Search results for ""Author Pierre"

Pierre the Maze Detective has a new case. Mr X has stolen the Maze Stone, which has the power to turn the whole of Opera City into a maze. Can you help Pierre and his friend Carmen find their way through the mazes – and stop Mr X before it's too late? This beautifully illustrated book features 15 full-spread illustrations of intricate, magical mazes. Take a trip through a fantastic world of underground cities, hot-air balloons, tree-top towns and haunted houses. Trace your way through each maze, spot the clues and solve the extra mystery challenges along the way. Hours of puzzle fun, for all maze detectives aged 8+. A page of answers with the routes through the mazes and other solutions is included at the end of the book.

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This book explores the importance of Bernardin de Saint-Pierre's principal works, notably the novel Paul et Virginie. It provides an account of the writer's significance and status in a period of French history which saw the transition from monarchy to republic and empire.

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Through a study of the evolution of inheritance issues in seventeen tragedies written over the course of half a century the Corneille brothers, Pierre and Thomas, and by Jean Racine, Richard E. Goodkin questions the pervasive assumption that classical tragedy, a form written for the aristocracy, is informed exclusively by an aristocratic ethic. Instead, a fresh reading of both canonical and noncanonical texts demonstrates that even the most formal body of literature produced by French classical writers expresses a conflict between a declining aristocratic hierarchy based on inherited privilege and a rising capitalistic ethic that favors competition and enterprise.

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"..new studies of Verger’s archive show a greater range of interest in his pictures, many of which celebrated jazz age nightlife and an emergent professional class. The rediscovered images are collected in a new book that offers a nuanced portrait of black America before the war." "Verger’s pictures offer a different perspective: thoughtful, often hopeful images of arresting individuals in black communities, full of aspirational intent and not shy of beauty." "Verger devoted his life to the study of the African diaspora across the world, always alive to human joys as well as social hardships." - The Observer "...illuminating collection of images.." "The 150 photographs – most previously unpublished – are, indeed, vibrant and full of energy, while the accompanying texts and images shine a light on this part of his life as well as his later career. This is an excellent study of a 20th-century great, for existing fans and those new to his work." - B&W Magazine Pierre Fatumbi Verger is considered one of the most outstanding photographers of the twentieth century as well as a recognized researcher in the field of African Diaspora and religion studies. Verger traveled to the United States of America in 1934 and 1937, during the Great Depression, producing a collection of stunning images that document the national symbols that configure American identity and the challenging social and economic atmosphere of the time. Verger was able to capture with great sensibility the complex cultural and racial diversity of the country where many citizens still confront segregation and poverty, while struggling to live a better life. Verger´s photographs constitute an extraordinary contribution to our understanding of the 1930´s in the U.S., and to the growth of photojournalism, documentary and artistic photography, representing the world from new and enriching perspectives.In the introduction, Javier Escudero Rodríguez frames Verger´s significant contribution to modern photography as well as the lasting relevance of this new collection of iconic images of the Great Depression. The 150 images included in the book, the majority of them never published before, were selected among 1110 negatives, after a meticulous research from Verger´s archive at the Pierre Verger Foundation in Salvador.

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Pierre Elliott Trudeau – radical progressive or unavowed socialist? His legacy remains divisive. Most scholars portray Trudeau’s ties to the left as evidence either of communist affinities or of ideals that led him to found a progressive, modern Canada. The Constant Liberal traces the charismatic politician’s relationship with left and labour movements throughout his career. Christo Aivalis argues that although Trudeau found key influences and friendships on the left, he was in fact a consistently classic liberal, driven by individualist and capitalist principles. While numerous biographies have noted the impact of the left on Trudeau’s intellectual and political development, this comprehensive analysis showcases the interplay between liberalism and democratic socialism that defined his world view – and shaped his effective use of power. The Constant Liberal suggests that Trudeau’s leftist activity was not so much a call for social democracy as a warning to fellow liberals that lack of reform could undermine liberal-capitalist social relations.

