Search results for ""University of Alberta Press""

With Numinous Seditions, celebrated poet and essayist Tim Lilburn investigates inner dispositions that might help us bear the new sorrows of the climate crisis. The book draws from the West’s almost forgotten contemplative tradition in its Platonic, Islamic, Christian, and Zoharic forms. It also explores ideas from modern philosophers Jan Zwicky, Gillian Rose, Dorothy Day, and Simone Weil, and from contemporary poets Don Domanski, Philip Kevin Paul, Anne Szumigalski, and Roberto Harrison. Lilburn suggests that listening, noticing, reading, and stretching our imaginations are all part of an interior stance that can assist with the difficult tasks of forming deep relationships with the land, with Indigenous peoples, and with pedagogy itself. Numinous Seditions is for scholars and readers interested in poetry, environmental philosophy, and in the possibility of a contemplative politics.

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This ethnography follows Bhutanese refugees who fled Bhutan, resided in camps in Nepal, and finally settled in the vastly different culture of Australia. Along the way, they learn the ways that humanitarian compassion is used to oppress, contain, and erode human rights. They also learn, however, that this charitable framework has small cracks that allow for action. The Bhutanese find ways to move between the contradictory expectations of refugee-ness as they strive to become citizens. Their experiences illustrate the complex strands of power that intertwine to limit the scope of people who “deserve compassion.” Neikirk also describes how responses to refugee crises have shifted from facilitating the movement of people to enforcing their containment. Readers in refugee studies, anthropology, and development studies will be interested in this rich transnational study.

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In there’s more, Uchechukwu Peter Umezurike takes on the rich concepts of home and belonging: home lost and regained, home created with others and with the land, home as “anywhere we find something to love.” Giving voice to the experiences of migrant and other marginalized citizens whose lives society tends to overlook, this collection challenges the oppressive systems that alienate us from one another and the land. Carefully built lyric meditations combine beauty and ugliness, engaging with violence, and displacement, while seeking to build kinship and celebrate imagination. Weaving domestic and international settings, salient observation and potent memory, Umezurike immerses the reader in rich, precise imagery and a community of voices, ideas, and recollections. there’s more navigates immigrant life with a multifaceted awareness of joy, melancholia, loss, and hope.

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This poignant debut by Gavin Bradley explores the emotional toll of different kinds of separation: from a partner, a previously held sense of self, or a home and the people left behind. The main narrative describes the deterioration of a long-term relationship, interweaving poems dealing with the loneliness of immigration and the anxiety of separation from Northern Ireland, the poet’s homeland. These personal poems enter their stories through a variety of characters and places, from dock builders to dogs, from shorelines to volcanoes, to “mouths soft and humming like beehives.” Other sections of the collection examine a post-Troubles’ experience in Northern Ireland (evoking the lived-experience of growing up with bombs and domineering Catholicism), tell grandfather stories, and show a lasting love for the people, the language, and the land. Separation Anxiety ultimately conveys a message of hope, reminding us that “we’ll be remembered for / ourselves, and not the spaces we / leave behind.”

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Arborophobia, the latest collection by award-winning poet Nancy Holmes, is a poetic spiritual reckoning. Its elegies, litanies, and indictments concern wonder, guilt, and grief about the journey of human life and the state of the natural world. When a child attempts suicide and western North America burns and the creep of mortality closes in, is spiritual and emotional solace possible or even desirable? Answers abound in measured, texturally intimate, and often surprising ways. The title sequence, named for a word that means “hatred of trees,” sassily blurs the boundaries between human beings and Ponderosa pines, reminding us how fragile our conceptual frameworks really are. Another sequence responds to Julian of Norwich’s writing and call “to practise the art / of letting things happen.” Saints’ lives interlace with our quotidian experience, smudging connections between the spiritual and the earthly. Taking a hard look at what we have done to this beautiful planet and to those we love, Arborophobia is a companion for all who grapple with the problem of hope in times of crisis.

