Search results for ""Author Morris"

The William Morris Set of 3 Midi Notebooks features a collection of three midi, foiled notebooks with alternating lined and blank pages. Each notebook has a different beautiful design: Acanthus, Rose and Compton. With a sturdy cover and rounded corners, they are perfect to be carried everywhere! The popularity and influence of William Morris cannot be underestimated – a man of many talents, he was a poet, writer, social campaigner, artist, designer and, with his Kelmscott Press, a fine book printer and publisher. A hugely important figure of the Arts and Crafts movement, he is best known for his superior wallpaper and textile designs, intricately weaving together natural motifs in highly stylized two-dimensional patterns with medieval influences. This Collection shows some of his best-loved prints and is perfect for all art lovers! Flame Tree: The Art of Fine Gifts.

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What kind of adventure begins in the living room on a rainy Monday afternoon? It depends. Say you just found out that Granny, who raised you, is going to lose her house because there's nothing valuable left to sell except an unfinished tapestry. And say that your pet blackbird Mead starts talking and swells up to the size of large motorcycle, and that you suddenly find yourself on his back falling into what you could have sworn was just an old rug covered with pictures of knights galloping through forests. If that's your situation, then this adventure could be weirder, scarier, and more amazing than anything you ever imagined. Time and the Tapestry tells the story of a 13 year old, would-be artist Jen and her not-quite-as-nerdy-as-he used-to-be- 10 year old brother Ed. They find themselves adrift in 19th century England, unable to make their way back home until they've gathered the missing pieces to make that tapestry whole. It's great that they can ride on Mead's back. But not so great that his feathers are falling off, too fast to count. Great that they keep meeting up with the rugmaker himself, Jen's hero, British radical William Morris. But not so great that he always seems to be yelling at somebody or tossing something at them. Great that as they travel from London to Oxford to Iceland, they begin to figure out a way to save the Tapestry (and Granny's house along with it). But downright terrifying that Mead's going to be grounded soon, leaving them trapped with Morris and his wacky daughter May in a Victorian London that may be filled with cranky artists and loveable animals, but....it's a long long way from home. The scenes set in Canterbury, Oxford, the English countryside, Trafalgar Square, Iceland, and Boston will enchant those drawn to the tapestry of history. Along with its magnificently detailed illustrations, this expertly woven tale threads together the best of classical fantasy with a tale of modern-day adventure that will captivate readers of all ages. First-time children's book author John Plotz--who's spent years studying, teaching, and dreaming about William Morris--brings the story of Arts and Crafts to life with a yarn about a world where the power of imagination may just be strong enough to bring dragons, flying birds and enchanted books to life.

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These volumes bring to a close the only comprehensive edition of the surviving correspondence of William Morris (1834-1896), a protean figure who exerted a major influence as poet, craftsman, master printer, and designer. Volumes III and IV, taken together, give in detail the comments and observations that articulate his problematic political and artistic stands and equally problematic position within the aesthetic movement as it developed in the 1890s. Most eloquently voiced also are the complexities of his troubled marriage and his devotion to his epileptic daughter, Jenny, and his other daughter, May. But dominating all these themes, organizing and structuring them, are the Kelmscott Press and the building of Morris's important library of medieval manuscripts and early printed books. The letters record the way in which the Press becomes not only the center of Morris's aesthetic ambitions and achievements but also the site for his closest human relations and for much of his connecting with the makers of early modernism. The letters in Volumes III and IV are thoroughly annotated, and through texts and notes provide a new assessment of Morris's career. Included also, as appendices to Volume IV, are two important documents: the first, never before published, is F. S. Ellis's Valuation List of Morris's library, made after Morris's death, and the second, never before reprinted, is the text of what was to be Morris's final essay on socialism, published in April 1896. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Shortlisted for The Telegraph Sports Book Awards Biography of the Year 'A splendid new biography. How good was young Tom Morris? Stephen Proctor makes his case cogently. Young Tom Morris was one of the greatest of them all' - Allan Massie Young Tom Morris, the son of the legendary pioneer of golf, Tom Morris, was golf’s first superstar. Born at a pivotal moment in history, just as the new and inexpensive ‘gutty’ ball was making golf affordable and drawing thousands of new players to the game, his genius and his swashbuckling personality would set a game that had been frozen in amber for four centuries on the pathway to becoming worldwide spectator sport we know today. Exhaustively researched and beautifully illustrated, Monarch of the Green is a stirring and evocative history of Tommy’s life (which also includes, for the first time, a compilation of his competitive record in stroke-play tournaments, singles matches, and foursomes) and demonstrates how, in one dazzling decade, this young superstar dominated the sport like few others have ever done.

