Search results for ""Vox""

‘GRIPPING AND POIGNANT’ RUTH HOGAN, bestselling author of The Keeper of Lost Things ‘CLEVER AND ENTERTAINING’ GOOD HOUSEKEEPING ‘A THOUGHT-PROVOKING READ’ PRIMA Eight ordinary people. One extraordinary choice. It seems like just another morning. Around the world, people wake up, check the news, open the front door. On every doorstep is a box. Inside that box is the exact number of years that person has left to live. Whether they open it or hide it under their bed, each person must learn to live in this new world: a couple who thought they didn’t have to rush their life together, a doctor who cannot save himself from his own fate, best friends whose dreams are forever entwined, and a politician whose box becomes the powder keg that ultimately changes everything… Enchanting and deeply uplifting, The Measure is a sweeping, ambitious and invigorating story about family, friendship, hope and destiny that encourages us to live life to the fullest. *** ‘EXAMINES THE BIG LIFE AND DEATH QUESTIONS IN A CLEVER AND, DARE WE SAY IT, ENTERTAINING WAY’ WOMAN & HOME ‘INTRIGUING’ WOMAN’S WEEKLY ‘LIFE-AFFIRMING’ CHRISTINA DALCHER, bestselling author of Vox ‘DESPITE ITS CHILLING PREMISE, ERLICK’S NOVEL IS AN ESCAPE FROM — RATHER THAN A WINDOW INTO — OUR OWN TERRIFYING REALITY’ NEW YORK TIMES ‘COMPELLING AND HEART-BREAKING’ Bridget Collins, bestselling author of The Binding 'A SHARP LENS FOR REAL-WORLD PROBLEMS' DAILY MAIL ‘A HEARTFELT PARABLE FOR OUR OWN UNPRECEDENTED TIMES’ Laurie Frankel, bestselling author of One Two Three ‘BEAUTIFULLY CRAFTED AND HUGELY IMAGINATIVE’ Claire North ‘BRILLIANT – I COULDN’T STOP READING’ Christina Sweeney-Baird ‘HUGELY COMPELLING’ Freya Sampson, author of The Last Chance Library

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“Masterly deftness, funny sentence by funny sentence...a moving and intricately braided story of two mothers.” —Jonathan Franzen, The Guardian This “beguiling, addictive read” (People, Book of the Week) and Belletrist Book Club pick about a blue-blooded single mother raising her daughter in rarefied New York City is a “carefully observed family story [that] rings true to life” (The New York Times Book Review).Laura hails from the Upper East Side of Manhattan, born into old money, drifting aimlessly into her early thirties. One weekend in 1981 she meets a man. The two sleep together. He vanishes. And Laura realizes she’s pregnant. Enter: Emma. “Unputdownable” (Library Journal) and “wryly observed” (Vogue), Laura & Emma follows Laura as she raises Emma in New York City over the next fifteen years. With wit and compassion, Kate Greathead explores the many flaws and quirks that make us human. Laura’s story hosts a cast of effervescent and original characters, including her eccentric mother, who informs her society friends and Emma herself that she was fathered by a Swedish sperm donor; her brother, whose childhood stutter reappears in the presence of their forbidding father; an exceptionally kind male pediatrician; and her overbearing best friend, whose life has followed the Park Avenue script in every way except for childbearing. “Kate Greathead’s debut novel gamely takes on class conflict, single motherhood, and the discreet pretension of the 1980s Upper East Side” (New York magazine) and is a “layered story about mothers and daughters and identity” (Entertainment Weekly). Told in vignettes whose every “restrained and understated sentence has been polished to glittering brightness” (Vox), Laura & Emma is “an incisive comedy of manners about class divides and the ‘burdens’ of being born privileged” (Esquire) and “a thoughtful novel of trying to find oneself despite an assigned place in the world” (Publishers Weekly).

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Neotectonics involves the study of the motions and deformations of the Earth's crust that are current or recent in geologic time. The Mediterranean region is one of the most important regions for neotectonics and related natural hazards. This volume focuses on the neotectonics of the Eastern Mediterranean region, which has experienced many major extensive earthquakes, including the devastating Izmit, Turkey earthquake on August 17, 1999. The event lasted for 37 seconds, killing around 17,000 people, injuring 44,000 people, and leaving approximately half a million people homeless. Since then, several North American, European, and Turkish research groups have studied the neotectonics and earthquake potential of the region using different geological and geophysical methods, including GPS studies, geodesy, and passive source seismology. Some results from their studies were presented in major North American and European geological meetings. This volume highlights the work involving the Eastern Mediterranean region, which has one of the world's longest and best studied active strike-slip (horizontal motion) faults: the east-west trending North Anatolian fault zone, which is very similar to the San Andreas fault in California. This volume features discussions of: Widespread applications in measuring plate motion that have strong implications in predicting natural disasters like earthquakes, both on a regional and a global scale Recent motions, particularly those produced by earthquakes, that provide insights on the physics of earthquake recurrence, the growth of mountains, orogenic movements, and seismic hazards Unique methodical approaches in collecting tectonophysical data, including field, seismic, experimental, computer-based, and theoretical approaches. Active Global Seismology is a valuable resource for geoscientists, particularly in the field of tectonophysics, geophysics, geodynamics, seismology, structural geology, environmental geology, and geoengineering. Read an interview with the editors to find out more:https://eos.org/editors-vox/neotectonics-and-earthquake-forecasting

