Search results for ""etudes""

An exploration of the political dimensions of forgiveness and repentance from Jacques Derrida. Perjury and Pardon is a two-year seminar series given by Jacques Derrida at the École des hautes études en sciences sociales in Paris during the late 1990s. In these sessions, Derrida focuses on the philosophical, ethical, juridical, and political stakes of the concept of responsibility. His primary goal is to develop what he calls a “problematic of lying” by studying diverse forms of betrayal: infidelity, denial, false testimony, perjury, unkept promises, desecration, sacrilege, and blasphemy. This volume covers the seminar’s second year when Derrida explores the political dimensions of forgiveness and repentance. Over eight sessions, he discusses Hegel, Augustine, Levinas, Arendt, and Benjamin as well as Bill Clinton’s impeachment and Nelson Mandela and Desmond Tutu’s testimonies before the Truth and Reconciliation Commission. The seminars conclude with an extended reading of Henri Thomas’s 1964 novel Le Parjure.

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À l’occasion de son 50e anniversaire, c’est avec fierté que le Baccalauréat International (IB) vous invite à découvrir son premier demi-siècle d’existence. Cet ouvrage a été rédigé par de prestigieux représentants et figures de l’IB. Il décrit – et célèbre – la décision de l’IB de créer une sanction officielle des études reconnue à l’échelle internationale et de concevoir une vision mondiale en faveur d’un apprentissage reposant sur des valeurs, afin d’encourager l’édification d’un monde meilleur et plus paisible. Contributors: Carolyn Adams; Sir John Daniel; Judith Fabian; Howard Gardner; Laura Gardner; Jenny Gillett; Matt Glanville; Judith Guy; Robert Harrison; Gareth Hegarty; Ian Hill; Carol Inugai-Dixon; Siva Kumari; Andrew Macdonald; Andrew Maclehose; Pilar Quezzaire; Angela Rivière; Dominic Robeau; George Rupp; HRH Princess Sarvath El Hassan of Jordan; Anthony Tait; Nicholas Tate; George Walker.

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The cellist and composer Jean-Louis Duport taught at the Conservatoire de Paris for several years and, along with his older brother Jean-Pierre Duport, made a name for himself as one of the first cello virtuosos. From this wealth of experience, he put together a collection of etudes that are designed for teaching. Students of every ability level can benefit from the various exercises which aim to develop technique.21 Etüden für VioloncelloDer Cellist und Komponist Jean-Louis Duport lehrte einige Jahre am Conservatoire de Paris und machte sich mit seinem älteren Bruder Jean-Pierre Duport einen Namen als einer der ersten Cello-Virtuosen. Aus diesem Erfahrungsschatz stellte er eine Sammlung an Etüden zusammen, die für den Unterricht angelegt sind. Schüler jeder Fähigkeitsstufe können von den verschiedenen Übungsstücken profitieren, die die verschiedenen Techniken gezielt trainieren.

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This third selection of articles by Robert Feenstra complements the two previously published, continuing his studies of doctrines of private law and of texts related to university teaching from the 13th century into the early modern period. In the section on private law, some pieces deal with the Middle Ages, while others focus on Hugo Grotius. Property is again an important topic, but this time joined by legal personality (foundations) and negligence (vicarious liability included). The studies on the history of texts are mainly concerned with works dating from the 14th and 15th centuries. One is devoted to a little-known civil law teacher at the University of Orléans and his commentary on a part of the Digest. The four others deal with treatises belonging to the so-called 'vulgarisation' of the 'droit savant' (medieval Roman and Canon law); most of these include important contributions to the history of early printing (incunabula and post-incunabula). Cette troisième sélection d'articles de Robert Feenstra complète les deux précédentes; elle constitue la suite de ses études sur les doctrines de droit privé et sur des textes se rapportant à l'enseignement universitaire du XIIIe jusqu'au XVIIIe siècle. Dans la section consacrée au droit privé, quelques articles s'occupent en premier lieu du moyen âge, d'autres focalisent sur Hugo Grotius. La propriété est de nouveau un sujet important, mais elle se trouve en compagnie de la personnalité juridique (notamment par rapport aux fondations) et de la responsabilité civile (y compris la responsabilité du fait d'autrui). Les études sur l'histoire des textes concernent surtout quelques ouvrages du XIVe et du XVe siècle. La première est consacrée à un professeur de droit civil peu connu de l'université d'Orléans et à son commentaire sur l'une des trois parties du Digeste. Les quatre autres s'occupent de traités appartenant à la "vulgarisation" du droit savant (droit romain et droit canonique au moye

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Cette etude est consacree a un phenomene aussi bien syntaxique que semantique qui, a ce jour, n'a fait l'objet d'aucune analyse specifique en linguistique russe. En effet, bien que regulierement evoquee - mais souvent de maniere sporadique - dans les grammaires et diverses etudes sur la syntaxe de la subordination en russe, la correlation n'a jamais donne lieu a une analyse systematique. L'originalite de l'ouvrage reside egalement dans l'approche adoptee : au lieu de mettre l'accent, comme c'est souvent le cas dans la litterature linguistique sur la question, sur le mode de liaison des predications dans les structures correlatives, la definition de la correlation se fonde sur le fonctionnement specifique des marqueurs de liaison, les correlateurs. L'approche semasiologique proposee a surtout l'avantage d'unifier le traitement des correlateurs russes et d'eviter certaines contradictions manifestes de leurs descriptions actuelles, majoritairement onomasiologiques. Une part importante de l'ouvrage est consacree a la semantique des structures correlatives.

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Jacques Derrida explores the ramifications of what we owe to others.Hospitality reproduces a two-year seminar series delivered by Jacques Derrida at the École des hautes études en sciences sociales in Paris between 1995 and 1997. In these lectures, Derrida asks a series of related questions about responsibility and “the foreigner”: How do we welcome or turn away the foreigner? What does the idea of the foreigner reveal about kinship and the state, particularly in relation to friendship, citizenship, migration, asylum, assimilation, and xenophobia? Derrida approaches these questions through readings of several classical texts as well as modern texts by Heidegger, Arendt, Camus, and others. Central to his project is a rigorous distinction between conventional, finite hospitality, with its many conditions, and the aspirational idea of hospitality as something offered unconditionally to the stranger. This volume collects the first year of the seminar.

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The two symposia, the Hayashibara Forum and the MSJ/IHÉS joint workshop, were held at the Institute des Hautes Études Scientifiques (IHÉS) in November, 2006. The Hayashibara Forum focused on singularity theory, which has been one of the research areas that has over the years been well represented at IHÉS. The MSJ/IHÉS Joint Workshop, focused on the broad area of noncommutativity, with an emphasis on noncommutative geometry as one of the fundamental themes of 21st century mathematics. This volume contains papers presented at the symposia in the form of invited lectures and contributing talks by young researchers. We believe that the scope of this volume well reflects a new development for singularity theory, and a new direction in mathematics through noncommutativity. This volume are aimed to inspire not only the specialists in these fields but also a wider audience of mathematicians.Published by Mathematical Society of Japan and distributed by World Scientific Publishing Co. for all markets except North America

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Debussy's Late Style explores Claude Debussy's musical responses to World War I. This period of composition encompasses the duration of the war and the last four years of Debussy's life. The works that emerged during this time reflect both wartime events and the composer's self-conscious desire to define his own musical legacy as he felt his life nearing its end. Debussy's complete wartime compositions comprise a small but significant body of works, some little known and some now acknowledged to be among the masterpieces of his career. These include the Berceuse héroïque, En Blanc et noir, the Douze Études, the "Noël des enfants qui n'ont plus de maisons," and the three instrumental sonatas (the Cello Sonata; the Sonata for Flute, Viola, and Harp; and the Violin Sonata). Through music analysis, musicology, and cultural history, this study offers interpretive readings of Debussy's late works, focusing in particular on how they reflect the unique cultural milieu of wartime Paris.

