Search results for ""broadview press ltd""

Black Oxen unites such unlikely topics as medical rejuvenation treatments, eugenics, American youth culture, and cross-generational relationships. The beautiful American widow of a Hungarian count, Mary Zattiany is fifty-eight years old; after receiving experimental “rejuvenation treatments” and returning to America, however, she is mistaken for a woman in her twenties, and falls in love with a much younger man. Set in an era fixated on youth, beauty, and pleasure, but focusing on the experiences of an aging woman, Black Oxen offers a unique and unsettling view of the Jazz Age.Black Oxen was written in a burst of mental energy after Gertrude Atherton herself received an experimental anti-aging treatment; the introduction and appendices to this edition explore parallels between Atherton’s medical treatment and that of her rejuvenated protagonist, as well as provide selections from other contemporary writings on aging, science, and the role of women in the 1920s. Stills and posters from the 1924 film adaptation are also included.

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The Rivals and Polly Honeycombe revolve around young women who wish the world would conform to novelistic convention. Unlike most eighteenth-century heroines keen on novel reading, however, Lydia Languish and Polly Honeycombe are neither deluded nor in any real danger. Rather, they inhabit a world in which everyone is engaged in some sort of quixotic performance; the more appealing characters are just willing to admit it. Both farcical and wise, these plays teasingly celebrate the perennial appeal of fiction, while never letting us forget how much it relies upon the everyday rituals of performance.The introduction to this Broadview edition explores the interrelations between print and performance in the eighteenth century, including a detailed and well-illustrated account of what it was like to go to the theater. Appendices include material on the original casts, the often dubious reputation of novel reading and circulating libraries, Sheridan’s high-profile elopement with Elizabeth Linley (which made him a celebrity before he ever staged a word), and the narrative possibilities conjured up by setting The Rivals in the resort city of Bath.

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The labyrinthine, ingenious plot of Bleak House focuses on the seemingly endless lawsuit Jarndyce and Jarndyce, an inheritance dispute that has been moving through the courts for years. Dozens of characters, including the innocent young narrator Esther Summerson, her friends Richard Carstone and Ada Clare, and the jaded aristocrats Sir Leicester and Lady Honoria Dedlock, are directly or indirectly caught up in the case. Written in bold and inventive language, Bleak House is Dickens’s epic vision of Victorian society.The critical introduction and extensive appendices to this edition focus on the novel’s social context and reception, Dickens’s treatment of his women characters and the working class, and the inequalities of the Victorian legal system.

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Drifting on a sailing boat off the Canary Islands, four British gentlemen take turns reading a manuscript that they find inside a copper cylinder discovered floating in the Atlantic Ocean. The manuscript recounts Adam More’s adventures after being lost at sea during an Antarctic voyage in 1844 and his life with the Kosekin, a lost civilization living at the South Pole. The values of the Kosekin are opposed to the civilized norm—they love death, abjection, and poverty. Their society may be well suited to their particular evolution, but it is profoundly disconcerting to the narrator, and it is radically contentious to the Victorian gentlemen who read and debate More’s account.This Broadview edition of James De Mille’s classic recreates the format of the posthumous 1888 Harper’s Weekly serial, including 18 original illustrations by Gilbert Gaul. The appendices allow the novel to be seen in terms of other satirical and scientific romance, Antarctic exploration, and contemporary geology. The introduction and notes tap into recent scholarship to bring to life De Mille’s genre innovations and his use of Orientalist and colonialist discourses.

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Philosophical reflection on death dates back to ancient times, but death remains a most profound and puzzling topic. Samantha Brennan and Robert Stainton have assembled a compelling selection of core readings from the philosophical literature on death. The views of ancient writers such as Plato, Epicurus, and Lucretius are set alongside the work of contemporary figures such as Thomas Nagel, John Perry, and Judith Jarvis Thomson.Brennan and Stainton divide the anthology into three parts. Part I considers questions about the nature of death and our knowledge of it. What does it mean to be dead? Is it possible to survive death? Is the end of life a mystery? Part II asks how we should view death. What (if anything) is so bad about dying? If death is nothingness, should it be feared or regretted? Part III examines ethical questions related to killing, particularly abortion, euthanasia and suicide. Is killing ever permissible? Under what conditions or circumstances?

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The Last of the Mohicans enjoyed tremendous popularity both in America and abroad, offering its readers not only a variation on the immensely popular traditional captivity narrative of the time, but also characters that would become iconic figures in the young nation’s emerging literature. The novel’s central action follows Leatherstocking and his two faithful friends, Chingachgook and Uncas, as they come to the aid of two daughters of a British officer seeking to become reunited with their father. The novel provides insights into Cooper’s own thinking on Native American and White relations during the early national period, revealing a profound ambivalence to the reality that the rising fortunes of the young United States meant the declining fortunes of the nation’s Native American inhabitants.

