Search results for ""University of Virginia Press""

The buildings of Frank Lloyd Wright are not immune to the social and environmental forces that affect all architecture. Because of the popular recognition and historical significance of his work, however, the stakes are unusually high when his buildings are modified in any way. Any additions or changes must meet the highest standards; how exactly this can be achieved is the debate that fuels this compelling new book. The essays collected here are authored by many of the top professionals in the fields of architecture and preservation. Some of the contributors worked directly on the buildings discussed and provide invaluable firsthand accounts of these projects. This is the most thorough discussion of modifying Wright’s works published to date and a fascinating commentary on preserving our architectural legacy.Contributors:Richard Longstreth on additions to historic buildings, de Teel Patterson Tiller on design in historic districts, Sidney K. Robinson on Taliesin, Anne Biebel and Mary Keiran Murphy on the Hillside School, Mark Hertzberg on the S. C. Johnson Administration Building, Dale Allen Gyure on Florida Southern College, Neil Levine on the Guggenheim Museum, Scott W. Perkins on the Price Tower, Tom Kubala on the First Unitarian Meeting House, Eric Jackson-Forsberg on the Darwin Martin House, Lynda S. Waggoner on Fallingwater, Patrick J. Mahoney on Graycliff, Thomas Templeton Taylor on the Westcott House.

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Restored to its original splendor, Montpelier is now a national shrine, but before Montpelier became a place of study and tribute, it was a home. Often kept from it by the business of the young nation, James and Dolley Madison could finally take up permanent residence when they retired from Washington in 1817. Their lifelong friend Thomas Jefferson predicted that, at Montpelier, the retiring Madison could return to his ""books and farm, to tranquility, and independence,"" that he would be released ""from incessant labors, corroding anxieties, active enemies, and interested friends.""As the celebrated historian Ralph Ketcham shows, this would turn out to be only partly true. Although the Madisons were no longer in Washington, Dolley continued to take part in its social scene from afar, dominating it just as she had during Jefferson’s and her husband’s administrations, commenting on people and events there and advising the multitude of young people who thought of her as the creator of society life in the young republic. James maintained a steady correspondence about public questions ranging from Native American affairs, slavery, and utopian reform to religion and education. He also took an active role at the Virginia Constitutional Convention of 1829-30, in the defeat of nullification, and in the establishment of the University of Virginia, of which he was the rector for eight years after Jefferson’s death. Exploring Madison’s role in these post-presidential issues reveals a man of extraordinary intellectual vitality and helps us to better understand Madison’s political thought. His friendships with figures such as Jefferson, James Monroe, and the Marquis de Lafayette-as well as his assessment of them (he outlived them all)-shed valuable light on the nature of the republic they had all helped found.In their last years, James and Dolley Madison personified the republican institutions and culture of the new nation-James as the father of the Constitution and its chief propounder for nearly half a century, and Dolley as the creator of the role of ""First Lady."" Anything but uneventful, the retirement period at Montpelier should be seen as a crucial element in our understanding of this remarkable couple.

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The Shenandoah Valley is famous for its role in Civil War history and for its great natural beauty. But there is something else: it is a tremendous place to fish. Fishing the Shenandoah Valley: An Angler's Guide is the latest stop in author M. W. Smith's continuing tour of the Commonwealth's great fishing spots. Surveying the entire Shenandoah River drainage system, including the Allegheny Mountains to the west, Smith looks in depth at these remarkably diverse waters. The book takes you by county through many of the region's stocked trout streams, as well as the wild trout streams of Shenandoah National Park, with advice for both spinning and fly-fishing. The area's largest impoundments, Lakes Frederick and Shenandoah, are thoroughly covered, from access points and contact information to the best techniques for landing largemouth bass, crappie, bluegill, and catfish. The book also devotes an entire chapter to the Shenandoah River, and includes more than just sound advice on catching smallmouth bass - you also get details on float trips, including tips on the river's rapids, as well as adjustments for winter and spring fishing. As with all of M. W. Smith's fishing guides, Fishing the Shenandoah Valley takes your complete fishing trip into account, answering questions about guide services, tackle shops, campsites - as well as providing detailed descriptions of the various species, so you know what you're catching, not simply how to catch it. There's always more to fishing than just getting a line wet.

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What is household government? To the vast majority of those living in America from the seventeenth to the mid-nineteenth century it was the government. The head of a household, invariably an adult male, had authority over the property, labor, and mobility of not only his minor children but also his wife, servants, slaves, and the occasional debtors, indigents, or orphans the county paid him to board in the absence of institutional facilities. A History of Household Government in America tells the story of the seldom noted expansion and then the dramatic contraction in household authority and the effects these changes had on the governmental system. The disintegration of household powers during the mid-nineteenth century - the household's ""civil war"" - is much more central to what makes that period seem modern than industrialization or urbanization. Carole Shammas offers new explanations for why the American household head became such an early victim of household egalitarianism. Previous theories involving the frontier or the Revolution have ignored other factors unique to the American household system such as testamentary freedom, weak lineage controls, and the lack of an established church, all of which left the head vulnerable to challenges by dependents. These factors also affected the development of social services: In the United States, public and private welfare agencies originated largely out of concerns about the adequacy of household management and discipline. Religious rivalries eventually forced a partial return to household solutions through a welfare state system. That history helps explain why even today any departure from heterosexual two-parent family units continues to be viewed as dysfunctional by a significant portion of the population.

