Search results for ""University of Oklahoma Press""

The author of eighteen spellbinding detective novels set on the Navajo Nation, Tony Hillerman simultaneously transformed a traditional genre and unlocked the mysteries of the Navajo culture to an audience of millions. His best-selling novels added Navajo Tribal Police detectives Joe Leaphorn and Jim Chee to the pantheon of American fictional detectives. Morris offers a balanced portrait of Hillerman’s personal and professional life and provides a timely appreciation of his work. In intimate detail, Morris captures the author’s early years in Depression-era Oklahoma; his near-death experience in World War II; his sixty-year marriage to Marie; his family life, including six children, five of them adopted; his work in the trenches of journalism; his affliction with PTSD and its connection to his enchantment with Navajo spirituality; and his ascension as one of America’s best-known authors of mysteries. Further, Morris uncovers the almost accidental invention of Hillerman’s iconic detective Joe Leaphorn and the circumstances that led to the addition of Jim Chee as his partner. Hillerman’s novels were not without controversy. Morris examines the charges of cultural appropriation leveled at the author toward the end of his life. Yet, for many readers, including many Native Americans, Hillerman deserves critical acclaim for his knowledgeable and sensitive portrayal of DinÉ (Navajo) history, culture, and identity. At the time of Hillerman’s death, more than 20 million copies of his books were in print, and his novels inspired Robert Redford to adapt them to film. In weaving together all the elements of the author’s life, Morris drew on the untapped collection of the author’s papers, extensive archival research, interviews with friends, colleagues, and family, as well as travel in the Navajo Nation. Filled with never-before-told anecdotes and fresh insights, Tony Hillerman will thrill the author’s fans and awaken new interest in his life and literary legacy.

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Even before he was shot and killed in 1881, Billy the Kid's charisma and murderous career were generating stories that belied his brief life - and that only multiplied, growing to legendary proportions after his death at age twenty-one. In Thunder in the West, Richard W. Etulain takes the true measure of Billy, the man and the legend, and presents the clearest picture yet of his life and his ever-shifting place and presence in the cultural landscape of the Old West. Billy the Kid - born Henry McCarty in 1859, and also known as William H. Bonney - emerges from these pages in all his complexity, at once a gentleman and gregarious companion, and a thief and violent murderer. Tapping new depths of research, Etulain traces Billy's short life from his mysterious origins in the East through his wanderings in New Mexico, Arizona, and Texas. As we move from his peripatetic early years through the wild West to his fatal involvement in the Lincoln County Wars, we see the impressionable boy give way to the conflicted young man and, finally, to the opportunistic and often amoral outlaw who was out for himself, for revenge, and for whatever he could steal along the way. Against this deftly drawn portrait, Etulain considers the stories and myths spawned by Billy's life and death. Beginning with the dime novels featuring Billy the Kid, even during his lifetime, and ranging across the myriad newspaper accounts, novels, and movies that alternately celebrated his outlaw life and condemned his exploits, Etulain offers a uniquely informed view of the changing interpretations that have shaped and reshaped the reputation of this enduring icon of the Old West. In his portrayal, Billy the Kid lives on, not as a cut-throat desperado or a young charmer but as both - hero and villain, myth and man, fully realized in this twenty-first-century interpretation.

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George Armstrong Custer, one of the most familiar figures of nineteenth-century American history, is known almost exclusively as a soldier, his brilliant military career culminating in catastrophe at Little Bighorn. But Custer, author James E. Mueller suggests, had the soul of an artist, not of a soldier. Ambitious Honor hones this radically new perspective, arguing that an artistic passion for creativity and recognition drove Custer to success and, ultimately, to the failure that has overshadowed his notable achievements. Custer's ambition is well known and played itself out on the battlefield and in his persistent quest for recognition. What Ambitious Honor provides is the context for understanding how Custer's theatrical personality took shape and thrived, beginning with his training at a teaching college before he entered West Point. Teaching, Mueller notes, requires creativity and performance, both of which fascinated and served Custer throughout his life - in his military leadership, his politics, and even his attention-getting, self-designed uniforms. But Custer's artistic personality emerges most clearly in his writing career, where he displayed a talent for what we now call literary journalism. Ambitious Honor offers a close look at Custer's work as a best-selling author right up to the time of his death, when he was writing another book and planning a speaking tour after the 1876 campaign against the Sioux and Cheyenne. Custer's fate at Little Bighorn was so dramatic that it sealed his place in the national story and obscured, Mueller contends, the more interesting facets of his true nature. Ambitious Honor shows us Custer anew, as an artist thrust into the military because of the times in which he lived. This nuanced portrait, for the first time delineating his sense of image, whether as creator or consumer, forever alters Custer's own image in our view.

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In the aftermath of the Civil War, New Mexico Territory endured painful years of hardship and ongoing strife. During this turbulent period, a U.S. military officer stationed in the territory assembled an album of photographs, a series of still shots taken by one or more anonymous photographers. Now, some 150 years later, Hardship, Greed, and Sorrow reproduces the anonymous officer's ""souvenir album"" in its totality. Offering an important glimpse of the American Southwest in the mid-1860s, the book opens with a thoughtful foreword by Jennifer Nez Denetdale, who considers the varied and lingering effects that settlement, conquest, and nineteenth-century photography had on the Apaches and Navajos. In her insightful introduction accompanying the photographs, curator and scholar Devorah Romanek places the photographs in historical context and explains their unusual provenance. As she points out, the 1866 album integrates a number of important themes in connection to the Civil War and Reconstruction periods, including the French intervention in New Mexico and the internment of Navajos at the Bosque Redondo Indian Reservation. The story of the album's provenance reads like a mystery: some loose ends remain untied and some questions remain unanswered. In addition to containing what may be the earliest extant photographs of Navajo Indians, the album features both studio and field images of U.S. Army officers, Mexican politicians, and various sites throughout New Mexico. According to Romanek, a number of the album's photographs have appeared in other publications but with scant attention to their original context or purpose. This compelling book reveals what we know about the collection, its compiler, and the photographer - or photographers - who captured such a fraught and complex moment in the history of the American Southwest.

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The sun, the moon, the seasons, our Arapaho way of life,"" writes foreworder Jordan Dresser. ""When you look around, you see circles everywhere. And that includes the lens Sara Wiles uses to capture these intimate moments of our Arapaho journeys."" In The Arapaho Way, Wiles returns to Wyoming's Wind River Indian Reservation, whose people she so gracefully portrayed in words and photographs in Arapaho Journeys (2011). She continues her journey of discovery here, photographing the lives of contemporary Northern Arapaho people and listening to their stories that map the many roads to being Arapaho. In more than 100 pictures, taken over the course of thirty-five years, and Wiles's accompanying essays, the history of individuals and their culture unfold, revealing a continuity, as well as breaks in the circle. Mixing traditional ways with new ideas - Catholicism, ranching, cowboying, school learning, activism, quilting, beadwork, teaching, family life - the people of Wind River open a rich world to Wiles and her readers. These are people like Helen Cedartree, who artfully combines Arapaho ways with the teaching of the mission boarding schools she once attended; like the Underwood family, who live off the land as gardeners and farmers and value family and hard work above everything; and like Ryan Gambler and Fred Armajo, whose love of horses and ranching keep them close to home. And there are others who have ventured into the non-Indian world, people like James Large, who brings home tenets of Indian activism learned in Denver. There are also, inevitably, visions of violence and loss as The Arapaho Way depicts the full life of the Wind River Indian Reservation, from the traditional wisdom of the elder to the most forward-looking youth, from the outer reaches of an ancient culture to the last-minute challenges of an ever-changing world.

