Search results for ""The University of North Carolina Press""

As Deirdre Clemente shows in this lively history of fashion on American college campuses, whether it's jeans and sneakers or khakis with a polo shirt, chances are college kids made it cool. The modern casual American wardrobe, Clemente argues, was born in the classrooms, dormitories, fraternity and sorority houses, and gyms of universities and colleges across the country. As young people gained increasing social and cultural clout during the early twentieth century, their tastes transformed mainstream fashion from collared and corseted to comfortable. From east coast to west and from the Ivy League to historically black colleges and universities, changing styles reflected new ways of defining the value of personal appearance, and, by extension, new possibilities for creating one's identity. The pace of change in fashion options, however, was hardly equal. Race, class, and gender shaped the adoption of casual style, and young women faced particular backlash both from older generations and from their male peers. Nevertheless, as coeds fought dress codes and stereotypes, they joined men in pushing new styles beyond the campus, into dance halls, theaters, homes, and workplaces. Thanks to these shifts, today's casual style provides a middle ground for people of all backgrounds, redefining the meaning of appearance in American culture.

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Ronald Lockett (1965-1998) stands out among southern artists in the late twentieth century. Raised in the African American industrial city of Bessemer, Alabama, Lockett explored a range of recurring themes through his art: faith, the endless cycle of life, environmental degradation, historical events, the sweetness of idealized love, mourning, human emotion, and personal struggle. By the time Lockett died at age thirty-two, he had created an estimated four hundred works that document an extraordinary artistic evolution. This book offers the first in-depth critical treatment of Lockett's art, alongside sixty full-color plates of the artist's paintings and assemblages, shedding light on Lockett's career and work. By placing Lockett at its center, contributors contextualize what might be best understood as the Birmingham-Bessemer School of art, which includes Thornton Dial, Joe Minter, and Lonnie Holley, and its turbulent social, economic, and personal contexts. While broadening our understanding of southern contemporary art, Fever Within uncovers how one artist's work has become emblematic of the frustrated, yearning, unredeemed promises, and family and community resilience expressed by a generation of African American artists at the close of the twentieth century.Contributors include Paul Arnett, Sharon Patricia Holland, Katherine L. Jentleson, Thomas J. Lax, and Colin Rhodes.

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North Carolina's 1.2 million acres of national forestland are some of our state's most distinctive and botanically diverse areas. Veteran nature writer Johnny Molloy welcomes you to enjoy these beautiful and often surprising wild areas, guiding you safely there and back again. Molloy renders the sometimes primitive trails accessible to both beginner and more intrepid hikers, from families with small children to dedicated wilderness wanderers. Spotlighting the best hikes in all four of North Carolina's national forests--Nantahala, Pisgah, Uwharrie, and Croatan, ranging from the mountains to the coast--this book includes some of the state's most heralded destinations and invites you to explore many lesser-known gems. Features include A hike summary, including distance, time, and difficulty of each trip Detailed instructions to keep you on the trail GPS coordinates of every trailhead, a narrative of the hike, and can't-miss features A cultural and natural history of each area Best seasons to go Fees and permits, as well as contact information for each area Photos and maps to orient you

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This is a new edition of a classic slave narrative, now fully annotated.It is the most celebrated escape in the history of American slavery. Henry Brown had himself sealed in a three-foot-by-two-foot box and shipped from Richmond, Virginia, to Philadelphia, a twenty-seven-hour journey to freedom. In ""Narrative of the Life of Henry Box Brown"", written by Himself, Brown not only tells the story of his famed escape, but also recounts his later life as a black man making his way through white American and British culture. Most important, he paints a revealing portrait of the reality of slavery, the wife and children sold away from him, the home to which he could not return, and his rejection of the slaveholders' religion - painful episodes that fueled his desire for freedom.This edition comprises the most complete and faithful representation of Brown's life, fully annotated for the first time. John Ernest also provides an insightful introduction that places Brown's life in its historical setting and illuminates the challenges Brown faced, both before and after his legendary escape.

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Here is more delicious home cooking with Mama Dip. In this much-anticipated follow-up to her bestselling ""Mama Dip's Kitchen"", Mildred ""Mama Dip"" Council serves up an abundance of new recipes for home-style Southern cooking that is sure to please. From catfish gumbo to breakfast pizza and peach upside-down cake, ""Mama Dip's Family Cookbook"" offers recipes for more than three hundred dishes, including many Council family favorites. Also featured are party and celebration foods for family and community gatherings - a reflection of Council's belief that friends and family are essential to a rewarding life. To help novice cooks, she includes basic information about staple ingredients, kitchen utensils, and important measurements, as well as diagrams for setting up a buffet. In a charming introductory essay, Council intertwines food-related reminiscences of her rural North Carolina upbringing with a wry recounting of her experiences, since the remarkable success of her first book. With this book, she passes along to new generations the practical advice and wisdom that have made her a treasure to her family and her community.

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Take a walk on the beach with three coastal experts who reveal the secrets and the science of the North Carolina shoreline. What makes sea foam? What are those tiny sand volcanoes along the waterline? You'll find the answers to these questions and dozens more in this comprehensive field guide to the state's beaches, which shows visitors how to decipher the mysteries of the beach and interpret clues to an ever-changing geological story. Orrin Pilkey, Tracy Monegan Rice, and William Neal explore large-scale processes, such as the composition and interaction of wind, waves, and sand, as well as smaller features, such as bubble holes, drift lines, and black sands. In addition, coastal life forms large and small - from crabs and turtles to microscopic animals - are all discussed here. The concluding chapter contemplates the future of North Carolina beaches, considering the threats to their survival and assessing strategies for conservation. This indispensable beach book offers vacationers and naturalists a single source for learning to appreciate and preserve the natural features of a genuine state treasure.