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Featured in The New York Times, Bloomberg, and Vox, The Shopping Revolution is "a brisk and thought-provoking anatomy of shopping in the 21st century" (Kirkus Reviews). The retail industry was already in the midst of unparalleled disruption. Then came COVID-19. In a fully updated and expanded edition of The Shopping Revolution: How Retailers Succeed in an Era of Endless Disruption Accelerated by COVID-19, Wharton professor Barbara E. Kahn, a foremost retail expert, examines the companies that have been most successful during a tsunami of change in the industry. She offers fresh insights into what we can learn from these companies' ascendance and continued transformation in the face of unprecedented challenges. Kahn, also the author of Global Brand Power: Leveraging Branding for Long-Term Growth, examines:In a brand-new chapter, how companies in China, like Alibaba, JD.com, and Pinduoduo have changed the game;How Amazon became the retailer of choice for a large portion of the US population, and how other companies have chosen to work with them or have to compete against them; How Walmart beat out other grocers in the late 1990s to become the leader in food retailing, and how they must pivot to hold their leadership position today; How Warby Parker dared to compete against Luxottica in the lucrative eyewear business, and what that can tell start-ups about how to carve out a niche against a Goliath; How Sephora drew away customers from once-dominant department stores to become the go-to retailers for beauty products. Kahn argues we are just witnessing the start of the radical changes in retail that have been hastened by the pandemic and will revolutionize shopping in every way. Building on these insights, Kahn offers a framework that any company can use to create a competitive strategy to survive and thrive in today's—and tomorrow's—retail environment.

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Over a half century of exploration of the Earth’s space environment, it has become evident that the interaction between the ionosphere and the magnetosphere plays a dominant role in the evolution and dynamics of magnetospheric plasmas and fields. Interestingly, it was recently discovered that this same interaction is of fundamental importance at other planets and moons throughout the solar system. Based on papers presented at an interdisciplinary AGU Chapman Conference at Yosemite National Park in February 2014, this volume provides an intellectual and visual journey through our exploration and discovery of the paradigm-changing role that the ionosphere plays in determining the filling and dynamics of Earth and planetary environments. The 2014 Chapman conference marks the 40th anniversary of the initial magnetosphere-ionosphere coupling conference at Yosemite in 1974, and thus gives a four decade perspective of the progress of space science research in understanding these fundamental coupling processes. Digital video links to an online archive containing both the 1974 and 2014 meetings are presented throughout this volume for use as an historical resource by the international heliophysics and planetary science communities. Topics covered in this volume include: Ionosphere as a source of magnetospheric plasma Effects of the low energy ionospheric plasma on the stability and creation of the more energetic plasmas The unified global modeling of the ionosphere and magnetosphere at the Earth and other planets New knowledge of these coupled interactions for heliophysicists and planetary scientists, with a cross-disciplinary approach involving advanced measurement and modeling techniques Magnetosphere-Ionosphere Coupling in the Solar System is a valuable resource for researchers in the fields of space and planetary science, atmospheric science, space physics, astronomy, and geophysics.Read an interview with the editors to find out more:https://eos.org/editors-vox/filling-earths-space-environment-from-the-sun-or-the-earth

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In the sports world, the coach is a person of high status but with voice and speech coaches, this is not always the case. Janet Madelle Feindel has honed her career by developing a program of teaching and coaching than brings the work of the voice trainer to the presidium. Over the last thirty years, there have been great strides in voice training in a number of areas but sadly, directors have often been unaware of these strides. The author shows that the study of the voice and speech as well as the Alexander technique for the director should be an integral part of the director's training. Feindel provides an overview of basic voice and speech production, the Alexander and ways to integrate these principles into the rehearsal process and methods for working most effectively with voice and speech/Alexander coaches.In Thought Propels the Sound, Feindel outlines her successful approach to training actors and musical theatre performers using traditional methods developed by well renowned individuals such as Berry, Linklater, Fitzmaurice and Alexander, and synthesizes them with her own methods of Vox Explora and Resonex that have evolved out of her vast experience training actors at Carnegie Mellon School of Drama, UCLA School of Theatre, Film and Television and coaching for the Birmingham Conservatory for Classical Theatre at the Stratford Shakespeare Festival under the direction of Martha Henry, (Officer of the Order of Canada) and coaching professionally working with many noted performers. Thought Propels the Sound is a must book for directors and directing students but also for voice and dialect coaches, Alexander teachers, medical specialists, speech pathologists, actors and singers and anyone interested in the performers voice in the theatre.

