Search results for ""author tom""

National Bestseller A lyrical coming-of-age story set in the projects of Toledo, Ohio, Animals I Want To See explores themes of identity, ambition, religion, and friendship—often across racial and social lines—as it spotlights a family of fourteen and tracks a boy’s journey from a child janitor with big dreams to a teenage petty criminal to a student at Yale and Harvard.“A terrific and moving memoir about dreaming big and making great things happen.” —President Bill Clinton “Read it and be inspired.” —Deepak Chopra, New York Times bestselling author On Bronson Street, in the projects of Toledo, Ohio, in a crowded house occupied by a family of fourteen, Tom Seeman starts a very important list. Just as the trash-strewn field in his backyard is home to a treasure-trove of wild animals, Tom’s list, “Animals I Want To See One Day,” is home to drea

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One of the Washington Post’s “5 mystery novels to savor this summer” A maverick celebrity chef reluctantly agrees to let the CIA use his hugely popular international food, culture, and travel TV series as cover for a dangerous espionage mission.When the CIA approaches celebrity chef Sebastian Pike about using his award-winning food and culture travel show as cover for espionage, the outspoken bad-boy host says no. When they point out how roaming the globe interviewing foodies, heads of state, rock stars, journalists-in-exile, poets, subversives, supermodels—even the pope—gives him perfect cover, Pike smiles and says, “F@#! no.” They push. Promising it’s only one mission. Vowing he won’t be in danger. Calling him the MVB: Most Valuable Bystander. They’d embed their top agent in his crew to do the spy work. It’s still no. But when they hit him with the patriotism

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La historia de la bilogía está estrechamente emparejada con nuestra relación con la naturaleza salvaje, con los animales domésticos, e incluso con las criaturas fantásticas. En algún momento de nuestra historia creímos que el delfín era un pez, que los unicornios existían y que los animales nacieron del barro; pero el trabajo de biólogos como Carlos Linneo, Gregor Mendel o Louis Pasteur transformó nuestra forma de ver la vida.

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Dieses Buch ist ein Bestimmungsatlas, der hilft, Minerale, Gesteine und die wichtigsten Fossilgruppen im Gelände zu erkennen und zu beschreiben. Aber nicht nur das. Zusätzlich wird eine Reihe von wichtigen geologischen Strukturen beschrieben und in zahlreichen Fotos dargestellt. Dadurch werden Sie eingeladen, die Geologie hinter Landschaften und Gesteinen draußen im Gelände aufzuspüren. Denn die Geologie ist eine Wissenschaft, die erst richtig lebendig wird beim Wandern in der Natur, z. B. an der Küste oder durch Nationalparks. Mit wenig Wissen werde Sie die Landschaft anders erleben. Die Gesteine werden quasi lebendig und Sie werden die Geschichte wie ein Buch lesen können und die Vielfalt und Komplexität von geologischen Prozessen verstehen. Solche Prozesse – ein Wechselspiel von Magmatismus, Tektonik, Metamorphose, Klima und Sedimentation – haben die heutige Erdoberfläche geformt. Das Buch wendet sich an die geologisch interessierten Leser und Studierende, denen das Werk als Begleiter bei Ausflügen durch die Natur gute Dienste leisten wird.

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Not so if the book has been translated into Arabic. Now the reader can discern no meaning in the letters. The text conveys almost no information to the reader, yet the linguistic informa­ tion contained by the book is virtually the same as in the English original. The reader, familiar with books will still recognise two things, however: First, that the book is a book. Second, that the squiggles on the page represent a pattern of abstractions which probably makes sense to someone who understands the mean­ ing of those squiggles. Therefore, the book as such, will still have some meaning for the English reader, even if the content of the text has none. Let us go to a more extreme case. Not a book, but a stone, or a rock with engravings in an ancient language no longer under­ stood by anyone alive. Does such a stone not contain human information even if it is not decipherable? Suppose at some point in the future, basic knowledge about linguistics and clever computer aids allow us to decipher it? Or suppose someone discovers the equivalent of a Rosetta stone which allows us to translate it into a known language, and then into English? Can one really say that the stone contained no information prior to translation? It is possible to argue that the stone, prior to deciphering contained only latent information.