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This is a factual account, written in the pace of fiction, of hundreds of dramatic losses, heroic rescues, and violent adventures at the stormy meeting place of northern and southern winds and waters -- the Graveyard of the Atlantic off the Outer Banks of North Carolina.

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For more than twenty years, Roy Underhill has taught the techniques of traditional woodcraft with muscle-powered tools. With his four previous books and his popular PBS series, The Woodwright's Shop, now in its sixteenth season, Roy has inspired millions to take up chisel and plane. The master woodwright returns here with instructions for handcrafting an appealing selection of projects from the American woodworking tradition. The Woodwright's Apprentice begins with directions for building a workbench. Each successive project builds new skills for the apprentice woodworker--from frame construction to dovetailing, turning, steam-bending, and carving. Among the twenty items featured are an African chair, a telescoping music stand, a walking-stick chair, a fireplace bellows, and a revolving Windsor chair. Designed both for woodworking novices and for more seasoned woodworkers looking for enjoyable projects, the book includes step-by-step directions, complete with easy-to-follow photographs and measured drawings, and an illustrated glossary of tools and terms. All of the pieces presented here are based on projects featured in past and upcoming seasons of The Woodwright's Shop television show. |Amidst the violent racism prevalent at the turn of the 20th century, African American cultural elites, struggling to articulate a positive black identity, developed a middle-class ideology of racial uplift. Insisting that they were truly representative of the race's potential, black elites espoused an ethos of self-help and service to the black masses and distinguished themselves from the black majority as agents of civilization; hence the phrase 'uplifting the race.' A central assumption of racial uplift ideology was that African Americans' material and moral progress would diminish white racism. But Kevin Gaines argues that, in its emphasis on class distinctions and patriarchal authority, racial uplift ideology was tied to pejorative notions of racial pathology and thus was limited as a force against white prejudice.

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Roy Underhill is America's best-known master of traditional woodcraft. Creator of the popular PBS series The Woodwright's Shop , Roy has inspired millions--from professional craftsman to armchair woodworker--with his talent, knowledge, and enthusiasm. Roy returns here with his third book. The Woodwright's Workbook features step-by-step instructions for a selection of projects from his television series. All projects are illustrated with photographs and measured drawings. Included here are plans for tool chests, workbenches, lathes, and historical reproductions of items for the home: a six-board chest, rustic chairs with cattail seats, a churn for the kitchen, and the Rittenhouse hygrometer. Roy also explores building barns, forges, boats, and even colonial fortresses. A wonderful feature of this book is Roy's own translation of the humorous fifteenth-century poem The Debate of the Carpenter's Tools . He also provides a fascinating and useful 'field guide' to American tool marks that shows how to identify the specific tool used by the marks it left. Whether Roy is an old friend or a new acquaintance, let him be your guide to the world of traditional woodworking.

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Roy Underhill brings to woodworking the intimate relationship with wood that craftsmen enjoyed in the days before power tools. Combining historical background, folklore, alternative technololgy, and humor, he provides both a source of general information and a detailed introduction to traditional woodworking. Beginning with a guide to trees and tools, The Woodwright's Shop includes chapters on gluts and mauls, shaving horses, rakes, chairs, weaving wood, hay forks, dough bowls, lathes, blacksmithing, dovetails, panel-frame construction, log houses, and timber-frame construction. More than 330 photographs illustrate the text.

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Hugh Morton has seldom been seen in his adult life without a camera around his neck. Much to the benefit of his beloved home state, he has crisscrossed North Carolina, from highlands to lowlands, recording nearly every step along the way. While many of his photographs of the state's people, places, and events were collected in Hugh Morton's ""North Carolina"", this new book showcases a generous collection of his signature wildlife and nature photography and includes a few of the photographer's favorite pictures of people and events that were not included in the first volume. The scenic and nature photographs are organized geographically, from the mountains to the coast. Revealing Morton's curiosity about and love of the natural world, photographs feature woodland creatures, waterfalls, beaches, and more. Some images will be familiar to those who live or travel in North Carolina. Many of the photographs here have been recovered from deep within Morton's personal archive, bringing to print some long-hidden treasures. Consisting of 162 photographs, this collection is a rich and rewarding display of North Carolina's natural bounty as it has evolved before the eyes of one of the state's most popular photographers.

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The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities. This entertaining book charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom—to create, to invent, to connect.Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical.

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What is American roots music? Any definition must account for a kaleidoscope of genres from bluegrass to blues, western swing to jazz, soul and gospel to rock and reggae, Cajun to Celtic. It must encompass the work of artists as diverse as Alice Gerard and Alison Kraus, George Thorogood and Sun Ra, Bela Fleck and Clarence "Gatemouth" Brown, the Blake Babies and Billy Strings. What do all these artists and music styles have in common? The answer is a record label born in the wake of the American folk revival and 1960s movement politics, formed around the eclectic tastes and audacious ideals of three recent college grads who lived, listened, and worked together. The answer is Rounder Records. For more than fifty years, Rounder has been the world's leading label for folk music of all kinds. David Menconi's book is the label's definitive history, drawing on previously untapped archives and extensive interviews with artists, Rounder staff, and founders Ken Irwin, Marian Leighton Levy, and Bill Nowlin. Rounder's founders blended ingenuity and independence with serendipity and an unfailing belief in the small-d democratic power of music to connect and inspire people, forging creative partnerships that resulted in one of the most eclectic and creative catalogs in the history of recorded music. Placing Rounder in the company of similarly influential labels like Stax, Motown, and Blue Note, this story is destined to delight anyone who cares about the place of music in American culture.