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Papa Demba Thiam est à la fois économiste et chef d'entreprise en Suisse. Né à Saint-Louis (Sénégal), il fit ses études universitaires en économie et gestion à l'Université de Dakar. Plus tard, il s'installa à Neuchâtel où, parallèlement à ses charges de chercheur au Centre de Recherche sur le Développement, d'assistant en économie et de professeur de gestion financière, il prépara une thèse de doctorat en économie du développement.Soucieux de donner à ses activités de recherche un caractère résolument appliqué, il fonda en 1988 la société ATEDIS S.A., chargée d'appliquer en Afrique ses conceptions en matière de stratégie de développement.Les propositions de cet ouvrage émanent donc à la fois d'une réflexion poussée et d'un apprentissage assidu sur le terrain. L'auteur ne se contente pas de montrer en quoi les modèles usuels de croissance-développement demeurent non pertinents (1ère partie); bien plus, après une étude de l'impact de ces modèles dans son propre pays (2e p

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A Director's Guide to Stanislavsky's Active Analysis describes Active Analysis, the innovative rehearsal method Stanislavsky formulated in his final years. By uniting ‘mental analysis’ and ‘études’, Active Analysis puts an end to the problem of mind-body dualism and formalized text memorization that traditional rehearsal methods foster. The book describes Active Analysis both practically and conceptually; Part One guides the reader through the entire process of Active Analysis, using A Midsummer Night’s Dream as a practical reference point. The inspiration here is the work of the Russian director Anatoly Efros, whose pioneering work led the way for a reawakening of theatre in post-Soviet Russia. Part Two is the first English translation of Maria Knebel’s foundational article about Active Analysis. Knebel was hand-selected by Stanislavsky to carry his final work forward in unadulterated form for succeeding generations of directors and actors. A Director's Guide to Stanislavsky's Active Analysis provides the first detailed explanation of Active Analysis from the director’s perspective, while also meeting the needs of actors who seek to enhance their creative involvement in the process of play production.

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The Classical Guitar Companion is an anthology of guitar exercises, etudes, and pieces organized according to technique or musical texture. Expert author Christopher Berg, a veteran guitar instructor, bring together perspectives as an active performing artist and as a teacher who has trained hundreds of guitarists to encourages students to work based on their own strengths and weaknesses. The book opens with "Learning the Fingerboard," a large section devoted to establishing a thorough knowledge of the guitar fingerboard through a systematic and rigorous study of scales and fingerboard harmony, which will lead to ease and fluency in sight-reading and will reduce the time needed to learn a repertoire piece. The following sections "Scales and Scale Studies", "Repeated Notes", "Slurs", "Harmony", "Arpeggios", "Melody with Accompaniment", "Counterpoint" and "Florid or Virtuoso Studies" each contain text and examples that connect material to fingering practices of composers and practice strategies to open a path to interpretive freedom in performance. The Classical Guitar Companion will serve as a helpful companion for many years of guitar study.

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In A Singing Approach to Horn Playing, author and renowned teacher-musician Natalie Douglass Grana develops the fundamental sense of pitch that is essential to play the horn. The book begins with simple songs to sing on solfège, buzz on the mouthpiece, and play on the horn, followed by inner hearing, transposition, and polyphonic exercises. Readers learn to fluidly hear the notes on the page before playing them, through sequential exercises with songs, improvisation, stick notation, and duets. Training continues with progressively challenging melodies, including canons as well as vocal etudes (solfeggi) like those of Giuseppe Concone. Finally, hornists apply their musicianship skills to standard etude, solo, and orchestral horn repertoire. Horn parts are provided with important lines from the orchestra or accompaniment, transposed to also be sung and played on the horn. Accompanying rhythmic and harmonic exercises enable performers to learn to hear the parts together as they play. Through a wide-ranging synthesis of theory, practical advice, and exercises, Douglass Grana puts forth a crucial guide for a new generation of horn players and burgeoning musicians seeking to improve and perfect their sense of pitch.

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Le monde est confronté à de nombreux grands défis : des pandémies au changement climatique, de l’accroissement des inégalités aux problèmes liés à la numérisation. Dans un nouveau paysage mondial en rapide mutation, l’Europe doit chercher des solutions à ces difficultés pour donner suite à son impressionnant processus d’intégration qui dure depuis des décennies. L’Europe a la capacité de tracer une voie progressiste dans le monde. Notre avenir européen propose des solutions pour repenser notre modèle socio-économique à la mesure des transitions environnementales et numériques, pour redéfinir le rôle de l’Europe dans le monde afin de contribuer à un multilatéralisme renouvelé, pour renforcer l’investissement dans les biens publics et enfin, pour réinventer notre contrat démocratique. Cet ouvrage, qui rassemble les points de vue d’experts renommés de toute l’Europe, devrait constituer un guide pratique pour tout penseur, décideur ou militant progressiste, ainsi que pour tout citoyen désireux de prendre part au nécessaire débat démocratique sur notre avenir. Ce livre, édité par Maria João Rodrigues avec la collaboration de François Balate, est une première contribution de la Fondation pour les études progressistes européennes à la Conférence sur l’avenir de l’Europe et au-delà.

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This is the third in a set of four collections of articles by Michel Huglo to be published in the Variorum series. It brings together the studies of Gregorian chant and of later monophonic and polyphonic additions to the earlier repertory that occupied Huglo in the second phase of his research. Represented here are articles on the Kyrie, the introit tropes of St-Gall, an elegy for William the Conqueror (d. 1087), the versus by Venantius Fortunatus for the cathedral of Paris, the liturgical dramas of Fleury, early organum, the Mass of Tournai, and, finally, the Requiem by Eustache Du Caurroy. Ce volume des articles de Michel Huglo est le troisième de la série de quatre dans la collection Variorum. Il réunit des études sur le chant grégorien et sur les additions de pièces monodiques ou polyphoniques faites au répertoire primitif, sujets qui ont occupé Michel Huglo dans la seconde phase de sa carrière de chercheur. Dans ce volume, le lecteur trouvera des articles sur le Kyrie, les tropes d'introït de St-Gall, l'élégie pour Guillaume le Conquérant (d. 1087), les versus de Venance Fortunat pour la cathédrale de Paris, les drames liturgiques de Fleury, les débuts de l'organum, la Messe de Tournai, et finalement le Requiem d'Eustache Du Caurroy.

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An inquiry into the problematic of perjury, or lying, and forgiveness from one of the most influential philosophers of the twentieth century. “One only ever asks forgiveness for what is unforgivable.” From this contradiction begins Perjury and Pardon, a two-year series of seminars given by Jacques Derrida at the École des hautes études en sciences sociales in Paris in the late 1990s. In these sessions, Derrida focuses on the philosophical, ethical, juridical, and political stakes of the concept of responsibility. His primary goal is to develop what he calls a “problematic of lying” by studying diverse forms of betrayal: infidelity, denial, false testimony, perjury, unkept promises, desecration, sacrilege, and blasphemy. Although forgiveness is a notion inherited from multiple traditions, the process of forgiveness eludes those traditions, disturbing the categories of knowledge, sense, history, and law that attempt to circumscribe it. Derrida insists on the unconditionality of forgiveness and shows how its complex temporality destabilizes all ideas of presence and even of subjecthood. For Derrida, forgiveness cannot be reduced to repentance, punishment, retribution, or salvation, and it is inseparable from, and haunted by, the notion of perjury. Through close readings of Kant, Kierkegaard, Shakespeare, Plato, Jankélévitch, Baudelaire, and Kafka, as well as biblical texts, Derrida explores diverse notions of the “evil” or malignancy of lying while developing a complex account of forgiveness across different traditions.

