Search results for ""Author Amy""

Both of them want a relationship—but is beginning it a big mistake?On the outside, twenty-seven-year-old Darcy Larsen is a pretty, put-together professional—but inside she’s falling apart. Eighteen months ago, she lost her fiancé in an accident she still blames herself for. After a successful transplant, her kidney disease seems to be in check, but she worries that her future children—if she has any—will also suffer from the same condition. And she’s overcome with indecision about finding her birth mother, discovering potentially devastating information, and hurting her adoptive parents.Mechanic Carter Donovan seems to have everything going for him at first glance. Stunning good looks. A wicked sense of humor. And a heart of gold. But Carter’s seemingly perfect exterior hides a host of secrets. After a rough breakup and mounting medical bills from a medical emergency that left him drowning in de

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An unhurried fishing trip, with blueberry scones in tow, introduces a new bear duo sure to charm fans of Little Bear and Frog and Toad.One day Big Bear says to Little Bear,I’m just in the mood for fishing.Me, too, says Little Bear. Just in the mood.With this decided, Big Bear and Little Bear are off… almost. First they need the right attire, poles in a red wagon, a basket of freshly-baked scones, and a good book to read. It’s unclear how much real fishing will get done today, but one thing’s for sure: there will be a cozy nap in the hammock at the end. Adults who grew up with classic stories about friendship and caring will feel an immediate resonance in the low-stakes adventures of these two adorable bears. Amy Hest’s wry text sets a pitch-perfect mood, and Caldecott Medalist Erin Stead brings fine art to each bucolic illustration. Big Bear and Little Bear Go Fishing is a treat for a

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Hospital Time is a memoir about friendship, family, and caregiving in the age of AIDS. Amy Hoffman, a writer, lesbian activist, and former editor of Gay Community News, chronicles with fury and unflinching honesty her experience serving as primary caretaker for her friend and colleague, Mike Riegle, who died from AIDS-related complications in 1992. Hoffman neither idealizes nor deifies Riegle, whom she portrays as a brilliant man, devoted prison rights activist, and very difficult friend. Hoffman became central to Riegle’s caregiving when he asked her to be his health-care proxy, and although she willingly chose to do this, she explores her conflicting feelings about herself in this role and about her involvement with Riegle and his grueling struggle with hospitalization, illness, and, finally, death. She tells of the waves of grief that echoed throughout her life, awakening memories of other losses, entering her dreams and fantasies, and altering her relationships with friends, family, and even total strangers. Hoffman’s memoir gives voice to the psychological and emotional havoc AIDS creates for those in the difficult role of caring for the terminally ill and it gives recognition to the role that lesbians continue to play in the AIDS emergency. A foreword by Urvashi Vaid, former executive director of the National Gay and Lesbian Task Force, offers a meditation on the politics of AIDS and the role of family in the lives of lesbians and gay men.

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Musical spectacles are excessive and abstract, reconfiguring time and space and creating intense bodily responses. Amy Herzog's engaging work examines those instances where music and movement erupt from within more linear narrative frameworks. The representational strategies found in these films are often formulaic, repeating familiar story lines and stereotypical depictions of race, gender, and class. Yet she finds the musical moment contains a powerful disruptive potential.Dreams of Difference, Songs of the Same investigates the tension and the fusion of difference and repetition in films to ask, How does the musical moment work? Herzog looks at an eclectic mix of works, including the Soundie and Scopitone jukebox films, the musicals of French director Jacques Demy, the synchronized swimming spectacles of Esther Williams, and an apocalyptic musical by Taiwanese director Tsai Ming-liang. Several refrains circulate among these texts: their reliance on clichés, their rewriting of cultural narratives, and their hallucinatory treatment of memory and history.Drawing on the philosophical work of Gilles Deleuze, she explores all of these dissonances as productive forces, and in doing so demonstrates the transformative power of the unexpected.

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Challenging the assumption that modernist writer Gertrude Stein seldom integrated her Jewish identity and heritage into her work, this book uncovers Stein’s constant and varied writing about Jewish topics throughout her career. Amy Feinstein argues that Judaism was central to Stein’s ideas about modernity, showing how Stein connects the modernist era to the Jewish experience. Combing through Stein’s scholastic writings, drafting notebooks, and literary works, Feinstein analyzes references to Judaism that have puzzled scholars. She reveals the never-before-discussed influence of Matthew Arnold as well as a hidden Jewish framework in Stein’s epic novel The Making of Americans. In Stein’s experimental “voices” poems, Feinstein identifies an explicitly Jewish vocabulary that expresses themes of marriage, nationalism, and Zionism. She also shows how Wars I Have Seen, written in Vichy France during World War II, compares the experience of wartime occupation with the historic persecution of Jews.