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Charles M. Russell has long been recognized for his action-packed paintings, drawings, and sculpture of cowboys, fur trappers, Native American buffalo hunters and warriors, and other heroes of the Old West. Russell's best-known works capture the excitement and deadly risk of men battling nature and one another in a majestic landscape of mountains and plains. Less well known are Russell's hundreds of depictions of western women. As renowned author and art historian Ginger K. Renner observed thirty-five years ago, no other artist of the West devoted more of his time and talent to the portrayal of women. But few have followed Renner's lead - until now. Lavishly illustrated with full-color illustrations, Charles M. Russell: The Women in His Life and Art presents groundbreaking essays essential to understanding the role of western women in Russell's art. This volume is both a tribute to the women who nurtured Russell's artistic development and a landmark in the study of the role of women in a genre all too often identified almost exclusively with a masculine world. The catalogue essays examine the exhibition's theme from four unique perspectives. Joan Carpenter Troccoli provides an over­view of the works in the exhibition and the social, cultural, and personal values that influenced them. Emily Crawford Wilson explores Russell's interest in the feminine ideal, tying it to wider artistic trends of the late nineteenth and early twentieth centuries. Jennifer Bottomly-O'looney describes Russell's friendship with Ben and Lela Roberts, who introduced the artist to Nancy Cooper, the woman who would become his wife and indispensable business partner. Thomas A. Petrie employs extended excerpts from Nancy's unpublished biographical memoir to illuminate the Russells' marriage, a relationship sustained by affection and mutual respect, as well as shrewd creative and marketing decisions.

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There is the story the Lone Star State likes to tell about itself - and then there is the reality, a Texas past that bears little resemblance to the manly Anglo myth of Texas exceptionalism that maintains a firm grip on the state's historical imagination. Lone Star Mind takes aim at this traditional narrative, holding both academic and lay historians accountable for the ways in which they craft the state's story. A clear-sighted, far-reaching work of intellectual history, this book marshals a wide array of pertinent scholarship, analysis, and original ideas to point the way toward a new ""usable past"" that twenty-first-century Texans will find relevant.Ty Cashion fixes T. R. Fehrenbach's Lone Star: A History of Texas and the Texans in his crosshairs in particular, laying bare the conceptual deficiencies of the romantic and mythic narrative the book has served to codify since its first publication in 1968. At the same time, Cashion explores the reasons why the collective efforts of university-trained scholars have failed to diminish the appeal of the state's iconic popular culture, despite the fuller and more accurate record these historians have produced.Framing the search for a collective Texan identity in the context of a post-Christian age and the end of Anglo-male hegemony, Lone Star Mind illuminates the many historiographical issues besetting the study of American history that will resonate with scholars in other fields as well. Cashion proposes that a cultural history approach focusing on the self-interests of all Texans is capable of telling a more complete story - a story that captures present-day realities.

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What happened to indigenous life after contact with the Spanish? In the complex interaction of cultures, how and to what degree did traditional ways persist? What role did religion play?Sustaining the Divine in Mexico Tenochtitlan addresses these and other questions by focusing on Mexico City in the colonial era. Moving beyond the standard narrative of Spanish domination, author Jonathan Truitt uses Nahuatl- and Spanish-language sources, drawn from multiarchival and multinational research, to provide an innovative look at indigenous life on the southern half of the island capital of the Viceroyalty of New Spain. While Spanish authority was important, indeed central, it was far from omnipotent and depended each day on the assistance of the indigenous people. In many ways, Nahua life continued much as it had prior to Spanish contact. While certain elements of precontact life, such as public human sacrifice, were eliminated, others, such as traditional gender roles or belief in divinity, persisted. Before and after contact, religion was central to life on the island capital. Truitt uses Spanish and indigenous interactions with religion as a window on daily life in the city. As quickly becomes clear, Nahua men and women were active in most areas of city life. They took pride in their achievements, defended their religious buildings, fought against abuse, and ignored the idea that women should not be active members of the community. While change occurred during this era, it was controlled and directed as much, if not more, by the indigenous population as by the Spanish. Truitt's innovative use of previously neglected Nahua and Spanish documents sheds new light on indigenous life in New Spain, making Sustaining the Divine in Mexico Tenochtitlan an important contribution to a deeper understanding of the era.

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The inception of the Ghost Dance religion in 1890 marked a critical moment in Lakota history. Yet, because this movement alarmed government officials, culminating in the infamous massacre at Wounded Knee of 250 Lakota men, women, and children, historical accounts have most often described the Ghost Dance from the perspective of the white Americans who opposed it. In A Whirlwind Passed through Our Country, historian Rani-Henrik Andersson instead gives Lakotas a sounding board, imparting the multiplicity of Lakota voices on the Ghost Dance at the time. Whereas early accounts treated the Ghost Dance as a military or political movement, A Whirlwind Passed through Our Country stresses its peaceful nature and reveals the breadth of Lakota views on the subject. The more than one hundred accounts compiled here show that the movement caused friction within Lakota society even as it spurred genuine religious belief. These accounts, many of them never before translated from the original Lakota or published, demonstrate that the Ghost Dance's message resonated with Lakotas across artificial ""progressive"" and ""nonprogressive"" lines. Although the movement was often criticized as backward and disconnected from the harsh realities of Native life, Ghost Dance adherents were in fact seeking new ways to survive, albeit not those that contemporary whites envisioned for them. The Ghost Dance, Andersson suggests, might be better understood as an innovative adaptation by the Lakotas to the difficult situation in which they found themselves - and as a way of finding a path to a better life. By presenting accounts of divergent views among the Lakota people, A Whirlwind Passed through Our Country expands the narrative of the Ghost Dance, encouraging more nuanced interpretations of this significant moment in Lakota and American history.

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The American imagination still exalts the Founders as the prime movers of the Revolution, and the War of Independence has become the stuff of legend. But America is not simply the invention of great men or the outcome of an inevitable political or social movement. The nation was the result of a hard, bloody, and destructive war. Justifying Revolution explores how the American Revolution's opposing sides wrestled with thorny moral and legal questions. How could revolutionaries justify provoking a civil war, how should their opponents subdue the uprising, and how did military commanders restrain the ensuing violence? Drawing from a variety of disciplines and specialties, the authors assembled here examine the Revolutionary War in terms of just war theory: jus ad bellum, jus in bello, and jus post bellum - right or justice in going to, conducting, and concluding war. The chapters situate the Revolution in the context of early modern international relations, moral philosophy, military ethics, jurisprudence, and theology. The authors invite readers to reconsider the war with an eye to the justice and legality of entering armed conflict; the choices made by officers and soldiers in combat; and attempts to arrive at defensible terms of peace. Together, the contributions form the first sustained exploration of Americans' and Britons' use of just war theory as they battled over American independence.Justifying Revolution raises important questions about the political, legal, military, religious, philosophical, and diplomatic ramifications of eighteenth-century warfare - questions essential for understanding America's origins.

