Search results for ""Manu""

A Nation Rising chronicles the political struggles and grassroots initiatives collectively known as the Hawaiian sovereignty movement. Scholars, community organizers, journalists, and filmmakers contribute essays that explore Native Hawaiian resistance and resurgence from the 1970s to the early 2010s. Photographs and vignettes about particular activists further bring Hawaiian social movements to life. The stories and analyses of efforts to protect land and natural resources, resist community dispossession, and advance claims for sovereignty and self-determination reveal the diverse objectives and strategies, as well as the inevitable tensions, of the broad-tent sovereignty movement. The collection explores the Hawaiian political ethic of ea, which both includes and exceeds dominant notions of state-based sovereignty. A Nation Rising raises issues that resonate far beyond the Hawaiian archipelago, issues such as Indigenous cultural revitalization, environmental justice, and demilitarization.Contributors. Noa Emmett Aluli, Ibrahim G. Aoudé, Kekuni Blaisdell, Joan Conrow, Noelani Goodyear-Ka'opua, Edward W. Greevy, Ulla Hasager, Pauahi Ho'okano, Micky Huihui, Ikaika Hussey, Manu Ka‘iama, Le‘a Malia Kanehe, J. Kehaulani Kauanui, Anne Keala Kelly, Jacqueline Lasky, Davianna Pomaika'i McGregor, Nalani Minton, Kalamaoka'aina Niheu, Katrina-Ann R. Kapa'anaokalaokeola Nakoa Oliveira, Jonathan Kamakawiwo'ole Osorio, Leon No'eau Peralto, Kekailoa Perry, Puhipau, Noenoe K. Silva, D. Kapua‘ala Sproat, Ty P. Kawika Tengan, Mehana Blaich Vaughan, Kuhio Vogeler, Erin Kahunawaika’ala Wright

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Library of Light brings together established and emerging practitioners who work with light, as material or subject, from theatre, music, performance, fine art, photography, film, public art, holography, digital media, architecture, and the built environment, together with curators, producers and other experts. Structured around twenty-five interviews and four thematic essays – Political Light, Mediating Light, Performance Light and Absent Light – the book aims to broaden our understanding of light as a creative medium and examines its impact on our cultural history and the role it plays in the new frontiers of art, design and technology. Illustrated with colour photographs and images of installations, sculptures, architectural projects, interventions in public space and works in virtual reality, the book includes interviews and contributions by: David Batchelor, Rana Begum, Robin Bell, Jason Bruges (Jason Bruges Studio), Anne Bean and Richard Wilson (The Bow Gamelan), Laura Buckley, Mário Caeiro, Paule Constable, Ernest Edmonds, Angus Farquhar (NVA), Rick Fisher, Susan Gamble and Michael Wenyon, Jon Hendricks, ISO Studio, Susan Hiller, Michael Hulls and Russell Maliphant, Cliff Lauson, Chris Levine, Michael Light, Joshua Lightshow, Liliane Lijn, Rafael Lozano-Hemmer, Manu Luksch, Mark Major (Speirs + Major), Helen Marriage (Artichoke), Anthony McCall, Gustav Metzger, Haroon Mirza, Yoko Ono, Katie Paterson, Andrew Pepper, Mark Titchner, Andi Watson.

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'There he was, his trunk wrapped in hers. Whatever hurt or sorrow befell him was not really happening to him. He was on the other bank with his mother. He was not here'When a young elephant is brutally orphaned by poachers, he begins terrorising the countryside, earning his malevolent name, the Gravedigger, from the humans he kills and then tenderly buries with leaves. Manu, the studious son of a rice farmer, loses his cousin to the Gravedigger and is drawn into the alluring world of ivory hunting.Emma is working on a documentary set in a Kerala wildlife park with her best friend. Her work leads her to witness the porous boundary between conservation and corruption, until eventually she finds herself caught up in her own betrayal.'One of the most unusual and affecting books... a compulsively readable, devastating novel' Jonathan Safran Foer*Tania James's spellbinding new novel Loot is available for pre-order now!*VINTAGE EARTH is a collection of novels to transform our relationship with the natural world. Each one is a work of creative activism, a blast of fresh air, a seed from which change can grow. The books in this series reconnect us to the planet we inhabit - and must protect. Discover great writing on the most urgent story of our times.

