Search results for ""author herzog"

'He is in a category of one. You can't believe that a person like this stalks the earth. A complete original and an amazing person' MARINA HYDE'A visionary masterpiece' JOHN GRAY, NEW STATESMANThe long-awaited memoir by the legendary filmmaker and celebrated author. Told in Werner Herzog's inimitable voice, this is the story of his epic artistic career, as inventive and daring as anything he has done before.Hauling a steamship over a mountain in the jungle; walking from Munich to Paris in the dead of winter; descending into an active volcano; living in the wilderness among grizzly bears - Werner Herzog has always been intrigued by extremes of human experience. Here, he illuminates the influences and ideas that have driven his creativity and shaped his unique worldview.Herzog's life matches the drama of his famous films: the boy growing up in poverty in a small village in the Alps after the Second World War; the teenager travelling the world in search of adventure that almost cost him his life; the director trying to calm his leading actor Klaus Kinski in the Amazonian jungle. And along the way, Herzog tells of ordinary people with extraordinary stories: rural labourers, circus acrobats, child soldiers.Every Man for Himself and God Against All is at once a personal record of one of the great self-invented lives of our time, and a masterpiece that will enthral fans old and new. In a hypnotic swirl of memory, Herzog untangles and relives his most important experiences and inspirations, telling his story for the first and only time.*A New Statesman Book of the Year 2023*---Praise for Werner Herzog's previous books:'Has the eerie power of the best fairytales. It hits you with the force of dreams' HELEN MACDONALD'Surely the strangest, strongest walking book I know ... only Herzog could have written this weird, slender classic' ROBERT MACFARLANE'Herzog's writing bristles with the same eerie and uncompromising energy as his films' GUARDIAN

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Newly repackaged as a Penguin paperback, Conquest of the Useless, the legendary filmmaker Werner Herzog's diary of the making of Fitzcarraldo, one of his most revered and classic filmsIn 1982, the visionary directory Werner Herzog released Fitzcarraldo, a lavish film about a would-be rubber baron who pulls a 320-ton steamship over a mountain. It was hailed instantly by critics around the globe as a masterpiece and won Herzog the 1982 Outstanding Director Prize at the Cannes Film Festival, affirming Herzog’s reputation as one of the most revered and enigmatic filmmakers of his time.Conquest of the Useless is the diary Herzog kept during the making of Fitzcarraldo, compiled from June 1979 to November 1981. Emerging as if out of an Amazonian fever dream during filming, Herzog’s writings are an extraordinary documentary unto themselves. Strange and otherworldly events are recounted by the filmmaker. The crew's

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The second in a series: the master filmmaker’s prose scenarios for four of his notable filmsOn the first day of editing Fata Morgana, Werner Herzog recalls, his editor said: “With this kind of material we have to pretend to invent cinema.” And this, Herzog says, is what he tries to do every day. In this second volume of his scenarios, the peerless filmmaker’s genius for invention is on clear display. Written in Herzog’s signature fashion—more prose poem than screenplay, transcribing the vision unfolding before him as if in a dream—the four scenarios here (three never before translated into English) reveal an iconoclastic craftsman at the height of his powers.Along with his template for the film poem Fata Morgana (1971), this volume includes the scenarios for Herzog’s first two feature films, Signs of Life (1968) and Even Dwarfs Started Small (1970), along with the hypnotic Heart of Glass (1976). In a brief introduction, Herzog describes the circumstances surrounding each scenario, inviting readers into the mysterious process whereby one man’s vision becomes every viewer’s waking dream.

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Revisits Herzog's classic film from a decisively contemporary standpoint, bringing into play the development of his filmmaking career. When it was released in 1982, Werner Herzog's Fitzcarraldo was widely criticized for its demanding use of human and natural resources as well as its director's uncompromising aesthetic vision. Critics and scholars saw little difference between the film's protagonist's obsession with hauling a ship over a mountain in the Amazon and Herzog's own mode of cinematic production and storytelling. And yet Fitzcarraldo stands out as one of the defining moments of New German Cinema and, as the years pass, continues to raise new questions about the relation of film and society, art and nature, progress and subjectivity, the known and the unknown. This book revisits Herzog's taleof operatic entrepreneurialism from a decisively contemporary standpoint. It draws on recent writing on the Anthropocene to probe the relationship of art, civilization, and the natural world in Fitzcarraldo. It discusses the role of opera and music in Herzog's Amazon spectacle. And it brings into play the development of Herzog's own career as a filmmaker over the last few decades to offer a fresh look at this by-now classical contribution to twentieth-century German film art. Lutz Koepnick is Gertrude Conaway Vanderbilt Professor of German, Cinema and Media Arts at Vanderbilt University.

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Can political theorists justify their ideas? Do sound political theories need foundations? What constitutes a well-justified argument in political discourse? Don Herzog attempts to answer these questions by investigating the ways in which major theorists in the Anglo-American political tradition have justified their views. Making use of a wide range of primary texts, Herzog examines the work of such important theorists as Thomas Hobbes, John Locke, the utilitarians (Jeremy Bentham, J. S. Mill. Henry Sidgwick, J. C. Harsanyi, R. M. Hare, and R. B. Brandt), David Hume, and Adam Smith. Herzog argues that Hobbes, Locke, and the utilitarians fail to justify their theories because they try to ground the volatile world of politics in immutable aspects of human nature, language, theology, or rationality. Herzog concludes that the works of Adam Smith and David Hume offer illuminating examples of successful justifications. Basing their political conclusions on social contexts, not on abstract principles, Hume and Smith develop creative solutions to given problems.