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This text is a look at how the social welfare system in the United States developed, and with what results. It critically assesses how social workers invent themselves as they simultaneously invent their field of knowledge, and in so doing, upsets conventional understandings of social work.

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Forty million Americans indulged in a national obsession in 1930: they eagerly tuned in Amos 'n' Andy, the nightly radio comedy in which a pair of white actors portrayed the adventures of two black men making a new life in the big city. Meanwhile, some angry African Americans demanded that Amos 'n' Andy be banned, even as others gathered in the barbershops and radio stores of Harlem to chuckle over the adventures of Amos, Andy, and the Kingfish. Melvin Patrick Ely unveils a fascinating tale of America's shifting color line, in which two professional directors of blackface minstrel shows manage to produce a serives so rich and complex that it wins admirers ranging from ultra-racists to outspoken racial egalitarians. Eventually, the pair stir further controversy when they bring their show to television. In a preface written especially for this new edition of his acclaimed classic, Ely shows how white and black responses to his Adventures of Amos 'n' Andy since 1991 tell a revealing story of their own about racial hopes and fears at the turn of the twenty-first century.

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Following the election of Donald Trump, the office of the U.S. president has come under scrutiny like never before. Featuring penetrating insights from high-profile presidential scholars, The Presidency provides the deep historical and constitutional context needed to put the Trump era into its proper perspective.Identifying key points at which the constitutional presidency could have evolved in different ways from the nation's founding days to the present, these scholars examine presidential decisions that determined the direction of the nation and the world.

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The debut publication in a new Series devoted to the body as an object of historical study, Sight Correction provides an expansive analysis of blindness in eighteenth-century Britain, developing a new methodology for conceptualizing sight impairment. Beginning with a reconsideration of the place of sight correction as both idea and reality in eighteenth-century philosophical debates, Chris Mounsey traces the development of eye surgery by pioneers such as William Read, Mary Cater, and John Taylor, who developed a new idea of medical specialism that has shaped contemporary practices. He then turns to accounts by the visually impaired themselves, exploring how Thomas Gills, John Maxwell, and Priscilla Pointon deployed literature strategically as a necessary response to the inadequacies of Poor Laws to support blind people. Situating blindness philosophically, medically, and economically in the eighteenth century, Sight Correction shows how the lives of both the blind and those who sought to treat them redefined blindness in ways that continue to inform our understanding today.

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Entering its nineteenth year, Best New Poets has established itself as a crucial venue for rising poets and a valuable resource for poetry lovers. The only publication of its kind, this annual anthology is made up exclusively of work by writers who have not yet published a full-length book. The poems included in this eclectic sampling represent the best from the many that have been nominated by the country’s top literary magazines and writing programs, as well as some two thousand additional poems submitted through an open online competition. The work of the fifty writers represented here provides the best perspective available on the continuing vitality of poetry as it is being practiced today.

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From 1642 to 1660, live theater was banned in England. The market for printed books, however—including plays—flourished. How did this period, when plays could be read but not performed, affect the way drama was written thereafter? As Katherine Mannheimer demonstrates, the plays of the following decades exhibited a distinct self-consciousness of drama’s status as a singular art form that straddled both page and stage.Scholars have commented on how the ban on live performance changed the way consumers read plays, but no previous book has addressed how this upheaval changed the way dramatists wrote them. In Restoration Drama and the Idea of Literature, Mannheimer argues that Restoration playwrights recognized and exploited the tension between print and performance inherent to all drama. By repeatedly and systematically manipulating this tension, these authors’ works sought to court the reader while at the same time also challenging emergent concepts of "literature" that privileged textuality and print culture over the performing body and the live voice.

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What does it mean for a nation and its citizens to be virtuous? The term "virtue" is ubiquitous in eighteenth-century British literature, but its definition is more often assumed than explained. Bringing together two significant threads of eighteenth-century scholarship—one on republican civic identity and the mythic legacy of the freeborn Briton and the other on how England’s global encounters were shaped by orientalist fantasies— Orienting Virtue examines how England’s sense of collective virtue was inflected and informed by Eastern empires.Bethany Williamson shows how England’s struggle to define and practice national virtue hinged on the difficulty of articulating an absolute concept of moral value amid dynamic global trade networks. As writers framed England’s story of exceptional liberties outside the "rise and fall" narrative they ascribed to other empires, virtue claims encoded anxieties about England’s tenuous position on the global stage, especially in relation to the Ottoman, Mughal, and Far Eastern empires. Tracking valences of virtue across the century’s political crises and diverse literary genres, Williamson demonstrates how writers consistently deployed virtue claims to imagine a "middle way" between conserving ancient ideals and adapting to complex global realities. Orienting Virtue concludes by emphasizing the ongoing urgency, in our own moment, of balancing competing responsibilities and interests as citizens both of nations and of the world.