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In this richly illustrated love letter to the wild places and natural wonders of North Carolina, Tom Earnhardt, writer and host of UNC-TV's Exploring North Carolina and lifelong conservationist, seamlessly ties deep geological time and forgotten species from our distant past to the unparalleled biodiversity of today. With varied topography and a climate that is simultaneously subtropical, temperate, and subarctic, he shows that North Carolina is a meeting place for living things more commonly found far to the north and south. Highlighting the ways in which the state is a unique ecological crossroads, Earnhardt's research, insightful writing, and stunning photography will both teach and inspire. Crossroads of the Natural World invites readers to engage a variety of topics, including the impacts of invasive species, the importance of forested buffers along our rivers, the role of naturalists, and the challenges facing the state in a time of climate change and sea-level rise. By sharing his own journey of more than sixty years, Earnhardt entices North Carolinians of every age to explore the natural diversity of our state.

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Nestled between the Chesapeake Bay and the Atlantic Ocean, and stretching from Hampton Roads to Assateague Island, Virginia's Eastern Shore is a distinctly southern place with an exceptionally southern taste. In this inviting narrative, Bernard L. Herman welcomes readers into the communities, stories, and flavors that season a land where the distance from tide to tide is often less than five miles. Blending personal observation, history, memories of harvests and feasts, and recipes, Herman tells of life along the Eastern Shore through the eyes of its growers, watermen, oyster and clam farmers, foragers, church cooks, restaurant owners, and everyday residents. Four centuries of encounter, imagination, and invention continue to shape the foodways of the Eastern Shore of Virginia, melding influences from Indigenous peoples, European migrants, enslaved and free West Africans, and more recent newcomers. Herman reveals how local ingredients and the cooks who have prepared them for the table have developed a distinctly American terroir--the flavors of a place experienced through its culinary and storytelling traditions. This terroir flourishes even as it confronts challenges from climate change, declining fish populations, and farming monoculture. Herman reveals this resilience through the recipes and celebrations that hold meaning, not just for those who live there but for all those folks who sit at their tables--and other tables near and far.

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Romare Bearden (1911–1988), one of the most prolific, original, and acclaimed American artists of the twentieth century, richly depicted scenes and figures rooted in the American South and the Black experience. Bearden hailed from North Carolina but was forced to relocate to the North when a white mob harassed them in the 1910s. His family story is a compelling, complicated saga of Black middle-class achievement in the face of relentless waves of white supremacy. It is also a narrative of the generational trauma that slavery and racism inflicted over decades. But as Glenda Gilmore reveals in this trenchant reappraisal of Bearden's life and art, his work reveals his deep imagination, extensive training and rich knowledge of art history.Gilmore explores four generations of Bearden's family and highlights his experiences in North Carolina, Pittsburgh, and Harlem. She engages deeply with Bearden's art and considers it as an alternative archive that offers a unique perspective on the history, memory, and collective imagination of Black southerners who migrated to the North. In doing so, she revises and deepens our appreciation of Bearden's place in the artistic canon and our understanding of his relationship to southern, African American, and American cultural and social history.

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This is what it is to survive. You find what floats and you hold on. Even if it is smaller than you. Holding on is all fourteen-year-old Stephanie Clare Smith can do when she's left home alone in New Orleans during the summer of 1973. As she seeks to ease her solitude through her summer school algebra class, her wandering in the city, and her friendship with a streetcar operator, adults—particularly men—fail her again and again, with devastating consequences. Dreamlike and beautifully paced, this lyrical debut memoir traces the events of one harrowing summer and its repercussions throughout Stephanie's life, including her work with families in crisis and as a caregiver for the mother who abandoned her all those years ago. Through a mosaic of trauma and transcendence, memory and metaphor, scarcity and neglect, Stephanie reveals how she built connections in and to a world that had largely left her behind. Her hard-won survival echoes that of countless other survivors whose stories are never told, and her strength stands as a testament to the power of creativity.

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People have gathered in public drinking places to drink, relax, socialize, and do business for hundreds of years. For just as long, critics have described taverns and similar drinking establishments as sources of individual ruin and public disorder. Examining these dynamics as Americans surged westward in the early nineteenth century, Kirsten E. Wood argues that entrepreneurial, improvement-minded men integrated many village and town taverns into the nation's rapidly developing transportation network and used tavern spaces and networks to raise capital, promote innovative businesses, practice genteel sociability, and rally support for favored causes—often while drinking the staggering amounts of alcohol for which the period is justly famous. White men's unrivaled freedom to use taverns for their own pursuits of happiness gave everyday significance to citizenship in the early republic. Yet white men did not have taverns to themselves. Sharing tavern spaces with other Americans intensified white men's struggles to define what, and for whom, taverns should be. At the same time, temperance and other reform movements increasingly divided white men along lines of party, conscience, and class. In both conflicts, some improvement-minded white men found common cause with middle-class white women and Black activists, who had their own stake in rethinking taverns and citizenship.

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Covering the Carolinas from up-country to the Piedmont to the Coastal Plain, this book is an in-depth yet accessible primer on the many ways that Carolinians can attract birds--from large wildlife refuges to private sanctuaries, and from farms to suburban homes and even apartments. The first book to focus specifically on attracting birds in both states, Attracting Birds in the Carolinas includes information on birds' basic needs and their annual reproduction and migration cycles, and provides helpful tips on how to modify your outdoor space to invite avian visitors. In addition to helpful information on attracting particular species, this guide offers practical advice for managing problem species—both avian, such as the European Starling and Mute Swan, and nonavian, such as squirrels and snakes.