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This catalogue documents an exhibition at the Baur Foundation that brings together work by the French painter Pierre Soulages (b.1919) and the Japanese master bamboo artist Tanabe Chikuunsai IV (b. 1973). Soulages, still working at 102 years old, has painted almost exclusively in black since 1979 and is known as the “master of luminous blacks”. Tanabe Chikuunsai IV is a renowned bamboo artist, known for his twisting organic sculptures and room-sized installations made from tiger or black bamboo. The aim of this exhibition is to explore how their work resonates, despite different approaches, in the dark and light effects of their materials. Text in French and English. Published to accompany an exhibition at the Baur Foundation in Switzerland, a museum of Far Eastern Art, from November 2021–March 2022.

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Ursula Dubosarsky is the Australian Children's Laureate for 2020 - 2021Lara had always wished she was a dog, and one day, just for a short time, she actually became one. This is how it happened.In a mulberry brick house on the harbour that Lara explores while her mother cleans, Lara meets Pierre, a boy about her age with a beautiful antique puppet theatre. With his puppets, he tells her a story about a boy whose family has been eaten by wolves. The boy is lost. He needs to find his grandmother. Lara takes the part of a dog, but suddenly she can no longer tell where she ends and Dog begins. Or is she Wolf? Caught up in Pierre's story, Lara has to fight to protect her identity - and her new friend. Can she help Pierre find his way home? Pierre's Not There is a lyrical, captivating and imaginative story that can be read on many levels.

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Two developments that occurred over the course of the nineteenth century had a strong impact on Christian theology. The first was a deepening of the implications of historical consciousness, and the second was the impact of science on Christian self-understanding. Marx’s sociology of knowledge symbolizes the first; Darwin’s analysis of evolution symbolizes the second. These intellectual developments gave rise to various forms of process philosophy and theology. Within this context, a dialogue between Christian theology and evolution has yielded dramatically new convictions and practices in Christian spirituality, especially relative to ecology. For more than three decades Catherine Keller has been reflecting on the intellectual and practical effects that an internalization of the dynamic character of reality should have upon the practice of Christian life. Her text illustrates the basic framework of dynamic becoming that science demands, whether or not one is formally a process thinker. Pierre Teilhard de Chardin was an earlier figure who was more zeroed in on the phenomenon of evolution, which he encountered in a distinct way as a Christian scientist trained in geology and paleontology, as distinct from biology or genetics. Evolution explicitly informs his spirituality. These two different Christian writers, the one representing the imaginative framework of being as process and becoming, the other focused on how evolution affects intentional spiritual life, open new perspectives on the spiritual character of people’s active lives of work and creativity in the world that science presents to us.

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In a stunning work combining historical memory, legal ambiguity, and profound issues of justice, J. Kenneth Brody provides a picture of France in World War II that continues to haunt the present. Architect in 1940 of Marshal Petain's Vichy French regime and its prime minister from April 1942 to August 1944, at war's end Pierre Laval was promptly arrested on charges of treason. This book tells the story of his trial. Did he betray France, or did he serve France under terrible circumstances? What was the truth of "collaboration"? This book considers the pretrial proceedings, or lack thereof, the evidence, and the arguments of the prosecution, as well as Laval's vigorous defense in the early days of the trial.Because of irregularities in the preliminary proceedings, Laval's defense counsel declined from the outset to participate in the trial. For those reasons and because of the prejudicial conduct of the prosecution, on the third day of the trial, Pierre Laval also declined to participate further. What his defense might have been in a normal pre-trial proceeding and in a fair trial are matters of conjecture. What remains clear is that political trials are a unique form of law and moral judgment.Trials and history share a common goal-the truth. Trial, judgment, and appeal are intended to produce finality. History, on the other hand, is never final. After its performance in the trial of Pierre Laval, the government of France continued its policy of concealment, even though the truth could no longer determine the outcome of the trial. Slowly, by persistence, courage, and loyalty, history's claims to truth were established. This book presents the defense that might have been presented and then relates the final judgment, its grisly execution only eleven days after the trial opened, and its aftermath.

