Search results for ""free press""

Myrtle is not one of those communities with a town historian or a roster of famous residents. Myrtle does, however, have a poultry plant, and looming above the plant are the eagles, massive birds that roost in trees and feast on entrails left by workers, creatures synonymous with power, freedom and might. The story starts with a newspaper photo taken in an obscure Nova Scotia town after the murder of eight bald eagles. The bizarre photo wins a contest and, over time, the unidentified girl in the foreground becomes, like Diane Arbus's Child with Toy Hand Grenade in Central Park, infamous. Rita Van Loon decides, after seven painful years, to explain herself and the events surrounding the murders. The Most Heartless Town in Canada looks at media agendas, amateur sport, family dynamics, and the divide between rural and urban Canada. Selected Praise: "... McCluskey's cast of characters 'and it is quite large' is anything but ordinary, especially when it comes to Pammy Pottie, Rita's well-meaning but luckless swim coach, and her motley crew of swimmers. Myrtle is full of oddballs, which is lucky for us, because that, more than anything else, is what gives this novel its quirky charm." (Quill and Quire) "The Most Heartless Town in Canada is explicitly about bearing false witness to a place and what that does to the people there. (It?s also extremely funny.) ..." (The Globe and Mail) "McCluskey's complex small town terrific" (Winnipeg Free Press)

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The American people depend on a free press to keep a close and impartial watch on the national security operations that are carried out in our name. But in many cases, this trust is sadly misplaced, as leading journalists are seduced and manipulated by the secretive agencies they cover.While the press remains silent about its corrupting relationship with the intelligence community—a relationship that dates back to the Cold War—Spooking the News will blow the lid off this unseemly arrangement. Schou will name names and shine a spotlight on flagrant examples of collusion, when respected reporters have crossed the line and sold out to powerful agencies. The book will also document how the CIA has embedded itself in “liberal” Hollywood to ensure that its fictional spies get the hero treatment on screen.Among the revelations in Spooking the News:• The CIA created a special public affairs unit to influence the production of Hollywood films and TV shows, allowing celebrities involved in pro-CIA projects—including Harrison Ford and Ben Affleck—unique access inside the agency's headquarters.• The CIA vets articles on controversial topics like the drone assassination program and grants friendly reporters background briefings on classified material, while simultaneously prosecuting ex-officers who spill the beans on damaging information.

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A searching, self-deprecating memoir of a man on his way to eating himself to death before discovering the anxiety and fulfillment of distance running.“Uplifting, emotional, and just plain hilarious, The Running-Shaped Hole may even inspire you to put down your fork and pick up those running shoes.” — JAY ONRAIT, TSN host and broadcasterWhen Robert Earl Stewart sees his pants lying across the end of his bed, they remind him of a flag draped over a coffin — his coffin. At thirty-eight years old he weighs 368 pounds and is slowly eating himself to death. The only thing that helps him deal with the fear and shame is eating. But one day, following a terrifying doctor’s appointment, he goes for a walk — an act that sets The Running-Shaped Hole in motion. Within a year, he is running long distances, fulfilling his mother's dying wishes, reversing the disastrous course of his eating, losing 140 pounds, and, after several mishaps and jail time, eventually running the Detroit Free Press Half-Marathon.At turns philosophical and slapstick, this memoir examines the life-altering effects running has on a man who, left to his own devices, struggles to be a husband, a father, a son, and a writer.

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Like a lot of Americans, Steve Almond spent the weeks after the 2016 election lying awake, in a state of dread and bewilderment. The problem wasn’t just the election, but the fact that nobody could explain, in any sort of coherent way, why America had elected a cruel, corrupt, and incompetent man to the Presidency. Bad Stories: What the Hell Just Happened to Our Country is Almond’s effort to make sense of our historical moment, to connect certain dots that go unconnected amid the deluge of hot takes and think pieces. Almond looks to literary voices—from Melville to Orwell, from Bradbury to Baldwin—to help explain the roots of our moral erosion as a people. The book argues that Trumpism is a bad outcome arising directly from the bad stories we tell ourselves. To understand how we got here, we have to confront our cultural delusions: our obsession with entertainment, sports, and political parody, the degeneration of our free press into a for-profit industry, our enduring pathologies of race, class, immigration, and tribalism. Bad Stories is a lamentation aimed at providing clarity. It’s the book you can pass along to an anguished fellow traveler with the promise, This will help you understand what the hell happened to our country.

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Europe's long sixteenth century--a period spanning the years roughly from the voyages of Columbus in the 1490s to the English Civil War in the 1640s--was an era of power struggles between avaricious and unscrupulous princes, inquisitions and torture chambers, and religious differences of ever more violent fervor. Ideas of Liberty in Early Modern Europe argues that this turbulent age also laid the conceptual foundations of our modern ideas about liberty, justice, and democracy. Hilary Gatti shows how these ideas emerged in response to the often-violent entrenchment of monarchical power and the fragmentation of religious authority, against the backdrop of the westward advance of Islam and the discovery of the New World. She looks at Machiavelli's defense of republican political liberty, and traces how liberty became intertwined with free will and religious pluralism in the writings of Luther, Erasmus, Jean Bodin, and Giordano Bruno. She examines how the St. Bartholomew's Day Massacre and the clash of science and religion gave rise to concepts of liberty as freedom of thought and expression. Returning to Machiavelli and moving on to Jacques Auguste de Thou, Paolo Sarpi, and Milton, Gatti delves into debates about the roles of parliamentary government and a free press in guaranteeing liberties. Drawing on a breadth of canonical and lesser-known writings, Ideas of Liberty in Early Modern Europe reveals how an era stricken by war and injustice gave birth to a more enlightened world.

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Before Britain had a prime minister – and before they invented America – the dictator Oliver Cromwell urged the artist Lely to paint him ‘warts and all’. This book deals with some of the ‘all’, but is mostly about the warts, the moral blemishes that have dogged the leaders of two of the greatest countries on earth for 300 years. Scandalously, there are still no qualifications necessary for the job of prime minister or president, two of the most important positions in the world. And that lack of ability shows itself in spades throughout these pages. Robert Walpole knew that ‘every man has his price’ and bought people accordingly. Viscount Goderich broke down in tears, begging the king to fire him. George Washington, the revered saint of American creation, blew with the wind and owned slaves. Abraham Lincoln was prepared to send African Americans back to Africa to save the Union. William Gladstone popped out from Downing street to ‘save’ prostitutes. David Lloyd George gave people titles for money. Warren Harding had a string of mistresses, as did John Kennedy. And all this happened before Donald Trump! Thank God the fourth estate was there, the free press watching every move of politicians. Who was watching them, of course, is another story. If you thought – and prayed – that the occupants of No. 10 and the White House were honourable, competent people, you’re in for a bit of a shock.

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A new collection of warm, wise, and inspiring stories from the author of the best-selling One Native LifeSince its publication in 2008, readers and reviewers have embraced Richard Wagamese’s One Native Life. “In quiet tones and luminous language,” wrote the Winnipeg Free Press, “Wagamese shares his hurts and joys, inviting readers to find the ways in which they are joined to him and to consider how they might be joined to others.”In this new book, Richard Wagamese again invites readers to accompany him on his travels. This time his focus is on stories: how they shape us, how they empower us, how they change our lives. Ancient and contemporary, cultural and spiritual, funny and sad, the tales are grouped according to the four essential principles Ojibway traditional teachers sought to impart: humility, trust, introspection, and wisdom.Whether the topic is learning from his grade five teacher about Martin Luther King, gleaning understanding from a wolf track, lighting a fire for the first time without matches, or finding the universe in an eagle feather, these stories exhibit the warmth, wisdom, and generosity that made One Native Life so popular. As always, in these pages, the land serves as Wagamese’s guide. And as always, he finds that true home means not only community but conversation—good, straight-hearted talk about important things. We all need to tell our stories, he says. Every voice matters.

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Acclaimed by Frank Rich as "a writer who illuminates the deepest dramas of American life with poetry and compassion," Lanford Wilson is one of the most esteemed contemporary American playwrights of our time. Nowhere is this more evident than in his latest play, Book of Days, which has won the Best Play Award from the American Theater Critics Association. Book of Days is set in a small town dominated by a cheese plant, a fundamentalist church, and a community theater. When the owner of the cheese plant dies mysteriously in a hunting accident, Ruth, his bookkeeper, suspects murder. Cast as Joan of Arc in a local production of George Bernard Shaw's St. Joan, Ruth takes on the attributes of her fictional character and launches into a one-woman campaign to see justice done. In Book of Days, Lanford Wilson uses note-perfect language to create characters who are remarkable both for their comic turns and for their enormous depth. "Mr. Wilson's cosmic consciousness, intense moral concern, sense of human redemption and romantic effusion have climbed to a new peak." -- Alvin Klein, The New York Times; "A significant addition to the Lanford Wilson canon . . . his best work since Fifth of July . . . Book of Days manages to combine Wilson's signature character-based whimsy with an atypically strong narrative book and politically charged underpinnings." -- Chris Jones, Variety; "Book of Days is lively storytelling by one of our best playwrights." -- Lawrence DeVine, Detroit Free Press.