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In this timely collection, the authors examine Indigenous peoples’ negotiations with different cosmologies in a globalized world. Dussart and Poirier outline a sophisticated theory of change that accounts for the complexity of Indigenous peoples’ engagement with Christianity and other cosmologies, their own colonial experiences, as well as their ongoing relationships to place and kin. The contributors offer fine-grained ethnographic studies that highlight the complex and pragmatic ways in which Indigenous peoples enact their cosmologies and articulate their identity as forms of affirmation. This collection is a major contribution to the anthropology of religion, religious studies, and Indigenous studies worldwide. Contributors: Anne-Marie Colpron, Robert R. Crépeau, Françoise Dussart, Ingrid Hall, Laurent Jérôme, Frédéric Laugrand, C. James MacKenzie, Caroline Nepton Hotte, Ksenia Pimenova, Sylvie Poirier, Kathryn Rountree, Antonella Tassinari, Petronella Vaarzon-Morel

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This collection takes a holistic view of well-being, seeking complementarities between Indigenous approaches to healing and Western biomedicine. Topics include traditional healers and approaches to treatment of disease and illness; traditional knowledge and intellectual property around medicinal plant knowledge; the role of diet and traditional foods in health promotion; culturally sensitive approaches to healing work with urban Indigenous populations; and integrating biomedicine, alternative therapies, and Indigenous healing in clinical practice. Throughout, the voices of Elders, healers, physicians, and scholars are in dialogue to promote Indigenous community well-being through collaboration. This book will be of interest to scholars in Indigenous Studies, medicine and public health, medical anthropology, and anyone promoting care delivery and public health in Indigenous communities. Contributors: Darlene P. Auger; Dorothy Badry; Janelle Marie Baker; Margaret David; Meda DeWitt; Hal Eagletail; Gary L. Ferguson; Marc Fonda; Annie I. Goose; Angela Grier; Leslie Main Johnson; Allison Kelliher; Rick Lightning; Mary Maje; Ann Maje Raider; Maria J. Mayan; Ruby E. Morgan, Luu Giss Yee; Richard T. Oster; Camille (Pablo) Russell; Ginetta Salvalaggio; Ellen L. Toth; Harry Watchmaker

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All the Feels / Tous les sens presents research into emotion and cognition in Canadian, Indigenous, and Québécois writings in English or French. Affect is both internal and external, private and public; with its fluid boundaries, it represents a productive dimension for literary analysis. The emerging field of affect studies makes vital claims about ethical impulses, social justice, and critical resistance, and thus much is at stake when we adopt affective reading practices. The contributors ask what we can learn from reading contemporary literatures through this lens. Unique and timely, readable and teachable, this collection is a welcome resource for scholars of literature, feminism, philosophy, and transnational studies as well as anyone who yearns to imagine the world differently. Contributors: Nicole Brossard, Marie Carrière, Matthew Cormier, Kit Dobson, Nicoletta Dolce, Louise Dupré, Margery Fee, Ana María Fraile-Marcos, Smaro Kamboureli, Aaron Kreuter, Daniel Laforest, Carmen Mata Barreiro, Ursula Mathis-Moser, Heather Milne, Eric Schmaltz, Maïté Snauwaert, Jeanette den Toonder

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In this collection, E. Alex Pierce enters the territory of memory embedded in landscape where “language tied to the land” evokes the cadence of tidal rivers and creates a fluid world. She traces the fragmented childhood beginnings that lead to the formation of a young artist who moves from music, through theatre, to poetry. The passionate relationships and complex juxtapositions of art and performance that form an artist’s life find voice here in the symphonic structure of the long poem, the provocative individual prose poems, and the final stretched sonnet sequence that interrogates a lost love, “Still. Shimmering in the morning wind. And gone.” These fiercely poised works are layered and rich, with sensuous attention to line and breath: a major work from an accomplished poet. And in that space of summer afternoon, the image born of sound and light inhabits all her blood and bone, the mind ignites. She sees the fire – space for her is stage now, theatre is the flame. She sees it burning all the way back to the Sable River, the lamp, the voices, the two old people, in the dark, without wall or roof or post or beam – and even as her father buries refuse in the cellar hole, turns all this under, she seizes it, picks up her torch, and runs. —from the title poem

