Search results for ""author rainer"

Discover the very best day hiking trails in Mount Rainier National Park—whether you wan to experience old-growth forests, glacier views, alpine lakes, or high meadows.From Paradise to Stevens Canyon or Cougar Rock, you'll the 50 best day hikes around Mount Rainier in this full-color hiking guide. Featuring the lush forests, mountain vistas, and alpine meadows, each trail is rated from easy to extreme, giving first-time or veteran hikers the variety they want, as well as topographical maps, trail descriptions, and the best camping options in and near the park. Includes complete information for 50 great day hikes within driving distance from Seattle, including:• Chinook Pass• High Lakes Loop• Naches Peak Loop• Panorama Point• Pinnacle Saddle• Stevens Creek• Upper Paradise Valley• and more!The Day Hike! series of full-color hiking guides was written for people who want to spend their days in the mountains and their nights at home. Other titles in the Day Hike! series include:Day Hike! Central CascadesDay Hike! Olympic PeninsulaDay Hike! North Cascades;Day Hike! Spokane, Coeur d’Alene, and Sandpoint

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In a series of compressed, dynamic prose pieces, Samatar blends letters from her friend with notes on literature, turning to Edouard Glissant to study the necessary opacity of identity, to Theresa Hak Kyung Cha for a model of literary kinship, and to a variety of others, including Clarice Lispector, Maurice Blanchot, and Rainer Maria Rilke, for insights on the experience and practice of writing.In so doing, Samatar addresses a number of questions about the writing life: Why does publishing feel like the opposite of writing? How can a Black woman navigate interviews and writing conferences without being reduced to a symbol? Are writers located in their biographies or in their texts? And above all, how can the next book be written? Blurring the line between author and character and between correspondence and literary criticism, Opacities delivers a personal, contemplative exploration of writing where it lives, among impassioned conversations and the work of beloved writers.

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This collection studies writers and mystics, past and present, and considers from a Christian poet's perspective how religious or mystical experience informs the imagination. The text provides readings of Elizabeth Jennings's chosen authors and offers clues to her own poetry. Though her first concern is poetry, she draws on prose writers to effect her explorations. Writers considered include: St Augustine; St Teresa of Avila; George Herbert; T.S. Eliot; Charles Peguy; Simone Weil; Gerald Manley Hopkins; David Gascoyne; Julian of Norwich; St John of the Cross; Henry Vaughan; Thomas Traherne; Rainer Maria Rilke; Edwin Muir; Hart Crane; and Wallace Stevens.

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White Pine Press Poetry Prize Winner "Rainer Maria Rilke said that there are two inexhaustible sources for poetry, childhood and dreams, and Kim Garcia drinks deeply from both wells in these magical, spooky, riveting, and mysterious poems"--Edward Hirsch "Garcia speaks in the language of delicate and mesmerizing touch without ever falling into precious sentimentality. Over and again, these poems mount to harsh and cold violences that speak to the intricacies of the soul in a gorgeous way that leaves the reader feeling bruised--as in pressed upon--but not bloody. This is a brilliant book of first-rate artistry."--Jericho Brown, Poetry Prize judge Kim Garcia is also the author DRONE and Madonna Magdalene. She teaches creative writing at Boston College.

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“A singular novel.” —Lydia Davis, author of Can’t and Won’t and Essays One“An exhilarating adventure!” —Alberto Manguel, author of The Library at Night and Fabulous Monsters“Extraordinary. . . . Brings to mind the great mushroom scenes of the film Phantom Thread. How not to be aroused by this whopping treat of verbal virtuosity?” —Mary Ann Caws, author of The Modern Art CookbookAseroë, the mushroom, as object of fascination. First observed in Tasmania and South Africa, it appeared suddenly in France around 1920. It is characterized by its stench and, at maturity, its grotesque beauty.Aseroë, the word, as incantation. Can a word create a world? It does, here. François Dominique is a conjurer, who through verbal sorcery unleashes the full force of language, while evoking the essential rupture between the word and the object. An impossible endeavor, perhaps, but one at the very heart of literature.The narrator of Aseroë wanders medieval streets and dense forests, portrait galleries, and rare bookshops. As he explores the frontiers of language, the boundaries of science, art, and alchemy melt away, and the mundane is overtaken by the bizarre. Inhabited by creatures born in darkness, both terrible and alluring, Aseroë is ultimately a meditation on memory and forgetting, creation, and oblivion.François Dominique is an acclaimed novelist, essayist, poet, and translator. He has received the Burgundy Prize for Literature and is the author of eight novels, including Aseroë and Solène, winner of the Wepler Award and Prix littéraire Charles Brisset. He has translated the poetry of Louis Zukofsky and Rainer Maria Rilke and is the cofounder of the publishing house Ulysses-Fin-de-Siècle.

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Best Wildflower Hikes Western Washington combines the best aspects of hiking and wildflowers into one guide. The Best Wildflower Hikes series features 40 hikes with honorable mentions throughout that focus on the best wildflowers in western Washington.

