Search results for ""Park Books""

Paris-based Gaëtan Le Penhuel Architectes & Associés have acquired great expertise in the construction of school buildings over nearly 30 years, having made their name in this field with pioneering designs. Based on this wealth of experience, Gaëtan Le Penhuel now presents ABC: Schools of the Future. Best Design Practices, a compact and charming guide to developing school buildings for the future that meet the needs of students.Each of the ten chapters focuses on one key part of these structures, such as the classroom, the school yard, the hallway, the auditorium, and so on. In conversation with architectural publicist Alice Dubet, Le Penhuel outlines pathways to better school architecture, and points out obstacles to overcome and mistakes to avoid. Quentin Vijoux's illustrations provide easy visual access to the concepts of Gaëtan Le Penhuel Architectes & Associésnot only for architects and teachers, but also for students and their parents.Text

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It may sound banal, yet it is a fundamental fact in architectural design: All ideas are based on previous ideas, their imitation, inversion, rejection, or adaptation; or on their reinterpretation or ignoration. The same applies to our visual perception and how it influences our thinking and world of ideas. It is actually true for any kind of creation and design. Portraits: Architectural Parables traces these questions through a wealth of images from art history and everyday culture, as well as through analytical and classifying texts. With this book, François Charbonnet and Patrick Heiz, the founding partners of the highly acclaimed Swiss design firm Made in, reveal the approaches they take in their design methodology as well as in their teaching at ETH Zurich’s Department of Architecture and Accademia di architettura in Mendrisio. The distinctive feature lies in the linking and collaging of mutually illuminating, yet apparently antagonistic, programs. Made in’s method does not claim historical accuracy, as sources and facts are intentionally collaged to serve a reductive purpose. The focus is on the potential they see in the cross-fertilisation of different images and ideas rather than on a single, all-embracing model of thought.

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In Looking for the Voids, Hong Kong-based Swiss architect Géraldine Borio presents findings from 15 years of experimental urban research in Asia, proposing new ways to interpret and design urban space. Borio’s focus is on the interstitial spaces of the built environment, the back and in-between alleys and the sidewalks that are in constant flux and move between the poles of inside – outside, public – private, or legal – illegal. This lavishly and attractively designed book offers a survey of the lessons Borio has learned from analysing urban typologies in Bangkok, Hong Kong, and Seoul, and from engaging with residents and their informal appropriation of such semi-private urban spaces. The concrete design principles that Borio has derived from her fieldwork offer assistance to researchers and urban designers in their own investigations and in translating their findings into new projects for the further development of urban and metropolitan spaces.

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Social housing has a long tradition in Europe. Since the early 20th century, these often anonymously built and unappreciated structures have arisen all across the suburbs of Europe’s major cities. In the multidisciplinary and international research project Mapping Public Housing, the Center for Studies in Architecture and Urbanism at the University of Porto’s Faculty of Architecture has been tracing the architectural heritage of social housing. The findings demonstrate that, in many cases, vibrant neighbourhoods and entire city districts have emerged from such social housing programs. This book takes a closer look at exemplary developments in Germany, Great Britain, Portugal, Switzerland, and Spain. The case studies cover a wide range of social and historical contexts, from the beginnings of social housing in Portugal sparked by German investment during World War I to the propaganda policies associated with subsidised housing for the working class in the 1940s, and to sustainable concepts and ideas for the future. Hidden in Plain Sight offers a wide-ranging panorama that recognises the development of subsidised residential construction as a part of Europe's cultural history and traces the important role that state-funded housing has played in the emergence of the European welfare state.

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While most books on architecture focus on the architectural outcome itself, Architects on Dwelling takes a close look at how that outcome is created. To design any kind of dwelling, architects draw on both their reservoir of ideas as well as their own experiences as fellow inhabitants of such structures. This book explores how architects design the places we inhabit and how those places in turn inform the manner in which we live, in ways beyond lifestyle and personal taste. Through contributions by Stephen Hoey, Henry McKeown & Ian Alexander, James Mitchell, Stacey Philips, Christopher Platt, Adrian Stewart, and Miranda Webster—most of whom are Scotland-based practitioners as well as teachers in The Glasgow School of Art—it reveals the unique values and qualities that inform their design processes.In their essays, they focus mostly on one exemplary building, explaining how and why they design the way they do. Dick van Gameren, Simon Henley, and Graeme Hutton, distinguished experts and themselves architect-educators, place this work within an international context and provide insightful comment about what these design approaches inform us about contemporary design in Scotland. Complemented with a wide range of images, these essays both illuminate the architects’ motivations and inspirations and celebrate their featured works. Taken as a whole, Architects on Dwelling reminds us how profoundly the place we live in matters to our wellbeing, and of the social responsibility architects have in creating the built environment in general and dwellings in particular.