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This book philosophically introduces the basic truths, doctrines, and principles of Buddhism. Its goal is to explain the teachings of the Buddha and of Buddhism clearly and consistently. Though the book treads beyond the Buddha’s life, including into the Abhidharma and Mahayana traditions, it remains throughout a philosophical discussion and elaboration of the Buddha’s thought. It is meant to be an accessible guide for those who have no background in Buddhism, and to be beneficial to the philosophical understanding of those who do.

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This is the first edition in over a century to present David Hume’s Enquiry Concerning Human Understanding, Dissertation on the Passions, Enquiry Concerning the Principles of Morals, and Natural History of Religion in the format he intended: collected together in a single volume. Hume has suffered a fate unusual among great philosophers. His principal philosophical work is no longer published in the form in which he intended it to be read. It has been divided into separate parts, only some of which continue to be published. This volume repairs that neglect by presenting the four pieces that Hume in later life desired to "alone be regarded as containing [his] philosophical sentiments and principles" in the format he preferred, as a single volume with an organization that parallels that of his early Treatise of Human Nature.This edition’s introduction comments on the historical origins and evolution of the four parts and draws attention to how they mutually inform and support one another. The text is based on the first (1758) edition of Hume’s Essays and Treatises on Several Subjects. Notes advise the reader of the changes made in the final (1777) edition. Excerpts from the work of some of Hume’s most important contemporary critics are included as appendices. Hume’s abundant references to ancient historians, geographers, poets, and philosophers—many of them now quite obscure—are rendered accessible in this volume through extensive textual notes and a bibliography of online sources.

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The philosophical problem of evil—that a supposedly good God could allow terrible human suffering—troubled the minds of eighteenth-century thinkers as it troubles us today. Voltaire’s classic novel Candide relates the misadventures of a young optimist who leaves his sheltered childhood to find his way in a cruel and irrational world. Fast-paced and full of dark humor, the novel mocks the suggestion that “all is well” and challenges us to create a better world.This Broadview Edition follows the text of a 1759 English translation that was released concurrently with Voltaire’s first French edition. Candide is supplemented by Voltaire’s most important poetic and humanistic writings on God and evil, the Poem upon the Destruction of Lisbon and We Must Take Sides. The editor’s introduction situates the novel in its philosophical and intellectual setting; the appendices include other writings by Voltaire, as well as related writings by Bayle, Leibniz, Pope, Rousseau, and others that place the work in its poetic, philosophical, and humanistic contexts.

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Charles Dickens’s famous second novel recounts the story of a boy born in the workhouse and raised in an infant farm as he tries to make his way in the world. Intended to raise feeling against the Poor Law Amendment Act of 1834 (which had emphasized the workhouse as an appropriate means of dealing with the problem of poverty), Oliver Twist also provides a sweeping portrait of London life in the 1830s—including the life of the criminal elements in society.Oliver Twist was first published in serialised form (with illustrations by George Cruikshank) in Bentley’s Miscellany between February 1837 and April 1839. It was issued with some corrections and revisions in ten numbers in 1846 by Bradbury and Evans (which then also issued the same text in a single volume). Each of these ten numbers, including the Cruikshank illustrations and the advertisements, is included in this facsimile reprint of the 1846 edition.This is one of a series from Broadview Press of facsimile reprint editions—editions that provide readers with a direct sense of these works as the Victorians themselves experienced them.

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Henry James wrote of Lucy Aikin: “Clever, sagacious, shrewd ... and an accomplished writer, one wonders why her vigorous intellectual temperament has not attracted independent notice.” The most important long poem by a woman from the British Romantic era, Aikin’s Epistles on Women (1810) is the first text in English to re-write the entire history of western culture, from the creation story of Genesis through the eighteenth century, from a feminist perspective. Responding to Alexander Pope’s misogynistic “Epistle to a Lady,” Aikin argues that men’s degradation of women has hindered the growth of civilization, and provides historical and literary evidence for her claim that “man cannot degrade woman without degrading himself.”In addition to Epistles on Women, this Broadview Edition also includes a wide selection of poetry, historical writing, fiction, memoir, and literary criticism by Aikin, as well as letters, contemporary reviews, and other feminist historiographies.