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Social design—the practice of designing for poverty relief—is one of the most popular fields in contemporary architecture. Its advocates, focusing on the architect’s creativity and good intentions, are overwhelmingly laudatory, while its detractors, concerned with the experience of its beneficiaries, have dismissed it as an expression of cultural imperialism. Placed midway between innocuous celebration and radical critique, Sustainability and Privilege highlights the lessons that can be learned from social design’s current limitations and proposes a feasible way to improve this practice.In this broad-ranging account, enlivened by fieldwork and case studies, Gabriel Arboleda contends that social design’s invocation of sustainability often serves to marginalize and displace vulnerable populations through projects that involve experimentation of faulty alternative technologies, or that result in so-called green gentrification, or that impose untoward economic and other burdens. Arboleda is fiercely critical of the way social design has been carried out in impoverished regions of the world, most notably in Africa and Latin America. In addressing the challenges posed by issues of privilege in social design’s use of sustainability, the book proposes a new interdisciplinary approach called ethnoarchitecture, arguing for a simpler, open-ended, and stakeholder-driven process that eliminates the casual imposition of the architect’s ideas on vulnerable populations, foregrounding the people’s voices, experience, and input in social design practice.

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To this day, women face barriers in entering scientific professions, and in earlier eras the challenges were greater still. But in Botanical Entanglements, Anna Sagal reveals how women’s active participation in scientific discourses of the eighteenth century was enabled by the manipulation of social and cultural conventions that have typically been understood as limiting factors. By taking advantage of the intersections between domesticity, femininity, and nature, the writers and artists studied here laid claim to a specific authority on naturalist subjects, ranging from botany to entomology to natural history more broadly.Botanical Entanglements pairs studies of well-known authors—Eliza Haywood, Charlotte Lennox, Maria Edgeworth, and Charlotte Smith—with authors and artists who receive less attention in this context—Priscilla Wakefield, Maria Jacson, Elizabeth Blackwell, Henrietta Maria Moriarty, and Mary Delany—to offer a nuanced portrait of the diverse strategies women employed to engage in scientific labor. Using socially acceptable forms of textual production, including popular periodicals, didactic texts, novels, illustrated works, craftwork, and poetry, these women advocated for more substantive and meaningful engagement with the natural world. In parallel, the book also illuminates the emotional and physical intimacies between women, plants, and insects to reveal an early precursor to twenty-first-century theorizing of plant intelligence and human-plant relationships. Recognizing such literary and artistic "entanglement" facilitates a more profound understanding of the multifaceted relationship between women and the natural world in eighteenth-century England.

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A country bitterly divided between two political parties. Populist mobs rising in support of a reactionary rabble-rouser. Foreign interference in the political process. Strained relations between Britain and Europe. These are not recent headlines they are from the year 1710, when Queen Anne ruled Britain.In her engagingly written Backlash, Rachel Carnell tells the fascinating and entertaining account of the reign of Queen Anne and the true story behind the fall of the Whig government imaginatively depicted in the 2018 film The Favourite. As Carnell shows, the truth was significantly different and in many ways more interesting than what the film depicted.The backlash began in 1709 when the Whigs arrested a popular female Tory political satirist and then impeached a provocative High Church clergyman for preaching a sermon repudiating the ideals of parliamentary monarchy and religious tolerance. The impeachment trial backfired, and mobs surged in the streets supporting the Tory preacher and threatening religious minorities. With charges dropped against the satirist, by 1710 she had written a best-selling sequel.Queen Anne was careful and diligent in her monarchical duties. She tried to run a government balanced between the parties, but finally torn between the Whigs (including her longtime friends the Duke and Duchess of Marlborough) and the proto-Brexiteer Tories, she dissolved Parliament and called for elections. This brought in a majority for the Tories, who swiftly began passing reactionary legislation. While the Whigs would return to power after Anne's death in 1714 and reverse the Tory policies, this little-known era offers an important historical perspective on the populist backlashes in the United States and United Kingdom today.

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As cities evolve and resources shift with time, spaces within those cities are often left fallow and abandoned. Cyclical City tells the stories behind these sites, from Philadelphia's Liberty Lands park to Lisbon's Green Plan, and it looks at the ways in which these narratives can be leveraged toward future engagement and use. Jill Desimini posits a fundamental role for spatial design practice to transform abandoned urban landscapes through time. She argues for approaches that promote the specific affordances of the land itself (hydrology, vegetation, topography, geology, infrastructural capacity, occupation potential); the importance of cyclical change; and the particularities of the cultural, political, and physical context. These themes are explored in five cities - Philadelphia, Berlin, Lisbon, Amsterdam, and Saint Louis - and across centuries, from periods of great upheaval to ones of relative stability and even economic growth. Desimini considers what landscape-driven design can bring to cities losing people and economic resources, how design practice can be more inclusive in a context of market failure, and the ways in which abandoned landscapes can become our commons.