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'READING THIS TERRIFIC, ORWELLIAN NOVEL YOU ALMOST HOLD YOUR BREATH' Bel MooneyAn alternative history with a strong feminist twist, perfect for fans of Robert Harris' Fatherland, Christina Dalcher's Vox and the dystopian novels of Margaret Atwood.'A TRIUMPH' Amanda Craig'CONVINCING AND GRIPPING' Elizabeth Buchan'BRILLIANTLY IMAGINED' Clare Chambers'TERRIFIC HEROINE' Adèle Geras'VIVIDLY IMAGINED' Nicci FrenchTo control the past, they edited history. To control the future, they edited literature.London, 1953, Coronation year - but not the Coronation of Elizabeth II.Thirteen years have passed since a Grand Alliance between Great Britain and Germany was formalized. George VI and his family have been murdered and Edward VIII rules as King. Yet, in practice, all power is vested in Alfred Rosenberg, Britain's Protector. The role and status of women is Rosenberg's particular interest. Rose Ransom belongs to the elite caste of women and works at the Ministry of Culture, rewriting literature to correct the views of the past. But now she has been given a special task. Outbreaks of insurgency have been seen across the country; graffiti daubed on public buildings. Disturbingly, the graffiti is made up of lines from forbidden works, subversive words from the voices of women. Suspicion has fallen on Widowland, the run-down slums where childless women over fifty have been banished. These women are known to be mutinous, for they have nothing to lose.Before the Leader arrives for the Coronation ceremony of King Edward and Queen Wallis, Rose must infiltrate Widowland to find the source of this rebellion and ensure that it is quashed.'THE MOST IMPORTANT FEMINIST NOVEL IN DECADES' Jane Harris'A VERY SMART REIMAGINED HISTORY' Henry Porter'BRIMMING WITH CRACKLING DETAIL, A GRIPPING THRILLER' Miranda Carter

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''Voice Therapy: Clinical Case Studies, Fifth Edition'' provides both the student and the working clinician with a broad sampling of management strategies as presented through clinical case studies by master voice clinicians, laryngologists, and other voice care professionals. Through concise patient histories, pre- and post-treatment evaluations, and tailored therapeutic approaches, this classic text addresses assessment, management, as well as treatment and therapy approaches for a range of voice disorders; muscle tension dysphonia, glottal incompetence and neurogenic disorders, and professional voice care. New to the Fifth Edition: *An expanded discussion of the principles of successful voice therapy including issues of self-efficacy and patient responsibilities for their own care. (Chapter 1) *An introduction to the concept of 'Meta-Therapy;' those clinical and personal characteristics that go beyond the therapy technique to make patients more flexible and competent users of their own vocal instruments. (Chapter 1) *Cases describing new evidence-based therapies such as 'Conversation Training Therapy' and 'Lax Vox' therapy. (Chapters 3 and 4) *New cases describing treatments for chronic cough, superior nerve paralysis, and vocal tremor in a singer. (Chapters 5 and 6) *A NEW chapter on a non-traditional therapy delivery model, telepractice and therapeutic challenges not previously discussed, treatments for enhancing the transgender voice, pervasive vocal fry, and muscle tension dysphagia. (Chapter 8) The fifth edition of this text has been extensively revised and updated and includes 54 case studies and 7 case vignettes sampling a wide variety of voice disorders with various pathologies, etiologies, and therapy techniques. Through a systematic case study format, 64 voice experts and master clinicians have provided detailed descriptions of voice assessment and management approaches and techniques. It is the ideal text for both students learning the basics of evaluation and treatment of voice disorders and practicing clinicians providing voice care.

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**NOW A MAJOR HULU ORIGINAL SERIES, AVAILABLE TO STREAM ON DISNEY+** THE INSTANT NEW YORK TIMES BESTSELLER SHORTLISTED FOR THE BOLLINGER EVERYMAN WODEHOUSE PRIZE FOR COMIC FICTION ‘One of the biggest reads of the summer, and for good reason’ INDEPENDENT ‘Enormously fun . . . A joyous thrill ride of a book’ VOX ‘Candice Carty-Williams’ Queenie crossed with Jordan Peele’s Get Out . . . Slick and addictive’ METRO _________________________ Twenty-six-year-old editorial assistant Nella Rogers is tired of being the only Black employee at Wagner Books. Fed up with the isolation and the micro-aggressions, she's thrilled when Hazel starts working in the cubicle beside hers. They've only just started comparing natural hair care regimens, though, when a string of uncomfortable events cause Nella to become Public Enemy Number One and Hazel, the Office Darling. Then the notes begin to appear on Nella's desk: LEAVE WAGNER. NOW. It's hard to believe Hazel is behind these hostile messages. But as Nella starts to spiral and obsess over the sinister forces at play, she soon realises that there is a lot more at stake than her career. Dark, funny and furiously entertaining, The Other Black Girl will keep you on the edge of your seat until the very last twist. _________________________ THE BOOK EVERYONE IS TALKING ABOUT: ‘One of the books of the year . . . Will blow your mind’ STYLIST ‘Super-smart, dryly funny’ RED ‘Page-turning, toe-curling, thrilling. You won’t put this one down’ BLACK GIRLS BOOK CLUB FOR REFINERY29 ‘Sharp, satirical and fun’ DAILY MAIL ‘Bright and funny . . . You will turn page after page in your eagerness to unravel this novel’ OYINKAN BRAITHWAITE, NEW YORK TIMES ‘The funniest, wildest, deepest, most thought-provoking ride of a book’ ATTICA LOCKE ‘The year’s most buzzed-about debut more than lives up to the hype’ i ‘Very, very funny and acutely observed’ ELIZABETH DAY ‘It should be at the top of your summer reading list’ WASHINGTON POST