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In recent decades, economically disadvantaged Americans have become more residentially segregated from other communities: they are increasingly likely to live in high-poverty neighborhoods that are spatially isolated with few civic resources. Low-income citizens are also less likely to be politically engaged, a trend that is most glaring in terms of voter turnout. Examining neighborhoods in Atlanta, Kansas City, Milwaukee, and Rochester, Amy Widestrom challenges the assumption that the "class gap" in political participation is largely the result of individual choices and dispositions. Displacing Democracy demonstrates that neighborhoods segregated along economic lines create conditions that encourage high levels of political activity, including political and civic mobilization and voting, among wealthier citizens while discouraging and impeding the poor from similar forms of civic engagement. Drawing on quantitative research, case studies, and interviews, Widestrom shows that neighborhood-level resources and characteristics affect political engagement in distinct ways that are not sufficiently appreciated in the current understanding of American politics and political behavior. In addition to the roles played by individual traits and assets, increasing economic segregation in the United States denies low-income citizens the civic and social resources vital for political mobilization and participation. People living in poverty lack the time, money, and skills for active civic engagement, and this is compounded by the fact that residential segregation creates a barren civic environment incapable of supporting a vibrant civic community. Over time, this creates a balance of political power that is dramatically skewed not only toward individuals with greater incomes but toward entire neighborhoods with more economic resources.

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Arms control and nonproliferation treaties are among the fingers in the dike preventing the unthinkable nuclear, biological, and chemical catastrophe. For decades the ability to ascertain whether states are hiding germ weapons programs has been nonexistent because the 1975 bioweapons ban has no inspection measures. Yet, in 1995 a small United Nations inspection corps pulled off a spectacular verification feat in the face of concerted resistance from Iraq's Saddam Hussein and popular skepticism that it was even possible to conduct effective biological inspections. Working from sketchy intelligence—and hampered by the Iraqis' extensive concealment and deception measures—the inspectors busted open Iraq's cover stories and wrested a confession of biowarfare agent production from Baghdad. This rigorously researched book tells that compelling story through the firsthand accounts of the inspectors who, with a combination of intrepidness, ingenuity, and a couple of lucky breaks, took the lid off Iraq's bioweapons program and pulled off an improbable victory for peace and international security. The book concludes by drawing lessons from this experience that should be applied to help arrest future bioweapons programs, by placing the Iraq bioweapons saga in the context of other manmade biological risks, and by making recommendations to reduce those risks. While written as an engaging, analytical historical narrative that explains what the biological inspectors knew, when and how they knew it, and how they outmaneuvered the Iraqis, this book's real contributions are the inspectors' blueprint to "get it right" with regard to the verification challenges associated with the bioweapons ban, and the author's roadmap to address the overall biological threats facing the world today.

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In this provocative and thoughtful book, Amy Zegart challenges the conventional belief that national security agencies work reasonably well to serve the national interest as they were designed to do. Using a new institutionalist approach, Zegart asks what forces shaped the initial design of the Central Intelligence Agency, the Joint Chiefs of Staff, and the National Security Council in ways that meant they were handicapped from birth. Ironically, she finds that much of the blame can be ascribed to cherished features of American democracy—frequent elections, the separation of powers, majority rule, political compromise—all of which constrain presidential power and give Congress little incentive to create an effective foreign policy system. At the same time, bureaucrats in rival departments had the expertise, the staying power, and the incentives to sabotage the creation of effective competitors, and this is exactly what they did. Historical evidence suggests that most political players did not consider broad national concerns when they forged the CIA, JCS, and NSC in the late 1940s. Although President Truman aimed to establish a functional foreign policy system, he was stymied by self-interested bureaucrats, legislators, and military leaders. The NSC was established by accident, as a byproduct of political compromise; Navy opposition crippled the JCS from the outset; and the CIA emerged without the statutory authority to fulfill its assigned role thanks to the Navy, War, State, and Justice departments, which fought to protect their own intelligence apparatus. Not surprisingly, the new security agencies performed poorly as they struggled to overcome their crippled evolution. Only the NSC overcame its initial handicaps as several presidents exploited loopholes in the National Security Act of 1947 to reinvent the NSC staff. The JCS, by contrast, remained mired in its ineffective design for nearly forty years—i.e., throughout the Cold War—and the CIA’s pivotal analysis branch has never recovered from its origins. In sum, the author paints an astonishing picture: the agencies Americans count on most to protect them from enemies abroad are, by design, largely incapable of doing so.

