Search results for ""author matthew"

In this study, Brian Carrier provides a comprehensive analysis of the role that seismic language plays within the Matthean Gospel narrative. After reconstructing what connotations seismic language likely carried in Matthew's cultural context, the author utilizes an historically informed author-oriented narrative criticism that is complemented with redaction criticism to analyze the relationships that Matthew's seismic references display with regards to each other and to the overall narrative. This analysis leads to the conclusion that Matthew's seismic references collectively indicate that the life, death, and resurrection of Jesus together represent the partial fulfillment of the Old Testament eschatological Day of the Lord.

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There are five marked quotations from Psalms in the Gospel of Matthew. These are: (1) Ps 91:1–12 in Matt 4:6; (2) Ps 78:2 in Matt 13:35; (3) Ps 8:3 in Matt 21:16; (4) Ps 118:22–23 in Matt 21:42; and (5) Ps 110:1 in Matt 22:44. Piotr Herok argues that the investigated texts are related to each other not only by the presence of the introductory formulas, making clear that a given citation comes from Scripture, but also through mutual thematic convergence, concerning in various degrees king David, the temple, and the theme of Jesus’ identity. Thanks to the new literary context, in which the quotations are embedded, Matthew reinterprets them significantly while giving them a new dimension clearly distinguishing them from the rest of the psalm quotations found in his work. This aims at presenting Jesus as not only the Son of David, but first of all the Son of God.

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The nineteenth chronicle in the Matthew Bartholomew series.In the summer of 1358 Matthew Bartholomew finds himself one of a party of Bishop's Commissioners, sent north to investigate the mysterious disappearance of the Abbot of Peterborough. He and his colleagues quickly learn that behind the beautiful façade of the Benedictine monastery there is a vicious struggle for power, and that not everyone would be happy to see the prelate's safe return.This unrest and discontent seems to have spread throughout the town, and there are bitter rivalries between competing shrines and the financial benefits of the relics they hold. One of these shrines is dedicated to Lawrence de Oxforde, a robber and murderer who was executed for his crimes, but who has been venerated ever since miracles started occurring at his grave. But when Bartholomew and his friend Brother Michael go to investigate, they find murder instead...'A first-rate treat for mystery lovers' (Historical Novels Review)'Susanna Gregory has an extraordinary ability to conjure up a strong sense of time and place' (Choice)

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For the twentieth anniversary of the start of the Matthew Bartholomew series, Sphere is delighted to reissue all of the medieval monk's cases with beautiful new series-style covers.------------------------------------The seventeenth chronicle in the Matthew Bartholomew series.In 1358 the fledging college of Michaelhouse in Cambridge is in need of extra funds. A legacy from the Archbishop of York of a parish close to that city promises a welcome source of income. However, there has been another claim to its ownership and it seems the only way to settle the dispute is for a deputation from Michaelhouse to travel north.Matthew Bartholomew is among the small party which arrives in the bustling city, where the increasing wealth of the merchants is unsettling the established order, and where a French invasion is an ever-present threat to its port. But soon he and his colleagues learn that many of the Archbishop's executors have died in unexplained circumstances and that the codicil naming Michaelhouse as a beneficiary cannot be found...'A first-rate treat for mystery lovers' (Historical Novels Review)'Susanna Gregory has an extraordinary ability to conjure up a strong sense of time and place' (Choice)

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Will Matthew Flinders find fame and fortune? This intrepid explorer circumnavigated and charted the coast of Australia between 1802 - 1803 accompanied by his mischievous but faithful cat, Trim