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In 1918, when Henry Blake Fuller was 62 years old, he completed the manuscript of a novel, Bertram Cope’s Year. Though Fuller was well known as an accomplished realist and had published twelve previous novels, this work was his first published fiction to address the topic of homosexuality. In the novel Bertram Cope, a handsome young college student, is befriended by Medora Phillips, a wealthy older woman who tries to match him with several eligible young women. However, Bertram is emotionally attached only to his friend and housemate, Arthur Lemoyne. The novel’s portrayal of their friendship is subtle, but has clear overtones of sexual attraction.Appendices focus on the novel’s composition, reception, and place in contemporary discourses about attraction between men.

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Mrs. Dalloway takes place on one day in the middle of June 1923. Its plot is seemingly thin: a middle-aged society hostess is having a party; she hopes the Prime Minister will attend; she reconnects with old friends from her youth. From these slimmest of premises a whole world unfolds. Of all of Virginia Woolf’s novels, it is Mrs. Dalloway that appears to speak most intimately to our own time.Selected contemporary reviews, both positive and negative, are included in the appendices of this edition, as are materials on the literary, political, medical, and educational contexts of the novel.

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In this, Hannah More’s only novel and an early nineteenth-century best-seller, More gives voice to a wealthy twenty-three-year-old bachelor, who styles himself “Coelebs” (unmarried), but seeks a wife. After the death of his father, Coelebs journeys from the north of England to London, where he encounters a fashionable array of eager mothers and daughters before he visits the Hampshire home of his father’s friend, Mr. Stanley. Lucilla Stanley, Mr. Stanley’s daughter, is both an intellectual and a domestic woman, and Coelebs’ ideal partner. In this intelligent novel about the meeting of two minds, More shows the ways in which a couple becomes truly “matched” as opposed to merely “joined.”Along with a critical introduction, this Broadview edition includes a wide selection of historical documents, from reviews, imitations, and sequels of Coelebs in Search of a Wife to related contemporary writings on conduct, courtship, and women’s education.

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Three-Fingered Jack," the protagonist of this 1800 novel, is based on the escaped slave and Jamaican folk hero Jack Mansong, who was believed to have gained his strength from the Afro-Caribbean religion of obeah, or "obi." His story, told in an inventive mix of styles, is a rousing and sympathetic account of an individual's attempt to combat slavery while defending family honour. Historically significant for its portrayal of a slave rebellion and of the practice of obeah, Obi is also a fast-paced and lively novel, blending religion, politics, and romance.This Broadview edition includes a critical introduction and a selection of contemporary documents, including historical and literary treatments of obeah and accounts of an eighteenth-century slave rebellion.

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First published in 1886-87, H. Rider Haggard’s imperial romance follows its English heroes from the quiet rooms of Cambridge to the uncharted interior of Africa in search of a legendary lost city with an ageless white queen. The two men find their way to the ancient city of Kôr, where the beautiful and mysterious Ayesha, “She-who-must-be-obeyed,” rules. Despite her cruelty, both men become fascinated by Ayesha, who leads them on a harrowing journey to bathe in the underground “River of Life.” A thrilling "history of adventure," She also reveals the complexity of Victorian attitudes towards race, gender, exploration, and empire.This Broadview edition presents the novel in its original illustrated Graphic magazine version, never before republished, and includes a critical introduction and supporting materials that demonstrate the novel's relationship to late-Victorian issues such as imperialism, archaeology, race, evolution, and the rise of the "New Woman."

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To what degree can anarchism be an effective organized movement? Is it realistic to think of anarchist ideas ever forming the basis for social life itself? These questions are widely being asked again today in response to the forces of economic globalization. The framework for such discussions was perhaps given its most memorable shape, however, in George Woodcock's classic study of anarchism-now widely recognized as the most significant twentieth-century overview of the subject. Woodcock surveys all of the major figures that shaped anarchist thought, from Godwin and Proudhon to Bakunin, Goldman, and Kropotkin, and looks as well at the long-term prospects for anarchism and anarchist thought. In Woodcock's view "pure" anarchism-characterized by "the loose and flexible affinity group which needs no formal organization"-was incompatible with mass movements that require stable organizations, that are forced to make compromises in the face of changing circumstances, and that need to maintain the allegiance of a wide range of supporters. Yet Woodcock continued to cherish anarchist ideals; as he said in a 1990 interview, "I think anarchism and its teachings of decentralization, of the coordination of rural and industrial societies, and of mutual aid as the foundation of any viable society, have lessons that in the present are especially applicable to industrial societies." This classic work of intellectual history and political theory (first published in the 1960s, revised in 1986) is now available exclusively from UTP Higher Education.