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Eighteenth-century British culture was transfixed by the threat of contagion, believing that everyday elements of the surrounding world could transmit deadly maladies from one body to the next. Physicians and medical writers warned of noxious matter circulating through air, bodily fluids, paper, and other materials, while philosophers worried that agitating passions could spread via certain kinds of writing and expression. Eighteenth-century poets and novelists thus had to grapple with the disturbing idea that literary texts might be doubly infectious, communicating dangerous passions and matter both in and on their contaminated pages.Reading Contagion, Annika Mann argues that the fear of infected books energized aesthetic and political debates about the power of reading, which could alter individual and social bodies by connecting people of all sorts in dangerous ways through print. Daniel Defoe, Alexander Pope, Tobias Smollett, William Blake, and Mary Shelley ruminate on the potential of textual objects to absorb and transmit contagions with a combination of excitement and dread. This book vividly documents this cultural anxiety while explaining how writers at once reveled in the possibility that reading could transform the world while fearing its ability to infect and destroy.

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The stages of antebellum New Orleans did more than entertain. In the city's early years, French-speaking residents used the theatre to assert their political, economic, and cultural sovereignty in the face of growing Anglo-American dominance. Beyond local stages, the francophone struggle for cultural survival connected people and places in the early United States, across the American hemisphere, and in the Atlantic world.Moving from France to the Caribbean to the American continent, Creole Drama follows the people that created and sustained French theatre culture in New Orleans from its inception in 1792 until the beginning of the Civil War. Juliane Braun draws on the neglected archive of francophone drama native to Louisiana, as well as a range of documents from both sides of the Atlantic, to explore the ways in which theatre and drama shaped debates about ethnic identity and transnational belonging in the city. Francophone identity united citizens of different social and racial backgrounds, and debates about political representation, slavery, and territorial expansion often played out on stage.Recognizing theatres as sites of cultural exchange that could cross oceans and borders, Creole Drama offers not only a detailed history of francophone theatre in New Orleans but also an account of the surprising ways in which multilingualism and early transnational networks helped create the American nation.

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This collection of papers chronicles George Washington's first winter at Morristown. Situated in the hills of north central New Jersey, Morristown offered protection against the British army headquartered in New York yet enabled Washington to annoy the principal enemy outposts.

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Beginning with Madison's return to Washington from Montpelier, this fourth volume in the ""Secretary of State"" series ends with the acquisition of Louisiana by the United States. The letters show Madison's response to the ""Louisiana Crisis"" as it happened and annotation aids understanding of events.

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Cornelia Hahn Oberlander is one of the most important landscape architects of the twentieth century, yet despite her lasting influence, few outside the field know her name. Her work has been instrumental in the development of the late-twentieth-century design ethic, and her early years working with architectural luminaries such as Louis Kahn and Dan Kiley prepared her to bring a truly modern?and audaciously abstract?sensibility to the landscape design tradition. In Cornelia Hahn Oberlander: Making the Modern Landscape, Susan Herrington draws upon archival research, site analyses, and numerous interviews with Oberlander and her collaborators to offer the first biography of this adventurous and influential landscape architect. Born in 1921, Oberlander fled Nazi Germany at the age of eighteen with her family, going on to become one of the few women to graduate from Harvard University’s Graduate School of Design in the late 1940s. For six decades she has practiced socially responsible and ecologically sensitive planning for public landscapes, including the 1970s design of the Robson Square landscape and its adjoining Provincial Law Courts?one of Vancouver’s most famous spaces. Herrington places Oberlander within a larger social and aesthetic context, chronicling both her personal and professional trajectory and her work in New York, Philadelphia, Vancouver, Seattle, Berlin, Toronto, and Montreal. Oberlander is a progenitor of some of the most significant currents informing landscape architecture today, particularly in the area of ecological focus. In her thorough biography, Herrington draws much-deserved attention to one of the truly important figures in landscape architecture.

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The ""holy poor"" have long maintained an elite status within Christianity. Differing from the ""real"" poor, these clergymen, teachers, and ascetics have historically been viewed by their fellow Christians as persons who should receive material support in exchange for offering immeasurable immaterial benefits—teaching, preaching, and prayer. Supporting them—quite as much as supporting the real poor—has been a way to accumulate eventual treasure in heaven. Yet from the rise of Christian monasticism in Egypt and Syria to present day, Christians have argued fiercely about whether monks should work to support themselves.In Treasure in Heaven, renowned historian Peter Brown shifts attention from Western to Eastern Christianity, introducing us to this smoldering debate that took place across the entire Middle East from the Euphrates to the Nile. Seen against the backdrop of Asia, Christianity might have opted for a Buddhist model by which holy monks lived by begging alone. Instead, the monks of Egypt upheld an alternative model that linked the monk to humanity and the monastery to society through acceptance of the common, human bond of work. This model of Third World Christianity—a Christianity that we all too easily associate with the West—eventually became the basis for the monasticism of western Europe, as well as for modern Western attitudes to charity and labor. In Treasure in Heaven, Brown shows how and why we are still living—at times uncomfortably—with that choice.