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One of the central characteristics of the latest historical Jesus research has been the attempt to locate Jesus plausibly within first-century Judaism. Less emphasis has been placed on the question as to whether or how, if at all, the image of Jesus within the Jewish context also suits and accounts for the history of the influence and reception of Jesus in early Christianity. Tom Holmén urges that the Christian reception history of Jesus be given a proper role in research. He argues that the scrutiny of the reception should not be a mere appendage to the more careful study of Jesus within Judaism. Instead, the reception should be given equally serious attention and form an integral part of scholarly pursuits. As a result, one no longer studies Jesus "within Judaism" but "in continuum," namely in the continuum from early Judaism to early Christianity. The articles of this volume outline a continuum approach to the historical Jesus. They are divided into three areas exhibiting different aspects of the continuum approach: theoretical aspects, Jesus meets Christianity, and Jesus from Judaism to Christianity.

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Launched in 2011 as online magazine to revive the great American tradition of the long-form literary and cultural arts review, the Los Angeles Review of Books has established itself as a new institution for writers and readers unlike anything else. A nonprofit, multimedia literary and cultural arts magazine, LARB combines serious book review with the evolving technologies of the web. The LARB Quarterly Journal reflects the best that this institution has to bring to readers all over the world. Cultivating a stable of regular contributors, both eminent (Jane Smiley, Mike Davis, Jonathan Lethem) and emerging (Jenny Hendrix, Colin Dickey, Rachel Kaadzi Ghansah), LARB achieves a certain tone that readers expect and enjoy: looser and more eclectic than other journals, grounded in literature but open to all varieties of cultural experience, far from the New York publishing hothouse atmosphere but not myopically focused on Los Angeles either. The LARB Quarterly Journal builds on the best aspects of the online magazine and proves that long-form literary and cultural arts review is alive and well.

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The forthcoming spring issue of the Los Angeles Review of Books Quarterly Journal features work by emerging, established, and award winning writers, including creative non-fiction, and poetry. This issue also features an original translation of work by short fiction writer Hisham Bustani, who has won accolades for bringing "a new wave of surrealism to [Arabic] literary culture." Essays range over the following topics: How did oranges become California's iconic fruit? Tom Zoellner dives into the untold story of the Golden State's early citrus industry in his essay "The Orange Industrial Complex." "If you've had sex, you have stories to tell about the people you've had sex with." Starting from this truism, journalist Amanda Fortini draws connections between stories by (and feminist storytelling techniques of) Susan Minot, Louise Wareham Leonard, and Debra Monro. What was America's impact on famed South African novelist J.M. Coetzee's fiction? Martin Woessner follows in Coetzee's footsteps to UT Austin's special collections (where Coetzee himself once studied) and looks for answers in Coetzee's personal papers. Occasioned by the death of influential historian and political scientist Benedict Anderson, Goenawan Mohamad writes a tribute to his friend and former teacher. Mohamad is the founder and editor of Tempo magazine, Indonesia's most-respected newsmagazine.

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The Los Angeles Review of Books launched in April of 2011 as a humble Tumblr, with a 2600-word essay by Ben Ehrenreich entitled "The Death of the Book." The gesture was meant to be provocative, and to ask a genuine question: Was the book dying? Was the internet killing it? Or were we simply entering a new era, a new publishing ecosystem, where different media could coexist? The LARB website currently publishes a minimum of two rigorously edited pieces a day, and we've cultivated a stable of regular contributors, both eminent (Jane Smiley, Mike Davis, Jonathan Lethem) and emerging (Jenny Hendrix, Colin Dickey, Rachel Kaadzi Ghansah). We've found our way to a certain tone that readers expect and enjoy: looser and more eclectic than our namesakes the New York and London Review of Books, grounded in literature but open to all varieties of cultural experience, far from the New York publishing hothouse atmosphere but not myopically focused on L.A. either. The new LARB print quarterly builds on the best aspects of our flagship online magazine. The long form literary and cultural arts review is alive and well, and now, has a new home in Los Angeles.

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