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“Windburned, eyes closed, this: beneath the keening of bergs, a deeper thresh of glaciers calving, creaking with sun. Sound of earth, her bones, wide russet bowl of hips splaying open. From these sere flanks, her desiccating body, what a sea change is born.” From the endangered Canadian boreal forest to the environmentally threatened Svalbard archipelago off the coast of Norway, Jenna Butler takes us on a sea voyage that connects continents and traces the impacts of climate change on northern lands. With a conservationist, female gaze, she questions explorer narratives and the mythic draw of the polar North. As a woman who cannot have children, she writes out the internal friction of travelling in Svalbard during the fertile height of the Arctic summer. Blending travelogue and poetic meditation on place, Jenna Butler draws readers to the beauty and power of threatened landscapes, asking why some stories in recorded history are privileged while others speak only from beneath the surface.

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Rain Shadow is a collection of poetry that explores the fraught relationship between the natural world and humans yearning to connect with something greater than themselves. The poems range through destabilized lives and landscapes, fathoming presence and absence, transformation and oblivion. They outline the major questions of our time as the poet crisscrosses western Canada and the Pacific Northwest. Witty, playful, serious, and heartsore, Rain Shadow seeks to understand the space in which people and nature are inextricably entwined. I walk like a bear— I have a bear’s gait— but the gate to the bear’s mind is closed. —from “The Bear and the Wind”

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Secrets aren’t good for families. — from “Big Luck Island” In The Left-Handed Dinner Party and Other Stories—a collection of new, delightful, distinctive short stories—everyone is missing something or someone; every family is riven by secrets and absences. From “The Remedy,” a tale of revenge and justice, to “The Smart Sisters,” a story of tricky family dynamics, Coulter’s narratives portray relationships, loss, and what we learn in the aftermath of death. Ghosts, echoes, memories, regrets...Coulter’s characters are haunted in many ways. With style and sweep that hints at Lynn Coady and Alice Munro, Myrl Coulter is a strong, fresh voice in contemporary Canadian fiction.

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Tony Robinson-Smith, his wife Nadya, and ten Bhutanese college students set out to run 578 kilometres (360 miles) across the Kingdom of Bhutan in the Himalayas. Joined by a stray dog, they slogged over five mountain passes, bathed in ice-clogged streams, ate over log fires, and stopped at every store, restaurant, guesthouse, and dzong to raise money for the Tarayana Foundation. The “Tara-thon” was the first endeavour of its kind and gave 350 village children the chance to go to school. En route, the Long Distance Dozen met a Buddhist lama, a royal prince, a Tibetan renegade, and a matriarch who told them the secret to long life. On arrival in Thimphu, they were decorated by Her Majesty the Queen. In this contemplative memoir, Tony describes Bhutan in rich detail at a transformative period in its history and reflects on tradition, belief, modernization, and happiness. See the book trailer at: https://www.youtube.com/watch?v=g-VsWAbTHAQ

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In Metis Pioneers, Doris Jeanne MacKinnon compares the survival strategies of two Metis women born during the fur trade—one from the French-speaking free trade tradition and one from the English-speaking Hudson’s Bay Company tradition—who settled in southern Alberta as the Canadian West transitioned to a sedentary agricultural and industrial economy. MacKinnon provides rare insight into their lives, demonstrating the contributions Metis women made to the building of the Prairie West. This is a compelling tale of two women’s acts of quiet resistance in the final days of the British Empire.

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“Make yourself big when you enter a room, when you meet a bear in the woods. Make yourself big. Meet the eyes.” Roger Epp’s poetic meditations about the best, the hardest, the loneliest times of leading a small university campus through significant change are depicted in a series of elegant yet understated prose pieces, alongside images by his life partner, Rhonda Harder Epp. Taking a candid look at the many challenges such a position brings, Roger Epp humanizes, scrutinizes, and upholds the integrity of academic administrative work. Only Leave a Trace will resonate with those who work in universities, hold leadership roles in them, or care about the connections between higher education, students, and place.