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A multi-faceted study of intellectual transformation in early modern Europe as seen through the eyes of a leading French scholar and cleric, Pierre-Daniel Huet (1630-1721). Early modern Europe's most extensive commonwealth -- the Republic of Letters -- could not be found on any map. This republic had patriotic citizens, but no army; it had its own language, but no frontiers. From its birth during theRenaissance, the Republic of Letters long remained a small and close-knit elite community, linked by international networks of correspondence, sharing an erudite neo-Latin culture. In the late seventeenth century, however, it confronted fundamental challenges that influenced its transition to the more public, inclusive, and vernacular discourse of the Enlightenment. Transforming the Republic of Letters is a cultural and intellectual history that chronicles this transition to "modernity" from the perspective of the internationally renowned scholar Pierre-Daniel Huet (1630-1721). Under Shelford's direction, Huet guides us into the intensely social intellectual worldof salons, scientific academies, and literary academies, while his articulate critiques illumine a combative world of Cartesians versus anti-Cartesians, ancients versus moderns, Jesuits versus Jansenists, and salonnières versus humanist scholars. Transforming the Republic of Letters raises questions of critical importance in Huet's era, and our own, about defining, sharing, and controlling access to knowledge. April G. Shelford is Assistant Professor in the History Department at American University, Washington, D.C.

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This book is devoted to discussion of the views of Pierre Musso and starts with a central chapter written by Musso, entitled Network Ideology: from Saint-Simonianism to the Internet . Pierre Musso is a French philosopher and is one of the most original thinkers in the history of the network society. His thought develops a critique of information and communication technologies through their imaginary and social representations and of the information society, based on the network metaphor.The main question on which Musso has focused his attention is how the network metaphor is one of the most powerful ways of understanding the complex societies in which we live. Showing characteristic attention to detail, and drawing on the history of ideas, political philosophy and sociology, Musso traces the genealogy of the network imaginary, and points out that it did not emerge with the Internet. He shows how its modern roots can be found in Henri de Saint-Simon and his disciples, engineers and entrepreneurs such as Michel de Chevalier, and Barthélemy Prosper Enfantin, who developed channel networks, railroads, and the telegraphic network in France in the nineteenth century. In addition to the central piece written by Musso, the book includes a general introduction and six commentaries from experts on information technologies and networks. It displays a wide range of perspectives from a diverse set of authors in terms of nationalities and universities, as well as disciplinary backgrounds.

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Philosophy as a Way of Life This unique collection of essays on the late Pierre Hadot’s revolutionary methodological approach to studying and practicing philosophy explores Hadot’s primary conviction that philosophy itself goes beyond solving puzzles and analyzing abstract arguments. Hadot believed that philosophy is a key part of humanity’s search for happiness, that it can transform our perception of the world, and thus can alter our very mode of being. His argument that the goal of philosophy is to shift our focus away from our habitual obsession with individuality, and to embrace universality and objectivity, has resonated with thinkers across the Academy – and outside it. Offering genuinely interdisciplinary analysis of Hadot’s work and philosophical practice, this volume includes papers written from a gamut of philosophical, historical, and geographical perspectives. Articles address issues in the history of philosophy from Pythagoras to Descartes, by way of Islamic thought, thus corresponding to Hadot’s view of the importance of philologically based analysis of ancient texts and historical contexts. Others study the presence of ideas related to, or influenced by, Hadot in contemporary thought, from Wittgenstein to Leonard Nelson, analytic philosophy, and French postmodernism. The result is a wide-ranging publication pointing to an additional “third way” alongside the traditional approaches of Continental and analytic philosophy, one that expands our horizons with secular spiritual exercises designed to enable us to be in a fuller, more authentic way.