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Taking a novel approach to the military history of the post-Civil War West, distinguished historian Robert M. Utley examines the careers of seven military leaders who served as major generals for the Union in the Civil War, then as brigadier generals in command of the U.S. Army's western departments. By examining both periods in their careers, Utley makes a unique contribution in delineating these commanders' strengths and weaknesses. While some of the book's subjects - notably Generals George Crook and Nelson A. Miles - are well known, most are no longer widely remembered. Yet their actions were critical in the expansion of federal control in the West. The commanders effected the final subjugation of American Indian tribal groups, exercising direct oversight of troops in the field as they fought the wars that would bring Indians under military and government control. After introducing readers to postwar army doctrine, organization, and administration, Utley takes each general in turn, describing his background, personality, eccentricities, and command style and presenting the rudiments of the campaigns he prosecuted. Crook embodied the ideal field general, personally leading his troops in their operations, though with varying success. Christopher C. Augur and John Pope, in contrast, preferred to command from their desks in department headquarters, an approach that led both of them to victory on the battlefield. And Miles, while perhaps the frontier army's most detestable officer, was also its most successful in the field. Rounding out the book with an objective comparison of all eight generals' performance records, Utley offers keen insights into their influence on the U.S. military as an institution and on the development of the American West.

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The Trade and Intercourse Acts passed by Congress between 1796 and 1834 set up a system for individuals to receive monetary compensation from the federal government for property stolen or destroyed by American Indians. By the end of the Mexican-American War, both Anglo-Americans and Nuevomexicanos became experts in exploiting this system - and in using the army to collect on their often-fraudulent claims. As Gregory F. Michno reveals in Depredation and Deceit, their combined efforts created a precarious mix of false accusations, public greed, and fabricated fear that directly led to new wars in the American Southwest between 1849 and 1855. Tasked with responding to white settlers' depredation claims and gaining restitution directly from Indian groups, soldiers typically had no choice but to search out often-innocent Indians and demand compensation or the surrender of the guilty party, turning once-friendly bands into enemy groups whenever these tense encounters exploded in violence. As the situation became more volatile, citizens demanded a greater army presence in the region, and lucrative military contracts became yet another reason to encourage the continuation of frontier violence. Although the records are replete with officers questioning accusations and discovering civilians' deceit, more often than not the army was forced to act in direct counterpoint to its duties as a constabulary force. And whenever war broke out, the acquisition of more Indian land and wealth began the cycle of greed and violence all over again. The Trade and Intercourse Acts were manipulated by Anglo-Americans who ensured the continuation of the very conflicts that they claimed to abhor and that the acts were designed to prevent. In bringing these machinations to light, Michno's book deepens - and darkens - our understanding of the conquest of the American Southwest.

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In the first years of the twentieth century, motoring across the vast expanses west of the Mississippi was at the very least an adventure and at most an audacious stunt. As more motorists ventured forth, such travel became a curiosity and, within a few decades, commonplace. For aspiring western travelers, automobiles formed an integral part of their search for new experiences and destinations - and like explorers and thrill seekers from earlier ages, these adventurers kept records of their experiences. The scores of articles, pamphlets, and books they published, collected for the first time in Motoring West, create a vibrant picture of the American West in the age of automotive ascendancy, as viewed from behind the wheel. Documenting the very beginning of Americans' love affair with the automobile, the pieces in this volume - the first of a planned multivolume series - offer a panorama of motoring travelers' visions of the burgeoning West in the first decade of the twentieth century. Historian Peter J. Blodgett's sources range from forgotten archives to company brochures to magazines such as Harper's Monthly, Sunset, and Outing. Under headlines touting adventures in ""touring,"" ""land cruising,"" and ""camping out with an automobile,"" voices from motoring's early days instruct, inform, and entertain. They chart routes through ""wild landscapes,"" explain the finer points of driving coast to coast in a Franklin, and occasionally prescribe ""touring outfits."" Blodgett's engaging introductions to the volume and each piece couch the writers' commentaries within their time. As reports of the region's challenges and pleasures stirred interest and spurred travel, the burgeoning flow of traffic would eventually and forever alter the western landscape and the westering motorist's experience. The dispatches in Motoring West illustrate not only how the automobile opened the American West before 1909 to more and more travelers, but also how the West began to change with their arrival.

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The idea of a national park was an American invention of historic consequences marking the beginning of a worldwide movement,"" the U.S. National Park Service asserts in its 2006 Management Policies. National Parks beyond the Nation brings together the work of fifteen scholars and writers to reveal the tremendous diversity of the global national park experience - an experience sometimes influencing, sometimes influenced by, and sometimes with no reference whatever to the United States. Writer and historian Wallace Stegner once called national parks ""America's best idea."" The contributors to this volume use that exceptionalist claim as a starting point for thinking about an international history of national parks. They explore the historical interactions and influences - intellectual, political, and material - within and between national park systems in Canada, New Zealand, South Africa, Indonesia, Antarctica, Brazil, and other countries. What is the role of science in the history of these preserves? Of politics? What purposes do they serve: Conservation? Education? Reverence toward nature? Tourist pleasure? People have thought differently about national parks at different times and in different places; and neat physical boundaries have been disrupted by wandering animals, human movements, the spread of disease, and climate change. Viewing parks around the world, at various scales and across national frontiers, these essays offer a panoptic view of the common and contrasting cultural and environmental features of national parks worldwide. If national parks are, as Stegner said, ""absolutely American,"" they are no less part of the world at large. National Parks beyond the Nation tells us as much about the multifarious and changing ideas of nature and culture as about the framing of those ideas in geographic, temporal, and national terms.

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Artist-explorer John Mix Stanley (1814-1872), one of the most celebrated chroniclers of the American West in his time, was in a sense a victim of his own success. So highly regarded was his work that more than two hundred of his paintings were held at the Smithsonian Institution - where in 1865 a fire destroyed all but seven of them. This volume, featuring a comprehensive collection of Stanley's extant art, reproduced in full color, offers an opportunity - and ample reason - to rediscover the remarkable accomplishments of this outsize figure of nineteenth-century American culture. Originally from New York State, Stanley journeyed west in 1842 to paint Indian life. During the U.S.-Mexican War, he joined a frontier military expedition and traveled from Santa Fe to California, producing sketches and paintings of the campaign along the way - work that helped secure his fame in the following decades. He was also appointed chief artist for Isaac Stevens's survey of the 48th parallel for a proposed transcontinental railroad. The essays in this volume, by noted scholars of American art, document and reflect on Stanley's life and work from every angle. The authors consider the artist's experience on government expeditions; his solo tours among the Oregon settlers and western and Plains Indians; and his career in Washington and search for government patronage, as well as his individual works. With contributions by Emily C. Burns, Scott Manning Stevens, Lisa Strong, Melissa Speidel, Jacquelyn Sparks, and Emily C. Wilson, the essays in this volume convey the full scope of John Mix Stanley's artistic accomplishment and document the unfolding of that uniquely American vision throughout the artist's colorful life. Together they restore Stanley to his rightful place in the panorama of nineteenth-century American life and art.

