Search results for ""author richard"

"So all the time, while you were pretending to work, you've been having the most astonishing adventures in that corner?" A forgotten masterpiece from one of Britain’s greatest dramatists, J.B. Priestley. As bankruptcy looms, the ever optimistic Jim Cornelius, partner at import firm Briggs and Murrison, is fighting to keep his creditors happy and his spirits up. Tensions rise with the arrival of Judy, the beautiful, young typist who shows Cornelius the life he could have led... Written for Ralph Richardson in 1935, Priestley observes the politics and tensions of daily office life with searing wit and humanity in this hilarious and heart-breaking story of friendship, unrequited love and business.

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The third son of a coalminer, David Storey takes us from his tough upbringing in Wakefield, to being 'sold' to Leeds Rugby League Club, to his escape to the Slade School of Art and his life in post-war London. He describes shocking scenes in the seventeen deprived East End schools in which he taught. He documents the childhood death of his eldest brother, addressing much of the memoir to him and exploring how this relates to his own sometimes paralysing depression, which haunted most of his life. And yet, a prolific and celebrated writer, he recalls heady spells in New York, close relationships in the theatre with Joycelyn Herbert, Ralph Richardson and Lindsay Anderson, early success with This Sporting Life, and winning the Booker Prize for his novel Saville.

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Menials argues that British writers of the long-eighteenth century projected their era’s economic and social anxieties onto domestic servants. Confronting the emergence of controversial principles like self-interest, emulation, and luxury, writers from Eliza Haywood, Daniel Defoe, and Samuel Richardson to Mary Shelley, Charles Dickens, and William Thackeray used literary servants to critique what they saw as problematic economic and social practices. A cultural history of economic ideology as well as a literary history of domestic service, Menials traces the role of the domestic servant as a representation of the relationship between the master’s ideal self and the cultural forces that threaten it.

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Set in Britain during the 1950s, this moving and evocative novel follows the intertwined fates of people crossing boundaries in their lives. As a teenager in the small northern town of Wigton, Joe Richardson falls in love with Rachel, just when her life is about to be uprooted. While his parents, Sam and Ellen, face the frontiers of middle age, Joe finds himself drawn by the intoxicating world outside home, and swept into situations that seem beyond his control. Vividly conveying the spirit of the mid-century and the profound social changes taking place at the time, this is a masterly successor to the award-winning THE SOLDIER'S RETURN and A SON OF WAR.

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The monarchs of seventeenth-century Europe put a surprisingly high priority on the abolition of dueling, seeing its eradication as an important step from barbarism toward a rational state monopoly on justice. But it was one thing to ban dueling and another to stop it. Duelists continued to kill each other with swords or pistols in significant numbers deep into the nineteenth century. In 1883 Maupassant called dueling “the last of our unreasonable customs.” As a dramatic and forbidden ritual from another age, the duel retained a powerful hold on the public mind and, in particular, the literary imagination.Many of the greatest names in Western literature wrote about or even fought in duels, among them Corneille, Molière, Richardson, Rousseau, Pushkin, Dickens, Hugo, Dumas, Twain, Conrad, Chekhov, and Mann. As John Leigh explains, the duel was a gift as a plot device. But writers also sought to discover in duels something more fundamental about human conflict and how we face our fears of humiliation, pain, and death. The duel was, for some, a social cause, a scourge to be mocked or lamented; yet even its critics could be seduced by its risk and glamour. Some conservatives defended dueling by arguing that the man of noble bearing who cared less about living than living with honor was everything that the contemporary bourgeois was not. The literary history of the duel, as Touché makes clear, illuminates the tensions that attended the birth of the modern world.

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Winner of the 2021 Frances Richardson Keller-Sierra Prize from the Western Association of Women Historians (WAWH)​Revolutionizing Women’s Healthcare is the story of a feminist experiment: the self-help movement. This movement arose out of women’s frustration, anger, and fear for their health. Tired of visiting doctors who saw them as silly little girls, suffering shame when they asked for birth control, seeking abortions in back alleys, and holding little control over their own reproductive lives, women took action. Feminists created “self-help groups” where they examined each other’s bodies and read medical literature. They founded and ran clinics, wrote books, made movies, undertook nationwide tours, and raided and picketed offending medical institutions. Some performed their own abortions. Others swore off pharmaceuticals during menopause. Lesbian women found “at home” ways to get pregnant. Black women used self-help to talk about how systemic racism affected their health. Hannah Dudley-Shotwell engagingly chronicles these stories and more to showcase the creative ways women came together to do for themselves what the mainstream healthcare system refused to do.

