Search results for ""author flores"

Fue antes la escritora o el jardín? Penelope Lively se embarca en un fascinante viaje a través de los jardines que han marcado su vida. Desde el gran jardín de la casa en la que se crio, en El Cairo, hasta el que tenía su abuela en los inclinados campos de Somerset, pasando por la exuberante floresta de El paraíso perdido de Milton y los coloridos laberintos de Alicia en el País de las Maravillas, así como los jardines de escritores, como Virginia Woolf, Elizabeth Bowen o Philip Larkin. Literatura, mujer y naturaleza. Un embriagador recorrido que nos lleva de vuelta al hogar primigenio de la humanidad.A medio camino entre autobiografía, reflexión filosófica y cadena de digresiones, esta maravillosa recopilación de jardines eleva a Penelope Lively a la cumbre de la narrativa contemporánea.

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Few visitors to the stunning Frijoles Canyon at Bandelier National Monument realize that its depths embrace but a small part of the archaeological richness of the vast Pajarito Plateau west of Santa Fe, New Mexico. In this beautifully illustrated book, archaeologists, historians, ecologists, and Pueblo contributors tell a deep and sweeping story of the region. Beginning with its first Paleo-Indian residents, through its Ancestral Pueblo florescence in the 14th and 15th centuries, to its role in the birth of American archaeology and the nuclear age, and concluding with its enduring centrality in the lives of Keresan and Tewa Indian peoples today, the plateau remains a place where the mysterious interplay of human culture and magnificent landscapes is written in its mesas and canyons. A must read for anyone interested in Southwestern archaeology and Native peoples.

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This book explores cultural change in a Chinese city following the Manchu conquest of 1644. The city of Yangzhou, at the intersection of the Grand Canal and the Yangzi river, is best known as the site of human and physical devastation during the conquest and as a vibrant commercial center during the eighteenth century. The book focuses on the period between the conquest and the city’s commercial florescence—a moment in which Yangzhou was a center of literary culture that was consciously conceived as transregional and transdynastic. The book shows how Yangzhou’s elite used physical sites as markers in the reconstruction of the city, and as vehicles consolidating power and prestige. Gradually, however, the gestures and sites of the postconquest elite were appropriated by the city’s increasingly powerful salt merchants and incorporated into a court-oriented culture centered at Beijing.

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Elgar Research Agendas outline the future of research in a given area. Leading scholars are given the space to explore their subject in provocative ways, and map out the potential directions of travel. They are relevant but also visionary.We face many important global environmental problems today, including climate change, biodiversity destruction, and environmental health issues. Key among the tools we have to understand and solve these problems is research. This Research Agenda argues for a transdisciplinary approach to the study of environmental management to provide better understanding and outcomes leading to practical solutions.By describing the key strategies needed to overcome common global environmental challenges and to undertake successful interdisciplinary environmental research, this Research Agenda demonstrates the possibilities for successful transdisciplinary environmental research. A series of case studies shows how this transdisciplinary approach to research has improved understandings of environmental problems and their potential solutions. Discussing the types of participation required and the difficulties of incorporating diverse groups into research projects, this Research Agenda provides lessons in how to successfully undertake transdisciplinary research in order to meet these challenges. A Research Agenda for Environmental Management provides invaluable insights for interdisciplinary researchers in all fields affected by environmental management as well as students and scholars engaged in environmental research looking for ways to successfully integrate transdisciplinary approaches into their work.Contributors include: J. Abrams, D.B. Agusdinata, G. Alonso-Yanez, B. Barnett, N. Basiliko, K. Calvert, D. Córdoba, T. de Souza, M. del Carmen Fragoso Medina, J.L. Dunn, A. Eastmond, D.J. Flaspohler, K. Floress, V.S. Gagnon, A. Giang, H.S. Gorman, R.B. Guerrero, K.E. Halvorsen, R.M. Handler, M.A. Hanif, R.J. Heffron, J. Heyman, L. House-Peters, A. Kantamneni, J.L. Knowlton, R.A. LaFave, J. Licata, H.K. Lukosch, E.E. Mata-Zayas, R. Medeiros, M.A. Mesa-Jurado, D. Minakata, A. Mirchi, C. Moseley, T. Moya Mose, T.H. Mwampamba, C.J.V. Navarrete, E.A. Nielsen, M. Ohira, E. Ortega, J.A. Perlinger, E.C. Pischke, E.W. Prehoda, V.D.P. Risso, J.C. Sacramento-Rivero, M. Samimi, D. Sanchez, C. Schelly, T.L. Selfa, R. Shwom, R.V. Sidortsov, B. Tarekegne, G. Tchobanoglous, N.R. Urban, L.P. Volkow, S. Walker, D. Watkins, R.L. Winkler