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In the 1930s and ’40s, Morris Ernst was one of the best-known liberal lawyers in the United States. An eminent attorney and general counsel of the ACLU for decades, Ernst was renowned for his audacious fights against literary and artistic censorship. He successfully defended Ulysses against obscenity charges, litigated groundbreaking reproductive rights cases, and supported the widespread broadening of protections for sexual expression, union organizing, and public speech. Yet this “human dynamo,” as friends called him, was also a man of stark contradictions, who also waged a personal battle against Communism, defended a foreign autocrat, and aligned himself with J. Edgar Hoover’s inflammatory crusades. ​ Arriving at a moment when issues of privacy, artistic freedom, and personal expression are freshly relevant, The Rise and Fall of Morris Ernst, Free Speech Renegade brings this singularly complex figure into a timely new light. As Samantha Barbas’s eloquent and compelling biography makes ironically clear, Ernst both transformed free speech in America and inflicted damage to the cause of civil liberties. Drawing on Ernst’s voluminous cache of publications and papers, Barbas follows the life of this singular idealist from his pugnacious early career to his legal triumphs of the 1930s and ’40s and later-life turn toward zealous anticommunism. As she shows, today’s challenges to free speech and the exercise of political power make Morris Ernst’s battles as pertinent as ever.

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Peoplewatching is the culmination of a career of watching people - their behaviour and habits, their personalities and their quirks. Desmond Morris shows us how people, consciously and unconsciously, signal their attitudes, desires and innermost feelings with their bodies and actions, often more powerfully than with their words.

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EMBROIDERED JOURNAL – The William Morris Bower B5 Handmade Embroidered Journal features one of Morris's iconic patterns with bright colors derived from nature. The embroidered areas on the front and back cover create extra depth and add a bespoke feel to this stylish notebook. MULTIFUNCTIONAL – Handmade on recycled paper, this luxurious textured notebook contains 100 lined pages, making it as practical as it is beautiful. Whether you use this multifunctional notebook at school, work, or home, it’s just the right size to be perfectly portable. You can use it to take notes, doodle, store shopping lists, or simply to collect your thoughts. PERFECT FOR GIFTING – From back to school, to new job celebrations, or just because, this William Morris Journal makes a chic gift for any occasion. GALISON – Since 1979, our vision at Galison has been to inspire people by bringing art into daily life with home office supplies, home dé