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Do the dead have rights? In a persuasive argument, Don Herzog makes the case that the deceased’s interests should be protected This is a delightfully deceptive works that start out with a simple, seemingly arcane question—can you libel or slander the dead?—and develops it outward, tackling larger and larger implications, until it ends up straddling the borders between law, culture, philosophy, and the meaning of life. A full answer to this question requires legal scholar Don Herzog to consider what tort law is actually designed to protect, what differences death makes—and what differences it doesn’t—and why we value what we value. Herzog is one of those rare scholarly writers who can make the most abstract argument compelling and entertaining.

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In this follow-up to Knit to Flatter, author Amy Herzog is back with more real-talk for knitters. In Knit Wear Love, she guides us through picking a base pattern that works for our inherent shape, then customising it to suit our size and style—all with the skill of a top-notch teacher and designer and the honesty and humour of a BFF. Known for her uncanny ability to simplify what might initially seem complex, Herzog masterminded for Knit Wear Love an easy mix-and-match pattern system that allows us to choose among the eight key jumper forms (pullover, cardigan, vest, cowl, tunic, wrap, tank and bolero/shrug); eight fashion styles (modern, classic, romantic, sporty, bohemian, avant-garde, vintage and casual); a trove of customisation details; ten sizes; and three gauges of yarn. The result? Sweaters we can knit with confidence, wear with pride, and love for many years to come.

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Many democratic societies currently struggle with issues around knowledge: fake news, distrust of experts, a fear of technocratic tendencies. In Citizen Knowledge, Lisa Herzog discusses how knowledge, understood in a broad sense, should be dealt with in societies that combine a democratic political system with a capitalist economic system. How do citizens learn about politics? How do new scientific insights make their way into politics? What role can markets play in processing decentralized knowledge? Herzog takes on the perspective of "democratic institutionalism," which focuses on the institutions that enable an inclusive and stable democratic life. She argues that the fraught relation between democracy and capitalism gets out of balance if too much knowledge is treated according to the logic of markets rather than democracy. Complex societies need different mechanisms for dealing with knowledge, among which markets, democratic deliberation, and expert communities are central. Citizen Knowledge emphasizes the responsibility of bearers of knowledge and the need to support institutions that promote active and informed citizenship. Through this lens, Herzog develops the vision of an egalitarian society that considers the use of knowledge in society not a matter of markets, but of shared democratic responsibility, supported by epistemic infrastructures. As such, Herzog's argument contributes to political epistemology, a new subdiscipline of philosophy, with a specific focus on the interrelation between economic and political processes. Citizen Knowledge draws from both the history of ideas and systematic arguments about the nature of knowledge to propose reforms for a more unified and flourishing democratic system. This is an open access title available under the terms of a CC BY-NC-ND 4.0 International license. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations.

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Eric Ames draws on original archival research to provide fresh perspectives on Werner Herzog''s breakthrough 1972 film, Aguirre, the Wrath of God (Aguirre, der Zorn Gottes), which portrays an expedition by Spanish conquistadors led by Aguirre (played by Klaus Kinski) to find the legendary city of El Dorado. Ames explores how the film is remembered: for its breathtaking visual style and narrative power, but also for Herzog''s tense, behind-the-scenes relationship with star Kinski. Did Herzog really direct him at gunpoint? Did they plot each other''s murder? The legends begin here Ames reconstructs the film as an experiment in visualising the past from the viewpoint of the present. Aguirre is not a history film in the narrow sense, but it does engage a specific episode in the conquest of the New World, and it explores that history in terms of vision. Interweaving close analysis with extensive archival research, Ames explores Aguirre as a seminal film about the madness and hopeles

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This book features the best and most spectacular conversions on the international architecture scene, accompanied by an insightful text and photographs. It includes over 60 projects around the world, including work by Hassell + OMA, David Chipperfield, Heatherwick Studios, Ney + Partners, Herzog & de Meuron, Zaha Hadid and many others. The author explores how these architects creatively approached the conversions of older buildings, ultimately finding a new functionality and life for them in the 21st century.

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Elizabeth Catlett, born in Washington, DC, in 1915, is widely acknowledged as a major presence in African American art, and her work is celebrated as a visually eloquent expression of African American identity and pride in cultural heritage. But this is not the whole story. She has lived in Mexico for 50 years, as a citizen of that country since 1962, and she and her husband, artist Francisco Mora, have raised their children there. For 20 years she was a member of the Taller de Gráfica Popular (Popular Graphic Arts Workshop) and she was the first woman professor of sculpture at the Universidad Nacional Autónoma de México. Her extraordinary career has stretched from her years as a student at Howard University during the 1930s through various political and social movements—including the Chicago Renaissance of the 1940s, the Black Power and Black Arts movements, the Mexican Public Art Movement, and feminism—which have informed her art. This richly illustrated and informative monograph is the first to document the full range of Catlett’s life and work. In addition to thoroughly researching primary source materials and to critiquing individual art works with sensitivity and erudition, the author has conducted numerous interviews with Catlett and has analyzed with clarity the political context of her work and her diverse sympathies and allegiances. Herzog examines key artistic influences and shows how Catlett transformed an extraordinary stylistic vocabulary into a socially charged statement. In tracing Catlett’s long and continuing career as a graphic artist and sculptor in Mexico, Herzog explores an important period in Catlett’s life between the 1950s and the 1970s about which almost nothing is known in the United States. She examines the “Mexicanness” in Catlett’s work in its fluent relationship to the underlying and constant sense of African American identity she brought with her to Mexico. Herzog’s solidly grounded interpretation offers a new way to understand Catlett’s work and reveals this artist as a fascinating and pivotal intercultural figure whose powerful art manifests her firm belief that the visual arts can play a role in the construction of a meaningful identity, both transnational and ethnically grounded.

