Search results for ""author jacob"

Character Arc, the documentary photo series by Pascal Haas (b. 1976), features a collection of portraits of Berlin-based actors. The photos, taken between 2021 and 2023, depict the actors personally, in the park or on the street — outside of their roles, away from the stage and the set. The serene black-and-white analogue portraits show the artists as approachable, free from any artifice. In this way, the images reveal both their strength and their vulnerability, reflecting the uncertainties of the modern age. The rhythm of the series is based on the seasons, as can be discerned from the light, the clothes they are wearing, and the natural surroundings. Actors: Leonie Benesch, Pit Bukowski, Marie Burchard, Marlene Burow, Luka Dimić, Maren Eggert, Mala Emde, Michelangelo Fortuzzi, Luisa-Céline Gaffron, Franz Hartwig, Jacob Matschenz, Wanja Mues, Johannes Nussbaum, Rick Okon, Valerie Pachner, Anneke Kim Sarnau, Daniel Sträßer, Sabin Tambrea, Mina Tander, Lena Urzendowsky, Sebastian Urzendowsky, Luise Wolfram. Text in English and German.

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This is an expert account of the Post Impressionist artist, Paul Gauguin, who defied convention and renounced European civilization to pursue his art in the South Seas. It explores the influences that defined his style, from Impressionist painters to the brilliant hues and primitive forms of the South Pacific Islands. It features a gallery ranging from his early Impressionist work to his vibrant pictures of a Tahitian idyll. Paul Gauguin was one of the most important artists of the early 20th century. This informative book outlines the artist's personal and working life, his work in France and his paintings of the tropical landscapes of Tahiti and the Caribbean. His mission became to depict an authentic primitivism; a method known as Cloissonism, a technique that was inspired by medieval enamelling: The Yellow Christ is a good example of this style. Another iconic work is Vision after the Sermon (Jacob Wrestling with the Angel). This beautifully illustrated book is essential reading for those who would like to learn about this artist, and to view his works in one comprehensive collection.

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Immigration has always caused immense public concern, especially when the perception is that immigrants are not assimilating into society they way they should, or perhaps the way they once did. Americans are frustrated as they try to order food, hire laborers, or simply talk to someone they see on the street and cannot communicate with them because the person is an immigrant who has not fully adopted American culture or language. But is this truly a modern phenomenon? In From Immigrants to Americans, Jacob Vigdor offers a direct comparison of the experiences of immigrants in the United States from the mid-19th century to the present day. His conclusions are both unexpected and fascinating. Vigdor shows how the varying economic situations immigrants come from has always played an important role in their assimilation. The English language skills of contemporary immigrants are actually quite good compared to the historical average, but those who arrive without knowing English are learning at slower rates. He continues to argue that today’s immigrants face far fewer “incentives” to assimilate and offers a set of assimilation friendly policies. From Immigrants to Americans is an important book for anyone interested in immigration, either the history or the modern implications, or who want to understand why today’s immigrants seem so different from previous generations of immigrants and how much they are the same. Co-published with the Manhattan Institute

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A new look at French Orientalism’s influence on the art of the American West, showing how aesthetics and ideology jointly informed approaches to colonialism and expansion during the nineteenth and early twentieth centuries in both France and the United States From the 1830s to the 1920s, American artists such as Alfred Jacob Miller, George de Forest Brush, Joseph H. Sharp, Bert Geer Phillips, and Ernest Blumenschein traveled to France to study their craft. Returning from abroad, these artists looked to the American West in search of new subjects. Influenced by French Orientalists such as Eugène Delacroix, Eugène Fromentin, and Jean-Léon Gérôme, the American artists applied an Orientalist aesthetic and ideology to their paintings, sculptures, and drawings, while at the same time creating works that appeared uniquely American. Exploring the ways that the visual tropes and knowledge structures of Orientalism influenced French and American colonialism and expansion, this volume considers the impact of French artistic techniques and tropes on the development of western American art. Other themes include the symbolism of desert landscapes and exotic animals, the role of world’s fairs in disseminating Orientalist spectacles and stereotypes, and the importance of artistic pilgrimage to the deserts of North Africa and the American Southwest. Historical and contemporary perspectives of Indigenous peoples of North America, Muslim Americans, and Arab Americans challenge, negotiate, and provide alternative perspectives to the artworks.Distributed for the Denver Art MuseumExhibition Schedule:Denver Art Museum (March 5–May 28, 2023)

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Streetwise brings together classic articles from the publication that helped revolutionize the way Wall Street does business. During the recession of the early 1970s, investment professionals turned to the theories of a small band of mathematical economists, whose ideas on such topics as portfolio development and risk management eventually led to the reform and maintenance of entire economies. This was the first time economists and practitioners had joined forces to such remarkable effect. Economist and money manager Peter Bernstein sought to encourage this exchange when, in 1974, he founded The Journal of Portfolio Management (JPM). For this present volume, Bernstein and JPM editor Frank Fabozzi have selected forty-one of the most influential articles to appear in the journal over the past twenty-five years, some of them written by Nobel laureates and all aimed at stimulating dialogue between academic economists wishing to understand the real-world problems of finance and investment professionals wanting to bring the most advanced theoretical work to bear on commerce. Financial economics is a youthful but vital field. Streetwise not only reflects its fascinating history but through articles on topics ranging from stock prices and risk management to bonds and real estate also offers relevant insights for today. The contributors are: R. Akhoury, R. D. Arnott, G. L. Bergstrom, G. O. Bierwag, F. Black, R. Bookstaber, K. Cholerton, R. Clarke, D. M. Cutler, C. P. Dialynas, P. O. Dietz, D. H. Edington, M. W. Einhorn, J. Evnine, R. Ferguson, P. M. Firstenberg, H. R. Fogler, F. Garrone, R. Grieves, R. C. Grinold, D. J. Hardy, D. P. Jacob, B. I. Jacobs, R. H. Jeffrey, R. N. Kahn, G. G. Kaufman, M. Kritzman, R. Lanstein, C. M. Latta, M. L. Leibowitz, K. N. Levy, R. Lochoff, R. W. McEnally, K. R. Meyer, E. M. Miller, A. F. Perold, P. Pieraerts, J. M. Poterba, K. Reid, R. R. Reitano, R. Roll, B. Rosenberg, S. A. Ross, M. Rubinstein, A. Rudd, P. A. Samuelson, R. Schweitzer, C. Seix, W. F. Sharpe, B. Solnik, L. H. Summers, A. L. Toevs, J. L. Treynor, A. Weinberger, and R. C. Zisler.