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Roanoke. Manteo. Wanchese. Chicamacomico. These place names along today's Outer Banks are a testament to the Indigenous communities that thrived for generations along the Carolina coast. Though most sources for understanding these communities were written by European settlers who began to arrive in the late sixteenth century, those sources nevertheless offer a fascinating record of the region's Algonquian-speaking people. Here, drawing on decades of experience researching the ethnohistory of the coastal mid-Atlantic, Helen Rountree reconstructs the Indigenous world the Roanoke colonists encountered in the 1580s. Blending authoritative research with accessible narrative, Rountree reveals in rich detail the social, political, and religious lives of Native Americans before European colonization. Then narrating the story of the famed Lost Colony from the Indigenous vantage point, Rountree reconstructs what it may have been like for both sides as stranded English settlers sought to merge with existing local communities. Finally, drawing on the work of other scholars, Rountree brings the story of the Native people forward as far as possible toward the present. Featuring maps and original illustrations, Rountree offers a much needed introduction to the history and culture of the region's Native American people before, during, and after the founding of the Roanoke colony.

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Americans responded to the deadly terrorist attacks on September 11, 2001, with an outpouring of patriotism, though all were not united in their expression. A war-based patriotism inspired millions of Americans to wave the flag and support a brutal War on Terror in Afghanistan and Iraq, while many other Americans demanded an empathic patriotism that would bear witness to the death and suffering surrounding the attack. Twenty years later, the war still simmers, and both forms of patriotism continue to shape historical understandings of 9/11's legacy and the political life of the nation. John Bodnar's compelling history shifts the focus on America's War on Terror from the battlefield to the arena of political and cultural conflict, revealing how fierce debates over the war are inseparable from debates about the meaning of patriotism itself. Bodnar probes how honor, brutality, trauma, and suffering have become highly contested in commemorations, congressional correspondence, films, soldier memoirs, and works of art. He concludes that Americans continue to be deeply divided over the War on Terror and how to define the terms of their allegiance--a fissure that has deepened as American politics has become dangerously polarized over the first two decades of this new century.

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As the sectional crisis gripped the United States, the rancor increasingly spread to the halls of Congress. Preston Brooks's frenzied assault on Charles Sumner was perhaps the most notorious evidence of the dangerous divide between proslavery Democrats and the new antislavery Republican Party. But as disunion loomed, rifts within the majority Democratic Party were every bit as consequential. And nowhere was the fracture more apparent than in the raging debates between Illinois's Stephen Douglas and Mississippi's Jefferson Davis. As leaders of the Democrats' northern and southern factions before the Civil War, their passionate conflict of words and ideas has been overshadowed by their opposition to Abraham Lincoln. But here, weaving together biography and political history, Michael E. Woods restores Davis and Douglas's fatefully entwined lives and careers to the center of the Civil War era. Operating on personal, partisan, and national levels, Woods traces the deep roots of Democrats' internal strife, with fault lines drawn around fundamental questions of property rights and majority rule. Neither belief in white supremacy nor expansionist zeal could reconcile Douglas and Davis's factions as their constituents formed their own lines in the proverbial soil of westward expansion. The first major reinterpretation of the Democratic Party's internal schism in more than a generation, Arguing until Doomsday shows how two leading antebellum politicians ultimately shattered their party and hastened the coming of the Civil War.

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For a brief moment in the summer of 1900, Robert Charles was arguably the most infamous black man in the United States. After an altercation with police on a New Orleans street, Charles killed two police officers and fled. During a manhunt that extended for days, violent white mobs roamed the city, assaulting African Americans and killing at least half a dozen. When authorities located Charles, he held off a crowd of thousands for hours before being shot to death. The notorious episode was reported nationwide; years later, fabled jazz pianist Jelly Roll Morton recalled memorializing Charles in song. Yet today, Charles is almost entirely invisible in the traditional historical record. So who was Robert Charles, really? An outlaw? A black freedom fighter? And how can we reconstruct his story? In this fascinating work, K. Stephen Prince sheds fresh light on both the history of the Robert Charles riots and the practice of history-writing itself. He reveals evidence of intentional erasures, both in the ways the riot and its aftermath were chronicled and in the ways stories were silenced or purposefully obscured. But Prince also excavates long-hidden facts from the narratives passed down by white and black New Orleanians over more than a century. In so doing, he probes the possibilities and limitations of the historical imagination.

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In this hands-on, how-to guide to fishing North Carolina's Outer Banks, expert fisherman Stan Ulanski combines his enthusiasm, his experience, and his scientific expertise to show anglers how to catch more fish. Focusing on the essential but often misunderstood links between recreational fishing and the biology, geography, and natural history of the region, Fishing North Carolina's Outer Banks fosters an understanding of the aquatic environment of one of the nation's prime fishing destinations. Ulanski reveals the best approaches to the six main Outer Banks angling scenarios: surf, pier, sound, offshore, inshore, and reef, ledge, and shipwreck fishing. The book features illustrated fish profiles--each loaded with essential information, including identification, food value, and habitat pointers--and species-specific fishing tips for thirty-five of the Outer Banks' most common game fish. And, once you've made your catch, Ulanski provides important storing, cleaning, and cooking advice--including six of his favorite fresh fish recipes. This is a trusty tackle box tool for planning fishing trips to the Outer Banks and for understanding the underwater setting of the fish you're out to catch. Southern Gateways Guide is a registered trademark of the University of North Carolina Press |In this hands-on, how-to guide to fishing North Carolina's Outer Banks, Ulanski combines his enthusiasm, his experience, and his scientific expertise to show anglers how to catch more fish. The book features illustrated fish profiles--each loaded with essential information, including identification, food value, and habitat pointers--species-specific fishing tips for thirty-five of the Outer Banks' most common game fish; important storing, cleaning, and cooking advice; and six of Ulanski's favorite fresh fish recipes.