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Private Eyes with eagle eyes and rare skills, PI's and gumshoes, bloodhounds and sleuths, the shadowy arts of the detective have intrigued us since tales of the Pinkerton Detective Agency and Sherlock Holmes. Add some treachery, intimacy, and a little murder to the mix and you'll find a powerful series of dark stories from classic and contemporary writers. This new title in our successful Gothic Fantasy Short Stories collection contains a fabulous mix of classic and brand new writing, with contemporary authors from the US, Canada, and the UK. New, contemporary and notable writers featured are: Daniel Brock, Elliott Capon, Philip Brian Hall, Tina L. Jens, Tom Mead, Marshall J. Moore, Pat Morris, Amelia Dee Mueller, Trixie Nisbet, Patsy Pratt-Herzog, Michele Bazan Reed, Lesley L. Smith and Cameron Trost. Alongside classic stories by authors such as Margery Allingham, G.K. Chesterton, Arthur Conan Doyle, Baroness Orczy and Catherine Louisa Pirkis.

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One of the finest mountaineering books. A phenomenal tale of strength and valour.WITH AN INTRODUCTION BY JOE SIMPSONIn 1950, no mountain higher than 8,000 meters had ever been climbed. Maurice Herzog and other members of the French Alpine Club resolved to try. This is the enthralling story of the first conquest of Annapurna and the harrowing descent. With breathtaking courage and grit manifest on every page, Annapurna is one of the greatest adventure stories ever told.As well as an introduction by Joe Simpson, this new edition includes 16 pages of photographs, which provide a remarkable visual record of this legendary expedition.The distinguished French mountaineer Maurice Herzog was leader of the 1950 expedition to Annapurna. He was one of the two climbers to reach the summit.

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Using a typological structure (landscape, park, square, garden, promenade, etc.), Gunther Vogt describes the theoretical foundation on which the successful projects of Vogt Landscape Architects are based. In recent years they have realized international projects in Europe and the United States, including a new type of city park for the Tate Modern in London (with Herzog & de Meuron); an "all-weather garden" with great poetic power at the Hyatt Hotel in Zurich (with Meili, Peter Architekten);an indoor tropical garden for the Novartis Campus in Basel (with Diener & Diener); and the exterior spaces of the Allianz Arena in Munich (with Herzog & de Meuron). The updated edition shows the finished projects that were presented as plans in the previous edition.

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A harrowing and ecstatic descent into a breathtaking netherworld aswirl with the real, the imagined and the absolutely unforgettable. Amid the post industrial decay of Quinsigamond glitters a fabulous jewel - Herzog's Erotic Palace - America's most lavish porn theatre and a gangland laundry for semi-sour cash. But most of all, Herzog's is the place where dreamers meet and seductive nightmares find their dazzling realisation. For the obsessed grunge auteur, the heartsick crime king, the apocalyptic tele-evangelist and the young woman intent on a capturing a shrouded past and an onrushing future within a camera's lens, The Skin Palace will reveal all secrets, in a script fraught with danger and feverish transformation.

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The redesign and revitalization of traditional urban centers is the cutting edge of contemporary urban planning, as evidenced by the intense public and professional attention to the rebuilding of city cores from Berlin to New York City's "Ground Zero." Spanish and Latin American cities have never received the recognition they deserve in the urban revitalization debate, yet they offer a very relevant model for this "return to the center." These cultures have consistently embraced the notion of a city whose identity is grounded in its organic public spaces: plazas, promenades, commercial streets, and parks that invite pedestrian traffic and support a rich civic life. This groundbreaking book explores Spanish, Mexican, and Mexican-American border cities to learn what these urban areas can teach us about effectively using central public spaces to foster civic interaction, neighborhood identity, and a sense of place.Herzog weaves the book around case studies of Madrid and Barcelona, Spain; Mexico City and Querétaro, Mexico; and the Tijuana-San Diego border metropolis. He examines how each of these urban areas was formed and grew through time, with attention to the design lessons of key public spaces. The book offers original and incisive discussions that challenge current urban thinking about politics and public space, globalization, and the future of privatized communities, from gated suburbs to cyberspace. Herzog argues that well-designed, human-scaled city centers are still vitally necessary for maintaining community and civic life. Applicable to urban renewal projects around the globe, Herzog's book will be important reading for planners, architects, designers, and all citizens interested in creating more livable cities.

