Search results for ""author george"

George and his best friend Annie haven't had any space adventures for a while and they're missing the excitement. But not for long . . .Seriously strange things start happening. Banks are handing out free money; supermarkets can’t charge for their produce so people are getting free food; and aircraft are refusing to fly. It looks like the world's biggest and best computers have all been hacked.George and Annie will travel further into space than ever before in order to find out who is behind it.

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Curious George’s chaotic adventures continue when the inquisitive monkey visits the library in this young, fun picture book.The man in the yellow hat takes George for his very first visit to the library. George can't believe how many books there are and loads up a trolley with his favourites, but the trolley picks up speed and crashes – what a mess! With the help of the librarian and the other children, the books are all picked up and sorted out, and George is left with a small pile of his favourites. He is even given a new library card so that he can borrow some more when he visits again.

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Mostly hidden from public view, scores of putative locks of George Washington's hair are held in the collections of America's historical societies, public and academic archives, and museums. Excavating the origins of these bodily artifacts, Keith Beutler uncovers a forgotten strand of early American memory practices and emerging patriotic identity.

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The #1 New York Times bestselling book for many weeks, Jack Levin presents a beautifully designed account of George Washington’s historic crossing of the Delaware River and the decisive Battle of Trenton, with a foreword by his son, #1 New York Times bestselling author and radio host Mark R. Levin.With the warm-hearted patriotism and passion he brought to his beautiful volume Abraham Lincoln’s Gettysburg Address Illustrated, Jack E. Levin illuminates a profound turning point of the American Revolution: the decisive Battle of Trenton and its prelude—General George Washington leading his broken and ailing troops in a fleet of small wooden boats across the ice-encased Delaware River.While one iconic nineteenth-century painting made the crossing a familiar image, the significance of the against-all-odds victory put into motion on Christmas night, 1776, cannot be told enough. Jack Levin brings to light several vital perspectives, and draws his text from General Washington’s letter to the Continental Congress to describe the amazing account of the unlikely defeat of the Hessian army at Trenton.As a father, Jack Levin inspired his sons—including Mark Levin, and Douglas, and Robert—with his love for America. Around the family table, he would share the facts and events of the nation’s founding, spark lively debates, and pass along his extensive knowledge and his deep and abiding patriotism. Featuring Revolution-era artwork, portraiture, and maps, George Washington: The Crossing imparts the same vivid, intimate telling, that of a father to his sons—the kind of history lesson that lives in the heart forever.

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George loves summer nights in the country—that's where he does his best stargazing. When his friend Bill says that nobody knows how many stars there are, George is determined to count! But how will he keep track? Come along as George learns all about stars, constellations, and the night sky. Based on the Emmy-winning PBS show, this story is filled to the brim with additional facts, real photos, experiments, activities, and more. Learning about science has never been so much fun!

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Despite a long and eventful reign, Britain's George II is a largely forgotten monarch, his achievements overlooked and his abilities misunderstood. This landmark biography uncovers extensive new evidence in British and German archives, making possible the most complete and accurate assessment of this thirty-three-year reign. Andrew C. Thompson paints a richly detailed portrait of the many-faceted monarch in his public as well as his private life. Born in Hanover in 1683, George Augustus first came to London in 1714 as the new Prince of Wales. He assumed the throne in 1727, held it until his death in 1760, and has the distinction of being Britain's last foreign-born king and the last king to lead an army in battle. With George's story at its heart, the book reconstructs his thoughts and actions through a careful reading of the letters and papers of those around him. Thompson explores the previously underappreciated roles George played in the political processes of Britain, especially in foreign policy, and also charts the intricacies of the king's complicated relationships and reassesses the lasting impact of his frequent return trips to Hanover. George II emerges from these pages as an independent and cosmopolitan figure of undeniable historical fascination.

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This monograph examines the multidisciplinary practice of conceptual Irish artist George Bolster, who addresses the crises facing our species, and our willingness to live in the past through belief systems. Bolster’s ambitious immersive text and image works encompass film, installation, tapestry and photography. When Will We Recognize Us examines the practice of research-based artist George Bolster, who addresses the crises facing our species, long-term conservation of art objects as they relate to climate change, our ignorance of tangible reality, and our willingness to live in the past through outmoded belief systems. Bolster’s ambitious multidisciplinary text and image works encompassing film, and installation, conducted in concert with a range of scientists have resulted in pieces that philosophically address astronomy, and our self-appointed place in evolution.