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La vasta y valiosa tarea que, inmersos en el espíritu de los tiempos románticos, acometieron los hermanos Jacob y Wilhelm Grimm, recopilando los cuentos populares de tierras alemanas, nos ha legado un acervo literario y cultural de incalculable riqueza. La edición en cuatro volúmenes de sus Cuentos infantiles y del hogar o, lo que es lo mismo, sus Cuentos completos permite tener a mano la integridad de lo que constituye un tesoro no sólo para el aficionado a la literatura, sino también para el estudioso de la cultura, el psicólogo y la persona interesada en el crecimiento personal. Basados los cuentos populares, en efecto, en un sustrato común antiquísimo -no en vano comparten numerosos rasgos y patrones, sea cual sea su cultura de procedencia, lo cual habla bien a las claras de su universalidad-, son susceptibles de dar a quien las busque claves y medidas ancladas en estructuras y arquetipos profundamente grabados en la naturaleza del hombre.

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Offers an ecological critique to the history of sound media technologies in order to amplify the environmental undertones in sound studies and turn up the audio in discussions of greening the media. By looking at early and neglected forms of sound technology, the author seeks to create a revisionist, ecologically aware history of sound media.

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This Norton Critical Edition presents a generous selection of William Wordworth’s poetry (including the thirteen-book Prelude of 1805) and prose works along with supporting materials for in-depth study. Together, the Norton Critical Editions of Wordsworth’s Poetry and Prose and The Prelude: 1799, 1805, 1850 are the essential texts for studying this author. Wordsworth’s Poetry and Prose includes a large selection of texts chronologically arranged, thereby allowing readers to trace the author’s evolving interests and ideas. An insightful general introduction and textual introduction precede the texts, each of which is fully annotated. Illustrative materials include maps, manuscript pages, and title pages. “Criticism” collects thirty responses to Wordsworth’s poetry and prose spanning three centuries by British and American authors. Contributors include Samuel Taylor Coleridge, Percy Bysshe Shelley, Felicia Hemans, Ralph Waldo Emerson, Lucy Newlyn, Stephen Gill, Neil Fraistat, Mary Jacobus, Nicholas Roe, M. H. Abrams, Karen Swann, Michael O’Neill, and Geoffrey Hartman, among others. The volume also includes a Chronology, a Biographical Register, a Selected Bibliography, and an Index of Titles and First Lines of Poems.

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The National Football League is one of the most significant cultural engines in contemporary American life. Yet despite intense and near ubiquitous media coverage, commentators rarely turn a critical lens on the league to ask what material and social forces have contributed to its success, and how the NFL has influenced public life in the United States. The editors of and contributors to The NFL examine the league as a culturally, economically, and politically powerful presence in American life. The essays, by established and up-and-coming scholars, explore how the NFL is packaged for commercial consumption, the league's influence on American identity, and its relationship to state and cultural militarism. The NFL is the first collection of critical essays to focus attention on the NFL as a cultural force. It boldly moves beyond popular celebrations of the sport and toward a fuller understanding of football's role in shaping contemporary sport, media, and everyday life. Contributors include: David L. Andrews, Aaron Baker, Michael Butterworth, Jacob Dittmer, Dan Grano, Samantha King, Kyle Kusz, Toby Miller, Ronald L. Mower, Dylan Mulvin, Oliver J.C. Rick, Katie Rodgers, and the editors.

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‘The go-to for all things Vuitton’ TatlerFounded as a luxury leather goods house in 1854, Louis Vuitton was for many decades one of the world’s leading trunk and accessories makers. It was after launching its first fashion collections in 1998, however, that the house reached unprecedented global fame, and pioneered high-profile collaborations with artists such as Richard Prince, Takashi Murakami and Stephen Sprouse.Louis Vuitton Catwalk is a complete and unrivalled overview of the world’s top fashion house. The book opens with a concise history of the house, followed by brief biographical profiles of Marc Jacobs, the first creative director 1998–2014, and Nicolas Ghesquière, who helms the brand today, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with carefully curated catwalk images. Showcasing hundreds of spectacular clothes, details, accessories, beauty looks and set designs – and, of course, the top fashion models who wore them on the runway, from Naomi Campbell and Gisele to Kate Moss and Cara Delevingne. A rich reference section, including an extensive index, concludes the book.

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"Engaging and empowering"—STARRED review, Nonstop Reader A charming early chapter book series that explores Vietnamese culture and identity through the eyes of the Nguyen siblings, with elements of the supernatural, spirituality, and social justice woven in. I, Anne Nguyen, believe in ghosts. Not the kind of ghosts that hide in dark corners and yell boo! Not scary ghosts, but family ghosts. Organized and introspective nine-year-old Anne Nguyen misses her Grandma Nội, a lot. But even though Grandma Nội passed away, it doesn’t mean she’s disappeared. When Anne and her younger siblings Jacob and Liz are given gifts passed on to them by Grandma, Anne soon realizes that hers—a beautiful jade bangle—has a secret power. One that might just give her the strength to stand up to her ballet teacher, who treats her differently than her white classmates, and embrace her Vietnamese identity through cooking Grandma’s recipes. No matter how difficult things get, Anne learns that the love of her ancestors is always with her.

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"Engaging and empowering"—STARRED review, Nonstop ReaderA charming early chapter book series that explores Vietnamese culture and identity through the eyes of the Nguyen siblings, with elements of the supernatural, spirituality, and social justice woven in. I, Anne Nguyen, believe in ghosts. Not the kind of ghosts that hide in dark corners and yell boo! Not scary ghosts, but family ghosts. Organized and introspective nine-year-old Anne Nguyen misses her Grandma Nội, a lot. But even though Grandma Nội passed away, it doesn’t mean she’s disappeared. When Anne and her younger siblings Jacob and Liz are given gifts passed on to them by Grandma, Anne soon realizes that hers—a beautiful jade bangle—has a secret power. One that might just give her the strength to stand up to her ballet teacher, who treats her differently than her white classmates, and embrace her Vietnamese identity through cooking Grandma’s recipes. No matter how difficult things get, Anne learns that the love of her ancestors is always with her.

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A multifaceted engagement with the thought of Jean-Luc Nancy. This book continues passionate conversation that Jean-Luc Nancy (1940–2021) was engaged in throughout his life with philosophers and artists from all over the world. The contributors take up Nancy’s philosophical question of truth as a praxis of a “with”—understanding truth without any given measure or comparison as an articulation of a with. It is a thinking responsible for the world from within the world, a language that seeks to respond to the ongoing mutation of our civilization. Contributors include Jean-Christophe Bailly, Rodolphe Burger, Marcia Sá Calvacante Schuback, Marcus Coelen, Alexander García Düttmann, Juan-Manuel Garrido, Martta Heikkilä, Erich Hörl, Valentin Husson, Sandrine Israel-Jost, Ian James, Apostolos Lampropoulos, Nidesh Lawtoo, Jérôme Lèbre, Susanna Lindberg, Michael Marder, Artemy Magun, Boyan Manchev, Dieter Mersch, Hélène Nancy, Jean-Luc Nancy, Aïcha Liviana Messina, Ginette Michaud, Helen Petrovsky, Jacob Rogozinski, Philipp Stoellger, Peter Szendy, Georgios Tsagdis, Marita Tatari, Gert-Jan van der Heiden, and Aukje van Rooden.