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For seven years, photographer and artist Lena Herzog followed the evolution of a new kinetic species. Intricate as insects but with bursts of equine energy, the “Strandbeests,” or “beach creatures,” are the creation of Dutch artist Theo Jansen, who has been working for nearly two decades to generate these new life-forms that move, and even survive, on their own. Set to roam the beaches of Holland, the Strandbeests pick up the wind in their gossamer wings and spring, as if by metamorphosis, into action. As if it were blood, not the breeze, running through their delicate forms, they quiver, cavort, and trot against the sun and sea, pausing to change direction if they sense loose sand or water that might destabilize their movement. Coinciding with a traveling exhibition, Herzog’s photographic tribute captures Jansen’s menagerie in a meditative black and white, showcasing Jansen’s imaginative vision, as well as the compelling intersection of animate and inanimate in his creatures. The result is a work of art in its own right and a mesmerizing encounter not only with a very surrealist brand of marvelous, but also with whole new ideas of existence.

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The publication of the full report of the Tel Beer-sheba Iron Age remains is a fulfillment of a scientific dream. The excavations at Tel Beer-sheba, carried out under the auspices of the Institute of Archaeology of Tel Aviv University, were the highlight of Yohanan Aharoni’s vast research program in the Beer-sheba Valley. He directed this program from 1969 until his untimely death in 1976 at the age of 56. The final season of excavations at Tel Beer-sheba, the eighth, took place in the summer of 1976 and was carried out after Aharoni’s demise by his chief assistants, Ze’ev Herzog, Itzhaq Beit-Arieh, and Anson F. Rainey. The latter two regrettably did not live to see the completion of this publication, but they shared in the work, as did the young staff members who enabled the Tel Beer-sheba project to become a reality.During the National Parks Authority site development, there was further exposure, mainly of the water supply systems, directed by Ze’ev Herzog with David Sappo (Western Quarter, 1990–1991), with Tsvika Tsuk (the well, 1993) and finally with Ido Ginaton (the water-system, 1994–1995).Now, after a lengthy process of analyzing the excavations in the storerooms of Tel Aviv University’s Institute of Archaeology and digging through the endless documentary material amassed, the full data is proudly presented. This work is offered not merely as a final report but as a starting point for further scientific inquiry on the abundant architectural, artifactual, and ecofactual data from Tel Beer-sheba.Volume I reports on the stratigraphy and architecture, volume 2 on the pottery; and volume 3 on the artifacts, ecofacts, and also provides concluding studies. The three volumes are profusely illustrated and an essential resource for anyone interested in the history of Judah, the Beer-sheba Valley, the site itself, and life during the Iron Age in the southern Levant.

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Musical spectacles are excessive and abstract, reconfiguring time and space and creating intense bodily responses. Amy Herzog's engaging work examines those instances where music and movement erupt from within more linear narrative frameworks. The representational strategies found in these films are often formulaic, repeating familiar story lines and stereotypical depictions of race, gender, and class. Yet she finds the musical moment contains a powerful disruptive potential.Dreams of Difference, Songs of the Same investigates the tension and the fusion of difference and repetition in films to ask, How does the musical moment work? Herzog looks at an eclectic mix of works, including the Soundie and Scopitone jukebox films, the musicals of French director Jacques Demy, the synchronized swimming spectacles of Esther Williams, and an apocalyptic musical by Taiwanese director Tsai Ming-liang. Several refrains circulate among these texts: their reliance on clichés, their rewriting of cultural narratives, and their hallucinatory treatment of memory and history.Drawing on the philosophical work of Gilles Deleuze, she explores all of these dissonances as productive forces, and in doing so demonstrates the transformative power of the unexpected.

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Contemporary architecture in Switzerland is influenced by Peter Zumthor and Herzog & de Meuron, recipients of the Swiss Pritzker Prize, as well as a number of other prominent architects. The book presents 25 buildings in Switzerland designed by 16 influential Swiss architects: The range covers high-density urban developments through to rural sites in the alpine environment, with examples of traditional craftsmanship and materials, and modern construction technology and engineering. Large-format photographs illustrate the buildings’ proportions, materials, and details. Four authors analyze the Swiss building culture and its high architectural quality from an insider’s and an outsider’s point of view. In a detailed interview, Peter Zumthor explains his approach to architectural design.

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Nosferatu was one of the masterpieces of the New German Cinema. Herzog's film, with its terrifying coda in which the reincarnated fiend rides out into the world, is perhaps the most compelling screen treatment of the vampire myth. In this second edition, Brad Prager introduces S.S. Prawer's comprehensive account of the film with a new foreword.

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Recent years have seen the construction of buildings made of plastic, structures that are as attractive as they are unusual. After initial experiments in the 1970s, plastic is currently experiencing a tremendous boom. Originally used for temporary structures like the BMW Pavilion in Frankfurt, it is now employed in many permanent buildings as well, including the recent Catholic church in Radebeul by Staib/Behnisch. Prominent international avant-garde architects such as Shigeru Ban and Herzog & de Meuron frequently use transparent plastic for their structures. Transparent plastic seems ephemeral and thus captures the spirit of the times. Its various qualities between transparent and translucent make it possible to achieve fascinating effects with light and color. Projects presented include the Allianz Arena in Munich by Herzog & de Meuron, the Rocket Tower in Leicester by Grimshaw & Partners, the Paper Art Museum by Shigeru Ban in Shizuoka, Japan, and the public housing development Cité Manifeste in Mulhouse by Lacaton Vassal. Seit einigen Jahren entstehen ebenso attraktive wie ungewöhnliche Bauten aus Kunststoff. Nach ersten Versuchen in den 1970er Jahren erlebt der Baustoff derzeit einen ungeheuren Boom. Zunächst für temporäre Bauten wie dem BMW Pavillon in Frankfurt genutzt, entstehen mittlerweile auch zahlreiche bleibende Gebäude (wie kürzlich die Katholische Kirche von Staib/Behnisch in Radebeul). Bekannte Architekten der internationalen Avantgarde wie Shigeru Ban oder Herzog & de Meuron verwenden gerne transparenten Kunststoff für ihre Bauten. Das Material scheint ephemer, transitorisch (ohne es zu sein) und trifft damit den Nerv der heutigen Zeit. Seine unterschiedlichen Qualitäten zwischen transparent und transluzent erlauben faszinierende Licht- und Farbeffekte. Zu den dargestellten Projekten gehören die Allianz-Arena in München von Herzog & de Meuron, der Rocket-Tower in Leicester von Grimshaw & Partner, das Papiermuseum von Shigeru Ban in Shizuoka, Japan, und der soziale Wohnungsbau der Cité Manifeste in Mulhouse von Lacaton Vassal.