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The pivotal figure in John Elder's latest book - itself a combination of environmental history, travel writing, literary criticism, and memoir - is the nineteenth-century diplomat and writer George Perkins Marsh, generally regarded now as Americais first environmentalist. Like Elder, Marsh was a Vermonter, and his diplomatic career took him for some years to Italy, where, witnessing the ecological devastation wrought upon the landscape by runaway deforestation and the plundering of other natural resources, he was moved to produce his famous manifesto, Man and Nature. Marsh drew parallels between the despoiled Italian environment and his home landscape of Vermont, warning that it was vulnerable to ecological woes of a similar magnitude if not carefully maintained and protected. In short, his was a prescient voice for stewardship. On a Fulbright year, Elder chooses to follow in Marsh's footsteps along a trajectory running from Vermont to Italy, and at length fetches up at the managed forest of Vallombrosa - which, as it happens, boasts a stand of sugar maples planted by Marsh. Punctuated throughout with learned and genial considerations of the poetry of Wordsworth, Basho, Dante, and Frost, Elderis narrative takes up issues of sustainability as practiced locally, reports on family doings (including his wife's reconnecting with Italian relatives), and returns finally - as did Marsh's - to Vermont, where he measures traditional stewardship values against more aggressive conservation-oriented measures such as the expansion of wilderness areas. Elder also extends the idea of sustainability from maintaining a healthy human-environmental balance to maintaining a strong web of social relationships within both the family and the larger community. Here is an exceptional reading experience, the chance to follow two of the finest chroniclers of our place in nature - separated by years, but by surprisingly little else.

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The South African literature of iimbongi, the oral poets of the amaXhosa people, has long shaped understandings of landscape and history and offered a forum for grappling with change. Of Land, Bones, and Money examines the shifting role of these poets in South African society and the ways in which they have helped inform responses to segregation, apartheid, the injustices of extractive capitalism, and contemporary politics in South Africa.Emily McGiffin first discusses the history of the amaXhosa people and the environment of their homelands before moving on to the arrival of the British, who began a relentless campaign annexing land and resources in the region. Drawing on scholarship in the fields of human geography, political ecology, and postcolonial ecocriticism, she considers isiXhosa poetry in translation within its cultural, historical, and environmental contexts, investigating how these poems struggle with the arrival and expansion of the exploitation of natural resources in South Africa and the entrenchment of profoundly racist politics that the process entailed. In contemporary South Africa, iimbongi remain a respected source of knowledge and cultural identity. Their ongoing practice of producing complex, spiritually rich literature continues to have a profound social effect, contributing directly to the healing and well-being of their audiences, to political transformation, and to environmental justice.

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Entering its eleventh year, Best New Poets has established itself as a crucial venue for rising poets and a valuable resource for poetry lovers. The only publication of its kind, this annual anthology is made up exclusively of work by writers who have not yet published a full-length book. The poems included in this eclectic sampling represent the best from the many that have been nominated by the country’s top literary magazines and writing programs, as well as some two thousand additional poems submitted through an open online competition. The work of the fifty writers represented here provides the best perspective available on the continuing vitality of poetry as it is being practiced today.

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The 2017 "Summer of Hate" in Charlottesville became a worldwide media event, putting at center stage the resurgence of emboldened and empowered white supremacy and "alt-right" extremism, as well as the antiracist movement opposing it. Aniko Bodroghkozy’s trenchant study examines this formative moment in recent U.S. history by juxtaposing it against two other epochal moments that put American racism and the struggle against it on worldwide display: the 1963 Birmingham and 1965 Selma campaigns of the civil rights movement. Making #Charlottesville investigates the historical "rhymes" in the mass media’s treatment of these events, separated by half a century, along with the ways that activists on both sides made use of the new media environment of their day to organize and amplify their respective messages. Bodroghkozy teases out the connections, similarities, and resonances among these events—from the ways all three places were consciously chosen as stage sets for media campaigns, to the similarly iconic and heavily circulated images they produced, to the sustained cultural purchase they continue to hold in the United States and around the world.

