Search results for ""McFarland Co Inc""

The Hmong were driven out of Laos by the turmoil of the Vietnam War and settled in America in such large numbers that they are now the second largest Southeast Asian population in the United States. Twelve Hmong immigrants, including a female shaman, an ex-military officer, a reformed gang member, a doctor, and a woman who was snatched from her mountain village at the age of eight, deposited in Laos' French culture and finally returned to Laos years later, tell their stories of adapting to American life and culture while preserving the values of their own ancient culture. The author also considers the 5,000 years of Hmong history and its lasting influence.

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This collection features a diverse mixture of leading ladies of Westerns, along with several who are not quite as well known. Some toiled in B westerns, others worked exclusively at the A level, and a few were relegated to television. Those interviewed are Jane Adams, Julie Adams, Merry Anders, Vivian Austin, Joan Barclay, Patricia Blair, Pamela Blake, Adrian Booth, Genee Boutell, Lois Collier, Mara Corday, Gail Davis, Myrna Dell, Ann Doran, Faith Domergue, Dale Evans, Beatrice Gray, Coleen Gray, Anne Gwynne, Lois Hall, Kay Hughes, Marsha Hunt, Eilene Janssen, Anna Lee, Joan Leslie, Nan Leslie, Kay Linaker, Teala Loring, Lucille Lund, Beth Marion, Donna Martell, Kristine Miller, Peggy Moran, Maureen O'Hara, Debra Paget, Jean Porter, Paula Raymond, Jan Shepard, Marion Shilling, Roberta Shore, Elanor Stewart, Peggy Stewart, Linda Stirling, Gale Storm, Helen Talbot, Audrey Totter, Virginia Vale, Elena Verdugo, Jacqueline White and Gloria Winters. Gwynne, Hall, Storm and Vale provide forewords to the work.

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From his primitive nonseries beginnings through the well known Fox series of 44 films (1931-1949), here is the complete history of famous film detective Charlie Chan. The films are presented in chronological order, with full cast and credits, synopses and evaluations. Biographical details on the three most famous screen Chans - Warner Oland, Sidney Toler, and Roland Winters - and background information on series directors and supporting players, insights into the making of the films, and the full story of the abrupt halt in 1949 as well as an array of the detective's aphorisms (or Chan-o-grams) are included. Numerous photos throughout.

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Some critics in England and France have long maintained that British director Terence Fisher, whose films dominated world markets in the 1950s and 60s, was one of the greatest directors of fantasy films in history. Since his death in 1980, Fisher's reputation has grown from relative obscurity and his influence on the development of the modern horror film has been widely recognized. However, Fisher's importance should not be limited to the context of the fantasy and horror film genres. His films should also be recognized as expressions of his generalizations about human spirituality. This critical study of Fisher's films begins with an introduction that provides biographical information on his film career, summaries of all of the films he directed and examples of his impact on contemporary cinema. All of Fisher's films are analyzed in terms of their Christian and religious themes as well as their mythical sources. Chapters are devoted to Fisher's work on the subjects of Frankenstein, Dracula, curses (The Devil Rides Out), the ancient goddess (The Gorgon), the divided self (The Man Who Could Cheat Death) and the redeemer hero (The Stranglers of Bombay). The concluding chapter analyzes the role and influence of Biblical narratives in Fisher's films. Also included is a filmography; the work is fully indexed.

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Even though the people of Afghanistan have in general suffered under the rule of the Taliban, women live especially difficult lives, enduring terrible hardships. They are denied basic human rights, forced to wear veil and kept in seclusion. This work addresses the religion, revolution, and national identity of Afghani women and places them within their gender-political and religious-political roles, thus elevating our understanding of their abuse, imprisonment and murder, and offering a basis for their rehabilitation. Powerful and moving interviews with Afghani women conducted and translated by the Revolutionary Association of the Women of Afghanistan are presented and a brief history of the struggle of the Afghani women and an overview of the conflict between the Afghanis and the Talibans are included.

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Kevin Wetmore's study focuses on African American adaptations of classical Greek tragedy. The author concentrates on the method of transculturation that the playwrights use and explains why African Americans have embraced the ancient Greek material.