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'Who possesses me will possess all things, But his life will belong to me...' Raphael de Valentin, a young aristocrat, has lost all his money in the gaming parlours of the Palais Royal in Paris, and contemplates ending his life by throwing himself into the Seine. He is distracted by the bizarre array of objects in a chaotic antique shop, among them a strange animal skin, a piece of shagreen with magical properties. It will grant its possessor his every wish, but each time a wish is bestowed the skin shrinks, hastening its owner's death. Around this fantastic premise Balzac weaves a compelling psychological portrait of his hero, a prisoner of his own Promethean imagination, and explores profound ideas about the human will, vice and virtue, love and death. Helen Constantine's new translation captures the energy and exuberance of Balzac's novel, one of the most engaging of his 'Études philosophiques' from the Comédie humaine. The accompanying introduction and notes offer fresh insights into this remarkable work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Historical and literary scholars have become increasingly interested in women’s roles in and approaches to war. In times of conflict, French and francophone women have made crucial contributions in aid of the patrie, but wars have also set women against the governing powers, frequently forcing them to choose between their concerns as women, and the economic and social demands of their belligerent nations. This volume, the proceedings of the 9th UK Women in French conference entitled ‘Les femmes et la guerre’, brings together scholars from different academic disciplines – history, sociology, politics, literary criticism and gender studies – who explore the impact of war upon women in French and francophone societies. Les critiques littéraires et les historiens s’intéressent de plus en plus aux rôles des femmes pendant les périodes de guerre. Les femmes françaises et francophones ont, par leurs actions cruciales, aidé la patrie en temps de guerre ; cependant, les conflits ont également opposé les femmes à leur gouvernement, en les obligeant souvent à choisir entre leurs intérêts en tant que femmes et les exigences économiques et sociales de leur pays belligérant. Ce volume, reproduisant les actes du 9e colloque britannique organisé par « Women in French », intitulé « Les femmes et la guerre », rassemble des spécialistes de diverses disciplines – histoire, sociologie, sciences politiques, critique littéraire et études de genre – pour analyser les effets de la guerre sur les femmes en France et dans les pays francophones.

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Sweeping contest wins since the age of thirteen, Gonzales quickly went from teen star to skate legend when he took to the streets. Widely revered as the inventor of street skating and for his groundbreaking, one-of-a-kind style, throughout the years Gonz has remained one of the most prolific innovators in skateboarding. Today he rides for iconic brands Supreme, Adidas, and Krooked and has cemented his place in skateboard and pop-culture history. Hailed for a sense of fearlessness and creativity that has influenced skaters around the world, Gonz s talents stretch far beyond the skate orbit. His long-standing collaborations with brands including Adidas, Supreme, Thrasher, RETROSUPERFUTURE, JanSport, and Etudes, all gathered in this volume, showcase his rebellious vision. This is the first comprehensive book devoted to the Gonz s pioneering work in skateboarding as well as streetwear, fashion, and art a bold collection of work straight from the mind of the artist, as seen through exclusive work by the creator of some of his most iconic images, Sem Rubio. Much of the book shows off his legendary tricks and a portfolio of his many worlds. With contributions by Hiroshi Fujiwara, KAWS, Ed Templeton, Tommy Guerrero, Tony Hawk, Stan Smith, Gus Van Sant, and more, this indispensable volume gathers over thirty years of creation by a man widely recognized as the most influential skateboarder of all time.

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Renowned contributors use the late work of this crucial figure to open new speculations on "materiality." A "material event," in one of Paul de Man’s definitions, is a piece of writing that enters history to make something happen. This interpretation hovers over the publication of this volume, a timely reconsideration of de Man’s late work in its complex literary, critical, cultural, philosophical, political, and historical dimensions.A distinguished group of scholars responds to the problematic of "materialism" as posed in Paul de Man’s posthumous final book, Aesthetic Ideology. These contributors, at the forefront of critical theory, productive thinking, and writing in the humanities, explore the question of "material events" to illuminate not just de Man’s work but their own. Prominent among the authors here is Jacques Derrida, whose extended essay “Typewriter Ribbon: Limited Inc (2)” returns to a celebrated episode in Rousseau’s Confessions that was discussed by de Man in Allegories of Reading. The importance of de Man’s late work is related to a broad range of subjects and categories and-in Derrida’s provocative reading of de Man’s concept of "materiality"-the politico-autobiographical texts of de Man himself. This collection is essential reading for all those interested in the present state of literary and cultural theory. Contributors: Judith Butler, UC Berkeley; T. J. Clark, UC Berkeley; Jacques Derrida, École des Hautes Études en Sciences Sociales and UC Irvine; Barbara Johnson, Harvard U; Ernesto Laclau, U of Essex; Arkady Plotnitsky, Purdue U; Laurence A. Rickels, UC Santa Barbara; and Michael Sprinker.

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A new biography of which paints the most well-rounded and factually accurate portrait of the composer to date Ralph Vaughan Williams ranks among the most versatile, influential, and enduringly popular British musicians of his era. Throughout his wide-ranging career-as composer, conductor, editor, scholar, folksong collector, teacher, author, administrator, and philanthropist-Vaughan Williams worked tirelessly to improve the standards and quality of British musical life. His dedicated work ethic and fastidious attention to musical detail helped him forge a compelling and original expressive idiom grounded in a profound understanding of musical history and tradition, popularized in concert staples like the Tallis Fantasia, The Lark Ascending, A London Symphony, the Songs of Travel, and the Serenade to Music. Drawing upon both recent scholarship and newly accessible scores and correspondence, author Eric Saylor interweaves in Vaughan Williams an exploration of the composer's life - including new insights about his early career, military service in the Great War, and relationships with the women he loved and married - with chapters surveying his enormous body of music, spanning hymn tunes to operas, keyboard etudes to solo concerti, wind band music for amateurs to perhaps the finest symphonic cycle of the twentieth century. The resulting portrait reveals Vaughan Williams's complex artistry and dynamic personality, a portrayal often at odds with the avuncular persona of "Uncle Ralph" familiar to the public. This contemporary reassessment of the composer's life and works provides a concise and engaging overview of both, positioning Vaughan Williams as an artist of rare skill, sensitivity, and human insight.

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The essays in this collection by the noted French philosopher Paul Ricoeur grew out of a series of invited lectures given in France on the question of the nature of justice and the law at the Institut des Hautes Etudes pour a Justice in Paris. Gathered under the title "The Just", the essays represent a sustained reflection on the relation between the concept of the juridical - as embedded in written laws, tribunals, judges and verdicts - and the philosophical concept of right, situated between moral theory and politics. In political philosophy, Ricoeur argues, the question of right is obscured by the haunting presence of historical evil. In a philosophy of right, on the other hand, the leading theme is peace. Building on the framework established in his earlier work, "Oneself as Another", Ricoeur shifts his focus from political considerations to those having to do with the juridical dimension of the problem of justice. Fleshing out this framework, Ricoeur revisits the work of Plato, Aristotle and Kant in his engagements with contemporary thinkers, particularly John Rawls, Michael Walzer, Hannah Arendt and Ronald Dworkin. His thought ranges from conceptual analysis, to the theory of law, and finally to the act of judging, exploring the ideas of sanction, rehabilitation, pardon and the status of conscience in relation to the demands of the law. A valuable work for understanding the development of Ricoeur's hermeneutic philosophy and the literary and religious dimensions of his thought, "The Just" should also be of interest to scholars interested in matters of ethics, law and justice.