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In the summer of 1358 the physician Matthew Bartholomew returns to Cambridge to learn that his beloved sister is in mourning after the unexpected death of her husband, Oswald Stanmore. Aware that his son has no interest in the cloth trade that made his fortune and reputation, Oswald has left the business to his widow, but a spate of burglaries in the town distracts Matthew from supporting Edith in her grief and attempting to keep the peace between her and her wayward son. As well as the theft of irreplaceable items from Michaelhouse, which threatens its very survival, a new foundation, Winwick Hall, is causing consternation amongst Matthew's colleagues. The founder is an impatient man determined that his name will grace the University's most prestigious college. He has used his wealth to rush the construction of the hall, and his appointed Fellows have infiltrated the charitable Guild founded by Stanmore, in order to gain the support of Cambridge's most influential citizens on Winwick's behalf. A perfect storm between the older establishments and the brash newcomers is brewing when the murder of a leading member of the Guild is soon followed by the death of one of Winwick's senior Fellows. Assisting Brother Michael in investigating these fatalities leads Matthew into a web of suspicion, where conspiracy theories are rife but facts are scarce and where the pressure from the problems of his college and his family sets him on a path that could endanger his own future...

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In this important new work, Kevin Madigan studies the development and union of scholastic, apocalyptic, and Franciscan interpretations of the Gospel of Matthew from 1150 to 1350. These interpretations are placed within the context of high-medieval religious life and attitudes of the papacy toward the Franciscan Order. Madigan uses the fortunes of the Franciscan Peter Olivi (d. 1298) and his commentary on Matthew as a lens through which to observe the larger theological and ecclesiastical developments of this era. Structured in three sections, Olivi and the Interpretation of Matthew in the High Middle Ages begins with an analysis of the scholastic gospel commentary tradition in the schools of Laon and Paris. The second section of the book offers a detailed examination of the Treatise on the Four Gospels by the famed apocalyptic writer Joachim of Fiore. Finally, Madigan turns his attention to the disputes which plagued the Franciscan Order during the first century of its existence. Madigan also focuses on Olivi’s Commentary on Matthew. He argues that this little-known work is perhaps the only Matthew commentary in the high Middle Ages to have been influenced by Joachim’s apocalyptic thought and shaped by internal and external disagreements over the highest form of religious life. Filled with severe criticisms of the hierarchy and leadership of the church, Olivi’s Matthew commentary was examined and eventually condemned by papally appointed theologians in the early fourteenth century. Olivi and the Interpretation of Matthew in the High Middle Ages is not only a worthy contribution to the study of gospel exegesis, but also a valuable cultural and ecclesiastical history.

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Tom Wright has completed a tremendous task: to provide comprehensive guides to all the books of the New Testament, and to furnish them with his own fresh translation of the entire text. Making use of his true scholar's understanding, yet writing in an approachable and anecdotal style, Wright captures the urgency and excitement of Matthew's Gospel in a way few writers have. Each short passage is followed by a highly readable commentary with helpful background information. A glossary is included at the back of the book. The series is suitable for group study, personal study, or daily devotions.

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The fifteenth chronicle in the Matthew Bartholomew series.There is something very amiss in the finances of Michaelhouse. Despite a new influx of well-heeled students, there is an acute lack of funds for the upkeep of the buildings, even for decent provisions. It is only when the Brother in charge of the account books dies unexpectedly that some sort of explanation is revealed: he has been paying large amounts of money for goods the college itself has never received. Although shocked by this evidence of fraud, Matthew is more concerned with the disappearance from his herbarium of a quantity of pennyroyal, a preparation known to cause a woman to miscarry, and a pregnant visitor to his sister's household has died from an overdose of pennyroyal. Had she meant to abort her child or had someone else wanted to ensure she was unable to provide an heir to her husband's wealthy estates? When Matthew learns that it was her husband who had received Michaelhouse's money for undelivered goods he begins to search for other connections and exposes a very treacherous vein of deceit.'A first-rate treat for mystery lovers' (Historical Novels Review)'Susanna Gregory has an extraordinary ability to conjure up a strong sense of time and place' (Choice)

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Matthew Boulton (1728-1809) was a globally important industrialist who introduced innovative minting practices at this Soho Mint. This book describes the processes involved, from mining the copper to the delivery of products to the customer. There was a shortage of small change towards the end of the 18th century, and Boulton strove to solve this problem, eventually obtaining customers all over Britain, including the British Government. He also made coins for the East India Company, and for Europe, Africa, the West Indies and America. Included is Boulton's role in the copper industry, and how he obtained his raw materials; his expertise in steel making for dies, and the technology of his new steam-powered mint. The design, production, marketing and distribution of the finished product is also covered. The book is illustrated with over 200 colour images, including an extensive section on the coins, tokens and medals produced at the Soho Mint.