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Schloss Ludwigslust ist ein Juwel der norddeutschen Barockarchitektur. Als einstige Residenz der Herzöge von Mecklenburg-Schwerin bildet es zusammen mit dem weitläufigen Park und städtischen Gebäuden ein einzigartiges Ensemble, das sich harmonisch in eine von Wäldern und Seen bestimmte Landschaft fügt. Der prächtig bebilderte Band schildert die bewegte Geschichte des Schlosses. Vorgestellt werden die Architektur der repräsentativen Dreiflügelanlage, die Gestaltung des Parks sowie das prunkvolle Interieur und Teile der herzoglichen Kunstsammlungen. Die Gemälde Jean-Baptiste Oudrys und die Skulpturen Jean-Antoine Houdons gehören heute zu den zentralen Werken des Staatlichen Museums. Darüber hinaus veranschaulichen Möbel, Elfenbeine oder Miniaturen das private und öffentliche Leben der Herzöge in Ludwigslust. Zweifelsohne erwacht das spätbarocke Schloss nach der umsichtigen Restaurierung endlich aus seinem Dornröschenschlaf.

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Swedish-American architect Lars Lerup's writings suggest a mindful collector as their author, rather than a scholar or a theoretician. Lerup sharply observes and analyses his urban environment and its properties, before adding his findings to his own theory of the modern city. Lerup wrote the fourteen essays in this new book as self-contained pieces, yet together they still form a coherent entity. The fourteen essays in The Continuous City offer a survey of Lerup's thinking on identity and monumentality are the relationship between nature and culture. His interest and reflections focus, among other things, on Roberto Burle Marx, a founder of modern landscape design; the 'dancing floors' of Rem Koolhaas's Seattle Central Library; Herzog & de Meuron's 1111 Lincoln Road project in Miami Beach; and the character of urban icons like Coop Himmelb(l)au's Dalian International Conference Center. Lars Lerup invites his readers to join him on his journey and to be enriched, rather than instructed, en route.

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Der südlich von Weimar von Herzog Ernst August nach 1728 angelegte Park von Belvedere wurde um 1820 durch seine Pflanzenvielfalt weit über die Landesgrenzen hinaus bekannt. Goethe und Herzog Carl August nutzten Park und Orangerie für botanische Studien. Der Band erzählt die Geschichte der ursprünglich barocken Anlage und deren Erweiterung durch Elemente des englischen Landschaftsgartens mit Parkarchitekturen und Schmuckplätzen bis in die Gegenwart; seit 1998 gehört Belvedere zu den UNESCO-Welterbestätten. Ein Rundgang durch den Park beginnt am Lustschloss, dem architektonischen Zentrum der Anlage. Hier ist ein Museum des Kunsthandwerks und der adeligen Lebenskultur des 18. und frühen 19. Jahrhunderts untergebracht. Auch die Orangerie und das historische Gärtnerwohnhaus sind mit Ausstellungen für Besucher geöffnet.

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Following the great success of our Gothic Fantasy deluxe edition short story compilations, including Cosy Crime, Murder Mayhem and Lost Worlds, this exciting title in the series is packed with amateur detectives solving mysterious murders, suspicious butlers and terrifying encounters set in locked rooms, stately mansions, haunted castles and eerily silent libraries. This collection contains our usual mix of classic and brand new writing, with delightful tales of dastardly dealings from authors such as Wilkie Collins, Anna Katharine Green, Gaston Leroux, Edgar Wallace and Oscar Wilde. Of course, new stories from contemporary authors give a voice to new writers through our open submission windows. The modern writers chosen from submissions and included here are: Steve Carr, Deborah L. Davitt, Lucy Ann Fiorini, Sahara Frost, Philip Brian Hall, Amanda Justice, Felicia Lee, Tom Mead, Wendy Nikel, Patsy Pratt-Herzog, Louise Taylor, and E.G. Thompson.

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Vade Mecum brings together Richard Skinner's best essays, reviews and interviews from 1992-2014. There are close critical engagements with writers (Kazuo Ishiguro, Italo Calvino, Shakespeare's The Tempest) and composers (Erik Satie, Iannis Xenakis, Luc Ferrari), meditations on films and filmmakers (Antonioni, Krzysztof Kieslowski, Chinatown) and idiosyncratic reflections on Werner Herzog's Of Walking in Ice and Steely Dan.