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Lux Guyer (1894–1955) was the first female architect to establish her own studio in Switzerland in 1924. One of her key designs is the Obere Schiedhalde, a single-family home above Küsnacht near Zurich. Completed in 1929 and temporarily occupied by Guyer and her family themselves, it is a variation on her legendary SAFFA-Haus of 1928. Between 2012 and 2018, the building itself as well as the surrounding garden were extensively and carefully restored by Basel-based architecture firm Christ & Gantenbein together with Sven Richter, co-founder of Richter Tobler Architects in Basel. Working in close collaboration with the Canton of Zurich’s office for the preservation of historic monuments, they also called in experts for a historically conscious overhaul of the building’s interior design, colour scheme, furniture, and garden design. Together with the current owners, the architects made it their mission to not only preserve this significant architectural monument of Swiss Modernism, but also make it accessible to the public through this book. Conceived by graphic designers Ludovic Balland and Annina Schepping, it offers an in-depth documentation of the renovated Obere Schiedhalde. Some 200 photographs of the house, garden, interior details, and furniture, as well as historic and newly drawn plans are supplemented with texts in German and English that tell the story of the building and the entire undertaking of its restoration. Text in English and German.

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Daniela Keiser ranks among the most renowned contemporary artists in Switzerland. In 2017 she was awarded the Prix Meret Oppenheim as well as a studio grant from Landis & Gyr Stiftung that enabled her to embark on an extended stay in London’s East End. There she discovered the Idea Store, the public library on Whitechapel Road built by British architect David Adjaye in 2001–05. Upon its opening to the public, this institution quickly became a meeting place for a broad spectrum of society including for socially disadvantaged people. The goal of the Idea Stores - eight of them have so far been opened in various London boroughs - is to enhance formerly neglected neighbourhoods and offer a low-threshold source of education and information. From that initial Idea Store on Whitechapel Road, Daniela Keiser began to take pictures of the goings-on in the street outside. Her Library - Idea Store series reveals a calm, repetitive but insistent image of the city and offers insight into the small everyday variations of the surrounding world. Her photographic reflection is accompanied by a conversation between David Adjaye and art and architecture historian Philip Ursprung. They talk about Keiser’s perception of the site and - without actually showing the building - the impact of urban design and the architect’s intentions.

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Architecture and design exhibitions have long been important public sites of broadcasting, experimentation, position-taking, and the interrogation of fundamental aspects of the designed environment. Just as individual exhibitions have constituted key benchmarks within the disciplinary history of architecture, the representation and display of space through exhibitions has operated historically as a crucial medium for shaping and embodying broader cultural attitudes toward the design of the built world. In recent years, the specific formats and challenges of exhibiting architecture and design, both built and speculative, have often been used as critical devices for identifying, communicating, and convening publics around shared matters of concern. These have increasingly included urgent questions of equity and justice, labor, gender, race, class, community, and lifestyle in relation to spatial issues of density, economy, policy, infrastructure, climate, and sustainability. Futures of the Architectural Exhibition records a discussion of critical approaches to the representation of architecture through conversations with seven contemporary curators working inside and outside of the museum. Mario Ballesteros (Archivo Diseño y Arquitectura, Mexico City), Giovanna Borasi (Canadian Center for Architecture, Montreal), Ann Lui (Future Firm, Chicago), Ana Miljački (Critical Broadcasting Lab, MIT), Zoë Ryan (ICA, University of Pennsylvania, Philadelphia), Martino Stierli (Museum of Modern Art, New York), and Shirley Surya (M+, Hong Kong) speculate on the specific challenges and potentials of exhibiting space.

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The Institute of Architecture and Planning at University of Liechtenstein in Vaduz pursues highly innovative approaches in architectural education. A focus on practice and bringing students together with craftsmen and their businesses are a key part of this. Model Workshop documents one of these programs at the institute. Students are confronted with different aspects of construction at a scale of 1:1, ranging from experimental wood structures through assembly techniques to questions of manufacturing. Complementing theoretical groundwork, the students’ design ideas are produced by timber construction firms as prototypes at a scale of 1:1, tested for functionality, and further developed. The book introduces this design work and direct transition into practice and analyses the learning process of building at full scale. It also offers guidance through texts and images for an in-depth engagement with these didactic methods in close cooperation with local trades businesses. Text in English and German.