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Matthew Swift, Midnight Mayor, is in charge. And London is having its issues.The new drug on the market is fairy dust and it turns humans into walking drug labs. Teenage vandals are being hunted by a mystical creature. And criminals are dying by magical means.If Swift is going to save London from a rising tide of blood, he's going to have to learn his lessons - and fast.

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Perfect for fans of Patrick O'Brian, Bernard Cornwell and CS Forester, another engrossing Matthew Hervey adventure from the pen of THE SUNDAY TIMES BESTSELLING AUTHOR Allan Mallinson. "Hervey's thrilling battles against the vivid backdrop of the developing British Empire make for richly engaging storytelling" -- DAILY MAIL"Captain Matthew Hervey is as splendid a hero as ever sprang from an author's pen" -- THE TIMES"The heir to Patrick O'Brian and C. S. Forester" -- OBSERVER"Absolutely brilliant" -- ***** Reader review"An absolute delight" -- ***** Reader review ***********************************************************1827: Britain and the MediterraneanCaptain Sir Laughton Peto, recently engaged to Matthew Hervey's sister, is sailing his mighty line-of-battle ship towards Navarino Bay, and war with the Turks.Six months on, and Matthew Hervey is in London recovering from another bout of malaria and the wound from his battle with the Zulu. All is set for his marriage to the eminently suitable Lady Lankester, and his return to active duty at the Cape. But trouble lies ahead as familial commitments clash with affairs of the heart and Hervey finds himself embroiled in a military inquiry that could result in public humiliation. As the cataclysmic battle of Navarino Bay looms ever closer for Peto and his crew, Hervey faces a crisis that could change both his life and his military career...Man of War is the ninth book in Allan Mallinson's Matthew Hervey series. His adventures continue in Warrior. Have you read his previous adventures A Close Run Thing, The Nizam's Daughters, A Regimental Affair, A Call to Arms, The Sabre's Edge, Rumours of War, An Act of Courage and A Company of Spears?

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For the twentieth anniversary of the Matthew Bartholomew series, Sphere is delighted to reissue the first three books with beautiful new series-style covers. Matthew Bartholomew, unorthodox but effective physician to Michaelhouse college in medieval Cambridge, is as worried as anyone about the pestilence that is ravaging Europe and seems to be approaching England. But he is distracted by the sudden and inexplicable death of the Master of Michaelhouse - a death the University authorities do not want investigated. But Matt is determined to get to the truth, leading him into a tangle of lies and intrigue that cause him to question the innocence of his closest friends - and even his family - just as the Black Death finally arrives...A Plague on Both Your Houses is the book that introduced Matthew Bartholomew to the world.

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Letters from two farming brothers provide fascinating insights into rural life at the turn of the eighteenth century. The brothers Matthew and George Culley were successful farmers in Northumberland in the late eighteenth century. They contributed greatly to the improvement of agriculture in their area and beyond, notably through sheep breeding [the `Culley sheep' or Border Leicester], and also by practising and inculcating the use of modern techniques of husbandry and modern crop varieties. The letters presented here, written to the steward of the farms they ownedin County Durham, give a detailed day by day account of the Culleys' farming activities, advice and instructions on cultivation, the movement and selling of livestock, the state of the markets, local and family news, and commentson the state of the country. Written in a lively, readable style, they provide a vivid picture of and commentary upon the life of northern England at the time of important change in agriculture and society. Dr ANNE ORDE was until her retirement Senior Lecturer in History at the University of Durham.