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These volumes bring to a close the only comprehensive edition of the surviving correspondence of William Morris (1834-1896), a protean figure who exerted a major influence as poet, craftsman, master printer, and designer. Volumes III and IV, taken together, give in detail the comments and observations that articulate his problematic political and artistic stands and equally problematic position within the aesthetic movement as it developed in the 1890s. Most eloquently voiced also are the complexities of his troubled marriage and his devotion to his epileptic daughter, Jenny, and his other daughter, May. But dominating all these themes, organizing and structuring them, are the Kelmscott Press and the building of Morris's important library of medieval manuscripts and early printed books. The letters record the way in which the Press becomes not only the center of Morris's aesthetic ambitions and achievements but also the site for his closest human relations and for much of his connecting with the makers of early modernism. The letters in Volumes III and IV are thoroughly annotated, and through texts and notes provide a new assessment of Morris's career. Included also, as appendices to Volume IV, are two important documents: the first, never before published, is F. S. Ellis's Valuation List of Morris's library, made after Morris's death, and the second, never before reprinted, is the text of what was to be Morris's final essay on socialism, published in April 1896. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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In 1913 an ambitious young businessman named William Morris converted a derelict military college on the outskirts of Oxford into an assembly hall for motor vehicles. He thus opened the first chapter in one of the most extraordinary success stories of the British motor industry, becoming Lord Nuffield and a multi-millionaire in the process. From Morris Motors and Pressed Steel, via the British Motor Corporation and British Leyland to its role as part of BMW and their successful manufacture of the new Mini, car manufacture at Cowley has been a significant player. Though the old factory chimneys have given way to more modern developments, Oxford today would be a very different place without its influence. Most of the photographic material in this book is taken from the comprehensive archive collections of the British Motor Industry Heritage Trust, located at the Heritage Motor Centre, Gaydon. Now in this revised and fully updated edition, new illustrations and text seek to show further how important Morris was to Cowley.

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Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example features William Morris: Seaweed.

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Book of Desmond Morris' surrealist art works

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Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cello bag, and are themed with our art calendars, foiled notebooks and illustrated art books.William Morris was inspired a great deal by nature, as can be seen here in Compton. This love for flora and fauna came about as a result of following the doctrines of the Pre-Raphaelite Brotherhood, which Morris became drawn to, developing close friendships with its founders, Dante Gabriel Rossetti (1828–82), William Holman Hunt (1827–1910) and John Everett Millais (1829–96).

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A return to Camelot This is the second volume of Arnold Schwartzman’s trilogy on the architecture of the late 19th and early 20th Century, in which he focuses on a group of British craftsmen who decided to turn their backs on the mass production of the Industrial Revolution to form a ‘Round Table’ in order to establish a means of returning to hand-crafted products. William Morris, Charles Rennie Mackintosh and in America, Frank Lloyd Wright, Louis Comfort Tiffany and Greene and Greene were among these like-minded artisans who wished in essence to create a movement which embodied a vision and style that returned to the Golden Age of craftsmanship.

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Artisan Art Notebooks, the new Journals from Flame Tree in a range of hues to suit the moment and featuring magnificent art. They’re hand crafted with decorated edges overflowing with petals, teasing vines and patterns. A unique blend of the practical and beautiful, with two ribbons and lined pages, the Artisan Art Notebooks are perfect for notes, creative writing, poetry, doodles and lists. And, with robust flexi covers, they’re easy to slip into your bag, a pleasure to use. Simply, they feel good! Born in Kent, William Morris was an outstanding character of many talents, being an architect, writer, social campaigner, artist and, with his Kelmscott Press, an important figure of the Arts and Crafts movement.

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William Morris - poet, designer, campaigner, hero of the Arts & Crafts movement - was a giant of the Victorian age, and his beautiful creations and provocative philosophies are still with us today: but his wife Jane is too often relegated to a footnote, an artist's model given no history or personality of her own. In truth, Jane and William's personal and creative partnership was the central collaboration of both their lives. The homes they made together - the Red House, Kelmscott Manor and their houses in London - were works of art in themselves, and the great labour of their lives was life itself: through their houses and the objects they filled them with, they explored how we all might live a life more focused on beauty and fulfilment.In How We Might Live, Suzanne Fagence Cooper explores the lives and legacies of Jane and William Morris, finally giving Jane's work the attention it deserves and taking us inside two lives of unparalleled creative artistry.

