Search results for ""Author Aaron""

The West's strategy of engagement with China has failed. More than three decades of trade and investment with the advanced democracies have left that country far richer and stronger than it would otherwise have been. But growth and development have not caused China's rulers to relax their grip on political power, abandon their mercantilist economic policies, or accept the rules and norms of the existing international system. To the contrary: China today is more repressive at home, more aggressive abroad, and more obviously intent on establishing itself as the world’s preponderant power than at any time since the death of Chairman Mao. What went wrong? Put simply, the democracies underestimated the resilience, resourcefulness, and ruthlessness of the Chinese Communist Party. For far too long, the United States and its allies failed to take seriously the Party's unwavering determination to crush opposition, build national power, and fulfill its ideological and geopolitical ambitions. In this timely and powerfully argued study, Aaron Friedberg identifies the assumptions underpinning engagement, describes the counterstrategy that China's Communist Party rulers devised in order to exploit the West's openness while defeating its plans, and explains what the democracies must do now if they wish to preserve their prosperity, protect their security, and defend their common values.

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The West's strategy of engagement with China has failed. More than three decades of trade and investment with the advanced democracies have left that country far richer and stronger than it would otherwise have been. But growth and development have not caused China's rulers to relax their grip on political power, abandon their mercantilist economic policies, or accept the rules and norms of the existing international system. To the contrary: China today is more repressive at home, more aggressive abroad, and more obviously intent on establishing itself as the world’s preponderant power than at any time since the death of Chairman Mao. What went wrong? Put simply, the democracies underestimated the resilience, resourcefulness, and ruthlessness of the Chinese Communist Party. For far too long, the United States and its allies failed to take seriously the Party's unwavering determination to crush opposition, build national power, and fulfill its ideological and geopolitical ambitions. In this timely and powerfully argued study, Aaron Friedberg identifies the assumptions underpinning engagement, describes the counterstrategy that China's Communist Party rulers devised in order to exploit the West's openness while defeating its plans, and explains what the democracies must do now if they wish to preserve their prosperity, protect their security, and defend their common values.

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Salafis explicitly base their legitimacy on continuity with the Quran and the Sunna, and their distinctive practices—praying in shoes, wearing long beards and short pants, and observing gender segregation—are understood to have a similarly ancient pedigree. In this book, however, Aaron Rock-Singer draws from a range of media forms as well as traditional religious texts to demonstrate that Salafism is a creation of the twentieth century and that its signature practices emerged primarily out of Salafis’ competition with other social movements amid the intellectual and social upheavals of modernity. In the Shade of the Sunna thus takes readers beyond the surface claims of Salafism’s own proponents—and the academics who often repeat them—into the larger sociocultural and intellectual forces that have shaped Islam’s fastest growing revivalist movement.

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In 1924, Professor Ueno Eizaburo of Tokyo Imperial University adopted an Akita puppy he named Hachiko. Each evening Hachiko greeted Ueno on his return to Shibuya Station. In May 1925 Ueno died while giving a lecture. Every day for over nine years the Akita waited at Shibuya Station, eventually becoming nationally and even internationally famous...

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Prudentius, one of the greatest Latin poets of late antiquity, was also a devoted Christian. His allegorical masterpiece, Psychomachia, combines epic language and theological speculation to offer a powerful vision of Roman and Christian triumphalism. This edition makes Psychomachia accessible to modern readers.

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Architects of Austerity presents a new interpretation of the ascent of neoliberal policy, tracing its spread to the growing influence of central banks and treasuries in the management of the global economy.

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This book aims to give students an introduction to the religious and social world of ancient Israel. It consists of two parts. The first explores the major religious offices mentioned in the Old Testament. In the second part the focus is on the religious beliefs and practices of the common people.

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In our latest Collective Shorts series, photographer Aaron Tilley explores the notion of narratives and storytelling through carefully constructed and captured still images. Executed in a manner that is playful, yet driven with tension, Tilley's photography exacts an anticipation of the moment that is about to happen. Momentum is a collection of some of Tilley's best work to date. His photography continuously captivates the viewer, leading us to something perhaps unexpected, out of context or that may cause us some unease but in a fun and highly-dramatic way. The aesthetic is bold and well-designed with each image portraying a story at a paused point in time allowing the narrative of the image to be interpreted by the viewer. With this, the viewer should enjoy the surreal element to the work and embrace this style presented throughout the book.