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first snow falling slow hangs in the air a curtain drifting there thickening sight —“Winter” In this new collection, Douglas Barbour experiments with what he calls “rhythmically intense open form.” Listen. If presents technically innovative poetry that invites the reader to join in some serious play. Barbour’s vivid, ekphrastic poems engage an ongoing conversation among artworks—not only classic paintings but also popular music—while his lyric poems astutely, accessibly evoke places, moments, and feelings. This is poetry that takes up language both as the already-said and as a playground for brilliant technique. Leaping from love to landscapes, politics to jazz, Keats to Milne to Monk, these poems yearn to be spoken aloud for the pure joy of sound.

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Ten years, ten authors, ten critics. The Canadian Literature Centre/Centre de litterature canadienne reaches into its ten-year archive of Brown Bag Lunch readings to sample some of the most diverse and powerful voices in contemporary Canadian literature. This anthology offers readers samples from some of Canada's most exciting writers of fiction, nonfiction, and poetry. Each selection is introduced by a brief essay, serving as a point of entry into the writer's work. From the east coast of Newfoundland to Kitamaat territory on British Columbia's central coast, there is a story for everyone, from everywhere. True to Canada's multilingual and multicultural heritage, these ten writers come from diverse ethnicities and backgrounds, and work in multiple languages, including English, French, and Cree. Ying Chen | essay by Julie Rodgers Lynn Coady | essay by Maite Snauwaert Michael Crummey | essay by Jennifer Bowering Delisle Caterina Edwards | essay by Joseph Pivato Marina Endicott | essay by Daniel Laforest Lawrence Hill | essay by Winfried Siemerling Alice Major | essay by Don Perkins Eden Robinson | essay by Kit Dobson Gregory Scofield | essay by Angela Van Essen Kim Thuy | essay by Pamela V. Sing

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Bill 6, the government of Alberta’s contentious farm workers’ safety legislation, sparked public debate as no other legislation has done in recent years. The Enhanced Protection for Farm and Ranch Workers Act provides a right to work safely and a compensation system for those killed or injured at work, similar to other provinces. In nine essays, contributors to Farm Workers in Western Canada place this legislation in context. They look at the origins, work conditions, and precarious lives of farm workers in terms of larger historical forces such as colonialism, land rights, and racism. They also examine how the rights and privileges of farm workers, including seasonal and temporary foreign workers, conflict with those of their employers, and reveal the barriers many face by being excluded from most statutory employment laws, sometimes in violation of the Canadian Charter of Rights and Freedoms. Contributors: Gianna Argento, Bob Barnetson, Michael J. Broadway, Jill Bucklaschuk, Delna Contractor, Darlene A. Dunlop, Brynna Hambly (Takasugi), Zane Hamm, Paul Kennett, Jennifer Koshan, C.F. Andrew Lau, J. Graham Martinelli, Shirley A. McDonald, Robin C. McIntyre, Nelson Medeiros, Kerry Preibisch, Heidi Rolfe, Patricia Tomic, Ricardo Trumper, and Kay Elizabeth Turner.

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"My emptiness will not be frenetic with the friction of my father's silences but still as the unmarked graves of his many forgotten selves" —From "Salt" A cycle of poems, Sleeping in Tall Grass takes an unsparing look at a painful, sometimes abusive, yet strangely redemptive family story enfolded within the body of the Canadian prairie itself—at once physical, historical, and metaphysical. These intensely personal poems reflect the complex relationships between sound and space, language and silence. Treating time as more layered than sequential, they reflect a process of organic composition distilled from Therrien's iterative observations and utterances. This is writing that reaches "into the very grain of existence"—a sonorous re-presentation of the human presence on the dispassionate but eternally giving plains.

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“When you educate a girl, you educate a nation.” —Malawian saying The women of Malawi, like many other women in developing countries, struggle to find their way out of poverty and build a better life for themselves and their families. Weaving a Malawi Sunrise tells the story of Memory Chazeza’s quest to get an education and to build a school for young women. Roberta Laurie was one of many who helped Memory realize her vision of seeing young girls become strong and independent women who could care for themselves and their future families. During her time in Malawi, Laurie met several other women, each of whom had a story of her own. Laurie combines these personal accounts with detailed information about the country’s underlying social and political context. Readers interested in Africa, global affairs, women’s studies, development, and international education will give high marks to Weaving a Malawi Sunrise.