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Franz Xaver Kappus, an aspiring poet, wrote to Rainer Maria Rilke for advice in 1903, but could not have expected such a voluminous response from the acclaimed German writer. Through this correspondence, Augustus Young weaves a patchwork portrait of the enigmatic poet and his intimates.

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A creative lifestyle is not a luxury, but a necessary elixir of life. Only with creativity can we overcome despair, hatred and violence, in the world and in ourselves. Using selected examples of exceptionally creative people, Rainer M. Holm-Hadulla encourages us to unleash our own creative and social potential.Readers become acquainted with Madonna and Amy Winehouse, John Lennon, Jim Morrison, and Mick Jagger. Before wandering through their lives and work in the interplay of constructive and destructive forces, they encounter the "Big Five of Creativity": talent, ability, motivation, resilience, favorable environments. The author has theoretically researched their interaction over decades, tested them in practice and drawn the conclusion: The creative transformation of human destructiveness is our chance to lead a fulfilled life in social responsibility.

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Each year almost two million visitors come to Mount Rainier National Park. If they don’t follow safety warnings, they may find themselves victims of a climbing accident, or face-to-face with a mountain lion, or stuck in the fog and snow on the Muir Snowfield, a place that is continually rated as one of America’s most dangerous hikes. Death in Mount Rainier National Park gathers some of the most dramatic stories of the more than 400 deaths that have occurred in the park’s history.

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Are you planning a vacation to Washington? There are some great Washington State Facts that you should know! Washington is a wonderful place to visit. It is a beautiful state with beautiful weather, beautiful wildlife, and a variety of natural attractions. You can also find many interesting facts about Washington by reading the following book. It will give you a better understanding of this beautiful state. Once you know these facts about Washington, you can begin your trip to this beautiful state! This beautiful state is home to 5 of the world''s major volcanoes. Mount Rainer, Mount Adams, and Mount St. Helens are the highest summits in Washington. Mount Rainer is 14,410 feet above sea level, and the state is surrounded by volcanoes. There are a number of interesting things about volcanoes in Washington, but you can''t get around 10! In fact, Washington has the most! The most glaciers in North America are in Washington. It is the largest producer of apples, pears, raspberries, and swe

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An amazing new original graphic novel from the bestselling creators of PULP, RECKLESS, CRIMINAL, and KILL OR BE KILLED. Who are you, really? Are you the things you do, or are you the person inside your mind? In Europe on a business trip, Jonathan Webb can't sleep. Instead, he finds himself wandering the night in a strange foreign city, with his new friend, the mysterious and violent Rainer as his guide. Rainer shows Jonathan the hidden world of the night, a world without rules or limits. But when the fun turns dangerous, Jonathan may find himself trapped in the dark... And the question is, what will he do to get home? NIGHT FEVER is a pulse-pounding noir thriller from grand masters Ed Brubaker and Sean Phillips. A Jekyll-and-Hyde story of a man facing the darkness inside himself, this riveting tour of the night is a must-have for all Brubaker and Phillips readers!

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In diesem Ratgeber macht Rainer Sachse Ihnen – auf Basis der klärungsorientierten Psychotherapie – Mut, bei Konflikt und Streit privat wie beruflich zu gegenseitigem Verstehen und tragfähigen Kompromissen beizutragen. Konflikte spielen im Leben jedes Menschen eine zentrale Rolle: Sie treten auf zwischen Arbeitskollegen, zwischen Mitarbeiter und Chef, zwischen Freunden, in Familien, in Partnerschaften. Geschrieben für alle, die in Alltag und Beruf Konflikte erleben und sie konstruktiv lösen wollen. Auch für Streitschlichter, Mediatoren, Moderatoren. Aus dem InhaltWas ist ein Konflikt? Wie geht man konstruktiv mit Konflikten um? Wie löst man Konflikte? Wie findet man tragfähige Kompromisse? Was können zwei Interaktionspartner tun, um zu einer guten Konfliktbewältigung zu gelangen? Und wann hilft ein Moderator?Der Autor Prof. Dr. Rainer Sachse ist Psychologischer Psychotherapeut, Begründer der „Klärungsorientierten Psychotherapie“ und Leiter des Instituts für Psychologische Psychotherapie (IPP) in Bochum. Er macht komplexe psychologische Sachverhalte allgemein verständlich und stellt sie humorvoll und einfühlsam dar.