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Generations have trusted Hugh Porter's Seashells of North Carolina to help identify favorite shells. This revised and expanded edition from the experts at the North Carolina Sea Grant is the perfect beach companion for shell-seekers of all sorts.

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Few creatures are as enchanting and magnificent as the butterfly. This field guide introduces more than 200 butterfly species found in the American Southeast, complete with color photographs that not only identify them but also reveal their unique beauty.

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In an era when many people would like to grow plants but are challenged by time, space, and lack of other resources, this concise, easy-to-use guide introduces southern gardeners to the art, craft, and science of growing plants in containers and in small spaces.

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In the late 1970s, Robert Brunk discovered the world of auctioneering. Drawn to the unique mountain culture and the history of fine art in and around Asheville, North Carolina, Bob started a business, Brunk Auctions, that became part of a bustling network of commerce. America's passion for collecting, buying, and selling reached remarkable heights in the following decades. Auction houses and antiques stores thrived; people paid hundreds of dollars for a humble country basket and thousands for a rare piece of folk art. In this collection of compelling, compassionate essays, Bob considers specific items and remarkable situations he encountered in his long and successful work as an auctioneer and appraiser. He presents objects as invitations to consider personal and collective histories often related to unresolved social inequities. Bob also describes how, as his business grew to offer the finest examples of American and European art, his career often conflicted with his Mennonite background and the complexities of ownership and value. The result is a portrait that reflects the best and worst of us as we search for ways to live with objects—and then decide what to do when it's time to let them go.

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Pivoting from studies that emphasize the dominance of progressivism on American college campuses during the late sixties and early seventies, Lauren Lassabe Shepherd positions conservative critiques of, and agendas in, American colleges and universities as an essential dimension of a broader conversation of conservative backlash against liberal education.This book explores the story of how stakeholders in American higher education organized and reacted to challenges to their power from the New Left and Black Power student resistance movements of the late 1960s. By examining the range of conservative student organizations and coalition building, Shepherd shows how wealthy donors and conservative intellectuals trained future GOP leaders such as Karl Rove, Bill Barr, Jeff Sessions, Pat Buchanan, and others in conservative politics, providing them with tactics to consciously drive American politics and culture further to the authoritarian right and to "reclaim" American higher education.

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In Haitian Vodou, spirits impact Black practitioners' everyday lives, tightly connecting the sacred and the secular. As Eziaku Atuama Nwokocha reveals in this richly textured book, that connection is manifest in the dynamic relationship between public religious ceremonies, material aesthetics, bodily adornment, and spirit possession. Nwokocha spent more than a decade observing Vodou ceremonies from Montreal and New York to Miami and Port-au-Prince. She engaged particularly with a Haitian practitioner and former fashion designer, Manbo Maude, who presided over Vodou temples in Mattapan, Massachusetts, and Jacmel, Haiti. With vivid description and nuanced analysis, Nwokocha shows how Manbo Maude's use of dress and her production of ritual garments are key to serving Black gods and illuminate a larger transnational economy of fashion and spiritual exchange. This innovative book centers on fashion and other forms of self-presentation, yet it draws together many strands of thought and practice, showing how religion is a multisensorial experience of engagement with what the gods want and demand from worshippers. Nwokocha's ethnographic work will challenge and enrich readers' understandings not only of Vodou and its place in Black religious experience but also of religion's entanglements with gender and sexuality, race, and the material and spiritual realms.

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The rural roads that led to our planet-changing global economy ran through the American South. That region's impact on the interconnected histories of business and ecological change is narrated here by acclaimed scholar Bart Elmore, who uses the histories of five southern firms—Coca-Cola, Delta Airlines, Walmart, FedEx, and Bank of America—to investigate the environmental impact of our have-it-now, fly-by-night, buy-on-credit economy. Drawing on exclusive interviews with company executives, corporate archives, and other records, Elmore explores the historical, economic, and ecological conditions that gave rise to these five trailblazing corporations. He then considers what each has become: an essential presence in the daily workings of the global economy and an unmistakable contributor to the reshaping of the world's ecosystems. Even as businesses invest in sustainability initiatives and respond to new calls for corporate responsibility, Elmore shows the limits of their efforts to "green" their operations and offers insights on how governments and activists can push corporations to do better. At the root, Elmore reveals a fundamental challenge: Our lives are built around businesses that connect far-flung rural places to urban centers and global destinations. This "country capitalism" that proved successful in the US South has made it possible to satisfy our demands at the click of a button, but each click comes with hidden environmental costs. This book is a must-read for anyone who hopes to create an ecologically sustainable future economy.

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In a world of border walls and obstacles to migration, a lottery where winners can gain permanent residency in the United States sounds too good to be true. Just as unlikely is the idea that the United States would make such visas available to foster diversity within a country where systemic racism endures. But in 1990, the United States Diversity Visa Lottery was created to do just that.Dreamland tells the surprising story of this unlikely government program and its role in American life as well as the global story of migration. Historian Carly Goodman takes readers from Washington, D.C., where proponents deployed a colorblind narrative about our "nation of immigrants" to secure visas for white immigrants, to the African countries where it flourished and fostered dreams of going to America. From the post office to the internet, aspiring emigrants, visa agents, and others embraced the lottery and tried their luck in a time of austerity and limits. Rising African immigration to the United States has enriched American life, created opportunities for mobility, and nourished imagined possibilities. But the promise of the American dream has been threatened by the United States' embrace of anti-immigrant policies and persistent anti-Black racism.

