Search results for ""Author Marina""

Why our failure to consider the power of animals is to our deep detriment Animals are staging a revolution—they’re just not telling us. From radioactive boar invading towns to jellyfish disarming battleships, this book threads together news accounts and more in a powerful and timely work of creative, speculative nonfiction that imagines a revolution stirring and asks how humans can be a part of it. If the coronavirus pandemic has taught us anything, it is that we should pay attention to how we bump up against animal worlds and how animals will push back. Animal Revolution is a passionate, provocative, cogent call for us to do so.Ron Broglio reveals how fur and claw and feather and fin are jamming the gears of our social machine. We can try to frame such disruptions as environmental intervention or through the lens of philosophy or biopolitics, but regardless the animals persist beyond our comprehension in reminding us that we too are part of an animal world. Animals see our technologies and machines as invasive beings and, in a nonlinguistic but nonetheless intensive mode of communicating with us, resist our attempts to control them and diminish their habitats. In doing so, they expose the environmental injustices and vulnerabilities in our systems. A witty, informative, and captivating work—at the juncture of posthumanism, animal studies, phenomenology, and environmental studies—Broglio reminds us of our inadequacy as humans, not our exceptionalism.

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The potential of films to educate has been crucial for the development of cinema intended to influence culture, and is as important as conceptions of film as a form of art, science, industry, or entertainment. Using the concept of institutionalization as a heuristic for generating new approaches to the history of educational cinema, contributors to this volume study the co-evolving discourses, cultural practices, technical standards, and institutional frameworks that transformed educational cinema from a convincing idea into an enduring genre. The Institutionalization of Educational Cinema examines the methods of production, distribution, and exhibition established for the use of educational films within institutions–such as schools, libraries, and industrial settings in various national and international contexts and takes a close look at the networks of organizations, individuals, and government agencies that were created as a result of these films' circulation. Through case studies of educational cinemas in different North American and European countries that explore various modes of institutionalization of educational film, this book highlights the wide range of vested interests that framed the birth of educational and nontheatrical cinema.

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With the crisis of the global capitalist economy, the topic of global culture is regaining its importance and needs to be revisited from both theoretical and practical standpoints. How do we make sense of this rapid flow of global consumer culture across national borders? What is the role of corporations, governments and social movements in shaping these flows? How do these flows of money, people, culture, goods and services work in practice? Taking an interdisciplinary approach, this volume examines the way cultures and people oppose, resist and re-centre globalisation.