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Winner of the 2021 Frances Richardson Keller-Sierra Prize from the Western Association of Women Historians (WAWH)​Revolutionizing Women’s Healthcare is the story of a feminist experiment: the self-help movement. This movement arose out of women’s frustration, anger, and fear for their health. Tired of visiting doctors who saw them as silly little girls, suffering shame when they asked for birth control, seeking abortions in back alleys, and holding little control over their own reproductive lives, women took action. Feminists created “self-help groups” where they examined each other’s bodies and read medical literature. They founded and ran clinics, wrote books, made movies, undertook nationwide tours, and raided and picketed offending medical institutions. Some performed their own abortions. Others swore off pharmaceuticals during menopause. Lesbian women found “at home” ways to get pregnant. Black women used self-help to talk about how systemic racism affected their health. Hannah Dudley-Shotwell engagingly chronicles these stories and more to showcase the creative ways women came together to do for themselves what the mainstream healthcare system refused to do.

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In Infamous Commerce, Laura J. Rosenthal uses literary and historical sources to explore the meaning of prostitution from the Restoration through the eighteenth century, showing how both reformers and libertines constructed the modern meaning of sex work during this period. From Grub Street's lurid "whore biographies" to the period's most acclaimed novels, the prostitute was depicted as facing a choice between abject poverty and some form of sex work.Prostitution, in Rosenthal's view, confronted the core controversies of eighteenth-century capitalism: luxury, desire, global trade, commodification, social mobility, gender identity, imperialism, self-ownership, alienation, and even the nature of work itself. In the context of extensive research into printed accounts of both male and female prostitution—among them sermons, popular prostitute biographies, satire, pornography, brothel guides, reformist writing, and travel narratives—Rosenthal offers in-depth readings of Samuel Richardson's Clarissa and Pamela and the responses to the latter novel (including Eliza Haywood's Anti-Pamela), Bernard Mandeville's defenses of prostitution, Daniel Defoe's Roxana, Henry Fielding's Tom Jones, and travel journals about the voyages of Captain Cook to the South Seas. Throughout, Rosenthal considers representations of the prostitute's own sexuality (desire, revulsion, etc.) to be key parts of the changing meaning of "the oldest profession."

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The interrelation among race, schooling, and labor market opportunities of American blacks can help us make sense of the relatively poor economic status of blacks in contemporary society. The role of these factors in slavery and the economic consequences for blacks has received much attention, but the post-slave experience of blacks in the American economy has been less studied. To deepen our understanding of that experience, Robert A. Margo mines a wealth of newly available census data and school district records. By analyzing evidence concerning occupational discrimination, educational expenditures, taxation, and teachers' salaries, he clarifies the costs for blacks of post-slave segregation. "A concise, lucid account of the bases of racial inequality in the South between Reconstruction and the Civil Rights era. . . . Deserves the careful attention of anyone concerned with historical and contemporary race stratification."—Kathryn M. Neckerman, Contemporary Sociology"Margo has produced an excellent study, which can serve as a model for aspiring cliometricians. To describe it as 'required reading' would fail to indicate just how important, indeed indispensable, the book will be to scholars interested in racial economic differences, past or present."—Robert Higgs, Journal of Economic Literature"Margo shows that history is important in understanding present domestic problems; his study has significant implications for understanding post-1950s black economic development."—Joe M. Richardson, Journal of American History

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Hollywood superstar; Oscar-winning director; greatest stage actor of the twentieth century. His era abounded in greats - Gielgud, Richardson, Guinness, Burton, O'Toole - but none could challenge Laurence Olivier's range and power. By the 1940s he had achieved international stardom. His affair with Vivien Leigh led to a marriage as glamorous and as tragic as any in Hollywood history. He was as accomplished a director as he was a leading man: his three Shakespearian adaptations are among the most memorable ever filmed. Off-stage, Olivier was the most extravagant of characters: generous, yet almost insanely jealous of those few contemporaries whom he deemed to be his rivals; charming but with a ferocious temper. With access to more than fifty hours of candid, unpublished interviews, Philip Ziegler ensures that Olivier's true character - at its most undisguised - shines through as never before.

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Contrary to the assumption that Western and Eastern European economies and cinemas were very different from each other, they actually had much in common. After the Second World War both the East and the West adopted a mixed system, containing elements of both socialism and capitalism, and from the 1980s on the whole of Europe, albeit at an uneven speed, followed the neoliberal agenda. This book examines how the economic systems of the East and West impacted labor by focusing on the representation of work in European cinema. Using a Marxist perspective, it compares the situation of workers in Western and Eastern Europe as represented in both auteurist and popular films, including those of Tony Richardson, Lindsay Anderson, Jean-Luc Godard, Andrzej Wajda, DušanMakavejev, Jerzy Skolimowski, the Dardenne Brothers, Ulrich Seidl and many others.

