, the stories explore themes such as social commentary and satire aimed at personal politics, societal mores and customs, hierarchies, and religious beliefs. All with Toronto as a backdrop and brought up to date for the sensibilities of a 21st century audience.

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This collection features essays on Nova Scotia-born poet, playwright and literary critic George Elliott Clarke. Instrtumental in promoting the writing of writers of African descent, Clarke's work has won awards including the Governor General's Award for poetry. He is also the recipient of seven honorary doctorates.

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In this dark comedy taking place over twenty-four hours, a blizzard pummels Toronto as a beloved high school teacher coerces his teenage student to assist in his violent suicide forcing the student, his best friend, the friend's bulimic mom, and a down-low cop to outrun each other, the storm, and the ghosts haunting them. I Met Death & Sex Through My Friend, Tom Meuley is a breathtaking and hilarious novel about the lengths people will take to erase themselves in order to matter.

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Blow Up the Ashes, Volume 2 of American Mayhem, reveals the story of Pierre Doucet, a gambler and then a killer for the New Orleans mob during World War II who at one time admires from afar a yellow-haired girl.When decades later he travels to New York, he meets KJ again. They discover she was his "yellow-haired girl". KJ learns Pierre is a killer, but instead of drawing back in horror joins him. KJ and Buckles come together at the novels' end when Buckles wreaks revenge on Big Bill.

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In 1967, the Summer of Love, 17-year old 'Buckles' Sinclair runs from her privileged home in Scarsdale to hitchhike to San Francisco, but instead of Flower Power, Peace, and Love she finds herself plunged into the darkest heart of the American nightmare. Her abandoned mother, KJ, rebuilds her identity and life in the company of a "family" of homosexual men-she is Wendy to The Lost Boys of Manhattan.

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Frenetic, fervent and musical, Songs of My Surrenders is the follow up to di Saverio's highly acclaimed epic poem Crito Di Volta. Whether writing about romantic love, filial reverence, friendship, or brotherhood, Di Saverio insists on passionate and profound connection. A wind of dust blows my tears Into the daisies of the jetty where I wait For you continuously; is it true What they say, that you no longer love Me? I will wait here, still. I will not move.

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Bob Dylan has created a body of work unparalleled in popular music. As a songwriter and as a singer, Dylan expanded the boundaries for song. In this substantially revised and updated second edition of The Bob Dylan Albums, Anthony Varesi analyzes the massive Dylan canon through a detailed discussion of each of the artist's officially released albums. The book follows Dylan's career chronologically from 1962's Bob Dylan through to 2021's Bootleg Series release Springtime in New York. All of Dylan's studio albums, live albums, collections and archival releases are examined in the text and in the detailed, annotated, cross-referenced discography, as are Dylan's notable soundtrack contributions, side projects and benefit concert appearances.The Bob Dylan Albums, 2nd Edition also discusses Dylan's other writings, such as Chronicles and his Nobel Prize lecture, and reviews the films Dylan has appeared in or been the subject of. The book contains frank analyses of the more controversial aspects of Dylan's career, including songs Dylan wrote about George Jackson, Rubin "Hurricane" Carter, Joey Gallo and Lenny Bruce, the use of Dylan's music in advertisements, and Dylan's 2011 trip to China.The book looks at recurring themes in Dylan's songs, the influence of other artists on Dylan's music, and the ongoing relevance of Dylan's work. In the process, The Bob Dylan Albums, 2nd Edition unearths new meaning in both Dylan's most famous works and in his songs and albums that have received less attention..

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