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Before Black Lives Matter and Hamilton, there were abolitionist poets, who put pen to paper during an era when speaking out against slavery could mean risking your life. Indeed, William Lloyd Garrison was dragged through the streets by a Boston mob before a planned lecture, and publisher Elijah P. Lovejoy was fatally shot while defending his press from rioters. Since poetry formed a part of the cultural, political, and emotional lives of readers, it held remarkable persuasive power. Yet antislavery poems have been less studied than the activist editorials and novels of the time. In Lyrical Liberators, Monica Pelaez draws on unprecedented archival research to recover these poems from the periodicals—Garrison’s Liberator, Frederick Douglass’s North Star, and six others—in which they originally appeared. The poems are arranged by theme over thirteen chapters, a number that represents the amendment that finally abolished slavery in 1865. The book collects and annotates works by critically acclaimed writers, commercially successful scribes, and minority voices including those of African Americans and women. There is no other book like this. Sweeping in scope and passionate in its execution, Lyrical Liberators is indispensable for scholars and teachers of American literature and history, and stands as a testimony to the power of a free press in the face of injustice.

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This authoritative annotated document collection surveys and explains efforts to censor, intimidate, suppress—and reform and improve—news organizations and journalism in America, from the newspapers of colonial times to the social media that saturates the present day. This primary source collection will help readers to understand how the press has been vilified (usually by powerful political or corporate interests) over the course of American history, with a special focus on current events and how these efforts to censor or influence news coverage often flout First Amendment protections concerning freedom of the press. Selected documents highlight efforts to intimidate, silence, condemn, marginalize, and otherwise undercut the credibility and influence of American journalism from the colonial era through the Trump presidency. Most of the featured documents focus on efforts borne out of self-interested attempts to shape or conceal news for political or economic gain or personal fame, but coverage also includes instances in which press actions, attitudes, or priorities deserved censure. All told, the collection will be a valuable resource for understanding the importance of a free press to American life (and the constitutional basis for preserving such), the motivations (both selfish and altruistic) of critics of American journalism from the earliest days of the Republic to today, and the impact of all of the above on American society.

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China and Taiwan have roughly one-eighth of the world's known species. Their approaches to biodiversity issues thus have global as well as national repercussions. Gerald McBeath and Tse-Kang Leng explore the ongoing conflicts between economic development, typically pursued by businesses and governments, and communities seeking to preserve and protect local human and ecosystem values. China and Taiwan have sharply different political and economic systems. In Taiwan, a public relatively more supportive of sustainable development, a free press, a more transparent decision-making process, and an autonomous civil society have influenced governance. Yet democratization has not guaranteed better environmental outcomes. In China, on the other hand, fragmentation of power and 'softer' forms of authoritarianism than in the Maoist era have created openings for NGOs, scientists, journalists, and officials seeking a sustainable future to participate in the environmental policy making process. The authors provide an explicit and comparative treatment of the national policies preserving rare, threatened, and endangered species and ecosystems. Considerable attention is paid to the actors involved in policy formation and implementation as well as to recent cases concerning biodiversity conservation in China and Taiwan.This comprehensive volume will appeal to students and researchers in the areas of political science, environmental science and politics, environmental activists in national and international NGOs, and members of multinational corporations working in developing countries.

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The carceral experiences of women serving life sentences. 2017 Michigan Notable Book Selection presented by The Detroit Free Press How do women – mothers, daughters, aunts, nieces and grandmothers – make sense of judgment to a lifetime behind bars? In Women Doing Life, Lora Bex Lempert presents a typology of the ways that life-sentenced women grow and self-actualize, resist prison definitions, reflect on and “own” their criminal acts, and ultimately create meaningful lives behind prison walls. Looking beyond the explosive headlines that often characterize these women as monsters, Lempert offers rare insight into this vulnerable, little studied population. Her gendered analysis considers the ways that women “do crime” differently than men and how they have qualitatively different experiences of imprisonment than their male counterparts. Through in-depth interviews with 72 women serving life sentences in Michigan, Lempert brings these women back into the public arena, drawing analytical attention to their complicated, contradictory, and yet compelling lives. Women Doing Life focuses particular attention on how women cope with their no-exit sentences and explores how their lifetime imprisonment catalyzes personal reflection, accountability for choices, reconstruction of their stigmatized identities, and rebuilding of social bonds. Most of the women in her study reported childhoods in environments where violence and disorder were common; many were victims before they were offenders. Lempert vividly illustrates how, behind the prison gates, life-serving women can develop lives that are meaningful, capable and, oftentimes, even ordinary. Women Doing Life shows both the scope and the limit of human possibility available to women incarcerated for life.

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Paris is firing all its ammunition into the August night. Against a vast backdrop of water and stone, on both sides of a river awash with history, freedom's barricades are once again being erected. Once again justice must be redeemed with men's blood. Albert Camus (1913-1960) wrote these words in August 1944, as Paris was being liberated from German occupation. Although best known for his novels including The Stranger and The Plague, it was his vivid descriptions of the horrors of the occupation and his passionate defense of freedom that in fact launched his public fame. Now, for the first time in English, Camus at 'Combat' presents all of Camus' World War II resistance and early postwar writings published in Combat, the resistance newspaper where he served as editor-in-chief and editorial writer between 1944 and 1947. These 165 articles and editorials show how Camus' thinking evolved from support of a revolutionary transformation of postwar society to a wariness of the radical left alongside his longstanding strident opposition to the reactionary right. These are poignant depictions of issues ranging from the liberation, deportation, justice for collaborators, the return of POWs, and food and housing shortages, to the postwar role of international institutions, colonial injustices, and the situation of a free press in democracies. The ideas that shaped the vision of this Nobel-prize winning novelist and essayist are on abundant display. More than fifty years after the publication of these writings, they have lost none of their force. They still speak to us about freedom, justice, truth, and democracy.

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In addition to “On Liberty” and “On Representative Government,” this new selection of Mill’s writings includes, among others, a number of less known of his writings, such as: “Civilization,” “Perfectibility,” “The Negro Question,” “On Education,” “On Aristocracy,” “On Marriage,” “On Free Press,” “Socialism,” Mill’s review of Tocqueville’s “Democracy in America,” his letters to Tocqueville, and several other writings. If one can use a somewhat exaggerated language, Mill’s writings are to liberal-democracy what Marx and Engels’ writings were to Communism. Both systems gave expression to 19th century man’s longing for equality and justice, both promised to liberate him from the shackles of oppression, authority and tradition. Instead of liberating man, Communism created the most brutal system in human history, and its spectacular fall in 1989 is one of history’s greatest events. Western world today shows that liberal-democracy is no longer a benign doctrine, which advocates free market, minimum state and individual liberties, but, like Communism, is an all-encompassing ideology which forces an individual to abdicate his freedom and soul in favor of a Communist-like collective. As many critics of real Socialism could see the seeds of totalitarianism in the writings of Marx and Engels, so one can see the seeds of liberal totalitarianism in Mill’s writings. This new edition is intended to help readers to understand why democratic-liberalism came so close to its 19th century ideological rival.

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'You do not lead by hitting people over the head-that's assault, not leadership.' - Dwight D. Eisenhower What would George Washington think of today's 24-hour news cycle? While the Founding Fathers were strong proponents of a free press, they may have been unnerved at seeing their every gaffe mocked on Twitter. Why not take a break from breaking news and spend a moment revisiting the words of some of the greatest leaders the world has known? The Essential Wisdom of the World's Greatest Leaders gathers hundreds of quotations from more than two hundred leaders. Within these pages you'll find presidents, scholars, and philanthropists; jurists, generals, and activists; saints, scientists, and students. The selections are arranged thematically and illuminate the intellect, character, determination, and particular genius of these remarkable men and women. In this book: Abraham Lincoln extols the value of freedom and truth. Winston Churchill ponders the strength that comes from suffering. Frederick Douglass speaks passionately about the evils of inequality. Hillary Clinton advocates for the primacy of human rights. Malala Yousafzai offers insight into the precious gift of education. The Essential Wisdom of the World's Greatest Leaders is a powerful and thought-provoking collection that invites us to put down our phones and spend some quality time with the extraordinary women and men who have each left an indelible mark on our world.