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The Lost Cause ideology that emerged after the Civil War and flourished in the early twentieth century in essence sought to recast a struggle to perpetuate slavery as a heroic defense of the South. As Adam Domby reveals here, this was not only an insidious goal; it was founded on falsehoods. The False Cause focuses on North Carolina to examine the role of lies and exaggeration in the creation of the Lost Cause narrative. In the process the book shows how these lies have long obscured the past and been used to buttress white supremacy in ways that resonate to this day.Domby explores how fabricated narratives about the war’s cause, Reconstruction, and slavery—as expounded at monument dedications and political rallies—were crucial to Jim Crow. He questions the persistent myth of the Confederate army as one of history’s greatest, revealing a convenient disregard of deserters, dissent, and Unionism, and exposes how pension fraud facilitated a myth of unwavering support of the Confederacy among nearly all white Southerners. Domby shows how the dubious concept of "black Confederates" was spun from a small number of elderly and indigent African American North Carolinians who got pensions by presenting themselves as "loyal slaves." The book concludes with a penetrating examination of how the Lost Cause narrative and the lies on which it is based continue to haunt the country today and still work to maintain racial inequality.

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This inspiring memoir begins in 1983, on the day John Charles Thomas was sworn in as the first Black—and, at thirty-two years of age, the youngest—justice of the Supreme Court of Virginia in the commonwealth’s history. This high point was preceded, however, by a life that began in a home broken by poverty, alcoholism, and violence, and the segregated schools and neighborhoods of postwar Norfolk. How this triumph against such tremendous odds came about is no feel-good story or fable but a real-life journey full of poignant stories.This eloquent memoir is the work of a man who cares deeply about language. In addition to being a social justice pioneer, Judge Thomas is an accomplished poet who has recited his poetry to a Carnegie Hall audience and who here reflects on his twin loves of poetry and the law. As he chronicles his trajectory from the "wrong side of the tracks" in Norfolk to the supreme court bench in Richmond, he takes us from his difficult beginnings to a professional life as a Virginia lawyer, recounts his international travels, and shares his encounters with world leaders such as Chuck Robb and Mikhail Gorbachev. Thomas’s memoir highlights these lofty meetings but also relates with candor the challenges he encountered as he battled the systemic racism that suffuses U.S. society to this day.

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A revolution has been taking place in the ranks of higher education. University and college presidents—once almost invariably the products of ""traditional"" scholarly, tenure-track career paths, up through the provost’s office—are rapidly becoming a group with diverse skills and backgrounds. The same is true for many deans and administrative leaders.In Higher Calling: The Rise of Nontraditional Leaders in Academia, Scott C. Beardsley, dean of the University of Virginia’s prestigious Darden School of Business, offers a new vision of leadership for today’s higher education. Grounded in the author’s own inspirational story of leaving McKinsey & Company in pursuit of a new source of meaning in his professional life, Higher Calling employs research gathered from search firm executives who now play king or queen maker in presidential and dean searches. It also takes into account information from U.S. liberal arts colleges—considered by many to be the bellwethers of change—to explore what set of strengths an institution of higher education needs in a leader in the twenty-first century. Beardsley explores the widely varying definitions and associated numbers of traditional and nontraditional leaders and asks, Why are U.S. colleges and universities hiring nontraditional candidates to lead them into the future? How are the skills required to lead higher education institutions changing? Or has the search process changed, resulting in a more diverse set of candidates?Providing not only an analysis of nontraditional leaders in higher education but also strategies for developing skills and selecting leaders, Beardsley offers a wealth of information for the modern university in the face of change.

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The Dooleys of Richmond is the biography of a dynamic and philanthropic Irish Catholic immigrant family who came to Virginia in the nineteenth century. While most Irish Catholic immigrants of the period were poor and illiterate, John and Sarah Dooley possessed both sophistication and capital. He established a large hat manufacturing enterprise and became a leader in business, education, and politics in Virginia.Mary Lynn Bayliss recounts the family’s fortunes during their prosperous antebellum years, John and his sons’ service in the Confederate army, John’s exploits as leader of the Richmond Ambulance Committee, and the loss of the entire Dooley retail and manufacturing operations during the final days of the Civil War. The Dooleys’ son James, a leading Richmond lawyer and philanthropist, devoted half a century to developing railroad networks across the United States and became a key figure in the industrialization of the New South. He and his wife, Sallie, built Maymont, the famed Gilded Age estate that remains a major attraction of Richmond. The story of the Dooleys is a fascinating window on southern society and the people who shaped its grand and turbulent history.

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During the period around volume 3 of the Retirement Series, James Madison remained largely at Montpelier, except for occasional visits to neighbors and attendance at ceremonial dinners and semiannual meetings of the Board of Visitors of the University of Virginia. Madison’s correspondence in this period was wide-ranging and included replies to requests for advice from President James Monroe. His exchange of letters with Thomas Jefferson dealt primarily with the construction and financing of the university and the search for professors. In addition to responding to the host of individuals who sent him books and pamphlets and requested letters of introduction and recommendation to political office, Madison also engaged with such eminent men as Richard Rush, James Barbour, Henry Clay, Mathew Carey, Edward Livingston, and George Hay. In these letters he offers his opinion on constitutional issues, reiterates his support for strict separation between church and state, and expresses his views on the tariff, political parties, the common law, and public education. Finally, his private letters deal with daily life at Montpelier and the management of the plantation. Access to people, places, and events is facilitated by detailed annotation and a comprehensive index.