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Zelensky is the first major biography of Ukraine's leader written for a Western audience. Told with flair and authority, it is the gripping story of one of the most admired and inspirational leaders in the world. Action-packed biography of Ukraine's comedian-turned-President Millions who have admired Volodymyr Zelensky's defiance during Russia’s invasion of Ukraine will learn much from this up-to-date biography of the Ukrainian President. Zelensky's life to date has been packed with drama and action. By the age of 20, the Jewish boy from the provincial town of Kryvyi Rih had become a star of the stage. At 30, he headed a multimillion-dollar TV company. At 40, he took on Ukraine’s corrupt political and business elite in a TV drama, playing a history teacher who becomes President. Then he launched a real-life political party named after the TV show, won a landslide victory and became Ukraine's real President. When Russian troops flooded across the border, Zelensky refused Western offers to leave Kyiv. He has marshalled Ukraine's resistance and successfully obtained Western missile systems and anti-tank weapons. Zelensky said: ‘If I am elected, they will first sling mud at me. Then they will learn to respect me. And finally cry when I leave.’ Zelensky is written by a long-standing Russia and Ukraine reporter and a Russian- and Ukrainian speaking researcher. It’s a pithy biography of Zelensky for anyone who wants to understand Ukraine’s charismatic head of state, his complex country, and its vexed relationship with Russia. Covering Zelensky's life from his childhood to the Ukrainian presidency, Zelensky deals with his background in a Russian-speaking region of Ukraine, his early career in TV taking part in KVN talent competitions, and his rise through the Ukrainian and Russian television industry. Then it deals with Zelensky's breakthrough moment in the TV series Servant of the People playing a teacher who dreams of reforming Ukraine and ending its corruption. The show becomes a reality and Zelensky's party, Servant of the People, takes power. Zelensky's presidency is marred by his attempts to curry favour with the US President Donald Trump and the offshoring of millions of dollars. Nonetheless, Zelensky battles political rivals and takes on powerful vested interests in Europe’s second-largest country. Then with his doggedness, speeches and strategy, he marshals Ukraine's staunch resistance to a superpower – a fight that most analysts assume Russia will quickly win. But they do not - and Ukraine starts to turn the tide of the war. Zelensky and his country become symbols of defiance against Vladimir Putin's aggression. Zelensky: A Biography of Ukraine's War Leader is both an uplifting story and an urgent message from Ukraine. About the authors STEVEN DERIX is a journalist at the Dutch newspaper NRC. From 2014 to 2020 he was NRC correspondent for Russia, Ukraine and Belarus. MARINA SHELKUNOVA studied journalism and was a researcher and coordinator for NRC and De Standaard. ExtractVladimir Putin rarely underestimates his opponent. At the KGB Academy in Leningrad, he learned the meticulous art of profiling ‘targets’ of the service, whether they were Russian dissidents or East German Communist apparatchiks. Before meeting with anybody, Putin first analyses their strengths and weaknesses. During his first visit to the United States, he wound President George W. Bush around his little finger, with pious tales of his christening in the Russian Orthodox Church. Afterwards, an obviously charmed Bush told of how he had looked into the ‘soul’ of the former KGB officer. When German Chancellor Angela Merkel visited Sochi in 2007 to discuss energy policy, Putin had his black labrador Konni brought in. Merkel – who is terrified of dogs – dared not budge an inch, and Putin dominated the conversation. Vladimir Putin also carefully considers way he talks about people. The Russian President is only too aware of the political appeal of Alexey Navalny, and will therefore never allow the name of the opposition leader to cross his lips – not even since Navalny’s incarceration in January 2021. Putin’s spokesperson, Dmitri Peskov, consistently refers to Navalny as ‘that blogger.’ *** In April 2019, Volodymyr Zelensky was elected as the sixth President of Ukraine, with nearly three-quarters of the vote. One month later, the Russian President attended the World Economic Forum in St. Petersburg. It had been five years since Russia’s annexation of Crimea but daily skirmishes between the Ukrainian army and pro-Russian separatists were still commonplace in eastern Ukraine. ‘Why did you not congratulate Volodymyr Zelenksy when he became President?’ asked the interviewer. Putin breathed a heavy sigh. The Russian officials and business magnates in the room playfully nudged one another: this was going to be good. ‘You know,’ said Putin, ‘he is still pushing a certain rhetoric. He labels us “enemies” and “aggressors.” Perhaps he should think about what he really wants to achieve, what he wants to do.’ Putin had still not once uttered the name ‘Zelensky.’ ‘You are the President of a world power,’ the interviewer fawned, ‘and right now, he is incredibly popular in his country. Both of you could start with a clean slate. Even a small gesture might completely change the course of world history. Why not simply arrange a meeting?’ Putin gave the enormous hall an almost pitying look, and waited until the sniggering from the officials and businesspeople had died down. ‘Did I say “no”?’ replied Putin. With a snide grin, he added: ‘Nobody has invited me.’ ‘Are you prepared to meet with him?’ Putin now looked genuinely amused. ‘Listen, I do not know this man. I hope that we can meet one day. As far as I can tell, he’s amazing at what he does, he’s a marvellous actor.’ Laughter and generous applause filled the room. Putin continued: ‘But seriously: it’s one thing to play a person, but quite another thing to be that person.’ Buy the book to continue reading

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Do you believe in magic? Even if you don't, you probably 'think magically' sometimes. We touch wood to stop bad things happening, or take a lucky object to a job interview or exam in an irrational attempt to influence the outcome. Spellbound: Magic, Ritual & Witchcraft was the first exhibition to examine how magical thinking has been practised over the centuries. With exquisitely engraved rings to bind a lover, enchanted animal hearts pierced with nails, mummified cats concealed in walls and many other intriguing objects, the exhibition catalogue shows that the use of magic is driven by our strongest emotions: the need to be loved, our fear of evil and the desire to protect our homes. Authors explore the practice of magic in the medieval universe, the early modern community and the modern home. While belief in magic and rituals can be comforting, it also led to the persecution of women as witches. This book examines both the idea of the witch and the reality of how women were accused of witchcraft. Even today, our tendency to think magically has not changed as much as we might think. Some of the chapters discuss contemporary ideas about magical thinking and the artworks produced especially for the exhibition to make connections between the ideas and experience of magic in the past and in the present. Contents: Introduction - Sophie Page and Marina Wallace; Love in a Time of Demons: Magic and the Medieval Cosmos - Sophie Page; Musica Universalis - Harmonia Mundi and Hayden - Chisholm's Medieval Jukebox - Marina Wallace; Concealed and Revealed: Magic and Mystery in the Home - Owen Davies and Ceri Houlbrook; The Fear and Loathing of Witches - Malcolm Gaskill; Modern Rituals and Magical Thinking - Ceri Houlbrook; Installations by Contemporary Artists - Marina Wallace