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’Cleverly crafted, twisty, gripping and suspenseful’ B. A. Paris Only the killer holds the key. . . A Sunday Times Book of the Summer IT WAS THE CRIME THAT SHOCKED A NATION. The Flowers were the perfect family. Until the day fifteen-year-old Joseph shot dead his parents and baby brother whilst his younger sister Eve hid. The family home became known as ‘The Red House’, the place where the walls were covered in blood. THEY THOUGHT THEY HAD THE KILLER. No one knows why Joseph murdered his family: the following day he crashed his car and has been in a coma for two decades. Eve’s always known he did it; she saw the crime, after all. WHAT IF THEY WERE WRONG? Now an adult, Eve is forced to re-examine her memories when disturbing new evidence about the case comes to light. Rumour has it that Joseph created a hidden level in his game that night, which might hold the key. But if Joseph didn’t do it, then the killer’s still out there – and they’re coming back for the girl who escaped. . . ’A masterclass in pace and intrigue. Tense, immersive, clever, surprising and unique’Andrea Mara, author of No One Saw a Thing ‘I wanted to immediately start reading again to check the very clever clues… A clever and engaging mystery with a resolution that will completely blow you away’Susi Holliday, author of The Hike ’You won’t know where you’re going until the last page. A genuinely delicious mystery’Christina Dalcher, author of Vox *** Readers are LOVING The Red House: ‘Definitely a contender for any year’s book of the year’ ‘An emotional rollercoaster of a ride. . .I could not put it down’ ‘Wow. Just wow’ ‘Carefully crafted plot and well-drawn characters made this an intelligent thriller that had me hooked’ ‘A brilliant thriller from the first page until the last’

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NOW AN EMMY-NOMINATED HULU ORIGINAL SERIES • NEW YORK TIMES BESTSELLER • “A stunning novel about the transformative power of relationships” (People) from the author of Conversations with Friends, “a master of the literary page-turner” (J. Courtney Sullivan). ONE OF THE TEN BEST NOVELS OF THE DECADE—Entertainment WeeklyTEN BEST BOOKS OF THE YEAR—People, Slate, The New York Public Library, Harvard CrimsonAND BEST BOOKS OF THE YEAR—The New York Times, The New York Times Book Review, O: The Oprah Magazine, Time, NPR, The Washington Post, Vogue, Esquire, Glamour, Elle, Marie Claire, Vox, The Paris Review, Good Housekeeping, Town & Country Connell and Marianne grew up in the same small town, but the similarities end there. At school, Connell is popular and well liked, while Marianne is a loner. But when the two strike up a conversation—awkward but electrifying—something life changing begins.A year later, they’re both studying at Trinity College in Dublin. Marianne has found her feet in a new social world while Connell hangs at the sidelines, shy and uncertain. Throughout their years at university, Marianne and Connell circle one another, straying toward other people and possibilities but always magnetically, irresistibly drawn back together. And as she veers into self-destruction and he begins to search for meaning elsewhere, each must confront how far they are willing to go to save the other.Normal People is the story of mutual fascination, friendship and love. It takes us from that first conversation to the years beyond, in the company of two people who try to stay apart but find that they can’t. Praise for Normal People “[A] novel that demands to be read compulsively, in one sitting.”—The Washington Post “Arguably the buzziest novel of the season, Sally Rooney’s elegant sophomore effort . . . is a worthy successor to Conversations with Friends. Here, again, she unflinchingly explores class dynamics and young love with wit and nuance.”—The Wall Street Journal “[Rooney] has been hailed as the first great millennial novelist for her stories of love and late capitalism. . . . [She writes] some of the best dialogue I’ve read.”—The New Yorker

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NOW AN EMMY-NOMINATED HULU ORIGINAL SERIES • NEW YORK TIMES BESTSELLER • “A stunning novel about the transformative power of relationships” (People) from the author of Conversations with Friends, “a master of the literary page-turner” (J. Courtney Sullivan). ONE OF THE TEN BEST NOVELS OF THE DECADE—Entertainment WeeklyTEN BEST BOOKS OF THE YEAR—People, Slate, The New York Public Library, Harvard CrimsonAND BEST BOOKS OF THE YEAR—The New York Times, The New York Times Book Review, O: The Oprah Magazine, Time, NPR, The Washington Post, Vogue, Esquire, Glamour, Elle, Marie Claire, Vox, The Paris Review, Good Housekeeping, Town & Country Connell and Marianne grew up in the same small town, but the similarities end there. At school, Connell is popular and well liked, while Marianne is a loner. But when the two strike up a conversation—awkward but electrifying—something life changing begins.A year later, they’re both studying at Trinity College in Dublin. Marianne has found her feet in a new social world while Connell hangs at the sidelines, shy and uncertain. Throughout their years at university, Marianne and Connell circle one another, straying toward other people and possibilities but always magnetically, irresistibly drawn back together. And as she veers into self-destruction and he begins to search for meaning elsewhere, each must confront how far they are willing to go to save the other.Normal People is the story of mutual fascination, friendship and love. It takes us from that first conversation to the years beyond, in the company of two people who try to stay apart but find that they can’t. Praise for Normal People “[A] novel that demands to be read compulsively, in one sitting.”—The Washington Post “Arguably the buzziest novel of the season, Sally Rooney’s elegant sophomore effort . . . is a worthy successor to Conversations with Friends. Here, again, she unflinchingly explores class dynamics and young love with wit and nuance.”—The Wall Street Journal “[Rooney] has been hailed as the first great millennial novelist for her stories of love and late capitalism. . . . [She writes] some of the best dialogue I’ve read.”—The New Yorker