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Expanding the insights of Arlette Farge and Michel Foucault’s Disorderly Families into policing, public order, (in)justice, and daily life What might it mean for ordinary people to intervene in the circulation of power between police and the streets, sovereigns and their subjects? How did the police come to understand themselves as responsible for the circulation of people as much as things—and to separate law and justice from the maintenance of a newly emergent civil order? These are among the many questions addressed in the interpretive essays in Archives of Infamy.Crisscrossing the Atlantic to bring together unpublished radio broadcasts, book reviews, and essays by historians, geographers, and political theorists, Archives of Infamy provides historical and archival contexts to the recent translation of Disorderly Families by Arlette Farge and Michel Foucault. This volume includes new translations of key texts, including a radio address Foucault gave in 1983 that explains the writing process for Disorderly Families; two essays by Foucault not readily available in English; and a previously untranslated essay by Farge that describes how historians have appropriated Foucault.Archives of Infamy pushes past old debates between philosophers and historians to offer a new perspective on the crystallization of ideas—of the family, gender relations, and political power—into social relationships and the regimes of power they engender. Contributors: Roger Chartier, Collège de France; Stuart Elden, U of Warwick; Arlette Farge, Centre national de recherche scientifique; Michel Foucault (1926–1984); Jean-Philippe Guinle, Catholic Institute of Paris; Michel Heurteaux; Pierre Nora, École des Hautes Études en Sciences Sociales; Michael Rey (1953–1993); Thomas Scott-Railton; Elizabeth Wingrove, U of Michigan.

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Expanding the insights of Arlette Farge and Michel Foucault’s Disorderly Families into policing, public order, (in)justice, and daily life What might it mean for ordinary people to intervene in the circulation of power between police and the streets, sovereigns and their subjects? How did the police come to understand themselves as responsible for the circulation of people as much as things—and to separate law and justice from the maintenance of a newly emergent civil order? These are among the many questions addressed in the interpretive essays in Archives of Infamy.Crisscrossing the Atlantic to bring together unpublished radio broadcasts, book reviews, and essays by historians, geographers, and political theorists, Archives of Infamy provides historical and archival contexts to the recent translation of Disorderly Families by Arlette Farge and Michel Foucault. This volume includes new translations of key texts, including a radio address Foucault gave in 1983 that explains the writing process for Disorderly Families; two essays by Foucault not readily available in English; and a previously untranslated essay by Farge that describes how historians have appropriated Foucault.Archives of Infamy pushes past old debates between philosophers and historians to offer a new perspective on the crystallization of ideas—of the family, gender relations, and political power—into social relationships and the regimes of power they engender. Contributors: Roger Chartier, Collège de France; Stuart Elden, U of Warwick; Arlette Farge, Centre national de recherche scientifique; Michel Foucault (1926–1984); Jean-Philippe Guinle, Catholic Institute of Paris; Michel Heurteaux; Pierre Nora, École des Hautes Études en Sciences Sociales; Michael Rey (1953–1993); Thomas Scott-Railton; Elizabeth Wingrove, U of Michigan.

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DIVINE ILLUMINATION “An important and ground-breaking study which links growing interest in Augustine and medieval philosophy with cutting-edge questions in contemporary philosophy of religion, particularly concerning epistemology and the ‘rationality’ of religion.” Janet Soskice, University of Cambridge “In this lucidly argued and solidly documented study, Schumacher uncovers the roots of problems notoriously besetting modern theories of knowledge in conflicting medieval interpretations of Augustine’s assumptions about knowledge as divine illumination: an intriguing thesis, which she handles with delicacy and flair.” Fergus Kerr, O.P. University of Edinburgh “Challenges the traditional history of theories of knowledge. A bold and provocative reading.” Olivier Boulnois, École Pratique des Hautes Études (University of Paris, Sorbonne) Divine Illumination offers an original interpretation of Augustine’s theory of knowledge, tracing its development in the work of medieval thinkers such as Anselm, Bonaventure, Thomas Aquinas, and John Duns Scotus. Although Scotus is often deemed responsible for finally pronouncing Augustine’s longstanding illumination account untenable, Schumacher shows that he only rejected a version that was the byproduct of a shift in the understanding of illumination and knowledge more generally within the thirteenth-century Franciscan school of thought. To reckon with the challenges in contemporary thought on knowledge that were partly made possible by this shift, Schumacher recommends relearning a way of thinking about knowledge that was familiar to Augustine and those who worked in continuity with him. Her book thus anticipates a new approach to dealing with debates in contemporary epistemology, philosophy of religion, and theology, even while correcting some longstanding assumptions about Augustine and his most significant medieval readers.

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The differences between Old-Roman, Ambrosian, Aquileian, Gallican, and Hispanic chant, and their interconnections with each other and the Gregorian chant occupied Michel Huglo in his early career, although he returned to these questions in the 1980s and 1990s. The present volume, the second in the set of four to be published in the Variorum series, brings all this work together. Huglo's 1954 article, the first to describe the sources for Old Roman chant, recognized as distinct from Gregorian chant, is of primary significance for the historiography of Western plainchant, because it opened the debate on the relationship between Old Roman and Gregorian chant. The final section presents articles on the Latin version of the Akathistos hymn and on Byzantine chants translated into Latin that became part of the Western plainchant repertory. Les différences entre les répertoires Vieux-romain, Ambrosien, Aquiléien, Gallican et Hispanique, leurs influences réciproques et leurs relations avec le chant grégorien ont occupé Michel Huglo au début de sa carrière: il revint sur ces questions dans les années 1980 et 1990. Ce volume, le deuxième d'une série de quatre dans la collection Variorum, réunit toutes ces études. L'article de 1954 de Michel Huglo sur les sources du chant Vieux-romain, considéré comme distinct du grégorien, est de première importance pour l'historiographie du plain-chant occidental, car il a ouvert les débats sur le rapport entre Vieux-romain et grégorien. Les articles sur la version latine de l'Hymne Acathiste et sur les pièces de chant byzantin traduites en latin dans les répertoires occidentaux du plain-chant achèvent ce volume.

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The study of Renaissance drawings allows for an intensive exploration of how artists constructed their works and how they thought, often by revealing the artists' ideas through the examination of private images that were deemed inappropriate for more public viewing. Rethinking Renaissance Drawings presents new and original research from art historians and curators from leading universities and museums across North America and Europe. Previous studies on drawings tend to focus on the work of one artist or a small regional group of artists. The essays in this collection address larger issues of the forms and functions of drawing in the Renaissance by exploring a variety of perspectives, including discussions of the process of drawing, the often unorthodox imagery of Renaissance drawings, the collecting and copying of Renaissance drawings, and the works of artists such as Michelangelo, Raphael, Bosch, Parmigianino, Annibale Carracci, Guercino, and Rembrandt. Some of the drawings discussed are exciting new discoveries, published here for the first time, whereas others are familiar works, but shown in a new light. Collectively, these studies offer alternate views of Renaissance art and show more intimate aspects of a period that is often remembered for its paintings and large-scale public monuments. Contributors include David de Witt (Rembrandt House Museum), Stephanie Dickey (Queen's University), Pierre du Prey (Queen's University), David Ekserdjian (University of Leicester), David Franklin (Archive of Modern Conflict), Catherine Monbeig Goguel (Musee du Louvre), Franziska Gottwald (Amsterdam), Sharon Gregory (St Francis Xavier University), Sally Hickson (University of Guelph), Michel Hochmann (Ecole Pratique des Hautes Etudes), Cathleen Hoeniger (Queen's University), Charles Hope (Warburg Institute), Paul Joannides (Cambridge University), Casey Lee (Queen's University), James Mundy (Frances Lehman Loeb Art Center), Aimee Ng (Frick Collection), Sebastian Schutze (University of Vienna), Allison Sherman (Queen's University), Ron Spronk (Queen's University), Steven Stowell (Concordia University), Nicholas Turner (J. Paul Getty Museum), and Catherine Whistler (The Ashmolean).