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Matthias Konradt explores a problem central to the theological conception of the Gospel of Matthew: What is the cause for the transition from the Israel-centered activities of Jesus and his disciples previous to Easter to the universal mission after Easter, and how is the formation of the church related to Israel's role as God's chosen nation in Matthew's concept? In conjunction with a detailed scrutiny of the traditional interpretation that Matthew propagates the replacement of Israel by the church and - in keeping with this - of the mission to Israel by the universal mission, the author maintains that the Israel-centered and the universal dimension of salvation are positively interconnected in the narrative conception, in which Matthew develops Jesus' messianic identity as the Son of David and the Son of God. Published in North America by Baylor University Press, Waco.

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Matthew Boulton was an 18th-century designer, inventor, and industrialist, a consummate businessman, and co-founder of the influential Lunar Society. Now, on the bicentenary of his death, this book surveys his life and extraordinarily varied achievements. The book explains how Boulton, a Birmingham ‘toy’-maker producing buttons, buckles, and silverware, went into business with James Watt and exported Boulton & Watt steam engines all over the world. Meanwhile his magnificent ormolu ornaments decorated aristocratic drawing rooms, and his determination to discourage counterfeiters led to a contract to manufacture British coinage and coins of other countries at his mint. Boulton was leader of the campaign to establish the Birmingham Assay Office (still the busiest in the country), and also at the heart of the Lunar Society, a group of prominent industrialists, natural philosophers, and intellectuals interested in scientific and social change. Known to Ben Franklin, Thomas Jefferson, Erasmus Darwin, Josiah Wedgwood, and many others, Boulton was a fascinating man, Britain’s leading Enlightenment entrepreneur.

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The twenty-fourth chronicle of Matthew Bartholomew. In 1360 Edward III issues a call to arms, as sporadic attacks by the French threaten to turn into a full-blown invasion. In Cambridge, fear of the enemy is magnified by the belief that foreign agents are lurking in the area. Tension runs ever higher as rumours and ignorance fan the flames of suspicion amid preparations for war.And then the first murder occurs - of a French scholar living in the town. At Michaelhouse, Brother Michael is now Master, but his reach of power in the University is under threat by the election of a new Chancellor and his cohort of dubious advisors. Soon, the Colleges begin to squabble amongst themselves, as well as with the town that never wanted a University in the first place.Amidst this atmosphere of swelling distrust, physician Matthew Bartholomew is called upon to investigate mysterious deaths in a nearby hospital. He quickly realises that there is something odd about the inmates and their keepers - something dark and deadly, which seems to be connected to the growing number of murders in the town. Pressure mounts as the University and the town clamour for answers, leading Bartholomew and Michael in a frantic quest for a solution before the powder-keg of animosity in Cambridge is ignited.'A first-rate treat for mystery lovers' (Historical Novels Review)'Susanna Gregory has an extraordinary ability to conjure up a strong sense of time and place' (Choice)

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Sensual and psychedelic sculpture affirming the primacy of the handmade object, from a leading New York sculptor The vibrant, small-scale wooden sculptures of New York–based artist Matthew Ronay (born 1976) cull from the vocabularies of organic things—flora and fauna from land and sea, human anatomy, and water systems. Fantastical architectures find form, too—gateways and towers—in the artist’s technicolor array of soft-curved and intricately honed formations. Melding vocabularies of modernist abstraction and ritualistic objects, Ronay's sculptures and enigmatic installations express the primacy of the handmade object. His inspirations constitute a zigzagging thread of artists and scientists from the 18th century to the present whose works reflect natural phenomena consciously or unconsciously. Ronay also proposes the possibility that inherited memories of the genesis and evolution of life recapitulate themselves in abstract works of sculpture and painting. Produced in conjunction with the artist’s exhibition at the Nasher Sculpture Center, this monograph presents Ronay's sensual and psychedelic sculptures in extensive detail through photographs and installation views.