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Maya hieroglyphic writing may seem impossibly opaque to beginning students, but scholar Scott A. J. Johnson presents it as a regular and comprehensible system in this engaging, easy-to-follow textbook. The only comprehensive introduction designed specifically for those new to the study, Translating Maya Hieroglyphs uses a hands-on approach to teach learners the current state of Maya epigraphy.Johnson shows readers step by step how to translate ancient Maya glyphs. He begins by describing how to break down a Mayan text into individual glyphs in the correct reading order, and then explains the different types of glyphs and how they function in the script. Finally, he shows how to systematically convert a Mayan inscription into modern English.Not simply a reference volume, Translating Maya Hieroglyphs is pedagogically arranged so that it functions as an introductory foreign-language textbook. Chapters cover key topics, including spelling, dates and numbers, basic grammar, and verbs. Formal linguistic information is accessibly explained, while worksheets and exercises complement and reinforce the material covered in the text. Glyph blocks and phrases drawn from actual monuments illustrate the variety and scribal virtuosity of Maya writing.The Maya writing system has not been fully deciphered. Throughout the text, Johnson outlines and explains the outstanding disputes among Mayanists. At the end of each chapter, he offers sources for further reading. Helpful appendices provide quick reference to vocabulary, glyph meanings, and calendrical data for students undertaking a translation.The study of Maya glyphs has long been an arcane subject known only to a few specialists. This book will change that. Taking advantage of the great strides scholars have made in deciphering hieroglyphs in the past four decades, Translating Maya Hieroglyphs brings this knowledge to a broader audience, including archaeologists and budding epigraphers.

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Loren Miller was one of the nation's most prominent civil rights attorneys from the 1940s through the early 1960s and successfully fought discrimination in housing and education. Alongside Thurgood Marshall, Miller argued two landmark civil rights cases before the U.S. Supreme Court, whose decisions effectively abolished racially restrictive housing covenants. One of these cases, Shelley v. Kraemer (1948), is taught in nearly every American law school today. Later, the two men played key roles in Brown v. Board of Education, which ended legal segregation in public schools. Loren Miller: Civil Rights Attorney and Journalist recovers this remarkable figure from the margins of history and for the first time fully reveals his life for what it was: an extraordinary American story and a critical chapter in the annals of racial justice. Born to a former slave and a white midwesterner in 1903, Loren Miller lived the quintessential American success story, blazing his own path to rise from rural poverty to a position of power and influence. Author Amina Hassan reveals Miller as a fearless critic of those in power and an ardent debater whose acid wit was known to burn ""holes in the toughest skin and eat right through double-talk, hypocrisy, and posturing."" As a freshly minted member of the bar who preferred political activism and writing to the law, Miller set out for Los Angeles from Kansas in 1929. Hassan describes his early career as a fiery radical journalist, as well as his ownership of the California Eagle, one of the longest-running African American newspapers in the West. In his work with the California branch of the ACLU, Miller sought to halt the internment of West Coast Japanese American citizens, helped integrate the U.S. military and the Los Angeles Fire Department, and defended Black Muslims arrested in a deadly street battle with the LAPD. In 1964, Governor Edmund G. Brown appointed Miller as a Municipal Court justice for Los Angeles County, honoring his ceaseless commitment to improving the lives of Americans regardless of their race or ethnicity. ""Either we shall have to make democracy work for every American,"" Miller declared, or ""we shall not be able to preserve it for any American."" The story told here is of an American original who defied societal limitations to reshape the racial and political landscape of twentieth-century America.

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Since the earliest days of Spanish exploration and settlement, New Mexico has been known for lying off the beaten track. But this new history reminds readers that the world has been beating paths to New Mexico for hundreds of years, via the Camino Real, the Santa Fe Trail, several railroads, Route 66, the interstate highway system, and now the Internet. This first complete history of New Mexico in more than thirty years begins with the prehistoric cultures of the earliest inhabitants. The authors then trace the state's growth from the arrival of Spanish explorers and colonizers in the sixteenth century to the centennial of statehood in 2012. Most historians have made the territory's admission to the Union in 1912 as the starting point for the state's modernization. As this book shows, however, the transformation from frontier province to modern state began with World War II. The technological advancements of the Atomic Era, spawned during wartime, propelled New Mexico to the forefront of scientific research and pointed it toward the twenty-first century. The authors discuss the state's historical and cultural geography, the economics of mining and ranching, irrigation's crucial role in agriculture, and the impact of Native political activism and tribe-owned gambling casinos. New Mexico: A History will be a vital source for anyone seeking to understand the complex interactions of the indigenous inhabitants, Spanish settlers, immigrants, and their descendants who have created New Mexico and who shape its future.

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In the first book to focus on relations between Indians and emigrants on the overland trails, Michael L. Tate shows that such encounters were far more often characterized by cooperation than by conflict. Having combed hundreds of unpublished sources and Indian oral traditions, Tate finds Indians and Anglo-Americans continuously trading goods and news with each other, and Indians providing various forms of assistance to overlanders.Tate admits that both sides normally followed their own best interests and ethical standards, which sometimes created distrust. But many acts of kindness by emigrants and by Indians can be attributed to simple human compassion.Not until the mid-1850s did Plains tribes begin to see their independence and cultural traditions threatened by the flood of white travelers. As buffalo herds dwindled and more Indians died from diseases brought by emigrants, violent clashes between wagon trains and Indians became more frequent, and the first Anglo-Indian wars erupted on the plains. Yet, even in the 1860s, Tate finds, friendly encounters were still the rule.Despite thousands of mutually beneficial exchanges between whites and Indians between 1840 and 1870, the image of Plains Indians as the overland pioneers' worst enemies prevailed in American popular culture. In explaining the persistence of that stereotype, Tate seeks to dispel one of the West's oldest cultural misunderstandings.