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This book is a compilation of selected stories, essays, and reminiscences that Dorothy West wrote for the Vineyard Gazette from the 1960s to the early 1990s. In these entries, West retraces life on the island as she experienced it from 1908, when she was an infant, to 1993 when she wrote her final column. Born in 1907 in Boston, Dorothy West went on to develop into a prize-winning author by the time she was in her teens. The 1926 award she received in New York, and the lure of the city itself, inspired West to leave Boston and join what was then a fledgling literary movement that would evolve into the Harlem Renaissance. She circulated among what in essence was the black literary "royalty" of her times, of which she was a signal member.By the mid-1940s West had returned to Massachusetts, to Martha's Vineyard. She began to write a column for the local paper about the comings and goings of island residents and visitors. It was her column in the Gazette that drew the attention of former First Lady Jacqueline Kennedy Onassis who, on one of her island visits, met the author and expressed her admiration. Onassis, at the time, just happened to be an editor at Doubleday. When Onassis learned of a decades-old manuscript that had been laid aside, she urged West to pick up the work again. West later dedicated this book "To the memory of my editor, Jacqueline Kennedy Onassis. Though there was never such a mismatched pair in appearance, we were perfect partners."The authors selected from the Gazette columns that West wrote over the three decades, those on people, events, and nature seemed to have the greatest historic, artistic, or philosophical import.

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Columbia produced over 500 two-reel shorts from 1933 through 1958, with Hollywood’s finest comics (the Three Stooges, Andy Clyde, Buster Keaton, Harry Langdon, Charley Chase, others). Fully illustrated with never-before-published photographs, the book chronicles the history of all, including interviews with the veterans. The filmography covers all of the 526 two-reelers: credits, date, synopsis.

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The automotive industry underwent great change in the 1960s. The continuing trend toward market consolidation, the proliferation of sizes and nameplates, and the "need for speed" characterized this period, loosely labeled as the muscle car era. This is an exhaustive reference work to American made cars of model years 1960-1965. Organized by year (and summarizing the market annually), it provides a yearly update on each make's status and production figures, then details all models offered for that year. Model listings include available body styles, base prices, engine and transmission choices, power ratings, standard equipment, major options and their prices, curb weight and dimensions (interior and exterior), paint color choices, changes from the previous year's model, and sales figures. Also given are assembly plant locations and historical overviews of each model nameplate.

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From the beginning, horror has been part of the cinema landscape. Despite some of the earliest genre films with gay directors such as F.W. Murnau (Nosferatu) and James Whale (Frankenstein, The Invisible Man, Bride of Frankenstein), LGBTQIA characters have rarely been portrayed in full view. For decades, filmmakers have included coded content in their films with the homosexual experience translated into censor-friendly subtext for consumption by general audiences. Gradually, LGBTQIA characters and themes have moved from the background to the foreground as the horror genre has grown along with its audience''s tastes and attitudes. Likewise, more and more LGBTQIA writers and directors have begun to offer their queer-centric takes on scary movies and today, queer horror is a thriving film genre. With more than 900 entries, this critical filmography is a comprehensive, critical, yet playful examination of the history of LGBTQIA content in horror films. Eight jou

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Having played more than 7,500 regular-season and playoff games since the franchise's inception in 1924, the Boston Bruins have become an iconic National Hockey League team boasting a sizable fan base well beyond Massachusetts. In a century of spirited play, the Bruins have participated in numerous contests that have brought great joy--and great disappointment--to their passionate legions of followers across North America.Twenty-five of these games are presented here, chronologically, in great detail. Most will be known to hardcore followers of the Bruins, others may be on the obscure side. All of them combine to create a tapestry of sorts, one of triumphs, travails, cheers and tears. For the passionate fans of the Black and Gold, it follows the club's fortunes from the early days of Eddie Shore and Tiny Thompson, through the halcyon seasons of the Kraut Line, forward to the dominant renaissance years of the Orr-Esposito 1970s and into the third decade of the 21st century. Hockey followers, regardless of their allegiances, will enjoy this tome of Boston Bruins nostalgia.

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When L. Frank Baum wrote The Wonderful Wizard of Oz, he created an American myth that has endured the test of time. Echoes of Dorothy and her friends are everywhere: popular television shows often have an Oz episode, novelists borrow character types and echo familiar scenes, and every media--from Broadway to The Muppets--has some variation or continuation of Baum's work. This collection of essays follows Baum's archetypal characters as they've changed over time in order to examine what those changes mean in relation to Oz, American culture and basic human truths. Essays also serve as a bridge between academia and fandom, with contributors representing a cross-section of Oz scholarship from backgrounds including The International Wizard of Oz Club and the Children's Literature Association.

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From 1969 to 1974 Ehrhart was just Passing Time. His reentry into the "world" began with his enrollment as a 21-year-old freshman (and token Vietnam vet) at Swarthmore College. At first simply trying to bury his past, Ehrhart slowly if inexorably came to understand what happened to him, and why, in Vietnam. Interspersed are flash-backs to the war itself.It is the story of political—and personal—awakening. As the war dragged on, the United States' deceitful involvement and its perpetuation of fallacies and lies about the war's conduct forced Ehrhart to confront his own feelings about his government, country, and self. Throughout, the reader shares with Ehrhart his odyssey through naivete, growing awareness, angry withdrawal and, finally, a measure of peace.