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1988. 12-year-old Harper Richardson's parents are divorced. Her mum got custody of her, the Mini, and five hundred tins of baked beans. Her dad got a mouldering cottage in a Midlands backwater village and default membership of the Lone Rangers single parents' club. Harper got questionable dress sense, a zest for life, two gerbils, and her Chambers dictionary, and the responsibility of fixing her parents' broken hearts... Set against a backdrop of high hairdos and higher interest rates, pop music and puberty, divorce and death, What a Way to Go is a warm, wise and witty tale of one girl tackling the business of growing up while those around her try not to fall apart.

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The field of regional development is subject to an ever-increasing multiplicity of concepts and theories seeking to explain uneven competitiveness. In particular, economic geographers and spatial economists have rapidly developed the theoretical tools by which to approach such analyses. The aim of this Handbook is to take stock of regional competitiveness and complementary concepts as a means of presenting a state-of-the-art discussion of the advanced theories, perspectives and empirical explanations that help make sense of the determinants of uneven development across regions. Drawing on an international field of leading scholars, the book is assembled and organized so that readers can first learn of the theoretical underpinnings of regional competitiveness and development theory, before moving on to deeper discussions of key factors and principal elements, the emergence of allied concepts, empirical applications, and the policy context. International in its scope, including global empirical analysis, the book is a definitive resource in terms of providing access to some of the seminal research and thinking on regional competitiveness. This contemporary Handbook is an ideal reference for students and academics in the fields of economic geography and spatial economics. It will also appeal to policymakers and other stakeholders involved in regional economic development.Contributors include: K. Aiginger, P. Annoni, M.J. Aranguren, D. Audretsch, P.-A. Balland, R. Boschma, R. Camagni, R. Cellini, J. Crespo, P. Di Caro, L. Dijkstra, J. Fagerberg, M. Firgo, U. Fratesi, R. Harris, R. Huggins, J. Jansson, C. Ketels, I. Lengyel, E. Magro, E.J. Malecki, A. Mamtora, R. Martin, P. McCann, H. Menendez, P. Ni, R. Ortega-Argilés, I. Periáñez, A. Richardson, A. Rodríguez-Pose, L. Saez, J. Shen, M. Srholec, M. Storper, P. Sunley, M. Thissen, P. Thompson, G. Torrisi, I. Turok, F. van Oort, Y. Wang, A. Waxell, C. Wilkie, J.R. Wilson

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Original Subjects explores the interweaving of the child-hero and the fortunes of a nation as these are portrayed in a wide selection of novels and national narratives in the French and English traditions. Ala Alryyes examines how these works deploy similar metaphors and signifying narratives in which a homeless child is central.Taking up such disparate writers and novelists as Locke, Rousseau, Wollstonecraft, Defoe, Richardson, Diderot, Scott, Stendhal, Balzac, and Disraeli, as well as Homer, St. Augustine, and Hannah Arendt, this book argues that the generational parent–child dynamic is key to understanding the structure of novels, the theory of the state, and the events of history.

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The Scholar as Human brings together faculty from a wide range of disciplines—history; art; Africana, American, and Latinx studies; literature, law, performance and media arts, development sociology, anthropology, and Science and Technology Studies—to focus on how scholarship is informed, enlivened, deepened, and made more meaningful by each scholar's sense of identity, purpose, and place in the world. Designed to help model new paths for publicly-engaged humanities, the contributions to this groundbreaking volume are guided by one overarching question: How can scholars practice a more human scholarship? Recognizing that colleges and universities must be more responsive to the needs of both their students and surrounding communities, the essays in The Scholar as Human carve out new space for public scholars and practitioners whose rigor and passion are equally important forces in their work. Challenging the approach to research and teaching of earlier generations that valorized disinterestedness, each contributor here demonstrates how they have energized their own scholarship and its reception among their students and in the wider world through a deeper engagement with their own life stories and humanity. Contributors: Anna Sims Bartel, Debra A. Castillo, Ella Diaz, Carolina Osorio Gil, Christine Henseler, Caitlin Kane, Shawn McDaniel, A. T. Miller, Scott J. Peters, Bobby J. Smith II, José Ragas, Riché Richardson, Gerald Torres, Matthew Velasco, Sara Warner Thanks to generous funding from Cornell University, the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other repositories.

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The early novel was not the coming-of-age story we know today—eighteenth-century adolescent protagonists remained in a constant state of arrested development, never truly maturing.Between the emergence of the realist novel in the early eighteenth century and the novel's subsequent alignment with self-improvement a century later lies a significant moment when novelistic characters were unlikely to mature in any meaningful way. That adolescent protagonists poised on the cusp of adulthood resisted a headlong tumble into maturity through the workings of plot reveals a curious literary and philosophical counter-tradition in the history of the novel. Stephanie Insley Hershinow's Born Yesterday shows how the archetype of the early realist novice reveals literary character tout court. Through new readings of canonical novels by Samuel Richardson, Henry Fielding, Horace Walpole, Ann Radcliffe, Frances Burney, and Jane Austen, Hershinow severs the too-easy tie between novelistic form and character formation, a conflation, she argues, of Bild with Bildung. A pop-culture-infused epilogue illustrates the influence of the eighteenth-century novice, as embodied by Austen's Emma, in the 1995 film Clueless, as well as in dystopian YA works like The Hunger Games. Drawing on bold close readings, Born Yesterday alters the landscape of literary historical eighteenth-century studies and challenges some of novel theory's most well-worn assumptions.