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For centuries, indigenous rulers of Mesoamerica commissioned elaborate pictorial histories to maintain their claims to power, land, and privilege - a practice they continued under Spanish authority after the conquest. The Lienzo of Tlapiltepec is one such history. An intricate pictographic document on cotton cloth measuring 156 by 66.5 inches, the lienzo was produced by an Indian painter-scribe of great skill during the sixteenth century in the northern Mixteca, in the Mexican state of Oaxaca. It depicts events dating from the eleventh century to the early years of the Spanish colony. Housed since 1919 in the Royal Ontario Museum of Canada, the lienzo is a work of such complexity and reach that few scholars possess the tools to understand its message and context. The contributors to this volume are among that select few. In four chapters, front matter, and two appendices accompanied by detailed, full-color illustrations, scholars Arni Brownstone, Nicholas Johnson, Bas van Doesburg, Eckehard Dolinski, Michael Swanton, and Elizabeth Hill Boone describe what a lienzo is and how it was made. They also explain the particular origin, format, and content of the Lienzo of Tlapiltepec - as well as its place within the larger world of Mexican painted history. The contributors furthermore explore the artistry and visual experience of the work. A final essay documents past illustrations of the lienzo, including the one rendered for this book, which employed innovative processes to recover long faded colors. Unique in its detail, scope, and depth, this is the first volume to offer a full description and analysis of the Lienzo of Tlapiltepec and to grant widespread access to this extraordinary repository of history.

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For nearly a century, Richard John Cunliffe's Lexicon of the Homeric Dialect has served as an invaluable resource for students and scholars of Homer's Iliad and Odyssey. As both an English-Homeric dictionary and a concordance, the Lexicon lists and defines in English all instances of Greek words that appear in the two epics. Now, with the inclusion of Cunliffe's -Homeric Proper and Place Names---a forty-two-page supplement to the Lexicon--this expanded edition will be even more useful to readers of Homer.In his original preface to the supplement, Cunliffe explained that proper and place names had to be excluded from the Lexicon -chiefly on the ground of expense.- Although the Lexicon has enjoyed perennial popularity, scholars have long lamented the absence of -capitalized- name-forms in the Lexicon. By consolidating the two works into one handy single-volume format, this expanded edition fills the only gap in Cunliffe's indispensable reference.In his preface to the expanded edition, James H. Dee explains the benefits of uniting the two dictionaries. In addition, Dee provides a brief list of errata and a helpful key to Cunliffe's system of referencing the poems according to Greek letter.

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In this heartfelt tribute to the spirit and people of Oklahoma, one of the state's most distinguished photojournalists shows that he is equally talented as a photographer and writer. Showcasing black-and-white photographs and fifty short essays, Shooting from the Hip portrays Oklahoma's people, animals, lifestyles, landscapes, and weather in all their diversity. Cowboys, kids, tornados, trucks, rattlesnakes, fiddlers - J. Don Cook has seen them all, and through his poignant essays, he allows us not only to see them but to understand them as he does.After a hardscrabble boyhood, Cook became a photographer at the age of twenty when he took a job with the Ada Evening News in southern Oklahoma. His first assignment was to photograph six abandoned puppies at the city dump - an apt foreshadowing of his career, for he has always been drawn to the poor, the disenfranchised, and the downtrodden.In addition to the brief essays that accompany his photographs, Cook shares some of his own life experiences in a moving introduction and epilogue. His unsparing account of some of the worst moments of his difficult youth and his meditations on how he used these hardships to become an artist can only be called inspirational. ""At seven I didn't know any better,"" he writes, ""and believed I had few choices. But I quickly learned to cope - to feint, to dodge, to hide, to read, to run, to survive, to make art - and I did it all, shooting from the hip.""J. Don Cook, a resident of Oklahoma City, is an award-winning photojournalist, artist, poet, and business entrepreneur. Nominated three times for a Pulitzer Prize and named News Photographer of the Year seven times by the Oklahoma Press Association, his photographs have appeared in such magazines as National Geographic and Time. James Garner, the acclaimed film and television actor, is best known for his leading roles in the television series Maverick and the The Rockford Files. He is a native of Norman, Oklahoma.

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The first European artist-naturalists to tour North America in the eighteenth and nineteenth centuries were awed not only by the continent's varying landforms but also by the animals they encountered: vast herds of buffalo, majestic horned stags, a bewildering variety of birds. The earliest sketches depicting these fauna began the remarkable tradition of wildlife in American art, a tradition that evolved along with the United States as a nation and still thrives today.For more than two decades, the National Museum of Wildlife Art in Jackson, Wyoming, has honored and sustained this tradition by assembling the most comprehensive collection of paintings and sculptures portraying North American wildlife in the world. Wildlife in American Art presents for the first time a generous sampling of the museum's holdings, charts the history of this enduring theme in American art, and explores the evolving relationship between Americans and the natural resources of this continent.More than a museum catalogue, this volume offers descriptions of individual artists in the collection as well as in-depth, informative essays about what the natural environment has meant to Americans over time - untamed wilderness, sublime creation, endless resource, threatened habitat. Author and art historian Adam Duncan Harris also describes how these meanings have played out in painting and sculpture over the past two centuries. More than 125 full-color illustrations highlight the entire range of the museum's collection, from the western wilds of George Catlin to the desert drama of Georgia O'Keeffe. Also included are elegant birdstones carved by ancient Americans, exquisite avian artwork by John James Audubon, epic western scenes by Albert Bierstadt, idealistic depictions of unspoiled wilderness by Carl Rungius, and modern takes on the subject by Andy Warhol, Paul Manship, and Robert Kuhn.By bringing together and comparing works of unmatched beauty and majesty, this volume gives to a salient theme in American art the attention it has long deserved.

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A renowned activist recalls his childhood years in an Indian boarding schoolBest known as a leader of the Indian takeover of Alcatraz Island in 1969, Adam Fortunate Eagle now offers an unforgettable memoir of his years as a young student at Pipestone Indian Boarding School in Minnesota. In this rare firsthand account, Fortunate Eagle lives up to his reputation as a ""contrary warrior"" by disproving the popular view of Indian boarding schools as bleak and prisonlike.Fortunate Eagle attended Pipestone between 1935 and 1945, just as Commissioner of Indian Affairs John Collier's pluralist vision was reshaping the federal boarding school system to promote greater respect for Native cultures and traditions. But this book is hardly a dry history of the late boarding school era. Telling this story in the voice of his younger self, the author takes us on a delightful journey into his childhood and the inner world of the boarding school. Along the way, he shares anecdotes of dormitory culture, student pranks, and warrior games. Although Fortunate Eagle recognizes Pipestone's shortcomings, he describes his time there as nothing less than ""a little bit of heaven.""Were all Indian boarding schools the dispiriting places that history has suggested? This book allows readers to decide for themselves.

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Los Angeles rock generally conjures memories of surf music, The Doors, or Laurel Canyon folkies. But punk? L.A.'s punk scene, while not as notorious as that of New York City, emerged full-throated in 1977 and boasted bands like The Germs, X, and Black Flag. This book explores how, in the land of the Beach Boys, punk rock took hold.As a teenager, Dewar MacLeod witnessed firsthand the emergence of the punk subculture in Southern California. As a scholar, he reveals in this book the origins of an as-yet-uncharted revolution. Having combed countless fanzines and interviewed key participants, he shows how a marginal scene became a ""mass subculture"" that democratized performance art, and he captures the excitement and creativity of a neglected episode in rock history.Kids of the Black Hole tells how L.A. punk developed, fueled by youth unemployment and alienation, social conservatism, and the spare landscape of suburban sprawl communities; how it responded to the wider cultural influences of Southern California life, from freeways to architecture to getting high; and how L.A. punks borrowed from their New York and London forebears to create their own distinctive subculture. Along the way, MacLeod not only teases out the differences between the New York and L.A. scenes but also distinguishes between local styles, from Hollywood's avant-garde to Orange County's hardcore.With an intimate knowledge of bands, venues, and zines, MacLeod cuts to the heart of L.A. punk as no one has before. Told in lively prose that will satisfy fans, Kids of the Black Hole will also enlighten historians of American suburbia and of youth and popular culture.

