Search results for ""Author Jackson""

The novel tells the story of Lyman Ward, a retired professor of history and author of books about the Western frontier, who returns to his ancestral home in the Sierra Nevada. Wheelchair-bound with a crippling bone disease, Ward embarks nonetheless on a search to rediscover his grandmother, no long dead, who made her own journey to Grass Valley nearly a hundred years earlier.

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From Jackson Lanzing and Collin Kelly, the acclaimed writers of JOY RIDE and GOTHAM CITY GARAGE, with art by award-winning artist Nathan Gooden, ZOJAQAN is a fantasy adventure like nothing you've ready before. PUBLISHER'S SYNOPSIS: A grieving mother wakes in a brutal but fantastic landscape, where the currents of time pull her into the future, lurching forward days, years, and millennia. Her name is Shannon Kind, and her life in our world has vanished without warning. Perhaps she can find peace in her new home. Perhaps she can shape Zojaqan into a better world. But first, she must survive. PRAISE FOR ZOJAQAN: “Impeccably written and gorgeously illustrated. The kind of lavish, rich fantasy story I thought wasn’t being made in comics form anymore. It’s beautiful, it’s funny, it’s fierce, it’s heartbreaking. This is why I read comics, this book right here.” – Gail Simone (Birds of Prey, Wonder Woman, Deadpool, Batgirl, Red Sonja, Crosswinds) “Gorgeous, exotic, whimsical, and dripping with the sort of elegiac sadness that makes every triumph exult and every setback howl. ZOJAQAN feels like the wonderchild of a Vonnegut hi-concept and a Burroughs adventure—with an alien violin dirge on the soundtrack. Transportational, in every conceivable way.” – Si Spurrier (X-Force, Silver Surfer, Judge Dredd, Angelic, God Shaper) “ZOJAQAN #1 is an impressive first issue, emotionally arresting.” 10/10 – C.K. Stewart, Newsamara “Unmistakably Black. Feminine. Strong. Older. Tired, but not beaten. Shannon’s a real person in an utterly unreal situation.” 10/10 – L.E.H. Light, Black Nerd Problems

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A prolific playwright, Sam Shepard (1943–2017) wrote fifty-six produced plays, for which he won many awards, including a Pulitzer Prize. He was also a compelling, Oscar-nominated film actor, appearing in scores of films. Shepard also published eight books of prose and poetry and was a director (directing the premiere productions of ten of his plays as well as two films); a musician (a drummer in three rock bands); a horseman; and a plain-spoken intellectual. The famously private Shepard gave a significant number of interviews over the course of his public life, and the interviewers who respected his boundaries found him to be generous with his time and forthcoming on a wide range of topics.The selected interviews in Conversations with Sam Shepard begin in 1969 when Shepard, already a multiple Obie winner, was twenty-six and end in 2016, eighteen months before his death from complications of ALS at age seventy-three. In the interim, the voice, the writer, and the man evolved, but there are themes that echo throughout these conversations: the indelibility of family; his respect for stage acting versus what he saw as far easier film acting; and the importance of music to his work. He also speaks candidly of his youth in California, his early days as a playwright in New York City, his professionally formative time in London, his interests and influences, the mythology of the American Dream, his own plays, and more. In Conversations with Sam Shepard, the playwright reveals himself in his own words.

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____________________ ‘A superbly edited and evocatively illustrated collection that brings together everything that Scott wrote to his wife' - Sunday Telegraph 'Heartbreaking ... Love has seldom seemed more poignant' - Sunday Times 'Excellent ... the correspondence speaks for itself and the editors allow readers to draw their own conclusions' - Daily Telegraph ____________________ Through his alcoholism and her mental illness, his career highs (and lows) and her institutional confinement, Scott and Zelda Fitzgerald's devotion to each other endured for more than twenty-two years. Now, for the first time, the story of the love of these two glamorous and hugely talented writers can be given in their own letters. Introduced by an extensive narrative of the Fitzgeralds' marriage, the 333 letters - three-quarters of them previously unpublished or out of print - have been edited by the noted Fitzgerald scholars, Jackson R. Bryer and Cathy W. Barks. They are illustrated throughout with a generous selection of familiar and unpublished photographs.