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Professors Grear and Kotzé have masterfully fashioned a landmark work on human rights and the natural environment. This Research Handbook is more than just a library of current ideas about this important topic; it is an intellectual tour de force that stimulates new thinking on the place of social justice and moral responsibility in the Anthropocene.'- Benjamin J. Richardson, University of Tasmania, Australia'As the connections between human rights and the environment become deeper and broader, this Handbook offers an indispensable point of reference. A seriously impressive group of scholars addresses a seriously interesting range of themes that inform and challenge the totality of our understanding.'- Philippe Sands, University College London, UKBringing together leading international scholars in the field, this authoritative Handbook combines critical and doctrinal scholarship to illuminate some of the challenging tensions in the legal relationships between humans and the environment, and human rights and environment law.The accomplished contributors provide researchers and students with a rich source of reflection and engagement with the topic. Split into five parts, the book covers epistemologies, core values and closures, constitutionalisms, universalisms and regionalisms, with a final concluding section exploring major challenges and alternative futures.An essential resource for students and scholars of human rights law, the volume will also be of significant interest to those in the fields of environmental and constitutional law.Contributors: S. Adelman, U. Beyerlin, K. Bosselmann, D.R Boyd, P.D. Burdon, L. Code, L. Collins, S. Coyle, C.G Gonzalez, E. Grant, A. Grear, E. Hey, C.J. Iorns Magallanes, B. Jessup, A. Jones, A. A. Khavari, L.J. Kotzé, R. Lyster, K. Morrow, A. Philippopoulos-Mihalopoulos, W. Scholtz, P. Simons, S. Thériault, F. Venter

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This original volume proposes a novel way of reading Dante’s Vita nova, exemplified in a rich diversity of scholarly approaches to the text. This groundbreaking volume represents the fruit of a two-year-long series of international seminars aimed at developing a fresh way of reading Dante’s Vita nova. By analyzing each of its forty-two chapters individually, focus is concentrated on the Vita nova in its textual and historical context rather than on its relationship to the Divine Comedy. This decoupling has freed the contributors to draw attention to various important literary features of the text, including its rich and complex polysemy, as well as its structural fluidity. The volume likewise offers insights into Dante’s social environment, his relationships with other poets, and Dante’s evolving vision of his poetry’s scope. Using a variety of critical methodologies and hermeneutical approaches, this volume offers scholars an opportunity to reread the Vita nova in a renewed context and from a diversity of literary, cultural, and ideological perspectives. Contributors: Zygmunt G. Barański, Heather Webb, Claire E. Honess, Brian F. Richardson, Ruth Chester, Federica Pich, Matthew Treherne, Catherine Keen, Jennifer Rushworth, Daragh O’Connell, Sophie V. Fuller, Giulia Gaimari, Emily Kate Price, Manuele Gragnolati, Elena Lombardi, Francesca Southerden, Rebecca Bowen, Nicolò Crisafi, Lachlan Hughes, Franco Costantini, David Bowe, Tristan Kay, Filippo Gianferrari, Simon Gilson, Rebekah Locke, Luca Lombardo, Peter Dent, George Ferzoco, Paola Nasti, Marco Grimaldi, David G. Lummus, Helena Phillips-Robins, Aistė Kiltinavičiūtė, Alessia Carrai, Ryan Pepin, Valentina Mele, Katherine Powlesland, Federica Coluzzi, K. P. Clarke, Nicolò Maldina, Theodore J. Cachey Jr., Chiara Sbordoni, Lorenzo Dell’Oso, and Anne C. Leone.