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The eighteenth chronicle in the Matthew Bartholomew series. It is drawing near to the end of term, and the University at Cambridge is in turmoil over the opening of a new Common Library. There is an attack on one of the masters at a meeting to discuss the matter, and a body is found floating in the pond in the library's garden on the eve of its opening. Meanwhile, there are rumours of a large force of dangerous smugglers lurking in the Fens. Aided by their friend Sheriff Tulyet, Bartholomew and Michael must thwart the invaders before the Feast of Corpus Christi the following week. To fail might mean the destruction of the town...'A first-rate treat for mystery lovers' (Historical Novels Review)'Susanna Gregory has an extraordinary ability to conjure up a strong sense of time and place' (Choice)

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For the twentieth anniversary of the start of the Matthew Bartholomew series, Sphere is delighted to reissue all of the medieval monk's cases with beautiful new series-style covers.------------------------------------The winter of 1353 has been appallingly wet, there is a fever outbreak amongst the poorer townspeople and the country is not yet fully recovered from the aftermath of the plague. The increasing reputation and wealth of the Cambridge colleges are causing dangerous tensions between the town, Church and University. Matthew Bartholomew is called to look into the deaths of three members of the University of who died from drinking poisoned wine, and soon he stumbles upon criminal activities that implicate his relatives, friends and colleagues - so he must solve the case before matters in the town get out of hand...On St Scholastica's Day in February 1355, Oxford explodes in one of the most serious riots of its turbulent history. Fearing for their lives, the scholars flee the city, and some choose the University at Cambridge as their temporary refuge. However, they don't remain safe for long. Within hours of their arrival, the first of their number dies, followed quickly by a second.When Bartholomew and Brother Michael begin to investigate the deaths, they uncover evidence that the Oxford riot was not a case of random violence, but part of a carefully orchestrated plot. With the Archbishop of Canterbury about to honour Cambridge with a Visitation, and a close colleague accused of a series of murders Bartholomew is certain he didn't commit, the race is on to solve the riddles and bring a ruthless killer to justice.

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For the twentieth anniversary of the start of the Matthew Bartholomew series, Sphere is delighted to reissue all of the medieval monk's cases with beautiful new series-style covers.------------------------------------The twenty third chronicle of Matthew Bartholomew. In 1360 a deputation from Cambridge ventures to the Suffolk town of Clare in the hope that the wealthy Elizabeth de Burgh has left a legacy to Michaelhouse. Yet when they arrive they discover that the report of her death is false and that the college seems destined for bankruptcy.Determined to see if some of its well-heeled citizens can be persuaded to sponsor Michaelhouse, Matthew Bartholomew, Brother Michael and Master Langelee become enmeshed in the town's politics. They quickly discover that a great many other people in Clare have recently met untimely deaths. These killings, combined with the arrogance Lady de Burgh has shown over the refurbishment of the church and the grotesque behaviour of some of her entourage, have created a dangerous restlessness in the town: an atmosphere intensified when yet more murders occur.One of the victims is a fellow traveller of the Michaelhouse contingent, and Matthew Bartholomew and Brother Michael feel honour-bound to identify his killer. It is a hunt which takes them deep into Clare's murky foundations and which threatens their own survival as well as that of their beloved college.'A first-rate treat for mystery lovers' (Historical Novels Review)'Susanna Gregory has an extraordinary ability to conjure up a strong sense of time and place' (Choice)

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Jesus told a story about a Wonderful Wedding. It’s a great story that tells us about God and how he has invited us to be part of His family. God must be the most important person in our life.Jesus told stories, great stories, that tell us about who God is and what he is like. In the Stories From Jesus series the parables are retold and explained for young children.