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There is little dispute that photography is a material practice, and that the photograph itself is ineluctably material. And yet matter, material, and materiality have proven to be remarkably elusive terms of inquiry, frequently producing studies that are disparate in scope, sharing seemingly little common ground. Although the wide methodological range of materialist study can be dizzying, it is this book's contention that that multiplicity is also the field's greatest asset, keeping materialist inquiry enduringly vibrant--provided that varying methods are in close enough proximity to converse. Photography's Materialities orchestrates one such conversation. Juxtaposing the insights of theorists like Lacan, Benjamin, and Latour beside close studies of crime, spirit, and composite photography, among others, this collection aims for a productive synergy, one capacious enough to span transatlantic spaces over the long nineteenth century. Contributors: Kris Belden-Adams (University of Mississippi), Maura Coughlin (Bryant University), David LaRocca (independent scholar), Jacob W. Lewis (University of Rochester), Mary Marchand (Goucher College), Zachary Tavlin (Art Institute of Chicago), Christa Holm Vogelius (University of Copenhagen)

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In the second edition of his unique study of peer relationships in childhood, Dr Barry Schneider re-examines this fundamental aspect of childhood. Taking the work of Jacob Moreno as its starting point, the book provides an up-to-date and accessible understanding of how children develop social competence in different environments, from school to cyberspace. It is informed by a cross-cultural perspective that examines how peer relationships vary in different cultures, as well as among children who have migrated to a new culture, and provides increased coverage of how bullying is perceived and managed within peer groups. The book is informed, too, by new research techniques, both qualitative and quantitative, which mean we know far more about how children relate to each other than ever before. Childhood Friendships and Peer Relations is a fascinating and very timely overview of what we know about making friends and enemies in childhood, showing how these relationships can have lasting effects. It will be essential reading to all students of Developmental Psychology and Educational Psychology, as well as anyone training towards a career working with children and young people.

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A Christmas Carol is the most famous, heart-warming and chilling festive story of them all. In these pages we meet Ebenezer Scrooge, whose name is synonymous with greed and parsimony: 'Every idiot who goes about with "Merry Christmas" on his lips, should be boiled with his own pudding, and buried with a stake of holly through his heart'. This attitude is soon challenged when the ghost of his old partner, Jacob Marley, returns from the grave to haunt him on Christmas Eve. Scrooge is then visited in turn by three spirits of Christmas Past, Present and Future, each one revealing the error of his ways and gradually melting the frozen heart of this old miser, leading him towards his redemption. On the journey we take with Scrooge we encounter a rich array of Dickensian characters including the poor Cratchit family with the ailing Tiny Tim and the generous and jolly Fezziwig. When Charles Dickens wrote A Christmas Carol in 1843 he fashioned an enduring gift to the world, capturing the essence of the love, kindness and generosity of the Christmas season. It is a timeless classic and the story’s uplifting magic remains as potent today as when it was first published.

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William Gurstelle begins his remarkable journey through history with this volume, Early Makers. Each chapter examines a remarkable individual or group of people from the past whose insights and inventions helped create the world we live in. What sets this series apart from other history books - including other histories of technology - is that each chapter also includes step-by-step instructions for making your own version of the historical invention. History comes to life in a way you have never experienced before when you follow the inventors' steps and recreate the groundbreaking devices of the past with your own hands. In this volume you will discover: The Cave Dwellers of Lascaux and the Oil Lamp Pythagoras and the Tantalus Cup Heron and the Gin Pole Egypt's Bag Press Otto von Guerke and the Magdeburg Hemispheres Levi ben Gershon and the Jacob's Staff Juliana Berners and the Fishing Lure Archimedes and the Water Screw China's Differential Windlass Be sure to also check out ReMaking History, Volume 2: Industrial Revolutionaries and ReMaking History Volume 3:Makers of the Modern World.

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Florence Nightingale's Suggestions for Thought has intrigued readers from feminist-philosopher J.S. Mill (who used it in his The Subjection of Women) to the latest generation of women's activists. Although selections from this long work have been published, Lynn McDonald is the first editor to work through the numerous surviving drafts of Nightingale's writing and present it as a complete volume. Suggestions for Thought contains two early attempted novels, draft sermons, and a lengthy fictional dialogue featuring St. Ignatius, founder of the Jesuits, the American evangelical Jacob Abbott, and British agnostic Harriet Martineau (with cameo appearances by Protestant reformer John Calvin and the poet Shelley) all against an unnamed ""M.S."" The most famous section of Suggestions for Thought is the essay Cassandra, famous as a rant against the family for stifling womens aspirations. Here the printed text is shown with the original novel draft alongside. McDonald's introductions to each section provide historical context and Nightingales later views of the work. Currently, Volumes 1 to 11 are available in e-book version by subscription or from university and college libraries through the following vendors: Canadian Electronic Library, Ebrary, MyiLibrary, and Netlibrary.

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Finalist for the National Book Critics Circle Award for Criticism Explores expressionlessness, inscrutability, and emotional withholding in Black cultural production Arguing that inexpression is a gesture that acquires distinctive meanings in concert with blackness, Deadpan tracks instances and meanings of deadpan—a vaudeville term meaning “dead face”—across literature, theater, visual and performance art, and the performance of self in everyday life. Tina Post reveals that the performance of purposeful withholding is a critical tool in the work of black culture makers, intervening in the persistent framing of African American aesthetics as colorful, loud, humorous, and excessive. Beginning with the expressionless faces of mid-twentieth-century documentary photography and proceeding to early twenty-first-century drama, this project examines performances of blackness’s deadpan aesthetic within and beyond black embodiments, including Young Jean Lee’s The Shipment and Branden Jacobs-Jenkins’s Neighbors, as well as Buster Keaton’s signature character and Steve McQueen’s restitution of the former’s legacy within the continuum of Black cultural production. Through this varied archive, Post reveals how deadpan aesthetics function in and between opacity and fugitivity, minimalism and saturation, excess and insensibility.