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There is no journal with a livelier and richer history than The Spectator. As well as being the world’s oldest current affairs magazine, none has been closer to spheres of power and influence in Britain. Since its first appearance in 1828, during the dying days of the Georgian era, The Spectator has been ready to spar – with the Tories and their Prime Minister, the Duke of Wellington, with a corrupt political system, and with the lacklustre literary world of the day. Over the subsequent 54 Prime Ministers, The Spectator has not just watched the world go by but has waded into the fray: it has campaigned on consistently liberal lines, fighting for voters’ rights, free trade, the free press and the decriminalisation of homosexuality, while offering open-minded criticism of every modern taboo and orthodoxy. 10,000 Not Out marks the magazine’s 10,000th issue by recounting the turbulent and tortuous tale of its history, of 192 years chock-full of crises and campaigns, of literary flair and barbed wit. Eight chapters chart the evolution of the title – from radical weekly newspaper, to moralising Victorian guardian, to wartime watchdog, to satirical magazine, to High-Tory counsellor, to the irreverent but influential Spectator of the twenty-first century. The book weaves together copious quotations from the magazine’s unparalleled archive, the contemporary press, private letters and staff anecdote.

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Once notorious but now largely forgotten, the political idealist and radical John Baxter Langley was typical of the well-educated and ethical Victorians who struggled to create a fairer, more equal society. Through a long and wide-ranging career of political agitation he was a journalist, editor and owner of several newspapers, was prominent in the call for franchise reform, and opposed religious legislation that prevented Sunday entertainment and education for working men and women. Langley was also integral to the founding of a trade union, campaigned for an end to public executions and built affordable housing in Battersea. Internationally, he condemned the Second Opium War, exposed British brutality in India and worked covertly for Lincoln’s administration. He was a fellow-traveller for many other key radicals of the day, while his founding of the ‘Church of the Future’ garnered the support of Charles Darwin, James Martineau and John Stuart Mill. Through a chronological narrative of Langley's activities, this book provides an overview of many of the most significant political causes of the mid- to late nineteenth century. These include electoral reform, feminism, slavery, racism, trade unionism, workers' rights, the free press, leisure, prostitution, foreign relations and espionage. A neglected but important figure in the history of nineteenth-century radicalism, this work gives John Baxter Langley the attention he deserves and reveals the breadth of his legacy.

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The fascinating and unknown story of the Tour de France's ever-changing relationship with money and power - and the enigmatic family behind it all.It started with a cash drop by an English spy in occupied Paris in 1944. Reserved for Resistance groups during the war, the money reached Émilien Amaury, an advertising executive, who was tasked to help France return to a free press once liberated. He soon launched a newspaper empire that - unbeknown to him - would own the rights to run what would become one of the greatest sporting events in history.Le Tour, once a struggling commercial phenomenon, began to rise in popularity across much of western Europe in the glum years after the Second World War, lifting the mood of the hungry and despondent French. But with the increased interest in the event, exacerbated by the creation of television and the internet, came several cultural threats to national heritage. Multiple attempts to wrest power and profits from the latest generation of the Amaury family - who still own the race and take tens of millions of euros home in dividends - have followed, but not without a fight.Fast-paced and fastidiously researched, Le Fric illustrates how moments off the bike at the Tour de France are every bit as gripping as the battle for the yellow jersey.

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Europe's long sixteenth century--a period spanning the years roughly from the voyages of Columbus in the 1490s to the English Civil War in the 1640s--was an era of power struggles between avaricious and unscrupulous princes, inquisitions and torture chambers, and religious differences of ever more violent fervor. Ideas of Liberty in Early Modern Europe argues that this turbulent age also laid the conceptual foundations of our modern ideas about liberty, justice, and democracy. Hilary Gatti shows how these ideas emerged in response to the often-violent entrenchment of monarchical power and the fragmentation of religious authority, against the backdrop of the westward advance of Islam and the discovery of the New World. She looks at Machiavelli's defense of republican political liberty, and traces how liberty became intertwined with free will and religious pluralism in the writings of Luther, Erasmus, Jean Bodin, and Giordano Bruno. She examines how the St. Bartholomew's Day Massacre and the clash of science and religion gave rise to concepts of liberty as freedom of thought and expression. Returning to Machiavelli and moving on to Jacques Auguste de Thou, Paolo Sarpi, and Milton, Gatti delves into debates about the roles of parliamentary government and a free press in guaranteeing liberties. Drawing on a breadth of canonical and lesser-known writings, Ideas of Liberty in Early Modern Europe reveals how an era stricken by war and injustice gave birth to a more enlightened world.

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Politicians and the media are natural enemies, but in recent times, the relationship has exploded into all-out war. Think about bimbo eruptions, DUI arrests, cocaine parties, National Guard service records, Swift Boat veterans. Think about two generations of Bush presidents up against Dan Rather. Think about who lost. Craig Crawford has seen it all up close and personal, and he is disturbed by what he sees. When politicians turn the public against the media, everyone loses—especially unbiased and courageous news reporting. When veteran White House correspondent Helen Thomas is banished from her front-row post, as she has been in the current administration—the American public is denied the chance to consider her pointed questions, even if they go unanswered. Worse, when traditional reporters and media are displaced, the pundits and alternative media take over. Rush Limbaugh, The O'Reilly Factor, Comedy Central's Jon Stewart, and the bloggers have their place in American politics, and the 2004 elections showed the incredible power of the Internet. These media, however, are a different breed, as Crawford points out—they serve a purpose, but at a cost. They become "opinion merchants," bartering outrageous assertions for audience appeal with little attention to the truth. These days, the truth is hard to find. If the press is not believed—or believable—because politicians have turned the public against it, then the press is not free, but under the thumbs of politicians. Without a free press, there is no democracy. That, says Crawford, is where we find ourselves today. If you don't like the news, attack the messenger, and it will go away. Going, going, gone.

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Gerald N. Grob's Mental Institutions in America: Social Policy to 1875 has become a classic of American social history. Here the author continues his investigations by a study of the complex interrelationships of patients, psychiatrists, mental hospitals, and government between 1875 and World War II. Challenging the now prevalent notion that mental hospitals in this period functioned as jails, he finds that, despite their shortcomings, they provided care for people unable to survive by themselves. From a rich variety of previously unexploited sources, he shows how professional and political concerns, rather than patient needs, changed American attitudes toward mental hospitals from support to antipathy.Toward the end of the 1800s psychiatrists shifted their attention toward therapy and the mental hygiene movement and away from patient care. Concurrently, the patient population began to include more aged people and people with severe somatic disorders, whose condition recluded their caring for themselves. In probing these changes, this work clarifies a central issue of decent and humane health care.Gerald N. Grob is Professor of History at Rutgers University. Among his works are Mental Institutions in America: Social Policy to 1875 (Free Press), Edward Jarvis and the Medical World of Nineteenth-Century America (Tennessee), and The State and the Mentality III (North Carolina).Originally published in 1983.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Regardless of how the presidency of Donald J. Trump ultimately concludes, a significant part of its legacy will relate to the First Amendment. The president has publicly attacked the institutional press and individual reporters, calling them the "enemy of the people." He has proposed that flag burners be jailed and de-naturalized, blocked critics from his Twitter page, communicated hateful and derogatory ideas, and defended the speech of white nationalists. More than any other modern president, Trump has openly challenged fundamental First Amendment norms and principles relating to free speech and free press. These challenges have come at a time when the institutional press faces economic and other pressures that negatively affect their functions and legitimacy, political and other forms of polarization are on the rise, and protesters face diminished space and opportunities for exercising free speech rights. The First Amendment in the Trump Era catalogs and analyzes the various First Amendment conflicts that have occurred during the Trump presidency. It places these conflicts in historical context-as part of our current digitized and polarized era but also as part of a broader narrative concerning attacks on free speech and press. We must understand what is familiar in terms of the First Amendment concerns of the present era, but also what is distinctive about these concerns. The Trump Era has once again reminded us of the need for a free and independent press, the need to protect robust and sometimes caustic criticism of public officials, and the importance of protest and dissent to effective self-government.