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The new MEETT Toulouse exhibition and convention centre in the French city of Toulouse once again demonstrates how a seemingly dull, functional task results in striking and refined architecture if the Rotterdam-based Office for Metropolitan Architecture OMA and its mastermind Rem Koolhaas take care of it. The vast structure, covering ca 618 by 246 yards of ground, makes for a spectacular spatial experience in its main exhibition hall that offers 484,376 square feet of column-free floor space. OMA also took an unusual path with regard to the configuration and transport connection of the entire complex. Rather than sealing even more ground with tarmac for endless car parks, it concentrated them into a compact multi-storey parking garage at the heart of the complex that also serves as a general traffic hub for MEETT Toulouse. The book offers impressions of MEETT Toulouse’s enormous dimensions and the vast spaces it provides through images taken by French photographer Marco Cappelletti. The volume is rounded out with selected plans and concise texts on the particulars of the project. Text in French.

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Josep Lluís Mateo is one of Spain’s leading architects and one of Europe’s most influential intellectuals. He runs a firm called mateoarquitectura in Barcelona, which has designed buildings in many countries such as Spain, Portugal, Germany, France, the Netherlands and Switzerland. Alongside his work as guest lecturer, Mateo was Professor of Design at the Federal Institute of Technology (ETH) Zürich from 2002 to 2014. Mateo’s standing as a pacesetter in the international intellectual discourse about the future of architecture is closely tied to the journal Quaderns d’Arquitectura i Urbanisme, which has appeared in Catalan, Spanish and English since 1985 and of which he was editor-in-chief between 2002 and 2014. Under Matteo, it developed into the leading platform for discussions on architectural issues, urban design, and aesthetic concepts. Footprints: Writings 2005–2020 collects his most important texts from the last fifteen years - short and longer essays and vignettes, along with interviews touching on questions about the elements, environmental and urban contexts, as well as on Matteo’s own designs. The texts are illustrated and arranged thematically, to allow the juxtaposition to inspire new connections.

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This timely book seeks to dispel two widely held misconceptions: first, that architects are no longer central to the making of buildings and, second, that design is a linear process which begins with a fully formed architectural vision. Architect Farshid Moussavi argues that the temporality of architecture provides day-to-day practice with the potential to generate change. She proposes that we abandon determinism and embrace chance events and the subjective factors that influence practice in order to ground buildings in the micropolitics of everyday life. Using four buildings designed by FMA, Moussavi’s London-based practice, Architecture & Micropolitics shows how the rhizomatic nature of their design process is combined with diligent research and an openness to elements of chance to fuel creativity and bend rules that would generate a merely functional building. A substantial essay by Farshid Moussavi and an afterword by the philosopher Jacques Rancière are followed by detailed analyses of the Museum of Contemporary Art in Cleveland; Lot 19, the first new residential block to be built in the La Défense district of Paris in thirty years; the Folie Divine apartment building in Montpellier; and the Ismaili Center Houston, the first new building in the US which is dedicated to use by the Ismaili community. The book also features contributions by Iñaki Ábalos, Hans Ulrich Obrist, and Irénée Scalbert. Architecture & Micropolitics is recommended for any professional and academic library. It is a surprising book which will be of value to anyone who is interested in the relationship between architecture and society.

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The fate of Berlin's Haus der Statistik (HdS) seemed to have been decided. Built by a collective of architects in the 1960s to house the former communist German Democratic Republic's (GDR) office of statistics at Alexanderplatz, the heart of GDR's capital, it was meant to be demolished to make way for a new commercial structure. Yet in September 2015, the Berlin Alliance of Artists' Studios Under Threat initiated an art intervention at HdS, unfolding a giant banner covering most of the building's main façade, and the opening of a new public centre for all manner of social, cultural purposes in the building was publicly announced. The happening was essentially symbolic as the demolition of HdS had long since been approved. Yet within only a few years it turned out to be a self-fulfilling prophecy. Today, the HdS is a unique pioneering project collectively defined and steered by a broad coalition of actors in the interests of collaborative urban development. STATISTA, one of the art projects that has its base at HdS, explores how a cooperative urban development guided by common welfare could work on a long-term perspective. This book offers an insight into STATISTA and the events in and around HdS since 2015, aiming also to encourage artists and activists to emulate ideas and start to their own projects elsewhere. Text in English and German.

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In the countries of Central and Eastern Europe, a certain type of industry has rapidly developed - an industry that produces nothing physical. Storing, packaging, classifying, assembling, and other ancillary processes of manufacturing and distribution are carried out 24/7 in extensive logistics parks. Their vast sites, often brightly lit during night hours, have doubled in terms of area covered every four years during the past two decades. These Steel Cities, as some locals have termed them, occupying increasing amounts of what had been fertile farmland, deeply affect the lives of local residents, and create entirely new relationships. This book investigates the Steel Cities' impact on landscape and society from various perspectives. It reveals the architectural and spatial, legal, economic, social, and environmental ramifications of the logistics system in this region and elsewhere. It examines these logistics centres on three scales: as an architectonic-landscape entity the size of a small town, as a network that reshapes the map of Europe so to define its own territoriality, and as part of the everyday life of the workers inside and the residents around them. Text in English and Czech.