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Bonnie and Clyde were responsible for multiple murders and countless robberies. But they did not act alone. In 1933, during their infamous run from the law, Bonnie and Clyde were joined by Clyde's brother Buck Barrow and his wife Blanche. Of these four accomplices, only one--Blanche Caldwell Barrow--lived beyond early adulthood and only Blanche left behind a written account of their escapades. Edited by outlaw expert John Neal Phillips, Blanche's previously unknown memoir is here available for the first time. Blanche wrote her memoir between 1933 and 1939, while serving time at the Missouri State Penitentiary. Following her death, Blanche's good friend and the executor of her will, Esther L. Weiser, found the memoir wrapped in a large unused Christmas card. Later she entrusted it to Phillips, who had interviewed Blanche several times before her death. Drawing from these interviews, and from extensive research into Depression-era outlaw history, Phillips supplements the memoir with helpful notes and with biographical information about Blanche and her accomplices.

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Once a familiar backyard visitor in many parts of the United States and Mexico, the box turtle is losing the battle against extinction. In North American Box Turtles, C. Kenneth Dodd, Jr., has written the first book-length natural history of the twelve species and subspecies of this endangered animal. This volume includes comprehensive information on the species' evolution, behavior, courtship and reproduction, habitat use, diet, population structure, systematics, and disease. Special features include color photos of all species, subspecies, and their habitats; a simple identification guide to both living and fossil species; and a summary of information on fossil Terrapene and Native uses of box turtles. End-of-chapter sections highlight future research directions, including the need for long-term monitoring and observation of box turtles within their natural habitat and conservation applications. A glossary and a bibliography of literature on box turtles accompany the text.All royalties from the sales of this volume will go to the Chelonian Research Foundation, a nonprofit foundation for the conservation of turtles.

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George Armstrong Custer. The name evokes instant recognition among Americans and people around the world. No figure in the history of the American West has more powerfully moved the human imagination. This new, lavishly illustrated book combines over 300 photographs and paintings, many in color, with a revised edition of Robert M. Utley's classic biography, Cavalier in Buckskin.Drawing on twelve years of additional research on Sitting Bull and the Battle of the Little Bighorn, Utley has dramatically changed his original interpretations of Custer's Last Stand in this revised edition, and has brought the reference list completely up to date for the benefit of students, scholars, and western history buffs.Bringing to life vivid images of the western military frontier, Custer presents George Armstrong Custer, the man and the legend, and illuminates the challenges he faced in warfare with the Indians of the Great Plains.

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This extensively revised edition of Thurman Wilkins's masterful and engaging biography - well illustrated in color and black-and-white - draws on new information and recent scholarship to place Thomas Moran more securely in the milieu of the Gilded Age. It also portrays more fully the controversies that surrounded the art of Moran's time, as he became ""the Dean of American Painters.""The American West was the subject of Thomas Moran's greatest artistic triumphs - Yosemite, the Grand Canyon of the Colorado, Zion Canyon, the Virgin River, Colorado's Mountain of the Holy Cross, and the Grand Tetons - but his travels with Ferdinand V. Hayden's geological surveys of the Upper Yellowstone were matched by trips to his native Britain and to Venice, Florida, the Spanish Southwest, and Old Mexico. These scenes inspired memorable landscapes and seascapes, as did the sojourns of the Moran family in Pennsylvania, New Jersey, and East Hampton, Long Island, when they retreated from the demands of the New York art scene. In the 1880s Moran and his artist wife, Mary Nimmo Moran, also threw themselves into the etching craze of the period, creating some of the finest prints produced in the United States.Moran was an artist happy in his work. He wrote, ""I have always held that the grandest, most beautiful, or wonderful in nature, would, in capable hands, make the grandest, most beautiful, or wonderful pictures."" The New York Times said of the first edition of this unique account of his life, ""Moran's mastery comes through clearly and awesomely and often, pleasurably."" Readers will find the new edition equally enjoyable.

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The intimate, human memories regarding Charles M. Russell, his genius and eccentricities, which Frank Linderman set down shortly after the death of his good friend, constitute a miscellany of personal insights for which any of Russell's biographers ought to have given his eyeteeth. But in none of the increasingly frequent Russell commentaries, apparently, has use ever been made of these prime source materials.When Russell and Linderman met, it was to be expected a close friendship would result. Their interests, experiences, and natural inclinations were of the same cloth. They loved untrammeled people in virgin country; they had high regard for the old-time Indian and his mores; they held the encroachments upon the old West of civilization's less laudable aspects in mutual disdain; and, finally, Linderman with words and Russell with paint and clay were professional artists concerned in the re-creation of a beloved time fast slipping away.These recollections of their shared campfires, trails, conversations, and fun constitute the finest portrait extant of Charley Russell, the human being, pulsing with personality, quip, and many of his well-known tall tales.

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From water birds to birds of prey to the complex order of perching birds, Oklahoma is remarkable for the variety and extent of its bird life. Ornithologists, students, and amateur birders alike will welcome this comprehensive and lavishly illustrated guide to birds in the state by Frederick M. Baumgartner and A. Marguerite Baumgartner.Fifty-one color plates and 58 line drawings of Oklahoma birds by artist Wallace Hughes as well as more than 150 black-and-white photographs compiled by Herbert Chezem, including numerous remarkable photographs of birds in action, illustrate the text.

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An exciting story of a Texas Ranger, adventurer, and immigration officer who became a symbol of his age while gambling with death in the wild frontier regions of Texas, Arizona, and Old and New Mexico. Charles Goodnight knew the West of Jim Bridger, Kit Carson, Dick Wooton, St. Vrain, and Lucien Maxwell. He ranged a country as vast as Bridger ranged. He rode with the boldness of Fremont, guided by the craft of Carson. His vigorous zest for life enabled him to live intensely and amply, and in this book by J. Evetts Haley, himself no stranger to the West, provides a fully readable and important western biography, vividly told, thrilling, witty, and completely authentic.