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In the early twentieth century, Winston-Salem was hailed as the "town of a hundred millionaires." Booming tobacco and textile manufacturing industries converged to make Winston-Salem the largest and richest city in all of North Carolina, and major architects flocked to the area to design for its newly wealthy clientele. Ambitious commercial buildings and gracious suburban estates abounded, hosting generations of families that shaped the economic future of the country.Great Houses and Their Stories explores Winston-Salem's finest residential architecture from that era--its spacious mansions, palatial gardens, and even working farms--and delves deeply into the stories of the people who lived and worked in those historic buildings. This is a book for the preservationists, history buffs, and architecture lovers of the world and for the Winston-Salem residents who have always wondered about the abundance of green-roofed mansions still surviving in their city, even as similar pockets of early 20th century architecture throughout the country have been lost to time.Author Margaret Supplee Smith, Ph.D., and photographer Jackson Smith tell the rich histories of more than 75 great houses through beautiful new photography, historic photographs, personal narratives, and oral histories. Through diligent research of historical records and interviews with residents and local historians, they've uncovered fascinating stories about the families whose fortunes shaped neighborhoods like Buena Vista, West Highlands, and Reynolda Park.By publishing this book, Preservation North Carolina hopes to advance the preservation of Winston-Salem's rich architectural legacy, which is highly threatened by demolition and overdevelopment.

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More than 150 years after the end of the Civil War, scores of websites, articles, and organizations repeat claims that anywhere between 500 and 100,000 free and enslaved African Americans fought willingly as soldiers in the Confederate army. But as Kevin M. Levin argues in this carefully researched book, such claims would have shocked anyone who served in the army during the war itself. Levin explains that imprecise contemporary accounts, poorly understood primary-source material, and other misrepresentations helped fuel the rise of the black Confederate myth. Moreover, Levin shows that belief in the existence of black Confederate soldiers largely originated in the 1970s, a period that witnessed both a significant shift in how Americans remembered the Civil War and a rising backlash against African Americans' gains in civil rights and other realms.Levin also investigates the roles that African Americans actually performed in the Confederate army, including personal body servants and forced laborers. He demonstrates that regardless of the dangers these men faced in camp, on the march, and on the battlefield, their legal status remained unchanged. Even long after the guns fell silent, Confederate veterans and other writers remembered these men as former slaves and not as soldiers, an important reminder that how the war is remembered often runs counter to history.

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South Writ Large: Stories from the Global South is an anthology of personal essays, articles, poetry, and artwork that explores the culture of the U.S. South and its extensive connections to other regions of the world. The collection is composed of articles published over the past ten years in the online magazine South Writ Large, which examines the changing South in its symbolic and psychological complexity to stimulate conversation about the culture of the South at home and abroad. The anthology's accomplished contributors work in broad-ranging fields: novelist Jill McCorkle; poet Jaki Shelton Green; historians Clay Risen and Malinda Maynor Lowery; journalist and politician W. Hodding Carter III; author and chef Bill Smith; and artists Bo Bartlett and Welmon Sharlhome. The introduction is by novelist Michael Malone and the afterword is by anthropologist Jim Peacock, whose Global South concept inspired South Writ Large Magazine and this anthology.

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While a luscious layer cake may exemplify the towering glory of southern baking, like everything about the American South, baking is far more complicated than it seems. Rebecca Sharpless here weaves a brilliant chronicle, vast in perspective and entertaining in detail, revealing how three global food traditions—Indigenous American, European, and African—collided with and merged in the economies, cultures, and foodways of the South to create what we know as the southern baking tradition.Recognizing that sentiments around southern baking run deep, Sharpless takes delight in deflating stereotypes as she delves into the suprising realities underlying the creation and consumption of baked goods. People who controlled the food supply in the South used baking to reinforce their power and make social distinctions. Who used white cornmeal and who used yellow, who put sugar in their cornbread and who did not had traditional meanings for southerners, as did the proportions of flour, fat, and liquid in biscuits. By the twentieth century, however, the popularity of convenience foods and mixes exploded in the region, as it did nationwide. Still, while some regional distinctions have waned, baking in the South continues to be a remarkable, and remarkably tasty, source of identity and entrepreneurship.

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Marcie Cohen Ferris gathers a constellation of leading journalists, farmers, chefs, entrepreneurs, scholars, and food activists—along with photographer Baxter Miller— to offer a deeply immersive portrait of North Carolina's contemporary food landscape. Ranging from manifesto to elegy, Edible North Carolina's essays, photographs, interviews, and recipes combine for a beautifully revealing journey across the lands and waters of a state that exemplifies the complexities of American food and identity. While North Carolina's food heritage is grounded in core ingredients and the proximity of farm to table, this book reveals striking differences among food-centered cultures and businesses across the state. Documenting disparities among people's access to food and farmland—and highlighting community and state efforts toward fundamental solutions—Edible North Carolina shows how culinary excellence, entrepreneurship, and the struggle for racial justice converge in shaping food equity, not only for North Carolinians, but for all Americans.Starting with Vivian Howard, star of PBS's A Chef's Life, who wrote the foreword, the contributors include Shorlette Ammons, Karen Amspacher, Victoria Bouloubasis, Katy Clune, Gabe Cumming, Marcie Cohen Ferris, Sandra Gutierrez, Tom Hanchett, Michelle King, Cheetie Kumar, Courtney Lewis, Malinda Maynor Lowery, Ronni Lundy, Keia Mastrianni, April McGreger, Baxter Miller, Ricky Moore, Carla Norwood, Kathleen Purvis, Andrea Reusing, Bill Smith, Maia Surdam, and Andrea Weigl.