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"Sustainable development is, for government and industry at least, primarily a way of turning trees into lumber, tar into oil, and critique into consent; a way to defend the status quo of growth at any cost." —from the Introduction In Unsustainable Oil: Facts, Counterfacts and Fictions, Jon Gordon makes the case for re-evaluating the theoretical, political, and environmental issues around petroleum extraction. Doing so, he argues, will reinvigorate our understanding of the culture and the ethics of energy production in Canada. Rather than looking for better facts or better interpretations of the facts, Gordon challenges us to embrace the future after oil. Reading fiction can help us understand the cultural-ecological crisis that we inhabit. In Unsustainable Oil, using the lens of Alberta’s bituminous sands, he asks us to consider literature’s potential to open space for creative alternatives.

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This exhibition catalogue shows nearly 100 highlights of an extraordinary collection of rare books and print ephemera about angling. Featuring the books of a single collector, Bruce P. Dancik, who is an angler-collector in the mould of Roderick Haig-Brown, the catalogue includes titles that have contributed significantly to the development of angling as a sport and as a philosophy. Many books in the collection are titles of extreme rarity, often illustrated with woodcuts, copper or steel engravings, chromolithographs, and photoengravings. The curator, Justin Hanisch, has organized the publication into five sections: Manuals and Handbooks, Limited Editions, Angling as Adventure, Canadian Angling, and Scientific Angling. Foreword by Bruce P. Dancik.

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"This catalogue presents examples of first editions of all the English-language titles that have won Canada's prestigious Governor General's Literary Award for Fiction (GGs) from its inception to the present. If we look at the list as a whole, it soon becomes apparent that it represents most of the great Canadian authors of the twentieth century. This collection thus gives a fascinating perspective on the history of publishing and printing in Canada in the twentieth century. It is my hope and desire that exhibiting highlights from my collection will educate and excite the public about our outstanding literary history." John H. Meier, Jr. Produced to accompany a 2010 exhibit at the University of Alberta's Bruce Peel Special Collections Library, this illustrated catalogue showcases first editions of all titles to have won the prestigious Governor General's Literary Award for Fiction, along with a selection of binding variants, presentation copies, association copies, proofs, galleys, and associated miscellany. Collected here are the seminal works of twentieth-century Canadian fiction as they first appeared on the domestic market, making this volume a fascinating contribution to the study of writing and publishing in Canada.

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Arctic exploration has long captured the interest and imagination of explorers, nations, and the public. For more than 400 years, European explorers were lured to the Arctic to try to discover a commercial trading route to the Far East, where gold, spices, silk, and other valuable goods were readily available. Expeditions failed to locate the elusive Northwest Passage because virtually nothing was known about the Arctic Archipelago. Early mariners believed that Arctic waters were not frozen for the entire year, but of course it was a false hope that summer months offered safe passage. The cold was always extreme, and tiny wooden vessels were easily crushed against soaring icebergs and ice-choked channels. This exhibit catalogue, published to accompany a 2008 exhibit at the University of Alberta's Bruce Peel Special Collections Library, showcases a selection of books and maps documenting this perilous endeavour.

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"I wanted this to be a narrative. So finally Jean-Luc went all the way: every line in the script a quotation from somewhere else. Every blessed line. Love doesn't die. It's people who die. Love just goes away." -from "NOUVELLE VAGUE / New Wave (1990)" Stephen Scobie celebrates "the greatest film director of his age" with poetry exploring 44 of Godard's films. Subtle yet profound unities play from poem to poem. Characters, locations, images, and the generous use of quotation jump-cut and recur to send the imagination reeling through the larger works of both artists. Readers will be seduced to linger within the writing and encouraged to seek beyond, to Godard's own oeuvre. The book is sharply envisioned and carefully cadenced so as to delight readers who may not be familiar with Godard's films. Those already acquainted with Godard's work will find At the limit of breath a most rewarding experience.