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The Revenger: The Life and Times of Wild Bill Hickok examines Wild Bill’s life in the context of 19th Century American history, from his birth, through his early manhood, and to his eventual demise. Woven into his life story are the significant role played by the Civil War in the development of his character and philosophy, the role played by popular media in the creation of his legendary status, and the changing of the western landscape and lifestyle that began to eliminate the need for gunmen such as Wild Bill. The book discusses Hickok’s early jobs in law enforcement and his associations with other significant westerners and recounts the events that transformed Hickok from a formidable lawman into a national celebrity and popular hero. Details of Hickok’s most famous gunfights, including weapons used and participants and outcomes and, of course, the end of his career including his famous death at the hands of an assassin in a saloon in Deadwood South Dakota are all explored. The book also incorporates changing views of historiographical interpretation of lawmen/gunmen in general and Wild Bill in particular. The book will have extensive illustrations—archival photos of Wild Bill, his contemporaries, his guns, etc.

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Pack your bags, time-travelers! Prehistoric World is your ticket to exploring a wild landscape of over 1,200 incredible prehistoric mammals.Did you know that the woolly mammoth’s tusks could grow up to a whopping 16 feet long? Or that ancient kangaroos didn’t hop? From ferocious predators to gentle giants and strange critters that defy imagination, Prehistoric World is the ultimate journey into the past. Each page brings a new creature to life with incredible facts and stunning illustrations by award-winning paleoartist Julius Csotonyi.Inside you’ll find: Hundreds of species profiles covering anatomy, diet, habitat, cool features, and unique characteristics Features on well-known paleontologists and their awesome finds Other key discoveries and specimens in museums around the world Come face-to-face with a world where giant sloths hung from towering trees, mammoths battled the b

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Based on the author's life as a gay man and a poet, King of Shadows is a collection of twenty-one autobiographical essays that circle in and around San Francisco since the 1960s. The three longest pieces deal with Aaron Shurin's coming into poetry and gay identity via a high school production of A Midsummer Night's Dream, his deep relationships with poets Denise Levertov and Robert Duncan, and his personal history of venturing into San Francisco gay bars, starting in 1965 and ending just before Stonewall. Aaron Shurin is the author of fifteen books, including Involuntary Lyrics and The Paradise of Forms, named a Publishers Weekly Best Book of the Year.

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What does it mean to say that Scripture is God's Word? And just how true is the Bible? Though sometimes dismissed as "fundamentalist" concerns, these questions also sent twentieth-century Catholic theology searching for a new paradigm of biblical inspiration. Theologians repeatedly attempted to reconcile the traditional conviction that the Bible shares in the omniscience of its divine author with scholarly findings that suggested otherwise. Joseph Ratzinger contributed both negatively and positively to this project, deconstructing the regnant manualist models of inspiration and constructing an alternative inspired by St. Bonaventure. The result is an ecclesial model of surprising comprehensiveness and balance. Indeed, The Inspiration and Truth of Scripture concludes that Ratzinger's alternative provides the least inadequate paradigm currently on offer today.The Inspiration and Truth of Scripture breaks new ground in several ways. First, it situates Ratzinger within a broader Catholic quest for a theology of inspiration, showing his model offers advantages even relative to those proposed by modern theology's most eminent minds: John Henry Newman, Pierre Benoit, Karl Rahner, and David Tracy. Secondly, this book shows how Ratzinger's paradigm generates "tests" for identifying the perennially valid affirmations of Scripture, and thus an approach to resolving disputed biblical questions. Must one who accepts the authority of Scripture believe in the Devil? Are the Marian dogmas really "in" Scripture? To what extent does Jesus's prohibition of divorce still apply in today's changed social circumstances? Just how historical are Gospel narratives, like the Last Supper, intended to be? The result is a book that bridges the gap between normative theology and historical exegesis. Overall, The Inspiration and Truth of Scripture presents Ratzinger not as an unimaginative enforcer of doctrinal conclusions but as a creatively faithful theologian, whose reconfiguration of inspiration should serve as the point of departure for all future reflection on the subject.

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