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INSTANT NEW YORK TIMES BESTSELLERA REESE WITHERSPOON BOOK CLUB PICKMAJOR TV ADAPTATION IN DEVELOPMENT BY AMY ADAMS'Calling it The Handmaid's Tale crossed with Butch Cassidy and the Sundance Kid goes some way to describe this novel's memorable world, but it is also wholly its own' KIRKUS '2021 is already a year that could use a little joy. Here to provide some is Outlawed . . . It's an absolute romp and contains basically everything I want in a book: witchy nuns, heists, a marriage of convenience, and a midwife trying to build a bomb out of horse dung' Vox 'Outlawed sets a high bar for the 12 months of publishing still to come . . . It upends the tropes of the traditionally macho and heteronormative genre while also being a rip-snortin' good read, too' THE WEEK (Most Anticipated Books of the Year) 'North is a riveting storyteller . . . Reader, you are in for a real treat' JENNY ZHANG'Fans of Margaret Atwood and Cormac McCarthy finally get the Western they deserve' ALEXIS COE 'A thrilling tale eerily familiar but utterly transformed ... In North's galloping prose, it's a fantastically cinematic adventure that turns the sexual politics of the Old West inside out' WASHINGTON POST 'A western unlike any other, Outlawed features queer cowgirls, gender nonconforming robbers and a band of feminists that fight against the grain for autonomy, agency and the power to define their own worth' MS. 'A grand, unforgettable tale' ESMÉ WEIJUN WANG In the year of our Lord 1894, I became an outlaw.On the day of her wedding-dance, Ada feels lucky. She loves her broad-shouldered, bashful husband and her job as an apprentice midwife.But her luck will not last. It is every woman's duty to have a child, to replace those that were lost in the Great Flu. And after a year of marriage and no pregnancy, in a town where barren women are hanged as witches, Ada's survival depends on leaving behind everything she knows.She joins up with the notorious Hole in the Wall Gang. Its leader, a charismatic preacher-turned-robber, known to all as The Kid, wants to create a safe haven for women outcast from society. But to make this dream a reality, the Gang hatches a treacherous plan. And Ada must decide whether she's willing to risk her life for the possibility of a new kind of future for them all.

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Not so long ago, feeling intimations of mortality, Jan Morris embarked on a wholly novel literary enterprise. What began as a series of high-minded letters to her late daughter—in the style of Lord Chesterfield addressing his son—quickly transformed itself into a potpourri of mini-essays and vibrant reminiscences, organized around experiences both majestic and mundane, from traveling the world with her lifelong partner, Elizabeth, to sneezing and kissing and simply growing old. So Allegorizings came to be, and so Morris decided that it should only be published upon her death, not because she had anything to hide but, merely, in parting. Featuring essays largely written in the early twenty-first century, Allegorizings reflects, above all, Morris’s steadfast conviction that nothing is only what it seems. In fact, she observes, everything is allegory. Indeed, in Morris’s telling, even life—the whole conundrum of existence—is one long, majestically impenetrable allegory. Taking us from the separatist hippie colony of Bolinas, California, to her home country of Wales, and introducing us to Nepalese Sherpas and elderly cruise-goers alike, Morris follows the throughline of allegory throughout her works. In one essay, she lambasts the joylessness of maturity (“Maturity! Did ever a heart thrill to the sound of it, still less the meaning?”) and in another, decries the nonsense of nationality. With characteristic verve, she offers odes to whistling and cursing, cats, and exclamation points. Morris’s travels anchor the collection, as she revisits the iconic settings of her previous works. We join her aboard the storied Orient Express, as well as tube trains passing through the purlieus of London. So too, we hike the foothills of the Himalayas—where Morris burst onto scene with her on-the-spot reportage of the first ascent of Everest—and reflect on the picaresque allure of Tournus, a dichotomized town in France where one France, bearing all the vestiges of privilege, seems to kiss another. Intimate and luminously wise, Allegorizings is as much a testament to the virtues of embracing life as it is a testament to its charming, indignant, and ever-surprising author. In her final work, Morris’s writing is as erudite as ever, conveying a generosity of spirit “flavored by well-earned crankiness” (Vox). Though newly bereft of her company, readers will be reminded what “a good, wise, and witty companion” (Alexander McCall Smith) Morris has been to so many, for so long.