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The vertiginous decline in political leadership from Nelson Mandela to Jacob Zuma has engulfed South Africa in a serious crisis over the past `lost decade'. Based on his personal experience of the key protagonists, former British ambassador to South Africa Lord Renwick introduces the reader to an astonishing array of rogues and villains, ministers taken captive, crimebusters who are criminals, investigators who don't investigate, prosecutors who don't prosecute, red berets, black hearts and compulsive liars, alongside some heroes and an authentic heroine. The book reads like a crime novel as Renwick explores the ingenuity, audacity and impunity with which the South African state has been looted on an unimaginable scale, and how Bell Pottinger, KPMG, McKinsey and others became complicit in this process. But, in the end, this is an uplifting story, as a remarkable press, judiciary and civil society combined to `save South Africa' and its constitution under serious threat. Now, as Cyril Ramaphosa takes the reins, How to Steal a Country looks ahead to a brighter future, though Ramaphosa will find that his greatest challenges are within his own party.

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The National Football League is one of the most significant cultural engines in contemporary American life. Yet despite intense and near ubiquitous media coverage, commentators rarely turn a critical lens on the league to ask what material and social forces have contributed to its success, and how the NFL has influenced public life in the United States. The editors of and contributors to The NFL examine the league as a culturally, economically, and politically powerful presence in American life. The essays, by established and up-and-coming scholars, explore how the NFL is packaged for commercial consumption, the league's influence on American identity, and its relationship to state and cultural militarism. The NFL is the first collection of critical essays to focus attention on the NFL as a cultural force. It boldly moves beyond popular celebrations of the sport and toward a fuller understanding of football's role in shaping contemporary sport, media, and everyday life. Contributors include: David L. Andrews, Aaron Baker, Michael Butterworth, Jacob Dittmer, Dan Grano, Samantha King, Kyle Kusz, Toby Miller, Ronald L. Mower, Dylan Mulvin, Oliver J.C. Rick, Katie Rodgers, and the editors.

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Packed with allusions to art history and full of rambunctious cartoon energy, Green’s paintings eviscerate the gruesome imagery of racism Bronx-based painter Jameson Green (born 1992) creates psychological parables rendered in a visual language steeped in the grandeur of art history, inflected with comics and illustration and filtered through a highly introspective lens. Sampling art-historical references ranging from Jacob Lawrence and Bill Traylor to Crumb, Picasso, Goya, Guston, Kokoschka and Rubens, Green creates a form of visual hip-hop infused with tremendous momentum and energy. Since receiving his MFA from Hunter College in 2019, Green has refined his remarkably evolved practice over the course of just three years, boldly deploying the imagery of racism in what he describes as “a representation of corruption in pursuit of power, racial division, bigotry, and through these things personal suffering.” This book is the first to chronicle the artist’s recent creative output and features his most notable paintings, some of which now reside in permanent institutional collections such as the Dallas Museum of Art, Pérez Art Museum Miami and ICA Miami.

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Neil Gaiman, Joanne Harris and other bestsellers re-imagine famous fairy tales in this wonderfully rich, scary anthology, illustrated by Oscar-winning Lord of the Rings artist Alan Lee. Following in the grand tradition of the Brothers Jacob and Wilhelm Grimm, some of today's finest writers have created their own brand-new fairy tales - but with a decidedly dark twist. Fearie Tales is a fantastical mix of spellbinding retellings of 'Cinderella', 'Rapunzel', 'Hansel and Gretel' and 'Rumpelstiltskin', amongst others, with unsettling tales inspired by other childhood classics, all interspersed with the sources of their inspiration: the timeless stories first collected by the Brothers Grimm.Edited by Stephen Jones, Britain's best-known anthologist of dark tales, and illustrated by Oscar-winning artist Alan Lee, who also provided the magnificent cover, with stories by Neil Gaiman; Joanne Harris; Garth Nix; John Ajvide Lindqvist; Markus Heitz; Michael Marshall Smith; Angela Slatter; Robert Shearman; Christopher Fowler; Ramsey Campbell; Peter Crowther; Brian Hodge; Brian Lumley; Reggie Oliver and Tanith Lee.But be warned: this stunning volume of frightening fables is definitely not suitable for children!

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Age range 4 to 8Abridged to read in 5 minutes or less, this is an invaluable collection of lavishly illustrated nursery rhymes, fables, and tales for young children!Perfect for a quick read together at bedtime or anytime, these famous stories and nursery rhymes will captivate your child with their playful illustrations of cute animals and engaging storylines—and best of all, they can be read in just five minutes! Whether you're on the go, trying to calm kids down before bed, or just need an activity to beat boredom, this treasury of tales is sure to be a welcome addition to any child's library. Crack it open, and enter a world of magic, imagination, and wonder with your little ones.Included are well-known and time-honored stories such as: The Tortoise and the Hare (Aesop) The Ugly Duckling (Hans Christian Andersen) Eenie, Meenie, Miney, Mo (Mother Goose) Hickory, Dickory, Dock (Mother Goose) The Itsy Bitsy Spider (Mother Goose) Goldilocks and the Three Bears (Joseph Cudnall) The Three Little Pigs (Joseph Jacobs) Puss in Boots (Giovanni Francesco Straparola) The Tale of Peter Rabbit (Beatrix Potter) And many more!

