Search results for ""Author Jan"

Jan Fabre has created a monumental new cycle of his mosaics for the PinchukArtCentre in Kiev. This publication presents the two grand series—Tribute to Belgian Congo and Tribute to Hieronymus Bosch in Congo, where the artist again grapples artistically with his country’s colonial past. All works from both series impress by their large size, but above all by the use of millions upon millions of jewel beetle wing cases. Utilizing the various colour tones of this iridescent material, Jan Fabre takes us into an indeterminate zone, between Paradise and the Belgian Congo. The first volume Tribute to Belgian Congo presents the artist’s final step in dealing with Belgium’s colonial past, presenting 23 single mosaics and one triptych, elaborating his critical reflections on the history of Belgian Congo. The work is inspired by the enslavement of millions of Congolese and the atrocities committed against them as well as the greed of the colonialists, who stole as much as possible of the natural riches the country had to offer. Fabre depicts the brand logos and products of companies that co-organized the horrors in the name of profit, the whole pride of Belgian industrialists of the late 19th century. The second book, Tribute to Hiëronymus Bosch in Congo, deals with the absurdity and horror of what happened in the country in a more symbolical way, using both the iconography and imagery of paintings by Hiëronymus Bosch. The works give artistic form to evil deeds and stand as an arresting critique of the folly that ensues when men lose their bearings in life. Both volumes are presented by Eckhard Schneider, general director of the PinchukArtCentre and are introduced by a specialist on the subject, with a collection of texts by more than thirty international art professionals.

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Le present livre est le premier numero de la nouvelle serie Studia Cartusiana qui paraitra comme sous-serie de la serie bien connue Miscellanea Neerlandica. Pour la premiere publication dans cette serie, les editeurs en chef Frans Hendrickx et Tom Gaens ont opte pour une reedition de certains articles extraits des actes publies - a titre personnel - a l'occasion de deux congres cartusiens et qui ne sont jamais parus dans les Analecta Cartusiana, serie dans laquelle sont publies regulierement depuis quatre decennies les articles presentes lors de congres internationaux traitant de l'histoire et de la spiritualite des chartreux. Cela concerne, d'une part, le congres qui s'est tenu du 16 au 19 septembre 1982 dans les trois villes flamandes Gand, Anvers et Bruges et, d'autre part, celui qui fut organise dans l'ancienne chartreuse de Zelem pres de Diest du 1 au 3 octobre 2001. La ou ce fut possible, les editeurs ont soumis aux auteurs les articles repris dans cet ouvrage afin de leur permettre d'y apporter des corrections ou des ajouts. De plus ils ont ajoute de nouvelles contributions, entre autres sur le chartreux diestois Pierre Dorlant a qui on a attribue la moralite Elckerlijc; cette attribution constitue, depuis la fin du 19e siecle, un des problemes les plus irritants de l'histoire de la litterature dramatique flamande medievale. Les deux congres precites ont un lien direct avec Jan De Grauwe. Il a su garder l'Ordre vivant a l'esprit de beaucoup et l'a sortit de l'anonymat, grace a ses innombrables etudes et conferences sur l'existence historique des chartreux dans les anciens Pays-Bas et par ses contacts personnels avec l'Ordre. Cette publication est pour nous l'occasion de reiterer toutes nos marques d'estime pour Jan De Grauwe, le grand connaisseur de l'histoire des chartreux dans nos contrees depuis les annees soixante-dix du 20e siecle. Il a trace le chemin a suivre et poser les jalons pour la recherche future, fondamentale et approfondie, dans les differents domaines de la science cartusienne.