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Katty Stewart, Elizabeth (Moosie), Walker Ellis and Walter Stauffer were socialites born in New Orleans around the turn of the 20th century. Among their ancestors were Confederate soldiers, plantation owners, self-made millionaires and even a U.S. President. This book tells the story of four flawed, socially connected people who used newspaper society columns to craft highly curated images of themselves. But the newspapers of the time did not include the more salacious, messy, complicated and secretive details of the four socialites’ lives.This is also a social history of New Orleans during the Jazz Age, including descriptions of queer culture, the French Quarter, European travel, and life in the social circles of Kay Francis, Zelda and F. Scott Fitzgerald, Waldo Peirce, Caresse and Harry Crosby, Gerald and Sara Murphy and many others. Full of humorous anecdotes, drama, romance and tragedy, this book is an insightful chronicle of a fascinating time in New Orleans’ LGBTQ history.

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A sense of impending doom surrounded the New Jersey Nets. No matter how well things were going for the perennial underdogs, something would go wrong sooner or later--injuries, bad trades, inner conflicts. But if the Nets were never a stable organization, it made following them as entertaining as it was painful. The team's 2012 move to Brooklyn was supposed to make a clean break with their past. That past was in fact rich and eventful, filled with heroes, often unfairly vilified or underappreciated. Shedding new light on the careers of such figures as Julius Erving, Buck Williams, Sam Bowie, Derrick Coleman, Stephon Marbury, Jason Kidd and Vince Carter, this book celebrates a team of strong-willed individuals whose best efforts always ended in heartbreak.

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Many of us grew up exploring fascinating worlds--in books, films and, most importantly, our imaginations--places filled with mythological characters and magical landscapes where we had stunning experiences punctuated by the harmless pleasures that any child's mind can conjure. These worlds end up in our childhood fictions, which have in turn shaped countless imaginations and childhood adventures. The essays in this book attempt to comprehend the worlds of children's progressive fiction--from how they are created to how they affect readers.This book explores what happens when speculative genres (fantasy, horror, and science fiction) and imaginative spaces collide headlong with the realities and surrealities of modern childhood. It moves back and forth between Oz, Wonderland, Redwall and Fear Street, and explores series such as Nancy Drew, Inkheart, The Mortal Instruments, the Miss Peregrine series and more. Many of these works feature children who must save the day--to stop the bad guy, kill the monster, complete the quest and rescue adults--leading us to wonder if fantastic spaces in children's progressive fiction help kids prepare to save the world rather than helping them temporarily escape it.

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When viewed through the context of an interactive play, a video game player fulfills the roles of both actor and spectator, watching and influencing a game's story in real time. This book presents video gaming as a virtual medium for performance, scrutinizing the ways in which a player's interaction with the narrative informs personal, historical, social and cultural understanding. Centering the author's own experiences as both video game player and performance scholar, the book thoroughly applies concepts from theatre and performance studies.Chapters argue that the posthuman player position now challenges what can be contextualized as a lived experience, and how video games can change players' relationships with historical events and contemporary concerns, ultimately impacting how they develop a sense of self. Using the author's own gaming experiences as a framework, the book focuses on the intersection between player and narrative, exploring what engagement with a storyline reveals about identity and society.

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The East End is an iconic area of London, from the transient street art of Banksy and Pablo Delgado to the exhibitions of Doreen Fletcher and Gilbert and George. Located east of the Tower of London and north of the River Thames, the region has experienced a number of developmental stages in its four-hundred-year history. Originating as a series of scattered villages, the area has been home to Europe's worst slums and served as an affluent nodal point of the British Empire. Through its evolution, the East End has been the birthplace of radical political and social movements and the social center for a variety of diasporic communities. This reference work, with its alphabetically organized cross-referenced entries and its original and historical photography, serves as a comprehensive guide to the social and cultural history of this global hub.

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Unique among the various types of impersonation entertainers, a tribute artist concentrates on only a few of a famous singer's notable characteristics in order to effectively evoke that performer through song. This book explores the elements of tribute performance through case studies of performers who pay homage to legendary singers like Elvis Presley, Buddy Holly, Johnny Cash and Jerry Lee Lewis.Drawing on original interviews with tribute artists, biographical profiles chronicle performers' early careers, musical influences and their lives on the road. A few performers even reflect on their friendships with musical titans like Fats Domino, Jerry Lee Lewis and The Crickets. Forty tribute artists are profiled, including winners of the Ultimate Elvis Tribute Artist Contest, Million Dollar Quartet alumni and several European performers.