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Business and Populism analyses the relationship between right wing populism and business with a focus on business responses and strategies in the face of the global populist turn. In the neoliberal era business had become accustomed to favourable economic policy regimes and governance arrangements that facilitated business influence on key policy issues. The rise of populist movements in various parts of the world is widely perceived as a significant challenge to policymaking, mainstream political parties and even to liberal democracy. Yet we know very little about the impact of populism on business, beyond the fact that the anti-elite challenge of populism frequently targets business with policies to restrict globalization, outsourcing, and labour migration whilst at the same time embracing capitalism, low taxes, and deregulated markets. Populists also glory in presenting themselves as authentic representatives of the people, symbolizing this in their demotic language, their rejection of standards of 'polite' society and liberal 'woke' values, including attacking core intermediary institutions such as independent central banks, the judiciary, the civil service, universities and expert knowledge, and a free press central to post-1945 versions of liberal democracy. When faced with these disruptions and the risks they pose for business, how does business respond? Does it choose to support or challenge populists in different countries? This volume advances the debate by providing empirical studies of the impact of right-wing populism on business. Finally, it considers whether populism will continue to be influential and how its success might impact on business strategy and structure.

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From Benjamin Franklin to Ragged Dick to Jack Kelly, hero of the Disney musical Newsies, newsboys have long intrigued Americans as symbols of struggle and achievement. But what do we really know about the children who hawked and delivered newspapers in American cities and towns? Who were they? What was their life like? And how important was their work to the development of a free press, the survival of poor families, and the shaping of their own attitudes, values and beliefs? Crying the News: A History of America's Newsboys offers an epic retelling of the American experience from the perspective of its most unshushable creation. It is the first book to place newsboys at the center of American history, analyzing their inseparable role as economic actors and cultural symbols in the creation of print capitalism, popular democracy, and national character. DiGirolamo's sweeping narrative traces the shifting fortunes of these "little merchants" over a century of war and peace, prosperity and depression, exploitation and reform, chronicling their exploits in every region of the country, as well as on the railroads that linked them. While the book focuses mainly on boys in the trade, it also examines the experience of girls and grown-ups, the elderly and disabled, blacks and whites, immigrants and natives. Based on a wealth of primary sources, Crying the News uncovers the existence of scores of newsboy strikes and protests. The book reveals the central role of newsboys in the development of corporate welfare schemes, scientific management practices, and employee liability laws. It argues that the newspaper industry exerted a formative yet overlooked influence on working-class youth that is essential to our understanding of American childhood, labor, journalism, and capitalism.

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Perhaps no other function of a free press is as important as the watchdog role—its ability to monitor the work of the government. It is easier for politicians to get away with abusing power—wasting public funds and making poor decisions—if the press is not shining its light with what is termed “accountability reporting.” This need has become especially clear in recent months, as the American press has come under virulent direct attack for carrying out its watchdog duties. Upending the traditional media narrative that watchdog accountability journalism is in a long, dismaying decline, The Watchdog Still Barks presents a study of how this most important form of journalism came of age in the digital era at American newspapers. Although the American newspaper industry contracted significantly during the 1990s and 2000s, Fordham professor and former CBS News producer Beth Knobel illustrates through empirical data how the amount of deep watchdog reporting on the newspapers’ studied front pages generally increased over time despite shrinking circulations, low advertising revenue, and pressure to produce the kind of soft news that plays well on social media. Based on the first content analysis to focus specifically on accountability journalism nationally, The Watchdog Still Barks examines the front pages of nine newspapers located across the United States to paint a broad portrait of how public service journalism has changed since 1991 as the advent of the Internet transformed journalism. This portrait of the modern newspaper industry shows how papers of varying sizes and ownership structures around the country marshaled resources for accountability reporting despite significant financial and technological challenges. The Watchdog Still Barks includes original interviews with editors who explain why they are staking their papers’ futures on the one thing that American newspapers still do better than any other segment of the media: watchdog and investigative reporting.

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'A convincing small-town setting, clever contemporary dialogue, compelling characterizations and a touch of cool humor .... This story's special strength lies in its seamless incorporation of the supernatural into the real world.' - Publishers Weekly'Armstrong has a good ear for dialogue, and the main characters, especially Jaime and Eve, stand out in full colour.' - Winnipeg Free PressBook six in Kelley Armstrong's supernatural series marks the return of werewolf Elena Michaels from BITTEN and STOLEN. When half-demon Xavier calls in the favour Elena owes him, it seems easy enough - steal Jack the Ripper's 'From Hell' letter away from a Toronto collector who had himself stolen it from the Ripper evidence boxes in the Metropolitan Police files. But nothing in the supernatural world is ever as simple as it seems. Elena accidentally triggers a spell placed on the letter, and manages to tear an opening that leads into the nether regions of Victorian London. Toronto may be looking for a tourism boost, but 'Gateway to Hell' isn't quite the new slogan the city had in mind . . .A brilliant novel of suspense with a supernatural twist - packaged in the stunning new Kelley Armstrong series style.Books by Kelley Armstrong: Women of the Otherworld series Bitten Stolen Dime Store Magic Industrial Magic Haunted Broken No Humans Involved Personal Demon Living with the Dead Frost Bitten Walking the Witch Spellbound Thirteen Nadia Stafford Exit Strategy Made to be Broken Wild JusticeRocktonCity of the LostA Darkness AbsoluteThis Fallen PreyWatcher in the WoodsAlone in the Wild Darkest Powers The Summoning The Awakening The Reckoning Otherworld Tales Men of the Otherworld Tales of the Otherworld Otherworld Nights Otherworld Secrets Otherworld Chills Darkness Rising The Gathering The Calling The Rising Cainsville Omens Visions Deceptions Betrayals Rituals

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In 2019, award-winning journalist Glenn Greenwald writes in this gripping new book, "a series of events commenced that once again placed me at the heart of a sustained and explosive journalistic controversy." New reporting by Greenwald and his team of Brazilian journalists brought to light stunning information about grave corruption, deceit, and wrongdoing by the most powerful political actors in Brazil, his home since 2005. These stories, based on a massive trove of previously undisclosed telephone calls, audio, and text shared by an anonymous source, came to light only months after the January 2019 inauguration of Brazil 's far-right president, Jair Bolsonaro, an ally of President Trump. The revelations "had an explosive impact on Brazilian politics" (The Guardian) and prompted serious rancor, including direct attacks by President Bolsonaro himself, and ultimately an attempt by the government to criminally prosecute Greenwald for his reporting. "A wave of death threats--in a country where political violence is commonplace--have poured in, preventing me from ever leaving my house for any reason without armed guards and an armored vehicle," Greenwald writes. Securing Democracy takes readers on a fascinating ride through Brazilian politics as Greenwald, his husband, the left-wing Congressman David Miranda, and a powerful opposition movement courageously challenge political corruption, homophobia, and tyranny. While coming at serious personal costs for himself and his family, Greenwald writes, "I have no doubt at all that the revelations we were able to bring to the public strengthened Brazilian democracy in an enduring and fundamental way. I believe we righted wrongs, reversed injustices, and exposed grave corruption." The story, he concludes, "highlights the power of transparency and the reason why a free press remains the essential linchpin for securing democracy."

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The definitive history of American war reporting in the Pacific theater of World War II, from the attack on Pearl Harbor to the atomic bombings of Hiroshima and Nagasaki. After almost two years slogging with infantrymen through North Africa, Italy, and France, Ernie Pyle immediately realized he was ill prepared for covering the Pacific War. As Pyle and other war correspondents discovered, the climate, the logistics, and the sheer scope of the Pacific theater had no parallel in the war America was fighting in Europe. From Pearl Harbor to Hiroshima and Nagasaki, The War Beat, Pacific provides the first comprehensive account of how a group of highly courageous correspondents covered America's war against Japan, what they witnessed, what they were allowed to publish, and how their reports shaped the home front's perception of some of the most pivotal battles in American military history. In a dramatic and fast-paced narrative based on a wealth of previously untapped primary sources, Casey takes us from MacArthur's doomed defense on the Philippines and the navy's overly strict censorship policy at the time of Midway, through the bloody battles on Guadalcanal, New Guinea, Tarawa, Saipan, Leyte and Luzon, Iwo Jima and Okinawa, detailing the cooperation, as well as conflict, between the media and the military, as they grappled with the enduring problem of limiting a free press during a period of extreme crisis. The War Beat, Pacific shows how foreign correspondents ran up against practical challenges and risked their lives to get stories in a theater that was far more challenging than the war against Nazi Germany, while the US government blocked news of the war against Japan and tried to focus the home front on Hitler and his atrocities.