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Mit der Festschrift für Jan Schröder ehren Freunde, Schüler und Kollegen aus dem In- und Ausland anlässlich seines 70. Geburtstages einen der international herausragenden Rechtshistoriker unserer Zeit, langjährigen Ordinarius für Deutsche Rechtsgeschichte und Bürgerliches Recht an der Universität Tübingen und Leiter der dortigen Forschungsstelle für Geschichte der Rechtswissenschaft. Die 40 Beiträge spiegeln in drei Abteilungen die Forschungsschwerpunkte des Jubilars wider: die Methodengeschichte des Rechts, die juristische Wissenschafts- und Dogmengeschichte und die Vielfalt der neuzeitlichen Rechtsgeschichte.

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Kulturwirkungen des Christentums werden heute entweder ausgesprochen kontrovers diskutiert oder sie geraten aus dem Blick. Gründe dafür sind unter anderem der Rückgang kirchlicher Bindungen und der Gestaltwandel der Religion in Mitteleuropa. Christoph Strohm zeigt, dass gerade heute kulturelle Wirkungen des Christentums als Thema der Historiographie in besonderer Weise zu beachten sind. Denn es droht in Vergessenheit zu geraten, dass die europäische Geschichte sich - bis in die jüngste Vergangenheit - ohne deren Berücksichtigung nicht angemessen verstehen lässt. Gleichwohl sind erhebliche Unklarheiten und auch Unsicherheit im Blick auf Gegenstand wie Methode der Erforschung der kulturellen Prägekraft des Christentums festzustellen.In diesem Buch werden zwei historiographische Arbeiten, die in den letzten Jahren große Aufmerksamkeit gefunden haben, vorgestellt und im Blick auf ihre expliziten und impliziten Urteile in der Sache analysiert: Thomas Karlaufs Biographie Claus von Stauffenbergs, die anlässlich des 75. Jahrestags des Attentats vom 20. Juli 1944 im Jahr 2019 erschien, und Jan Assmanns Thesen zur Wirkungsgeschichte des mosaischen Monotheismus unter dem Titel Totale Religion. Ursprünge und Formen puritanischer Verschärfung, zuletzt 2018 neu aufgelegt.So unterschiedlich Gegenstand und Methode dieser Werke sind, so aufschlussreich sind sie für die gegenwärtigen Schwierigkeiten im Umgang mit den kulturellen Wirkungen des Christentums in der Geschichte. Der große Anklang, den die Bücher weit über die Fachgrenzen hinaus im Feuilleton gefunden haben, bietet zudem die Chance, dem Geist der Zeit auf die Spur zu kommen. Darüber hinaus leistet die Studie auch einen Beitrag zur Frage nach den Aufgaben kirchenhistorischer Forschung in der Gegenwart, indem der Autor zuerst seine eigenen Zugänge als Kirchenhistoriker offenlegt.

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For thirty years the "death of the author" has been a familiar poststructuralist slogan in literary theory, widely understood and much debated as a dismissal of the author, a declaration of the writer's irrelevance to the readers experience. In this concise book, Jane Gallop revitalizes this hackneyed concept by considering not only the abstract theoretical death of the author but also the writer's literal death, as well as other authorial "deaths" such as obsolescence. Through bravura close readings of the influential literary theorists Roland Barthes, Jacques Derrida, Eve Kosofsky Sedgwick, and Gayatri Chakravorty Spivak, she shows that the death of the author is best understood as a relation to temporality, not only for the reader but especially for the writer. Gallop does not just approach the death of the author from the reader's perspective; she also reflects at length on how impending death haunts the writer. By connecting an author's theoretical, literal, and metaphoric deaths, she enables us to take a fuller measure of the moving and unsettling effects of the deaths of the author on readers and writers, and on reading and writing.