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Blindness, or vision loss, is a major medical concern that has also drawn the attention of artists, writers, musicians, mythologists, filmmakers, religions, philosophers and others. Covering everything from pop culture to high culture, this text is an illuminating anthology of essays examining various representations of blindness.Comprehensive in scope, this collection of essays analyzes depictions and explorations of blindness in many pieces of media. Essays explore blindness in horror films, science fiction literature, high art, superhero fiction, Jewish and indigenous traditions, music and more. This book aims to show how a world of darkness can hold so much light.

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The 1960s were one of the most tumultuous periods in American history. Perceptions of race, gender and age changed dramatically, ripping away beliefs that had endured for generations. Newspapers, the primary source of information at the time, broadcasted all of these events, from important national news--such as President Nixon's efforts to end the Vietnam war--to more light-hearted affairs--such as a topless dancer's pursuit of the Stanford University student government presidency.Included in this book are examinations of newspaper articles from 1959 to 1973 with contextual information on preceding events and outcomes unknown at the time of the articles' publications. The author provides background for the stories and often an epilogue showing what happened to some of the dramatic players. The subjects of sex, drugs, rock and roll, marriage, politics, entertainment, and more are discussed in both a serious and humorous vein, with the perspective of more than 50 years. For those who lived through the 1960s, this book will bring back memories. For those too young to remember the era, this is an opportunity to learn more about why parents are the way they are.

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One of the most influential thrillers in media history, Jaws first surfaced as a best-selling novel by first-time novelist Peter Benchley in 1974, followed by the 1975 feature film directed by Steven Spielberg at the beginning of his storied career. Jaws is often considered the first "blockbuster," and successive generations of filmmakers have cited it as formative in their own creative development.For nearly 50 years, critics and scholars have studied how and why this seemingly straightforward thriller holds such mass appeal. This book of original essays assembles a range of critical thought on the impact and legacy of the film, employing new perspectives--historical, cinematic, literary, scientific and environmental--while building on the insights of previous writers. While varying in focus, the essays in this volume all explore why Jaws was so successful in its time and how it remains a prominent storytelling influence well into the 21st century.

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Horror films have always reflected their audiences' fears and anxieties. In the United States, the 2000s were a decade full of change in response to the 9/11 terrorist attacks, the contested presidential election of 2000, and the wars in Iraq and Afghanistan. These social and political changes, as well as the influences of Japanese horror and New French extremism, had a profound effect on American horror filmmaking during the 2000s. This filmography covers more than 300 horror films released in America from 2000 through 2009, including such popular forms as found footage, torture porn, and remakes. Each entry covers a single film and includes credits, a synopsis, and a lengthy critical commentary. The appendices include common horror conventions, a performer hall of fame, and memorable ad lines.

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Walt Whitman created, in various editions of Leaves of Grass, what is arguably the most influential book of poems anywhere in the past 200 years. Whitman absorbed the world, transmuting it into poems that address a spectrum of topics--from democracy and religion to sexuality, gender, class, and identity. He exuberantly incarnated his epoch at the same time as he invoked "you"-- readers and "poets to come"--to join in a "poetry of the future." The first A to Z Whitman reference to incorporate 21st century scholarship, this work is ideal for readers who want a concise introduction to the major poems and prose and to the people, places, and topics central to his life. Each of the book's 142 entries is followed by cross-references to related entries and suggestions for further reading. Also included are a brief biography, a chronology of Whitman's life and major works, and a bibliography of some 300 primary and secondary sources on this most timeless and contemporary of poets.

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Come One, Come All. Essays on Religious Traditions in North Carolina presents most of the religious traditons North Carolinians and their ancestors and neighbors have embraced since 1650. Baptists, Presbyterians, Catholics, Methodists, Episcopalians, Jews, Brethern, Quakers, Lutherans, Mennonites, Moravians, and Pentecostal-Holinists are gathered with African American worshippers and non-Christian believers in these fourteen written by men and women who have exprienced the religions they describe in documented, historic detail. Who began to cultivate a given faith in North Caroina or its colony is balanced by the leaders, provenance, and contemporary appeal of that faith today.North Carolina religions have not previously been presented in this manner. The North Caroliniana Society, the sponsor of this unique project, is a non-profit, nonsectarian, membership organization dedicatd to the promotion of increased knowledge and appreciation of North Carlina’s heritage through the encouragment of scholarly research and writing in addition to the teaching of state and local history, literature and culture, including religion.

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A comprehensive guide to all major film adaptations based on the novels of F. Scott Fitzgerald and Ernest Hemingway, this is an essential volume for scholars of American modernism and of film studies. The author takes the approach that all visual and printed literature is born from a cycle of celebrity culture, in which authors continually create new works and reconstruct their personal images based upon audience reception. The text includes two dozen reviews and still photographs of individual films, from the silent era to present-day hits, such as Baz Luhrman's The Great Gatsby , as well as critical commentary from leading scholars of both modernist literature and film studies.