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THE INSTANT NO.1 NEW YORK TIMES BESTSELLERThe stunning new novel from the bestselling author of global phenomenon Tuesdays with Morrie'Mitch Albom sees the magical in the ordinary' Cecelia Ahern____________Adrift in a raft after a terrible shipwreck, ten strangers try to survive while they wait for rescue.After three days, short on water, food and hope, they spot a man floating in the waves.They pull him on board - and the survivor claims he can save them.But should they put their trust in him?Will any of them see home again?And why did the ship really sink?The Stranger in the Lifeboat is not only a deeply moving novel about the power of love and hope in the face of danger, but also a mystery that will keep you guessing to the very end.

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Dreaming and relaxing, with the evocative designs of William Morris, this beautiful new book will give you many hours of pleasure, and calm. Printed on high quality paper, this new book features 45 powerful William Morris artworks for you to colour, offering a suggestion of how the original looked as well as key information such as title and date. Morris is perhaps the most famous artist craftsmen in the world, and his bold and visually expressive paintings resonate still today. This book will take you on an enjoyable journey where the satisfaction of creating stunning artworks is mixed with rediscovering the joy of colouring. You can use a wide variety of pens: from gel and pencil, to pigment and crayons, from ballpoint and rollerball to highlighters, although it’s best to avoid the heavy felt pens. Each page is perforated near the spine of the book, so you can tear out and frame, or simply place your wonderful creation on the walls of your home, perhaps even send them as a gift to your loved ones. Bring the Ink to life!

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EMBROIDERED JOURNAL – The William Morris Strawberry Thief B5 Handmade Embroidered Journal features one of Morris's iconic patterns with bright colors derived from nature. The embroidered areas on the front and back cover create extra depth and add a bespoke feel to this stylish notebook. MULTIFUNCTIONAL – Handmade on recycled paper, this luxurious textured notebook contains 100 lined pages, making it as practical as it is beautiful. Whether you use this multifunctional notebook at school, work, or home, it’s just the right size to be perfectly portable. You can use it to take notes, doodle, store shopping lists, or simply to collect your thoughts. PERFECT FOR GIFTING – From back to school, to new job celebrations, or just because, this William Morris Journal makes a chic gift for any occasion. GALISON – Since 1979, our vision at Galison has been to inspire people by bringing art into daily life with home office supplies, hom

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At the beginning of the 20th century Morris dancing had all but died out in much of England. It was militant suffragettes and slum girls who kick-started the revival that returned the forgotten dances of the countryside to towns and villages across the nation. As a result of their commitment to preserve and pass on the dances, the Morris survived as a living tradition that is still performed to this day. And the impetus to do so came from the women’s aspiration to change society for the better, the same impetus that drove them to militant action and to prison. The Morris revival and the militant suffrage movement were inextricably linked. The leader of the dance revival, Mary Neal, was a life-long radical campaigner for the rights of women and children. With her friend Emmeline Pethick she ran the Esperance Girls’ Club in one of London’s most deprived areas. She and Emmeline both sat on the national committee of Mrs Pankhurst’s militant Women’s Social and Political Union, the most notorious of the groups campaigning for the vote for women. The women’s embrace of traditional dance was rooted in Mary’s aspirations for equality and her commitment to social and political reform. The beginning of the dance revival and the launch of the militant suffragette campaign in London coincided almost exactly. Launched by a rather forlorn band of rebels, the WSPU grew into a movement capable of inspiring loyalty and loathing in equal measure. The Morris revival developed from an entertainment in a club for impoverished girls into a nationwide initiative. Mary and Emmeline’s associates in the dance revival ranged from young girls who worked in the militant campaign’s offices to hunger-striking daughters of the aristocracy. Mary and Emmeline provided the leadership and commitment that enabled two radical movements to flourish in the early years of the 20th century, but both found themselves marginalised after policy disagreements – with the folklorist Cecil Sharp and Mrs Pankhurst respectively - led to devastating splits in their respective organisations. Both then found themselves misrepresented and written out of the histories of movements which might never have got off the ground without them. Only in recent decades have women begun to reclaim their place in the Morris dance movement, the very existence of which is a legacy of the militant campaign for the vote.