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When Michael Dukakis accused George H. W. Bush of being the ""Joe Isuzu of American Politics"" during the 1988 presidential campaign, he asserted in a particularly American tenor the near-ancient idea that lying and politics (and perhaps advertising, too) are inseparable, or at least intertwined. Our response to this phenomenon, writes the renowned intellectual historian Martin Jay, tends to vacillate - often impotently - between moral outrage and amoral realism. In The Virtues of Mendacity, Jay resolves to avoid this conventional framing of the debate over lying and politics by examining what has been said in support of, and opposition to, political lying from Plato and St. Augustine to Hannah Arendt and Leo Strauss. Jay proceeds to show that each philosopher's argument corresponds to a particular conception of the political realm, which decisively shapes his or her attitude toward political mendacity. He then applies this insight to a variety of contexts and questions about lying and politics. Surprisingly, he concludes by asking if lying in politics is really all that bad. The political hypocrisy that Americans in particular periodically decry may be, in Jay's view, the best alternative to the violence justified by those who claim to know the truth.

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The Haiti of Yanick Lahens' path-breaking short fiction is a country demanding our compassion as it reveals to us its horrors. For decades among the forefront of Haitian writers. Lahens has embarked on a renewal of the genre of short stories that she inherited from Caribbean - and especially Haitian - traditions. Through her elliptical and sharp style she succeeds in conveying the authenticity of her people's tragic fight for survival within the scope of our shared human experience. Here is day-to-day life, packed with its myriad emotions, desires, and contradictions, against a backdrop of extraordinary circumstances. The men and women glimpsed in Lahens' stories are confronted with the overwhelming task of simply staying alive. 'The Survivors' unfolds under the Duvalier dictatorship. The story, centered on a group of men who dream of somehow striking out against the regime, shows how fear is passed down from generation to generation. Life is no simpler in the post-Duvalier world of the title story, in which a young man is caught between a mother who lives a devout life filled with self-imposed restrictions and an aunt who religiously serves the spirits of Vodou but makes no apologies for working in the black market. The twelve-year-old girl who narrates 'Madness Had Come with the Rain' finds herself swept up in a violent riot following the death of a modern Robin Hood. Lahens' women, although they may act as the poto mitan (or 'central pole') in family life and society, experience a particularly grim fate. In the eviction tale, 'And All This Unease' a beautiful girl reminisces about her happy childhood in the country in order to forget her current life as a prostitute. Yanick Lahens presents testimonies, opens intimacies, sometimes offers hope, but always returns to the despair afflicting Haiti, because lying within it is the key to her country. The first collection of Lahens' unforgettable short stories available in English, this volume will bring one of the most important voices in contemporary literature to the wider audience it deserves.

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Over the past decade, The Civilizations of Africa has established itself as the most authoritative text on early African history. Addressing the glaring lack of texts concentrating on earlier African eras, Christopher Ehret’s trailblazing book has been combined with histories of Africa since 1800 to build a full and well-rounded understanding of the roles of Africa’s peoples in human history. Examining inventions and civilizations from 16,000 BCE to 1800 CE, Ehret explores the wide range of social and cultural as well as technological and economic change in Africa, relating all these facets of African history to developments in the rest of the world.This updated edition incorporates new research, as well as an extensive new selection of color images.

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Captain John Smith's voyages throughout the New World did not end - or, for that matter, begin - with the trip on which he was captured and brought to the great chief Powhatan. Partly in an effort to map the region, Smith covered countless leagues of the Chesapeake Bay and its many tributary rivers, and documented his experiences. In this ambitious and extensively illustrated book, scholars from multiple disciplines take the reader on Smith's exploratory voyages and reconstruct the Chesapeake environment and its people as Smith encountered them.

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George Washington, acutely aware of the accomplishments and potential of the American Revolution, used his Mount Vernon estate both to preserve the memory of events that had created a new nation and to forward his keen vision of what that nation might become. During the 1780s and 1790s, an era when neither public museums nor a national library existed, visitors to Mount Vernon viewed John Trumbull's iconic image of the signing of the Declaration of Independence, Houdon's famous bust of the country's preeminent hero, and Washington's voluminous wartime correspondence. More important, they listened as the Washingtons recalled the remarkable events that had forged independence and the unique American experiment in representative government. At Mount Vernon, too, Washington and his guests discussed how best to secure the success and well-being of the United States. Here was a place to contemplate ""what the nation, at its best, might be."" Following George and Martha Washington's deaths, the estate passed to four successive heirs, the last of whom deeded it to the Mount Vernon Ladies' Association in 1860. While still in private hands, the property nonetheless attracted thousands of visitors each year, most of whom arrived after a fifteen-mile overland trek from Washington, D.C. With the establishment of regular steamboat access in the 1850s, the numbers swelled to ten thousand annually. The public claimed Mount Vernon as its own. In the words of a nineteenth-century Washington family member, ""the Nation shares it with us."" In a remarkable display of civic religion that testified to the site's enormous hold on the public imagination, Americans pronounced Mount Vernon sacred ground and made it the nation's most important site of revolutionary memory and inspiration. The sacred ground was, nonetheless, contested ground: visitors criticized the heirs' management of the property; northerners abhorred the persistence of slavery at the estate. As pilgrims contemplated the highest ideals of the Revolution at Washington's home and tomb, they often found their own society wanting. Amid escalating sectional strife in the 1850s, some argued that if Mount Vernon could be saved for the nation, the nation might be preserved from ruin. In letters and journals, newspaper and magazine articles, and public speeches, visitors recorded, often in detail and with intense emotion, their varied reactions to the site. ""Experiencing Mount Vernon"" presents the most informative of these accounts, as well as selected documents from the Washington owners (beginning with Washington himself, who in 1784 prematurely wrote Lafayette that, at his beloved home, he had ""retired from all public employments""). Numerous maps, contemporary images, and annotations complement the texts. This book constitutes the only eyewitness chronicle we have of the Washington estate's ascent to the status of national shrine, and it offers the closest possible evidence of Mount Vernon's singular role in helping forge American national identity.