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One of Bernard Shaw's early plays of social protest, Mrs Warren's Profession places the protagonist's decision to become a prostitute in the context of the appalling conditions for working class women in Victorian England. Faced with ill health, poverty, and marital servitude on the one hand, and opportunities for financial independence, dignity, and self-worth on the other, Kitty Warren follows her sister into a successful career in prostitution. Shaw's fierce social criticism in this play is driven not by conventional morality, but by anger at the hypocrisy that allows society to condemn prostitution while condoning the discrimination against women that makes prostitution inevitable.This Broadview edition includes a comprehensive historical and critical introduction; extracts from Shaw's prefaces to the play; Shaw's expurgations of the text; early reviews of the play in the United States, Canada, and Great Britain; and contemporary contextual documents on prostitution, incest, censorship, women's education, and the "New Woman."

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One of the most profound philosophical problems is the nature of mind and its relationship to the body. A Brief Introduction to the Philosophy of Mind provides an introduction, written in clear language, to the various theories of the mind-body relationship, as well as a host of related philosophical discussions about mind and consciousness.The central theories, such as Cartesian Dualism, parallelism, epiphenomenalism, and supervenience among others, are presented in historical order. Their claims, their strengths and weaknesses, and how they ultimately relate to one another and to other philosophical questions are explored objectively, allowing readers to decide for themselves which theories are best.

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Mary Hays (1759-1843) is often best remembered for her early revolutionary novels The Memoirs of Emma Courtney and The Victim of Prejudice. In this collection, however, Gina Luria Walker reveals the extraordinary range of Hays’s oeuvre. The selections are mainly from Hays’s non-fiction writings, including letters, life-writing, political commentary, and essays. The extracts demonstrate her importance as an advanced and innovative thinker, philosophical commentator, and writer of deliberately experimental fiction.This Broadview edition includes a critical introduction and full annotation. Texts by numerous other writers are interleaved chronologically with Hays’s writings to illustrate her idiosyncratic intellectual genealogy, how her understanding modulated over time, and the multiple ways in which she influenced and was influenced by the most significant issues and figures of her age.

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Published in 1911, Suffragette Sally is one of the best-known popular novels promoting the cause of women's suffrage in Britain at the beginning of the twentieth century. The novel details the militant campaign of the suffragist Women’s Social and Political Union against the political establishment of the time. Through its three female protagonists, each from a different class, the novel recounts the challenges faced by women who dared to flout social convention by agitating for the vote. The Sally of the title is Sally Simmonds, a maid-of-all-work in a household where she has to deal with her employer’s advances along with her daily tasks. The novel follows Sally’s conversion to the suffrage movement and details the consequences she must face as a working-class woman who risks her job, her relationships, and eventually her life for the cause.The novel weaves together the fictional stories of the three main characters with documentary material drawn from contemporary suffrage and mainstream newspapers, and raises the hope that female alliances might someday transcend class boundaries. This Broadview edition also includes fascinating historical materials on the suffrage movement, including contemporary accounts of imprisonment, hunger strikes, and battles with police.

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In a preface to this novel, Dickens described David Copperfield as his “favorite child,” and the story has remained among the favorites of Dickens’ readers, too, with the characters of Betsy Trotwood, Mr. Pegotty, Uriah Heep, and Wilkins Micawber as well as David himself becoming part of the fabric of Western culture. This facsimile reprint is of the Household Edition of the Works of Charles Dickens, published in the 1870s; the edition makes the work available again in a form in which tens of thousands of Victorians read it—in two-column format, interspersed with illustrations throughout.David Copperfield was originally published in nineteen monthly parts between May 1, 1849 and November 1, 1850.* Each part except the last was of roughly the same length; the final installment was approximately twice as long as the others (and sold for 2 shillings, twice the price of previous parts). For the original serial publication, as well as early publication in book form, David Copperfield was illustrated by Hablot Browne (more commonly known as “Phiz”).Shortly after Dickens’ death in 1870 the British publisher Chapman & Hall began to issue the Household Edition of the Works of Charles Dickens (not to be confused with the American Household Edition of the Works, which appeared in the 1860s). The principal illustrator for the edition was Fred Barnard, and the Dalziel brothers (the leading wood-engravers of the time) created the engravings from Barnard’s illustrations; they described The Household Edition as “by far the most important commission ever placed in our hands by Messrs. Chapman & Hall.” Volumes in The Household Edition began to appear in 1871, and the series was completed in 1879. Dickens’ works appeared in a great many Victorian editions (including numerous pirated ones). Scholars have understandably paid most attention to the earliest publication in serial form; The Household Edition may well have been the most popular form in which the novel appeared, however; the plates for The Household Edition were widely used for other editions as well, and it is certainly arguable that more Victorian readers would have read Dickens’ novels in this form than in any other. In 1911 the populist bibliophile J.A. Hammerton described The Household Edition as “the most important illustrated edition” of Dickens’ works.This is one of a series from Broadview Press of facsimile editions—editions that provide readers with a direct sense of these works as the Victorians themselves experienced them.The breaks were as follows: I – May 1849 (chs. 1–3); II – June 1849 (chs. 4–6); III – July 1849 (chs. 7–9); IV – August 1849 (chs. 10–12); V – September 1849 (chs. 13–15); VI – October 1849 (chs. 16–18); VII – November 1849 (chs. 19–21); VIII – December 1849 (chs. 22–24); IX – January 1850 (chs. 25–27); X – February 1850 (chs. 28–31); XI – March 1850 (chs. 32–34); XII – April 1850 (chs. 35–37); XIII – May 1850 (chs. 38–40); XIV – June 1850 (chs. 41–43); XV – July 1850 (chs. 44–46); XVI – August 1850 (chs. 47–50); XVII – September 1850 (chs. 51–53); XVIII – October 1850 (chs. 54–57); XIX-XX – November 1850 (chs. 58–64).