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The definitive guide to the life and work of Marina Abramovic, the world's most famous performance artist.Combining brand-new interviews, never-before-seen images and fascinating ephemera, this book is a testament to the extraordinary life and work of one of our most courageous and groundbreaking artists, and is published to coincide with the opening of Abramovic's Royal Academy exhibition - the first major show by a female artist in the Academy's 255-year history. Agreeing to answer any question that was posed, Abramovic embarked on 17 months of candid interviews conducted by her friend and confidante, Katya Tylevich. The result is a monolithic retrospective that takes us from the humble beginnings of a shy child sitting at the back of the class, to fearless pioneer, conquering and subverting the art world with boundary-pushing performances, and concluding with her most profound personal experience to date.Over 600 images from Abramovic's personal archives set these captivating memories alight, creating a fascinating, visual landscape and demonstrating the inextricably intertwined nature of her life and work.A breathtakingly intimate journey, we are led across deserts, oceans and cities to explore extreme highs and lows, all the while marvelling at how Abramovic approaches every success and setback with her signature humour and wit. Never shying away from the truth, no stone is left unturned, and Abramovic's fearlessness imbues every page.

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Abseits etablierter Galerien und großer Museen brodelt es. Täglich eröffnen neue Kunsträume in Hinterhäusern, leerstehenden Gebäuden oder Privatwohnungen. Manche dieser Räume bleiben jahrzehntelang bestehen, andere sind temporär angelegt oder wandern von Stadt zu Stadt. »SPACES« präsentiert diese subkulturelle Entwicklung und versammelt die Räume und Projekte in einem Städteguide: ein Führer für alle Reisenden, die einen Blick in die Ateliers und auf die Experimentierbühnen der zeitgenössischen Kunst werfen möchten und gern durch unbekannte Stadtviertel streifen. Graphisch reduzierte Stadtkarten und ein Register dokumentieren den Standort der Spaces und dienen der geographischen Orientierung. In der aktuellen erweiterten Ausgabe des herausragend gestalteten Buches werden über 240 Kunsträume aus 40 Städten vorgestellt.

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A critical look at female queerness through the lens of first-generation culture. In Tanto Tanto, a queer daughter of immigrants highlights the struggles she faces in romantic relationships amidst a culture of oppressive, culturally sanctioned heteronormativity. Exploring the consequences of queer love in both contemporary American and Luso-American societies, Tanto Tanto unsettles ideas about the privileged queer body, romantic love, queer motherhood, femininity, gender identity, sex, and more. This collection makes visible and troubling what is often overlooked, misunderstood, and romanticized in “American” homosexuality.

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A breakout, genre-blurring novel from one of the most exciting new voices of Latin American's feminist gothic. Across two different time periods, two women confront fear, loneliness, mortality, and a haunting yearning that will not let them rest. In the nineteenth century, a vampire arrives from Europe to the coast of Buenos Aires, on the run from the Church. She must adapt, intermingle with humans, and, most importantly, be discreet. In present-day Buenos Aires, a woman finds herself at an impasse as she grapples with her mother's terminal illness and her own relationship with motherhood. When she first encounters the vampire in a cemetery, something ignites within the two women and they cross a threshold from which there's no turning back. Thirst plays with the boundaries of genre while exploring the limits of female agency, the consuming power of desire, and the fragile vitality of even the most immortal of creatures.

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Featured in Stylist’s ‘Can’t Miss’ Books of 2023 Sometimes I think that carrying — other people, the continuity of history, generational identity, the emotional load of the everyday — is the main thing that women do. In Marina Benjamin’s new set of interlinked essays, she turns her astute eye to the tasks once termed ‘women’s work’. From cooking and cleaning to caring for an ageing relative, A Little Give depicts domestic life anew: as a site of paradox and conflict, but also of solace and profound meaning. Here, productivity sits alongside self-erasure, resentment with tenderness, and the animal self is never far away, perpetually threatening to break through. Drawing on the work of figures such as Natalia Ginzburg, Paula Rego, and Virginia Woolf, Benjamin writes with fierce candour of the struggle to overwrite the gender conditioning that pulls her back into ‘the mud-world of pre-feminism’ even as she attempts to haul herself out. From her upbringing as the child of immigrants with fixed traditional values, to looking after her mother and seeing her teenager move out of home, she examines her relationships with family, community, her body, even language itself. Ultimately, she shows that a woman’s true work may lie at the heart of her humanity, in the pursuit both of transformation and of deep acceptance.