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When Raif and Drey Sevrance return home to their clan as the only survivors of a vicious attack in which both their father and the clan chief, were killed, everything changes for Raif. Uneasy with the new chief''s reign of brutality and his brother''s acceptance of it, Raif welcomes his uncle Angus Lok''s invitation to accompany him to Spire Vanis. Asarhiah March, Ash for short, is the beautiful ward of Penthero Iss, Overlord of Spire Vanis. Suspicious of Penthero''s increasing interest in her developing body, when Ash overhears him planning to imprison her she flees, only to be cornered at the city gate by a band of the Overlord''s elite guards. But as they close in on her, a stranger comes to the rescue - observed by a bemused Raif, Angus Lok plunges into the midst of the guards and snatches her to safety. For Angus knows that as this girl grows to womanhood she will develop powers which could destroy herself and the world if she doesn''t learn to control them . . . an

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Every manual is written from hands-on experience gained from stripping down and rebuilding each vehicle in the Haynes Project Workshop. The practical step-by-step instructions and clear photos are easy to follow and provide information on maintenance, servicing, fault finding, the MoT, brakes, electrics and Haynes tips to make many tasks easier.

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Every manual is written from hands-on experience gained from stripping down and rebuilding each vehicle in the Haynes Project Workshop. The practical step-by-step instructions and clear photos are easy to follow and provide information on maintenance, servicing, fault finding, the MoT, brakes, electrics and Haynes tips to make many tasks easier.

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This volume brings together the articles dating between 1969 and 1995 in which J. Quaegebeur studied Greek renderings of Egyptian names and words. Some of them are translated from Dutch into English, and all are updated by incorporating bibliographical references from 1970 until 2018 and comments by the editors. The articles deal with general methodology, names of gods (e.g. Eseremphis or Mestasytmis), people (e.g. double names, shortened anthroponyms and non-etymological writings), places (e.g. names of Theban temples) and common words (e.g. phritob). Though written several decades ago, Quaegebeur's work remains of fundamental importance for the study of the Egyptian language, including dialects before the rise of Coptic, onomastics and topography, popular religion and Greco-Roman Egypt in general. The indices also include references to Quaegebeur's study on the god of fate Shai (OLA 2), so that his work is now available for further study in a rich domain that has been neglected in Papyrology, Egyptology and Classical Studies the last 25 years.

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Motherland meets Midsomer Murders in this fresh and funny mystery about a group of soon-to-be mums who turn detective when there's a murder at their antenatal class. 'Cosy crime at its finest!' JANICE HALLETT'A sharply witty debut' SIMON BRETT'The epitome of fun and witty cosy crime' iPAPER**DON'T MISS THE NEXT MOTHERS' MURDER CLUB MYSTERY: DEAD TIRED. AVAILABLE TO PRE-ORDER NOW!**For Alice and her partner Joe, moving to the sleepy Cotswold village of Penton is a chance to embrace country life and prepare for the birth of their unexpected first child. He can take up woodwork; maybe she'll learn to make jam. But the rural idyll they'd hoped for doesn't quite pan out when a dead body is discovered at their local antenatal class and they find themselves suspects in a murder investigation.With a cloud of suspicion hanging over the heads of the whole group, Alice sets out to solve the mystery and clear her name, with the help of her troublesome dog, Helen. However, there are more secrets and tensions in the heart of Penton than first meet the eye. Between the discovery of a shady commune up in the woods, the unearthing of a mysterious death years earlier and the near-tragic poisoning of Helen, Alice is soon in way over her head. CAN YOU SOLVE THE MOTHER OF ALL MURDERS?FEATURED IN THE EVENING STANDARD'S BOOKS TO WATCH IN 2023 AND THE NEW YORK TIMES' 'NEW MYSTERIES FOR A NEW YEAR''A gloriously smart and witty telling of the darker side of NCT groups - this is really funny with edge' HELEN LEDERER'A complete triumph. Perfectly plotted, brilliantly observed and just so much fun' LAUREN BRAVO'A twisty, turny murder mystery guaranteed to satisfy any amateur detective's cravings, with belly laughs big enough to give you stretch marks' FIONA LEITCH, author of The Cornish Wedding Murder 'Kat Ailes nails small town cosy crime in her debut novel. From the first page, I was hooked. I laughed an awful lot; the writing is so clever and funny' CHRIS MCDONALD, author of the Stonebridge Mysteries'A humorous, remarkably touching debut. Pacy, funny, with just the right undertones of dark' EVA VERDE, author of Lives Like Mine