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This issue explores how intellectual theories migrate from Germany to the United States, asking what makes one theory compatible with and successful in the new society while others have little impact. Avoiding the obvious successes (from Marx to the Frankfurt School) and failures (authors whose translated works have had no effect on intellectual life in the United States), contributors investigate complicated cases in which the US reception was not particularly intense. The examples of Hans Blumenberg, Friedrich Kittler, Reinhardt Koselleck, Siegfried Kracauer, Niklas Luhmann, Alexander Mitscherlich, and Gershom Scholem prompt questions about the importance of clear translations, the effects of the publishing business on dissemination, the transformations that theoretical work undergoes as it moves from its original contexts to new ones, and the role of disciplines and interdisciplinarity in shaping a theory's reception. Contributors. Yaacob Dweck, Philipp Felsch, Paul Fleming, Dagmar Herzog, Stefan-Ludwig Hoffmann, Andreas Huyssen, Martin Jay, Anna Kinder, Joe Paul Kroll, Anson Rabinbach, William Rasch, Johannes von Moltke, Geoffrey Winthrop-Young, Robert Zwarg

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Want to be cunning? You might wish you were more clever, more flexible, able to cut a few corners without getting caught, to dive now and again into iniquity and surface clutching a prize. You might want to roll your eyes at those slaves of duty who play by the rules. Or you might think there's something sleazy about that stance, even if it does seem to pay off. Does that make you a chump? With pointedly mischievous prose, Don Herzog explores what's alluring and what's revolting in cunning. He draws on a colorful range of sources: tales of Odysseus; texts from Machiavelli; pamphlets from early modern England; salesmen's newsletters; Christian apologetics; plays; sermons; philosophical treatises; detective novels; famous, infamous, and obscure historical cases; and more. The book is in three parts, bookended by two murderous churchmen. "Dilemmas" explores some canonical moments of cunning and introduces the distinction between knaves and fools as a "time-honored but radically deficient scheme." "Appearances" assails conventional approaches to unmasking. Surveying ignorance and self-deception, "Despair?" deepens the case that we ought to be cunning--and then sees what we might say in response. Throughout this beguiling book, Herzog refines our sense of what's troubling in this terrain. He shows that rationality, social roles, and morality are tangled together--and trickier than we thought.

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A compelling account of politics and social philosophy in Levinas's Talmudic commentaries Emmanuel Levinas (1906-1995) was a French philosopher known for his radical ethics and for his contribution to Jewish thought in his commentaries on Talmudic sources. In Levinas's Politics, Annabel Herzog confronts a major difficulty in Levinas's philosophy: the relationship between ethics and politics. Levinas's ethics describes the encounter with the other, that is, with any other human being. For Levinas, the face-to-face encounter is a relationship in which the ego is commanded by a transcendent and unquestionable order to take responsibility for the other person. Politics, on the other hand, presupposes at least three people: the ego, the other, and any third party. Among three people, nothing can be transcendent; on the contrary, everything must be negotiated. Against the conventional view of Levinas's conception of the political as the interruption and collapse of the ethical, Herzog argues that in the Talmudic readings, Levinas constructed politics positively. She shows that Levinas's Talmudic readings embody a pragmatism that complements, revises, and challenges the extreme ethical analyses he offers in his phenomenological works—Totality and Infinity, Otherwise than Being, and Of God Who Comes to Mind. Her analysis illuminates Levinas's explanations of the relationship between ethics and politics: ethics is the foundation of justice; justice contains a necessary violence that must be moderated by mercy; and justice, general laws, and national aspirations must be linked in an attempt to "improve universality itself."

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“A fascinating, thoughtful, and thoroughly enjoyable exploration of a major dimension of human experience.”— Steven Pinker, author of How the Mind Works A maverick scientist reveals the inconsistent and often paradoxical ways humans think, feel, and behave toward animals in this engaging, informative, and though-provoking book, now newly revised.Some We Love, Some We Hate, Some We Eat is a highly entertaining and illuminating journey through the full spectrum of human-animal relations. Drawing on his groundbreaking research in the field of anthrozoology, Dr. Hal Herzog tries to make sense of our complex relationships with animals and the challenging moral conundrums we face regarding these creatures who share our world—and some, our homes. A blend of anthropology, behavioral economics, evolutionary psychology, and philosophy, updated to reflect evolving attitudes and the most recent findings, Some We Love, Some We Hate, Some We Eat is a poignant, often challenging, and frequently laugh-out-loud funny trip through a world of animal rights activists, cockfighters, professional dog-show handlers, veterinary students, biomedical researchers, and more. It will forever change the way we think about other living creatures and, ultimately, how we see ourselves.

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Ethan Allen Hawley has lost the acquisitive spirit of his wealthy and enterprising forebears, a long line of proud New England sea captains and Pilgrims. Scarred by failure, Ethan works as a grocery clerk in a store his family once owned. But his wife is restless and his teenage children troubled and hungry for the material comforts he cannot provide. Then a series of unusual events reignites Ethan's ambition, and he is pitched on to a bold course, where all scruples are put aside. Steinbeck's searing examination of the evil influences of money, immorality, greed and ambition on America drew acclaim from the Nobel Committee who hailed him as an 'independent expounder of the truth'.'Returns to the high standards of The Grapes of Wrath and to the social themes that made his early work ... so powerful'Saul Bellow, author of Herzog