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Rainer Eisfeld’s book highlights the merits of socio-historical research into topics infrequently covered by mainstream political science. Directing attention to the need for carefully scrutinizing the convenient “truths” of established - post-Nazi, post-Communist - political narratives, its chapters encourage reflection of the discipline’s history and state of the art. A companion volume to the 2012 book entitled Radical Approaches to Political Science: Roads Less Traveled (also published by Barbara Budrich), this collection is likewise based on an approach to political science informed by a theory of participatory pluralism and grounded in history. The chapters focus on the discipline’s fragmentation and its retreat from public debate; on the varying roles of political science and international relations as champions of more or less democracy; on normative and analytical concepts developed by Hannah Arendt, Klaus von Beyme, and Robert A. Dahl; on the deconstruction of the “Peenemünde Legend” about the unspoiled rule of science at the Third Reich’s missile development center; on reasons for the Peenemünde engineers’ actual complicity in the exploitation of concentration camp labor to mass-produce their V-2 missile. “Rainer Eisfeld’s leadership in the fields of pluralism and analysis of the discipline in the International Political Science Association means that he has quite a background to share with us in this, his most recent, collection of essays.” John Trent

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Aristotle's Categories can easily seem to be a statement of a naive, pre-philosophical ontology, centered around ordinary items. Wolfgang-Rainer Mann argues that the treatise, in fact, presents a revolutionary metaphysical picture, one Aristotle arrives at by (implicitly) criticizing Plato and Plato's strange counterparts, the "Late-Learners" of the Sophist. As Mann shows, the Categories reflects Aristotle's discovery that ordinary items are things (objects with properties). Put most starkly, Mann contends that there were no things before Aristotle. The author's argument consists of two main elements. First, a careful investigation of Plato which aims to make sense of the odd-sounding suggestion that things do not show up as things in his ontology. Secondly, an exposition of the theoretical apparatus Aristotle introduces in the Categories--an exposition which shows how Plato's and the Late-Learners' metaphysical pictures cannot help but seem inadequate in light of that apparatus. In doing so, Mann reveals that Aristotle's conception of things--now so engrained in Western thought as to seem a natural expression of common sense--was really a hard-won philosophical achievement. Clear, subtle, and rigorously argued, The Discovery of Things will reshape our understanding of some of Aristotle's--and Plato's--most basic ideas.

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Rainer Brambach, one of the most widely appreciated Swiss poets in the 1950s and '60s, was notorious for walking to the beat of his own drum, denying convention and standing his ground against popular styles and trends. He grew up in Basel and left school at the age of fourteen to become a manual laborer. He spent much of World War II in prison and in labor camps, an experience which greatly influenced his writing. After the war, Brambach began to make his name as a poet. Recognition and awards notwithstanding, Brambach remained an outsider in the literary world and lived for many years in poverty. Marked by his disregard for material values, a profound engagement with the landscape of the Upper Rhine, and a lasting commitment to humanity, Brambach’s poems are direct, unadorned, and free of pomp or ideology. His quiet images conjure up landscapes, small rural scenes, and interiors of bars and cafes. Brambach was, above all, an observer whose poems provide insights of deceptive simplicity that form a poetic essence confirming the significance of this author’s voice. This collection of poems, masterfully translated by noted writer and poet Esther Kinsky, represents the first major English translation of a significant European poet.

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WINNER OF THE ACADEMY OF MANAGEMENT'S 2023 GEORGE R. TERRY BOOK AWARD A groundbreaking account which shows how the public sector must adapt, but also persevere, in order to advance technology and innovation From self-driving cars to smart grids, governments are experimenting with new technologies to significantly change the way we live. Innovation has become vitally important to states across the world. Rainer Kattel, Wolfgang Drechsler, and Erkki Karo explore how public bodies pursue innovation, looking at how new policies are designed and implemented. Spanning Europe, the USA and Asia, the authors show how different institutions finance new technologies and share cutting-edge information. They argue for the importance of “agile stability,” demonstrating that in order to successfully innovate, state organizations have to move nimbly like start-ups and yet ensure stability at the same time. And that, particularly in the light of the Covid-19 pandemic, governments need both long-term policy and dynamic capabilities to handle crises. This vital account explores the complex and often contradictory positions of innovating public bodies—and shows how they can overcome financial and political resistance to change for the good of us all.

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This important addition to our understanding of art history’s masterworks puts some of the world's most famous paintings under a magnifying glass to uncover their most small and subtle elements and all they reveal about a bygone time, place, and culture. Guiding our eye to the minutiae of subject and symbolism, authors Rose-Marie and Rainer Hagen allow even the most familiar of pictures to come alive anew through their intricacies and intrigues. Is the bride pregnant? Why does the man wear a beret? How does the shadow of war hang over a scene of dancing? Along the way, we travel from Ancient Egypt through to modern Europe, from the Renaissance to the Roaring Twenties. We meet Greek heroes and poor German poets and roam from cathedrals to cabaret bars, from the Garden of Eden to a Garden Bench in rural France. As we pick apart each painting and then reassemble it like a giant jigsaw puzzle, these celebrated canvases captivate not only in their sheer wealth of details but also in the witness they bear to the fashions and trends, people and politics, loves and lifestyles of their time.