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* SOON TO BE A MINDY KALING TV SERIES ** A Book of the Month pick by CNN, Bustle, PopSugar, Entertainment Weekly and Vox ** One of The Washington Post's 10 Best Books of 2021 ** Longlisted for the Center for Fiction's First Novel Prize *‘Achingly familiar and marvellously inventive… a dizzyingly original, fiercely funny, deeply wise novel’ Celeste Ng‘Completely original, utterly absorbing, complex and confident’ Karen Joy Fowler‘Truly funny, insightful, smart and filled with wonderful characters… unmissable’ Ann NapolitanoANYONE CAN BE EXTRAORDINARY. BUT IT COMES AT A PRICE… Neil Narayan’s parents moved to America for a better life, and his perfect older sister is now headed to an elite university. Neil is funny and smart, but he is not living up to his parents’ dream. While he tries to want their version of success, mostly, Neil just wants his neighbour across the street, Anita Dayal.Once a lot like Neil, Anita is truly thriving academically, athletically and socially. Anita has a secret: she and her mother Anjali have been brewing an ancient alchemical potion from stolen gold that harnesses the ambition of the jewellery's original owner. Anita just needs a little boost to get into Harvard. When Neil – who needs a whole lot more – stumbles onto their secret and joins in the plot, events spiral into a tragedy that rips their community apart.Ten years later, Neil is an oft-stoned history grad student studying the California gold rush. Anita has given up her high-flying tech career and is working as an event planner, just for now. Anjali, the woman who gave them both so much, is in trouble, and only gold can save her. What choice do Anita and Neil have but to pull off one last heist?Gold Diggers is a dazzling coming-of-age story that speaks to anyone who ever wondered quite how they belong, and who ever dreamed of being the very best they could be.'Blends magic, mythology, alchemy and melodrama into a story about anxiety, assimilation and ambition… A delightful concoction’ Guardian'A smart and inventive coming-of-age tale that blends magical realism with a literary exploration of identity and the American dream’ Culturefly‘A funny, fresh voice in fiction and an intricately layered story full of believable characters and just a smidge of magical realism’ Red ‘A brilliant, dazzling coming-of-age story’ Woman’s Own'A spellbinding read' heat'This smart coming-of-age tale dazzles' Evening Standard

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Legendary Guitars guides you through the electric guitars of the 1950s and ’60s and the culture, styles, and music that shaped them. “Finding ways to use the same guitar people have been using for 50 years, to make sounds no one has heard before, is truly what gets me off.” —Jeff BeckLegendary Guitars: An Illustrated Guide recaps how the great instruments created and produced between 1950 and 1969 went on to define the design, looks, and playability of today’s electric guitars.Legendary Guitars draws direct lines between the mid-century originals and many of today’s most highly-prized instruments. Alongside classic originals, you’ll see great examples of more recent instruments, showing how today’s guitar makers have produced fresh interpretations that draw on the venerable ’50s and ’60s templates. The guide details everything from highly accurate (and highly priced) vintage remakes and artist models to the broader influences and mashup qualities of modern retro creations. The 1950s marked the birth of so many now-classic electric guitars: from the Gibson Les Paul and the Fender Telecaster (as seen with Bill Haley & His Comets and with Little Richard’s band) to the Gretsch 6120 and the Gibson Flying V (twanged by Duane Eddy and touted by Albert King). In the 1960s, players pushed the sound of the electric guitar—bending, distorting, and overloading the instrument to within an inch of its life—all to fire some of the most extraordinary music ever created, not least by Jimi Hendrix with an upside-down Fender Stratocaster, Eric Clapton with a psychedelic Gibson SG, and George Harrison with a 12-string Rickenbacker. The work of more than 50 guitar brands—past and present—is highlighted, including Airline, Ampeg, Antoria, Aria, Baldwin, Bigsby, Burns, Coral, Danelectro, Eko, Epiphone, Fender, Framus, Futurama, Gibson, Goya, Gretsch, Grimshaw, Guild, Guyatone, Hagstrom, Harmony, Hofner, Hopf, Ibanez, Kawai, Kay, Kent, Kustom, La Baye, Magnatone, Messenger, Micro-Frets, Mosrite, National, Rickenbacker, Silvertone, Stratosphere, Supro, Teisco Del Rey, Tokai, Vega, Vox, Wandre, Watkins, and Yamaha. Alongside the eye-popping guitar photographs is a unique collection of classic advertisements, period catalogs, and other rare memorabilia. Legendary Guitars: An Illustrated Guide also contains a chronological narrative of world events that places these remarkable instruments in the context of two decades of mesmerizing contrasts and revolutionary invention.Legendary Guitars takes you on an illustrated journey through the guitars and culture that drove the sound of rock ‘n’ roll, blues, and country, from 1950 to present day.

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Meet the Millers'Anyone who enjoys thrillers NEEDS to read this book!' *****'I practically threw the book across the room when I read THAT twist.' Heidi Perks, bestselling author of Now You See Her'Allison Dickinson has a sure fire hit on her hands' *****'Will take your breath away' CHRISTINA DALCHER, bestselling author of Vox'I loved it!!! Totally mind blowing. This is must read for all thriller lovers' *****'A fast-paced, addictive novel' LISA BALLANTYNE, author of The Guilty One'Kept me up way past my bedtime. I loved every dark and twisted page' ***** ***SOON TO BE A MAJOR TV SERIES*** _______________ Two women are watching each other. Phoebe isn't sure when the car started showing up. At first she put it down to the scandal around her late father, but she's certain now it's there for her. What's interesting about an unhappily married housewife, who barely leaves her house? Only one knows why. Every morning, not long before your husband leaves for work, I wait for the blinds beside your front door to twitch. You might think I'm sitting out here waiting to break into your house and add a piece of your life to my collection. Things aren't quite that simple. It's not a piece of your life I want. When a new family move in across the street, it provides Phoebe with a distraction. But with her head turned she's no longer focused on the woman in the car. And Phoebe really should be, because she's just waiting for an opportunity to upend Phoebe's life..._______________ THE OTHER MRS MILLER stands among the very best and is perfect for anyone who loved The Couple Next Door by Shari Lapena The Woman in the Window by A.J. Finn The Wife Between Us by Greer Hendricks & Sarah PekkanenMy Lovely Wife by Samantha Downing_______________More praise for The Other Mrs Miller...'A twisty suspense novel that will keep you guessing until its final pages' THE HERALD 'Deliciously devious' CHANDLER BAKER, author of Whisper Network 'Had me guessing until the very end' LISA LUTZ, author of The Passenger 'A thrilling page-turner!' GINA LAMANNA, author of Pretty Guilty Women'Darkly funny and deeply chilling, Allison Dickson's The Other Mrs. Miller is a summer sensation filled with twists. You won't be able to put this one down' KAIRA ROUDA, bestselling author of Best Day 'Stunning... As disconcerting as it is unexpected' PUBLISHERS WEEKLY'A Hitchcock-ian thriller from a new voice worth noting' KIRKUS REVIEW