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Between 1861 and 1865, approximately 200,000 women were widowed by the deaths of Civil War soldiers. They recorded their experiences in diaries, letters, scrapbooks, and pension applications. In Love and Duty, Angela Esco Elder draws on these materials—as well as songs, literary works, and material objects like mourning gowns—to explore white Confederate widows' stories, examining the records of their courtships, marriages, loves, and losses to understand their complicated relationship with the Confederate state. Elder shows how, in losing their husbands, many women acquired significant cultural capital, which positioned them as unlikely actors to gain political influence.Confederate officialdom championed a particular image of white widowhood the young wife who selflessly transferred her monogamous love from her dead husband to the deathless cause for which he'd fought. But a closer look reveals that these women spent their new cultural capital with great shrewdness and variety. Not only were they aware of the social status gained in widowhood they also used that status on their own terms, turning mourning into a highly politicized act amid the battle to establish the Confederacy's legitimacy. Death forced all Confederate widows to reconstruct their lives, but only some would choose to play a role in reconstructing the nation.

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Telling the stories of twelve North Carolina heritage foods, each matched to the month of its peak readiness for eating, Georgann Eubanks takes readers on a flavorful journey across the state. She begins in January with the most ephemeral of southern ingredients-snow-to witness Tar Heels making snow cream. In March, she takes a midnight canoe ride on the Trent River in search of shad, a bony fish with a savory history. In November, she visits a Chatham County sawmill where the possums are always first into the persimmon trees.Talking with farmers, fishmongers, cooks, historians, and scientists, Eubanks looks at how foods are deeply tied to the culture of the Old North State. Some have histories that go back thousands of years. Garlicky green ramps, gathered in April and traditionally savored by many Cherokee people, are now endangered by their popularity in fine restaurants. Oysters, though, are enjoying a comeback, cultivated by entrepreneurs along the coast in December. These foods, and the stories of the people who prepare and eat them, make up the long-standing dialect of North Carolina kitchens. But we have to wait for the right moment to enjoy them, and in that waiting is their treasure.

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The 2021 issue explores North Carolina authors ""writing toward healing."" The issue opens with George Hovis's interview with one of North Carolina's most beloved writers, Lee Smith, and includes Kirstin Squint's interview with Annette Saunooke Clapsaddle, author of the first novel published by a member of the Eastern Band of Cherokee Indians. Between these two interviews, read essays on Smith's fiction by Sharon E. Colley and on Charles Frazier's Nightwoods by Paula Rawlins. Also in this section, North Carolina Humanities' Linda Flowers Award essay by Mildred Kiconco Barya and Christie Hinson Norris's keynote address, ""Teaching the Darkness Away: Humanities, History, and Education,"" given at North Carolina Humanities' 2020 Caldwell Award ceremony honoring James W. Clark. The special feature section closes with an essay by Laura Hope-Gill about her journey toward developing a Narrative Medicine program in North Carolina. One of the medical doctors who graduated from that program, Daniel Waters, also contributed an essay for the issue.The Flashbacks section includes the year's John Ehle Prize winner, an ecocritical reading of Ehle's The Road by Savannah Page Murray, followed by an essay on the women in Charles Frazier's Cold Mountain and Ron Rash's Serena by John Hanley. Find here too Jim Coby's interview with Nathan Ballingrud, who writes speculative fiction in the tradition of North Carolina's Manly Wade Wellman, an essay by Timothy Nixon on a short story by Randall Kenan, and a few of the honorees of the 2020 James Applewhite Poetry Prize, whose poems relate to special feature topics of issues past.More of the Applewhite Prize honorees, including the winner, are in the issue's North Carolina Miscellany section, along with the 2020 winners of the Doris Betts Fiction Prize, Molly Sentell Haile, and the Alex Albright Creative Nonfiction Prize, Andrew Scrimgeour. All three of the 2020 prize winners are new to NCLR. Keely Hendricks's Applewhite Prize poem is, in fact, the poet's first publication.

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Shortly before David Lowry Swain's thirty-second birthday, the North Carolina General Assembly elected him the state's twenty-sixth governor. He remains its youngest. In the context of his time he was an activist executive, prodding the state to develop its infrastructure, thereby promoting economic development, which in turn would sustain universal public education (although then for white males only). As Swain's constitutionally limited time as governor was expiring, The University of North Carolina trustees elected him its president. He would occupy the position until shortly before his death almost thirty-three years later.Under Swain's leadership the University would grow to be second only to Yale in student enrollment. He was largely responsible for student admissions and conduct, faculty hiring and supervision, and promoting the University to a broader public, both state and national.Notwithstanding the title "president," he remained known as "Governor Swain." The appellation was apt. The larger life of North Carolina, and to no small degree the United States, continued to reflect his fingerprints. As university president he avoided overt partisan activity, yet stayed deeply involved in the political life and public policy of his state and beyond. His leadership in matters of historic preservation was uncommon and exemplary.The Civil War devastated Swain's university. At its end those who would have been its students were in battlefield graves or recovering from war wounds. The able-bodied among them were busy reviving neglected family farms. A tuition-driven university could not sustain the resulting financial losses. Other lingering problems, and concerns for the president's health, surfaced with the fiscal difficulties. Only a regime change, the University trustees concluded, could revive the University's fortunes and secure its future. A little over a month later Swain, the deposed president, would be in his grave.Over half a century ago historian Hugh T. Lefler viewed Swain as a North Carolina leader who perhaps merited full-length biographical treatment. A Consequential Life fills this perceived gap in the state's biographical literature. It not only details the life and work of the man who was arguably the state's most significant nineteenth-century leader; in the process it also recounts the history of the state's university in the three-plus decades when he was the focal point of its life.