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Let Rainer Stahlberg and The Survivalist’s Handbook prepare you for any crisis. Here are step-by-step plans for surviving a range of disasters—both natural and manmade. This sit he ultimate handbook of disaster scenarios and survival techniques. With this one-of-a-kind guide, you can be ready for:Nuclear, chemical, and biological attacksGlobal energy crisesWorldwide economic collapseNatural disastersDrastic climate changePolitical upheavalAnd other terrifying scenariosGrowing up in Soviet-dominated Hungary, Rainer Stahlberg developed an increasing wariness of the world around him. Wounded in the Hungarian uprising of 1956, he resolved to never be caught unprepared again. His experiences could save your life. Rather than sit and wait for the end of the world, you should treat today as Day One of any potential catastrophe. That way, you will be ready to survive Day Two!Stahlberg provides extensive lists of survival supplies: food, cooking utensils, shelter and camping equipment, defensive weapons, medicine, and items to barter. You are the only person you can count on in a time of crisis, and with this book, you can be prepared and survive when the worst-case scenario becomes a reality.

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Lesley Dill is an American artist working at the intersection of language and fine art in printmaking, sculpture, installation and performance, exploring the power of words to cloak and reveal the psyche. Dill transforms the emotions of the writings of Emily Dickinson, Salvador Espriu, Tom Sleigh, Franz Kafka, and Rainer Maria Rilke, among others, into works of paper, wire, horsehair, foil, bronze and music — works that awaken the viewer to the physical intimacy and power of language itself. Lesley Dill – Wilderness: Light Sizzles Around Me features a uniquely inspired group of sculptures and two-dimensional works more than a decade in the making. It is testimony of Dill’s ongoing investigation into the significant voices and personas of America’s past. For the artist, the American voice grew from early America’s obsessions with divinity and deviltry, on fears of the wilderness out there and wilderness inside us. The plates, in colour throughout, are supplemented with essays by Lesley Dill, Brooklyn-based writer Nancy Princenthal, Figge Art Museum’s curator Andrew Wallace, and researcher and tribal historian Juaquin Hamilton-Youngbird. The book also features a literary text by writer by Tom Sleigh and a poem by author and poet Ray Young Bear.

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In Letters of Note: Grief, Shaun Usher gathers together some of the most powerful messages about grief, from the heart-wrenching pain of losing a loved one to reliving fond memories of those who have passed on.Includes letters by:Audre Lorde, Robert Frost,Nick Cave, Rainer Maria Rilke,Sidonie-Gabrielle Colette,Kahlil Gibran, Edith Wharton,Mary Wortley Montagu, Seungsahn Haengwon& many more

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This book critically assesses conceptions of democracy in different republican traditions. This book explores the historical and theoretical relationships between democracy and republicanism, and their consequences. It expands on the foundational principle of republicanism, putting forward new insights into connections between liberty, law and democratic politics, and a radically new conceptualisation of the meaning and structure of democratic institutions and procedures. It includes contributions from Philip Pettit, John Ferejohn, Rainer Forst, James Bohman, Cecile Laborde, Jack N. Rakove and John P. McCormick.

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Essays on the Wilhelm Meister novels, Faust, Goethe's early plays, Schiller's Räuber and on Goethe's thought in relation to current debates on cosmopolitanism and postcoloniality. The Goethe Yearbook, first published in 1982, is a publication of the Goethe Society of North America and is dedicated to North American Goethe Scholarship. It aims above all to encourage and publish original English-language contributions to the understanding of Goethe and other authors of the Goethezeit, while also welcoming contributions from scholars around the world. This year's volume features a cluster of exceptional essays thatshed new light on Goethe's Wilhelm Meister novels and Faust, as well as fascinating articles on the early play Das Jahrmarktsfest zu Plundersweilen and the poem "Ilmenau," Schiller's Die Räuber, and anessay that places Goethe's thought in relation to current debates about cosmopolitanism and postcoloniality. Engaging reviews of recent publications in Goethe studies round out the volume. Contributors include Eric Denton, Matt Erlin, Jaimey Fisher, Ingrid Rieger, Rainer Kawa, David Barry, Stephanie Dawson, and John Pizer. Simon J. Richter is Professor of German at the University of Pennsylvania. Book review editor Martha B. Helfer is Professor of German at Rutgers University.

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A stirring book of photographs of Wolves that have been given sanctuary near Mount Rainer. Brenda Peterson's text puts the stories of the residents of Wolf Haven, and of wolves in North America, into context as she describes the behaviour patterns and social structure of wolf packs. This book is about the attempts to pull back this species from the edge of extinction, as well as the new ways that humans are finding to co-exist with these wild animals.