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Patterns of Parish Leadership is a call to leadership on the part of all those who care for the future of ministry and missions.

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The greatest French poet of the 19th century, Baudelaire was also the first truly modem poet, and his direct and indirect influence on the literature of our time has been immeasurable. Flowers of Evil: A Selection contains 53 poems which the editors feel best represent the total work and which. in their opinion, have been most successfully rendered into English. The French texts as established by Yves Gérard Le Dantec for the Pléiade edition are printed en face. Included are Baudelaire's "Three Drafts of a Preface" and brief notes on the nineteen translators whose work is represented.

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'LIKE ALIAS MEETS X-MEN . . . I LOVED IT!' Maria Lewis on The Girl Who Could Move Sh*t With Her MindFull of imagination, wit and random sh*t flying through the air, this insane new Frost Files adventure will blow your tiny mind.Teagan Frost's life is finally back on track. Her role working for the government as a telekinetic operative is going well and she might even be on course for convincing her crush to go out with her. But, little does she know, that sh*t is about to hit the fan . . . A young boy with the ability to cause earthquakes has come to Los Angeles - home to the San Andreas, one of the most lethal fault lines in the world. If Teagan can't stop him, the entire city - and the rest of California - could be wiped off the map.'Ford delivers a fantastic follow-up to The Girl Who Could Move Sh*t With her Mind with this tale of earthquakes, superpowers and culinary ambition' Publishers Weekly'The suspense, the danger, and the rocket-fuelled pace are all turned up to 11 in this more-than-satisfying sequel' KirkusPraise for The Girl Who Could Move Sh*t With Her Mind'Proceeds at breakneck speed through almost 500 pages of madcap adventure' Guardian'Fast-paced and a lot of fun to read . . . a modern action movie that just happens to be in book form' The Fantasy Inn'A drunken back-alley brawler of a book' Robert Brockway, author of The Unnoticeables'Ford's breakneck pace keeps the tension high, and the thrills coming the whole way through' BookPage'A fast-paced, high-adrenaline tale' KirkusThe Frost Files novels:The Girl Who Could Move Sh*t With Her MindRandom Sh*t Flying Through the AirEye of the Sh*t Storm

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Presents essays by leading short-story writers on their favorite American short stories and why they like them. It will send readers to the library or bookstore to read - or re-read - the stories selected. On the assumption that John Updike was correct when he asserted, in a 1978 letter to Joyce Carol Oates, that "Nobody can read like a writer," Why I Like This Story presents brief essays by forty-eight leading American writers on their favorite American short stories, explaining why they like them. The essays, which are personal, not scholarly, not only tell us much about the story selected, they also tell us a good deal about the author of the essay, about what elements of fiction he or she values. Among the writers whose stories are discussed are such American masters as James, Melville, Hemingway, O'Connor, Fitzgerald, Porter, Carver, Wright, Updike, Bellow, Salinger,Malamud, and Welty; but the book also includes pieces on stories by canonical but lesser-known practitioners such as Andre Dubus, Ellen Glasgow, Kay Boyle, Delmore Schwartz, George Garrett, Elizabeth Tallent, William Goyen, Jerome Weidman, Peter Matthiessen, Grace Paley, William H. Gass, and Jamaica Kincaid, and relative newcomers such as Lorrie Moore, Kirstin Valdez Quade, Phil Klay, Viet Thanh Nguyen, and Edward P. Jones. Why I Like This Story will send readers to the library or bookstore to read or re-read the stories selected. Among the contributors to the book are Julia Alvarez, Andrea Barrett, Richard Bausch, Ann Beattie, Andre Dubus, George Garrett, William H. Gass, Julia Glass, Doris Grumbach, Jane Hamilton, Jill McCorkle, Alice McDermott, Clarence Major, Howard Norman, Annie Proulx, Joan Silber, Elizabeth Spencer, and Mako Yoshikawa. Editor Jackson R. Bryer is Professor Emeritus of English at the University of Maryland.

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