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A Newbery Honor BookWinner of the Sydney Taylor Book Award An exciting and hilarious medieval adventure from the bestselling author of A Tale Dark and Grimm. Beautifully illustrated throughout by Hatem Aly! ★ A New York Times Bestseller ★ A New York Times Editor’s Choice ★ A New York Times Notable Children’s Book ★ A People Magazine Kid Pick ★ A Washington Post Best Children’s Book ★ A Wall Street Journal Best Children's Book ★ An Entertainment Weekly Best Middle Grade Book ★ A Booklist Best Book ★ A Horn Book Fanfare Best Book ★ A Kirkus Reviews Best Book ★ A Publishers Weekly Best Book ★ A School Library Journal Best Book ★ An ALA Notable Children's Book“A profound and ambitious tour de force. Gidwitz is a masterful storyteller.” —Matt de la Peña, Newbery Medalist and New York Times bestselling author “What Gidwitz accomplishes here is staggering." —New York Times Book ReviewIncludes a detailed historical note and bibliography 1242. On a dark night, travelers from across France cross paths at an inn and begin to tell stories of three children. Their adventures take them on a chase through France: they are taken captive by knights, sit alongside a king, and save the land from a farting dragon. On the run to escape prejudice and persecution and save precious and holy texts from being burned, their quest drives them forward to a final showdown at Mont Saint-Michel, where all will come to question if these children can perform the miracles of saints. Join William, an oblate on a mission from his monastery; Jacob, a Jewish boy who has fled his burning village; and Jeanne, a peasant girl who hides her prophetic visions. They are accompanied by Jeanne's loyal greyhound, Gwenforte . . . recently brought back from the dead. Told in multiple voices, in a style reminiscent of The Canterbury Tales, our narrator collects their stories and the saga of these three unlikely allies begins to come together. Beloved bestselling author Adam Gidwitz makes his long awaited return with his first new world since his hilarious and critically acclaimed Grimm series. Featuring manuscript illuminations throughout by illustrator Hatem Aly and filled with Adam’s trademark style and humor, The Inquisitor's Tale is bold storytelling that’s richly researched and adventure-packed.“It’s no surprise that Gidwitz’s latest book has been likened to The Canterbury Tales, considering its central story is told by multiple storytellers. As each narrator fills in what happens next in the story of the three children and their potentially holy dog, their tales get not only more fantastical but also more puzzling and addictive. However, the gradual intricacy of the story that is not Gidwitz’s big accomplishment. Rather it is the complex themes (xenophobia, zealotry, censorship etc.) he is able to bring up while still maintaining a light tone, thus giving readers a chance to come to conclusions themselves. (Also, there is a farting dragon.)”—Entertainment Weekly, “Best MG Books of 2016"Puckish, learned, serendipitous . . . Sparkling medieval adventure." —Wall Street Journal★ "Gidwitz strikes literary gold with this mirthful and compulsively readable adventure story. . . . A masterpiece of storytelling that is addictive and engrossing." —Kirkus, starred review★ "A well-researched and rambunctiously entertaining story that has as much to say about the present as it does the past." —Publishers Weekly, starred review★ "Gidwitz proves himself a nimble storyteller as he weaves history, excitement, and multiple narrative threads into a taut, inspired adventure." —Booklist, starred review★ "Scatological humor, serious matter, colloquial present-day language, the ideal of diversity and mutual understanding—this has it all." —The Horn Book, starred review★ "I have never read a book like this. It’s weird, and unfamiliar, and religious, and irreligious, and more fun than it has any right to be. . . . Gidwitz is on fire here, making medieval history feel fresh and current." —School Library Journal, starred review

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A Newbery Honor BookWinner of the Sydney Taylor Book Award An exciting and hilarious medieval adventure from the bestselling author of A Tale Dark and Grimm. Beautifully illustrated throughout by Hatem Aly! ★ A New York Times Bestseller ★ A New York Times Editor’s Choice ★ A New York Times Notable Children’s Book ★ A People Magazine Kid Pick ★ A Washington Post Best Children’s Book ★ A Wall Street Journal Best Children's Book ★ An Entertainment Weekly Best Middle Grade Book ★ A Booklist Best Book ★ A Horn Book Fanfare Best Book ★ A Kirkus Reviews Best Book ★ A Publishers Weekly Best Book ★ A School Library Journal Best Book ★ An ALA Notable Children's Book“A profound and ambitious tour de force. Gidwitz is a masterful storyteller.” —Matt de la Peña, Newbery Medalist and New York Times bestselling author “What Gidwitz accomplishes here is staggering." —New York Times Book ReviewIncludes a detailed historical note and bibliography 1242. On a dark night, travelers from across France cross paths at an inn and begin to tell stories of three children. Their adventures take them on a chase through France: they are taken captive by knights, sit alongside a king, and save the land from a farting dragon. On the run to escape prejudice and persecution and save precious and holy texts from being burned, their quest drives them forward to a final showdown at Mont Saint-Michel, where all will come to question if these children can perform the miracles of saints. Join William, an oblate on a mission from his monastery; Jacob, a Jewish boy who has fled his burning village; and Jeanne, a peasant girl who hides her prophetic visions. They are accompanied by Jeanne's loyal greyhound, Gwenforte . . . recently brought back from the dead. Told in multiple voices, in a style reminiscent of The Canterbury Tales, our narrator collects their stories and the saga of these three unlikely allies begins to come together. Beloved bestselling author Adam Gidwitz makes his long awaited return with his first new world since his hilarious and critically acclaimed Grimm series. Featuring manuscript illuminations throughout by illustrator Hatem Aly and filled with Adam’s trademark style and humor, The Inquisitor's Tale is bold storytelling that’s richly researched and adventure-packed.“It’s no surprise that Gidwitz’s latest book has been likened to The Canterbury Tales, considering its central story is told by multiple storytellers. As each narrator fills in what happens next in the story of the three children and their potentially holy dog, their tales get not only more fantastical but also more puzzling and addictive. However, the gradual intricacy of the story that is not Gidwitz’s big accomplishment. Rather it is the complex themes (xenophobia, zealotry, censorship etc.) he is able to bring up while still maintaining a light tone, thus giving readers a chance to come to conclusions themselves. (Also, there is a farting dragon.)”—Entertainment Weekly, “Best MG Books of 2016"Puckish, learned, serendipitous . . . Sparkling medieval adventure." —Wall Street Journal★ "Gidwitz strikes literary gold with this mirthful and compulsively readable adventure story. . . . A masterpiece of storytelling that is addictive and engrossing." —Kirkus, starred review★ "A well-researched and rambunctiously entertaining story that has as much to say about the present as it does the past." —Publishers Weekly, starred review★ "Gidwitz proves himself a nimble storyteller as he weaves history, excitement, and multiple narrative threads into a taut, inspired adventure." —Booklist, starred review★ "Scatological humor, serious matter, colloquial present-day language, the ideal of diversity and mutual understanding—this has it all." —The Horn Book, starred review★ "I have never read a book like this. It’s weird, and unfamiliar, and religious, and irreligious, and more fun than it has any right to be. . . . Gidwitz is on fire here, making medieval history feel fresh and current." —School Library Journal, starred review

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The present volume has been prepared in honour of Prof dr Jacques Noret, member of the Institute for Palaeochristian and Byzantine Studies of the Catholic University of Leuven and editor of the "Series Graeca" of the "Corpus Christianorum". It contains the contributions of some forty leading scholars - M. Bibikov, C. Boudignon, P. Canart, W. Clarysse, G. Conticello, V. Conticello, J. Declerck, K. Demoen, D. Desmet, G. Dorival, R.Y. Ebied, M. Featherstone, S. Gysens, H. Hauben, A. Jacob, B. Janssens, P. Karlin-Hayter, M. Kohlbacher, C. Laga, C. Mace, N. Maes, B. Markesinis, J. Munitiz, B. Neil, J. Nesbitt, Th. Olajos, M. Pirard, G. Podskalsky, C. Riedweg, B. Roosen, J. Schamp, J. Scharpe, D. Sieswerda, M. Starowieyski, C. Steel, A. Tihon, Fr. Thomson, P. Van Deun, J. Van Reeth, J. Verheyden, S. Voicu, L.R. Wickham and U. Zanetti - and focuses on the themes dear to the honoree: critical editions of Patristic or Byzantine texts; the transmission and contents of literary works of the Patristic and By