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Born in Diourbel on October 5, 1957, Kalidou Kasse is a Senegalese artist, painter, weaver and sculptor whose perspective for the legitimization of African contemporary art has given birth to several prize-winning work and exhibitions all over the world. His unique style of threadlike characters in a background of lively and brilliant colours describes a poetic and charming world painted with a constant concern for forms, details and colours. From a historic point of view, he is the artist who has delicately blended and balanced the art of western pictorial with African aesthetics inherited from his family of weavers. By refusing the representation imposed by western art, he reaffirms an individual form that is original in heralding the art of an emerging dominant force unabashed and unfettered by its past. This groundbreaking book explores the foundations of Kasse's aesthetics and subtly traces the individual trajectory of the painter within the wider collective and historic movement of art on the continent and beyond.Jean-Bernard Ouedraogo is a professor of Sociology is currently the Director of Research at the Centre National de Recherche Scientifique (CNRS) and at the Ecoles des Hautes Etudes en Sciences Sociales (EHESS), Paris, France. He has taught in several universities in Africa, Europe and in North America. He is the author of several works in the field of art in Africa, including Art photographique en Afrique (Harmattan, 2002), Identite visuelle en Afrique (Amalthee, 2008), and Norbert Elias, Ecrits sur l'art africain, (Kime, 2002). From 2002 to 2008, he was Deputy-Executive Secretary of the Council for the Development of Social Science Research in Africa (CODESRIA) in Dakar, Senegal.

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How the Jesuits re-emerged after forty years of suppressionIn 1773, Pope Clement XIV suppressed the Society of Jesus. For the 823 Jesuits living in the Low Countries, it meant the end of their institutional religious life. In the Austrian Netherlands, the Jesuits were put under strict surveillance, but in the Dutch Republic they were able to continue their missionary work. It is this regional contrast and the opportunities it offered for the Order to survive that make the Low Countries an exceptional and interesting case in Jesuit history.Just as in White Russia, former Jesuits and new Jesuits in the Low Countries prepared for the restoration of the Order, with the help of other religious, priests, and lay benefactors. In 1814, eight days before the restoration of the Society by Pope Pius VII, the novitiate near Ghent opened with eleven candidates from all over the United Netherlands. Barely twenty years later, the Order in the Low Countries – by then counting one hundred members – formed an independent Belgian Province. A separate Dutch Province followed in 1850. Obviously, the reestablishment, with new churches and new colleges, carried a heavy survival burden: in the face of their old enemies and the black legends they revived, the Jesuits had to retrieve their true identity, which had been suppressed for forty years.Contributors: Peter van Dael, SJ (Vrije Universiteit Amsterdam & Pontifical Gregorian University Rome), Pierre Antoine Fabre (École des hautes études en sciences sociales Paris), Joep van Gennip (Tilburg School of Catholic Theology), Michel Hermans, SJ (University of Namur), Marek Inglot, SJ (Pontifical Gregorian University Rome), Frank Judo (lawyer Brussels), Leo Kenis (KU Leuven) Marc Lindeijer, SJ (Bollandist Society Brussels), Jo Luyten (KADOC-KU Leuven), Kristien Suenens (KADOC-KU Leuven), Vincent Verbrugge (historian)This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

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Humanists, scientists, and artists collaborate to address the disjunctive temporalities of ecological crisis In 2016, Antarctica’s Totten Glacier, formed some 34 million years ago, detached from its bedrock, melted from the bottom by warming ocean waters. For the editors of Timescales, this event captures the disjunctive temporalities of our era’s—the Anthropocene’s—ecological crises: the rapid and accelerating degradation of our planet’s life-supporting environment established slowly over millennia. They contend that, to represent and respond to these crises (i.e., climate change, rising sea levels, ocean acidification, species extinction, and biodiversity loss) requires reframing time itself, making more visible the relationship between past, present, and future, and between a human life span and the planet’s. Timescales’ collection of lively and thought-provoking essays puts oceanographers, geophysicists, geologists, and anthropologists into conversation with literary scholars, art historians, and archaeologists. Together forging new intellectual spaces, they explore the relationship between geological deep time and historical particularity, between ecological crises and cultural expression, between environmental policy and social constructions, between restoration ecology and future imaginaries, and between constructive pessimism and radical (and actionable) hope. Interspersed among these essays are three complementary “etudes,” in which artists describe experimental works that explore the various timescales of ecological crisis. Contributors: Jason Bell, Harvard Law School; Iemanjá Brown, College of Wooster; Beatriz Cortez, California State U, Northridge; Wai Chee Dimock, Yale U; Jane E. Dmochowski, U of Pennsylvania; David A. D. Evans, Yale U; Kate Farquhar; Marcia Ferguson, U of Pennsylvania; Ömür Harmanşah, U of Illinois at Chicago; Troy Herion; Mimi Lien; Mary Mattingly; Paul Mitchell, U of Pennsylvania; Frank Pavia, California Institute of Technology; Dan Rothenberg; Jennifer E. Telesca, Pratt Institute; Charles M. Tung, Seattle U.

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Humanists, scientists, and artists collaborate to address the disjunctive temporalities of ecological crisis In 2016, Antarctica’s Totten Glacier, formed some 34 million years ago, detached from its bedrock, melted from the bottom by warming ocean waters. For the editors of Timescales, this event captures the disjunctive temporalities of our era’s—the Anthropocene’s—ecological crises: the rapid and accelerating degradation of our planet’s life-supporting environment established slowly over millennia. They contend that, to represent and respond to these crises (i.e., climate change, rising sea levels, ocean acidification, species extinction, and biodiversity loss) requires reframing time itself, making more visible the relationship between past, present, and future, and between a human life span and the planet’s. Timescales’ collection of lively and thought-provoking essays puts oceanographers, geophysicists, geologists, and anthropologists into conversation with literary scholars, art historians, and archaeologists. Together forging new intellectual spaces, they explore the relationship between geological deep time and historical particularity, between ecological crises and cultural expression, between environmental policy and social constructions, between restoration ecology and future imaginaries, and between constructive pessimism and radical (and actionable) hope. Interspersed among these essays are three complementary “etudes,” in which artists describe experimental works that explore the various timescales of ecological crisis. Contributors: Jason Bell, Harvard Law School; Iemanjá Brown, College of Wooster; Beatriz Cortez, California State U, Northridge; Wai Chee Dimock, Yale U; Jane E. Dmochowski, U of Pennsylvania; David A. D. Evans, Yale U; Kate Farquhar; Marcia Ferguson, U of Pennsylvania; Ömür Harmanşah, U of Illinois at Chicago; Troy Herion; Mimi Lien; Mary Mattingly; Paul Mitchell, U of Pennsylvania; Frank Pavia, California Institute of Technology; Dan Rothenberg; Jennifer E. Telesca, Pratt Institute; Charles M. Tung, Seattle U.