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The Beetle (1897) tells the story of a fantastical creature, "born of neither god nor man," with supernatural and hypnotic powers, who stalks British politician Paul Lessingham through fin de siècle London in search of vengeance for the defilement of a sacred tomb in Egypt. In imitation of various popular fiction genres of the late nineteenth century, Marsh unfolds a tale of terror, late imperial fears, and the "return of the repressed," through which the crisis of late imperial Englishness is revealed.This Broadview edition includes a critical introduction and a rich selection of historical documents that situate the novel within the contexts of fin de siècle London, England's interest and involvement in Egypt, the emergence of the New Woman, and contemporary theories of mesmerism and animal magnetism.

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Confessions of an English Opium-Eater remains its author’s most famous and frequently-read work and one of the period’s central statements about both the power and terror of imagination. De Quincey describes the intense “pleasures” and harrowing “pains” of his opium use in lyrical and dramatic prose. A notorious success since its 1821 publication, the work has been an important influence on philosophers, theorists, and psychologists, as well as literary writers, of the nineteenth and twentieth centuries. But Confessions is only one part of a larger confessional project conceived by De Quincey over the course of his writing career. Gathered together in this edition, these texts provide a fascinating glimpse of early nineteenth-century British aesthetic, medical, psychological, political, philosophical, social, racial, national, and imperialist attitudes. This edition includes the 1821 text of Confessions, its important sequel Suspiria de Profundis (1845), and its sequel, The English Mail-Coach (1849), as well as extensive appendices.

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In a book that is a blend of text and readings, Martin P. Golding explores legal reasoning from a variety of angles—including that of judicial psychology. The primary focus, however, is on the ‘logic’ of judicial decision making. How do judges justify their decisions? What sort of arguments do they use? In what ways do they rely on legal precedent? Golding includes a wide variety of cases, as well as a brief bibliographic essay.

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This Broadview edition pairs two of Frances Burney's linked comedies. They both present the character of Lady Smatter, a "femme savante" whose lineage may be traced back to Molière; they both centre on the misfortunes of the "elle" figure, the dispossessed heiress and wife who appears frequently in Burney's fiction; and they both criticize a culture of misogyny that breeds suspicion and resentment. The Witlings, lighter and more comic, derives from late seventeenth-century conventions; The Woman-Hater, more melodramatic, both expresses and warns against the excessive sensibility of romanticism. Together, these two plays constitute a miniature history of English drama from the Restoration to the French Revolution and beyond. This edition contains a valuable selection of appendices, including: Burney’s "Epilogue to Gerilda"; letters and diary entries; contemporary writings on comedy; and Burney’s cast-list for The Woman-Hater.

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Published together for the first time, Eliza Haywood’s Anti-Pamela and Henry Fielding’s An Apology for the Life of Mrs. Shamela Andrews are the two most important responses to Samuel Richardson’s novel Pamela. Anti-Pamela comments on Richardson’s representations of work, virtue, and gender, while also questioning the generic expectations of the novel that Pamela establishes, and it provides a vivid portrayal of the material realities of life for a woman in eighteenth-century London. Fielding’s Shamela punctures both the figure Richardson established for himself as an author and Pamela’s preoccupation with virtue.This Broadview edition also includes a rich selection of historical materials, including writings from the period on sexuality, women’s work, Pamela and the print trade, and education and conduct.