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Traditionally, Socrates has been linked to the view of reason as the most important element in human behavior, the means through which our irrational capacities are tamed. Yet, one might ask, if his legacy were solely derived from his having been a master reasoner, why would he have been able to maintain his place in our imaginations for so long? In ""Socrates and the Irrational"", James Hans argues that when Socrates speaks for himself, he reveals a far more complex portrait of the nature of human existence than the Platonic conception of him has conveyed. Exploring Socratic thought through four key dialogues - the Ion, the Apology, the Phaedrus, and the Republico Hans offers a larger vision of both Socrates and human potential that goes beyond the reductive placement of reason on the side of the good and unreason on the side of the bad. Embracing Socrates' reverence for poets, his reliance on feeling and intuition, his attitude toward death, and his defense of prophecy and love, Hans shows how thoroughly the Socratic idea of reason is based on the affective aspects of bodily existence that traditional approaches to his thought ignore. For those who have a philosophical interest in the foundation of Western thought as well as those whose interests in the humanities encompass the nature of the examined life, ""Socrates and the Irrational"" is both an accessible and an erudite journey into the mind of this central figure of our civilization.

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Lincoln Perry is justly celebrated for his murals and edgy narrative figure paintings, with their saturated palette and multifaceted architectural compositions - Poussin refracted through de Chirico. This beautiful new book showcases his images of Charlottesville, Virginia - many of them multipanel compositions featuring the University of Virginia and its environs - accompanied by an essay and interview by his wife, the writer Ann Beattie. Perry's mural ""The Student's Progress"", which depicts a woman's education and social experience from matriculation through graduation, is familiar to University of Virginia students, faculty, and visitors, but Perry has been painting Charlottesville subjects on and off since 1985, when he first moved to town. From his early explorations of the complex relationships between professors and students, played out against the backdrop of Jefferson's Lawn, through his intriguing depictions of the city's domestic interiors, buildings, and streets, Perry illuminates a different side of a place widely appreciated for its history and natural beauty. ""Charlottesville"", writes Beattie, ""both disturbs and calls to [Perry]: it's a paradoxically comfortable and uncomfortable not-quite-home he has been drawn to many times for reasons he can't easily articulate...I think that Lincoln likes the town's quirkiness and its lack of uniformity. It's also a place that allows him to practice the x-ray vision so many visual people have for underpinnings: the contradictions that can be drawn upon and aesthetically dramatized...The place sparks his imagination, and with his paintbrush, he sparks it, charging the air with a bit of unexpected - but very recognizable - light."" Together, Perry and Beattie give us a view of Charlottesville, of place and artistic production that carries with it the warmth of recognition and the thrill of discovery.

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Long treated with skepticism in literary and cultural studies, love as a subject of serious scholarly inquiry is now attracting intense interest and renewed attention. Love, Etc. centers on two key themes: representations of love in literature and culture and love as a relationship to literature and culture.

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In this lively analysis, Daniel Wirls examines the Senate in relation to our other institutions of government and the constitutional system as a whole, exposing the role of the "world’s greatest deliberative body" in undermining effective government and maintaining white supremacy in America.As Wirls argues, from the founding era onward, the Senate constructed for itself an exceptional role in the American system of government that has no firm basis in the Constitution. This self-proclaimed exceptional status is part and parcel of the Senate’s problematic role in the governmental process over the past two centuries, a role shaped primarily by the combination of equal representation among states and the filibuster, which set up the Senate’s clash with modern democracy and effective government and has contributed to the contemporary underrepresentation of minority members. As he explains, the Senate’s architecture, self-conception, and resulting behavior distort rather than complement democratic governance and explain the current gridlock in Washington, D.C. If constitutional changes to our institutions are necessary for better governance, then how should the Senate be altered to be part of the solution rather than part of the problem? This book provides one answer.

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