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This volume presents a series of studies by Jacqueline Caille, acknowledged as the leading expert on medieval Narbonne, which chart the development and history of the city from its Roman origins to its decline in the late Middle Ages. They focus on the period of Narbonne's heyday, from the mid-11th to the mid-14th centuries, and a central place is held by Ermengarde, viscountess for half the 12th century, and celebrated figure in the 'world of the troubadours'. The book opens with an important new introductory survey, in English, setting the context for the detailed studies which follow, several of which also appear in English for the first time, and all being updated with additional notes. These articles cover the physical growth of the great medieval centre, the relations and conflicts between its secular and ecclesiastical lords, its administrative and religious life, and its political and commercial connections with the areas around. Ce volume regroupe une série d'études de Jacqueline Caille, spécialiste reconnue de l'histoire de Narbonne au Moyen Age. L'antique cité y est présentée depuis ses origines romaines jusqu'à la fin du XVe siècle, en insistant particulièrement sur la période la plus brillante des siècles médiévaux, du milieu du XIe au milieu du XIVe siècle. Le recueil s'ouvre par un "long survol historique" inédit, en anglais, brossant le contexte général où s'insèrent les études spécialisées qui suivent, réactualisées par des notes additionnelles. Les principaux thèmes pouvant être dégagés des ces articles concernent le développement topographique de cette "grande ville médiévale", les relations et les conflits entre les seigneurs qui la dirigent (archevêques et vicomtes), la vie administrative et religieuse de l'agglomération ainsi que ses relations politiques et commerciales avec les régions environnantes. Enfin, une place de choix est faite à l'une des éminentes figures du "monde des troubadours", la victomtesse

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This fascinating new account of what happened in Greece from c.800 to 323 bc shows how sculptors and painters responded to the challenges they faced in the extremely formidable and ambitious world of the Greek city-state. The numerous symbols and images employed by their eastern Mediterranean neighbours on the one hand, and the explorations of what it was to be human embodied in the narratives with which Greek poets worked on the other, helped produce the rich diversity of forms apparent in Greek art. The drawings and sculptures of this period referred so intimately to the human form as to lead both ancient and modern theorists to talk in terms of the 'mimetic' role of art. The importance of what occurred still affects the way we see today. Ranging widely over the fields of sculpture, vase painting and the minor arts, this book provides a clear introduction to the art of archaic and classical Greece. By looking closely at the context in which and for which sculptures and paintings were produced, Robin Osborne demonstrates how artistic developments were both a product of, and contributed to, the intensely competitive life of the Greek city. 'brilliantly illustrates the purpose of this new series by focusing on the social and political context of Greek art . . . a different approach suggesting new perspectives and original connections . . . eye-opening and thought-provoking' Professor François Lissarrague, Ecoles des Hautes Etudes en Sciences Sociales, Paris 'brings all that is best in the 'new' Classical art history to this exciting interpretation . . . No reader of Osborne's stimulating and engaging book will come away with their vision of Greek art unchanged' Jeremy Tanner, Institute of Archaeology, University of London

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To remain unconsumed by consumer society—this was the goal, pursued through a world of subtle and practical means, that beckoned throughout the first volume of The Practice of Everyday Life. The second volume of the work delves even deeper than did the first into the subtle tactics of resistance and private practices that make living a subversive art. Michel de Certeau, Luce Giard, and Pierre Mayol develop a social history of “making do” based on microhistories that move from the private sphere (of dwelling, cooking, and homemaking) to the public (the experience of living in a neighborhood). A series of interviews—mostly with women—allows us to follow the subjects’ individual routines, composed of the habits, constraints, and inventive strategies by which the speakers negotiate daily life. Through these accounts the speakers, “ordinary” people all, are revealed to be anything but passive consumers. Amid these experiences and voices, the ephemeral inventions of the “obscure heroes” of the everyday, we watch the art of making do become the art of living.This long-awaited second volume of de Certeau’s masterwork, updated and revised in this first English edition, completes the picture begun in volume 1, drawing to the last detail the collective practices that define the texture, substance, and importance of the everyday.Michel de Certeau (1925-1986) wrote numerous books that have been translated into English, including Heterologies (1986), The Capture of Speech (1998), and Culture in the Plural (1998), all published by Minnesota. Luce Giard is senior researcher at the Centre National de la Recherche Scientifique and is affiliated with the Ecole des Hautes Etudes en Sciences Sociales, Paris. She is visiting professor of history and history of science at the University of California, San Diego. Pierre Mayol is a researcher in the French Ministry of Culture in Paris.Timothy J. Tomasik is a freelance translator pursuing a Ph.D. in French literature at Harvard University.

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Au large des côtes atlantiques vendéennes (France), l’île d’Yeu est un territoire occupé depuis la Préhistoire. Les sites à vocations domestiques, artisanales, funéraires ou encore symboliques datés du Néolithique sont nombreux. Leur état de conservation est exceptionnel car les architectures bâties en pierre sont préservées en élévation pour beaucoup d’entre eux. C’est le cas, par exemple, sur les habitats du IVème millénaire avant J.-C., qui ont fait l’objet de plusieurs programmes de recherche depuis 2010. Cet ouvrage regroupe la documentation, les informations inédites et les principaux résultats des études, prospections, fouilles et relevés réalisés sur les habitats, les monuments funéraires, les carrières et les sites symboliques. Les premiers travaux tentent de proposer un état des lieux de l’environnement minéral ainsi que les principales formes d’exploitation, les stratégies d’approvisionnement et les usages des roches. Le coeur de l’ouvrage est consacré à la fouille des deux principaux habitats datés du Néolithique récent, la pointe de la Tranche et Ker Daniaud. L’accent est mis sur les architectures de pierre de ces éperons barrés directement ouverts sur l’Océan mais dont I’occupation semble non permanente. Enfin, les relevés (plan, photogrammétrie, microtopographie) et la modélisation numérique des sépultures mégalithiques des Tabernaudes, de la Planche à Puare et des Petits Fradets autorisent une restitution tridimensionnelle des architectures funéraires néolithiques. Pour les rochers marqués de cupules, dont la concentration actuelle est une des plus importantes, une première analyse du corpus des signes est proposée; en dépit de leur datation encore mal assurée. Cette contribution est l’occasion d’offrir les résultats de l’observation du réel et de l’imaginaire, perçus par I’analyse des témoignages et expressions, physiques et symboliques, des populations de la fin de la Préhistoire installées - et non piégées - sur un territoire restreint battu par les vents et cerné par les flots.