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An intense, lyrical, witty, and humane exploration of a state we too often consider only superficially. At once philosophical and poetical, Insomnia ranges widely over history and culture, literature and art, exploring a threshold experience that is intimately involved with trespass and contamination: the illicit importing of day into night.

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L'Atalante is the work of French director Jean Vigo. It is a study of romantic love, told in a style influenced by surrealism, but still Vigo's own. This text is part of the 'BFI Film Classics' series. Each volume in the series presents a personal commentary on the film, together with a brief production history and a detailed filmography, notes and bibliography.

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Diversity in Action: Managing Diverse Talent in a Global Economy examines one of the most important and topical issue related to diversity management, namely implementing effective strategies for managing diverse talent groups. Highlighting both theoretical issues regarding diversity management and their practical implications, Marina Latukha’s wide ranging collection investigates how different management practices focusing on diverse talent groups are realised in order to provide systematic assessments on existing diversity challenges. Diversity in Action uniquely features diversity within diversity as the main topic within its analysis. Content covers different types of employees in its focus of diversity management practices in global economies. Groups explored in relation to human resource and talent management practices include but not limited to management of different generations and migrants and diaspora’ representatives employed in modern organizations. There is also discussion of gender-focused initiatives to present the dialog about female talent management and the way it influences organizational results. Diversity in Action highlights the latest development in relation to strategies and practices on diversity management, providing specific examples of how different talent diverse groups should be involved in organizational business processes and effectively managed.

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'A gripping story of the unravelling of a mother's secrets as her daughter searches for answers to a decades-old mystery of a local girl's disappearance. Evocative, suspenseful and beautifully written. I couldn't put it down.' Adrienne Chinn 'I was hooked from the very first page. The emotional layers of this beautifully written book are woven together seamlessly. Absolutely superb!' Clare Marchant 'An absolutely fascinating tale of a fractured family, and the hurts and secrets that they carry. McCarron's observations and characterizations are sublime.' Jenni Keer A gripping and emotional story of family and the secrets we keep from the ones we love. For fans of Kristin Hannah and Delia Owens. When you're lost sometimes the only way to look forward is to look back... Three women. Two generations apart. One secret they share. Maine, 1997. As the people of Fort Meadow Beach celebrate the Fourth of July, four-year-old Daisy Wright disappears and is never seen again. Maine, Present Day. Fired from her job and heart-broken, Peyton Winchester moves back home for the summer. Bored and aimless, she finds a renewed sense of purpose when an ad for a journalism course reminds her of a path not taken. Returning to life in her hometown brings back all kinds of memories – including Daisy's vanishing when she was a young girl herself. As Peyton begins her search for the truth, new discoveries begin to intertwine Daisy's past and her present with irreversible consequences. Readers love The Shimmer on the Water: 'Magic... I felt like gnawing on my arm to get to the end! And what an ending it was. Loved it... Arresting book. Marina McCarron's writing has me absolutely hooked!' Goodreads 5* Review 'Wow what a fantastic read... A great story which will keep you gripped from the beginning. I really loved it and highly recommend this book.' NetGalley 5* Review 'Mesmerizing... Tons of family drama, and the disappearance of a little girl. Highly recommend!' Tara Leigh Books, 5* Review 'Riveting... A young girl who vanished, but it was also about a family with so many secrets... Captured my attention and reeled me in until the end... Amazing... Took me down a path with twist, turns, and unbelievable things happening.' NetGalley 5* Review 'An incredible, dual timeline family saga. It kept me gripped the whole time... Eualla's story really pulled at my heart... I thoroughly enjoyed this book.' @thesapphiccelticbookworm, 5* Review 'Absolutely loved this book... A great read with strong characters and a fabulous story.' NetGalley 5* Review 'Intriguing... Great characters... Brilliantly interwoven. Highly recommended.' NetGalley 5* Review 'Loved it and will strongly recommend!' Goodreads 5* Review