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'A page-turning thriller. Fans of the paranormal will delight in the eighth Women of the Underworld yarn, with its ass-kicking, Bollywood beautiful, former-socialite heroine and full complement of sorcerers, witches, werewolves, and other paranormal beings.' - Booklist'Long before American author Stephenie Meyer came on the scene -- four years before, to be precise -- Canadian fantasy novelist Kelley Armstrong began paving the way with Women of the Otherworld.' - Winnipeg Free PressHope Adams, tabloid journalist and half-demon, inherited her Bollywood princess looks from her mother. From her demon father, she inherited a hunger for chaos, and a talent for finding it. Like full demons, she gets an almost sexual rush from danger - in fact, she thrives on it. But she is determined to use her gifts for good. When the head of the powerful Cortez Cabal asks her to infiltrate a gang of bored, rich, troublemaking supernaturals in Miami, Hope can't resist the excitement. But trouble for Hope is intoxicating, and soon she's in way too deep. With a killer stalking the supernatural hot spots of Miami, Hope finds herself dangerously entangled, and has no choice but to turn to her crooked werewolf ex-boyfriend for help. What started as a simple investigation has spiralled into chaos. And Hope finds chaos irresistible . . .The latest book in Kelley Armstrong's fast-paced and wildly entertaining supernatural series.Books by Kelley Armstrong: Women of the Otherworld series Bitten Stolen Dime Store Magic Industrial Magic Haunted Broken No Humans Involved Personal Demon Living with the Dead Frost Bitten Walking the Witch Spellbound Thirteen Nadia Stafford Exit Strategy Made to be Broken Wild JusticeRocktonCity of the LostA Darkness AbsoluteThis Fallen PreyWatcher in the WoodsAlone in the Wild Darkest Powers The Summoning The Awakening The Reckoning Otherworld Tales Men of the Otherworld Tales of the Otherworld Otherworld Nights Otherworld Secrets Otherworld Chills Darkness Rising The Gathering The Calling The Rising Cainsville Omens Visions Deceptions Betrayals Rituals

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From Benjamin Franklin to Ragged Dick to Jack Kelly, hero of the Disney musical Newsies, newsboys have long intrigued Americans as symbols of struggle and achievement. But what do we really know about the children who hawked and delivered newspapers in American cities and towns? Who were they? What was their life like? And how important was their work to the development of a free press, the survival of poor families, and the shaping of their own attitudes, values and beliefs? Crying the News: A History of America's Newsboys offers an epic retelling of the American experience from the perspective of its most unshushable creation. It is the first book to place newsboys at the center of American history, analyzing their inseparable role as economic actors and cultural symbols in the creation of print capitalism, popular democracy, and national character. DiGirolamo's sweeping narrative traces the shifting fortunes of these "little merchants" over a century of war and peace, prosperity and depression, exploitation and reform, chronicling their exploits in every region of the country, as well as on the railroads that linked them. While the book focuses mainly on boys in the trade, it also examines the experience of girls and grown-ups, the elderly and disabled, blacks and whites, immigrants and natives. Based on a wealth of primary sources, Crying the News uncovers the existence of scores of newsboy strikes and protests. The book reveals the central role of newsboys in the development of corporate welfare schemes, scientific management practices, and employee liability laws. It argues that the newspaper industry exerted a formative yet overlooked influence on working-class youth that is essential to our understanding of American childhood, labor, journalism, and capitalism.

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What kind of person loses sight in one eye and then through dedicated practice and honed skills becomes one of the top 50 NBA players of all time? What kind of person, with limited business experience, builds a start-up company into a thriving corporation and is recognized as one of the world’s most successful black executives? What kind of person, while running a $350 million business, takes the time to reach out to black youths lacking father figures and provides counsel and support? And what kind of person, instead of enjoying a well-deserved luxurious retirement, chooses to become mayor of a large city that many long ago had written off as dead? Dave Bing, that’s who.In Dave Bing, Detroit Free Press sports columnist Drew Sharp chronicles the compelling story of a figure whose sheer will to succeed, refusal to make excuses for setbacks, and efforts to contribute to society set him apart as an anomaly—a man of virtues so rarely found in recent history. His path from Washington D.C. to Syracuse to Detroit is sometimes tumultuous, blazed by hard work, perseverance, and savvy. Much more than the stereotypical tale of celebrity ex-jock who does good, this is a story about a black male who, even as a youngster, determined to conquer whatever challenges came his way.And now, as mayor of Detroit, Bing encounters perhaps his greatest test of all. Faced with entrenched and power-hungry political foes, a series of failed and corrupt predecessors, a work force ill prepared for today’s job market, a staggering city debt, and recent health problems, Bing would appear to have little chance of surviving his office. Both the naysayers and optimists would do well to read the book.

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Secrecy and the Media is the first book to examine the development of the D-Notice system, which regulates the UK media's publication of British national security secrets. It is based on official documents, many of which have not previously been available to a general audience, as well as on media sources.From Victorian times, British governments have consistently seen the need, in the public interest, to prevent the media publishing secret information which would endanger national security. The UK media have meanwhile continuously resisted official attempts to impose any form of censorship, arguing that a free press is in the public interest. Both sides have normally seen the pitfalls of attempting to resolve this sometimes acrimonious conflict of interests by litigation, and have together evolved a system of editorial self-regulation, assisted by day-to-day independent expert advice, known colloquially as the D-Notice System. The book traces the development of this system from nineteenth-century colonial campaigns, through two world wars, to modern operations and counter-terrorism in the post-Cold War era, up to the beginning of the Labour government in 1997. Examples are drawn from media, political and official sources (some not yet open), and cover not only defence issues (including Special Forces), but also the activities of the secret intelligence services MI5, MI6 and GCHQ. These cases relate principally to the UK, but also to American and other allies’ interests. The story of how this sometimes controversial institution now operates in the modern world will be essential reading for those in the media and government departments, and for academics and students in the fields of security, defence and intelligence, as well as being an accessible exposé for the general reader.Nicholas Wilkinson served in the Royal Navy 1959-98, and from 1999 to 2004 he ran the independent Defence, Press and Broadcasting Advisory Committee. He was a Press Complaints Commissioner from 2005 to 2008, and is a Cabinet Office Historian.

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This book shows how left-wing politics has shaped life in the USA, from the 1900s to the present day. Only the American right has ever really recognised the potency of the American left. Now, Rhodri Jeffreys-Jones fully details the left's numerous achievements, including the welfare state, opposing militarism, reshaping of American culture, black rights and civil liberties, awakening the USA to the dangers of fascism and great public enterprises such as the late Twin Towers. Jones tells the full story of the USA's left wing: how the socialists of the Old Left gave way by the 1960s to the anti-war militants of the New Left, and how they in turn gave way to a 'Newer Left' that advocated causes such as LGBT rights and multiculturalism. Bringing the discussion into the 21st century, he shows how the post-2000 Bush administration succumbed to the 'socialist' nationalisation it despised, and hails Barack Obama as a president for the left. It looks at why the USA's left is always underestimated: the relative absence of a free press, its tendency to deny its own existence, and the fallacious claim that if the right is always wrong, it must be wrong about the left's impact too. It explores the changes that have taken place in the years between the orthodox socialist challenge of a century ago and the actions of those President Obama describes as 'my friends on the left'. It draws on interviews with participants on the left including: Todd Gitlin, president of Students for a Democratic Society in the 1960s; Frances Piven, anti-poverty campaigner and bete noir of the American right; Bernie Sanders, socialist US Senator from Vermont; and, Marilyn Young, leading New Left historian of US foreign policy.

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Perhaps no other function of a free press is as important as the watchdog role—its ability to monitor the work of the government. It is easier for politicians to get away with abusing power—wasting public funds and making poor decisions—if the press is not shining its light with what is termed “accountability reporting.” This need has become especially clear in recent months, as the American press has come under virulent direct attack for carrying out its watchdog duties. Upending the traditional media narrative that watchdog accountability journalism is in a long, dismaying decline, The Watchdog Still Barks presents a study of how this most important form of journalism came of age in the digital era at American newspapers. Although the American newspaper industry contracted significantly during the 1990s and 2000s, Fordham professor and former CBS News producer Beth Knobel illustrates through empirical data how the amount of deep watchdog reporting on the newspapers’ studied front pages generally increased over time despite shrinking circulations, low advertising revenue, and pressure to produce the kind of soft news that plays well on social media. Based on the first content analysis to focus specifically on accountability journalism nationally, The Watchdog Still Barks examines the front pages of nine newspapers located across the United States to paint a broad portrait of how public service journalism has changed since 1991 as the advent of the Internet transformed journalism. This portrait of the modern newspaper industry shows how papers of varying sizes and ownership structures around the country marshaled resources for accountability reporting despite significant financial and technological challenges. The Watchdog Still Barks includes original interviews with editors who explain why they are staking their papers’ futures on the one thing that American newspapers still do better than any other segment of the media: watchdog and investigative reporting.