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The first book-length presentation of Roger Chartier's work in English, this volume provides a vivid example of the new directions of cultural history in France. These essays probe the impact of printing on all social classes of the ancien regime and reveal the surprising range of ways in which texts and pictures were used by audiences with different levels of literacy. Professor Chartier demonstrates that those who attempted to regulate behavior and thought on behalf of church or state, for example, were well aware of the wide influence of the printed word. He finds fascinating evidence of fundamental processes of social control in texts such as the guides to a good death or the treatises on norms of civility, rules that originated at court but that were eventually appropriated in various forms by society as a whole. Essays on the evolution on the fete, on the cahiers de doleances of 1789, and on the early paperback genre known as the Bibliotheque bleue complete the picture of what people read and why and of what was published and what influenced the publishers.These essays offer a critical reappraisal of the complex connections between the new culture of print and the oral and ritual-oriented forms of traditional culture. The reader will discover essential patterns of the cultural evolution of France from the sixteenth to the eighteenth centuries.Roger Chartier is Director of Studies, Ecole des Hautes Etudes en Sciences Sociales in Paris.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The first book-length presentation of Roger Chartier's work in English, this volume provides a vivid example of the new directions of cultural history in France. These essays probe the impact of printing on all social classes of the ancien regime and reveal the surprising range of ways in which texts and pictures were used by audiences with different levels of literacy. Professor Chartier demonstrates that those who attempted to regulate behavior and thought on behalf of church or state, for example, were well aware of the wide influence of the printed word. He finds fascinating evidence of fundamental processes of social control in texts such as the guides to a good death or the treatises on norms of civility, rules that originated at court but that were eventually appropriated in various forms by society as a whole. Essays on the evolution on the fete, on the cahiers de doleances of 1789, and on the early paperback genre known as the Bibliotheque bleue complete the picture of what people read and why and of what was published and what influenced the publishers.These essays offer a critical reappraisal of the complex connections between the new culture of print and the oral and ritual-oriented forms of traditional culture. The reader will discover essential patterns of the cultural evolution of France from the sixteenth to the eighteenth centuries.Roger Chartier is Director of Studies, Ecole des Hautes Etudes en Sciences Sociales in Paris.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The number one bestseller in France and Italy, from Françoise Héritier, The Sweetness of Life is a beautiful and poetic list of the everyday reasons that make life worth livingIf you assume an average life expectancy of 85 years, and deduct the hours we spend daily on sleeping, shopping, eating, working, tending to our relationships and on everything else that is obligatory, then how much time is left for the average person to enjoy those activities that are the sweetness of life? For Françoise Héritier, it is those activities, those moments that make up pure sensuality, the actual experience of humanity. These are the moments we all cherish: wild laughter, coffee in the sun, the bliss of fresh autumn evenings, running in warm rain, long conversations at twilight, kisses on the back of the neck, the moment when all nature falls silent, those times when you know that someone likes you, is looking at you and listening to you, cooking a complicated dish, feeling agile and sprightly, getting back together with friends you haven't seen in ages, watching a craftsman at work, listening to other people. "There's still so much else that I forget", says Héritier, and she goes on to list, with heart-warming and heart-breaking specificity, all that we so easily miss if we do not attend to the lightness and grace in the simple fact of existence, life's sweetness. What about you, what would you miss if all this had to disappear from your life forever?'A series of perceptions, sensations, eddies, and happiness of writing that gives a real intensity to the existence ... a true wonder' Laure Adler Françoise Héritier, an anthropologist, is Emeritus Professor at the College de France and the Ecole des Hautes Etudes en Sciences Sociales. She is the author of such highly successful works as Masculin/féminin and De la violence, translated into more than ten languages. Le Sel de la Vie (translated into English as The Sweetness of Life) is a French bestseller.

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This book examines key trends, debates, and challenges in twenty-first-century sociology. To this end, it focuses on significant issues surrounding the nature of sociology (‘What is sociology?’), the history of sociology (‘How has sociology evolved?’), and the study of sociology (‘How can or should we make sense of sociology?’). These issues have been, and will continue to be, essential to the creation of conceptually informed, methodologically rigorous, and empirically substantiated research programmes in the discipline. Over the past years, however, there have been numerous disputes and controversies concerning the future of sociology. Particularly important in this respect are recent and ongoing discussions on the possibilities of developing new – and, arguably, post-classical – forms of sociology. The central assumption underlying most of these projects is the contention that a comprehensive analysis of the principal challenges faced by global society requires the construction of a sociology capable of accounting for the interconnectedness of social actors and social structures across time and space. This book provides a cutting-edge overview of crucial past, present, and possible future trends, debates, and challenges shaping the pursuit of sociological inquiry.‘Simon Susen – one of the most knowledgeable scholars in the contemporary social sciences – examines the key challenges with which sociology is confronted today. This book is a must-read for professional sociologists as well as for those studying the subject.’ – Luc Boltanski, École des Hautes Études en Sciences Sociales, Paris, France‘Simon Susen provides a balanced update on sociology’s theoretical, methodological, and institutional resources as well as challenges in today’s complicated local and global social worlds. Fortunately, he has innovative and practical recommendations for ensuring the cutting-edge relevance of sociological thinking. This book is an excellent choice for undergraduate and postgraduate students as well as for the general reader.’ – Sandra Harding, University of California, Los Angeles, USA ‘A comprehensive and judicious account of the intellectual and material state of sociology, based on omnivorous reading and incisive analysis. The writing is beautifully clear, and the book is a major contribution to the self-understanding of the discipline.’ – William Outhwaite, Newcastle University, UK

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Dans Miller Brittain : Quand les étoiles jetèrent leurs lances, Tom Smart démontre pour la première fois la cohésion de l'imagerie de Brittain et les liens entre le réalisme social de ses premières oeuvres ultérieures, des abstractions figuratives et des compositions d'inspiration surréaliste. Miller Brittain a fait irruption sur la scène artistique canadienne À la fin des années 1930, avec ses dessins et ses peintures du corps humain temples d'émotion et admirablement exécutés. Pendant ses études À l'Art Students League, À New York, il avait intériorisé un point tournant de l'art américain, alors que les modes réalistes traditionnels étaient remis en question par une nouvelle génération d'artistes radicaux selon qui l'art se devait de refléter la vie de l'artiste et les conditions de vie des sujets représentés. À une époque où les paysages du Groupe des Sept dominaient la peinture canadienne, Brittain défia l'establishment avec son sens infallible de la ligne et de la composition, et ses récits humains attrayants. Plus tard, alliant l'art figurative et l'art abstrait, il explora les limites du corps et les confines de la raison afin d'exprimer les profondeurs du désespoir et les sommets de l'extase. Au cours de la Seconde Guerre mondiale, Brittain s'enrôla dans l'Aviation royale du Canada, fut décoré de la Croix du service distingué dans l'Aviation et devint un artiste de guerre canadien. Quand il partait en mission de bombardement, il emportait avec lui un exemplaire des Chants d'expérience, de William Blake. Dans Miller Brittain : Quand les étoiles jetèrent leurs lances, Smart fait voir comment le célèbre poéme " Le tigre ", de Blake, inspira le motif omniprésent dans les oeuvres de Brittain après la guerre, c'est-À-dire la cominaison de l'étoile et de la lance. Ce qui au départ représentait des faisceaux de projecteurs et des avions abattus devint au fil des années des représentationsiconiques de fleurs et de tiges, de têtes et de cous, de rayons de soleil et de fumée. Allen Bentley appuie les observations de Smart en montrant la profonde influence exercée par les théories de Blake sur l'oeuvre de Brittain dans l'après-guerre.

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The waning influence of the Catholic church in the ethical and political debate For centuries the Catholic Church was able to impose her ethical rules in matters related to the intimate, that is, questions concerning life (from its beginning until its end) and the family, in the so-called Catholic countries in Western Europe. When the polity started to introduce legislation that was in opposition to the Catholic ethic, the ecclesiastical authorities and part of the population reacted. The media reported massive manifestations in France against same-sex marriages and in Spain against the de-penalization of abortion. In Italy the Episcopal conference entered the political field in opposition to the relaxation of several restrictive legal rules concerning medically assisted procreation and exhorted the voters to abstain from voting so that the referendum did not obtain the necessary quorum. In Portugal, to the contrary, the Church made a “pact” with the prime minister so that the law on same-sex marriages did not include the possibility of adoption. And in Belgium the Episcopal conference limited its actions to clearly expressing with religious, legal, and anthropological arguments its opposition to such laws, which all other Episcopal conferences did also.In this book, the authors analyse the full spectrum of the issue, including the emergence of such laws; the political discussions; the standpoints defended in the media by professionals, ethicists, and politicians; the votes in the parliaments; the political interventions of the Episcopal conferences; and the attitude of professionals. As a result the reader understands what was at stake and the differences in actions of the various Episcopal conferences. The authors also analyse the pro and con evaluations among the civil population of such actions by the Church. Finally, in a comparative synthesis, they discuss the public positions taken by Pope Francis to evaluate if a change in Church policy might be possible in the near future.Research by GERICR (Groupe européen de recherche interdisciplinaire sur le changement religieux), a European interdisciplinary research group studying religious changes coordinated by Alfonso Pérez-Agote. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Contributors: Céline Béraud (Université de Caen), Annalisa Frisina (Università degli Studi di Padova), Franco Garelli (Università degli Studi di Torino), Antonio Montañés (Universidad Complutense de Madrid), Enzo Pace (Università degli Studi di Padova), Philippe Portier (École pratique des hautes études, Paris-Sorbonne), Jose Santiago (Universidad Complutense de Madrid), Roberto Francesco Scalon (Università degli Studi di Torino), Liliane Voyé (Université Catholique de Louvain)