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Shortlisted for the Wales Book of the Year award'I loved this... Magda is a real stand-out character for me in books I've read recently, I can't quite stop thinking about her' Jane Garvey, BBC Woman's Hour 'Brilliant... A truly convincing state-of-the-nation novel' Daily Mail 'Packs a powerful punch and makes you smile while breaking your heart'Woman's Weekly 'Fierce and compassionate'Mail on Sunday 'Conran's work is subtle and complex: there is no one right story about the Empire. Instead we are offered multiple views, ironies and contradictions that only one of most talented, tender writers in Wales could portray'New Welsh Review 'Fierce, compassionate, angry, but above all, heart-breakingly real. I was drawn in from the very first page'Claire Fuller, author of Bitter Orange 'An Indian household can no more be governed peacefully without dignity and prestige, than an Indian Empire' The Complete Indian Housekeeper and Cook, Flora Annie Steel & Grace Gardiner Magda is a former scientist with a bad temper and a sharp tongue, now living alone in a huge house by the sea. Confined to a wheelchair, her once spotless home crumbling around her, she gets through carers at a rate of knots. Until Susheela arrives, bursting through the doors of Magda's house, carrying life with her: grief for her mother's recent death; worry for her father; longing for a beautiful and troubled young man.The two women strike up an unlikely friendship: Magda's old-fashioned, no-nonsense attitude turns out to be an unexpected source of strength for Susheela; and Susheela's Bengali heritage brings back memories of Magda's childhood in colonial India and resurrects the tragic figure of her mother, Evelyn, and her struggle to fit within the suffocating structure of the Raj's ruling class. But as Magda digs deeper into her past, she unlocks a shocking legacy of blood that threatens to destroy the careful order she has imposed on her life - and that might just be the key to give the three women, Evelyn, Magda and Susheela, a place they can finally call home.'An exquisite novel: compassionate, beautiful and unflinching. I'm full of admiration for the skill with which it draws connections between the past and present, and manages to feel both timeless and achingly contemporary'Fiona McFarlane, author of The Night Guest

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Charles Darwin has become one of the important men in history. The quiet, unsure polymath who avoided confrontation, ensconced in his family home at Down House in Kent, was also a revolutionary who developed his idea of Natural Selection in isolation. This is a guide to the ideas as well as the man who was voted one of the greatest Britons.

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'Another world must be unfurled, Another language known'Best known - and beloved - for her highly popular novels including Pride and Prejudice, Emma and Sense and Sensibility, Jane Austen was also an accomplished, and often witty, poet:'I am going to have my dinner, after which I shan't be thinner'This collection, which also includes poems by the poets she herself admired, sheds light not only on Jane Austen the writer, but on the themes that are woven through her bestselling novels. Satirical, humorous and ironical, they will resonate both with readers who love her novels, and newcomers alike.'When stretched out on one's bed with a fierce throbbing head ... how little one cares for the grandest affairs''I am in a dilemma, for want of an Emma'

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'This sly, exhilarating novel takes on slut-shaming . . . and manages to be hilarious in the process' People'It's brilliant and hilarious . . . It has a heart. And a spine. It's exactly what we need more of right now.' Chicago Tribune'A smart, intersectional feminist tour de force' Washington TimesThis is the story of five women . . . Meet Rachel Grossman. She'll stop at nothing to protect her daughter, Aviva, even if it ends up costing her everything. Meet Jane Young. She's disrupting a quiet life with her daughter, Ruby, to seek political office for the first time. Meet Ruby Young. She thinks her mom has a secret. She's right. Meet Embeth Levin. She has made a career of cleaning up her congressman husband's messes. Meet Aviva Grossman. The Internet won't let her or anyone else forget her past transgressions. This is the story of five women...and the scandal that binds them together. From Gabrielle Zevin, the bestselling author of Tomorrow, and Tomorrow, and Tomorrow, comes another story with unforgettable characters that is particularly suited to the times we live in now.