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Lady Audley's Secret (1862) was one of the most widely read novels in the Victorian period. The novel exemplifies "sensation fiction" in featuring a beautiful criminal heroine, an amateur detective, blackmail, arson, violence, and plenty of suspenseful action. To its contemporary readers, it also offered the thrill of uncovering blackmail and criminal violence within the homes of the upper class. The novel makes trenchant critiques of Victorian gender roles and social stereotypes, and it creates significant sympathy for the heroine, despite her criminal acts, as she suffers from the injustices of the "marriage market" and rebels against them.This Broadview edition includes a critical introduction and a broad selection of primary source material, including reproductions of the twenty-two woodcut illustrations from the London Journal serialization of the novel, extracts from two Victorian dramatizations of the work, satirical commentaries, and contemporary reviews.

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With its combination of satire and sentiment, its focus on the seedy side of London life, and its unexpected shifts in tone, Amelia has intrigued and disturbed readers since its first publication. Eagerly awaited by Henry Fielding’s eighteenth-century readers of Tom Jones, the novel perplexed many of them. Amelia counters the traditional courtship plot of eighteenth-century novels with its convincing portrayal of a marriage between an errant husband and his wife, and is ahead of its time in its depiction of the alienation of modern city life.Appendices include contemporary criticism and related works by Alexander Pope and Sarah Fielding.

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Originally published in 1823, Valperga is probably Mary Shelley's most neglected novel. Set in 14th-century Italy, it represents a merging of historical romance and the literature of sentiment. Incorporating intriguing feminist elements, this absorbing novel shows Shelley as a complex and intellectually astute thinker.

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Human concern over the urgency of current environmental issues increasingly entails wide-ranging discussions of how we may rethink the relationship between humans and the rest of the natural world. In order to provide a context for such discussions this anthology provides a selection of some of the most important, interesting and influential readings on the subject from classical times through to the late nineteenth century. Included are such figures as Xenophon, Plato, Aristotle, Hildegard of Bingen, St Francis of Assisi, Bacon, Descartes, Kant, Mill, Emerson and Thoreau. As the collection as a whole amply demonstrates, the history of western philosophical accounts of nature can help us to better understand current attitudes and problems. Human Life and the Natural World may also be of interest to a broad range of philosophers and students of philosophy, and more generally to those with a concern for the environment that engages the intellect as well as the heart.

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Though critics and literary historians have always had to admit that Susanna Centlivre's comedies were extremely popular, they have tended to devote themselves to a search for evidence in them of supposed deficiencies of 'the female pen,' and to pay as much attention to the playwright's marriages and amorous liasons than to the plays themselves. Only in recent years has Centlivre come to be recognized quite straightforwardly as on of the most brilliant playwrights of her time.A Bold Stroke for a Wife is perhaps the finest example of Centlivre's masterful plotting of comic intrigue. The soldier Fainwell and Anne Lovely are in love, but their path to the altar is blocked by her guardians, each of whom has a different view of what sort of husband would make the right match. Fainwell resorts to disguises of social types. The play thus provides a wide range of opportunity for Centlivre to satirize Tory respectability, religious propriety and capitalist speculative greed—and to give voice to tolerance: 'tis liberty of choice that sweetens life.' Yet in the end it is Centlivre's comic muse that gives enduring life to the play as one of the most entertaining of eighteenth-century comedies.

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Western Visions, Western Futures explores the interplay between western alienation and western aspirations. Because of regional optimism, western Canadians often feel alienated from the rest of Canada or, more specifically, from the federal government: western Canadians are concerned that their aspirations are not shared by the rest of Canada and, worse, that conflicting "national"policy choices and political realities have and will work to undermine the interests of the West. The book is rich in both data and history. Combining strong analysis with graphs and illustrative quotations, it presents a comprehensive overview of key western Canadian trends and policy issues and places these within a national context. Western Visions, Western Futures outlines a number of process and policy options for federal and provincial governments both to help fulfill western aspirations and to address western alienation. The authors argue that the future prosperity and well-being of Canada are integrally tied to the future of the West, and leaving western alienation unaddressed for another 50 or 100 years will only serve to weaken or destroy the whole country. Western Visions, Western Futures is a revised, updated, and expanded edition of Western Visions by Roger Gibbins and Sonia Arrison (Broadview Press 1995), there is little in common between the two books. Many of the themes are the same, but the new book draws heavily on a wealth of Canada West Foundation data that has recently come available.