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'Tenacious, revelatory, and humane.' - Paul Theroux 'The Buried is the kind of book that you don't want to end and won't forget. With the eye of a great storyteller Peter Hessler weaves together history, reporting, memoir, and above all the lives of ordinary people in a beautiful and haunting portrait of Egypt and its Revolution.' - Ben Rhodes Winner of the The Peter Mackenzie Smith Book Prize 2021 In 2011, while revolution swept across Egypt, Peter Hessler was reporting on the everyday lives and ancient secrets of a country in turmoil. The result is this unforgettable work of literary and documentary brilliance. In The Buried, Hessler traces the human stories alongside the broader sweep of historic events: Tahrir Square, the massacres and the coup form the background, but so too do ancient cults, buried cities in the desert and dead pharaohs with huge ambitions. Most important are the people forging their lives in this world. We follow rubbish collector Sayyid; Arabic teacher Rifaat; and Manu, a translator. There are also the Chinese immigrants who have built a lingerie empire, politicians and ingenious archaeologists. Together, they raise the question: is revolution just repetition, or can things ever really change?

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Bridging the multiple histories and present-day iterations of U.S. settler colonialism in North America and its overseas imperialism in the Caribbean and the Pacific, the essays in this groundbreaking volume underscore the United States as a fluctuating constellation of geopolitical entities marked by overlapping and variable practices of colonization. By rethinking the intertwined experiences of Native Americans, Puerto Ricans, Chamorros, Filipinos, Hawaiians, Samoans, and others subjected to U.S. imperial rule, the contributors consider how the diversity of settler claims, territorial annexations, overseas occupations, and circuits of slavery and labor—along with their attendant forms of jurisprudence, racialization, and militarism—both facilitate and delimit the conditions of colonial dispossession. Drawing on the insights of critical indigenous and ethnic studies, postcolonial theory, critical geography, ethnography, and social history, this volume emphasizes the significance of U.S. colonialisms as a vital analytic framework for understanding how and why the United States is what it is today. Contributors. Julian Aguon, Joanne Barker, Berenika Byszewski, Jennifer Nez Denetdale, Augusto Espiritu, Alyosha Goldstein, J. K?haulani Kauanui, Barbara Krauthamer, Lorena Oropeza, Vicente L. Rafael, Dean Itsuji Saranillio, Lanny Thompson, Lisa Uperesa, Manu Vimalassery

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A collection of powerful BIPOC voices who offer a range of anticolonial, Indigenous, and Black Radical traditions to think with.We must, as For Antifascist Futures urges, take antifascism as a major imperative of movements for social change. But we must not limit our analysis or historical understanding of the rise of the right-wing authoritarianism in our times by rooting it in mid-twentieth century Europe.For Antifascist Futures: Against the Violence of Imperial Crisis takes seriously what is new in this moment of politics, exploring what the analytic of fascism offers for understanding the twenty-first century authoritarian convergence by centering the material and speculative labor of antifascist and antiracist social movement coalitions. By focusing on the long history of BIPOC antifascist resistance that has been overlooked in both recent conversations about racial justice as well as antifascist resistance, the essays, interviews, and documents included here make clear how racialized and colonized peoples have been at the forefront of theorizing and dismantling fascism, white supremacy, and other modes of authoritarian rule. By linking a deep engagement, both scholarly and practical, of racial justice movements with an antifascist frame, and a global analysis of capitalism the contributors have assembled a powerful toolbox for our struggles. The editors, widely recognized ethnic and American studies scholars, offer a groundbreaking collection with contributions from Johanna Fernandez, Manu Karuka, Charisse Burden-Stelly, Zoé Samudzi, and Macarena Gomez-Barris, among others.

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A Nation Rising chronicles the political struggles and grassroots initiatives collectively known as the Hawaiian sovereignty movement. Scholars, community organizers, journalists, and filmmakers contribute essays that explore Native Hawaiian resistance and resurgence from the 1970s to the early 2010s. Photographs and vignettes about particular activists further bring Hawaiian social movements to life. The stories and analyses of efforts to protect land and natural resources, resist community dispossession, and advance claims for sovereignty and self-determination reveal the diverse objectives and strategies, as well as the inevitable tensions, of the broad-tent sovereignty movement. The collection explores the Hawaiian political ethic of ea, which both includes and exceeds dominant notions of state-based sovereignty. A Nation Rising raises issues that resonate far beyond the Hawaiian archipelago, issues such as Indigenous cultural revitalization, environmental justice, and demilitarization.Contributors. Noa Emmett Aluli, Ibrahim G. Aoudé, Kekuni Blaisdell, Joan Conrow, Noelani Goodyear-Ka'opua, Edward W. Greevy, Ulla Hasager, Pauahi Ho'okano, Micky Huihui, Ikaika Hussey, Manu Ka‘iama, Le‘a Malia Kanehe, J. Kehaulani Kauanui, Anne Keala Kelly, Jacqueline Lasky, Davianna Pomaika'i McGregor, Nalani Minton, Kalamaoka'aina Niheu, Katrina-Ann R. Kapa'anaokalaokeola Nakoa Oliveira, Jonathan Kamakawiwo'ole Osorio, Leon No'eau Peralto, Kekailoa Perry, Puhipau, Noenoe K. Silva, D. Kapua‘ala Sproat, Ty P. Kawika Tengan, Mehana Blaich Vaughan, Kuhio Vogeler, Erin Kahunawaika’ala Wright