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The mountain parks are for all Canadians for all time and their value cannot be measured in terms of how many access roads, motels, souvenir shops and golf courses we've provided. -Bob Jordan, 1971 The Alpine Club of Canada imagined the Rockies and neighbouring ranges to the west and the north as a "climber's paradise." Through a century of adventure and advocacy, the ACC led the way to mountain pursuits in spectacular regions. Historian and mountain studies specialist PearlAnn Reichwein's research is informed by her experiences mountaineering and by her interest in mountain culture. She presents a compelling case for understanding wild spaces and human activity within them as parts of a whole. A work of invaluable scholarship in the areas of environmental history, public policy, sport studies, recreation, and tourism, Climber's Paradise will appeal to many non-specialists, mountaineers, environmentalists, and travellers across Canada and beyond.

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Annabel Lyon's passion for historical novels and her love of ancient Greece make her lecture on the process of creating characters of historical fiction captivating. She discusses the process of wading through historical sources-and avoiding myriad pitfalls-to craft believable people to whom readers can relate. Finding familiarity with figures from the past and then, with the help of hindsight, discovering their secrets, are the foremost tools of the historical novel writer. Readers interested in the literary creative process and in writing or reading historical fiction will find Lyon's comments insightful and intriguing.

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would you believe me when i make consorts of alphabet runaways & stayathomes i have rounded up where they wandered all over the page Dennis Cooley masterfully extends the genre of the abecedary to explore his curiosity of the limitlessness of human communication. With linguistic wit and complexity, his poetry carries the reader through the historical developments of the alphabet. He pries open letters and words to play with both their immediate meaning and the possibilities within the words themselves, creating surprises as he explores spelling, sound, syntax, and pronunciation. After reading Cooley's abecedarium you'll never look at language the same way. Lovers of experimental poetry as well as those interested in linguistic play or the history of language will relish the rapid-fire shifts and musicality of Cooley's newest collection of poetry.

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"The overarching theme of this volume is that Canada's Aboriginal population has reached a critical stage of transition, from a situation in the past characterized by delayed modernization, extreme socio-economic deficit, and minimal control over their demography, to a point of social, political, economic, and demographic ascendancy." -from the Preface Experts from around the world review and extend the research on Indigenous Peoples in Canada, Australia, New Zealand and the Circumpolar North, mapping recent changes in their demography, health, and sociology and comparing their conditions with that of Indigenous Peoples in other countries. Contributors point to policies and research needed to meet the challenges Indigenous Peoples are likely to face in the 21st century. This substantial volume will prove indispensable and timely to researchers, policy analysts, students, and teachers of social demography and Indigenous Studies. Contributors: Chris Andersen, Nicholas Biddle, Michael J. Chandler, Stewart Clatworthy, Senada Delic, James Frideres, Gustave J. Goldmann, Eric Guimond, Malcolm King, Brenda Kobayashi, Tahu H. Kukutai, Ron F. Laliberté, Roger C.A. Maaka, Mary Jane Norris, Evelyn J. Peters, Andrey N. Petrov, Ian Pool, Sarah Prout, Norbert Robitaille, Anatole Romaniuk, Sacha Senécal, C. Matthew Snipp, John Taylor, Frank Trovato, Ravi B.P. Verma, Cora J. Voyageur, Paul C. Whitehead, Mandy L.M. Yap, T. Kue Young.

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Compiled by a radical journalist and poet in the early days of the French Revolution, these subversively satirical lives of women saints sought to win both women and men away from religion. Though based on authentic hagiography, Maréchal's "new" legendary introduces a skeptical, rationalist perspective that anticipates modern critical approaches. Along with Delany's thorough introduction and notes, Anti-Saints offers a new perspective on the cultural climate of the French Revolution and a strikingly modern contribution to our own public conversation on religion. A must for scholars and non-specialists alike, and lovers of audacious wit.