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Discover a breath-taking story of love, danger, courage and betrayal, from the internationally bestselling author of The Paris Secret A HIDDEN IDENTITY. A DANGEROUS LIE. A SECRET WAITING TO BE TOLD . . . 1943. War is raging, and after developing a successful propaganda campaign to recruit women into the workforce, Alix finds herself enlisted as a spy in America's fledgling intelligence organization, the Office of Strategic Services. Managing to make it through Vichy France before the Nazis close all borders, Alix is tasked with getting close to a Nazi who might be willing to help the Americans - but there's also a chance he's a double-agent. And then something goes terribly wrong. 1946. Determined to escape her dangerous past, Alix moves to Paris to work as a publicist for the yet-to-be-launched House of Christian Dior. But when a figure from her old life reappears and threatens to jeopardize her future, Alix realizes that she'll need to do something drastic to right the wrongs of the past . . .Set in war-torn Paris The Three Lives of Alix St Pierre is a breathtakingly beautiful story of love and sacrifice, from the internationally bestselling author of The Paris Secret. Perfect for fans of Rachel Hore, Lucinda Riley and Tracy Rees.And keep your eyes peeled for Natasha's brand new story of passion, scandal and secrecy, The Disappearance of Astrid Bricard. Pre-order today! 'Natasha Lester dreamed up a brave, flawed, unbreakable heroine guided by her determination to survive and thrive no matter what. I was enthralled by this story and rooted for Alix every step of the way' DANIELA SACERDOTI, multi-million copy bestselling author

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Power is the central organizing principle of all social life, from culture and education to stratification and taste. And there is no more prominent name in the analysis of power than that of noted sociologist Pierre Bourdieu. Throughout his career, Bourdieu challenged the commonly held view that symbolic power - the power to dominate - is solely symbolic. He emphasized that symbolic power helps create and maintain social hierarchies, which form the very bedrock of political life. By the time of his death in 2002, Bourdieu had become a leading public intellectual, and his argument about the more subtle and influential ways that cultural resources and symbolic categories prevail in power arrangements and practices had gained broad recognition. In "Symbolic Power, Politics, and Intellectuals", David L. Swartz delves deeply into Bourdieu's work to show how central - but often overlooked - power and politics are to an understanding of sociology. Arguing that power and politics also stand at the core of Bourdieu's sociology, Swartz illuminates Bourdieu's political project for the social sciences, as well as Bourdieu's own political activism, explaining how sociology is not just science but also a crucial form of political engagement.

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Bernardin de Saint-Pierre (1737-1814), homme de lettres et de science, utopiste, et revolutionnaire modere, a vecu les bouleversements politiques et esthetiques de la fin du XVIIIe siecle et des premieres annees du XIXe siecle. Les articles dans ce volume, dedies a Malcolm Cook en hommage pour son depart en retraite, situent Bernardin dans le contexte de la fin de l'ancien regime et le debut du nouveau. En mettant l'accent non seulement sur son ouvrage le plus connu, Paul et Virginie, mais aussi sur son travail d'homme de science, sur sa vie privee a travers la correspondance, sur son heritage intellectuel en France et a l'etranger, ces articles nous offrent des eclaircissements insolites sur l'auteur ainsi que plusieurs nouveaux pistes a suivre. Pris ensemble, ils illustrent la richesse des etudes sur Bernardin ainsi que les tensions et les paradoxes au cour de l'ecrivain et de son ouvre. Les etudes sur ses idees esthetiques et sur sa pensee politique se completent et illuminent la relation entre Bernardin et son siecle. Katherine Astbury est Senior Lecturer in French Studies a l'Universite de Warwick. Elle est membre de l'equipe internationale qui prepare l'edition de la correspondance complete de Bernardin de Saint-Pierre sous la direction de Malcolm Cook.