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On Tuesday, May 29, 1453, the young Sultan Mehemmed, known to history as -the Conqueror, - launched the final assault against the walls of Constantinople and added that imperial capital, as coping stone; to the Empire that his fathers had conquered. As the Sultan's Imam intoned the Muslim creed within the walls of Hagia Sophia, the Greek cathedral become a Turkish mosque, and the curtain went up on a new era. In this, the ninth volume of The Centers of Civilization Series, Bernard Lewis describes the city and its civilization in the great age of the Ottoman Sultanate, between the fifteenth and seventeenth centuries.Under the Ottomans, the city once again became the center of a vest empire and of a flourishing civilization. The conquerors did not destroy the captured Christian city, but took care to preserve and embellish; they added four Muslim minarets to Hagia Sophia, built many fine mosques and palaces of their own, and transformed the shrunken remnant of the Byzantine city into a new and splendid imperial capital.The great new Muslim city of Istanbul which they created became a center of cultural as well we political life. It was the gateway between East and West, the place where Asia and Europe clashed and blended. It was the seat of the Sultans and the Grand Viziers, of the government of the Ottoman Empire. No less interesting than the concepts of government and the Muslim religion practiced by the Ottoman Turks were the imperial place and household and the people of the city.Mr. Lewis relies upon the first-hand accounts of Turkish historians and poets and European travelers, thus enabling the reader to see the city, its people, and their life through the eyes of contemporary participants and observers.

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The most comprehensive and up-to-date guide to Texas historiography of the past quarter-century, this volume of original essays will be an invaluable resource and definitive reference for teachers, students, and researchers of Texas history. Conceived as a follow-up to the award-winning A Guide to the History of Texas (1988), Discovering Texas History focuses on the major trends in the study of Texas history since 1990.In two sections, arranged topically and chronologically, some of the most prominent authors in the field survey the major works and most significant interpretations in the historical literature. Topical essays take up historical themes ranging from Native Americans, Mexican Americans, African Americans, and women in Texas to European immigrant history; literature, the visual arts, and music in the state; and urban and military history. Chronological essays cover the full span of Texas historiography from the Spanish era through the Civil War, to the Progressive Era and World Wars I and II, and finally to the early twenty-first century.Critical commentary on particular books and articles is the unifying purpose of these contributions, whose authors focus on analyzing and summarizing the subjects that have captured the attention of professional historians in recent years. Together the essays gathered here will constitute the standard reference on Texas historiography for years to come, guiding readers and researchers to future, ever deeper discoveries in the history of Texas.

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Colonel Moses Hazen's 2nd Canadian Regiment was one of the first 'national' regiments in the American army. Created by the Continental Congress, it drew members from Canada, eleven states, and foreign forces. 'Congress's Own' was among the most culturally, ethnically, and regionally diverse of the Continental Army's regiments - a distinction that makes it an apt reflection of the union that was struggling to create a nation. The 2nd Canadian, like the larger army, represented and pushed the transition from a colonial, continental alliance to a national association. The problems the regiment raised and encountered underscored the complications of managing a confederation of states and troops. In this enterprising study of an intriguing and at times 'infernal' regiment, Holly A. Mayer marshals personal and official accounts - from the letters and journals of Continentals and congressmen to the pension applications of veterans and their widows - to reveal what the personal passions, hardships, and accommodations of the 2nd Canadian can tell us about the greater military and civil dynamics of the American Revolution. Congress's Own follows congressmen, commanders, and soldiers through the Revolutionary War as the regiment's story shifts from tents and trenches to the halls of power and back. Interweaving insights from borderlands and community studies with military history, Mayer tracks key battles and traces debates that raged within the Revolution's military and political borderlands wherein subjects became rebels, soldiers, and citizens. Her book offers fresh, vivid accounts of the Revolution that disclose how 'Congress's Own' regiment embodied the dreams, diversity, and divisions within and between the Continental Army, Congress, and the emergent union of states during the War for American Independence.

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Boundaries - lines imposed on the landscape - shape our lives, dictating everything from which candidates we vote for to what schools our children attend to the communities with which we identify. In Creating the American West, historian Derek R. Everett examines the function of these internal lines in American history generally and in the West in particular. Drawing lines to create states in the trans-Mississippi West, he points out, imposed a specific form of political organization that made the West truly American.Everett examines how settlers lobbied for boundaries and how politicians imposed them. He examines the origins of boundary-making in the United States from the colonial era through the Louisiana Purchase. Case studies then explore the ethnic, sectional, political, and economic angles of boundaries. Everett first examines the boundaries between Arkansas and its neighboring Native cultures, and the pseudo war between Missouri and Iowa. He then traces the lines splitting the Oregon Country and the states of California and Nevada, and considers the ethnic and political consequences of the boundary between New Mexico and Colorado. He explains the evolution of the line splitting the Dakotas, and concludes with a discussion of ways in which state boundaries can contribute toward new interpretations of borderlands history.A major theme in the history of state boundaries is the question of whether to use geometric or geographic lines - in other words, lines corresponding to parallels and meridians or those fashioned by natural features. With the distribution of western land, Everett shows, geography gave way to geometry and transformed the West. The end of boundary-making in the late nineteenth century is not the end of the story, however. These lines continue to complicate a host of issues including water rights, taxes, political representation, and immigration. Creating the American West shows how the past continues to shape the present.

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Ideas defer to no border - least of all the idea of belonging. So where does one belong, and what does belonging even mean, when a border inscribes one's identity? This dilemma, so critical to the ethnic Mexican community, is at the heart of Homeland, an intellectual, cultural, and literary history of belonging in ethnic Mexican thought through the twentieth century. Belonging, as Aaron E. SÁnchez's sees it, is an interwoven collection of ideas that defines human connectedness and that shapes the contours of human responsibilities and our obligations to one another. In Homeland, SÁnchez traces these ideas of belonging to their global, national, and local origins, and shows how they have transformed over time. For pragmatic, ideological, and political reasons, ethnic Mexicans have adapted, adopted, and abandoned ideas about belonging as shifting conceptions of citizenship disrupted old and new ways of thinking about roots and shared identity around the global. From the Mexican Revolution to the Chicano Movement, in Texas and across the nation, journalists, poets, lawyers, labor activists, and people from all walks of life have reworked or rejected citizenship as a concept that explained the responsibilities of people to the state and to one another. A wealth of sources - poems, plays, protests, editorials, and manifestos - demonstrate how ethnic Mexicans responded to changes in the legitimate means of belonging in the twentieth century. With competing ideas from both sides of the border they expressed how they viewed their position in the region, the nation, and the world - in ways that sometimes united and often divided the community. A transnational history that reveals how ideas move across borders and between communities, Homeland offers welcome insight into the defining and changing concept of belonging in relation to citizenship. In the process, the book marks another step in a promising new direction for Mexican American intellectual history.