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George is excited to visit the zoo to see the new baby panda - but when he's accidentally locked into the zoo at night, how will he get out? George must find a way to navigate his way out of the zoo and back home where he belongs! Based on the Emmy Award-winning PBS show. In this new 8 x 8 based on the Emmy Award–winning PBS show, Curious George can't wait to see the brand-new baby panda at the zoo. But when George accidentally gets locked into the zoo at night, he has to use maps, landmarks, and his animal instincts to find his way out! Bonus activities help reinforce the concepts in the story, including instructions for building your very own map of your home! AGES: 4 to 7 AUTHOR: The Reys were born in Hamburg, Germany. Hans Augusto Rey (1898-1977) met his wife-to-be, Margret (1906-1996), at a party in her father's home in Germany; when he first caught a glimpse of her, she was sliding down the banister. In their twenties and thirties they lived in Paris and in Rio de Janeiro, where Hans sold bathtubs in villages along the Amazon River. Eventually Cambridge, Massachusetts, became the Reys' home and community. Throughout their lives the Reys created many lively books together, including SPOTTY, PRETZEL, and lift-the-flap books such as HOW DO YOU GET THERE? The manuscript of the first Curious George books was one of the few items the Reys carried with them on their bicycles when they escaped from Paris in 1940. Eventually, they made their way to the United States, and CURIOUS GEORGE was published in 1941. Their incorrigible little monkey has become an icon, selling millions of books and capturing the hearts of readers everywhere.

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In answering the question posed by its title, and drawing on his twenty year relationship with the artists, Michael Bracewell is the first writer to engage directly with Gilbert & George to understand why they have devoted their lives exclusively and continuously - to the vision of art they conceived within months of first meeting. What emerges piece by piece is a portrait of Gilbert & George as two men who are infinitely more intense, strange, determined and alone than their longstanding public image suggests.

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This volume explores the background and circumstances that brought about a milestone relationship between George Washington and the Jews. President George Washington was the first head of a modern nation to openly acknowledge the Jews as full-fledged citizens of the land in which they had chosen to settle. His personal philosophy of religious tolerance can be summed up from an address made in 1790 to the Hebrew Congregation in Newport, Rhode Island, where he said 'May the Children of the Stock of Abraham, who dwell in this land, continue to merit and enjoy the good will of the other inhabitants, while every one shall sit in safety under his own vine and fig tree, and there shall be none to make him afraid.' Was it Washington's respect for the wisdom of the ancient Prophets or the participation of the patriotic Jews in the struggle for independence that motivated Washington to direct his most significant and profound statement on religious freedom at a Jewish audience?

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When they first began to appear in the 1930s, George Campbell's poems blasted through the colonial Victorianism of contemporary Jamaican poetry. Dubbed 'the poet of the revolution' by Jamaica's founding political father, Norman Manley, Campbell was the one Caribbean poet whom Derek Walcott acknowledged as an inspiration.Campbell wrote about the struggle for independence and the appalling social conditions that drove the Jamaican masses to revolt, and about the rising consciousness of black Jamaicans after centuries of oppression. He wrote out of a consciousness of history and religious faith, a faith in which, for him, Jesus and Lenin were not incompatible icons. He also wrote about love, its ecstasies and bitter disappointments, and some of his very best poems are luminous celebrations of Jamaica's natural beauty.George Campbell was born of Jamaican parents in Panama in 1916 and lived variously in Columbia and Costa Rica before returning to Jamaica. He became intensely involved in the nationalist movement and with the Manley family, who championed the poetry he was beginning to write. First Poems appeared in 1945. In the same year, Campbell migrated to New York, where he worked in theatre and dance. In 1978, he returned to Jamaica, working as a consultant to the Institute of Jamaica and the People's National Party archives. In 1994 he returned to New York, where he died in 2002.

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This invigorating volume explores the literary worlds inhabited by the pioneering Irish author George Moore (1852–1933). With an eye to Moore’s innovative embrace of visual art, feminism and literary history, and in the spirit of his feisty resistance to ‘orthodoxy’, it investigates his influences and inventive strategies in novel, short story and memoir. Amongst the names emerging from the disparate spheres of impressionism, literary coteries, the paratextual and the music world are those of Manet, Mallarmé, Wilde, Héloïse, Elgar and Bourdieu, all with Moorian links. Contested depictions of religion and nationalism simmer; France and French influences encompass fin-de-siècle stories and medieval texts; epistolary details evidence vital parental support; contemporary authors write back to Moore. These voyages of discovery enter the fields of feminist scholarship and the New Woman, life writing and letters, fin-de-siècle aesthetics, intersections between art, music and literature, and literary transitions from Victorian to Modern. Valuably, the authors suggest numerous opportunities for additional research in these areas, as well as within Moore studies. This collection, with contributions from an international set of established and new scholars, delivers fresh and original findings as it builds on the substantial and ever-growing corpus of Moore studies.