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The First World War’s appalling death toll and the need for a sense of equality of sacrifice on the home front led to Canada’s first experience of overseas conscription. While historians have focused on resistance to enforced military service in Quebec, this has obscured the important role of those who saw military service as incompatible with their religious or ethical beliefs. Crisis of Conscience is the first and only book about the Canadian pacifists who refused to fight in the Great War. The experience of these conscientious objectors offers insight into evolving attitudes about the rights and responsibilities of citizenship during a key period of Canadian nation building.

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Hannah Arendt was one of the most original and influential social and political theorists of the 20th century. This volume brings together the most important English-language essays of the past 30 years on Arendt's unique and lasting contributions to social and political philosophy.

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As persons, we are importantly different from all other creatures in the universe. But in what, exactly, does this difference consist? What kinds of entities are we, and what makes each of us the same person today that we were yesterday? Could we survive having all of our memories erased and replaced with false ones? What about if our bodies were destroyed and our brains were transplanted into android bodies, or if instead our minds were simply uploaded to computers? In this engaging and accessible introduction to these important philosophical questions, Amy Kind brings together three different areas of research: the nature of personhood, theories of personal identity over time, and the constitution of self-identity. Surveying the key contemporary theories in the philosophical literature, Kind analyzes and assesses their strengths and weaknesses. As she shows, our intuitions on these issues often pull us in different directions, making it difficult to develop an adequate general theory. Throughout her discussion, Kind seamlessly interweaves a vast array of up-to-date examples drawn from both real life and popular fiction, all of which greatly help to elucidate this central topic in metaphysics. A perfect text for readers coming to these issues for the first time, Persons and Personal Identity engages with some of the deepest and most important questions about human nature and our place in the world, making it a vital resource for students and researchers alike.

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"Surrealist Masculinities" offers a fresh exploration of how surrealist visual production was shaped by constructions of gender and sexuality, particularly masculinity, in the 1920s and early 1930s. Amy Lyford builds on feminist critical approaches to surrealism, which have viewed the female body in surrealism as symptomatic of male misogyny; yet she also departs from such work by arguing that representations of an anxious, ambivalent, or perverse masculinity were integral to the movement's critique of France's "return to order" in the years following World War I. This book analyzes surrealist work in relation to the history of surrealism and investigates how surrealist artists and writers appropriated contemporary medical science, advertising, and sexology in their quest to undermine the status quo.

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An accessible yet critical introduction to African photography and cinema from the mid-20th century to the present day. The African Gaze is a comprehensive exploration of postcolonial and contemporary photography and cinema from Africa. Drawing from archival imagery and documents, interviews with the photographers and filmmakers (in some cases family members/close associates if the artist is deceased), and contributions from writers, scholars and curators, it maps a comprehensive introduction to African moving and still imagery. This is a hugely important and timely publication engagement with Black and African histories is stronger than ever before (and long overdue). The major names of African photography, such as Malick Sidibé, Sanlé Sory and Seydou Keïta, have become highly collectible in the art market, while African cinema, pioneered by filmmakers such as Ousmane Sembène in 1960s Senegal, is now recognized for its creative innovation and storytelling. For anyone draw

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"IN The eBay Billionaires' Club, you will read thestories of twelve professional eBay merchants whorecognized a great business opportunity on the Internetand pursued it-some at great personal financial risk.In every case, the gamble has paid off. There are some powerful lessons to be learnedfrom these entrepreneurs, whose experiences truly runthe gamut. In the end, what they all have in common is that they started small-and some have purposely decided to stay that way. You'll quickly discover that eBay success really iswithin your reach, because every person in this bookbegan at the very bottom. What's more, a number of them have achievedincredible growth in a relatively short period of time,which should motivate you to stop thinking aboutyour idea and get started on the road to becoming amember of this elite club yourself. Get your highlighters out and fasten your seat belts for a journey that will put you on the road to building your own million-dollar-or perhaps even billion-dollar-eBay business!" —From the Introduction to The eBay Billionaires' Club