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The graphic novel is the most exciting literary and artistic form to emerge during the past thirty years. One of the most inspired uses of this new form has been the creation of high-quality adaptations of literary classics. Unlike the previous abridged and simplified comic book adaptations which were aimed at younger readers, most new graphic novel adaptations are created for adults, and can capture the subtlety and complexity of any literary work, no matter how sophisticated.The expert contributors to this book--the first and the only volume to be exclusively devoted to graphic novel adaptations of literary works--demonstrate how the graphic novel brings a new way of seeing and understanding the classics, including the writings of Homer, Poe, Flaubert, Conrad and Kafka, among many others. High school and college students and teachers will find these essays exciting, informative, and useful.

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The dramatic trilogy has been flourishing for some time now in new works and revivals of older works by American, British, and European playwrights. This book analyzes recent American works by Caucasian, African American, Asian American, and Hispanic American men and women. There are five chapters beginning with Opposing Families (trilogies of, e.g., Lanford Wilson, Foote, Machado, and McCraney are examined). Carson, Rabe, and McLaughlin are among those in the Classical Reimaginings chapter while Coen, Berc, and Wolfe constitute the Medieval Reimaginings chapter. Van Itallie, Havis, Rapp, and Hwang, among others, create New Forms. LaBute, Fierstein, and Nelson, among others, create New Selves. The concluding chapter is devoted to Ruhl's Passion Play, which spans 400 years of theatre-creating from Elizabethan England to Hitler's Germany to the Reagan era in America.

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The friars represented a remarkable innovation in medieval religious life. Founded in the early 13th century, the Franciscans and Dominicans seemed a perfect solution to the Church's troubles in confronting rapid changes in society. They attracted considerable enthusiastic support, especially from the papacy, to which they answered directly. In their first two hundred years, membership grew at an astonishing rate, and they became counsellors to princes and kings, they receiving an almost endless stream of donations and gifts.Yet there were those who were not so enamored of them, who believed the adulation was misguided or even dangerous, and who saw in the friars' actions only hypocrisy, deceit, greed, and even, signs of the end of the world. In the mid-13th century, writings appeared denouncing and mocking the friars, and calling for their abolition. Their French and English opponents were among the most vocal, leaving a vivid record of condemnation. From harsh theological criticism and outrage at the Inquisition, to vulgar stories and bathroom humor, these are their stories.

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This book explores representations of girlhood and young womanhood in recent English-language children's fantasy by focusing on two fantastic body transformation types: invisibility and age-shifting. Drawing on recent feminist and queer theory, the study discusses the tropes of invisibility and age-shifting as narrative devices representing gendered experiences. The transformations offer various perspectives on a girl's changing body and identity and provide links between real-life and fantastic discourses of gender, power, invisibility and aging.The main focus is on English-language fantasy published since the 1970s but the motifs of invisibility and age-shifting in earlier tales and children's books is reviewed; this is the first study of children's fantasy literature that considers these tropes at length.Novels discussed are from both critically acclaimed authors and the less well known. Most of the novels depicting invisible or age-shifting girls are neither thoroughly conventional nor radically subversive but present a multiplicity of discourses. In terms of gender, children's fantasy novels can be more complex than they are often interpreted to be.

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The Irish Republican Army (IRA) has for decades pursued the goal of unifying its homeland into a single sovereign nation, ending British rule in North Ireland. Over the years, the IRA has been dramatized in motion pictures directed by John Ford (The Informer), Carol Reed (Odd Man Out), David Lean (Ryan's Daughter), Neil Jordan (Michael Collins), and many others. Such international film stars as Liam Neeson, James Cagney, Richard Gere and Anthony Hopkins have portrayed IRA members as heroic patriots, psychotic terrorists and tormented rebels. This illustrated history analyzes celluloid depictions of the IRA from the 1916 Easter Rising to the peace process of the 1990s. Topics include America's role in creating both the IRA and its cinematic image, the organization's brief association with the Nazis, and critical reception of IRA films in Ireland, Britain and the United States.

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Fantasy writing, like literature in general, provides a powerful vehicle for challenging the status quo. Via symbolism, imagery and supernaturalism, fantasy constructs secondary-world narratives that both mirror and critique the political paradigms of our own world. This critical work explores the role of the portal in fantasy, investigating the ways in which magical nexus points and movement between worlds are used to illustrate real-world power dynamics, especially those impacting women and children. Through an examination of high and low fantasy, fairy tales, children's literature, the Gothic, and science fiction, the portal is identified as a living being, place or magical object of profound metaphorical and cultural significance.