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'An indescribable, aching, futile longing for myself' The young Danish aristocrat Malte Laurids Brigge has been left rootless by the early death of his parents. Now living in Paris, Malte begins to record his life in a series of loosely connected notes, diary entries, prose poems, parables and stories, ostensibly collected by a fictional editor to form the Notebooks. Focusing on Malte's observations and experiences in the present, recollections of his childhood and family, and his reflections on historical events, these notes in highly crafted poetic prose explore the themes of life in the metropolis, poverty, sickness and death, love, memory and time, and perception and language. The only extended prose work by the German poet Rainer Maria Rilke, The Notebooks of Malte Laurids Brigge is a landmark in the development of the twentieth-century novel. It marks a radical departure from nineteenth-century realism, transcending conventions of linear narrative to reflect a consciousness in crisis, and an archetypal confrontation with the modern. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Authors: Hugo Bachmann, Walter J. Ammann, Florian Deischl, Josef Eisenmann, Ingomar Floegl, Gerhard H. Hirsch, Gunter K. Klein, Goran J. Lande, Oskar Mahrenholtz, Hans G. Natke, Hans Nussbaumer, Anthony J. Pretlove, Johann H. Rainer, Ernst-Ulrich Saemann, Lorenz Steinbeisser. Large structures such as factories, gymnasia, concert halls, bridges, towers, masts and chimneys can be detrimentally affected by vibrations. These vibrations can cause either serviceability problems, severely hampering the user's comfort, or safety problems. The aim of this book is to provide structural and civil engineers working in construction and environmental engineering with practical guidelines for counteracting vibration problems. Dynamic actions are considered from the following sources of vibration: - human body motions, - rotating, oscillating and impacting machines, - wind flow, - road traffic, railway traffic and construction work. The main section of the book presents tools that aid in decision-making and in deriving simple solutions to cases of frequently occurring "normal" vibration problems. Complexer problems and more advanced solutions are also considered. In all cases these guidelines should enable the engineer to decide on appropriate solutions expeditiously. The appendices of the book contain fundamentals essential to the main chapters.

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Margareta Ingrid Christian unpacks the ways in which, around 1900, art scholars, critics, and choreographers wrote about the artwork as an actual object in real time and space, surrounded and fluently connected to the viewer through the very air we breathe. Theorists such as Aby Warburg, Alois Riegl, Rainer Maria Rilke, and the choreographer Rudolf Laban drew on the science of their time to examine air as the material space surrounding an artwork, establishing its “milieu,” “atmosphere,” or “environment.” Christian explores how the artwork’s external space was seen to work as an aesthetic category in its own right, beginning with Rainer Maria Rilke’s observation that Rodin’s sculpture “exhales an atmosphere” and that Cezanne’s colors create “a calm, silken air” that pervades the empty rooms where the paintings are exhibited. Writers created an early theory of unbounded form that described what Christian calls an artwork’s ecstasis or its ability to stray outside its limits and engender its own space. Objects viewed in this perspective complicate the now-fashionable discourse of empathy aesthetics, the attention to self-projecting subjects, and the idea of the modernist self-contained artwork. For example, Christian invites us to historicize the immersive spatial installations and “environments” that have arisen since the 1960s and to consider their origins in turn-of-the-twentieth-century aesthetics. Throughout this beautifully written work, Christian offers ways for us to rethink entrenched narratives of aesthetics and modernism and to revisit alternatives.

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In this in-depth analysis of artistic and academic lectures and performances, Lucia Rainer features an innovative conceptual and methodological tool that augments Goffman's Frame Analysis with a praxeological perspective. This way, she gives profound insight into how knowledge - as a practice and a concept - is associated with clarity rather than truth. Based on four case studies - including John Cage's unpublished and unabridged audio recording of Lecture on Nothing - the study explores how the concept of lecture performances, which adheres to two frames that never entirely blend, provides a space to (re-)negotiate the artistic-academic relationship.

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Rainer Niermeyer und Nadia Postall zeigen, welche Führungsinstrumente und -techniken wirklich relevant sind und wie sie erfolgreich in der Praxis eingesetzt werden. Ob Führungsnachwuchskraft oder gestandener Manager – in diesem Buch erfahren Sie, wie Sie Mitarbeiter zielgerichtet unterstützen, lenken, fordern und fördern. Die erfahrenen Managementtrainer beschreiben die in der Praxis am besten bewährten Techniken und Instrumente für professionelle Meetings, Mitarbeitergespräche, Zielvereinbarungen sowie Mitarbeiterbeurteilungen. Alle Unterstützungsinstrumente für Ihre Praxis finden Sie zum Download unter www.gabler.de beim Buchtitel.

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The Anarchy of the Imagination colects the most important interviews, essays, and working notes of Rainer Werner Fassbinder, one of the most influential cultural figures to emerge from postwar Germany. Whether reflecting on his won work oir writing about other directors, whether describing his discovery of actress Hanna Schygulla or speaking out in favor of political film making, Fassbinder's perspective is radical, subjective, and challenging. The writing in this volume-nearly all presented here for the first time in English-are an essential part of Fassbinder's legacy, the remarkable body of work in which present-day German reality finds brilliant expression.

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With this volume, Rainer Zech and Claudia Dehn draw attention to an often neglected aspect of the work of organizations. With the help of the category of successful management, they provide support for a holistic organizational success that brings the focus back to the meaningfulness of one's own actions. The book refers specifically to personal social service organizations, because a simple transfer of management and consulting concepts from the economy to the social area does not work. This practice-oriented compendium with additional material to download offers all people who work for organizations of education, counseling and social work useful tools for a successful management.