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A thrilling fictionalised account of the life of Matthew Henson, the first African-American man to travel to the North Pole, from the Carnegie nominated author Catherine Johnson. Matthew Henson was simply an ordinary man. That was, until Commander Robert E. Peary entered his life, and offered him a chance at true adventure. Henson would become navigator, craftsman, translator, and right-hand man on a treacherous journey to the North Pole. Defying the odds and the many prejudices that faced him to become a true pioneer. This is his incredible and often untold story. Particularly suitable for struggling, reluctant or dyslexic readers aged 8+

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The twenty-fourth chronicle of Matthew Bartholomew. In 1360 Edward III issues a call to arms, as sporadic attacks by the French threaten to turn into a full-blown invasion. In Cambridge, fear of the enemy is magnified by the belief that foreign agents are lurking in the area. Tension runs ever higher as rumours and ignorance fan the flames of suspicion amid preparations for war.And then the first murder occurs - of a French scholar living in the town. At Michaelhouse, Brother Michael is now Master, but his reach of power in the University is under threat by the election of a new Chancellor and his cohort of dubious advisors. Soon, the Colleges begin to squabble amongst themselves, as well as with the town that never wanted a University in the first place.Amidst this atmosphere of swelling distrust, physician Matthew Bartholomew is called upon to investigate mysterious deaths in a nearby hospital. He quickly realises that there is something odd about the inmates and their keepers - something dark and deadly, which seems to be connected to the growing number of murders in the town. Pressure mounts as the University and the town clamour for answers, leading Bartholomew and Michael in a frantic quest for a solution before the powder-keg of animosity in Cambridge is ignited.'A first-rate treat for mystery lovers' (Historical Novels Review)'Susanna Gregory has an extraordinary ability to conjure up a strong sense of time and place' (Choice)

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Read the best of Matthew Henry's classic commentary on the Bible in one convenient book. Henry's profound spiritual insights have touched lives for over 300 years. Indexed maps and charts make this a book any pastor, student, Bible teacher, or devotional reader will treasure!

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“I was inspired by the way a car can steal the show. Think of iconic car chases in films—it’s often about spectacle, and has little to do with advancing a narrative. And that’s the way I think of these cars, as dead-end technologies, but also as high-performance machines which, for their audience, sought to reflect the spirit and attitudes of their time.” —Matthew Porter Matthew Porter presents a portfolio of twenty-five images of old-school cars, captured in midair as they careen over city streets and highway intersections. Each photograph is a freeze-frame—a hypothetical film still from a pulp-fiction chase scene. The series seems, on one hand, to distill the essence of muscle-car Americana, a pop-cultural semaphore for the high-testosterone male persona. And yet, on the other, the subject—the “all-American” muscle car as antihero—is caught in an eternal state of suspended animation, while the various elements of the landscape in the background organize themselves around the edges of the frame. The resulting pictures are a hybrid of hyperreality and studied, topographic description, part bittersweet nostalgia and part ironic reinvention of a classic American trope. Rachel Kushner contributes an original piece of writing that riffs on the aesthetic and aspirational nature of the American car.

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This edited collection explores the deeper contexts and consequences surrounding the murder of Matthew Shepard. This young gay man was brutally beaten and left tied to a fence on a chill Wyoming night in October 1998. Found the next morning by two cyclists, he was transported to a hospital in Fort Collins, Colorado where he died five days later. His murder was one of the most publicized and for some, most vividly remembered, instances of hate crime related violence based on sexual orientation.Twenty years after his death, Matthew Shepard’s story is at a critical turning point: memories of his murder and its meanings can either fade into the past or be reinvigorated to make up part of more meaningful investigations into LGBTQ and modern U.S. history. The multidisciplinary contributors to this book blend personal narrative with more conventional academic approaches to offer a 20-year retrospective that re-examines the subject of Shepard’s murder, whilst also bringing to light questions of historical memory, rurality, race, and public policy. Each of the disciplines and genres included contributes unique understandings of the murder and responses to it that cannot be articulated solely through traditional academic writing. This collection then not only tells the story of Matthew Shepard in the context of 2018, but also provides a compelling view of how and through which means American culture communicates painful histories of violence, bias, and death.