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The 17th century was the century of the organ in much the same way the 19th century was the century of the piano. Almost without exception, the major composers of the century wrote for the instrument, and most of them were practicing organists themselves. This historical book surveys, analyzes, and discusses the major national styles of 17th century European organ music. Due to the extraordinarily extensive body of literature produced during this 100-year period, this text includes 200 musical examples to illustrate the various styles. The book also includes brief discussions of the various national styles of organ building, an appendix about the various notational methods used in the 17th century, and a chapter on Spain and Portugal written by Andre Lash, an expert on the subject.

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This massive reference work is a useful tool for researching and discovering the leaders of the American Revolution. It covers both well-known and obscure figures from a variety of backgrounds including soldiers, politicians, plantation owners, farmers, and more. Information is included for officers of the Continental Army, Navy, and Marines; leaders of state militias, for whom much information has been previously inaccessible; the framers and signers of the Declaration of Independence and the Constitution; diplomats and governors; and, importantly, the women who were instrumental during the Revolution. Entries describe each individual from birth to death and provide genealogical information when available.

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Julius Finn was born in Russian Poland, and came to New York in 1887 at the age of 16. From a humble start as a street peddler on the Lower East Side, Finn swiftly rose to become New York's champion chess master and one of the country's best blindfold chess entertainers. Finn's chess success contributed to the rise of the chess scene in the Big Apple in the early twentieth century, and he fared equally well in business, parlaying his skills into a highly successful career. Along with a foreword by John S. Hilbert, this biography of ""Finn in America"" includes analysis of 96 of his chess games - most of them previously unknown or little studied - line drawings of game situations, and photographs.

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This collection of 12 new essays draws together prominent literary experts to explore the importance of Scottish writer Iain (M.) Banks, both his mainstream and science fiction work. The book considers Banks as an habitual border crosser who makes things fresh and new by subversive and transgressive strategies. The essays are divided into four thematic areas: the Scottish context, the geographies of his writing, the impact of genre, and a combined focus on gender, games and play. The essays will be of particular interest to scholars of contemporary literature, Scottish literature and science fiction.

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It is unusual for styles in opera to carry over from one era into another. It would be even more unusual for one era's characteristics to linger two generations into the next. Yet this is precisely what happened during the first half of the nineteenth century, when the intricacies of the fleet bel canto style were combined with the Romantic era's heroic declamation and formidable orchestral emphasis resulting in the creation of the assoluta voice.This work traces the emergence of the impressive vocal writing that resulted from the marriage of the bel canto and Romantic eras. It also covers the uniquely versatile divas who were given the opportunities to make their mark on opera from the time of Cherubini to that of a young Verdi. Here, both the wide-ranging vocalism in the scores themselves and the artists capable of performing this style are referred to as assoluta. The chapters consider Luigi Cherubini's ""Medee"", Gioacchino Rossini's ""Armida"", Carl Maria von Weber's ""Oberon"", Gaetano Donizetti's ""Anna Bolena"", Vincenzo Bellini's ""Norma"", Donizetti's ""Gemma di Vergy"" and ""Roberto Devereux"", the time of transition in the late 1800s and early 1900s, and Giuseppe Verdi's ""Nabucco"" and ""Macbeth"".

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This biographical dictionary provides short biographies of more than 500 individuals who have served as admiral, vice admiral, or rear admiral in the world's naval forces. While naval officers from the American, British, French, and Japanese navies make up the bulk of the work, several biographies are included on admirals from 22 countries, including Australia, Canada, Germany, India, Italy, the Netherlands, Russia, and Spain. While the majority of entries are fairly detailed, some are considerably shorter because of limited naval records or lack of available information.The main criteria for inclusion was that each person must have actively served in the rank of at least rear admiral, although each individual did not necessarily become involved in enemy action over the course of his or her career. This effectively rules out people who were granted the rank on retirement or as a courtesy title, or, as in the case of several 'tombstone admirals', who were granted the title posthumously. The book also includes a list of the admirals organized by nationality, a timeline, and a general index.