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Christopher Alexander is a Vienna-born, British-American architect and theorist and the father of the pattern language movement, popularised in his pivotal 1968 book, A Pattern Language, with Sara Ishikawa and Murray Silverstein, as well as the 1979 follow-up, The Timeless Way of Building. Lesser known but as essential to understanding Alexander's work is his theory of 'systems generating systems' which explains that systems as a whole are created by 'generating systems', and, if we wish to make things which function as 'wholes', we shall have to invent generating systems to create them. Taking the Eishin Campus outside Tokyo, built between 1983 and 1989, as its example, Shifting Patterns is the first book to examine Alexander's theory of 'systems generating systems' and its application to a building design. It brings together essays from an interdisciplinary, international cast of experts, including Eva Guttmann, Gabriele Kaiser, Ernst Beneder, Walter Ruprechter, Hisae Hosoi, Christian Kuhn, Ida Pristinger, and Norihito Nakatani, as well as conversations with Hajo Neis and Takaharu Tezuka to investigate the application of this theory to the school and university complex, the largest project Alexander has realised based on pattern language. Among the issues discussed are topicality, interdisciplinary and internationality, and culture transfer. The essays also look at the design-build movement as an antithesis to today's standardised and commerce-driven architectural production.

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Marco Bakker and Alexandre Blanc established their architectural firm, BABL Bakker & Blanc architectes associés, in Switzerland in 1992. At their offices in Lausanne and Zurich, they develop designs that are modest yet reflect the high demands of the built environment. Darwin's Theatre, BABL at Work documents more than twenty-five years of the firm's work and demonstrates their vision and approach through a selection of thirty-four built and unrealised designs. Inspired by Pieter Bruegel the Elder's famous painting of the Tower of Babel, the book is conceived as a chronological spiral stairway to heaven that represents the evolution of eternal questions concerning space and time. This innovative concept reflects BABL's continuous work on recurring questions and the realisation that each of their projects is an iteration of earlier ideas.

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Product of a research cooperation between three Swiss universities - the École Polytechnique Fédérale de Lausanne's School of Architecture, the School of Architecture and Technology in Fribourg, and the University of Fribourg - the Smart Living Lab is a research and development centre for the built environment of the future. This high-tech structure also serves as an emblem of the cooperation's aim to translate academic research into actual buildings. A new series of books, entitled Towards 2050 will be showcasing the ambitious undertaking at various stages. Exploring: Research-driven Building Design presents the second phase of research at the Smart Living Lab, which focuses on the various problems that must be solved to satisfy future buildings' sustainability goals. Given that the building sector is one of the world's biggest contributors to CO2 emissions and energy consumption, the research group is seeking strategies to improve energy and carbon performance of the Smart Living Lab, anticipating the expected tight requirements thirty years from now. The book features contributions by Marilyne Andersen and Emmanuel Rey; Anne-Claude Cosandey, Marilyne Andersen, and Emmanuel Rey; Thomas Jusselme; Dominic Villeneuve, Thierry Maeder, Hamed Alavi, Vincent Kaufmann, and Denis Lalanne; Thomas Jusselme, Endrit Hoxha, Cédric Liardet, Himanshu Verma, Derek Christie, Marc Antoine Messer, and Luca Pattaroni; Arianna Brambilla, Cécile Nyffeler, Hugo Gasnier, Jean-Marie Le Tiec, and Arnaud Misse; Didier Vuarnoz, Julien Nembrini, Philippe Couty, and Thibaut Schafer; Florinel Radu; Thomas Jusselme, Endrit Hoxha, Stefano Cozza, Raphaël Tuor, Renato Zülli, Nicolas Henchoz, and Denis Lalanne; and Thomas Jusselme and Didier Vuarnoz. Further volumes in the Towards 2050 series: Thinking: Visions for Architectural Design.

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Following on from the 2017 House 1 project, a public architectural intervention in Zurich, ALICE's teaching programme and the All About Space series enter the realm of urban and suburban space. The series' latest volume Beyond the Object: The Imagination of Space proposes an alternative idea and cultural history of architecture that is derived from the notion of spatial design rather than that of technical objects and constructions. Thus current topics like urban planning, the correlation of public and private spaces, social and economic development are wrapped up into more general questions: What are our common and scientific understandings of space and spatial correlations and how can they apply to contemporary architectural practice and education? The underlying narrative of Beyond the Object: The Imagination of Space is loosely tied to the exemplary urban context of Zurich. Yet it addresses the topic with decidedly global scope. And like the previous books The Invention of Space and House 1 Catalogue, the new volume combines fact with fiction to broaden the view upon future scenarios.