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‘Frightening and timely, Bradley’s The Sisterhood is the book everyone should read this year. If you thought it ended with Orwell, think again . . .' CHRISTINA DALCHERVox meets The Handmaid’s Tale in this feminist reimagining of 1984 In Oceania, whoever you are, Big Brother is always watching you and trust is a luxury that no one has. Julia is the seemingly perfect example of what women in Oceania should be: dutiful, useful, subservient, meek. But Julia hides a secret. A secret that would lead to her death if it is discovered. For Julia is part of the underground movement called The Sisterhood, whose main goal is to find members of The Brotherhood, the anti-Party vigilante group, and help them to overthrow Big Brother. Only then can everyone be truly free. When Julia thinks she’s found a potential member of The Brotherhood, it seems like their goal might finally be in their grasp. But as she gets closer to Winston Smith, Julia’s past starts to catch up with her and we soon realise that she has many more secrets than we’d first imagined – and that overthrowing Big Brother might cost her everything – but if you have nothing left to lose then you don’t mind playing the game . . . This is a story about love, about family, about being a woman, a mother, a sister, a friend and ultimately about what you would sacrifice for the greater good. 'Fast-paced and suspenseful . . . The Sisterhood's greatest gift, however, may be in its message of hope, capable of surmounting even the most formidable of odds and the most uncertain of futures' KATHERINE J. CHEN, author of Joan 'A gut-wrenching, heart-breaking journey through the looking glass of 1984. Compulsively written, Julia’s is a story begging to be told' FREYA BERRY, author of The Dictator's Wife 'A shockingly relevant take on a classic' CLAIRE MCGOWAN, author of This Could Be Us 'A dazzling retelling of the classic dystopian novel, which raises profound questions about how society works, and whether or not woman have political agency. I found it memorable, deeply moving, and at times, terrifying' KATE RHODES, author of the Ben Kitto series 'Katherine Bradley has delivered a worthy counterpart to George Orwell's 1984 in this chilling, taut book. It's as claustrophobic as it needs to be; particularly frightening as one looks around and sees that we are voluntarily moving towards Orwell's nightmare. It is nothing short of a triumph' MARA TIMON, author of City of Spies ‘In this highly original take on Orwell’s 1984– the Big Brother of all dystopian classics – Bradley weaves a complex and engaging plot around the idea of a female resistance to oppressive overlords. Oppressive and creepy, but with real heart’ A. K. TURNER, author of Body Language

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‘Frightening and timely, Bradley’s The Sisterhood is the book everyone should read this year. If you thought it ended with Orwell, think again . . .' CHRISTINA DALCHERVox meets The Handmaid’s Tale in this feminist reimagining of 1984 In Oceania, whoever you are, Big Brother is always watching you and trust is a luxury that no one has. Julia is the seemingly perfect example of what women in Oceania should be: dutiful, useful, subservient, meek. But Julia hides a secret. A secret that would lead to her death if it is discovered. For Julia is part of the underground movement called The Sisterhood, whose main goal is to find members of The Brotherhood, the anti-Party vigilante group, and help them to overthrow Big Brother. Only then can everyone be truly free. When Julia thinks she’s found a potential member of The Brotherhood, it seems like their goal might finally be in their grasp. But as she gets closer to Winston Smith, Julia’s past starts to catch up with her and we soon realise that she has many more secrets than we’d first imagined – and that overthrowing Big Brother might cost her everything – but if you have nothing left to lose then you don’t mind playing the game . . . This is a story about love, about family, about being a woman, a mother, a sister, a friend and ultimately about what you would sacrifice for the greater good. 'Fast-paced and suspenseful . . . The Sisterhood's greatest gift, however, may be in its message of hope, capable of surmounting even the most formidable of odds and the most uncertain of futures' KATHERINE J. CHEN, author of Joan 'A gut-wrenching, heart-breaking journey through the looking glass of 1984. Compulsively written, Julia’s is a story begging to be told' FREYA BERRY, author of The Dictator's Wife 'A shockingly relevant take on a classic' CLAIRE MCGOWAN, author of This Could Be Us 'A dazzling retelling of the classic dystopian novel, which raises profound questions about how society works, and whether or not woman have political agency. I found it memorable, deeply moving, and at times, terrifying' KATE RHODES, author of the Ben Kitto series 'Katherine Bradley has delivered a worthy counterpart to George Orwell's 1984 in this chilling, taut book. It's as claustrophobic as it needs to be; particularly frightening as one looks around and sees that we are voluntarily moving towards Orwell's nightmare. It is nothing short of a triumph' MARA TIMON, author of City of Spies ‘In this highly original take on Orwell’s 1984– the Big Brother of all dystopian classics – Bradley weaves a complex and engaging plot around the idea of a female resistance to oppressive overlords. Oppressive and creepy, but with real heart’ A. K. TURNER, author of Body Language