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Dorothy “Dot” Greenbaum and Rafaela “Ralfie” Santopietro have been together for years, but as they age, their stable lives begin to show cracks. Ralfie can’t navigate the stairs in their home after a debilitating knee replacement and Dot’s heart condition throws into question the viability of their careers, their housing, and their relationship. In their late sixties with no kids to lean on, the two women must come to terms with unforeseen questions of identity, love, and family. Dot is caring but hides hurtful secrets. Ralfie’s gruffness masks the physical and emotional pain she endures. Friends and relatives don’t necessarily offer appealing role models for their third act. Dot’s sister Susan is pushing them toward a stuffy “55 or better” community out in the ’burbs, populated by aging straights who mistake the butch Ralfie for a frumpy old man. Eighty-year-old Viola—Dot’s friend and sometime lover—lives alone and refuses help, even as she experiences a devastating fall. Rife with Hoffman’s characteristic wit, Dot & Ralfie takes a hard, sometimes painful look at elder care in the LGBTQ+ community, and the unique struggles that come with getting older outside of heteronormative structures.

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THE SPINE-TINGLING AND GRIPPING NEW THRILLER FROM THE AUTHOR OF SUNDAY TIMES CRIME BOOK OF THE MONTH, BREATHLESS'Enthralling. Combines an intricate murder mystery with lyrical passages describing ice cliffs and spectacular skies' SUNDAY TIMES'Chillingly atmospheric, with sub-zero tension and a creeping plot that makes it impossible to look away' JANICE HALLETT'A chilling, atmospheric rollercoaster of a read filled with clever unpredictable twists' CLAIRE DOUGLAS'Transportive, absorbing and perfectly paced. You won't want to miss it!' LUCY CLARKE___________With her life back in London falling apart, Olivia cannot believe her luck when she's invited on a once-in-a-lifetime Antarctic cruise with her boyfriend, Aaron.Olivia has never been anywhere so spectacular: huge cliffs of ice loom high on the horizon, penguins dive through the sparkling sea, and above it all, the sun never sets in the eerie twilight sky.Then Aaron disappears. And a body is discovered on board.Surrounded by strangers, Olivia has no idea who she can trust.If she can't figure it out soon, she might not make it back alive . . .___________'Chills, thrills and intense suspense . . . A clever mystery, a twisting page-turner, and a blistering adventure' CHRIS WHITAKER'An atmospheric, chilling book. It was difficult to put down' CATHERINE COOPERPraise for Amy McCulloch:'A high-altitude, high-stakes thriller. I loved it' MATT HAIG'Had me on the edge of my seat. A must read' SARAH PEARSE'Suffocatingly tense, highly original and exhilarating' DAILY EXPRESS'Tense, chilling and terrifying' CLAIRE DOUGLAS'An addictive, tightly plotted thriller that will leave you chilled to the bone' LUCY CLARKE'Chilling, vivid and entirely unique' ABIGAIL DEAN'A real page-turner. Tense, terrifying and fascinating in equal measure' CATHERINE COOPER'A truly terrifying thriller with a tense and twisty plot. Superbly executed' ALLIE REYNOLDS

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Anthony Comstock was America’s first professional censor. From 1873 to 1915, as Secretary of the New York Society for the Suppression of Vice, Comstock led a crusade against lasciviousness, salaciousness, and obscenity that resulted in the confiscation and incineration of more than three million pictures, postcards, and books he judged to be obscene. But as Amy Werbel shows in this rich cultural and social history, Comstock’s campaign to rid America of vice in fact led to greater acceptance of the materials he deemed objectionable, offering a revealing tale about the unintended consequences of censorship.In Lust on Trial, Werbel presents a colorful journey through Comstock’s career that doubles as a new history of post–Civil War America’s risqué visual and sexual culture. Born into a puritanical New England community, Anthony Comstock moved to New York in 1868 armed with his Christian faith and a burning desire to rid the city of vice. Werbel describes how Comstock’s raids shaped New York City and American culture through his obsession with the prevention of lust by means of censorship, and how his restrictions provided an impetus for the increased circulation and explicitness of “obscene” materials. By opposing women who preached sexual liberation and empowerment, suppressing contraceptives, and restricting artistic expression, Comstock drew the ire of civil liberties advocates, inspiring more open attitudes toward sexual and creative freedom and more sophisticated legal defenses. Drawing on material culture high and low, including numerous examples of the “obscenities” Comstock seized, Lust on Trial provides fresh insights into Comstock’s actions and motivations, the sexual habits of Americans during his era, and the complicated relationship between law and cultural change.