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Denken in Bildern? Hatte die überwältigende Fülle von Bildern, von Vergleichen und Gleichnissen aus allen Bereichen des antiken Wissens, noch bis ins 18. Jahrhundert zur Beliebtheit von Plutarchs Schriften beigetragen, so galt sie seit der Aufklärung eher als Zeichen mangelnder Seriosität und gedanklicher Stringenz. Rainer Hirsch-Luipold zeigt demgegenüber, wie Plutarch Bilder und Bildfelder als Teil einer besonderen philosophischen Darstellungsform begreift. Die umfassende Struktur des Bildhaften wird aus seiner Verwendung des griechischen Begriffs eikon deutlich. Unter diesem Begriff verbindet der Mittelplatoniker und delphische Priester Phänomene der darstellenden Kunst (Statue, Gemälde, Siegelabdruck etc.) und der Sprache (Gleichnis, Allegorie, Metapher, Rätselwort etc.) mit einer philosophischen Sicht der Welt als Abbild und Widerschein einer höheren göttlichen Realität.Neben Untersuchungen zur Rezeption von darstellender Kunst und zur Terminologie bildhafter Sprache bietet die Arbeit ausführliche literarische und philosophische Interpretationen der Bildersprache ausgewählter Schriften. Rainer Hirsch-Luipold interpretiert die Bilder als Teil der philosophischen Gedankenführung, eröffnet so den Blick auf die philosophische und religionsgeschichtliche Bedeutung Plutarchs und führt zugleich ein Instrument zur Analyse des Aufbaus und der Struktur seiner Schriften vor. Aufgrund ihrer religiösen Färbung wird die Bildersprache Plutarchs zudem als pagane Parallele zur gleichzeitig entstehenden Gleichnissprache des Neuen Testaments interessant.

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Since his debut, Nil Nil, won the Forward Prize for Best First Collection in 1993, Don Paterson has lit up the poetry scene in the U.K. His dazzling, intensely lyric and luminous verse has delighted readers ever since, and won many awards along the way. God's Gift Women took the T. S. Eliot Prize in 1997, Landing Light won it again in 2003 and the Whitbread Award besides, and Rain (2009), his most recent collection, won the Queen's Gold Medal for Poetry. This selection, drawn from twenty years of work, is made by the author himself and includes not only those poems from his four single volumes, but his thrilling and original adaptations of the poems of Antonio Machado and Rainer Maria Rilke. For any readers unfamiliar with Don Paterson's work, this Selected Poems offers the perfect introduction to this most captivating of writers; and for fans, an essential gathering from a master craftsman.

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Auguste Rodin (1840-1917) was already an old man when the young poet Rainer Maria Rilke went to interview him for the first time. Rilke stayed on to work as Rodin's secretary. Intensely sensitive to art, and in particular to the irreducible power of objects, and yet able to express this awareness in prose of great lyricism and clarity, Rilke was destined to be the critic who would most naturally dramatise Rodin's work. In 1903 Rilke published this essay, a sustained and profound meditation on the unique power of Rodin's sculpture that has never been equalled. Written around a chronology of Rodin's work, it is also a very approachable introduction to some of the greatest sculpture of the nineteenth century.

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Christine Buci-Glucksmann’s The Madness of Vision is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics, the author asserts the materiality of the body and world in her aesthetic theory. All vision is embodied vision, with the body and the emotions continually at play on the visual field. Thus vision, once considered a clear, uniform, and totalizing way of understanding the material world, actually dazzles and distorts the perception of reality. In each of the nine essays that form The Madness of Vision Buci-Glucksmann develops her theoretical argument via a study of a major painting, sculpture, or influential visual image—Arabic script, Bettini’s “The Eye of Cardinal Colonna,” Bernini’s Saint Teresa and his 1661 fireworks display to celebrate the birth of the French dauphin, Caravaggio’s Judith Beheading Holofernes, the Paris arcades, and Arnulf Rainer’s self-portrait, among others—and deftly crosses historical, national, and artistic boundaries to address Gracián’s El Criticón; Monteverdi’s opera Orfeo; the poetry of Hafiz, John Donne, and Baudelaire; as well as baroque architecture and Anselm Kiefer’s Holocaust paintings. In doing so, Buci-Glucksmann makes the case for the pervasive influence of the baroque throughout history and the continuing importance of the baroque in contemporary arts.

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In 1916, Rainer Maria Rilke presented his friend Rudolf Kassner with a notebook, containing twenty-two poems meticulously inscribed in his own hand and bearing the title Poems to Night. This evocative sequence of poems, which echoes some of the great themes of German romanticism, is now thought to represent one of the key stages in the creative breakthrough and spiritual evolution of the preeminent European poet of the twentieth century. This collection brings all the poems together in English for the first time and is enhanced by a rich selection of further poems Rilke dedicated to night at various stages of his life. The Poems to Night and the background to them are illuminated by the translator's valuable introduction.