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Since its Tokyo debut in 1995, Gunther von Hagens' 'Body Worlds' exhibition has been visited by more than 25 million people at museums and science centers across North America, Europe, and Asia. Preserved through von Hagens' unique process of plastination, the bodies shown in the controversial exhibit are posed to mimic life and art, from a striking re-creation of Rodin's ""The Thinker"" to a preserved horse and its human rider, a basketball player, and a reclining pregnant woman - complete with fetus in its eighth month. This interdisciplinary volume analyzes ""Body Worlds"" from a number of perspectives, describing the legal, ethical, sociological, and religious concerns which seem to accompany the exhibition as it travels the world.Section One focuses on the ways in which von Hagens' exhibit is designed to elicit a constrained and manipulated viewer response, investigating rhetorical persuasion embedded in the 'Body Worlds' exhibition and literature along with the linguistic trickery of donor consent forms. Section Two examines the historical antecedents of 'Body Worlds', focusing on how Victorian anatomical museums and freak shows have shaped and informed the contemporary exhibit.Section Three describes the exhibition's engagement with European historical contexts, including the motif of bodily degradation and the rise of abstractionist art. Section Four focuses on queer or gendered readings of 'Body Worlds', while Section Five addresses concerns about the exhibit's bio-ethical, religious, and spiritual controversies, including arguments that it commodifies the human body and depoliticizes the dead. The book includes photographs of plastinated cadavers and Ron Mueck's hyper-realist sculptures, along with several anatomical drawings and facsimiles of Victorian anatomical museum catalogs.

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The notion of film consciousness is one that has played around various film and philosophical discourses without ever really surfacing as a cogent theory. Representing the first major expression of film consciousness as a tangible concept, this critical study revisits notions of memory, retentional consciousness, narrative expectation, and spatio-temporal perception while also analyzing several major films.The first half of the book focuses on understanding the elements of the film experience - and its associated consciousness - through the descriptive tools of phenomenology. The second part develops the idea of film consciousness as a unique vision of the world and as a large element in the human understanding of reality.Throughout the work, the author combines the ideas of philosophers and film theorists from phenomenology - such as Husserl, Merleau-Ponty, Bazin, and Kracauer - with the postmodernist work of Deleuze and transitional theorists Bergson and Benjamin.

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Offering analysis of the fiction of 15 authors, this book focuses on the many ways that setting and place figure in modern crime and mystery novels. After an introductory chapter dealing with a general consideration of place in fiction, subsequent chapters consider the works of recent mystery writers for whom setting greatly contributes to overall literary style.From best-selling U.S. authors Walter Mosley, Carl Hiaasen, and James Lee Burke to international favorites Georges Simenon and Paco Ignacio Taibo II, the author ranges widely among the most acclaimed writers of recent mystery fiction. The topics explored include: The afro-centric urban Los Angeles environment in Walter Mosley's ""Devil in a Blue Dress"", the small-town exoticism of James Lee Burke's southern Louisiana in ""The Neon Rain"", and the gritty South African setting of James McClure's ""The Steam Pig"".

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A surprisingly little-known marque today, Elcar once ranked among the finest vehicles on American roads. Built to exacting standards in Elkhart, Indiana, an Elcar could compete head-to-head on the basis of performance, quality, or price with the products of much larger manufacturers. Ultimately done in by weak distribution and the ravages of the Depression, Elcar today stands as an example of an ambitious company that transformed itself, successfully if temporarily, from a maker of buggies and harnesses into a respected car manufacturer in the early days of the automotive age. This remarkably exhaustive history, researched over several decades from all available sources, including interviews with former Elcar employees, details every Elcar model and the Pratt vehicles that preceded them, as well as the personalities behind the cars. Extensive appendices provide a complete model history, with specifications; a full corporate chronology; an illustrated accounting of all Elcars and Pratts known to survive whole or in part today; a roster of company employees; a descriptive list of all ads and brochures ever produced by the company; and a wealth of other data that can be found nowhere else. Lavishly illustrated and surpassingly thorough, this book is a well of information on a significant but forgotten line of automobiles.

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Born in Ireland in 1934, Thomas Kilroy attended the University College of Dublin, where he received a degree in education that led to a teaching career. With the 1973 success of his novel ""The Big Chapel"", Kilroy took a break from teaching and devoted time to writing for the stage. Although he returned to the university scene in 1979 with a professorship at the University of Galway, he remained active in the dramatic arts, becoming a member of the Royal Society for Literature and the Irish Academy of Letters. Today, he has a number of plays and adaptations to his credit including ""The O'Neill"", ""The Death and Resurrection of Mr. Roche"", ""Tea and Sex and Shakespeare"" and an adaptation of ""Ibsen's Ghosts"". This appraisal of the works of Thomas Kilroy focuses on the common themes and methodology of his plays, including an unusual alliance between serious theatrical complexity and varied but demanding forms of comedy. A separate chapter is devoted to each play with the exception of ""The Death and Resurrection of Mr. Roche"" and ""The MacAdam Travelling Theatre"", whose complementary themes are discussed together. Reflecting on the essence of theatre, Kilroy's works combine meditations on humanity with references to Irish history, generally using historical reality as a dramatic starting point. Plays discussed include Kilroy originals such as ""Talbot's Box"", ""The Secret Fall of Constance Wilde and Blake"" as well as adaptations of well-known works such as ""The Seagull and Henry"". Interviews with stage directors and the playwright himself contribute to this in-depth analysis of Kilroy's dramatic art. Photographs of staged plays and a list of premieres of Kilroy's works (plays and adaptations) are also included.