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In the highlands of Chiapas, Mexico, a large indigenous population lives in rural communities, many of which retain traditional forms of governance. In 1996, some 350 women of these communities formed a weavers' cooperative, which they called Jolom Mayaetik. Their goal was to join together to market textiles of high quality in both new and ancient designs. Weaving Chiapas offers a rare view of the daily lives, memories, and hopes of these rural Maya women as they strive to retain their ancient customs while adapting to a rapidly changing world. Originally published in Spanish in 2007, this book captures firsthand the voices of these Maya artisans, whose experiences, including the challenges of living in a highly patriarchal culture, often escape the attention of mainstream scholarship. Based on interviews conducted with members of the Jolom Mayaetik cooperative, the accounts gathered in this volume provide an intimate view of women's life in the Chiapas highlands, known locally as Los Altos. We learn about their experiences of childhood, marriage, and childbirth; about subsistence farming and food traditions; and about the particular styles of clothing and even hairstyles that vary from community to community. Restricted by custom from engaging in public occupations, Los Altos women are responsible for managing their households and caring for domestic animals. But many of them long for broader opportunities, and the Jolom Mayaetik cooperative represents a bold effort by its members to assume control over and build a wider market for their own work. This English-language edition features color photographs - published here for the first time - depicting many of the individual women and their stunning textiles. A new preface, chapter introductions, and a scholarly afterword frame the women's narratives and place their accounts within cultural and historical context.

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This timely study of how the Supreme Court building shapes Washington as a space and a place for political action and meaning yields a multidimensional view and deeper appreciation of the ways that our physical surroundings manifest who we are as a people and what we value as a society.

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The Cherokees have the oldest and best-known Native American writing system in the United States. Invented by Sequoyah and made public in 1821, it was rapidly adopted, leading to nineteenth-century Cherokee literacy rates as high as 90 percent. This writing system, the Cherokee syllabary, is fully explained and used throughout this volume, the first and only complete published grammar of the Cherokee language. Although the Cherokee Reference Grammar focuses on the dialect spoken by the Cherokees in Oklahoma - the Cherokee Nation and the United Keetoowah Band of Cherokee Indians - it provides the grammatical foundation upon which all the dialects are based. In his introduction, author Brad Montgomery-Anderson offers a brief account of Cherokee history and language revitalization initiatives, as well as instructions for using this grammar. The book then delves into an explanation of Cherokee pronunciation, orthography, parts of speech, and syntax. While the book is intended as a reference grammar for experienced scholars, Montgomery-Anderson presents the information in accessible stages, moving from easier examples to more complex linguistic structures. Examples are taken from a variety of sources, including many from the Cherokee Phoenix. Audio clips of various text examples throughout can be found on the accompanying CDs. The volume also includes three appendices: a glossary keyed to the text; a typescript for the audio component; and a collection of literary texts: two traditional stories and a historical account of a search party traveling up the Arkansas River. The Cherokee Nation, as the second-largest tribe in the United States and the largest in Oklahoma, along with the United Keetoowah Band and the Eastern band of Cherokees, have a large number of people who speak their native language. Like other tribes, they have seen a sharp decline in the number of native speakers, particularly among the young, but they have responded with ambitious programs for preserving and revitalizing Cherokee culture and language. Cherokee Reference Grammar will serve as a vital resource in advancing these efforts to understand Cherokee history, language, and culture on their own terms.

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The California gold rush of 1849 created fortunes for San Francisco merchants, whose wealth depended on control of the city’s docks. But ownership of waterfront property was hotly contested. In an 1856 dispute over land titles, a county official shot an outspoken newspaperman, prompting a group of merchants to organize the San Francisco Committee of Vigilance. The committee, which met in secret, fed biased stories to the newspapers, depicting itself as a necessary substitute for incompetent law enforcement. But its actual purpose was quite different. In Dirty Deeds, historian Nancy J. Taniguchi draws on the 1856 Committee’s minutes—long lost until she unearthed them—to present the first clear picture of its actions and motivations. San Francisco’s real estate comprised a patchwork of land grants left from the Spanish and Mexican governments—grants that had been appropriated and sold over and over. Even after the establishment of a federal board in 1851 to settle the complicated California claims, land titles remained confused, and most of the land in the city belonged to no one. The acquisition of key waterfront properties in San Francisco by an ambitious politician motivated the thirty-odd merchants who called themselves “the Executives” of the Vigilance Committee to go directly after these parcels. Despite the organization’s assertion of working on behalf of law and order, its tactics—kidnapping, forced deportations, and even murder—went far beyond the bounds of law. For more than a century, scholars have accepted the vigilantes’ self-serving claims to honorable motives. Dirty Deeds tells the real story, in which a band of men took over a city in an attempt to control the most valuable land on the West Coast. Ranging far beyond San Francisco, the 1856 Vigilance Committee’s activities affected events on the East Coast, in Central America, and in courts throughout the United States even after the Civil War.

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A reprint of the University of Oklahoma Press edition of 1980.This reliable text presents a clear and simple outline of Greek and Latin meters in order that the verse of the Greeks and Romans may be read as poetry.

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A testament to the ingenuity of scholarly presses, One Book/Five Ways is a fascinating experiment in comparative publishing. This book records the history of a single manuscript, entitled No Time for Houseplants, submitted to five different university presses—Chicago, MIT, North Carolina, Texas, and Toronto—and then actually published by the University of Oklahoma Press. Each of the five model publishers agreed to treat the book as a real project accepted for publication and to compile a log of procedures they followed. These logs include correspondence, budgets, forms, layouts, and specifications, providing an insider's look at the path a manuscript takes through the various departments of each press, from editorial to marketing. With a new Foreword discussing changes in publishing since 1978 and an Afterword commenting on the actual publication of No Time for Houseplants, One Book/Five Ways is a unique educational tool for anyone interested in the publishing process.

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The intense bonds among the king and his family, friends, lovers, and entourage are the most enticing and intriguing aspects of Alexander the Great’s life. The affective ties of the protagonists of Alexander’s Empire nurtured the interest of the ancient authors, as well as the audience, in the personal life of the most famous men and women of the time. These relations echoed through time in art and literature, to become paradigm of positive or negative, human behavior.By rejecting the perception of the Macedonian monarchy as a positivist king-army based system, and by looking for other political and social structures Elizabeth Carney has played a crucial role in prompting the current re-appraisal of the Macedonian monarchy. Her volumes on Women and Monarchy in Ancient Macedonia (University of Oklahoma Press, 2000), Olympias: Mother of Alexander the Great (Routledge, 2006), Arsinoë of Egypt and Macedon: A Royal Life. (Oxford University Press, 2013) have been game-changers in the field and has offered the academic world a completely new perspective on the network of relationships surrounding the exercise of power. By examining Macedonian and Hellenistic dynastic behavior and relations, she has shown the political yet tragic, heroic thus human side, thus connecting Hellenistic political and social history.Building on the methodological approach and theoretical framework engendered by Elizabeth Carney’s research, this book explores the complex web of personal relations, inside and outside the oikos (family), governing Alexander’s world, which sits at the core of the inquiry into the human side of the events shedding light light on the personal dimension of history. Inspired by Carney’s seminal work on Ancient Macedonia, the volume moves beyond the traditionally rationalist and positivist approaches towards Hellenistic antiquity, into a new area of humanistic scholarship, by considering the dynastic bloodlines as well as the affective relations. The volume offers a discussion of the intra and extra familial network ruling the Mediterranean world at the time of Philip and Alexander. Building on present scholarship on relations and values in Hellenistic Monarchies, the book contributes to a deeper historical understanding of the mutual dialogue between the socio-cultural and political approaches to Hellenistic history.

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