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Police power was built on women's bodies. Men, especially Black men, often stand in as the ultimate symbol of the mass incarceration crisis in the United States. Women are treated as marginal, if not overlooked altogether, in histories of the criminal legal system. In this history—the first on the relationship between women and police in the modern United States—Anne Gray Fischer narrates how sexual policing fueled a dramatic expansion of police power. The enormous discretionary power that police officers wield to surveil, target, and arrest anyone they deem suspicious was tested, legitimized, and legalized through the policing of women's sexuality and right to move freely through city streets.Throughout the twentieth century, police departments achieved a stunning consolidation of urban authority through the strategic discretionary enforcement of morals laws, including disorderly conduct, vagrancy, and other prostitution-related misdemeanors. Between Prohibition in the 1920s and the rise of "broken windows" policing in the 1980s, police targeted white and Black women in distinct but interconnected ways.These tactics reveal the centrality of racist and sexist myths to the justification and deployment of state power. Sexual policing did not just enhance police power. It also transformed cities from segregated sites of "urban vice" into the gentrified sites of Black displacement and banishment we live in today.

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During the presidency of Richard Nixon, homegrown leftist guerrilla groups like the Weather Underground and the Black Liberation Army carried out hundreds of attacks in the United States. The FBI had a long history of infiltrating activist groups, but this type of clandestine action posed a unique challenge. Drawing on thousands of pages of declassified FBI documents, Daniel S. Chard shows how America's war with domestic guerillas prompted a host of new policing measures as the FBI revived illegal spy techniques previously used against communists in the name of fighting terrorism. These efforts did little to stop the guerrillas-instead, they led to a bureaucratic struggle between the Nixon administration and the FBI that fueled the Watergate Scandal and brought down Nixon. Yet despite their internal conflicts, FBI and White House officials developed preemptive surveillance practices that would inform U.S. counterterrorism strategies into the twenty-first century, entrenching mass surveillance as a cornerstone of the national security state. Connecting the dots between political violence and ""law and order"" politics, Chard reveals how American counterterrorism emerged in the 1970s from violent conflicts over racism, imperialism, and policing that remain unresolved today.

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...revisit the people and places and deepen your enjoyment of the sublime BBC tv series “Wayfaring Stranger”...in these pages revisit people and places you loved in the BBC tv series “Wayfaring Stranger”... by the authors as featured in the acclaimed BBC tv series “Wayfaring Stranger”Throughout the eighteenth and nineteenth centuries, a steady stream of Scots migrated to Ulster and eventually onward across the Atlantic to resettle in the United States. Many of these Scots-Irish immigrants made their way into the mountains of the southern Appalachian region. They brought with them a wealth of traditional ballads and tunes from the British Isles and Ireland, a carrying stream that merged with sounds and songs of English, German, Welsh, African American, French, and Cherokee origin. Their enduring legacy of music flows today from Appalachia back to Ireland and Scotland and around the globe. In Wayfaring Strangers, Fiona Ritchie and Doug Orr guide readers on a musical voyage across oceans, linking people and songs through centuries of adaptation and change. From ancient ballads at the heart of the tradition to instruments that express this dynamic music, Ritchie and Orr chronicle the details of an epic journey.

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In the mid-twentieth century, decolonization fundamentally changed foreign relations as it converged with Black and Brown freedom movements, the establishment of the United Nations and NATO, an exploding Cold War, and a burgeoning world human rights movement. Dramatic events swept through Africa at a furious pace, with fifty nations gaining independence in roughly fifty years, as the struggle against colonial rule fundamentally reshaped the world and the lives of the majority of the world's population. Meanwhile, the United States emerged as the most powerful and influential nation in the world, with the ability—politically, economically, militarily, and morally—to help or hinder the transformation of the African continent. Tears, Fire, and Blood offers a sweeping history of how the United States responded to decolonization in Africa. James H. Meriwether explores how Washington, grappling with national security interests and racial prejudices, veered between strengthening African nationalist movements seeking majority rule and independence and bolstering anticommunist European allies seeking to maintain white rule. Events in Africa helped propel the Black freedom struggle around the world and ultimately forced the United States to confront its support for national ideals abroad as it fought over how to achieve equality at home.

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LONGLISTED FOR THE 2019 NATIONAL BOOK AWARDBy the late 1960s and early 1970s, reeling from a wave of urban uprisings, politicians finally worked to end the practice of redlining. Reasoning that the turbulence could be calmed by turning Black city-dwellers into homeowners, they passed the Housing and Urban Development Act of 1968, and set about establishing policies to induce mortgage lenders and the real estate industry to treat Black homebuyers equally. The disaster that ensued revealed that racist exclusion had not been eradicated, but rather transmuted into a new phenomenon of predatory inclusion. Race for Profit uncovers how exploitative real estate practices continued well after housing discrimination was banned. The same racist structures and individuals remained intact after redlining's end, and close relationships between regulators and the industry created incentives to ignore improprieties. Meanwhile, new policies meant to encourage low-income homeownership created new methods to exploit Black homeowners. The federal government guaranteed urban mortgages in an attempt to overcome resistance to lending to Black buyers - as if unprofitability, rather than racism, was the cause of housing segregation. Bankers, investors, and real estate agents took advantage of the perverse incentives, targeting the Black women most likely to fail to keep up their home payments and slip into foreclosure, multiplying their profits. As a result, by the end of the 1970s, the nation's first programs to encourage Black homeownership ended with tens of thousands of foreclosures in Black communities across the country. The push to uplift Black homeownership had descended into a goldmine for realtors and mortgage lenders, and a ready-made cudgel for the champions of deregulation to wield against government intervention of any kind. Narrating the story of a sea-change in housing policy and its dire impact on African Americans, Race for Profit reveals how the urban core was transformed into a new frontier of cynical extraction.

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