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In 2019, the NFL issued a list of football's one hundred greatest game-changers, and among the legendary athletes and coaches was one broadcaster: Phyllis George. The first female anchor of a major network sports show, George broke the glass ceiling in sports journalism and embodied the complexities of the women's movement of the 1970s. As a young woman, George first hit the media radar in 1971 when she won the crown of Miss America and toured the world. While many in the budding feminist movement looked down on the pageant queen, George parlayed her success into a television career and excelled in sports journalism. While she was not immune to criticism, George was never deterred by the complainants and constantly showed her inner strength and perseverance. Through the decades she cultivated a reputation as one of the most respected and strong-willed players in the rough and tumble businesses of sports and network news, breaking through the glass ceiling in one of the most male-driven industries in the world. She was a pioneer who helped pave the way for a new generation of female broadcasters. A published author in her own right and champion of the arts, George remained a stalwart advocate for female empowerment until her death in 2020.In Phyllis George: Shattering the Ceiling authors Lenny Shulman and Paul Volponi trace George's evolution from Miss America to professional broadcaster, to arts advocate, author, philanthropist, and also as First Lady of Kentucky who was instrumental in getting her husband, John Y. Brown Jr., elected Governor of that state. George's life was defined by her professionalism, her strength of character, and her uncanny ability to leave an indelible impression on all she met.

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George Gershwin lived with purpose and gusto, but with melancholy as well, for he was unable to make a place for himself--no family of his own and no real home in music. He and his siblings received little love from their mother and no direction from their father. Older brother and lyricist Ira managed to create a home when he married Leonore Strunsky, a hard-edged woman who lived for wealth and status. The closest George came to domesticity was through his longtime relationship with Kay Swift. She was his lover, musical confidante, and fellow composer. But she remained married to another man while he went endlessly from woman to woman. Only in the final hours of his life, when they were separated by a continent, did he realize how much he needed her. Fatally ill, unprotected by (and perhaps estranged from) Ira, he was exiled by Leonore from the house she and the brothers shared, and he died horribly and alone at the age of thirty-eight.Nor was Gershwin able to find a satisfying musical harbor. For years his songwriting genius could be expressed only in the ephemeral world of show business, as his brilliance as a composer of large-scale works went unrecognized by highbrow music critics. When he resolved this quandary with his opera Porgy and Bess, the critics were unable to understand or validate it. Decades would pass before this, his most ambitious composition, was universally regarded as one of music's lasting treasures and before his stature as a great composer became secure.In George Gershwin: An Intimate Portrait, Walter Rimler makes use of fresh sources, including newly discovered letters by Kay Swift as well as correspondence between and interviews with intimates of Ira and Leonore Gershwin. It is written with spirited prose and contains more than two dozen photographs.

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George is a good ol’ hound dog. He helps Farmer Fritz with the chores and—most important of all—he keeps those sneaky cows out of the cornfield. Then Farmer Fritz moves away, and a new family from the city moves in. The Gladstones have a lot to learn. George tries to help, but they don’t understand his job on the farm…until the day little Olive goes missing, and George shows everyone what it means to be a hero hound!

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In the late 1960s, George Segal began “double-casting” his work--taking a second cast from inside the mold of the original cast. This process brought finer detail to the surface and was part of his evolution to a more naturalizing image. When, in the 1980s, he began making bronze work for outdoor installation, he continued this double-casting technique and all his bronzes were made from finished plasters. As Carroll Janis writes in the introduction, “Segal's plaster sculpture presents an existential situation; the surrogate figure, more fagile and removed from reality when set next to the real object. The bronzes appear to reverse this idea by asserting the strength and permanence of the human figure within the surrounding environment.”