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In the gospel of Saint Matthew, Jesus is “Emmanuel,” God-with-us, or, as Jesus himself puts it, he is “I-Desire,” “Coming-I-Will-Heal,” and “I-Am-with-You-Always.” The brief commentaries collected here, initially presented by Cistercian abbot Mark A. Scott in a series of chapter talks to his monastic community, will welcome the reader into an intimate encounter with the love of Jesus, as the evangelist Matthew presents him in chapters four through nine of his gospel. These reflections also weave insights from the Rule of Benedict along with reflections on monastic life offering to all ecclesial communities and individual Christians rich nourishment for their loving Jesus in return.

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In 1358, over a century after its foundation in Cambridge, the college of Michaelhouse is facing a serious shortfall of funds and competition from upstarts rivals such as Zachary Hostel. Their problems are made no easier by the hostility of the town's inhabitants who favour the university moving away to the Fens. This simmering tension threatens to break into violence when a well-known tradesman is found dead in one of the colleges. Matthew Bartholomew knows he was poisoned but cannot identify the actual substance, never mind the killer. He also worries that other illnesses and deaths may have been caused by the effluent from his sister's dye works. Torn between loyalties to his kin and to his college, he fears the truth may destroy both his personal and professional life, but he knows he must use his skills as a physician to discover the truth before many more lose their lives entirely.

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In 1360, the Great Bridge over the River Cam is close to collapse. To repair it will cost the town and the University dear, especially if its rotten wood is replaced by more durable stone. As arguments rage over raising the money other, equally heated, differences are coming to the boil over the election of a new Chancellor. While the majority support Brother Michael for the post, at least one of his opponents aims to seize it by fair means or foul. Then the discovery of a body under the bridge and the disappearance of two scholars throws a more sinister shadow over both disputes.Matthew Bartholomew, the University's Corpse Examiner, already has his hands full: due to marry in under a fortnight, he is determined to conclude his teaching duties and deal with an outbreak of the summer flux before relinquishing his official duties. With more deaths, an 'accident' at the bridge and an increasing stench of corruption over the financing of the bridge's repairs, he realises he owes more to his soon-to-be former colleagues than to his future life as a secular doctor.But will there be enough time for him to unveil the identities of those who seek to undermine both the town and the University, or will he prove powerless to protect those he loves from death or disgrace or worse?

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In 1360, the Great Bridge over the River Cam is close to collapse. To repair it will cost the town and the University dear, especially if its rotten wood is replaced by more durable stone. As arguments rage over raising the money other, equally heated, differences are coming to the boil over the election of a new Chancellor. While the majority support Brother Michael for the post, at least one of his opponents aims to seize it by fair means or foul. Then the discovery of a body under the bridge and the disappearance of two scholars throws a more sinister shadow over both disputes.Matthew Bartholomew, the University's Corpse Examiner, already has his hands full: due to marry in under a fortnight, he is determined to conclude his teaching duties and deal with an outbreak of the summer flux before relinquishing his official duties. With more deaths, an 'accident' at the bridge and an increasing stench of corruption over the financing of the bridge's repairs, he realises he owes more to his soon-to-be former colleagues than to his future life as a secular doctor.But will there be enough time for him to unveil the identities of those who seek to undermine both the town and the University, or will he prove powerless to protect those he loves from death or disgrace or worse?