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Rolf Muhlethaler is an award-winning Swiss architect whose approach is characterized by a comprehensive analysis of local and historical contexts in combination with a deep conceptual understanding of structural elements, symmetry, simplicity, and repetition. Drawing on more than thirty years of experience twenty with his own Bern-based firm, Rolf Muhlethaler Architekt he carefully designs and crafts his buildings with an eye toward balancing these concerns, or creating a fragile order. Published to accompany a major exhibition at Architekturgalerie Luzern, Fragile Order Rolf Muhlethaler presents the first comprehensive English-language look at Muhlethaler's complete body of work. The architect has realized projects for both publics and private clients, including single- and multi-family residences, schools, studios, and office spaces, as well as conversions of historic industrial buildings. Richly illustrated throughout with photographs that capture all stages of the process, from design sketches to completed projects, Fragile Order Rolf Muhlethaler will be of interest to architects, as well as structural and building engineers.

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Lower Austria is not only the country's largest federal state, its beautiful and varied landscape also makes it a popular tourist destination. Many of its pretty towns and villages are only a short journey from Austria's capital Vienna. This new architecture guidebook features a vast selection of significant buildings from the late 19th and early 20th century in this region. Arranged by typology, they are documented with historic and new photographs, plans, brief descriptions and key information. The seven decades between the Austrian revolution in 1848 and the end of the Great War in 1918 were a period of fundamental changes in society, politics, economy and technology that also had a major impact on architecture and construction. Between the accession of Emperor Franz Josef I and the fall of the Austrian-Hungarian monarchy, manorialism was abolished; public administration on all levels of state was modernised and created a whole new social class of civil servants; the construction of railways and industrialisation brought an unprecedented economic boom; and escaping the crowded metropolis for a summer house in the countryside became fashionable among the aristocrats and the nouveaux-riche. Many of the famous Vienna-based architects of the time were commissioned with designs for all sorts of public and private projects also in provincial towns and villages.

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Alberto Ponis, born 1933 in Genoa, was educated at Florence University, where he qualified as an architect in 1960. He worked in London with Erno Goldfinger and Denys Lasdun in 1960-64, under the strong - and lasting - influence of the movements of modernism and new brutalism then dominant in British architecture. He established his studio in 1964 in Palau on the island of Sardinia. Ponis has studied the natural conditions and social history of Sardinia and has also done extensive research on the "stazzo", Sardinia's typical rural building type. On this thorough knowledge of conditions, traditions and requirements, an oeuvre of more than 300 residential buildings is founded. Each house is deeply rooted in its environment and connected with the land and other dwellings by the "sentiero", the path leading to and from it. They show a natural modesty and simplicity and express the architect's great formal skills and sensitivity. Alberto Ponis - Sardinia is the first comprehensive monograph on this highly interesting and original architect.Lavishly illustrated, it documents his life and work and presents in detail eight selected buildings between 1965-98 that make traceable the evolution of Ponis's work and philosophy.

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In this exceptional book on the London based studio 6a architects, architecture critic Irenee Scalbert looks at the role of narrative, history, appropriation and craft in the work of Tom Emerson and Stephanie Macdonald. The book traces an architectural approach avoiding style, signature, theory and even concept in favour of metis, an ancient form of intelligence combining 'flair, wisdom, forethought, subtlety of mind, deception, resourcefulness, vigilance, opportunism, varied skills, and experience.' Structured around notions of situation, intervention, making, comedy, bricolage, chance and anthropology, the text is mirrored in a visual essay of archive photographs, artworks, film stills and recent projects by the practice.

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Hermann Czech, born in 1936, is one of Austria’s most eminent and influential architects and theorists. This influence is based not only on his work as a designing architect, which extends to furniture, interiors, and exhibitions. Czech is also widely admired just as much for his writings on architectural theory and as the editor and translator of classics of architectural history, including texts by Otto Wagner, Adolf Loos, Josef Frank, and Christopher Alexander, among others. This book is the long-awaited updated and expanded English edition of the only full monograph on Hermann Czech to date. First published in German in 2018, it goes far beyond a mere presentation of an architecture practice’s buildings and projects. The first part traces what links Czech’s work to the approaches of Viennese modernism. The second part explores Czech’s biography and the trajectory of his career, analysing as well the contemporary influences that shape his thinking and designs. The third part features selected buildings and unrealised projects, setting forth also Czech’s numerous references and underlying reflections. A complete index of his buildings, projects, and writings, an essay by Vienna-based philosopher Elisabeth Nemeth on the relationship between architecture and philosophy in Czech’s work, and an introduction by architectural historian Liane Lefaivre round off this volume.