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Dreams is a work that defies conventional categorization; however, one might best capture its unique formal structure by construing it as a series of prose poems or narrative paintings, a starkly modern text inflected by the far older tradition of the medieval dream vision poem. Arthur Symons praised Dreams by saying, “The words seem to chant themselves to a music which we do not hear.” Though a work of prophecy, it proceeds with a light touch. The sequence of eleven dreams, loosely interlinked, leaves us to wrestle with our doubts; it takes up thorny questions that challenge a culture right where it may tend to be its proudest. The landscape of the work shifts as it moves among the African savannah, congested late-industrial London, and the olive tree-studded hillsides of Italy. The intersectionality of Schreiner’s writing—its concern with gender, sexual orientation, class, nation, and race—makes her a particularly salient voice for today’s students. The appendices to this edition provide an accessible representation of Schreiner’s key contexts, South African and British as well as American. The introduction provides a biographical overview of a writer wrestling with questions of social justice pertinent to her own era, yet relevant to our contemporary moment.

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Experiencing Philosophy begins with the assumption that philosophy is not merely something you know but also something you experience and participate in. The book presents philosophical theories and ideas with reference to their practical relevance to the lives of student readers. To this end, a number of engaging features and inserts are provided: Original Sources: Numerous primary readings are included, introducing students directly to the philosophical work of diverse thinkers ranging from Plato to Martin Luther King Jr. Each reading is thoughtfully excerpted and followed by reflective questions. Philosopher Profiles: Abstract ideas are connected to the lives of real historical figures through fascinating biographical profiles. Take It Personally: To illustrate how philosophy can be useful and relevant, each chapter begins by placing the material in a personal context. Know Thyself Diagnostics: This book takes seriously—as did Socrates—the Delphic Oracle’s dictum to “know thyself.” Students are given self-diagnostics to explore their own philosophical values, ideals, and beliefs. Philosophers in Action: Philosophy is something you do, not just something you know. Prompts are provided throughout the text inviting students to conduct thought experiments, analyze concepts, and discuss and debate controversial points. Thinking about Your Thinking: These metacognitive prompts require students to engage in higher-order thinking, not only about the presented readings and ideas but also with respect to their own values, assumptions, and beliefs. Plus: Built-in study guides, diagrams, famous philosophical quotations, comics, feature boxes, and more!

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Academic Writing has been widely acclaimed in all its editions as a superb textbook—and an important contribution to the pedagogy of introducing students to the conventions of academic writing. The book seeks to introduce student readers to the lively community of research and writing beyond the classroom, with its complex interactions, values, and goals. It presents writing from a range of disciplines in the humanities, social sciences, and natural sciences, cultivating students’ awareness of the subtle differences in genre.

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King Lear is a play for our times. The central characters experience intense suffering in a hostile and unpredictable world. They face domestic cruelty, political defeat, and a stormy external environment that invades them 'to the skin.' They constantly question the meaning of their experiences as we watch their emotions range from despair to rage to unexpected tenderness and desperate hope as they are rejected, even tortured. Lear's daughters, as in a fairy tale, are three strong women. The elder two vie for sexual and political power, while the youngest, Cordelia, is initially banished because of her plain speaking, then returns in a doomed attempt to restore her father to his throne. King Lear has an unusual performance history. It was significantly revised, by Shakespeare or others, between its first two publications, and was then succeeded by an adaptation that softened the ending so that Lear and Cordelia survived. In our own times King Lear is performed around the world in productions that explore its relevance to contemporary political and environmental challenges. This edition offers a distinctive 'extended' text, taking the later Folio as a starting point and adding the lines that appear only in the Quarto, distinguished by a light gray background. Variations in individual words that are of critical interest are recorded in the margin.

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Freelancers make up one of the fastest-growing groups of workers in North America. But, in today’s fractured and quick-paced media industry, where do you start? This book is a guide for journalism students, recent graduates, and early-career journalists looking to better understand both the creative and business sides of freelance work in Canada and the US. Learn how to develop your personal brand, how to pitch to different types of publications and media outlets, and how to plan for your financial future as a freelancer (yes, it's possible!). Practical and easy to read, The New Journalist's Guide combines more than a decade of the author’s personal experience as a freelance journalist with the perspectives of freelancers and experts across Canada and the US in a range of fields.

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Academic Writing Now: A Brief Guide for Busy Students is a rhetoric designed to cover the basics of a college writing course in a concise, student-friendly format. Anything inessential to the business of college writing has been excluded. Each chapter concentrates on a crucial element of composing an academic essay and is capable of being read in a single sitting. The book is loaded with "timesaver tips," ideas for making the most of the student's time, along with occasional warnings to avoid common errors made by student writers. Each short chapter concludes with questions and suggestions designed to trigger class discussion.The second edition has been updated throughout, with special attention to making the book even better suited to accelerated and co-requisite composition courses.