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Der Alte Hof ist der älteste Herrschersitz der bayerischen Herzöge in München, seine Anfänge führen 800 Jahre zurück in das 12. Jahrhundert. Bedeutende Persönlichkeiten aus dem Hause Wittelsbach prägten sein Aussehen; sie ließen ihn ausbauen und verschönern, bis im 16. Jahrhundert das Herrschaftszentrum an die Stelle der heutigen Residenz verlegt wurde. Prominentester Bewohner der Burg war Herzog Ludwig IV., 1314 zum deutschen König gewählt, 1328 zum Kaiser gekrönt und seither 'Ludwig der Bayer' genannt. Zu seiner Zeit wurden die Reichsinsignien in der Hofkapelle aufbewahrt. Die Jahre um 1324–1350 können daher als die glanzvollsten und bedeutendsten des Alten Hofes gelten. Die multimediale Dauerausstellung Münchner Kaiserburg in der spätgotischen Gewölbehalle im Burgstock des Alten Hofes bietet eine lebendige Einführung in die Geschichte des Alten Hofes, in das Leben Ludwigs des Bayern und in die Stadtgeschichte Münchens.

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On foot the world comes our way. We get close to the Continent’s alpine ranges, arterial rivers, expansive coastlines. Close to its ancient cities and mysterious thoroughfares; and close to the walkers themselves—the Grand Tourers and explorers, strollers and saunterers, on their hikes and quests, parades and urban drifts. Sauntering features sixty walker-writers—classic and current—who roam Europe by foot. Twenty-two countries are traversed. We join Henriette d’Angeville, the second woman to climb Mont Blanc; Nellie Bly roaming the trenches of the First World War; Werner Herzog on a personal pilgrimage through Germany; Hans Christian Andersen in quarantine; Joseph Conrad in Cracow; Rebecca Solnit reimagining change on the streets of Prague; and Robert Macfarlane dropping deep into underground Paris. Contributors include: Patrick Leigh Fermor; John Hillaby; Robert Walser; Henriette d’Angeville; Joseph Roth; Joanna Kavenna; Richard Wright; Werner Herzog; Robert Antelme; George Sand; Rainer Maria Rilke; Robert Macfarlane; Rebecca Solnit; Kate Humble; Nicholas Luard; Edith Wharton; Elizabeth von Armin; Joseph Conrad; D. H. Lawrence; Vernon Lee; Guy Debord, Mark Twain, Thomas Coryat, and more.

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Die Fallbearbeitung ist für viele Jura-Neulinge eine harte Nuss. Da hilft nur eins: üben! Nach einer kurzen Einführung in die Fallbearbeitung bietet Ihnen dieses Buch Übungsfälle mit ausführlichen Lösungen zur Selbstkontrolle. Arbeiten Sie sich Schritt für Schritt vom Sachverhalt und der Fallfrage zur Lösungsskizze und zum Gutachten. Außerdem stellen Ihnen Felix Herzog und Shirin Dirks die relevanten Schemata vor, sodass Sie schnell einen Überblick über das Strafrecht gewinnen.

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Primo Levi's The Periodic Table is a collection of short stories that elegantly interlace the author's experiences in Fascist Italy, and later in Auschwitz, with his passion for scientific knowledge and discovery. This Penguin Modern Classics edition of is translated by Raymond Rosenthal with an essay on Primo Levi by Philip Roth.A chemist by training, Primo Levi became one of the supreme witnesses to twentieth-century atrocity. In these haunting reflections inspired by the elements of the periodic table, he ranges from young love to political savagery; from the inert gas argon - and 'inert' relatives like the uncle who stayed in bed for twenty-two years - to life-giving carbon. 'Iron' honours the mountain-climbing resistance hero who put iron in Levi's student soul, 'Cerium' recalls the improvised cigarette lighters which saved his life in Auschwitz, while 'Vanadium' describes an eerie post-war correspondence with the man who had been his 'boss' there. In his essay, Philip Roth reproduces a conversation with Primo Levi, delving into the process of Levi's authorial technique, his sense of identity and distinctiveness and the relationship between science, writing and survival.Primo Levi (1919-87), an Italian Jew, did not come to the wide attention of the English-reading audience until the last years of his life. A survivor of the Holocaust and imprisonment in Auschwitz, Levi is considered to be one of the century's most compelling voices, and The Periodic Table is his most famous book. Levi is the author of Moments of Reprieve and If Not Now, When?, also available in Penguin Modern Classics.Philip Roth is the author of Nemesis and The Plot Against America, and winner of the both the Pulitzer prize, and the Man Booker International prize. If you enjoyed The Periodic Table, you might like Levi's If Not Now, When?, also available in Penguin Modern Classics.'A book it is necessary to read'Saul Bellow, author of Herzog'One of the finest writers in post-war Italy'The Times

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In 1957, a decade before Roland Barthes announced the death of the author, François Truffaut called for a new era in which films would “resemble the person who made” them and be “even more personal” than an autobiographical novel. More than five decades on, it seems that Barthes has won the argument when it comes to most film critics. The cinematic author, we are told, has been dead for a long time. Yet Linda Haverty Rugg contends not only that the art cinema auteur never died, but that the films of some of the most important auteurs are intensely, if complexly, related to the lives and self-images of their directors. Self-Projection explores how nondocumentary narrative art films create alternative forms of collaborative self-representation and selfhood. The book examines the work of celebrated directors who plant autobiographical traces in their films, including Truffaut, Bergman, Fellini, Tarkovsky, Herzog, Allen, Almodóvar, and von Trier. It is not simply that these directors, and many others like them, make autobiographical references or occasionally appear in their films, but that they tie their films to their life stories and communicate that link to their audiences. Projecting a new kind of selfhood, these directors encourage identifications between themselves and their work even as they disavow such connections. And because of the collaborative and technological nature of filmmaking, the director’s self-projection involves actors, audience, and the machines and institution of the cinema as well. Lively and accessible, Self-Projection sheds new light on the films of these iconic directors and on art cinema in general, ultimately showing how film can transform not only the autobiographical act but what it means to have a self.