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Jeanne Gang, one of America's most distinguished contemporary architects, proposes using the ancient plant-cultivation technique of grafting in architecture and urban design as an effective way to address the pressing issue of climate change. Grafting is the biological process of connecting two separate living plants so they can grow and function as one. Motivated by both human need and desire, it is an ancient practice that continues to be performed today in search of more fruitful, palatable, and resilient varieties of plants.Grafting is also an incredibly useful and untapped paradigm for how architecture can begin to cope with climate change on a larger, more impactful scale, because it is predicated upon the building fabric that we already have. Grafting can become a term that informs architecture and its many scales, provoking the imagination while simultaneously lending know-how to tectonic, programmatic, formal, and regenerative adaptations.

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The Department of Architecture at ETH Zurich has been researching the integration of robots into the architectural practice, both in design and the fabrication process, for some time. This book—created in collaboration with the chair of Christophe Girot, Gramazio Kohler Research, and Marco Hutter at ETH Zurich’s Robotic Systems Lab—is the first to investigate the use of robot-based construction equipment for large-scale soil grading in landscape architecture. As landscapes are continuously changing due to ever-changing environmental conditions, the application of autonomous systems that respond to the environment rather than perform predefined and static earthwork is of particular interest in this field. Robotic Landscapes sheds light on a series of groundbreaking experiments in an interdisciplinary collaboration of landscape design, environmental engineering, and robotics that aims to make landscape architecture sustainable and ecological in the long term.

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Basel-based architects Daniel Buchner and Andreas Bründler established their studio in 1997 and soon gained wide recognition for their designs. Today, Buchner Bründler Architects ranks among the leading Swiss firm of the younger generation. This book, their second major monograph, features around 15 completed projects from 2010 to 2020 in rich detail. The selection comprises new buildings as well as significant reconstructions, with a focus on housing designs of various size and type in Switzerland and Germany. This is supplemented by a heavily illustrated survey of another 50 buildings and unrealised projects. Buchner Bründler – Buildings II does not merely bring together images, sketches, model photographs, and plans of individual buildings. Much rather, it places them in a larger context with concise texts that explore as well historic, social, and economical aspects of the specific location. Moreover, the renowned Swiss book designer Ludovic Balland and his collaborator Annina Schepping have experimented with a range of photographic methods and techniques. Their artistic interpretations of Buchner Bründler’s buildings complete a stunningly beautiful volume.

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The biblical metaphor of a “Land of Milk and Honey” has denoted for millennia a prophecy and promise for plenitude. This book, published in conjunction with the Israeli Pavilion at the 17th International Architecture Exhibition of the Venice Biennale, examines the reciprocal relations between humans, animals, and the environment within the context of modern Palestine-Israel, and demonstrates how this promise has become an action-plan over the course of the twentieth century. Through this lens, Land. Milk. Honey investigates how colonialism, settlement, urbanisation, infrastructure, and mechanised agriculture radically reshaped the environment of the contested territory of Palestine-Israel, and altered human-animal relationships. It shows how the celebrated metamorphosis of the region into a prosperous agricultural landscape was entangled with irreparable damage to the local fauna and flora, as well as the disruption of human communities and ways of living. And it highlights the predicaments that both the environment and its inhabitants are facing after the territory has over a century been the test bed of modernist aspirations for plenitude. The fundamental changes the region has gone through are portrayed through the stories of five local animals: cow, goat, honey-bee, water-buffalo, and bat. These case-studies and a zoo-centric analysis construct a spatial history of a place in five acts: Mechanization Territory, Cohabitation, Extinction and the Post-Human. A rich collection of literary excerpts, historical documents, archival photos, as well as short original vignettes brings about the story of this remarkable transfiguration and redesign.

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St Mark’s Church in Björkhagen, one of Stockholm’s southern districts, is one of Sigurd Lewerentz’s (1885-1975) key designs. But unlike Lewerentz’s other famous church, St Peter’s in Klippan, no book has been published to date that constitutes a fitting tribute to this masterpiece of brick brutalism. This opulent new building monograph now fills this gap. Some 300 new colour photographs and especially drawn explanatory plans, alongside essays by distinguished authorities on Lewerentz’s architecture, turn this book into a visual feast. It demonstrates the exquisitely atmospheric St Mark’s Church both as a standalone object and in the context of its surrounding urban landscape. Moreover, it picks out many details, such as the floor coverings, furnishings, lamps, banisters, the altar, and other liturgical features. The essays explore aspects of materiality and topics such as the church’s special acoustics and atmosphere in an attempt to reveal the secret of Sigurd Lewerentz’s church designs.