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This is a book about yoga. Or at least, it was.January 2015. High on literary success and familial bliss, Emmanuel Carrère embarks on a rigorous ten-day meditative retreat in rural France in search of clarity and material for his next book, which he thinks will be a subtle, upbeat introduction to yoga.But his trip is cut short, and he is brought down to earth with a thud when he returns to a Paris in turmoil in the aftermath of the Charlie Hebdo terrorist attack. From then on, Carrère's life - along with his novel-in-progress - begins to unravel in ever more unexpected ways.'The story of how a life can fray, tighten itself into a noose, unravel... profound and moving' Geoff Dyer'Extraordinarily compelling' Financial Times

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Italians to America is the first indexed reference work devoted to Italian immigrants to the United States. This series contains passenger list information in chronological order on the first major wave of Italian migration during the last two decades of the nineteenth century. As with the highly regarded companion series on German immigrants, Italians to America presents the passenger lists in chronological order, including information on each person's age, sex, occupation, village of origin, and destination, plus the name of the ship, the port of embarkation and the date of arrival. Each volume also contains an introduction on the history of Italian migration to the U.S. and a full name index, greatly simplifying the researcher's job.

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Italians to America is the first indexed reference work devoted to Italian immigrants to the United States. This series contains passenger list information in chronological order on the first major wave of Italian migration during the last two decades of the nineteenth century. As with the highly regarded companion series on German immigrants, Italians to America presents the passenger lists in chronological order, including information on each person's age, sex, occupation, village of origin, and destination, plus the name of the ship, the port of embarkation and the date of arrival. Each volume also contains an introduction on the history of Italian migration to the U.S. and a full name index, greatly simplifying the researcher's job.

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A bibliography of studies of individual Middle English words and groups of words offering evidence for word meanings. Although detailed and full bibliographies exist for Old English word studies, this is the first specifically on Middle English lexicography, focussing on studies of individual Middle English words and groups of words which offer evidence for word meanings: ante- and post-datings for the Oxford English Dictionary and the Middle English Dictionary, missing entries and ghost words, possible proverbs, proposals for etymologies, wordplay, punning, new readingsin manuscripts and the reinterpretations of textual cruces. It first presents an annotated bibliography arranged alphabetically by author's name and date of publication; the annotations include notes on the contents and approach of each article, cross-references to related work, and references to reviews. Two indexes follow, the Index of Words, an alphabetical listing of words that have attracted significant discussion with references to the author(s), publication date and notes of pages on which the words are discussed; and an Index of Authors. The introductory section offers critical analyses of the word studies. Professor JANE ROBERTS and Dr LOUISE SYLVESTER teach atKing's College London.

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Volume 3 covers the final months of the siege of Boston. It opens with General Washington proclaiming the commencement of the remodeled Continental army on New Year's Day 1776 and closes at the end of March as he prepares to depart for New York in the wake of the British evacuation of Boston.Washington's correspondence and orders for this period reveal an uncompromising attitude toward reconciliation with Britain and a single-minded determination to engage the enemy forces in Boston before the end of the winter. Washington's bold proposal to attack Boston across the frozen back bay in the middle of February was rejected as too risky by a council of war, but the council did approve occupying the strategic Dorchester Heights overlooking the city and harbor. During the last weeks of February and the first days of March, Washington devoted himself to mobilizing artillery and gunpowder for a massive cannonade of Boston and assembling materials for portable fortifications to be erected on the frozen soil of Dorchester Heights. The successful execution of this operation on the night of 4 March failedto provoke General William Howe into assaulting the American lines and thereby open the way to counterattack on the city as Washington hoped it would. It did, however, compel the British to withdraw from Boston in haste a few days later, giving Washington and his army a spirit of confidence with which to embark on the New York campaign. The volume also includes a number of documents relating to Washington's private affairs in Virginia, the most important of which are eight letters from his Mount Vernon manager Lund Washington.