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Imposing Harmony is a groundbreaking analysis of the role of music and musicians in the social and political life of colonial Cuzco. Challenging musicology’s cathedral-centered approach to the history of music in colonial Latin America, Geoffrey Baker demonstrates that rather than being dominated by the cathedral, Cuzco’s musical culture was remarkably decentralized. He shows that institutions such as parish churches and monasteries employed indigenous professional musicians, rivaling Cuzco Cathedral in the scale and frequency of the musical performances they staged.Building on recent scholarship by social historians and urban musicologists and drawing on extensive archival research, Baker highlights European music as a significant vehicle for reproducing and contesting power relations in Cuzco. He examines how Andean communities embraced European music, creating an extraordinary cultural florescence, at the same time that Spanish missionaries used the music as a mechanism of colonialization and control. Uncovering a musical life of considerable and unexpected richness throughout the diocese of Cuzco, Baker describes a musical culture sustained by both Hispanic institutional patrons and the upper strata of indigenous society. Mastery of European music enabled elite Andeans to consolidate their position within the colonial social hierarchy. Indigenous professional musicians distinguished themselves by fulfilling important functions in colonial society, acting as educators, religious leaders, and mediators between the Catholic Church and indigenous communities.

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The Corpse Flower brings works from Bruce Beasley's first four award-winning collections together with twenty-five new poems, organizing them around the metaphor that gives the book its title: an enormous tropical bloom that reeks like carrion, and around whose three-day florescence "dung beetles & flies & sweat bees swarm / . . . pollen gummed all over / their furred feet." The corpse flower serves as a figure for Beasley's coming to terms with birth and death, fecundity and decay, the illusion of death, and the flourishing of the rare and beautiful out of the materials of the decayed. The Corpse Flower traces a spiritual pilgrimage, weaving autobiography into a larger meditation on the materials of language and of the life of the spirit. Beasley's is a deeply physical spirituality - as he writes in one poem, "the soul's / impossible to tell / from the objects of its appetite." Throughout these poems, family mythology, as well as religious and mythic narrative and iconography, become occasions for extraordinary meditations on the physicality of birth and death, beginnings and endings. This substantial selection of Bruce Beasley's work, written over a twenty year period, offers the opportunity to experience, page by page, a poet's evolution, and to follow a unique, creative mind as it reaches, through interrogations of faith, science, and art, toward some form of resolution - a resolution increasingly represented by the beauties of language itself. On Summer Mystagogia "These brilliant poems, often both mythic and demotic, powerfully initiate the reader into a world at once marred and yet suffused by the signs and wonders of an 'irresistible grace.' . . . A wonderfully resilient and hard-won poetry of witness." -Boston Review