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From hand-made brick to high-tech product: building with blocks of fired clay today draws from a heritage of nine millennia and remains innovative, sustainable, and highly appreciated for its manifold applications. Since 2004, Wienerberger, the world's largest manufacturer of bricks and other clay building materials, biannually presents the international Brick Award as a scene for outstanding achievements in brick architecture. The 2020 edition of this master class saw 644 submissions from fifty-five countries that were reviewed by an international jury of experts. This book features the fifty nominees and the six winning designs, which are located in Africa, Asia, Europe, and Central America. All projects are presented in texts and richly illustrated with atmospheric images, site and floor plans, views, elevations and sections. Five topical essays by international authors, discussing the winning buildings in a wider context, round out this celebration of contemporary brick architecture.

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Brick architecture is more vibrant than ever. As a building material, brick has been in use constantly for more than nine millennia. Today, the appreciation of its versatile application, construction qualities, and its energy efficiency remains unbroken. Since 2004, Wienerberger, the world's largest manufacturer of bricks and other clay building materials, biannually presents the international Brick Award as a scene for outstanding achievements in brick architecture. The 2018 edition of this master class saw more than 600 submissions from forty-four countries. This book features the fifty nominees and the seven winning designs, which are located in Argentina, Belgium, the Netherlands, Spain, Sweden, Switzerland, and Vietnam. All projects are presented in texts and richly illustrated with atmospheric images, site and floor plans, views, elevations and sections. Five topical essays by international authors round out this celebration of contemporary brick architecture.

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Martin Feiersinger, Vienna-based architect, and his brother Werner Feiersinger, artist and photographer, have travelled extensively around Northern Italy to document the region's modern architecture from the three decades immediately following World War II. Their view focused on individual buildings rather than entire urban structures, the Feiersingers have selected projects by representatives of neo-realist and rationalist, brutalist, or organic architectural schools. Italomodern 1 features 84 buildings with photographs, a brief descriptive text also giving the exact address, as well as with selected floor plans, sections, or elevations. The images present a subjective point of view, showing each building in its present state. A map of Northern Italy and an appendix, providing rich information on the architects and listing also selected other buildings and further reading for each firm, complement the architectural portraits. The two volumes, Italomodern 1 and 2, each an entirely self-contained book, make handy and smartly structured guides for architecture lovers and professionals alike.

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In her book Mortal Cities and Forgotten Monuments, Arna Mackic explores the topic of war damage to cities and the destruction of their inhabitants' built environment. Mackic, who as a child together with her family had to flee her native Bosnia during the civil war of the 1990s, in her research follows the question "How does destruction make one feel?" The aggressors in the Bosnian war meticulously planned which buildings to destroy to maximise psychological impact on a city's inhabitants. Arguably the most famous example is the bridge of Mostar. When its architecture is destroyed, the face of a city changes, sometimes beyond recognition. Mackic also investigated the role that architecture played at turning points in the history of former Yugoslavia, in particular that of the monuments built between the late 1940s and the 1960 commemorating the victims of fascism under German occupation during World War II. The new book also features Mackic's her proposal for restoring cultural memory through architecture, applying a new open design language that goes beyond political, religious, or cultural interpretations. It outlines options for design interventions in urban space, rooted in ancient traditions while constructively aiming at the future. In her book Mortal Cities and Forgotten Monuments, Arna Mackic explores the topic of war damage to cities and the destruction of their inhabitants' built environment. Mackic, who as a child together with her family had to flee her native Bosnia during the civil war of the 1990s, in her research follows the question "How does destruction make one feel?" The aggressors in the Bosnian war meticulously planned which buildings to destroy to maximise psychological impact on a city's inhabitants. Arguably the most famous example is the bridge of Mostar. When its architecture is destroyed, the face of a city changes, sometimes beyond recognition. Mackic also investigated the role that architecture played at turning points in the history of former Yugoslavia, in particular that of the monuments built between the late 1940s and the 1960 commemorating the victims of fascism under German occupation during World War II. The new book also features Mackic's her proposal for restoring cultural memory through architecture, applying a new open design language that goes beyond political, religious, or cultural interpretations. It outlines options for design interventions in urban space, rooted in ancient traditions while constructively aiming at the future. AUTHOR: Arna Mackic, born 1988 in Capljina, Bosnia, graduated in 2010 from the Department of Architectural Design at the Gerrit Rietveld Academy in Amsterdam. She has been working with Rietveld Architecture-Art-Affordations RAAAF since 2009 as an architect, designer, researcher, and project leader. 31 colour, 123 b/w illustrations