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The five Lim children - Jessica, Jocelyn, Jeffrey, Jacob, and Kenzie - are thrilled when their parents tell them that Oma and Opa, their beloved grandparents, are coming to town for a visit. But this time, things seem different - grandmother Oma''s cooking doesn''t taste the same, and she''s started asking the same questions over and over, even while talking about specific moments from her past. Then things around the house begin to go missing: keys, eyeglasses, the TV remote. When the items turn up in Oma''s oversized shopping bag that she carries around with her, the family comes to the sad realization that she''s in the early stages of Alzheimer''s. But the journey from the past to new shared experiences reminds them that Oma is still Oma. And as Jeffrey watches his cherished grandmother dance about the house, he reassures his grandfather, ''She''s still here.'' Accompanied by joyful illustrations, Oma''s Bag is a tender and touching book to help children navigate an Alzheimer''s di

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Long awaited after No Future, and making queer theory controversial again, Lee Edelman’s Bad Education proposes a queerness without positive identity—a queerness understood as a figural name for the void, itself unnamable, around which the social order takes shape. Like Blackness, woman, incest, and sex, queerness, as Edelman explains it, designates the antagonism, the structuring negativity, preventing that order from achieving coherence. But when certain types of persons get read as literalizing queerness, the negation of their negativity can seem to resolve the social antagonism and totalize community. By translating the nothing of queerness into the something of “the queer,” the order of meaning defends against the senselessness that undoes it, thus mirroring, Edelman argues, education’s response to queerness: its sublimation of irony into the meaningfulness of a world. Putting queerness in relation to Lacan’s “ab-sens” and in dialogue with feminist and Afropessimist thought, Edelman reads works by Shakespeare, Jacobs, Almodóvar, Lemmons, and Haneke, among others, to show why queer theory’s engagement with queerness necessarily results in a bad education that is destined to teach us nothing.

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'Any woman can wear shoes and handbags: it's not a question of how tall you are, how skinny you are, how blonde or blue-eyed or tanned or whatever.' Marc JacobsCarolyn Asome reveals the fashion accessory that can make any woman feel fabulous - from the myriad surrealist creations of Karl Lagerfeld at Chanel to Prada's democratic nylon backpack, from the exclusive Hermés Birkin bag to individual vintage gems, the handbag is fashion's most inventive accessory. No shock, then, that the handbag market today is worth more than a hundred billion dollars. From each season's must-have to five-figure rarities, the handbag symbolizes the inexplicable power of fashion desire. Vogue Essentials: Handbags explores all the greatest hits in a collection that any fashion devotee will covet.Published simultaneously with Vogue Essentials: Little Black Dress. This irresistible new series from Conran Octopus and British Vogue explores the key pieces in a stylish woman's wardrobe and features photographs from Vogue's peerless archive of more than a million pictures.

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For centuries, the idea of a Renaissance at the end of the Middle Ages has been an active agent in shaping conceptions of the development of Western European civilization. Though the idea has enjoyed so long a life, conceptions of the nature of the Renaissance, of its sources, its extent, and its essential spirit have varied from generation to generation. Confined at first to a rebirth of art or of classical culture, the notion of the Renaissance was broadened as scholars of each successive generation added to what they regarded as the essence of modern, as opposed to medieval, civilization. Originally published in 1948, Wallace K. Ferguson's The Renaissance in Historical Thought is a key piece of scholarship on Renaissance historiography. Ferguson examines how the Renaissance has been viewed from successive historical and national viewpoints, and by canonical thinkers over the centuries, including Fran ois-Marie Arouet de Voltaire and Jacob Burckhardt. Republished as part of the Renaissance Society of America Reprint Text series (RSARTS), Ferguson's study remains an essential part of Renaissance scholarship and will once again be available for students and scholars in the field.

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The last thing Danny wants to see published is his obituaryThe year is 1975. Danny Jacobs is an ambitious, young American journalist who’ s just arrived in Bombay for a new assignment. He’ s soon caught up in the chaos of Prime Minister Indira Gandhi’ s domestic “ Emergency.” Willy Smets is Danny’ s enigmatic expat neighbor. He’ s a charming man, but with suspicious connections. As a monsoon drenches Bombay, Danny falls hard for Sushmita, Smets’ s beguiling and clever lover— and the infatuation is mutual."The Emergency," a virtual coup by the prime minister, is only the first twist in the high-stakes drama of Danny’ s new life in India. The assassination of a police officer by a Marxist extremist, as well as Danny’ s obsession with the inscrutable Sushmita, conspire to put his career— and life— in jeopardy. And, of course, the temptations of Willy Smets’ s seductive personality sit squarely at the heart of the matter.Democracy is fragile and the lines of loyalty and betrayal often cross and cannot be untangled. Perfect for fans of Ken Follett and Steve Berry

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In the various early Christian traditions of the life of Ephrem the Syrian, he was widely known even more for his biblical commentaries than his poetry, for which he is now so highly regarded. Only three commentaries have survived in his native Syriac, and only the Commentary on Genesis survives in a complete version. A large corpus of commentaries has survived in Armenian and all these were long considered to be genuine. A study of the Armenian Commentary on Genesis has demonstrated that at least the Old Testament commentaries were influenced by Syriac traditions based on the exegesis of Jacob of Edessa (d. 708). Thus, these commentaries rather reflect a medieval Armenian exegesis strongly influenced by Syriac traditions. The present work offers a new edition of the text of the Armenian commentaries on Exodus-Deuteronomy attributed to Ephrem the Syrian, with their first ever translation into any modern language. These volumes constitute the second of three installments of the Old Testament commentaries attributed to Ephrem the Syrian. These commentaries should be of interest to anyone interested in the history of biblical interpretation, and to those interested in the history of Syrian-Armenian ecclesiastical relations.

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Contemporary thought has been profoundly shaped by the early-twentieth-century turn toward synchronic models of explanation, which analyze phenomena as they appear at a single moment, rather than diachronically as they develop through time. But the relationship between time and system remains unexplained by the standard account of this shift. Through a new history of systematic thinking across the humanities and sciences, The Writing of Spirit argues that nineteenth-century historicism wasn’t simply replaced by a more modern synchronic perspective. The structuralist revolution consisted rather in a turn toward time’s absolutely minimal conditions, and thus also toward a new theory of diachrony. Pourciau arrives at this surprising and powerful conclusion through an analysis of language-scientific theories over the course of two centuries, associated with thinkers from Jacob Grimm and Richard Wagner to the Russian Futurists, in domains as disparate as historical linguistics, phonology, acoustics, opera theory, philosophy, poetics, and psychology. The result is a novel contribution to a pressing contemporary question—namely, what role history should play in the interpretation of the present.