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‘Frightening and timely, Bradley’s The Sisterhood is the book everyone should read this year. If you thought it ended with Orwell, think again . . .' CHRISTINA DALCHERVox meets The Handmaid’s Tale in this feminist reimagining of 1984 In Oceania, whoever you are, Big Brother is always watching you and trust is a luxury that no one has. Julia is the seemingly perfect example of what women in Oceania should be: dutiful, useful, subservient, meek. But Julia hides a secret. A secret that would lead to her death if it is discovered. For Julia is part of the underground movement called The Sisterhood, whose main goal is to find members of The Brotherhood, the anti-Party vigilante group, and help them to overthrow Big Brother. Only then can everyone be truly free. When Julia thinks she’s found a potential member of The Brotherhood, it seems like their goal might finally be in their grasp. But as she gets closer to Winston Smith, Julia’s past starts to catch up with her and we soon realise that she has many more secrets than we’d first imagined – and that overthrowing Big Brother might cost her everything – but if you have nothing left to lose then you don’t mind playing the game . . . This is a story about love, about family, about being a woman, a mother, a sister, a friend and ultimately about what you would sacrifice for the greater good. 'Fast-paced and suspenseful . . . The Sisterhood's greatest gift, however, may be in its message of hope, capable of surmounting even the most formidable of odds and the most uncertain of futures' KATHERINE J. CHEN, author of Joan 'A gut-wrenching, heart-breaking journey through the looking glass of 1984. Compulsively written, Julia’s is a story begging to be told' FREYA BERRY, author of The Dictator's Wife 'A shockingly relevant take on a classic' CLAIRE MCGOWAN, author of This Could Be Us 'A dazzling retelling of the classic dystopian novel, which raises profound questions about how society works, and whether or not woman have political agency. I found it memorable, deeply moving, and at times, terrifying' KATE RHODES, author of the Ben Kitto series 'Katherine Bradley has delivered a worthy counterpart to George Orwell's 1984 in this chilling, taut book. It's as claustrophobic as it needs to be; particularly frightening as one looks around and sees that we are voluntarily moving towards Orwell's nightmare. It is nothing short of a triumph' MARA TIMON, author of City of Spies ‘In this highly original take on Orwell’s 1984– the Big Brother of all dystopian classics – Bradley weaves a complex and engaging plot around the idea of a female resistance to oppressive overlords. Oppressive and creepy, but with real heart’ A. K. TURNER, author of Body Language

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Her best friend disappeared. A stranger came back.SEX AND THE CITY MEETS STEPHEN KING'S THE SHINING IN THIS CHILLING DEBUT Julie is missing, and no one believes she will ever return-except Elise. Elise knows Julie better than anyone. She feels it in her bones that her best friend is out there and that one day Julie will come back.She's right. Two years to the day that Julie went missing, she reappears with no memory of where she's been or what happened to her.Along with Molly and Mae, their two close friends from college, the women decide to reunite at a remote inn. But the second Elise sees Julie, she knows something is wrong-she's emaciated, with sallow skin and odd appetites. And as the weekend unfurls, it becomes impossible to deny that the Julie who vanished two years ago is not the same Julie who came back. But then who-or what-is she?An eerie storm of a debut that fuses thriller and horror into a brilliant depiction of women's friendships - the rivalries, jealousies, anxieties and love.Praise for THE RETURN'The Return expertly treads the fine line between thriller and horror. It's as deliciously creepy as opening up a box of candy-coated spiders-and eating them all in one sitting'Christina Dalcher, bestselling author of Vox'Combining suspense and horror with razor-sharp insights into the nature of female friendships, Rachel Harrison's The Return is a creepy, nerve-wracking, page-turning addition to the emerging field of horror thrillers'Alma Katsu, award-winning author of The Hunger'The Return is moving and terrifying in equal measure. A brilliant rumination on friendship, pain, and the myriad of unsuccessful ways we all try to run from our past and fill the holes in our hearts. Harrison's keen prose won't let you go. Be warned, you'll double check the locks on your doors before you try to sleep'Mallory O'Meara, author of The Lady from the Black Lagoon 'By turns scary and funny, horrifying and real, The Return is impossible to put down. It takes an honest, scathing look at female friendship while at the same time pulling the reader into a perfect nightmare of a story'Simone St. James, bestselling author of The Sun Down Motel 'The Return is supernatural horror at its very best! Sharp dialogue, complex relationships and mind-bending action will have readers locking their doors and checking under their beds. Rachel Harrison has reinvented this genre and will surely be hailed as a pioneer among her peers'Wendy Walker, bestselling author of The Night Before 'Hair-raising horror and pure entertainment in Harrison's compulsively readable debut . . . The tension and nuance of Harrison's complicated female friendships add depth to an already delicious, chilling debut'Publishers Weekly'Fusing horror and thriller together, it's an unsettling tale of rivalry, envy, fear, friendship and love' Culturefly's Books of 2020

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