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At exactly 4:06 p.m. on July 18, 2013, the city of Detroit filed for bankruptcy. It was the largest municipal bankruptcy in American history—the Motor City had finally hit rock bottom. But what led to that fateful day, and how did the city survive the perilous months that followed? In Detroit Resurrected, Nathan Bomey delivers the inside story of the fight to save Detroit against impossible odds. Bomey, who covered the bankruptcy for the Detroit Free Press, provides a gripping account of the tremendous clash between lawyers, judges, bankers, union leaders, politicians, philanthropists, and the people of Detroit themselves. The battle to rescue this iconic city pulled together those who believed in its future—despite their differences. Help came in the form of Republican governor Rick Snyder, a technocrat who famously called himself “one tough nerd”; emergency manager Kevyn Orr, a sharp-shooting lawyer and “yellow-dog Democrat”; and judges Steven Rhodes and Gerald Rosen, the key architects of the grand bargain that would give the city a second chance at life. Detroit had a long way to go. Facing a legacy of broken promises, the city had to seek unprecedented sacrifices from retirees and union leaders, who fought for their pensions and benefits. It had to confront the consequences of years of municipal corruption while warding off Wall Street bond insurers who demanded their money back. And it had to consider liquidating the Detroit Institute of Arts, whose world-class collection became an object of desire for the city’s numerous creditors. In a tight, suspenseful narrative, Detroit Resurrected reveals the tricky path to rescuing the city from $18 billion in debt and giving new hope to its citizens. Based on hundreds of exclusive interviews, insider sources, and thousands of records, Detroit Resurrected gives a sweeping account of financial ruin, backroom intrigue, and political rebirth in the struggle to reinvent one of America’s iconic cities.

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“The Op-Ed Novel not only elegantly recounts a vital intellectual and cultural history of post-Franco Spain. Carefully exploring the careers of Spain’s most eminent writers, it demonstrates, too, the osmotic links between political journalism and literary fiction—salutary reading in the English-speaking countries, where politics and literature are still regarded as strangers to each other.”—Pankaj Mishra, author of Run and HideA new history of contemporary Spanish fiction through the prism of novelists’ newspaper columns.Public intellectuals come in many different stripes, but most of them gain a following at least in part from their writing, whether in the form of magazine articles, newspaper columns, or full-length nonfiction. A few—James Baldwin and Joan Didion are celebrated examples—start out as novelists before turning to the rough-and-tumble of current affairs. In The Op-Ed Novel, Bécquer Seguín undertakes the first book-length study of how contemporary literature is shaped by opinion journalism, focusing on fiction writers who took to the papers in post-Franco Spain and became stewards of their country’s cultural, economic, and political future.Following Spain’s transition to democracy in the late 1970s and early 1980s, internationally acclaimed novelists such as Javier Cercas, Antonio Muñoz Molina, and Javier Marías seized the opportunity to populate the opinion pages of the newly legal free press. The Op-Ed Novel analyzes how the argumentative styles and preoccupations of their columns in El País, Spain’s most widely read daily, bled into their fiction. These and other authors used their novels to settle scores with fellow intellectuals, make speculative historical claims, and advance partisan political projects. At the same time, their literary technique greatly invigorated opinion journalism.A lively guide to the terroir of contemporary Spanish literature, The Op-Ed Novel offers a bird’s-eye view of both the post-Franco intellectual climate and the changing role of the novelist in public life.

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"We the Media, has become something of a bible for those who believe the online medium will change journalism for the better." - "Financial Times". Big Media has lost its monopoly on the news, thanks to the Internet. Now that it's possible to publish in real time to a worldwide audience, a new breed of grassroots journalists are taking the news into their own hands. Armed with laptops, cell phones, and digital cameras, these readers-turned-reporters are transforming the news from a lecture into a conversation. In "We the Media", nationally acclaimed newspaper columnist and blogger Dan Gillmor tells the story of this emerging phenomenon and sheds light on this deep shift in how we make - and consume - the news. Gillmor shows how anyone can produce the news, using personal blogs, Internet chat groups, email, and a host of other tools. He sends a wake-up call to newsmakers - politicians, business executives, celebrities - and the marketers and PR flacks who promote them. He explains how to successfully play by the rules of this new era and shift from "control" to "engagement." And, he makes a strong case to his fell journalists that, in the face of a plethora of Internet-fueled news vehicles, they must change or become irrelevant. Journalism in the 21st century will be fundamentally different from the Big Media oligarchy that prevails today. "We the Media" casts light on the future of journalism, and invites us all to be part of it. Dan Gillmor is founder of Grassroots Media Inc., a project aimed at enabling grassroots journalism and expanding its reach. The company's first launch is Bayosphere.com, a site "of, by, and for the San Francisco Bay Area." From 1994-2004, Gillmor was a columnist at the "San Jose Mercury News", Silicon Valley's daily newspaper, and wrote a weblog for SiliconValley.com. He joined the "Mercury News" after six years with the Detroit Free Press. Before that, he was with the "Kansas City Times" and several newspapers in Vermont. He has won or shared in several regional and national journalism awards. Before becoming a journalist, he played music professionally for seven years.

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The Sunday Times Bestseller A new assessment of the West’s colonial record In the wake of the dissolution of the Soviet empire in 1989, many believed that we had arrived at the ‘End of History’ – that the global dominance of liberal democracy had been secured forever. Now however, with Russia rattling its sabre on the borders of Europe and China rising to challenge the post-1945 world order, the liberal West faces major threats. These threats are not only external. Especially in the Anglosphere, the ‘decolonisation’ movement corrodes the West’s self-confidence by retelling the history of European and American colonial dominance as a litany of racism, exploitation, and massively murderous violence. Nigel Biggar tests this indictment, addressing the crucial questions in eight chapters: Was the British Empire driven primarily by greed and the lust to dominate? Should we speak of ‘colonialism and slavery’ in the same breath, as if they were identical? Was the Empire essentially racist? How far was it based on the theft of land? Did it involve genocide? Was it driven fundamentally by the motive of economic exploitation? Was undemocratic colonial government necessarily illegitimate? and, Was the Empire essentially violent, and its violence pervasively racist and terroristic? Biggar makes clear that, like any other long-standing state, the British Empire involved elements of injustice, sometimes appalling. On occasions it was culpably incompetent and presided over moments of dreadful tragedy. Nevertheless, from the early 1800s the Empire was committed to abolishing the slave trade in the name of a Christian conviction of the basic equality of all human beings. It ended endemic inter-tribal warfare, opened local economies to the opportunities of global trade, moderated the impact of inescapable modernisation, established the rule of law and liberal institutions such as a free press, and spent itself in defeating the murderously racist Nazi and Japanese empires in the Second World War. As encyclopaedic in historical breadth as it is penetrating in analytical depth, Colonialism offers a moral inquest into the colonial past, forensically contesting damaging falsehoods and thereby helping to rejuvenate faith in the West’s future.

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NOMINATED FOR SIX OSCARS, INCLUDING BEST PICTURE, SUPPORTING ACTOR AND SUPPORTING ACTRESS . . . Aged just five, Saroo Brierley lost all contact with his family in India, after waiting at a train station for his brother who never returned. Discover the inspiring, true story behind the film, Lion. This is the heart breaking and original tale of the lost little boy who found his way home twenty-five years later. ----------------------------------- As a five-year old in India, I got lost on a train. Twenty-five years later, I crossed the world to find my way back home. Five-year-old Saroo lived in a poor village in India, in a one-room hut with his mother and three siblings... until the day he boarded a train alone and got lost. For twenty-five years. This is the story of what happened to Saroo in those twenty-five years. How he ended up on the streets of Calcutta. And survived. How he then ended up in Tasmania, living the life of an upper-middle-class Aussie. And how, at thirty years old, with some dogged determination, a heap of good luck and the power of Google Earth, he found his way back home. Lion is a triumphant true story of survival against all odds and a shining example of the extraordinary feats we can achieve when hope endures.----------------------------------- 'Amazing stuff' The New York Post 'So incredible that sometimes it reads like a work of fiction' Winnipeg Free Press (Canada) 'A remarkable story' Sydney Morning Herald Review 'I literally could not put this book down. Saroo's return journey will leave you weeping with joy and the strength of the human spirit' Manly Daily (Australia) 'We urge you to step behind the headlines and have a read of this absorbing account...With clear recollections and good old-fashioned storytelling, Saroo...recalls the fear of being lost and the anguish of separation' Weekly Review (Australia)