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Elgar Research Agendas outline the future of research in a given area. Leading scholars are given the space to explore their subject in provocative ways, and map out the potential directions of travel. They are relevant but also visionary.We face many important global environmental problems today, including climate change, biodiversity destruction, and environmental health issues. Key among the tools we have to understand and solve these problems is research. This Research Agenda argues for a transdisciplinary approach to the study of environmental management to provide better understanding and outcomes leading to practical solutions.By describing the key strategies needed to overcome common global environmental challenges and to undertake successful interdisciplinary environmental research, this Research Agenda demonstrates the possibilities for successful transdisciplinary environmental research. A series of case studies shows how this transdisciplinary approach to research has improved understandings of environmental problems and their potential solutions. Discussing the types of participation required and the difficulties of incorporating diverse groups into research projects, this Research Agenda provides lessons in how to successfully undertake transdisciplinary research in order to meet these challenges. A Research Agenda for Environmental Management provides invaluable insights for interdisciplinary researchers in all fields affected by environmental management as well as students and scholars engaged in environmental research looking for ways to successfully integrate transdisciplinary approaches into their work.Contributors include: J. Abrams, D.B. Agusdinata, G. Alonso-Yanez, B. Barnett, N. Basiliko, K. Calvert, D. Córdoba, T. de Souza, M. del Carmen Fragoso Medina, J.L. Dunn, A. Eastmond, D.J. Flaspohler, K. Floress, V.S. Gagnon, A. Giang, H.S. Gorman, R.B. Guerrero, K.E. Halvorsen, R.M. Handler, M.A. Hanif, R.J. Heffron, J. Heyman, L. House-Peters, A. Kantamneni, J.L. Knowlton, R.A. LaFave, J. Licata, H.K. Lukosch, E.E. Mata-Zayas, R. Medeiros, M.A. Mesa-Jurado, D. Minakata, A. Mirchi, C. Moseley, T. Moya Mose, T.H. Mwampamba, C.J.V. Navarrete, E.A. Nielsen, M. Ohira, E. Ortega, J.A. Perlinger, E.C. Pischke, E.W. Prehoda, V.D.P. Risso, J.C. Sacramento-Rivero, M. Samimi, D. Sanchez, C. Schelly, T.L. Selfa, R. Shwom, R.V. Sidortsov, B. Tarekegne, G. Tchobanoglous, N.R. Urban, L.P. Volkow, S. Walker, D. Watkins, R.L. Winkler

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Imposing Harmony is a groundbreaking analysis of the role of music and musicians in the social and political life of colonial Cuzco. Challenging musicology’s cathedral-centered approach to the history of music in colonial Latin America, Geoffrey Baker demonstrates that rather than being dominated by the cathedral, Cuzco’s musical culture was remarkably decentralized. He shows that institutions such as parish churches and monasteries employed indigenous professional musicians, rivaling Cuzco Cathedral in the scale and frequency of the musical performances they staged.Building on recent scholarship by social historians and urban musicologists and drawing on extensive archival research, Baker highlights European music as a significant vehicle for reproducing and contesting power relations in Cuzco. He examines how Andean communities embraced European music, creating an extraordinary cultural florescence, at the same time that Spanish missionaries used the music as a mechanism of colonialization and control. Uncovering a musical life of considerable and unexpected richness throughout the diocese of Cuzco, Baker describes a musical culture sustained by both Hispanic institutional patrons and the upper strata of indigenous society. Mastery of European music enabled elite Andeans to consolidate their position within the colonial social hierarchy. Indigenous professional musicians distinguished themselves by fulfilling important functions in colonial society, acting as educators, religious leaders, and mediators between the Catholic Church and indigenous communities.

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This volume is a revised version of a doctoral dissertation undertaken at The University of Sydney. It examines the florescene of urban society during the mid to late Third Millennium BCE in the northern Levant, focusing on the largely unexplored region of the upper Orontes Valley, specifically the site of Tell Nebi Mend, ancient Qadesh (on the Orontes). This work seeks to explore the role and significance of 'small' regional sites during the Early Bronze Age IV, by presenting a detailed stratigraphic and ceramic analysis of the Tell Nebi Mend sequence from the mid Third Millennium (Early Bronze Age III) through the early Second Millennium BCE (Middle Bronze Age I). One of the principal aims of this work is to construct a detailed ceramic typology for Tell Nebi Mend and the upper Orontes during the late Third Millennium BCE. This stratigraphically anchored assemblage was designed as a foil for the more intensively investigated 'mega-site' sequences of the region, such as Ebla and Hama. It was also designed to explore and examine the development and evolution of regional ceramic horizons and the growth of inter-site interaction that occurred during the later Early Bronze Age. Although this work will not be the last word on studies of the EB IV, the ceramic and stratigraphic information presented sheds new and important light on many of the key research issues that surround the Early Bronze Age IV, such as the nature of the Early Bronze Age III-IV transition and the regional response to the 'collapse' of the Early Bronze Age urban system ca. 2000 BCE.