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WHAT MAKES A CULT MUSICIAN? Whether pioneering in their craft, fiercely and undeniably unique or critically divisive, cult musicians come in all shapes and guises. Some gain instant fame, others instant notoriety, and more still remain anonymous until a chance change in fashion sees their work propelled into the limelight.Cult Musicians introduces 50 musicians deserving of a cult status. The book charts a plethora of genres and boundary-breakers – from afrobeat and art pop to glam rock and proto punk; Bjork and PJ Harvey to Aphex Twin and Wiley. Discover little knowns with small, devout followings and superstars gracing the covers of magazines – each musician is special in their individuality and their ability to inspire, antagonise and delight. Cult Musicians is an essential addition to any music lover's library, as well as an entertaining introduction to our weird and wonderful world of music. Also in the series: Cult Artists, Cult Filmmakers + Cult WritersThe musicians: Alex Chilton, Alice Coltrane, Aphex Twin, Arthur Lee, Arthur Russell, Betty Davis, Bjork, Bobbie Gentry, Brian Eno, Brigitte Fontaine, Captain Beefheart, Delia Derbyshire, Edith Piaf, Fela Kuti, Frank Zappa, Gil Scott-Heron, Iggy Pop, J Dilla, John Cage, Karlheinz Stockhausen, Kat Bjelland, Kool Keith, Laurie Anderson, Lee 'Scratch' Perry, Lili Boulanger, Lydia Lunch, Manu Chao, Marianne Faithfull, Mark E. Smith, Mark Hollis, Moondog, Nick Cave, Nick Drake, Nico, Patti Smith, Peaches, PJ Harvey, Robert Wyatt, Roky Erickson, Ryuichi Sakamoto, Sandy Denny, Scott Walker, Serge Gainsbourg, Sixto Rodriguez, Sun Ra, Syd Barrett, The Slits, Tom Waits, Wiley, Yoko Ono.

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This is not a murder story. It is the story of those left behind. Parasite meets The Good Son in this piercing psychological portrait of three women haunted by a brutal, unsolved crime. In the summer of 2002, Kim Hae-on was killed in what became known as the High School Beauty Murder. There were two suspects: Shin Jeongjun, who had a rock-solid alibi, and Han Manu, to whom no evidence could be pinned. The case went cold. Seventeen years pass without justice, and the grief and uncertainty take a cruel toll on her younger sister, Da-on, in particular. Unable to move on with her life, Da-on tries in her own twisted way to recover some of what she's lost, ultimately setting out to find the truth of what happened. Shifting between the perspectives of Da-on and two of Hae-on's classmates, Lemon ostensibly takes the shape of a crime novel. But identifying the perpetrator is not the main objective here: Kwon Yeo-sun uses this well-worn form to craft a searing, timely exploration of privilege, jealousy, trauma, and how we live with the wrongs we have endured and inflicted in turn. Praise for Lemon: 'Discovering whodunnit isn't really the point here; Lemon is a subtle, often intense meditation on the after-effects of violence' Guardian 'Chilling, suspenseful and disconcerting... I couldn't put it down and read deep into the night until I finished it, with my heart hammering' Frances Cha, author of If I Had Your Face