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Rainer Maria Rilke’s Duino Elegies are one of the great literary masterpieces of the twentieth century. Begun in 1912 while the poet was a guest at Duino Castle on the Adriatic Sea and completed in a final bout of feverish inspiration in 1922, the ten elegies survey the mysteries of consciousness, whether human or animal, earthly or divine. Poet and translator Alfred Corn offers a fresh take on this cornerstone of German lyric poetry, bringing us closer to Rilke’s meaning than ever before and illuminating the elegies’ celebration of life and love. Also included are a critical introduction exploring the nuances of the translation, several thematically linked lyrics and two of the Letters to a Young Poet to complete the volume.

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Born in 1875, the great German lyric poet Rainer Maria Rilke published his first collection of poems in 1898 and went on to become renowned for his delicate depiction of the workings of the human heart. Drawn by some sympathetic note in his poems, young people often wrote to Rilke with their problems and hopes. From 1903 to 1908 Rilke wrote a series of remarkable responses to a young, would-be poet on poetry and on surviving as a sensitive observer in a harsh world. Those letters, still a fresh source of inspiration and insight, are accompanied here by a chronicle of Rilke's life that shows what he was experiencing in his own relationship to life and work when he wrote them.

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What we wish to know, and most desire, remains unknowable and lies beyond our grasp. With these words, James Hollis leads readers to consider the nature of our human need for meaning in life and for connection to a world less limiting than our own. In The Archetypal Imagination, Hollis offers a lyrical Jungian appreciation of the archetypal imagination. He argues that without the human mind's ability to form energy-filled images that link us to worlds beyond our rational and emotional capacities, we would have neither culture nor spirituality. Drawing upon the work of poets and philosophers. Hollis shows the importance of depth experience, meaning, and connection to an ""other"" world. The author draws upon the work of the poet Rainer Maria Rilke, particularly his Duino Elegies, to elucidate the archetypal imagination in literary forms. To underscore the importance of incarnating depth experience, he also examines a series of paintings by Nancy Witt. With the power of the archetypal imagination available to all of us, we are invited to summon courage to take on the world anew and to risk a radical re-imagining of the larger possibilities of the world and of the self.

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Trained as an archaeologist and art historian and being a practising painter, Professor Galavaris has been able to relate diverse disciplines in his work, as shown by the wide range of his numerous publications. He moves from the early history of the eucharistic bread in the Orthodox Church, the dramatic impact of the Liturgy on illuminated Byzantine manuscripts, to the role of the icon in: the life of the Church, the poetry of Rainer Maria Rilke and the European painting of the 20th century. He is a leading authority on the study of the relationship between worship, Liturgy and art. Whether it is the cult of the Byzantine Emperor or the Eucharistic Liturgy, manifested in numismatics, illuminated manuscripts, icons, church lights (candles and oil lamps) - all witnesses of the creative forces of the Byzantine artist - Galavaris' interests are symbols, forms and their meaning. He investigates their contribution to worship, to the visual shaping of the Liturgy and how they reveal the freedom and the mission of the artist in realizing the Unseen in everyday life. The 31 studies in the present volume, published over 40 years (5 of them appear in English for the first time) are brought together with an introduction, annotations and an index. The volume contributes essentially to our knowledge of the spirituality of the Eastern Church.

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The Riddle in the Poem is a study of the ramifications of riddles and riddle elements in the context of selected twentieth-century poetry. It includes works by Francis Ponge, Wallace Stevens, Richard Wilbur, Rainer M. Rilke, and Henrikas Radauskas. This book enlarges the scope of riddles as a "root of lyric" by connecting it with the folkloristic concept of "riddling," essentially a question and answer series, and by tracing the influence of the root in poetic methodology. The Riddle in the Poem may be defined as an attempt to advance the notion, which has been discussed in previous folkloristic and literary studies, which riddle as the root of lyric manifests itself in various ways.

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In 1931, Virginia and Leonard Woolf's Hogarth Press published a small run of a beautiful edition of Rainer Maria Rilke's Duino Elegies, in English translation by the writers Vita and Edward Sackville-West. This marked the English debut of Rilke's masterpiece, which would eventually be rendered in English over 20 times, influencing countless poets, musicians and artists across the English-speaking world. Published for the first time in 90 years, the Sackville-Wests' translation is both a fascinating historical document and a magnificent blank-verse rendering of Rilke's poetry cycle. Featuring a new introduction from critic Lesley Chamberlain, this reissue casts one of European literature's great masterpieces in fresh light.

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These letters from the poet and mystic Rainer Maria Rilke to a nineteen-year-old cadet and aspiring poet have inspired millions of readers since they were first published in English in 1934. The first and most popular translator of this work was Mary Dows Herter Norton—a polymath extraordinaire who played a crucial role in elevating Rilke’s global reputation. The Norton Centenary Edition commemorates this extraordinary woman, known as “Polly” to friends and colleagues, and celebrates the 100th anniversary of the publishing company she co-founded. With a foreword by Damion Searls and an afterword by Norton’s current president, Julia Reidhead, this handsome new edition brings Rilke’s enduring wisdom about life, love and art to a new generation.