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Richmal Crompton, Author of Just William: A Literary Life celebrates the first two William books, Just William (1922) and More William (1922). As well as a study of her famous character William Brown, this book is an introduction to Richmal Crompton’s less well-known fiction and a story about her writing life. Her multifaceted identity—her deep knowledge of Classical Greek and Latin literature and languages, her life as a disabled writer, and her writing about domestic violence and disability—played a role in her literary persona. Jane McVeigh moves beyond Richmal Crompton’s impact on children’s literature and offers an appraisal of all her writing including her novels and short fiction, her media profile on radio and TV, her impact on her readers—both adults and children—and her international success. Particularly, McVeigh considers Crompton in the context of twentieth century woman writers and the development of crossover fiction for dual audiences. The book argues that as a woman writer pigeon-holed as a writer for children, Crompton’s other novels and short stories have been side-lined and overlooked. More than a century after the first book collection of Crompton’s William stories was published, this biography places Richmal Crompton among other twentieth century women writers.

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'Delicious tensions between parents and squabbles among their children seem so harmless, yet every one has the potential to start a devastating snowball of events. I couldn’t put this one down.' - Janice Hallet author of The AppealLooking to escape her old life, Nancy and her ten-year-old daughter Lara move to Ripton. A quiet, picturesque village in the rolling Derbyshire countryside, it seems like the perfect place to settle down.But when Nancy reaches the school gates, she learns that beneath the quaint village atmosphere is a minefield. And after her daughter clashes with her school friends, Nancy quickly finds herself outside the whispering circle of parents.As much as Nancy finds the playground politics absurd, they soon become impossible to ignore when Lara is accused of hurting another girl.Desperate to clear Lara's name, Nancy is about to learn just what lengths a parent will go to for their child . . .Wry, twisting and suspenseful, Michelle Frances tells a story of schoolyard sniping turning into something much uglier in The Playground, for fans of Liane Moriarty and Adele Parks.**************PRAISE FOR THE NUMBER ONE BESTSELLING AUTHOR MICHELLE FRANCES'Michelle Frances is an author we're going to hear a great deal about' JILLY COOPER‘Brilliant (toxic) context. Loved the epistolary touches. Taut, dark, and seriously addictive.’ WILL DEAN‘I tore through the pages . . . A high-speed chase of a novel’ Louise Candlish‘Michelle Frances manages to bring fresh energy to this age-old theme of family secrets . . . The finale doesn't disappoint’ Daily Mail‘Toxic family relationships, sultry European settings and an intricate plot which leaves you never knowing who to trust’ Catherine Cooper, author of The Chalet

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Die verschiedenen Aufsatze, die in diesem Band aus Anlass des 60. Geburtstages von Jan A. Aertsen gesammelt sind, widmen sich der Spannung zwischen der Metaphysik und dem Guten. Lasst sich eine Metaphysik denken, die vom Begriff des Guten ausgeht? Diese Spannung durchlauft die Philosophie in Antike und Mittelalter wie ein roter Faden und hat nicht selten zu Weiterentwicklung oder Neuorientierung Anlass gegeben. Die verschiedenen Aufsatze behandeln den Anspruch von Ethik und Metaphysik, Erste Philosophie zu sein (Carlos Steel); die Idee einer praktischen Metaphysik (Theo Kobusch); die Metaphysik des Guten bei Gilbert von Poitiers (Scott MacDonald); den Begriff des Guten bei Thomas von Aquin (Rudi te Velde); die Stellung des Guten und das Metaphysikverstandnis Bonaventuras (Andreas Speer); das Gute als Ersterkanntes bei Berthold von Moosburg (Wouter Goris). Zusammen lesen sie sich als eine Deutung von der Moglichkeit und der Qualitat der Synthese von Platonismus und Aristotelismus, wie sie in der mittelalterlichen Transzendentalienlehre erstrebt wird.