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In 1776, thirteen colonies declared their independence from Britain. Although they came together to fight a war, the colonies were far from a unified nation. In George Washington: Uniting a Nation, Don Higginbotham argues that Washington's greatest contribution to American life was creating a sense of American unity. In clear and concise prose, Higginbotham shows that as Revolutionary War commander, proponent of the Constitution, and president, George Washington focused on building national identity and erecting institutions to cement the fledgling nation. The first book on Washington to examine exclusively his role in state formation, George Washington is essential reading for scholars, students, and everyone interested in America's first, and most formative, president.

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This acclaimed autobiography by one of the twentieth century's greatest satirical artists is as much a graphic portrait of Germany in chaos after the Treaty of Versailles as it is a memoir of a remarkable artist's development. Grosz's account of a world gone mad is as acute and provocative as the art that depicts it, and this translation of a work long out of print restores the spontaneity, humor, and energy of the author's German text. It also includes a chapter on Grosz's experience in the Soviet Union - omitted from the original English-language edition - as well as more writings about his twenty-year self-imposed exile in America, and a fable written in English.

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Reduce, reuse, recycle with Curious George.

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George's favourite thing in the entire world is DINOSAURS! All George and his friends want to do is play with dinosaurs. So, when Mummy Pig and Miss Rabbit take them to hunt for dinosaur fossils at the beach they know it's going to be the best day ever! But no one expects George to find an entire dinosaur hidden in the rocks- George is a proper dinosaur expert!

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A fresh look at this pioneering American innovator. Shampoo from peanuts? Wallpaper from clay? Ink from sweet potatoes? Discover Carver’s imagination and inspiration in this one-of-a-kind biography. With imagination and intellect, George Washington Carver (1864–1934) developed hundreds of unexpected products from everyday plants. This book reveals what an exceptionally uncommon man Carver was: trailblasing scholar, innovative scientist, pioneering conservationist, and impassioned educator. This book follows his life from slave and orphan to his college days as the first African American to attend Iowa State College (where he later taught), and on to his life and work in the field of agriculture. Illustrated with historical artifacts and photographs, the book traces Carver’s life, discoveries, and legacy.

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It is one of the curiosities of history that the most remarkable novel about Jews and Judaism, predicting the establishment of the Jewish state, should have been written in 1876 by a non-Jew -- a Victorian woman and a formidable intellectual, who is generally regarded as one of the greatest of English novelists. And it is still more curious that Daniel Deronda, George Eliot's last novel, should have been dismissed, by many of her admirers at the time and by some critics since, as something of an anomaly, an inexplicable and unfortunate turn in her life and work. Yet Eliot herself was passionately committed to that novel, having prepared herself for it by an extraordinary feat of scholarly research in five languages (including Hebrew), exploring the ancient, medieval, and modern sources of Jewish history. Three years later, to reenforce that commitment, she wrote an essay, the very last of her writing, reaffirming the heritage of the Jewish "nation" and the desirability of a Jewish state -- this well before the founders of Zionism had conceived of that mission. Why did this Victorian novelist, born a Christian and an early convert to agnosticism, write a book so respectful of Judaism and so prescient about Zionism? And why at a time when there were no pogroms or persecutions to provoke her? What was the general conception of the "Jewish question," and how did Eliot reinterpret that "question," for her time as well as ours? Gertrude Himmelfarb, a leading Victorian scholar, has undertaken to unravel the mysteries of Daniel Deronda. And the mysteries of Eliot herself: a novelist who deliberately wrote a book she knew would bewilder many of her readers, a distinguished woman who opposed the enfranchisement of women, a moralist who flouted the most venerable of marital conventions -- above all, the author of a novel that is still an inspiration or provocation to readers and critics alike.

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It is one of the curiosities of history that the most remarkable novel about Jews and Judaism, predicting the establishment of the Jewish state, should have been written in 1876 by a non-Jew -- a Victorian woman and a formidable intellectual, who is generally regarded as one of the greatest of English novelists. And it is still more curious that Daniel Deronda, George Eliot's last novel, should have been dismissed, by many of her admirers at the time and by some critics since, as something of an anomaly, an inexplicable and unfortunate turn in her life and work. Yet Eliot herself was passionately committed to that novel, having prepared herself for it by an extraordinary feat of scholarly research in five languages (including Hebrew), exploring the ancient, medieval, and modern sources of Jewish history. Three years later, to reenforce that commitment, she wrote an essay, the very last of her writing, reaffirming the heritage of the Jewish "nation" and the desirability of a Jewish state -- this well before the founders of Zionism had conceived of that mission. Why did this Victorian novelist, born a Christian and an early convert to agnosticism, write a book so respectful of Judaism and so prescient about Zionism? And why at a time when there were no pogroms or persecutions to provoke her? What was the general conception of the "Jewish question," and how did Eliot reinterpret that "question," for her time as well as ours? Gertrude Himmelfarb, a leading Victorian scholar, has undertaken to unravel the mysteries of Daniel Deronda. And the mysteries of Eliot herself: a novelist who deliberately wrote a book she knew would bewilder many of her readers, a distinguished woman who opposed the enfranchisement of women, a moralist who flouted the most venerable of marital conventions -- above all, the author of a novel that is still an inspiration or provocation to readers and critics alike.