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Sixteen lovely illustrations: Adam Naming the Beasts, Sleeping Apostles, Angel and Woman, adaptations of wallpaper and textile designs, and much more. colour and place near a source of bright light for stained glass effects.

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Morris wants to eat his kitty biscuits, but his mother sends him off to play hide and seek instead. When it’s Morris’s turn to hide, he finds the perfect place: the food cupboard, where the kitty biscuits are kept! Orange/ Band 6 books offer varied text and characters, with action sustained over several pages. Text type – A story with a familiar setting. A storyboard on pages 22 and 23 offers and opportunity for children to retell the story in their own words. Curriculum links – Citizenship: Taking part. This book has been levelled for Reading Recovery. This book has been quizzed for Accelerated Reader.

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These volumes continue the only complete edition of the surviving correspondence of William Morris (1834- 1896), a protean figure who exerted a major influence as poet, craftsman, master printer, and designer. Covering the years 1881 through 1888, they treat the most dramatic period in another facet of Morris's career: his work as a political activist. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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New title in the Flame Tree Foiled Quarto Journal collection, combining beautiful art with high-quality production: bleed-proof, acid-free FSC pages, a pocket, ribbon bookmarks and a magnetic flap. Perfect as a gift or for all notetakers, list-makers and journal users.A FLAME TREE NOTEBOOK. Beautiful and luxurious the Foiled Quarto Journals combine high-quality production and FSC pages with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, list-makers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. A NEW SERIES. The Quarto format is named after the earliest form of European printed publication, dating back to the 1400s when Gutenberg invented the first moveable-type printing press, heralding a revolution in mass communication, spreading ideas of literature, science and philosophy of the Renaissance. We celebrate this with

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. William Morris was a British textile designer, artist, novelist, printer and activist associated with the British Arts and Crafts Movement. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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William Morris, one of Britain's leading writers and artists of the Victorian era, was strongly connected to the socialist movement of 19th century Britain and both his literary work and decorative art were widely influenced by its ideas. He was a founding member of the Socialist League and many of his writings were originally published in the League's official newspapers and pamphlets.This 3-volume set is a facsimile reprint of a collection of 47 small booklets, written or edited by Morris and his colleagues in the socialist movement, most of which are rare and difficult to access,. The first volume contains all issues of the two major pamphlet series of the Socialist League as well as his historical documents relating to its foundation, including conference reports and broadsides. Many of them feature beautiful illustrations by Water Crane, a Victorian book illustrator, which are all reproduced in the volume. The second volume includes booklets on socialism published by authors close to Morris as well as by himself. There are also songbooks that he edited. The third volume is devoted to his lectures of art and socialism which he published by himself using the Golden Type he designed.The facsimile reprint of these items visualizes the essence of Morris's thought and art and will provide a deeper understanding of what William Morris tried to contribute to the Victorian society through his literary and art works.

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The life of William Morris (1834-1896) is revealed in significant new detail by his complete surviving correspondence, brought together here for the first time and including many previously unpublished letters. This collection not only bears witness to Morris's day-to-day activities and friendships, but also reflects his keen response to landscape and architecture, his sense of social responsibility, and his interest in the techniques of the applied arts. Volume I covers Morris's student days at Oxford and marriage to Jane Burden; the first twenty years of Morris and Co.; his success as a poet with the publication of The Earthly Paradise; his two trips to Iceland; the moves to Kelmscott Manor and Kelmscott House; and the start of his socialist career. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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El lobo Lupino necesita una pesadilla horripilantísima para volver a ser un lobo feroz. El mapache Morris puede conseguir cosas raras, difíciles, grandiosas, pero sabe que las pesadillas no se venden ni se prestan ni tampoco se regalan. Será capaz de fabricar una con ayuda de sus amigos?

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