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Board: Edexcel Examination: Maths Foundation Specification: GCSE 9-1 Type: Practice (includes answers) (Please note this title is also available for AQA and All Boards) "The Scholastic resources go into far more detail than some of the other revision guides we have used and I've not seen any other resources that have an app linked to them. We would definitely recommend the resources to other schools. Everything you need to revise is in one place to enable students to work independently." Dave Richardson, Deputy Head [in reference to the GCSE English Language & Literature and Mathematics revision guides and exam practice books] Aim for the highest pass with Scholastic's GCSE Grades 9-1 series of Practice and Revision books. Linked to the revision guides, our exam practice books are packed with hundreds of structured GCSE exam-style questions covering the key topics for every subject. It's not just practice, each book also includes tips, advice and regular progress checks to boost confidence and help students apply key revision strategies. Every book also includes at least one full practice paper for authentic exam preparation. Full answers are provided to help students check their progress. Taking an active, stepped approach, our guides include popular 'It!' features giving students opportunities to self-test their understanding and apply their knowledge as they study. Do it! Active practice to help you retain key facts Nail it! Examiner tips to help you get better grades Work it! Exam questions broken down into manageable steps "What they thought was especially clever is the resources 'knowing' the day of their exam, and then highlighting what they needed to do and when in the days and weeks leading up to it. That captured them there and then." Dave Richardson, Deputy Head [Read the full case study from Brentwood County High School] The accompanying app helps you revise on-the-go: Use the free, personalised digital revision planner and get stuck into the quick tests to check your understanding Download our free revision cards which you can save to your phone to help you revise on the go Implement 'active' revision techniques - giving you lots of tips and tricks to help the knowledge sink in Other subjects covered by Scholastic's Practice and Revision series: Maths Foundation, Maths Higher, SPAG, English Language and Literature, Biology, Chemistry, Physics, Combined Science and Geography

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This Research Handbook examines one of the most dynamic areas of public international law: the interaction between environmental law and policy and international investment law. The multiplicity of forms that interaction takes is the core theme of this Research Handbook. The contributors are drawn from a variety of legal backgrounds to give a well-rounded view of this complex relationship. Taking a thematic approach, this Research Handbook provides analysis on key issues in the environment-investment nexus, including freshwater resources, climate, biodiversity and sustainable development. The expert contributors unpack the complexities of this field of research through investigating regional experiences, assessing practices and procedures, and offering innovative approaches and new critical perspectives on the issues involved. The Research Handbook demonstrates that the exact nature of the relationship between environmental law and investment law is still evolving and, in so doing, indicates directions for future research. This timely Research Handbook will be of great interest to scholars who are researching the interactions between environmental law, international investment law and sustainable development. More widely, those with a research interest in public international law will find this to be a compelling reference tool.Contributors include: R.J. Anderson, F. Baetens, A.K. Bjorklund, G. Bottini, C. Brown, D. Cucinotta, M. Ferrer, S. Frank, U. Kriebaum, J. Levine, D. Liang, E. Luke, S. Luttrell, E. Méndez Bräutigam, K. Miles, I. Odumosu-Ayanu, N. Peart, J. Peel, B.J. Richardson, A. Telesetsky, K. Tienhaara, V. Vadi, J.E. Viñuales, R. Weeramantry, R. Yotova

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The romance novel has the strange distinction of being the most popular but least respected of literary genres. While it remains consistently dominant in bookstores and on best-seller lists, it is also widely dismissed by the critical community. Scholars have alleged that romance novels help create subservient readers, who are largely women, by confining heroines to stories that ignore issues other than love and marriage. Pamela Regis argues that such critical studies fail to take into consideration the personal choice of readers, offer any true definition of the romance novel, or discuss the nature and scope of the genre. Presenting the counterclaim that the romance novel does not enslave women but, on the contrary, is about celebrating freedom and joy, Regis offers a definition that provides critics with an expanded vocabulary for discussing a genre that is both classic and contemporary, sexy and entertaining. Taking the stance that the popular romance novel is a work of literature with a brilliant pedigree, Regis asserts that it is also a very old, stable form. She traces the literary history of the romance novel from canonical works such as Richardson's Pamela through Austen's Pride and Prejudice, Brontë's Jane Eyre, and E. M. Hull's The Sheik, and then turns to more contemporary works such as the novels of Georgette Heyer, Mary Stewart, Janet Dailey, Jayne Ann Krentz, and Nora Roberts.

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In the late eighteenth-century, elite British women had an unprecedented opportunity to travel. Taking travel home uncovers the souvenir culture these women developed around the texts and objects they brought back with them to realise their ambitions in the arenas of connoisseurship, friendship and science.Key characters include forty-three-year-old Hester Piozzi (Thrale), who honeymooned in Italy; thirty-one-year-old Anna Miller, who accompanied her husband on a Grand Tour; Dorothy Richardson, who undertook various tours of England from the ages of twelve to fifty-two; and the sisters Katherine and Martha Wilmot, who travelled to Russia in their late twenties. The supreme tourist of the book, the political salon hostess Lady Elizabeth Holland, travelled to many countries with her husband, including Paris, where she met Napoleon, and Spain during the Peninsular War.Using a methodology informed by literary and design theory, art history, material culture studies and tourism studies, the book examines a wide range of objects, from painted fans “of the ruins of Rome for a sequin apiece” and the Pope’s “bless’d beads”, to lava from Vesuvius and pieces of Stonehenge. It argues that the rise of the souvenir is representative of female agency, as women used their souvenirs to form spaces in which they could create and control their own travel narratives.