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Philosophical Adventures is a clear, concise introduction to philosophy, covering an engaging set of topics: reasoning, free will, religious belief, ethics, well-being, politics, and education. Stylishly written and cogently argued, the book engages readers by using compelling examples to make complex ideas accessible. The book’s distinctive and engaging content provides a welcoming path to understanding the appeal of philosophical inquiry.

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Straightforward, practical, and focused on realistic examples, Business and Professional Writing: A Basic Guide for Americans is an introduction to the fundamentals of professional writing. The book emphasises clarity, conciseness, and plain language. Guidelines and templates for business correspondence, formal and informal reports, brochures and press releases, and oral presentations are included. Exercises guide readers through the process of creating and revising each genre, and helpful tips, reminders, and suggested resources beyond the book are provided throughout. The second edition includes new sections on information security and ethics in business writing. New formal proposal examples have been added, and the text has been updated throughout. Business and Professional Writing instructor site resources include PowerPoint lectures, suggested assignments, grading rubrics, and lesson plans, and suggested lecture notes. KEY FEATURES: Very concise—points are made as briefly and directly as possible Tone is friendly and encouraging rather than formal or academic Strong coverage of marketing and promotional writing: brochures, social media, and news releases are covered along with other kinds of workplace writing Readable layout, with many concrete examples, instructive images, and helpful tips throughout

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Bioethics: Legal and Clinical Case Studies is a case-based introduction to ethical issues in health care. Through seventy-eight compelling scenarios, the authors demonstrate the practical importance of ethics, showing how the concerns at issue bear on the lives of patients, health care providers, and others. A range of central topics are covered, including informed consent, medical futility, reproductive ethics, privacy, cultural competence, and clinical trials. Each chapter includes a selection of important legal cases as well as clinical case studies for critical analysis. The case studies are often presented as moral dilemmas, and are conducive to rich discussion. A companion website offers a curated collection of relevant legal precedents as well as additional case studies and other resources.

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In recent decades the contested areas of English usage have grown both larger and more numerous. We may argue rather less frequently than was once the case over issues of grammar and usage. But we argue more frequently than ever overwhether to use man or humanity, fisher or fisherman; whether to say Indians or Native Peoples (or First Nations, or Chippewa or Cree or Snuneymuxw, as the case may be); whether to speak of a person being disabled, or challenged, or differently abled; whether it's acceptable to say that's so gay. These are all issues that some would lump together as controversies of political correctness (itself in some ways a problematic expression). Certainly they are all issues that involve ethics as well as the conventions of grammar or of English usage - though they are often intimately intertwined with those conventions.This volume offers a concise and user-friendly guide to these large issues. Can we use language in ways that avoid giving expression to prejudices embedded within it? Can the words we use help us point a way towards a better world? Can we take these issues with appropriate seriousness while remaining open-minded - and still retaining our sense of humor? To all these questions this little book answers yes, while offering clear-headed discussions of many of the key issues.

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This new anthology of early modern philosophy enriches the possibilities for teaching this period by highlighting not only metaphysics and epistemology but also new themes such as virtue, equality and difference, education, the passions, and love. It contains the works of 43 philosophers, including traditionally taught figures such as Descartes, Spinoza, Leibniz, Locke, Berkeley, Hume, Kant, as well as less familiar writers such as Lord Shaftesbury, Anton Amo, Julien Offray de La Mettrie, and Denis Diderot. It also highlights the contributions of women philosophers, including Margaret Cavendish, Anne Conway, Gabrielle Suchon, Sor Juana Inéz de la Cruz, and Emilie Du Châtelet.

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The two narratives published together in The Tragedy of Pudd’nhead Wilson and the Comedy of Those Extraordinary Twins are overflowing with spectacular events. Twain shows us conjoined twins, babies exchanged in the cradle, acts of cross-dressing and racial masquerade, duels, a lynching, and a murder mystery. Pudd’nhead Wilson tells the story of babies, one of mixed race and the other white, exchanged in their cradles, while Those Extraordinary Twins is a farcical tale of conjoined twins. Although the stories were long viewed as flawed narratives, their very incongruities offer a fascinating portrait of key issues—race, disability, and immigration—facing the United States in the final decades of the nineteenth century.Hsuan Hsu’s introduction traces the history of literary critics’ response to these works, from the confusion of Twain’s contemporaries to the keen interest of current scholars. Extensive historical appendices provide contemporary materials on race discourse, legal contexts, and the composition and initial reception of the texts.

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