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After the War is a new translation of the final part of the Mahabharata, the great Sanskrit Epic poem about a devastating fraternal war. In this aftermath of the great war, the surviving heroes find various deaths, ranging from a drunken debacle in which they kill many of their own comrades to suicide through meditation and, finally, magical transportation to both heaven and hell. Bereaved mothers and widows on earth are comforted when their dead sons and husbands are magically conjured up from heaven and emerge from a river to spend one glorious night on earth with their loved ones. Ultimately, the bitterly opposed heroes of both sides are reconciled in heaven, but only when they finally let go of the vindictive masculine pride that has made each episode of violence give rise to another. Throughout the text, issues of truth and reconciliation, of the competing beliefs in various afterlives, and of the ultimate purpose of human life are debated. This last part of the Mahabharata has much to tell us both about the deep wisdom of Indian poets during the centuries from 300 BCE to 300 CE (the dates of the recension of this enormous text) and about the problems that we ourselves confront in the aftermath of our own genocidal and internecine wars. The author, a distinguished translator of Sanskrit texts (including the Rig Veda, the Laws of Manu, and the Kamasutra), puts the text into clear, flowing, contemporary prose, with a comprehensive but unintrusive critical apparatus. This book will delight general readers and enlighten students of Indian civilization and of great world literature.

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Sir William Jones was a brilliant and engaged man of letters and law closely involved with the significant figures of Great Britain, America and India during the American Revolution and the early days of the Raj. He essentially introduced the Western world to Oriental peoples and cultures. To linguists, he is known as the founder of Indo-European linguistics. In the field of South Asian Studies, he is known as one of the early pioneers of Indology, and the founder of the Royal Asiatic Society of Bengal. His translations of Arabic, Persian and Sanskrit poetry and drama are credited with having a major impact on the English romantic poets. Within the history of English jurisprudence, he is known for a classic treatise on the Law of Bailment, and his translations of key Hindu and Islamic legal treatises such as the Laws of Manu. The world's foremost authorities on Sir William Jones reflect here on Jones's life and mind, contributions and influences. In Part One of this volume, the life and mind of Sir William Jones are explored by Garland Cannon and Rosane Rocher. In Part Two, Jones's contributions to linguistics, jurisprudence, history and natural science are presented by R.H. Robins, James Oldham, O.P. Kejariwal and Kenneth A.R. Kennedy. In Part Three, W.P. Lehmann examines Jones's influence in German-speaking areas in the nineteenth century, and David Kopf debates Jones's role in the hotly contested subject of British Orientalism.

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As its centenary year gets underway, ARRI looks back at its rich history, assesses the values and principles that have helped it reach this milestone anniversary, and sets its sights firmly on the future. 2017 marks 100 years since August Arnold and Robert Richter rented a small former shoemaker’s store in Munich and set up shop as a film technology firm. The two young friends started with just one product: a copying machine they built on a lathe Richter ha d received as a Christmas present from his parents. Taking the first two letters of their surnames, they christened their new enterprise ARRI. Arnold and Richter were camera operators, film producers and an equipment rental outfit before they ever manu factured an ARRI camera. From the very beginning they worked directly with filmmakers and the insight they gained helped them to develop equipment that met real on - set needs. First and foremost they were film enthusiasts, driven by a love for visual storyt elling and technology. In today’s industry, with technology driven at breakneck speed by marketing hype, this philosophy of listening to what filmmakers want – rather than telling them – is more The Academy of Motion Picture Arts and Sciences has recogniz ed ARRI’s engineers and their contributions to the industry with 19 Scientific and Technical Awards. On the occasion of the anniversary year ARRI has spoken to about 200 filmmakers – film directors, cameramen, gaffer, historians, producers, technicians, in novators and inventors - from around the globe and asked them about their view on the film industry, t echnology , and art as well as their stories about this world - k nown manufacturer. We tell the story of ARRI, but not as one long essay: We offer a collection of short films; experiences and short ane c dotes : a kaleidoscope about the history of the company, the technical achievements, the involved people, about clients, using the equipment and services. They talk about how ARRI and how the inventions helped them telling their stories.