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In this witty and revelatory investigation of the so-called dismal science, University of British Columbia professor Marina Adshade skips the usual widgets and uncovers how the market comes to bear on our most intimate decisions: sex, dating, courtship, love, marriage, even breaking up. The science of ‘sexonomics’ is born: How much money does an ugly guy need to have to attract as many women via an online dating site as a hot man? Is modern marriage just an opportunity to consume more goods and services? Does raising the price of beer reduce risky sex? Why does a spike in the sale of sex toys predict an upcoming recession, while an increase in the number of breast lifts indicates a perkier economy is on the way? Which comes first: a prosperous nation or a promiscuous one? Once you read Dirty Money, you’ll never look at your money – or your relationships – the same way again

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Works of early Irish authors include a strong biblical component, but indicate that independent thought is accepted. Scarcity of scientific data, a real interest in the physical world, and the need to validate the scriptures encouraged seventh-century Irish scholars toward critical reflection on scientific matters. Their world-view was based onmaterials drawn from the Bible, on earlier Christian works and on personal reflection and contemplation. This volume looks at the Irish contribution to the development of western thought in the early middle ages. MARINA SMYTHis librarian of the Medieval Institute at the University of Notre Dame, and teaches early medieval cultural history.

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Follow the story of a little girl as she learns to slow down, be patient and appreciate that some things in life are worth waiting for. When you’re little, the world can seem like a truly slow-moving place. Waiting for school to finish, staring at the clock, wishing it would move. Joining seemingly never-ending queues, urging them to speed up. Staring longingly at a hot cake baking in the oven. Jumping into bed, lying down and drifting off to sleep. Waiting can seem to last a lifetime. And then, as soon as you wake up… the race begins – hurry up, let’s get a move on – we’re going to be late! This book is all about a little girl learning to be patient. As she slowly opens her eyes to the wonder of nature, she uncovers that some things are really worth waiting for. Animals wake from hibernation, seeds bloom into flowers, trees turn into forests and snails form beautiful, glittering trails.<

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The forgotten story of a surprising anti-imperial, nationalist project at the turn of the twentieth century: a grassroots movement of Russian Jews to racialize themselves.In the rapidly nationalizing Russian Empire of the late nineteenth century, Russian Jews grew increasingly concerned about their future. Jews spoke different languages and practiced different traditions. They had complex identities and no territorial homeland. Their inability to easily conform to new standards of nationality meant a future of inevitable assimilation or second-class minority citizenship. The solution proposed by Russian Jewish intellectuals was to ground Jewish nationhood in a structure deeper than culture or territory—biology.Marina Mogilner examines three leading Russian Jewish race scientists— Samuel Weissenberg, Alexander El’kind, and Lev Shternberg—and the movement they inspired. Through networks of race scientists and political activists, Jewish medical societies, and imperial organizations like the Society for the Protection of the Health of the Jewish Population, they aimed to produce “authentic” knowledge about the Jewish body, which would motivate an empowering sense of racially grounded identity and guide national biopolitics. Activists vigorously debated eugenic and medical practices, Jews’ status as Semites, Europeans, and moderns, and whether the Jews of the Caucasus and Central Asia were inferior. The national science, and the biopolitics it generated, became a form of anticolonial resistance, and survived into the early Soviet period, influencing population policies in the new state.Comprehensive and meticulously researched, A Race for the Future reminds us of the need to historically contextualize racial ideology and politics and makes clear that we cannot fully grasp the biopolitics of the twentieth century without accounting for the imperial breakdown in which those politics thrived.

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It was a terrible crossing. The worst yet. There weren''t enough boats. I had to stab my way up the gangplank. It was pitch black and the ferryman hadn''t an eye in his head.In a house, a young mother watches over her sleeping baby. But in this dark and dangerously funny play, nothing is as it seems.Audrey or Sorrow is a shape-shifting, time-bending deep dive into a world of unimaginable loss. It exemplifies Marina Carr''s work: storytelling that pushes the boundaries of love, power and desire.Draw coal. Coal is a beautiful thing. Someday we''ll all be coal. A Landmark Productions and Abbey Theatre co-production, it opened at the Abbey Theatre, Dublin, in February 2024.

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This third richly varied collection of plays by Marina Carr was published to coincide with the Royal Shakespeare Company's premiere of Hecuba at the Swan Theatre, Stratford-upon-Avon, in September 2015.Sixteen Possible Glimpses imagines sixteen fleeting moments in Anton Chekhov's short life and work. Phaedra Backwards retells the Phaedra myth to discover what shaped her. The Map of Argentina offers a meditation on love and what happens when it is denied, or pursued and hunted down. Hecuba was written in reaction to the bad press this Trojan queen receives, and reimagines how she may have suffered and reacted. Indigo is a dark and passionate romance amongst fairies, demons, ghouls and every sort of fantastic creature out of folklore and myth.

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