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In this innovative analysis of canonical British novels, Campbell identifies a new literary device—the surrogate family—as a signal of cultural anxieties about young women’s changing relationship to matrimony across the long eighteenth century. By assembling chosen families rather than families of origin, Campbell convincingly argues, female protagonists in these works compensate for weak family ties, explore the world and themselves, prepare for idealized marriages, or sidestep marriage altogether. Tracing the evolution of this rich convention from the female characters in Defoe’s and Richardson’s fiction who are allowed some autonomy in choosing spouses, to the more explicitly feminist work of Haywood and Burney, in which connections between protagonists and their surrogate sisters and mothers can substitute for marriage itself, this book makes an ambitious intervention by upending a traditional trope—the model of the hierarchal family—ultimately offering a new lens through which to regard these familiar works.

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When Mary Ann, an impoverished governess, rescues a child from the Yarra River, she sets in motion a train of events that she could never have foreseen. It is not a child she has saved but General Tom Thumb, star of a celebrated troupe of midgets on their 1870 tour of Australia.From the enchanting Queen of Beauty Lavinia Stratton to the brilliant pianist Franz Richardson, it seems that Mary Ann has fallen in among friends. She soon discovers, however, that relationships within the troupe and its entourage are far from harmonious. Jealousy is rife, and there are secrets aplenty: even Mary Ann has one of her own. Relief, however, gradually turns to fear as she realises that she may be a pawn in a more dangerous game than she imagined.

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The popular myth is that there was nothing of any worth in the mid-century British theatre until 1956, when John Osborne and the Angry Young Men at the Royal Court Theatre stormed the stage. In fact the West End of the thirties, forties and fifties was remarkable both for its actors - such as Sybil Thorndike, Edith Evans, Ralph Richardson - and its playwrights, including Terence Rattigan, John Whiting, Robert Bolt, Wynyard Browne and N.C. Hunter. Taking the career of one man, the actor, producer and director Frith Banbury, The Best of the West End casts a lens on British theatre in the mid to late twentieth century, revisiting many of the best productions of those years. The resulting book is a vital and necessary re-evaluation of the era.

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Examines spaces of inner life in eighteenth-century England to shed new light on interiority in literature and visual and material culture. In what kinds of spaces do we become most aware of the thoughts in our own heads? In My Dark Room, Julie Park explores places of solitude and enclosure that gave eighteenth-century subjects closer access to their inner worlds: grottos, writing closets, landscape follies, and the camera obscura, that beguiling “dark room” inside which the outside world in all its motion and color is projected. The camera obscura and its dreamlike projections within it served as a paradigm for the everyday spaces, whether in built environments or in imaginative writing, that generated the fleeting states of interiority eighteenth-century subjects were compelled to experience and inhabit.My Dark Room illuminates the spatial and physical dimensions of inner life in the long eighteenth century by synthesizing material analyses of diverse media, from optical devices and landscape architecture to women’s intimate dress, with close readings of literary texts not traditionally considered together, among them Andrew Marvell’s country house poem Upon Appleton House, Margaret Cavendish’s experimental epistolary work Sociable Letters, Alexander Pope’s heroic verse epistle Eloisa to Abelard, and Samuel Richardson’s novel Pamela. Park also analyzes letters and diaries, architectural plans, prints, drawings, paintings, and more, drawing our attention to the lively interactions between spaces and psyches in private environments. Park’s innovative method of “spatial formalism” reveals how physical settings enable psychic interiors to achieve vitality in lives both real and imagined.

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Examines spaces of inner life in eighteenth-century England to shed new light on interiority in literature and visual and material culture. In what kinds of spaces do we become most aware of the thoughts in our own heads? In My Dark Room, Julie Park explores places of solitude and enclosure that gave eighteenth-century subjects closer access to their inner worlds: grottos, writing closets, landscape follies, and the camera obscura, that beguiling “dark room” inside which the outside world in all its motion and color is projected. The camera obscura and its dreamlike projections within it served as a paradigm for the everyday spaces, whether in built environments or in imaginative writing, that generated the fleeting states of interiority eighteenth-century subjects were compelled to experience and inhabit.My Dark Room illuminates the spatial and physical dimensions of inner life in the long eighteenth century by synthesizing material analyses of diverse media, from optical devices and landscape architecture to women’s intimate dress, with close readings of literary texts not traditionally considered together, among them Andrew Marvell’s country house poem Upon Appleton House, Margaret Cavendish’s experimental epistolary work Sociable Letters, Alexander Pope’s heroic verse epistle Eloisa to Abelard, and Samuel Richardson’s novel Pamela. Park also analyzes letters and diaries, architectural plans, prints, drawings, paintings, and more, drawing our attention to the lively interactions between spaces and psyches in private environments. Park’s innovative method of “spatial formalism” reveals how physical settings enable psychic interiors to achieve vitality in lives both real and imagined.