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What if Demeter, the timeless fertility goddess of ancient Greek myth, slipped through a crack into the twenty-first century, shook off her ankle bracelets, corn tassels, and garlands, and began a tour of our improbable culture? Award-winning poet Susan McCaslin exercises the profound mother-daughter trauma forged in the Demeter-Persephone myth with unapologetic modernity. This sequence takes on a novel life all its own: Hades steals away the maiden into a cult/culture of distorted body image, addiction, high anxiety, and rampant consumerism. Mother Demeter must negotiate this alien world of health clubs, paparazzi, and so-called reality shows locked in spiritual winter. McCaslin's lyrics are by turns profound, hilarious, and devastating as she journeys to the heart of a mother's love for her daughter. Here is poetry that seeks ties to the past inside the present, poetry that speaks to us all.

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Apostrophe 1. Rhet. A figure of speech, by which a speaker or writer suddenly stops in his discourse, and turns to address pointedly some person or thing, either present or absent; an exclamatory address. (OED) Renowned poet E.D. Blodgett extends his lyrical meditations to the limits of human knowing in Apostrophes VII: Sleep, You, a Tree. By remaining true to the ancient trope of direct address, he is able to sustain the merest suggestion of the infinite complexity of the natural world beyond "You," and thereby impress his breathtaking vision. Via sumptuous imagery commanded by musical lines and understated language, readers are invited to partake in the greatest marvels that happen to be all around us, and accessible to us, every day.

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This is a daughter's poetic homage to her parents, both elegy and celebration, that explores the transformations wrought by history, biology, and the alchemy of love. In Greek myth, the daughters of Memory were the Muses. Alice Major listens carefully to their voices. ".tender, wise, beautifully cadenced work which embraces the reader on every page." - Don Domanski

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A prodigious body of innovative writing behind him, Robert Kroetsch turns to a starker lyrical mode in Too Bad: Sketches Toward a Self-Portrait. Oscillating between the many moods of a human heart that has lived through so much-from whimsy and scorn through desire, longing, lust, love, and serenity-these sketches mark a candid walk through the tortuous corridors of the poet's remembering, and exemplify the rehearsed dictum of an old teacher: "Every enduring poem was written today." Simply put, "This book is not an autobiography. It is a gesture toward a self-portrait, which I take to be quite a different kettle of fish." -- Robert Kroetsch, from the Introduction

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The style of my book must be in small pieces, as my life has been in pieces. (Jalal Barzanji) From 1986 to 1988 poet and journalist Jalal Barzanji endured imprisonment and torture under Saddam Hussein's regime because of his literary and journalistic achievements-writing that openly explores themes of peace, democracy, and freedom. It was not until 1998, when he and his family took refuge in Canada, that he was able to consider speaking out fully on these topics. Still, due to economic necessity, Barzanji's dream of writing had to wait until he was named Edmonton's first Writer-in-Exile in 2007. This literary memoir is the project Barzanji worked on while Writer-in-Exile, and it is the first translation of his work from Kurdish into English. Foreword by John Ralston Saul.

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Paris remains one of the most fascinating cities in the world. It provides a measure of excellence in many areas of culture, and it is itself constantly being measured, both by its lovers and by its critics. This book presents a series of studies on the images of Paris presented by writers (mostly Canadian, from John Glassco to Mavis Gallant to Lola Lemire Tostevin), but also in such other areas as social history and personal memoir. The result is a wide-ranging discussion of the city's history in 20th century literature and thought, which will appeal to all those who love Paris, or who have ever walked on its streets.

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The trouble with lions is that while you are conducting a pregnancy test, you need to be equally, if not more, aware of what you can learn from the lion's other end. That is one lesson that Jerry Haigh brings home in this fascinating collection of stories about working with wild animals in Africa. Conversational in tone, conservational in theme—you will be right beside Jerry, wife Jo, and a colourful cast of vets, guides, and wardens as they scour Africa’s sprawling vistas “troubleshooting” lions, rhinos, humans, and other indigenous mammals. Conservationists, veterinarians, and fans of real-life adventure tales will want to keep this memoir handy on the dashboards of their Land Cruisers. Foreword by Jane Goodall.

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