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Ten years ago the Iran-Contra affair swept the headlines as the nation watched an indignant Lt. Col. Oliver North testify before a congressional committee. Although polls showed that most Americans were critical of North's actions and ambivalent toward the man himself, media coverage left the opposite impression, with its broadcasts of "Ollie-for-president" rallies and stories of congressional aides overwhelmed by a torrent of pro-North mail. In this book, public opinion is more than the sum of a pollster's tally; instead, Amy Fried defines it as a political tool, integral to the political process, where vested interests compete to legitimize their interpretation of the public voice. Fried explores the construction, interpretation, and uses of public opinion, raising important questions about the media and the role of special interest groups in determining policy.

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During the Protestant Reformation, Martin Luther instituted new ideologies addressing gender, marriage, chastity, and religious life that threatened Catholic monasticism. Yet many living in cloistered religious communities, particularly women, refused to accept these new terms and were successful in their opposition to the new Protestant culture. Focusing primarily on a group of Dominican nuns in Strasbourg, Germany, Amy Leonard's Nails in the Wall outlines the century-long battle between these nuns and the Protestant city council. With savvy strategies that employed charm, wealth, and political and social connections, the nuns were able to sustain their Catholic practices. Leonard's in-depth archival research uncovers letters about and records of the nuns' struggle to maintain their religious beliefs and way of life in the face of Protestant reforms. She tells the story of how they worked privately to keep Catholicism alive - continuing to pray in Latin, smuggling in priests to celebrate Mass, and secretly professing scores of novices to ensure the continued survival of their convents. This fascinating and heartening study shows that, far from passively allowing the Protestants to dismantle their belief system, the women of the Strasbourg convents were active participants in the battle over their vocation and independence.

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Heinemann Active Maths Northern Ireland: Engages pupils with a bank of stimulating, varied and exciting interactive and print-based activities. Follows an active approach to maths teaching and learning with an emphasis on real-life situations Helps children develop a concrete understanding of maths concepts through investigation and discussion

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A pulse-racing encounterIn this Kentucky Derby Medics story, vet Conor lost everything when his wife and unborn child died. Now, working in Kentucky. with a horse entered in the famous Derby, is the ideal distraction. He just didn't expect to be in such close quarters with beautiful equine trainer Christina After her ex destroyed her professional reputation Christina is firmly off men. Until the Irishman moves into the room next door! Soon their chemistry can't be reined in. But as the finish line approaches can they move on from their heartache and bet that this time they'll win?New city, old flamesecond chance?Ambitious oncologist Madison will do anything to further the fight against the disease that claimed her motherincluding accepting a position with Dr Antonio Rodriguez! It's been ten years since she walked away from their doomed romance, and risk-averse Tony never approved of Madison's maverick streak, so she's braced for friction, not a red-hot reunion! Yet eventually it's thei

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Dr. Cate Spencer is back in this highly-anticipated third installment of the Dominion Archives Mysteries.It’s been a few months since the events of Speak for the Dead and Dr. Cate Spencer is seeking a temporary reprieve in the bucolic Eastern Townships of Quebec where she can come to terms with her brother’s death, find inner peace, build new relationships, and await a decision about her future. But when a man at a neighboring farm is shot through the eye with deadly accuracy, a metal detector lying next to him, Cate can’t help but investigate. As she delves deeper into the mystery, Cate uncovers a world of drugs, lies, and violence hidden beneath the picturesque town, all of which threaten the tenuous peace she’s built for herself.  As long-buried secrets and a centuries-old mystery become exposed, what will Cate lose to find the answers she seeks? A gripping new

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From the marginalia of their readers to the social and cultural means of their production, books bear the imprint of our humanity. Embodying the marks, traces, and scars of colonial survival, Indigenous books are contested spaces. A constellation of nontextual components surrounded Native American–authored publications of the long nineteenth century, shaping how these books were read and understood—including illustrations, typefaces, explanatory prefaces, appendices, copyright statements, author portraits, and more. Centering Indigenous writers, Book Anatomy explores works from John Rollin Ridge, Sarah Winnemucca Hopkins, Pretty Shield, and D’Arcy McNickle published between 1854 and 1936. In examining critical moments of junction between Indigenous books and a mainstream literary marketplace, Amy Gore argues that the reprints, editions, and paratextual elements of Indigenous books matter: they embody a frontline of colonization in which Native authors battle the public perception and reception of Indigenous books, negotiate representations of Indigenous bodies, and fight for authority and ownership over their literary work.