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Image and Identity in the Ancient Near East: Papers in memoriam Pierre Amiet gathers the papers of two colloquia – one held in Pierre Amiet’s honour in Lyon in 2016 and the other held in Paris in 2017, as well as articles by colleagues who wished to dedicate a final tribute to him. The volume consists of two parts. The studies in the first part analyse the body as a biological entity as well as a social, sexual and cultural identity (persona). They show the emotional power of images, the means and media used to achieve this suggestive power, and the different audiences that are the privileged recipients of the different types of production. They also investigate the emotions as they are expressed through the gestures and attitudes of the characters represented. The second part includes articles that are more closely related to the themes that Pierre Amiet has tackled. Two articles deal with his favourite research theme, glyptics. One article takes up the problem of the formation of the state which Pierre Amiet had dealt with in several of his glyptic studies. Other papers are concerned with the organisation of craftsmen and statuary.

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In this series of interviews, Jean-Luc Nancy reviews his life’s work. But like Schlegel’s historian—“a prophet facing backwards”—Nancy takes this opportunity to rummage through the history of art, philosophy, religion, and politics in search of new possibilities that remain to be thought. This journey through Nancy’s thought is interspersed with accounts of places and events and deeply personal details. The result is at once unpretentious and encyclopedic: Concepts are described with remarkable nuance and specificity, but in a language that comes close to that of everyday life. As Nancy surveys his work, he thinks anew about democracy, community, jouissance, love, Christianity, and the arts. In the end, this is a book about the possibility of a world—a world that must be greeted because it is, as Nancy says, already here.

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In this series of interviews, Jean-Luc Nancy reviews his life’s work. But like Schlegel’s historian—“a prophet facing backwards”—Nancy takes this opportunity to rummage through the history of art, philosophy, religion, and politics in search of new possibilities that remain to be thought. This journey through Nancy’s thought is interspersed with accounts of places and events and deeply personal details. The result is at once unpretentious and encyclopedic: Concepts are described with remarkable nuance and specificity, but in a language that comes close to that of everyday life. As Nancy surveys his work, he thinks anew about democracy, community, jouissance, love, Christianity, and the arts. In the end, this is a book about the possibility of a world—a world that must be greeted because it is, as Nancy says, already here.

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Sacred Eroticism: Georges Bataille and Pierre Klossowski in the Latin American Erotic Novel addresses a neglected chapter in the field of Latin American literature: the influence of Georges Bataille and Pierre Klossowski's atheist mysticism in the Latin American erotic novel of the twentieth century. Combining a Lacanian analytical framework with an (inter)textual approach, Juan Carlos Ubilluz reveals how Julio Cort&3225;zar, Salvador Elizondo, Mario Vargas Llosa, and Juan García Ponce adopted Bataille and Klossowski's aesthetic and philosophical models as a point of departure to rearticulate the modern subject's buried dimension of the sacred through various innovations on the erotic novel's form. Ubilluz also examines the dialectical irruption of these literary experiments into their particular aesthetic, theoretical, and political contexts; showing, for instance, that Cortázar's Rayuela and Elizondo's Farabeuf reintroduce a Bataillean sense of tragedy into the secularist nouveau roman, that Garía Ponce exemplifies the Barthian death of the Author by 'copying' with originality the form and content of Klossowski's novels, and that Vargas Llosa's Los cuadernos de don Rigoberto gives an unbecoming neo-liberal spin to Bataille and Klossowski's anti-capitalist theorization of the sacred.

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"Fiction est un mot perilleux, tout comme son correlatif, science" ecrivait Michel de Certeau. Et pourtant, si l'epistemologie a montre que les verites scientifiques s'inscrivent dans une historicite, elle n'en a pas fait de meme pour la fiction qui est longtemps restee indemne de tout relativisme: "elle est le non-reel", a-t-on souvent admis. C'est ce principe que l'auteur remet en question en montrant que la fiction est, elle aussi, un objet culturel. A ce titre elle varie non seulement historiquement, mais aussi en fonction du cadre conceptuel de son apprehension. La demonstration s'appuie sur l'etude d'un corpus narratif du XVIIe siecle: les histoires, souvent tragiques et sanglantes, de l'eveque Jean-Pierre Camus.