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The Voice of America is the nation's largest publicly funded broadcasting network, reaching more than 90 million people worldwide in over forty languages. Since it first went on the air as a regional wartime enterprise in February 1942, VOA has undergone a spectacular transformation, and it now employs scores of reporters worldwide and broadcasts around the clock every day of every year, reaching listeners in the four-fifths of the world still denied a completely free press. Alan L. Heil, Jr., former deputy director of VOA, chronicles this remarkable transformation from a fledgling short wave propaganda organ during World War II to a global multimedia giant encompassing radio, the Internet, and 1,500 affiliated radio and television stations across the globe. Using transcripts of radio broadcasts and numerous personal anecdotes, Heil gives the reader a front-row seat to the greatest events of the past sixty years, from the Cold War and the Vietnam conflict to the Watergate and Lewinsky scandals, from Neil Armstrong's first steps on the moon in 1969 to ethnic strife in the Balkans and Rwanda in the mid-1990s, and from the outbreak of HIV/AIDS in the 1980s to the terrorist attacks on September 11, 2001. Yet Heil also relates the story of a perennially underfunded organization struggling against the political pressures, congressional investigations, massive reorganizations, and leadership purges that have attempted to shape-and, in some instances, control-VOA programming. Reporting first hand, high-quality news is a monumental task for any network, but the Voice faces obstacles unique to an organization that stands, as former director John Chancellor once observed, at "the crossroads of journalism and diplomacy." It is for this reason that many people still perceive VOA as an instrument of American propaganda. However, as a thirty-six-year veteran of VOA and its numerous policy wars, Heil believes that the Voice has always sought to deliver accurate, objective, and comprehensive news of the highest journalistic standard, news that reflects America's diversity and dynamism, and that presents not only U.S. policies but also critical debate about those policies. This in-depth history of VOA from its founding until its sixtieth anniversary is a vivid portrait of the people who made it great, depicting a news network that has overcome enormous challenges to steadfastly and faithfully report the most important news stories of our time.

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The War for American Independence was essentially a civil war throughout the colonies: loyalists and patriots who had grown up together as countrymen found themselves fighting on opposing sides. Troy Bickham asserts that the war proved almost as divisive in the motherland, as the British wielded the almighty pen and went to battle on the pages of the press in Britain. Surpassing the breadth of previous studies on the subject, Making Headlines offers a look at the British press as a whole—including analysis of London newspapers, provincial newspapers, and monthly magazines. The free press in Britain, Bickham argues, was too widespread and too lucrative to be susceptible to significant government interference and therefore provided in-depth coverage on all aspects of the war. Private letters, official dispatches, extracts from foreign newspapers, maps, and detailed tables of fleet strengths and locations filled the pages of daily publications that provided more extensive and more rapid information than even the government could. Due to the inexpensive and easily accessible printed news, the average British citizen was often as well informed as a cabinet minister. The open editorial nature of the press also allowed someone as socially low as a blacksmith's wife, under the cloak of anonymity, to scrutinize and offer commentary on every political decision and military maneuver, all in front of a national audience. Bickham adeptly leads the reader on an exploration into the varied national debates that raged throughout Britain during the American Revolution, one of Britain's historically most unpopular wars. The British public debated how to defeat George Washington—whose perseverance and conduct was much admired in Britain—whether captured Americans should be held as prisoners of war or hung as traitors, and the morality of including American Indians in the war effort. Making Headlines also reflects the global perspective of the war held by most Britons, who saw the conflict not only as a fight for America but also as a struggle to protect their worldwide empire as America's European allies turned the conflict into a world war, threatening even the British Isles themselves. This study will appeal to those interested in early America, the American Revolution, British history, and media studies.

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The Voice of America is the nation's largest publicly funded broadcasting network, reaching more than 90 million people worldwide in over forty languages. Since it first went on the air as a regional wartime enterprise in February 1942, VOA has undergone a spectacular transformation, and it now employs scores of reporters worldwide and broadcasts around the clock every day of every year, reaching listeners in the four-fifths of the world still denied a completely free press. Alan L. Heil, Jr., former deputy director of VOA, chronicles this remarkable transformation from a fledgling short wave propaganda organ during World War II to a global multimedia giant encompassing radio, the Internet, and 1,500 affiliated radio and television stations across the globe. Using transcripts of radio broadcasts and numerous personal anecdotes, Heil gives the reader a front-row seat to the greatest events of the past sixty years, from the Cold War and the Vietnam conflict to the Watergate and Lewinsky scandals, from Neil Armstrong's first steps on the moon in 1969 to ethnic strife in the Balkans and Rwanda in the mid-1990s, and from the outbreak of HIV/AIDS in the 1980s to the terrorist attacks on September 11, 2001. Yet Heil also relates the story of a perennially underfunded organization struggling against the political pressures, congressional investigations, massive reorganizations, and leadership purges that have attempted to shape-and, in some instances, control-VOA programming. Reporting first hand, high-quality news is a monumental task for any network, but the Voice faces obstacles unique to an organization that stands, as former director John Chancellor once observed, at "the crossroads of journalism and diplomacy." It is for this reason that many people still perceive VOA as an instrument of American propaganda. However, as a thirty-six-year veteran of VOA and its numerous policy wars, Heil believes that the Voice has always sought to deliver accurate, objective, and comprehensive news of the highest journalistic standard, news that reflects America's diversity and dynamism, and that presents not only U.S. policies but also critical debate about those policies. This in-depth history of VOA from its founding until its sixtieth anniversary is a vivid portrait of the people who made it great, depicting a news network that has overcome enormous challenges to steadfastly and faithfully report the most important news stories of our time.

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While the phrase “Fake News” may be a recent phenomenon, the relationship between journalists and the politicians they cover has been on a course for disaster for decades. From Richard Nixon’s disdain for the press, to Donald Trump’s claims that reporters are the “enemy of the people,” animosity between press and presidency has reached a fever pitch. In Free The Press, renowned journalist Brian J. Karem asks the question “How did we get here?” And perhaps more importantly, “How do we fix it?”Blending his experiences as a veteran reporter with trenchant analysis of the erosion of trust between the press and the government over the past 40 years, Free The Press gives readers a unique perspective on the challenges facing journalism as well as the rise of hostility between these institutions. While early presidents like Theodore Roosevelt and Dwight Eisenhower enjoyed close relationships with the press, the Vietnam War saw a schism develop that has never fully healed. Since then, each and every president has overseen the withering of relations between the Executive Branch and the so-called Fourth Estate: Ronald Reagan weaponized his partnership with FCC Chairman Mark Fowler to weaken the Fairness Doctrine; George H.W. Bush installed a “pool” system for reporters covering Operation Desert Storm, co-opting and guiding the work of supposedly independent journalists; Bill Clinton’s landmark telecommunications act included harmful regulations regarding the internet and allowed for the rise of media conglomerates; George W. Bush’s Patriot Act further stifled a suffocating press; Barack Obama’s administration repeatedly used the Espionage Act – a relic of the WWI-era – to prosecute officials and whistle-blowers who talked to journalists. All of this leads directly to Donald Trump’s most egregious offenses against the media. Readers also see first-hand Karem’s own experience in the newspaper industry where he witnessed buyouts and the end of locally owned and operated newspapers, a behind-the-scenes look at his work as a member of the White House Press Corps, and his work defending the confidentiality of sources and advocacy for shield laws to protect the journalistic pillar of anonymity.But it’s not all on the government. The press has hurt itself over the years, too. Corporate media has us following the news of the day for clicks and views rather than pursuing long term stories of impact. Reporters have ceased to frame the narrative and failed to co-opt social media contributions until it was too late. Karem concludes with a three-step plan to save the free press, as well as a comprehensive method to reporting in the White House –and elsewhere – for reporters to regain level footing and work towards repairing the damage done to one of the most important and sacred institutional relationships of our country.