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Culture is the lens through which we make sense of the world. In any conflict, from petty disputes to wars between nation-states, the players invariably view that conflict through the filter of their own cultural experiences. This innovative volume prompts us to pause and think through our most fundamental assumptions about how conflict arises and how it is resolved. Even as certain culturally based disputes, such as the high-profile cases in which an immigrant engages in conduct considered normal in the homeland but which is explicitly illegal in his/her new country, enter public consciousness, many of the most basic intersections of culture and conflict remain unexamined. How are some processes cultured, gendered, or racialized? In what ways do certain groups and cultures define such concepts as "justice" and "fairness" differently? Do women and men perceive events in similar fashion, use different reasoning, or emphasize disparate values and goals? Spanning a wide array of disciplines, from anthropology and psychology to law and business, and culling dozens of intriguing essays, The Culture and Conflict Reader is edited for maximum pedagogical usefulness and represents a bedrock text for anyone interested in conflict and dispute resolution. Contributors include: Kevin Avruch, Peter W. Black, Jeffrey Z. Rubin, Frank E. A. Sander, John Paul Lederach, Heather Forest, Sara Cobb, Janet Rifkin, Ryunosuke Akutagawa, Laura Nader, Pat Chew, Stella Ting-Toomey, Harry C. Triandis, Christopher McCusker, C. Harry Hui, Anita Taylor, Judi Beinstein Miller, Carol Gilligan, Trina Grillo, James W. Grosch, Karen G. Duffy, Paul V. Olczak, Michele Hermann, Martha Chamallas, Loraleigh Keashly, Phil Zuckerman, Tracy E. Higgins, Howard Gadlin, Janie Victoria Ward, Kyeyoung Park, Taunya Lovell Banks, Margaret Read MacDonald, Mary Patrice Erdmans, Manu Aluli Meyer, Doriane Lambelet Coleman, Bruce D. Bonta, Paul E. Salem, Mohammed Abu-Nimer, Marc H. Ross, Z.D. Gurevitch, Mari J. Matsuda, Charles R. Lawrence III, Hsien Chin Hu, Glenn R. Butterton,Walter Otto Weyrauch, Maureen Anne Bell, Martti Gronfors, Thomas Donaldson, Marjorie Shostak, and Heather Forest.

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This volume completes the general articles planned for Staffordshire and also contains the history of the county town. Four articles on agriculture survey a thousand years of farming. Cultivation gradually reduced the extensive woodlands recorded in Domesday Book. The progress of arable farming in the south was paralleled by that of stock-rearing in the north, while from the 17th century dairying became increasingly important. The water meadows of the Dovewere famous. By the 19th century Staffordshire was a county of great estates noted for improving landlords and agents who encouraged new crops and techniques. Today farming still occupies over two-thirds of the county. There arearticles on the more important public schools and endowed grammar schools and on Keele University, the first of the new universities after the Second World War. The story of Stafford Borough, not told before on a comparable scale,begins with a settlement in a loop of the river Sow, existing perhaps by Roman times and later associated with the hermitage of the Saxon St. Bertelin. Stafford, first appearing in written records in 913, became the county town of the new shire which was laid out round it. William the Conqueror built a castle there in 1070; King John recognized the town's borough status with a charter in 1206. By then there were two parish churches, the collegiate churchof St. Mary and the little St. Chad's, a gem of mid-12th-century architecture. Stafford's most famous son is Izaak Walton, born there in 1593. Richard Brinsley Sheridan, who was M.P. for over 20 years from 1780, proposed the toast'May the manu-factures of Stafford be trodden under foot by all the world', a reference to the footwear industry. Although only one shoe factory now remains, many other industries flourish, notably electrical engineering, introduced in 1903. By 1971 Stafford was a borough of over 5,000 acres and 55,000 inhabitants.

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Winner of the 2014 Guyana Prize for Fiction, Johnson's Dictionary is set variously in 18th century London and Demerara in British Guiana. It is a celebration of the skills of the enslaved as organisers, story-tellers, artists and mathematicians, hidden in the main from their white masters and mistresses, that is resonant with an undying human urge for freedom.Galley, gallery, gallimaufry: In a novel set in 18th century London and Demerara (in British Guiana), that might be dreamed or remembered by Manu, a revenant from Dabydeen’s epic poem, “Turner”, we meet slaves, lowly women on the make, lustful overseers, sodomites and pious Jews – characters who have somehow come alive from engravings by Hogarth and others.Hogarth himself turns up as a drunkard official artist in Demerara, from whom the slave Cato steals his skills and discovers a way of remaking his world.The transforming power of words is what enlightens Francis when his kindly (or possibly pederastic) master gifts him a copy of Johnson’s Dictionary, whilst the idiot savant, known as Mmadboy, reveals the uncanny mathematical skills that enable him to beat Adam Smith to the discovery of the laws of capital accumulation – and teach his fellow slaves their true financial worth. From the dens of sexual specialities where the ex-slave Francis conducts a highly popular flagellant mission to cure his clients of their man-love (and preach abolition), to the sugar estates of Demerara, Dabydeen’s novel revels in the connections of Empire, Art, Literature and human desire in ways that are comic, salutary and redemptive.David Dabydeen was born in Guyana in 1957. He is only the second West Indian writer, following VS Naipaul, to be named a fellow of the Royal Society of Literature. Turner: New and Selected Poems (Cape, 1994) was republished by Peepal Tree in 2002. His 1999 novel A Harlot's Progress was shortlisted for the James Tait Black Memorial Prize. His other novels include Disappearance (Peepal Tree, 2005) and Molly and the Muslim Stick (2008). He co-edited the Oxford Companion to Black British History (2007), and his documentaries on Guyana have appeared on BBC TV and radio. David is now Professor at the Centre for Caribbean Studies, University of Warwick.