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Ces Mélanges sont offerts à Pierre Maraval, professeur émérite de l'Université de Paris IV-Sorbonne, spécialiste de l'histoire du christianisme antique. On trouvera dans ce volume une bibliographie de ses travaux. Ces Mélanges regroupent les contributions de plusieurs de ses amis et collègues sur les pèlerinages, sur les lieux saints, en particulier Jérusalem ainsi que sur la sainteté chrétienne, sur les prières et les calendriers liturgiques. La période envisagée par les auteurs de ce livre part de l'époque du Nouveau Testament et s'étend jusqu'à la fin du Moyen ge et concerne aussi bien l'Occident que l'Orient.

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Édifiée à l'instigation de Milon de Nanteuil (1217-1234), la cathédrale de Beauvais, le Haut-Oeuvre comme on l'appelait par opposition à la Basse-Oeuvre bâtie au Xe siècle, fut consacré en 1272. Un premier effondrement en 1284, puis un second en 1573 entravèrent définitivement l'élan des bâtisseurs. Privé de nef, dont on n'ose, au vu de l'élévation des voûtes (48 m, les plus hautes voûtes gothiques d'Europe!), imaginer la longueur qu'elle eût atteinte, l'édifice domine de sa silhouette tout à la fois élancée et massive, un quartier mutilé par les bombardements de 1940. Ceux-ci ont toutefois épargné le cloître canonial et le palais épiscopal, actuel Musée départemental. Si la Révolution a privé la cathédrale des statues qui ornaient son portail et de bien des éléments de son décor intérieur, celle-ci conserve néanmoins un riche mobilier qui mérite toute l'attention du visiteur. Les superbes verrières du Moyen ge et de la Renaissance éclairent un sanctuaire réaménagé vers 1750 par le sculpteur Nicolas-Sébastien Adam. Chaque siècle a ainsi contribué à enrichir Saint-Pierre de Beauvais et y a laissé sa trace, que cet Itinéraire vous invite à découvrir.

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Among the countless themes in language studies on which Pierre Swiggers has worked and published, linguistic historiography undoubtedly stands out. In this subdiscipline of language studies, he has acted as a true architect and maître d’œuvre. For this reason, the editors have chosen "the architecture of grammar" as the guiding theme of this volume in his honor. Opening with a preface and general introduction, the book brings together contributions pertaining to this general theme, ranging from antiquity to the present day, and closes with the bibliography of the honoratus. Contributions by: C. Altman, R. Batista, M. Berré, G. Bonnet, M. L. Calero Vaquera, D. Calhoun, B. Colombat, R. Escavy Zamora, G. Fernandes, J. J. Gómez Asencio, G. Haßler, B. Hurch, J. E. Joseph, R. Kemmler, A. Luhtala, M. J. Martínez Alcalde, M. D. Martínez Gavilán, S. Matthaios, N. Mazziotta, S. Piron, C. Quijada Van den Berghe, M. Quilis Merín, B. Rochette, M. C. Scappaticcio, E. Sofía, M. Steffens, J. Suso López, S. Vakulenko, A. Zamorano Aguilar, O. Zwartjes.

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WINNER of the 2022 Klaus Flugge Prize - Celebrating outstanding newcomers to picture book illustration. Pierre and his friends decide to enter a roller skating competition and put in hours of practice, training, hair styling and costume planning. But what will happen when Pierre can't get the perfect quiff and is running late? Will he make it to the competition on time? And will he still have the confidence to skate with his friends? "Pierre is a bear who loves hair and roller-skating. But can his moves and his quiff impress his favourite roller disco team, the Poodle Squad? The judges loved the anarchy and edge Joseph Hollis brings to his story, and his clever use of the pages and layout. Despite the absurdity, he builds a believable world, the details adding up into something real." — Klaus Flugge Prize Judging Panel

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