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The old saying does often seem to hold true: the rich get richer while the poor get poorer, creating a widening gap between those who have more and those who have less. The sociologist Robert K. Merton called this phenomenon the Matthew effect, named after a passage in the gospel of Matthew. Yet the more closely we examine the sociological effects of this principle, the more complicated the idea becomes. Initial advantage doesn't always lead to further advantage, and disadvantage doesn't necessarily translate into failure. Does this theory need to be revisited? Merton's arguments have significant implications for our conceptions of equality and justice, and they challenge our beliefs about culture, education, and public policy. His hypothesis has been examined across a variety of social arenas, including science, technology, politics, and schooling, to see if, in fact, advantage begets further advantage. Daniel Rigney is the first to evaluate Merton's theory of cumulative advantage extensively, considering both the conditions that uphold the Matthew effect and the circumstances that cause it to fail. He explores whether growing inequality is beyond human control or disparity is socially constructed and subject to change. Reexamining our core assumptions about society, Rigney causes us to rethink the sources of inequity.

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Matthew Bourne and His Adventures in Dance is an intimate and in-depth conversation between the prize-winning pioneer of ballet and contemporary dance Matthew Bourne and the New York Times dance critic Alastair Macaulay. In 1987, a small, aspirant dance group with a striking name made its debut on the London fringe. In 1996, Adventures in Motion Pictures made history as the first modern dance company to open a production in London's West End. From this achievement, AMP sailed triumphantly to Broadway - winning three Tony Awards - guided by Artistic Director Matthew Bourne.Even before the inception of AMP, Bourne was fascinated by theatre, by characterization, and by the history of dance. In his early works - Spitfire, Town & Country and Deadly Serious - Bourne brought a novel approach to dance. And in his reworkings of the classics of the ballet canon - Nutcracker, Swan Lake, Cinderella - Bourne created witty, vivid, poignant productions that received great acclaim.In the first decade of the new millennium, the company name was changed to New Adventures, and Bourne's 'classics', as well as Bourne's new works - The Car Man, Play Without Words, Edward Scissorhands and Dorian Gray - achieved levels of box-office popularity that have seldom, if ever, been matched in dance. In addition, his choreography for various musicals - My Fair Lady, Mary Poppins and Oliver! - have run for years in the West End and on Broadway.The detail in which Bourne discusses his work with Alastair Macaulay is unprecedented. The two explore Bourne's upbringing, his training and influences, and his distinctive creative methods. Bourne's notebooks, his sources and his collaboration with dancers all form part of the discussion in this book.

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In the search for Matthean theology, scholars overwhelmingly approach the Gospel of Matthew as "the most Jewish Gospel". Studies of its Sitz im Leben focus on its relationship to Judaism, whether arguing from the perspective that Matthew wrote from a cloistered Jewish community or as the leader of a Gentile rebellion against such a Jewish community. While this is undoubtedly an important and necessary discussion for understanding the Gospel, it often assumes too much about the relationship between Judaism and Hellenism (via Martin Hengel). Scholars who so sharply focus on this question tend to neglect Matthew's provenance in a thoroughly Greek culture and first-century Judaism's thorough Hellenization. Robert S. Kinney argues for a hybridized perspective in which Matthew's attention to Jewish sources and ideas is not denied, but in which echoes of Greek and Roman sources can be observed, focusing on identifying Matthew's use of rhetoric and its possible echoes of Greco-Roman philosophical disciple-gathering teachers.

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A complete retrospective of the paper engineer and artist Matthew Shlian, documenting a decade of unrivalled and unexpected creativity. Paper engineer and artist Matthew Shlian has always recognized the material’s potential for experimentation. Folded, tessellated, compressed, extrapolated, two-dimensional paper becomes three-dimensional sculpture in beautiful and unexpected ways. ‘My process is extremely varied from piece to piece. Often I start without a clear goal in mind, working within a series of limitations. For example on one piece I’ll only use curved folds, or make my lines this length or that angle, etc. Other times I begin with an idea for movement and try to achieve that shape or form somehow.’ Unfolding is Shlian’s first comprehensive monograph. A journey into the new possibilities of folding technology, the intricate complexities of Islamic patterns, and the sheer potential offered by a sheet of white paper, it celebrates a humble material, on the edge of its existence, elevated to timeless form and possibility.

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