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Bricks blocks of fired clay are known to be used for the construction of building since around 2800 BCE. Highly appreciated as ever throughout well over four millennia, this immensely versatile and sustainable building material continues to be used today for an almost unlimited range of applications in construction.Since 2004, Wienerberger, the world's largest manufacturer of bricks and other clay building materials, biannually presents the international Brick Award as a scene for outstanding achievements in brick architecture. In 2024, the eleventh edition of this global master class saw 743 submissions from 53 countries that were reviewed by an international jury of renowned experts. Brick 24 features the 50 nominees and the winning designs in five categories. They are presented through concise texts, atmospheric images, as well as site and floor plans, views, elevations and sections. Topical essays are contributed by distinguished practitioners

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This new book is the product of a unique research, teaching, and exhibition project at the Academy of Fine Arts Vienna. Faculty and students of the university's Institute for Art and Architecture IKA dedicated a full year to investigate the highly controversial modernist architecture of the three decades between 1950 and 1980. Their goal was to assess the state and current use and to interpret the aesthetic, history, and public acceptance of four selected buildings from today's perspective. Eventually, the students created designs and proposals for moderate to radical changes for these structures. The surprising results of this undertaking offer a very differentiated picture of Vienna's General Hospital (AKH), the Austrian Broadcasting Corporation's studio complex (ORF-Zentrum), the Vienna University of Economics (WU), and the Alterlaa housing estate. Big! Bad? Modern: reflects this diversity: Arranged by keywords derived from the featured projects, it provides easy access to the rich and comprehensive collection of materials and manifold positions, and opens up new perspectives.Essays by renowned authors such as Hermann Czech, Francoise Fromont, Harry Gluck, Sabine Kraft and Michael Zinganel and a preface by Nasrine Seraji round out the book.

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BIO 50, the 24th edition of the Biennial of Design in Ljubljana is taking place in September to December 2014 at the Slovenian capital's Museum of Architecture. BIO has moved recently from an awards-based competition to an experimental process that rewards collaboration. Within the framework of BIO 50, around 120 international designers and multidisciplinary agents have engaged in a six-month collaborative effort devising possible futures for design. Guided by a group of mentors, eleven teams each tackled a specific topic about how design affects and determines our life and environment. This new book compiles notes, essays, and interviews, along with rich visual material. It aggregates the manifold dimensions of each team's collaborative process, and illuminates strategies and roles for design in a contemporary world. Designing Everyday Life also features reflections on BIO as a meeting point for design between East and West in Central Europe, and interviews with design critic Alice Rawsthorn and with industrial designers Konstantin Grcic and Sasa Machtig.

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Luca Selva graduated in architecture from ETH Zurich, where he also worked as a research and teaching assistant before establishing his own studio in Basel in 1991. Single family houses have been among Selva's chief interests from the beginning as means for research on questions of space, typology, design, and architectural phenomenology in general. Specific topics and problems are investigated for the first time with this type of building, and solutions found are picked-up again and developed further in other projects of varied kind and dimension. Since 1991 Luca Selva Architects have been realising a range of highly interesting projects, including semi-detached double-family homes, a house for an art collector, a house with artist's studio, or a multi-generation home. The new book presents comprehensively and compares nine of these buildings. They are documented with images, floor and site plans, sections, and elevations. The essays - by Luca Selva and Christoph Wieser - look at the single family home as an architectural task and discuss questions of design in the context of historical and contemporary positions. A conversation - between Daniel Buchner and Luca Selva - is also featured.

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Chandigarh Casablanca documents two different but complementary urban realities that have played a fundamental role in the imagination, the definition, and the redefinition of the 20th-century modern city. Modern urbanism has traditionally ascribed universal value to avant-garde ideas originating in Europe and North America, and developments in non-Western regions as derived from those original models. This study shifts perspective in search of a new understanding of the modern city, taking into consideration the complex history of diverse cultures and changing borders. Focusing on a range of issues from the symbolic use of architecture to construct stunning monuments, to the creation of public spaces, housing design and social facilities, it features many images by two non-western photographers, Yto Barrada (French Morocco) and Takashi Homma (Japan), to construct a relevant definition of the modern city in a global sense.

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Chandigarh Casablanca documents two different but complementary urban realities that have played a fundamental role in the imagination, the definition, and the redefinition of the 20th-century modern city. Modern urbanism has traditionally ascribed universal value to avant-garde ideas originating in Europe and North America, and developments in non-Western regions as derived from those original models. This study shifts perspective in search of a new understanding of the modern city, taking into consideration the complex history of diverse cultures and changing borders. Focusing on a range of issues from the symbolic use of architecture to construct stunning monuments, to the creation of public spaces, housing design and social facilities, it features many images by two non-western photographers, Yto Barrada (French Morocco) and Takashi Homma (Japan), to construct a relevant definition of the modern city in a global sense.

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