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A powerful critique of how manipulation of media gives rise to disinformation, intolerance, and divisiveness, and what can be done to change direction."Mickey Huff and Nolan Higdon emphasize what we can do today to restore the power of facts, truth, and fair, inclusive journalism as tools for people to keep political and corporate power subordinate to the engaged citizenry and the common good."—Ralph NaderThe role of news media in a free society is to investigate, inform, and provide a crucial check on political power. But does it?It's no secret that the goal of corporate-owned media is to increase the profits of the few, not to empower the many. As a result, people are increasingly immersed in an information system structured to reinforce their social biases and market to their buying preferences. Journalism’s essential role has been drastically compromised, and Donald Trump’s repeated claims of "fake news" and framing of the media as “an enemy of the people” have made a bad scenario worse.Written in the spirit of resistance and hope, United States of Distraction offers a clear, concise appraisal of our current situation, and presents readers with action items for how to improve it. Praise for United States of Distraction:"A war of distraction is underway, media is the weapon, and our minds are the battlefield. Higdon and Huff have written a brilliant book of how we’ve gotten to this point, and how to educate ourselves to fight back and win."—Henry A. Giroux, author of American Nightmare: Facing the Challenge of Fascism"A timely and urgent demand re-asserting the central importance of civic pursuits—not commercialism—in U.S. media and society."—Ralph Nader"Higdon and Huff have produced the best short introduction to the nature of Trump-era journalism and how the 'Post-Truth' media world is inimical to a democratic society that I have seen. The book is provocative and an entertaining read. Best of all, the analysis in United States of Distraction leads to concrete and do-able recommendations for how we can rectify this deplorable situation."—Robert W. McChesney, author of Rich Media, Poor Democracy: Communication Politics in Dubious Times"The U.S. wouldn't be able to hide its empire in plain sight were it not for the subservient 'free' press. United States of Distraction shows, in chilling detail, America's major media dysfunction—how the gutting of the fourth estate paved the road for fascism and what tools are critical to salvage our democracy."—Abby Martin, The Empire Files"Nolan Higdon and Mickey Huff provides us with a fearless and dangerous text that refuses the post-truth proliferation of fake news, disinformation, and media that serve the interests of the few. This is a vital wake-up call for how the public can protect itself against manipulation and authoritarianism through education and public interest media.”—George Yancy, author of Backlash: What Happens When We Talk Honestly about Racism in America and Professor of Philosophy at Emory University"United States of Distraction challenges our hegemon-media’s ideological mind control and the occupation of human thought. … Huff and Higdon correctly call for mass critical resistance through truth telling by free minds. Power to the people!"—Peter Phillips, author of Giants: The Global Power Elite

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The mother of a FDNY firefighter killed on 9/11 teams up with a crusading journalist to fight City Hall and uncover the truth about why over 300 firefighters perished during the World Trade Center attack.Don’t Look Back is a thriller that takes readers into the hearts and minds of a FDNY family who lost their son during 9/11, and set out on a mission to find out what really happened to him and the other 342 firefighters who perished needlessly. Sarah Murphy, a savvy community organizer from the Bronx, teams up with a local investigative reporter and other 9/11 families as they take on City Hall to unearth the failures at the FDNY. In this fast-paced novel by former Daily News investigative reporter, Joe Calderone, the families risk everything to expose a corruption scandal that put faulty radios in the hands of the FDNY, leading to the worst loss of life in the history of the department. This compelling story, based on true events, takes a different perspective on a worldwide event and gives voice to the 343 members of the FDNY who perished, largely unaware that the buildings were about to come down upon them. Advance Praise for Don’t Look Back Don't Look Back (Post Hill Press) was selected as a “Best New in Paperback” by People Magazine, which named it a “People picks” and called the book “a suspenseful, eye-opening thriller about the firefighters who lost their lives on 9/11...” Dan's Papers called the novel “a riveting read...” “A crisply written page-turner, Don't Look Back? is a story of tragedy, tenacity, and the continued importance of a free press. From the terror of the final moments inside the World Trade Center towers, to the incompetence that doomed hundreds of city firefighters, to the principled mutiny inside a major newspaper to get that story out, the story never lets up. Calderone writes with moving affection and respect for the blue-collar men and women who do the hard work in our democracy, who fight to preserve it, and who sometimes pay for that struggle with their lives.” —Mark Bowden, author, Black Hawk Down “Joe Calderone, one of the city’s great reporters, uses those skills in a brilliantly suspenseful novel about 9/11, the city’s worst tragedy, and the first responders who lost their lives that day and their families' search for the truth.” —Nick Pileggi, author Wiseguy and its screenplay, Goodfellas “Joe Calderone is a former NY Daily News investigative reporter who knows his stuff when it comes to the FDNY and he has crafted a novel that helps shine a light on the incredible challenges and sacrifices firefighters made on 9/11, including the 343 members of the FDNY we lost that day under the most tragic of circumstances. There were communication failures on 9/11 that no doubt contributed to the loss of life and this novel will help remind us to not repeat those mistakes ever again. Calderone has done the FDNY a service.” —Michael Regan, former First Deputy Commissioner, FDNY "This is a novel about the most painful day in New York City history and its aftermath, as reporters and investigators struggled to uncover the official blunders of Rudy Giuliani's City Hall that made a tragic day worse. Joe Calderone uses all his tools as one of New York’s best investigative reporters, as well as a panoramic knowledge of the city, to offer a vivid tale of people in search of a difficult truth." —Tom Robbins, Pulitzer Prize finalist and Investigative Journalist In Residence at the Craig Newmark Graduate School of Journalism at CUNY

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A 2020 Michigan Notable Book 2020 WFWA Star Award Winner 2019 Christy Award finalist *** "In this powerful first novel . . . Bartels successfully weaves American history into a deeply moving story of heartbreak, long-held secrets, and the bonds of family."--Publishers Weekly, Starred Review "A forbidden interracial marriage, an escaped slave, an expectant mother waiting for her Union soldier to return--all of these stories are deftly told by Bartels, as she explores the hard realities of racism and its many faces during various eras of American history. . . .Compelling characters make this winning debut also appealing for fans of general historical fiction."--Library Journal "Bartels' debut tells the story of three Balsam women, each of a different era, told against the backdrop of racism and violence in America. . . .will appeal to fans of faith-based women's fiction authors like Colleen Coble."--Booklist ***** When Detroit Free Press reporter Elizabeth Balsam meets James Rich, his strange request--that she look up a relative she didn't know she had in order to deliver an old camera and a box of photos--seems like it isn't worth her time. But when she loses her job after a botched investigation, she suddenly finds herself with nothing but time. At her great-aunt's 150-year-old farmhouse north of Detroit, Elizabeth uncovers a series of mysterious items, locked doors, and hidden graves. As she searches for answers to the riddles around her, the remarkable stories of two women who lived in this very house emerge as testaments to love, resilience, and courage in the face of war, racism, and misunderstanding. And as Elizabeth soon discovers, the past is never as past as we might like to think. Debut novelist Erin Bartels takes readers on an emotional journey through time--from the volatile streets of 1960s Detroit to the Michigan's Underground Railroad during the Civil War--to uncover the past, confront the seeds of hatred, and discover where love goes to hide. ***** "We Hope for Better Things has it all: fabulous storytelling, an emotional impact that lingers long after you turn the last page, and a setting that immerses you. I haven't read such a powerful, moving story since I read To Kill a Mockingbird in high school. This book will change how you look at the world we live in. Highly recommended!"--Colleen Coble, USAToday bestselling author of the Rock Harbor series and The View from Rainshadow Bay "A timely exploration of race in America, We Hope for Better Things is an exercise of empathy that will shape many a soul."--Julie Cantrell, New York Times and USA Today bestselling author of Perennials "I applaud [Erin's] courage, her authenticity, her beautiful turn of phrase, the freshness of her imagery, and the depth of her story that speaks to a contemporary world where understanding is often absent. We Hope for Better Things is a remarkable debut novel."--Jane Kirkpatrick, award-winning author of Everything She Didn't Say "Erin Bartels's We Hope for Better Things shares the joys and sorrows of three women from different generations. A roller coaster of emotions awaits as you share the lives of these women and hope along with them for better things."--Ann H. Gabhart, bestselling author of River to Redemption "Storytelling at its finest. Erin Bartels delivers a riveting story of forbidden love, family bonds, racial injustice, and the power of forgiveness. We Hope for Better Things is a timely, sobering, moving account of how far we've come . . . and how much distance remains to be covered. A compulsively readable, incredibly powerful novel."--Lori Nelson Spielman, New York Times bestselling author of The Life List "There is the Detroit we think we know, and there is the Detroit full of stories that are never brought to the forefront. With We Hope for Better Things, Erin Bartels brings full circle an understanding of contemporary Detroit firmly rooted in the past, with enthralling characters and acute attention to detail. It's a must not just for Detroit lovers but also for those who need to understand that Detroit history is also American history."--Aaron Foley, city of Detroit's chief storyteller and editor of The Detroit Neighborhood Guidebook

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