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Elizabeth Becker Henley is a present-day dramatist whose 12 complete plays, three of which have been turned into films, have achieved worldwide production. At age 29 she produced her first full-length drama, Crimes of the Heart, which attained Pulitzer Prize status and garnered three Academy Award nominations as a film. Her Mississippi upbringing and her penchant for the eccentricities of southern culture, however, have caused critics to categorize her writing as a kind of southern gothic folklore inspired by feminist ideology. This book, the first critical study of Henley's complete plays, attempts to dispel the common stereotypes that associate Henley's work with regional drama and sociological treatises. It argues instead that Henley can best be perceived as a dramatist who delineates an existential despair manifested in various forms of what Freud calls the modern neurosis. The book maintains that Henley's plays must be understood as universal statements about the angst of modern civilization, and Henley's characters are assessed in light of Freud's proposition that cultural restrictions create neurotic individuals. The Introduction provides a brief account of Henley's childhood and career. Early chapters summarize the theory of the modern agnoisse espoused in Freud's Civilization and Its Discontents, while later chapters relate this theory to thematic and stylistic elements of Henley's most popular play, Crimes of the Heart, as well as Am I Blue?, The Wake of Jamie Foster, The Miss Firecracker Contest, The Debutant Ball, The Lucky Spot, Abundance, Signature, Control Freaks, Revelers, L-Play, and Impossible Marriage.

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With an alcohol content sometimes as high as 80 percent, absinthe was made by mixing the leaves of wormwood with other plants such as angelica root, fennel, coriander, hyssop, marjoram and anise for flavor. The result was a bitter, potent drink that became a major social, medical and political phenomenon during the late nineteenth and early twentieth centuries; its popularity was mainly in France, but also in other parts of Europe and the United States, particularly in New Orleans. Absinthe produced a sense of euphoria and a heightening of the senses, similar to the effect of cocaine and opium, but was addictive and caused a rapid loss of mental and physical faculties. Despite that, Picasso, Manet, Rimbaud, Van Gogh, Degas and Wilde were among those devoted to its consumption and produced writings and art influenced by the drink. This work provides a history of ""the green fairy"", a study of its use and abuse, an exploration of the tremendous social problems (not unlike the cocaine problems of this century) it caused, and an examination of the extent to which the lives of talented young writers and artists of the period became caught up in the absinthe craze.

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A frequent problem area for fiction writers is characterization. If writers jump headlong into a story with only a fuzzy notion about the people who are in it, the result is a collection of characters who are cliched, stereotypical and not very interesting. Creating Characters is an easy to use reference work that looks at character development from many different angles. The book does not tell writers how to write. Instead, it generates a thought process by asking crucial questions about characters' internal and external traits, wants, needs, likes, dislikes, fears, beliefs, strengths, weaknesses, habits and backgrounds. Following these questions, the writer will find an ever deeper and wider array of options. Thus, Creating Characters helps writers delve as deeply into a character's psychology as they want. All characters, and the stories they people, can be made richer and more compelling.

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Almost every day, for nine years during the late 1970s and early 1980s, the CBS Radio Mystery Theatre brought monsters, murderers and mayhem together for a whole hour each evening. Created, produced and directed by Himan Brown, the series remains a landmark in radio drama. But Mystery Theater ended over 15 years ago and no one has yet been able to gather enough information to write a book detailing the history of the episodes - until now. This work offers a detailed log of every Mystery Theater episode ever broadcast - nine years of monsters, murderers and mayhem. Descriptive information includes exact titles, airdates and rebroadcast dates, episode numbers, cast lists, writer and adapter credits, and a storyline synopsis. This material comes directly from CBS press releases in order to insure complete accuracy. Also included wherever possible are information about the actors and actresses, quotes from performers and writers (many from personal interviews), anecdotes about various scripts and sound effects, and other notes of interest.

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Many are familiar with Jackie Robinson and the integration of Major League Baseball after all the years of separate black and white leagues, but fewer people know of the segregation and then integration of the National Football League. The timing and sequence of events were different, but football followed a pattern similar to that of baseball in regard to the beginning and end of racial segregation. This work traces professional football's movement from segregation to integration, beginning with a discussion of the various reasons why the game was segregated to begin with. The schemes that NFL owners came up with to ban African Americans from the league in the 1930s and 1940s, and how these barriers broke down after World War II, are described and the author considers how professional football overcame the legacies of Jim Crow and how Jim Crow laws may still haunt the game.

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