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Iwan Baan: Moments in Architecture offers the first comprehensive overview of works created by one of the leading photographers of our time. More than six hundred images from two decades document the growth of global megacities and portray buildings by prominent contemporary architects including Herzog & de Meuron, Rem Koolhaas, and Zaha Hadid, as well as traditional and informal architecture all around the world The photographer was personally involved in the conception of this richly illustrated and beautifully made publication.

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I do not follow ideas, I stumble into stories or into people; and I know that this is so big, I have to make a film. Very often, films come like uninvited guests, like burglars in the middle of the night. They are in your kitchen; something is stirring, you wake up at 3 a.m. and all of a sudden they come wildly swinging at you.When I write a screenplay, I write it as if I have the whole film in front of my eyes. Then it is very easy for me, and I can write very, very fast. It is almost like copying. But of course sometimes I push myself; I read myself into a frenzy of poetry, reading Chinese poets of the eighth and ninth century, reading old Icelandic poetry, reading some of the finest German poets like Hölderlin. All of this has absolutely nothing to do with the idea of my film, but I work myself up into this kind of frenzy of high-caliber language and concepts and beauty.And then sometimes I push myself by playing music, for example, a piano concerto by Beethoven, and I play it and write furiously. But none of this is an answer to the question of how you focus on a single idea for a film. And then, during shooting, you have to depart from it sometimes, while keeping it alive in its essence. —Werner Herzog, on filmmakingWerner Herzog doesn’t write traditional screenplays. He writes fever dreams brimming with madness, greed, humor, and dark isolation that can shift dramatically during production—and have materialized into extraordinary masterpieces unlike anything in film today. Harnessing his vision and transcendent reality, these four pieces of long-form prose earmark a renowned filmmaker at the dawn of his career.

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The greatest truths are often revealed in fiction, as exemplified by this stunning anthology of stories that reveal the human condition in bracingly truthful ways. The eternal complexities of sibling relationships are revealed in four-time #1 bestselling author Steven Manchester's Lost." The hope and betrayal that so often underlies love declare themselves in Marcia Gloster's Losing Will." The reality behind a con man's illusions emerge in Craig Ham's contest-winning Tonic and Spirits." These are three of the dozen truths that will rise from these pages. Side by side with the work of national bestselling novelists like Mary Marcus and Earl Javorsky, A DOZEN TRUTHS features the three winners of the 2016 AuthorsFirst Short Story Contest, providing a bold mix of experienced storytelling and fresh new voices. As entertaining as it is engaging, A DOZEN TRUTHS promises twelve dramatic revelations - and as many powerful reading experiences. CONTRIBUTORS INCLUDE: Eric Andersson Steven Manchester Carmen Siegers Marcia Gloster Craig Ham Lynn Voedisch Mary Marcus Christopher Slater KJ Steele Earl Javorsky Roger Bagg Robert Herzog

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Reveals America’s long history of making both naturalized immigrants and native-born citizens un-American after stripping away their citizenship Expatriation, or the stripping away citizenship and all the rights that come with it, is usually associated with despotic and totalitarian regimes. The imagery of mass expulsion of once integral members of the community is associated with civil wars, ethnic cleansing, the Holocaust, or other oppressive historical events. Yet these practices are not just a product of undemocratic events or extreme situations, but are standard clauses within the legal systems of most democratic states, including the United States. Witness, for example, Yaser Esam Hamdi, captured in Afghanistan in November 2001, sent to Guantánamo, transferred to a naval brig in South Carolina when it was revealed that he was a U.S. citizen, and held there without trial until 2004, when the Justice Department released Hamdi to Saudi Arabia without charge on the condition that he renounce his U.S. citizenship. Hamdi’s story may be the best known expatriation story in recent memory, but in Revoking Citizenship, Ben Herzog reveals America’s long history of making both naturalized immigrants and native-born citizens un-American after their citizenship was stripped away. Tracing this history from the early republic through the Cold War, Herzog locates the sociological, political, legal, and historic meanings of revoking citizenship. Why, when, and with what justification do states take away citizenship from their subjects? Should loyalty be judged according to birthplace or actions? Using the history and policies of revoking citizenship as a lens, Revoking Citizenship examines, describes, and analyzes the complex relationships between citizenship, immigration, and national identity.

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Americans Zack and Abby are bright, young and recently married. He’s a doctor combatting infant disease. She’s an actress, who also teaches yoga. It’s just before Christmas and they’re living the expat high life in bohemian Belleville, Paris. It’s all a little too perfect. Belleville was first produced at Yale Repertory Theatre in 2011, and transferred to New York Theatre Workshop in 2013. The play received its UK premiere at the Donmar Warehouse, London, in 2017, in a production directed by Michael Longhurst. Amy Herzog’s other plays include Mary Jane, Pulitzer Prize finalist 4000 Miles, After the Revolution and The Great God Pan.

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