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Surprisingly, the remarkable story of the Scottish role in the discovery of the Northwest Passage – a long desired trade route connecting the Atlantic and Pacific – has not received a great deal of attention. This book charts the extensive contribution to Arctic exploration made by the Scots, including significant names, such as John Ross from Stranraer, veteran of three Arctic expeditions; his nephew, James Clark Ross, the most experienced Arctic and Antarctic explorer of his generation and discoverer of the Magnetic North Pole; John Richardson of Dumfries, a medical doctor, seasoned explorer and engaging natural historian; and Orcadian John Rae, who discovered evidence of the grisly demise of John Franklin and his crew. The book also pays tribute to many others too: the Scotch Irish, the whalers and not least the Inuit, with whom the Scottish explorers cooperated and generally enjoyed good relations, relying on their knowledge of the environment in many crucial cases. The awakening of the Scots to the magnificence and dread of the hyperborean regions – as places of discovery, of inspiration and, regrettably, of exploitation – is traced, with particular emphasis on the first half of the nineteenth century until the search for the missing Franklin expedition mid-century.

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With the exception of a few iconic moments such as Rosa Parks’s 1955 refusal to move to the back of a Montgomery bus, we hear little about what black women activists did prior to 1960. Perhaps this gap is due to the severe repression that radicals of any color in America faced as early as the 1930s, and into the Red Scare of the 1950s. To be radical, and black and a woman was to be forced to the margins and consequently, these women’s stories have been deeply buried and all but forgotten by the general public and historians alike. In this exciting work of historical recovery, Dayo F. Gore unearths and examines a dynamic, extended network of black radical women during the early Cold War, including established Communist Party activists such as Claudia Jones, artists and writers such as Beulah Richardson, and lesser known organizers such as Vicki Garvin and Thelma Dale. These women were part of a black left that laid much of the groundwork for both the Civil Rights Movement of the 1960s and later strains of black radicalism. Radicalism at the Crossroads offers a sustained and in-depth analysis of the political thought and activism of black women radicals during the Cold War period and adds a new dimension to our understanding of this tumultuous time in United States history.

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This Research Handbook is quite timely in its broad coverage of most, if not all, main aspects of SWFs, which have become such important players in the international investment arena. Thanks to the contribution of specialists with a diverse background in law, taxation, international economics, relations and governance, this book offers a comprehensive picture of their structure, functions, governance and practices. The analysis includes the impact that SWFs have both in individual host states where they invest and as agents of development in the global economy.'- Giorgio Sacerdoti, Bocconi University, ItalyResearch into the role of sovereign investments in a time of crisis is still unsatisfactory. This timely Research Handbook investigates the juridical foundation of sovereign wealth funds and investments and extends our frontier of understanding in this important area.Current research surrounding sovereign wealth funds is focused on investment flows and trends that are grounded in economics, neglecting to consider the role of law and governance in the investigation. From a legal perspective, the Handbook narrates a 'passive' side of sovereign wealth funds and state owned companies, exploring how and to what extent the legal constraints imposed by host States act as barriers to investments. Additionally, the active side is also discussed and the influence of ethical principles, treaty re-negotiations and sovereign immunity practices on state investments considered.A comprehensive reference on a complex area of research, the Handbook will be a valuable addition to the library of scholars and students interested in investment law, central banks, international economics and governance.Contributors: G. Adinolfi, F. Bassan, M. Castelli, L. Catà Backer, A. De Luca, S. Ghahramani, K. Gordon, L. Hsu, A.Lee, F. Munari, J. Pohl, B.J. Richardson, P. Rose, F. Scacciavillani, M. Vellano, A. Viterbo, T. Weiler, E. Whitsitt

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A groundbreaking study that shows how countries can create innovative, production-based economies for the twenty-first centuryAchieving economic growth is one of today's key challenges. In this groundbreaking book, Michael Best argues that to understand how successful growth happens we need an economic framework that focuses on production, governance, and skills.This production-centric framework is the culmination of three simultaneous journeys. The first has been Best's visits to hundreds of factories worldwide, starting early as the son of a labor organizer and continuing through his work as an academic and industrial consultant. The second is a survey of two hundred years of economic thought from Babbage to Krugman, with stops along the way for Marx, Marshall, Young, Penrose, Richardson, Schumpeter, Kuznets, Abramovitz, Keynes, and Jacobs. The third is a tour of historical episodes of successful and failed transformations, focusing sharply on three core elements—the production system, business organization, and skill formation—and their interconnections.Best makes the case that government should create the institutional infrastructures needed to support these elements and their interconnections rather than subsidize individual enterprises. The power of Best's alternative framework is illustrated by case studies of transformative experiences previously regarded as economic "miracles": America's World War II industrial buildup, Germany's postwar recovery, Greater Boston's innovation system, Ireland's tech-sector boom, and the rise of the Asian Tigers and China.Accessible and engaging, How Growth Really Happens is required reading for anyone who wants to advance today’s crucial debates about industrial policy, climate change, globalization, technological change, and the future of work.