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Health programmes that offer "help to self-help" are meant to empower ageing adults to remain independent and self-sufficient at home for as long as possible. But what happens when the private home becomes a political realm in which state intervention and individual agency happen simultaneously? Based on 15 months of ethnographic fieldwork in a Danish municipality, Amy Clotworthy describes how both health professionals and elderly citizens negotiate the political discourses about health and ageing that frame their relational encounter. By elucidating some of the conflicts, paradoxes, and negotiations that occur, she provides important insights into the contemporary organisation of eldercare.

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In her opening, Amy Wright explains: “This essay anchors a central thread of dialogue over a dizzying divide. It weaves a decades-plus-worth of questions and answers from a range of discussions I’ve had with artists, activists, scientists, philosophers, physicians, priests, musicians, and other representatives of the human population. Some of them are famous, some will be, some should be—but all of them refract the light of the unknowable mystery of the self.” Folding together conversations from a vast web of thinkers like Dorothy Allison, Rae Armantrout, Gerald Stern, Lia Purpura, Raven Jackson, Wendy Walters, Kimiko Hahn, Philanese Slaughter, and many, many more, Paper Concert depicts every individual as a collective in dire need of preservation. If this book is a paper concert, it is a symphony. Just pull up a chair and listen.

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Technology has paved the way for new and exciting teaching practices. In this collection of articles from NAEYC’s journal Young Children, teachers of young children will learn about approaches for using various technologies to support their work with children and families. Articles share innovative ways teachers can integrate technology into the curriculum in appropriate and meaningful ways to promote children’s learning.The book also includes study guides with each article and the joint position statement “Technology and Interactive Media as Tools in Early Childhood Programs Serving Children from Birth through Age 8” from NAEYC and the Fred Rogers Center for Early Learning and Children’s Media at Saint Vincent College.

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Always recognised as a master print from the moment of its appearance around 1649, the Hundred Guilder Print is one of Rembrandt's most compositionally complex and visually beautiful works. This book gives a full overview of the fascinating story surrounding this print, from its genesis and market value to attitudes towards it in the present day. Focusing on the tradition of printmaking as well as the reception of the print in Rembrandt's time, Golahny explores the ways the artist made visual references to the work of such masters as Michelangelo, Raphael and Leonardo da Vinci, while uniquely combining aspects of Christ's ministry. Placing the work within its wider cultural and historical context, Rembrandt's Hundred Guilder Print offers an original and engaging approach to current Rembrandt scholarship and is essential reading for anyone interested in the work of one of the most famous artists of the Dutch Global Age.

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Would you kill someone to survive?' he asked. It's not survival when you're already dead,' she replied. Paranormal Surveyance Ireland PSI are on the hunt for ghosts. When The Merrion Hub, a fancy new start-up, is gripped by strange and disturbing happenings, the owners ask Archer and his team to investigate. The gang are determined to prove to the world that ghosts are real, but tensions are running high: Éabha clashes with Raven over her new clairvoyancy gift, Fionn feels isolated by the team and Davis is frustrated bythejournalist who's determined to expose them as frauds.None of that matters when there's a startling disappearance. Can PSI remember how to work together in time to save their friend from a horrific fate?

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Named one of "22 new books…that you should consider reading before the year is out" by Fortune"This practical and empathetic guide to taking the high road is worth a look for workers lost in conflict." — Publisher''s WeeklyA research-based, practical guide for how to handle difficult people at work.Work relationships can be hard. The stress of dealing with difficult people dampens our creativity and productivity, degrades our ability to think clearly and make sound decisions, and causes us to disengage. We might lie awake at night worrying, withdraw from work, or react in ways we later regret—rolling our eyes in a meeting, snapping at colleagues, or staying silent when we should speak up.Too often we grin and bear it as if we have no choice. Or throw up our hands because one-size-fits-all solutions haven''t worked. But you can only endure so much thoughtless, irrational, or malicious beh

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Whether you''re a cat lover, a coloring enthusiast, or both, you''ll love this unique collection of stories and illustrations from Chicken Soup for the Soul. Every two-page spread contains an original Chicken Soup for the Soul story and a fresh, modern illustration you can color and frame. What an incredible opportunity to nourish your soul and spark your creative spirit!You''ll find this coloring book to be unlike any other. Filled with 37 Chicken Soup for the Soul stories about cats and packed with art that celebrates the beauty, playfulness and mystery of cats, this is like getting two books in one! Readers can color away their stress and anxiety, and at the same time nourish their souls by reading inspiring Chicken Soup for the Soul stories about cats. What an incredible way to unwind and appreciate the miraculous beauty of our feline friends! · 37 pages of coloring, suitable for beginners and experts alike, all with

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