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This Insight Guide is a lavishly illustrated inspirational travel guide to Peru and a beautiful souvenir of your trip. Perfect for travellers looking for a deeper dive into the destination's history and culture, it's ideal to inspire and help you plan your travels. With its great selection of places to see and colourful magazine-style layout, this Peru guidebook is just the tool you need to accompany you before or during your trip. Whether it's deciding when to go, choosing what to see or creating a travel plan to cover key places like Machu Picchu, Cordillera Blanca, it will answer all the questions you might have along the way. It will also help guide you when you'll be exploring Cusco or discovering Colca Canyon on the ground. Our Peru travel guide was fully-updated post-COVID-19. The Insight Guide PERU covers: Lima, North Coast, Northern Sierra, Callejón de Huaylas, Central Sierra, Northern Amazon, Manu to Maldonado, South Coast, Arequipa, Cusco, Sacred Valley, Machu Picchu, Lake Titicaca.In this guide book to Peru you will find: IN-DEPTH CULTURAL AND HISTORICAL FEATURES Created to explore the culture and the history of Peru to get a greater understanding of its modern-day life, people and politics. BEST OFThe top attractions and Editor's Choice featured in this Peru guide book highlight the most special places to visit.TIPS AND FACTSUp-to-date historical timeline and in-depth cultural background to Peru as well as an introduction to Peru's food and drink, and fun destination-specific features. PRACTICAL TRAVEL INFORMATION A-Z of useful advice on everything from when to go to Peru, how to get there and how to get around, as well as Peru's climate, advice on tipping, etiquette and more. COLOUR-CODED CHAPTERS Every part of Peru, from North Coast to Lake Titicaca has its own colour assigned for easy navigation of this Peru travel guide.CURATED PLACES, HIGH-QUALITY MAPSGeographically organised text, cross-referenced against full-colour, high-quality travel maps for quick orientation in Abu Lima, Trujillo and many other locations in Peru.STRIKING PICTURESThis guide book to Peru features inspirational colour photography, including the stunning Plaza Mayor and the spectacular Llaca Valley.FREE EBOOK Free eBook download with every purchase of this travel guide to Peru to access all the content from your phone or tablet, for on-the-road exploration.

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Lonely Planet’s Peru is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Explore the ancient Inca citadel of Machu Picchu, hike to the dramatic peaks of the Cordillera Blanca, and traverse three climatic zones in the Amazonian Parque Nacional Manu; all with your trusted travel companion. Get to the heart of Peru and begin your journey now! Inside Lonely Planet’s Peru Travel Guide: Up-to-date information - all businesses were rechecked before publication to ensure they are still open after 2020’s COVID-19 outbreak NEW top experiences feature - a visually inspiring collection of [destination’s] best experiences and where to have them What's new feature taps into cultural trends and helps you find fresh ideas and cool new areas NEW pull-out, passport-size 'Just Landed' card with wi-fi, ATM and transport info - all you need for a smooth journey from airport to hotel Improved planning tools for family travellers - where to go, how to save money, plus fun stuff just for kids Colour maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sightseeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - history, people, music, landscapes, wildlife, cuisine, politics Over 50 maps Covers Lima, Arequipa, Canyon Country, Lake Titicaca, Cuzco, the Sacred Valley, the Highlands, Huaraz, the Cordilleras, Amazon Basin The Perfect Choice: Lonely Planet’s Peru, our most comprehensive guide to Peru, is perfect for both exploring top sights and taking roads less travelled. Looking for just the highlights? Check out Best of Peru, a handy-sized guide focused on the can't-miss sights for a quick trip. About Lonely Planet: Lonely Planet is a leading travel media company, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and phrasebooks for 120 languages, and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, videos, 14 languages, armchair and lifestyle books, ebooks, and more, enabling you to explore every day. 'Lonely Planet guides are, quite simply, like no other.' – New York Times 'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' – Fairfax Media (Australia)

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