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Het werk van de Brabantse mysticus Jan van Ruusbroec (1293-1381) kreeg lange tijd waardering omwille van de inhoud. Deze werd eerder gezien als een theologisch fenomeen en niet als de beschrijving van een ervaring. Er was weinig oog voor de vorm. Tijdgebonden opvattingen over literaire schoonheid speelden hierin mee. Sinds de zeventiger jaren van de vorige eeuw is er echter sprake van een kentering. Ruusbroecs werk wordt begrepen als een tekst in een heel eigen historische en culturele context. Deze studie naar de beeldspraak in Ruusbroecs eerste traktaat, Dat rijcke der ghelieven, kan worden gezien tegen deze bredere achtergrond. Dit onderzoek toont aan dat we Ruusbroecs mystiek niet ten volle kunnen begrijpen indien we zijn beelden als overbodig beschouwen. Door ieder schakeltje van zijn beeldspraak te decoderen - en die gaat van toenmalige wetenschappelijke visies op kosmos en licht tot concrete omstandigheden in zijn tijd - wordt zijn waarde als middeleeuws auteur onthuld en als mystiek auteur. Alle stadia van de mystieke ervaring, ook de hoogste, worden door Ruusbroec ver-beeld. Door een beroep te doen op water, licht, ruimte, feodaliteit, de kosmos, de engelen laat hij zien en voelen wat noch door de systematische beschrijving noch door het semantisch spel kan worden uitgedrukt. Hij komt tevoorschijn als een meester in waarnemen, in analyseren, in synthetiseren. Zijn beeldspraak is een grote, goed gestructureerde en coherente illustratie van zijn verwonderen al deser rijcheyt.

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These two new volumes offer new insights into the events of one of the fiercest battles of World War II. Volume I covers the events from the German point-of-view.

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These two new volumes offer new insights into the events of one of the fiercest battles of World War II. Volume I covers the events from the German point-of-view.

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Germans to America provides both genealogists and researchers of family history with the first extensive, indexed source of German-surname immigrants who came to all ports in the United States between 1850 and 1893. This period witnessed one of the highest rates of German emigration in the nineteenth century. The series reproduces information from the original ship manifest schedules, or passenger lists, filed by all vessels entering U.S. ports. All volumes are arranged in chronological order by each ship's date of arrival. For every passenger list, the following information is provided: ship name, port of departure, port of arrival, date of arrival, and list of German-surname passengers. Ships that departed from German ports or carried passengers who declared themselves to be of German origin are included, with full name, age, sex, occupation, and, when this information is given, country, province or village of origin provided for each emigrant. One of the most important features of this series is the complete index of names at the end of every volume, making it easy to find a particular individual or family name. Germans to America may be ordered by individual volume. Standing orders, which receive a 10% discount, are also welcomed.

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Germans to America provides both genealogists and researchers of family history with the first extensive, indexed source of German-surname immigrants who came to all ports in the United States between 1850 and 1893. This period witnessed one of the highest rates of German emigration in the nineteenth century. The series reproduces information from the original ship manifest schedules, or passenger lists, filed by all vessels entering U.S. ports. All volumes are arranged in chronological order by each ship's date of arrival. For every passenger list, the following information is provided: ship name, port of departure, port of arrival, date of arrival, and list of German-surname passengers. Ships that departed from German ports or carried passengers who declared themselves to be of German origin are included, with full name, age, sex, occupation, and, when this information is given, country, province or village of origin provided for each emigrant. One of the most important features of this series is the complete index of names at the end of every volume, making it easy to find a particular individual or family name. Germans to America may be ordered by individual volume. Standing orders, which receive a 10% discount, are also welcomed.

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