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Democracy is either aspired to as a goal or cherished as a birthright by billions of people throughout the world today -- and has been been for over a century. But what does it mean? And how has its meaning changed since it was first coined in ancient Greece? Democracy: A Life is a biography of the concept, looking at its many different manifestations and showing how it has changed over its long life, from ancient times right through to the present. For instance, how did the 'people power' of the Athenians emerge in the first place? Once it had emerged, what enabled it to survive? And how did the Athenian version of democracy differ from the many other forms that developed among the myriad cities of the Greek world? Paul Cartledge answers all these questions and more, following the development of ancient political thinking about democracy from the sixth century BC onwards, not least the many arguments that were advanced against it over the centuries. As Cartledge shows, after a golden age in the fourth century BC, there was a long, slow degradation of the original Greek conception and practice of democracy, from the Hellenistic era, through late Republican and early Imperial Rome, down to early Byzantium in the sixth century CE. For many centuries after that, from late Antiquity, through the Middle Ages, to the Renaissance, democracy was effectively eclipsed by other forms of government, in both theory and practice. But as we know, this was by no means the end of the story. For democracy was eventually to enjoy a re-florescence, over two thousand years after its first flowering in the ancient world: initially revived in seventeenth-century England, it was to undergo a further renaissance in the revolutionary climate of late-eighteenth-century North America and France -- and has been constantly reconstituted and reinvented ever since.

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In Musical Maryland, the first comprehensive survey of the music emanating from the Old Line State, David K. Hildebrand and Elizabeth M. Schaff explore the myriad ways in which music has enriched the lives of Marylanders. From the drinking songs of colonial Annapolis, the liturgical music of the Zion Lutheran Church, and the work songs of the tobacco fields to the exuberant marches of late nineteenth-century Baltimore Orioles festivals, Chick Webb's mastery on drums, and the triumphs of the Baltimore Opera Society, this richly illustrated volume explores more than 300 years of Maryland's music history. Beginning with early compositions performed in private settings and in public concerts, this book touches on the development of music clubs like the Tuesday Club, the Florestan Society, and H. L. Mencken's Saturday Night Club, as well as lasting institutions such as the Peabody Institute and the Baltimore Symphony Orchestra (BSO). Yet the soundscape also includes militia quicksteps, sea chanteys, and other work songs. The book describes the writing of "The Star-Spangled Banner"-perhaps Maryland's single greatest contribution to the nation's musical history. It chronicles the wide range of music created and performed by Maryland's African American musicians along Pennsylvania Avenue in racially segregated Baltimore, from jazz to symphonic works. It also tells the true story of a deliberately integrated concert that the BSO staged at the end of World War II. The book is full of musical examples, engravings, paintings, drawings, and historic photographs that not only portray the composers and performers but also the places around the state in which music flourished. Illuminating sidebars by William Biehl focus on late nineteenth- and early twentieth-century song of the kind evoked by the USS Baltimore or inspired by the state's history, natural beauty, and romantic steamboats. The book also offers a sampling of the tunes that Maryland's more remarkable composers and performers, including Billie Holiday, Eubie Blake, and Cab Calloway, contributed to American music before the homogenization that arrived in earnest after World War II. Bringing to life not only portraits of musicians, composers, and conductors whose stories and recollections are woven into the fabric of this book, but also musical scores and concert halls, Musical Maryland is an engaging, authoritative, and bold look at an endlessly compelling subject.

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