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In George Washington Williams, John Hope Franklin reconstructs the life of the controversial, self-made black intellectual who wrote the first history of African Americans in the United States. Awarded the Clarence L. Holte Literary Prize, this book traces Franklin’s forty-year quest for Williams’s story, a story largely lost to history until this volume was first published in 1985. The result, part biography and part social history, is a unique consideration of a pioneering historian by his most distinguished successor. Williams, who lived from 1849 to 1891, had a remarkable career as soldier, minister, journalist, lawyer, politician, freelance diplomat, and African traveler, as well as a historian. While Franklin reveals the accomplishments of this neglected figure and emphasizes the racism that curtailed Williams’s many talents, he also highlights the personal weaknesses that damaged Williams’s relationships and career. Williams led the way in presenting African American history accurately through the use of oral history and archival research, sought to legitimize it as a field of historical study, and spoke out in support of an American Negro Historical Society and as a critic of European imperialism in Africa. He also became erratic and faithless to his family and creditors and died at the age of forty-one, destitute and alienated from family and friends. George Washington Williams is nothing less than a classic biography of a brilliant though flawed individual whose History of the Negro Race in America remains a landmark in African American history and American intellectual history.

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A young Black girl in Minneapolis grapples with the death of George Floyd In this candid and powerful book, a young girl hears about an unfolding tragedy in her neighborhood. It's on the news, on the radio, and talked about in her community, and she learns of the murder of George Floydand about who he was. As she tries to reckon with the senseless violence of his killing, she finds solace at George Floyd Square. The space is filled with the art of protest and resistance, and she is moved to create her own signs and drawings, lifting her voice to harmonize with the outpouring: We miss you, George Floyd. For children working through George Floyd's murder and the police violence plaguing our country, and for the grown-ups trying to help them, this book is an invitation to open up difficult conversations. With striking illustrations reflecting Floyd's world and a child's perspective, Shannon Gibney's clear-eyed account offers healing and inspiration for the strength and solidarity we

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When George and the man with the yellow hat visit the animal shelter, George is delighted to discover a large litter of puppies.

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Fostoria was a most remarkable glassd company and George Sakier(1897-1988) was a most remarkable designer of Fostoria glass. For over fifty years, through the Great Depression, Sakier sent classic and modern designs to Moundsville, West Virginia, where millions of delightful glass objects were produced. They appear here in profusion. The book includes a throughly researched text about the man and his art(paintings, industrial designs and glass), as well as hundreds of brilliant color photographs of thousands of Fostoria glass items of many patterns and Sakier's fascinating oil painting landscapes. Sakier's Fostoria glass is American Art Deco design and the book is a fine resource for glass collectors.

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George Dureau, The Photographs is an album of the great photographic portraits made throughout the forty years of Dureau’s artistic career—a New Orleans romance between the photographer and his subjects. All of Dureau’s exquisite photographs, many of them nudes, were made in his studio in the French Quarter of New Orleans, or on the city’s streets. He began photography for the pleasure of photographing his lovers, and as research material for his paintings. Only later on did he begin to take his photographs seriously as works of art in their own right. Many of his subjects became part of Dureau’s “extended family,” whom he photographed on different occasions over many years. Surprisingly, only one book of Dureau’s photographs has been published: New Orleans, 1985, a modest paperback long out of print. This Aperture book is possible now because of the commitment of the community of Dureau’s supporters to see it happen. George Dureau, The Photographs is edited by Chris Boot, with a text by Philip Gefter.

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Every year, the town has a Summer Games field day, and George wants to join in on the fun, especially if the prize is a medal! But what is the perfect Summer Games event for a little monkey? When George finds a sport that he loves and is a natural at, he must practice, practice, practice. With some teamwork and cheering on the contestants, George is ready to make this the best Summer Games!

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