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Beautifully written and incisive, this is the first English biography of a major Scandinavian author who is ripe for rediscovery While largely unknown today, Danish writer and Darwin translator Jens Peter Jacobsen was the leading prose writer in Scandinavia in the late nineteenth century and part of a generation that included Henrik Ibsen, Knut Hamsun, and August Strindberg. His novels Marie Grubbe and Niels Lyhne as well as his stories and poems were widely admired by writers such as Rainer Maria Rilke, Thomas Mann, and James Joyce. Despite his untimely death from tuberculosis at the age of thirty-eight, Jacobsen became a cult figure to an entire generation and continues to occupy an important place in Scandinavian cultural history. In this book, Morten Høi Jensen gives a moving account of Jacobsen’s life, work, and death: his passionate interest in the natural sciences, his complicated and nuanced attitude to his own atheism, and his painful descent toward an early death. Carefully researched and sympathetically imagined, this is an evocative portrait of one of the most influential and gifted writers of the nineteenth century.

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The essential poems of Emily Dickinson selected and introduced by Joyce Carol Oates“Between them, our great visionary poets of the American nineteenth century, Emily Dickinson and Walt Whitman, have come to represent the extreme, idiosyncratic poles of the American psyche. . . .Dickinson never shied away from the great subjects of human suffering, loss, death, even madness, but her perspective was intensely private; like Rainer Maria Rilke and Gerard Manley Hopkins, she is the great poet of inwardness, of the indefinable region of the soul in which we are, in a sense, all alone.” —from the introduction by Joyce Carol Oates

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Travel was a way of life for the Austrian poet and novelist Rainer Maria Rilke, and it was integral to his work. Between 1897 and 1920 he visited Venice ten times. The city has inspired countless writers and artists, but Rilke was both enthralled and provoked by it, as eager to see and explore the city’s deserted shipyards and back alleys as the iconic sights of St Mark’s and the Doge’s Palace. He would walk the city alone, staying in simple guesthouses or the grand palaces of his patrons. Birgit Haustedt guides readers through the city in the poet’s footsteps, showing us the sights through Rilke’s eyes.

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“As practical as it is poetic. . . . an optimistic call to action.” —Chicago Tribune Over time, with industrialization and urban sprawl, we have driven nature out of our neighborhoods and cities. But we can invite it back by designing landscapes that look and function more like they do in the wild: robust, diverse, and visually harmonious. Planting in a Post-Wild World by Thomas Rainer and Claudia West is an inspiring call to action dedicated to the idea of a new nature—a hybrid of both the wild and the cultivated—that can ?ourish in our cities and suburbs. This is both a post-wild manifesto and practical guide that describes how to incorporate and layer plants into plant communities to create an environment that is re?ective of natural systems and thrives within our built world.

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Paula Modersohn-Becker was a pioneer of modern art in Europe, but denounced as degenerate by the Nazis after her death. Sue Hubbard draws on the artist's diaries and paintings to bring to life her singular existence, her battle to achieve independence and recognition and her intense relationship with the poet Rainer Maria Rilke. Not only do we discover Paula's vibrant personality and rich legacy of Expressionist paintings, but also come to understand something of the corrupted ideologies of the Third Reich. Written with the eye of a painter and the soul of a poet this moving story is a meditation on love, loss, memory and, ultimately, hope.

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Write More Elegant C++ Programs The official C++ Core Guidelines provide consistent best practices for writing outstanding modern C++ code and improving legacy code, but they're organized as a reference for looking up one specific point at a time, not as a tutorial for working developers. In C++ Core Guidelines Explained, expert C++ instructor Rainer Grimm has distilled them to their essence, removing esoterica, sharing new insights and context, and presenting well-tested examples from his own training courses. Grimm helps experienced C++ programmers use the Core Guidelines with any recent version of the language, from C++11 onward. Most of his code examples are written for C++17, with added coverage of newer versions and C++20 wherever appropriate, and references to the official C++ Core Guidelines online. Whether you're creating new software or improving legacy code, Grimm will help you get more value from the Core Guidelines' most useful rules, as you write code that's safer, clearer, more efficient, and easier to maintain. Apply the guidelines and underlying programming philosophy Correctly use interfaces, functions, classes, enum, resources, expressions, and statements Optimize performance, implement concurrency and parallelism, and handle errors Work effectively with constants, immutability, templates, generics, and metaprogramming Improve your C++ style, manage source files, and use the Standard Library "We are very pleased to see Rainer Grimm applying his teaching skills and industrial background to tackling the hard and necessary task of making the C++ Core Guidelines accessible to more people."--Bjarne Stroustrup and Herb Sutter, co-editors, C++ Core Guidelines Register your book for convenient access to downloads, updates, and/or corrections as they become available. See inside book for details.

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