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According to Marx, the family is the primal scene of the division of labor and the "germ" of every exploitative practice. In this insightful study, Jacob Emery examines the Soviet Union's programmatic effort to institute a global siblinghood of the proletariat, revealing how alternative kinships motivate different economic relations and make possible other artistic forms. A time in which literary fiction was continuous with the social fictions that organize the social economy, the early Soviet period magnifies the interaction between the literary imagination and the reproduction of labor onto a historical scale. Narratives dating back to the ancient world feature scenes in which a child looks into a mirror and sees someone else reflected there, typically a parent. In such scenes, two definitions of the aesthetic coincide: art as a fantastic space that shows an alternate reality and art as a mirror that reflects the world as it is. In early Soviet literature, mirror scenes illuminate the intersection of imagination and economy, yielding new relations destined to replace biological kinship—relations based in food, language, or spirit. These metaphorical kinships have explanatory force far beyond their context, providing a vantage point onto, for example, the Gothic literature of the early United States and the science fiction discourses of the postwar period. Alternative Kinships will appeal to scholars of Russian literature, comparative literature, and literary theory, as well as those interested in reconciling formalist and materialist approaches to culture.

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NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW, TIME, BUZZFEED, ESQUIRE, LIBRARY JOURNAL AND KIRKUS REVIEWS LONGLISTED FOR THE PEN/OPEN BOOK AWARD ‘Hilarious and heart-rending’ Celeste Ng ‘Heartbreaking, but also infused with levity and humour. What stands out most is the fierce compassion with which she parses the complexities of family and love’ Time How brown is too brown? Can Indians be racist? What does real love between really different people look like? Like many six-year-olds, Mira Jacob’s half-Jewish, half-Indian son, Z, has questions about everything – and as tensions from the 2016 election spread from the media into his own family, they become much, much more complicated. Trying to answer him honestly, Mira has to think back to where she’s gotten her own answers. Written with humor and vulnerability, this deeply relatable graphic memoir is a love letter to the art of conversation – and to the hope that hovers in our most difficult questions. ‘Helps us think with grace and disarming wit … Reading these searching, often hilarious tête-à-têtes is as effortless as eavesdropping on a crosstown bus … Magic’ New York Times Book Review ‘Vibrant, inventive and vulnerable … Good Talk attempts to answer, with humour and heart, some of the most difficult questions of all’ Bustle ‘Moving and very funny’ Esquire

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As the work of thinkers such as Michel Foucault, François Jacob, Louis Althusser, and Pierre Bourdieu demonstrates, Georges Canguilhem has exerted tremendous influence on the philosophy of science and French philosophy more generally. In Knowledge of Life, a book that spans twenty years of his essays and lectures, Canguilhem offers a series of epistemological histories that seek to establish and clarify the stakes, ambiguities, and emergence of philosophical and biological concepts that defined the rise of modern biology. How do transformations in biology and modern medicine shape conceptions of life? How do philosophical concepts feed into biological ideas and experimental practices, and how are they themselves transformed? How does knowledge "undo the experience of life so as to help man remake what life has made without him, in him or outside of him?" Knowledge of Life is Canguilhem's effort to explain how the movements of knowledge and life come to rest upon each other. Published at the dawn of the genetic revolution and still pertinent today, the book tackles the history of cell theory, the conceptual moves toward and away from mechanical understandings of the organism, the persistence of vitalism, and the nature of normality in science and its objects.

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This beautifully illustrated book is an ode to art restoration. It takes the secrets of this special profession from the studio and sheds light on its art‐historical and scientific aspects. It zooms in on meticulous restorations of centuries‐old paintings, complex treatments of contemporary works, but also the use of innovative technology for the analysis, treatment and consolidation of works of art in the most diverse materials. Based on 40 high‐profile restorations, this book takes a look behind the scenes of the art restoration profession. Restorers testify about the challenges of their profession, while collection managers and art professionals delve deeper into the importance and future of restoration. Handled with Care pays tribute to the profession and offers a glimpse into an often hidden world. With text contributions by, among others, Philippe Van Cauteren, Robert Read, Claire Tillekaerts, Peter De Wilde and about works of art by none other than Peter Paul Rubens, Antoon Van Dyck, Jacob Jordaens, Henry van de Velde, Joseph Beuys, Andy Warhol, Sol LeWitt, Luc Tuymans etc. This book is published on the occasion of 10 years of IPARC (International Platform for Art Research and Conservation Ltd). Text in English and Dutch.

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New Edition of a Powerful Prayer Tool from Two Ministry Leaders If you long for spiritual breakthrough, use the method as tried and true as the Bible itself: Pray the Bible out loud before moving into silent communion with God. By Jesus' example, we know that praying the Scriptures aloud brings powerful results. It can also provide focus and direction for your prayer life. In this revised edition of Praying the Bible: The Book of Prayers, Wesley and Stacey Campbell take the ancient tradition of the prayer book and give it a modern twist. They present passages of Scripture that are actually prayers, divided according to eight categories--the prayers of Jesus, prayers of the apostles, prayers of wisdom, Psalms, and more. This gives you quick and easy access to 88 Bible prayers that speak to any situation in life. Each section includes an introduction and practical instruction on how to pray the specific type of prayer. Whether you are a novice or a seasoned intercessor, this unique prayer tool will lead you on a pathway to a deeper life with God. Endorsement "One of the most valuable tools that intercessors can use for prayer."--Cindy Jacobs

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This penetrating study makes a case for the centrality of the concept of representation (Stellvertretung) in Hans Urs von Balthasar’s theological project. How is it possible for Christ to act in the place of humanity? In Hans Urs von Balthasar’s Theology of Representation, Jacob Lett broaches this perplexing soteriological question and offers the first book-length analysis of Balthasar’s theology of representation (Stellvertretung). Lett’s study shows how Balthasar rehabilitates the category of representation by developing it in relationship to the central mysteries of the Christian faith: concerned by the lack of metaphysical and theological foundations for understanding the question above, Balthasar ultimately grounds representation in the trinitarian life of God, making “action in the place of the other” central to divine and creaturely being. Lett not only articulates the centrality of representation to Balthasar’s theological project but also demonstrates that Balthasar’s theology of representation has the potential to reshape discussions in the fields of soteriology, Christology, trinitarian theology, anthropology, and ecclesiology. This work covers a wide range of themes in Balthasar’s theology, including placial and spatial metaphors, a post-Chalcedonian Christology of Christ’s two wills, and theories of drama. This book is also a text of significant comparative range: Lett considers Balthasar’s key interlocutors (Gregory of Nyssa, Maximus, Aquinas, Przywara, Ulrich, Barth) and expands this base to include voices beyond those typically found in Balthasarian scholarship, including Dietrich Bonhoeffer and Dorothee Sölle. The overall result is a deeply probing presentation of one of Balthasar’s most significant contributions to contemporary theology.

