Search results for ""author regina""

What is the fascination that decollation holds for us, as individuals and as a culture? Why does the idea make us laugh and the act make us close our eyes? Losing Our Heads explores in both artistic and cultural contexts the role of the chopped-off head. It asks why the practice of decapitation was once so widespread, why it has diminished—but not, as scenes from contemporary Iraq show, completely disappeared—and why we find it so peculiarly repulsive that we use it as a principal marker to separate ourselves from a more “barbaric”or “primitive” past? Although the topic is grim, Regina Janes’s treatment and conclusions are neither grisly nor gruesome, but continuously instructive about the ironies of humanity’s cultural nature. Bringing to bear an array of evidence, the book argues that the human ability to create meaning from the body motivates the practice of decapitation, its diminution, the impossibility of its extirpation, and its continuing fascination. Ranging from antiquity to the late nineteenth-century passion for Salomé and John the Baptist, and from the enlightenment to postcolonial Africa’s challenge to the severed head as sign of barbarism, Losing Our Heads opens new areas of investigation, enabling readers to understand the shock of decapitation and to see the value in moving past shock to analysis. Written with penetrating wit and featuring striking illustrations, it is sure to captivate anyone interested in his or her head.

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It is 1886, and the government has given the US Cavalry control of Yellowstone. For widowed hotelier Kate Tremaine, the change is a welcome one. She knows every inch of her wilderness home like the back of her hand and wants to see it protected from poachers and vandals. Refused a guide by Congress, Lieutenant William Prescott must enlist Kate's aid to help him navigate the sprawling park and track down the troublemakers. But a secret from his past makes him wary of the tender feelings the capable and comely widow raises in him. As they work together to protect the park and stand firm through injustice and tragedy, they may just find that two wounded hearts can share one powerful love when God is in control.

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Spain's development from a premodern society into a modern unified nation-state with an integrated economy was painfully slow and varied widely by region. Economic historians have long argued that high internal transportation costs limited domestic market integration, while at the same time the Castilian capital city of Madrid drew resources from surrounding Spanish regions as it pursued its quest for centralization. According to this view, powerful Madrid thwarted trade over large geographic distances by destroying an integrated network of manufacturing towns in the Spanish interior. Challenging this long-held view, Regina Grafe argues that decentralization, not a strong and powerful Madrid, is to blame for Spain's slow march to modernity. Through a groundbreaking analysis of the market for bacalao--dried and salted codfish that was a transatlantic commodity and staple food during this period--Grafe shows how peripheral historic territories and powerful interior towns obstructed Spain's economic development through jurisdictional obstacles to trade, which exacerbated already high transport costs. She reveals how the early phases of globalization made these regions much more externally focused, and how coastal elites that were engaged in trade outside Spain sought to sustain their positions of power in relation to Madrid. Distant Tyranny offers a needed reassessment of the haphazard and regionally diverse process of state formation and market integration in early modern Spain, showing how local and regional agency paradoxically led to legitimate governance but economic backwardness.

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Friendship is so complicated! The children of The Adoption Club think they are friends - they go to the same school and belong to The Adoption Club.But what does it mean? What is the difference between a casual and a close friend? How should you respond to teasing? It's time for The Adoption Club to explore friendship.Written for counsellors and therapists working with children aged 5-11, as well as adoptive parents, this workbook is designed to help explore friendship, staying safe and social skills. It is one of a set of five interactive therapeutic workbooks featuring The Adoption Club written to address the key emotional and psychological challenges adopted children often experience. Together, they provide an approachable, interactive and playful way to help children to learn about themselves and have fun at the same time.

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Want to design a life you love? Start here. In Reflect and Reset: AnEmbrace Your Life Journal, best-selling author, Fran Hauser, has created a journal that will empower you to live more intentionally. Drawing on the five most popular exercises from Embrace The Work, Love Your Career, Hauser connects you more deeply to yourself and to what you really want.The journal is divided into five key areas:ReflectionsSmile FileVision BoardTo-Don’t listColoringWhether it’s guided visualizations, writing down wins, or prioritizing what really matters, the creative prompts in this journal provide a framework of positive habits and the necessary space to allow you to create the life of your dreams.

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The Chicago Shakespeare Theater is widely known for vibrant productions that reflect the Bard's genius for intricate storytelling, musicality of language, and depth of feeling for the human condition. Affectionately known to natives of the Windy City as "Chicago Shakes," this vanguard of Chicago's rich theatrical tradition celebrates its silver anniversary with this bracing collection of original essays by world-renowned scholars, directors, actors, and critics. Chicago Shakespeare Theater unveils the artistic visions and decisions that helped shape this venerable institution and examines the theater's international reputation for staging such remarkable and provocative performances. The volume brings together works by such heralded drama critics as Terry Teachout, Jonathan Abarbanel, and Michael Billington; theater industry giants like Michael Bogdanov, Edward Hall, and Simon Callow; interviews with the Chicago Shakespeare Theater's own Artistic Director Barbara Gaines and Executive Director Criss Henderson; and essays by such noted figures in academe as Clark Hulse, Wendy Wall, and Michael Shapiro.

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The Chicago Shakespeare Theater is widely known for vibrant productions that reflect the Bard's genius for intricate storytelling, musicality of language, and depth of feeling for the human condition. Affectionately known to natives of the Windy City as "Chicago Shakes," this vanguard of Chicago's rich theatrical tradition celebrates its silver anniversary with this bracing collection of original essays by world-renowned scholars, directors, actors, and critics. Chicago Shakespeare Theater unveils the artistic visions and decisions that helped shape this venerable institution and examines the theater's international reputation for staging such remarkable and provocative performances. The volume brings together works by such heralded drama critics as Terry Teachout, Jonathan Abarbanel, and Michael Billington; theater industry giants like Michael Bogdanov, Edward Hall, and Simon Callow; interviews with the Chicago Shakespeare Theater's own Artistic Director Barbara Gaines and Executive Director Criss Henderson; and essays by such noted figures in academe as Clark Hulse, Wendy Wall, and Michael Shapiro.

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Ist die Schlussvision des Danielbuches visionäre Zukunftsschau oder historischer Rückblick? Bereits Hieronymus und Porphyrios diskutieren diese Fragestellung äußerst kontrovers. Ab dem 18. Jahrhundert steht der Lektüre von Daniel 10-12 als historische Quelle ein fundamentalistisches Verständnis des Textes gegenüber. Neuere Studien zu Antiochus IV. demonstrieren die Problematik einer historischen Deutung des Danieltextes. Mit Hilfe literaturwissenschaftlicher Ansätze zeigt Regina Wildgruber, dass sich die Schlussvision als Geschichtsdeutung im Kontext von biblischer Theologie verstehen lässt. Zugleich kommt der Text so als Abschlussvision des hebräisch-aramäischen Danielbuches zu neuem Recht.

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