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Cutting-edge research by twenty-four international scholars on female power, agency, health, and literacy in ancient EgyptThere has been considerable scholarship in the last fifty years on the role of ancient Egyptian women in society. With their ability to work outside the home, inherit and dispense of property, initiate divorce, testify in court, and serve in local government, Egyptian women exercised more legal rights and economic independence than their counterparts throughout antiquity. Yet, their agency and autonomy are often downplayed, undermined, or outright ignored. In Women in Ancient Egypt twenty-four international scholars offer a corrective to this view by presenting the latest cutting-edge research on women and gender in ancient Egypt.Covering the entirety of Egyptian history, from earliest times to Late Antiquity, this volume commences with a thorough study of the earliest written evidence of Egyptian women, both royal and non-royal, before moving on to chapters that deal with various aspects of Egyptian queens, followed by studies on the legal status and economic roles of non-royal women and, finally, on women’s health and body adornment. Within this sweeping chronological range, each study is intensely focused on the evidence recovered from a particular site or a specific time-period. Rather than following a strictly chronological arrangement, the thematic organization of chapters enables readers to discern diachronic patterns of continuity and change within each group of women.· Clémentine Audouit, Paul Valery University, Montpellier, France· Anne Austin, University of Missouri, St. Louis, Missouri, USA· Mariam F. Ayad, The American University in Cairo, Cairo, Egypt· Romane Betbeze, Université de Genève, Switzerland, and Ecole Pratique des Hautes Etudes, PSL, France· Anke Ilona Blöbaum, Saxon Academy of Sciences and Humanities in Leipzig, Leipzig, Germany· Eva-Maria Engel, Humboldt-Universität zu Berlin, Berlin, Germany· Renate Fellinger, University of Cambridge, Cambridge, UK· Kathrin Gabler, University of Basel, Basel, Switzerland· Rahel Glanzmann, independent scholar, Basel, Switzerland. · Izold Guegan, Swansea University, UK, and Sorbonne University, Paris, France· Fayza Haikal, The American University in Cairo, Cairo, Egypt· Janet H. Johnson, Oriental Institute, University of Chicago, Chicago, Il, USA· Katarzyna Kapiec, Institute of the Mediterranean and Oriental Cultures of the Polish Academy of Sciences, Warsaw, Poland· Susan Anne Kelly, Macquarie University Sydney, Sydney, Australia· AnneMarie Luijendijk, Princeton University, Princeton, New Jersey, USA· Suzanne Onstine, University of Memphis, Memphis, Tennessee, USA· José Ramón Pérez-Accino Picatoste, Facultad de Geografía e Historia, Universidad Complutense de Madrid, Madrid, Spain· Tara Sewell-Lasater, University of Houston, Houston, Texas, USA· Yasmin El Shazly, American Research Center in Egypt, Cairo, Egypt· Reinert Skumsnes, Centre for Gender Research, University of Oslo, Oslo, Norway· Isabel Stünkel, The Metropolitan Museum of Art, New York, New York, USA· Inmaculada Vivas Sainz, National Distance Education University), Madrid, Spain· Hana Vymazalová, Czech Institute of Egyptology, Faculty of Arts, Charles University, Prague, Czeck Republic· Jacquelyn Williamson, George Mason University, Fairfax, Viriginia, USA· Annik Wüthrich, Austrian Academy of Sciences, Austrian Archaeological Institute, Vienna, Austria

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Au sortir de la Seconde Guerre mondiale, des millions d’étrangers se trouvent sur le sol allemand : anciens travailleurs forcés, rescapés des camps nazis ou déracinés aux profils multiples. La plupart d’entre eux sont rapatriés après la capitulation allemande, mais presque un million de personnes déplacées (Displaced Persons – DPs), effrayés par l’antisémitisme à l’Est de l’Europe, ou redoutant la montée des régimes communistes, refusent de rentrer dans leur patrie. C’est donc dans les trois zones occidentales de l’Allemagne occupée, exsangue et traversée par des flux incessants, que les DPs vivent pendant plusieurs mois ou années. Leur histoire est multiple et ils en sont à la fois les objets et les acteurs. Cet ouvrage, rassemblant des contributions en trois langues (français, anglais, allemand), croise les perspectives entre histoire politique et internationale, histoire des migrations, analyses culturelles et études des représentations. Il permet de saisir les interactions entre les décisions internationales, les impératifs des pays d’origine des DPs mais aussi ceux des pays d’immigration, les réalités de l’Allemagne occupée et les besoins et espérances des DPs eux-mêmes. Entre sortie du conflit mondial et début de guerre froide se nouent autour des DPs les grandes problématiques politiques et humaines qui forgent l’histoire des déplacements et du refuge. In the aftermath of the Second World War, millions of foreign civilians found themselves in the German territory. Among them, there were former forced laborers, survivors from the Nazi camps, many uprooted migrants who had all experienced the war in different ways. Most of them were repatriated after the German capitulation. However, almost one million of these «Displaced Persons» (DPs) refused to go back to their homeland. They were scarred by anti-Semitic violence, or by the rise of communist regimes in Eastern Europe. For a few months, even a few years, they remained mostly in the Western zones of occupied Germany, facing the harsh post-war conditions of defeated Germany. DPs became both targets and actors of global politics dealing with the refugee problem. This book puts together articles in three languages (French, English, and German). The contributions reveal the DPs’ history from different points of view. They rely on the history of international relations at the end of the war and of the various states involved in the DP question, as well as on social and cultural studies. The diversity of methodological patterns allows for a broad comprehension of this singular story at different scales, from the international debates and tensions to the needs and the hopes of the DPs themselves, in the social and political context of post-war occupied Germany. As the end of the war led to the Cold War, the DP question raised most of the political and humanitarian issues that would continue to interfere with the management of population displacements and refugees until the present day. Am Ende des Zweiten Weltkrieges befanden sich einige Millionen Ausländer auf deutschem Boden: ehemalige Zwangsarbeiter, Überlebende der NS-Lager und andere entwurzelte Personen. Die meisten von ihnen kehrten nach der deutschen Kapitulation in ihre Heimat zurück; zurück blieben hingegen fast eine Million Displaced Persons (DPs), die den Antisemitismus in Osteuropa oder den Aufstieg der kommunistischen Regime in diesen Ländern fürchteten, so dass sie sich weigerten, in ihre Ursprungsländer zurückzukehren. Sie fanden sich schließlich für mehrere Monate oder gar Jahre in den drei westdeutschen Besatzungszonen wieder, die von den Kriegsfolgen gezeichnet waren und mehrere Millionen von Flüchtlingen aufnehmen mussten. Ihre Geschichte ist vielfältig; bisweilen wird

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