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This is the fantastical, yet real, story of the merchants of Bethlehem, the young men who traveled to every corner of the globe in the nineteenth century. These men set off on the backs of donkeys with suitcases full of crosses and rosaries, to return via steamship with suitcases stuffed with French francs, Philippine pesos, or Salvadoran colones. They returned with news of mysterious lands and strange inventions—clocks, trains, and other devices that both befuddled and bewitched the Bethlehemites. With newfound wealth, these merchants built shimmering pink mansions that transformed Bethlehem from a rural village into Palestine's wealthiest and most cosmopolitan town. At the center of these extraordinary occurrences lived Jubrail Dabdoub. The Lives and Deaths of Jubrail Dabdoub tells the story of Jubrail's encounters, offering a version of Palestinian history rarely acknowledged. From his childhood in rural Bethlehem to later voyages across Europe, East Asia, and the Americas, Jubrail's story culminates in a recorded miracle: in 1909, he was brought back from the dead. To tell such a tale is to delve into the realms of the fantastic and improbable. Through the story of Jubrail's life, Jacob Norris explores the porous lines between history and fiction, the normal and the paranormal, the everyday and the extraordinary. Drawing on aspects of magical realism combined with elements of Palestinian folklore, Norris recovers the atmosphere of late nineteenth-century Bethlehem: a mood of excitement, disorientation, and wonder as the town was thrust into a new era. As the book offers an original approach to historical writing, it captures a fantastic story of global encounter and exchange.

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This book is published to accompany the first comprehensive show of the Mexican artist Pedro Reyes in Europe. The trained architect caused an international sensation in 2012 with his large installation Sanatorium at dOCUMENTA (13) in Kassel. In the exhibition at Museum Marta Herford, Reyes presents his extensive sculptural work, which is allied to the concept of 'social sculpture' (developed by Joseph Beuys) and often references political activism. As an artist who takes an interdisciplinary approach, Reyes is an advocate of the social impact of art, architecture and design. With his sculptural concepts that take a stand against violence and promote an intensive community experience and greater participation, he invites viewers to explore contemporary perspectives and creates a connection to theatre, political activism and psychology. The term 'sociarty' was coined by the social scientist Jacob Levy Moreno, who developed a series of therapies for healing society. In this sense, Reyes not only poses critical questions with his projects, but also develops utopian approaches to solving real social problems. In doing so, he incorporates psychological and philosophical as well as sociological and activist methods – encouraging people to become active themselves. Text in English and German.

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Evelyn Waugh's acidly funny and formally daring satire, Vile Bodies reveals the darkness and vulnerability that lurks beneath the glittering surface of the high life.In the years following the First World War a new generation emerges, wistful and vulnerable beneath the glitter. The Bright Young Things of twenties' Mayfair, with their paradoxical mix of innocence and sophistication, exercise their inventive minds and vile bodies in every kind of capricious escapade - whether promiscuity, dancing, cocktail parties or sports cars. In a quest for treasure, a favourite party occupation, a vivid assortment of characters, among them the struggling writer Adam Fenwick-Symes and the glamorous, aristocratic Nina Blount, hunt fast and furiously for ever greater sensations and the fulfilment of unconscious desires.If you enjoyed Vile Bodies, you might like Waugh's A Handful of Dust, also available in Penguin Modern Classics.'The high point of the experimental, original Waugh'Malcolm Bradbury, Sunday Times'This brilliantly funny, anxious and resonant novel ... the difficult edgy guide to the turn of the decade'Richard Jacobs'It's Britain's Great Gatsby'Stephen Fry, director of Vile Bodies film adaptation Bright Young Things

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A compelling revision of the history of experimental writing from Pound and Stein to Language poetry, disclosing its uses and its limits.In this bold new study of twentieth-century American writing and poetics, Natalia Cecire argues that experimental writing should be understood as a historical phenomenon before it is understood as a set of formal phenomena. This seems counterintuitive because, at its most basic level, experimental writing can be thought of as writing which breaks from established forms. Touching on figures who are not typically considered experimental, such as Stephen Crane, Jacob Riis, Busby Berkeley, Ursula K. Le Guin, and Gottlob Frege, Experimental offers a fresh look at authors who are often treated as constituting a center or an origin point of an experimental literary tradition in the United States, including Gertrude Stein, Ezra Pound, William Carlos Williams, and Marianne Moore. In responding to a crisis of legitimization in the production of knowledge, this tradition borrows and transforms the language of the sciences.Drawing upon terminology from the history of science, Cecire invokes the epistemic virtue, which tethers ethical values to the production of knowledge in order to organize diverse turn-of-the-century knowledge practices feeding into "experimental writing." Using these epistemic virtues as a structuring concept for the book's argument, Cecire demonstrates that experimental writing as we now understand it does not do experiments (as in follow a method) but rather performs epistemic virtues. Experimental texts embody the epistemic virtues of flash, objectivity, precision, and contact, associated respectively with population sciences, neuroanatomy, natural history and toolmaking, and anthropology. Yet which virtues take precedence may vary widely, as may the literary forms through which they manifest. Bringing it up to the 1980s, Cecire reveals the American experimental literary tradition as a concerted and largely successful rewriting of twentieth-century literary history. She shows how the Language poets, a group of primarily white experimental writers, restored to the canon what they saw as modernism's true legacy, whose stakes were simultaneously political and epistemological: it produced a poet who was an intellectual and a text that was experimental.

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This is the third book in a series presenting Nobel Prizes in the life sciences using the remarkably rich archives of nominations and reviews which are kept secret for 50 years after the awards have been made. The two previous books are The present book discusses the prizes in physiology or medicine 1963-65. The 1963 prize recognized milestone discoveries in the field of neurosciences, the way electrical impulses are generated and spread in nerves. The impressive developments of insights into tantalizing brain functions, like consciousness and memory, is discussed in the perspective of prizes both before and after the 1963 prize. The prize in 1964 marked the advanced biochemical venture that led to a full understanding of the synthesis of cholesterol, a central molecule for providing flexibility of the membranes of the trillions of cell in our body. The importance of this molecule for the appearance of cardiovascular diseases and the possibilities to prevent them is presented in the light of other prizes earlier and later in this field. The 1965 prize recognized three impressive French intellectuals, Lwoff, Monod and Jacob. Their contributions allowed the full maturation of the initial phase of the emerging field of molecular biology. The comprehension of the information flow from DNA via RNA to proteins was the source of a revolution of life sciences and of medicine.

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