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The latest work in eighteenth-century studies.Showcasing exciting new research across disciplines, Volume 52 of Studies in Eighteenth-Century Culture explores how history's dominant narratives have been challenged and reframed.Anne Lafont shows how early writings about Black art questioned the cultural negation of enslaved peoples' humanity. A cluster of essays on "Decolonizing Eighteenth-Century Studies" connects the current conditions under which we produce scholarship to the forms of exploitation that defined the eighteenth century. Erica Johnson Edwards chronicles how self-liberated people in colonial Haiti resisted their recapture by using advertisements for unclaimed runaways, while Allison Cardon argues that Ottobah Cugoano's critiques of abolitionist discourse were more radical than we have recognized. Another cluster recenters Native epistemologies in the interactions between Indigenous Peoples and settlers in the American South.Alison DeSimone compares love songs to didactic and erotic literature. Carolina Blutrach recovers the contributions that diplomats' spouses made to cultural life, while Jolene Zigarovich unearths evidence of women who transmitted property to other women. Two clusters focus on the "Female Wunderkind in the Eighteenth Century" and "Biography and the Woman Writer Revisited."Jeffrey Ravel investigates the use of playing cards in the French Revolution, while Christopher Hendricks recovers the history of the jumbal, a proto-cookie. A collaboratively written essay explores the movements of four commodities through the global supply chain. Mattie Burkert focuses on the invisible labor of women. Andrew Black considers Alexander Pope's use of the oral. Volume 52 concludes with a cluster on Oliver Goldsmith's "The Deserted Village" that studies the poem's acoustics, history of illustration, and intertextual resonance.CONTRIBUTORS: Kathleen Tamayo Alves, Nicole Balzer, Andrew Black, Carolina Blutrach, Mónica Bolufer, Mattie Burkert, Allison Cardon, Emily Casey, Tita Chico, Sarah R. Cohen, Rebecca Crisafulli, Pichaya Damrongpiwat, Alison DeSimone, Alejandra Dubcovsky, Erica Johnson Edwards, Robbie Ethridge, Timothy Erwin, Lise Gaston, Michael Griffin, Christopher E. Hendricks, Elizabeth Hutchinson, Cynthia Kok, Anne Lafont, Brittany Luberda, Waltraud Maierhofer, Patrícia Martins Marcos, Jennifer Monroe McCutchen, Elizabeth Neiman, David O'Shaughnessy, Jürgen Overhoff, Jeffrey S. Ravel, Bryan C. Rindfleisch, Robbie Richardson, Yael Shapira, Kaitlin Tonti, Sophie Tunney, Denys Van Renen, Andrew O. Winckles, Joshua Wright, Chi-Ming Yang, Jolene Zigarovich, Tim Zumhof

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Acclaim for the first edition:'The Handbook of Sustainable Development Planning is perfect for readers in different professions who deal with planning and development management. It contains interesting theoretical considerations, provokes discussion, and provides new perspectives for the analysis of sustainable development processes. The cases presented illustrate the complexity of the issues relating to sustainable development and show how modeling can support policy and decision making processes.'- Miroslaw Grochowski, Geographia PolonicaThe thoroughly revised second edition of this authoritative Handbook, complete with new chapters, comprehensively examines the current status and future directions of model-based systems in decision support and their application to sustainable development planning.The Handbook presents a full review of model-based applications in sustainable development planning, paying particular attention to environment disaster, ecosystem management, energy, infrastructure development, and agricultural systems, amongst other contemporary issues. Conceptual and policy oriented papers debate the future directions of model-based sustainable development planning.Given the rise in prominence of sustainable development planning in recent years, this Handbook will be invaluable to a wide-ranging audience including NGOs, planners, consultants, policymakers, and academics.Contributors: A. Aurum, I. Banos, P. Bartoszczuk, F. Carreño, J.F. Courtney, J.M. Fernández, M. Handzic, I. Moffatt, A. Moreno, K. Mukherjee, D. Paradice, M.A. Quaddus, H. Qudrat-Ullah, S. Richardson, K. Saeed, J. Sarkis, M.A.E. Selma, M.A.B. Siddique, S. Talluri, C. Tisdell, C. Van Toorn, H. Xu, K. Yamaguchi

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Considers how people have confronted, challenged, and resisted remote warfare Drone warfare is now a routine, if not predominant, aspect of military engagement. Although this method of delivering violence at a distance has been a part of military arsenals for two decades, scholarly debate on remote warfare writ large has remained stuck in tired debates about practicality, efficacy, and ethics. Remote Warfare broadens the conversation, interrogating the cultural and political dimensions of distant warfare and examining how various stakeholders have responded to the reality of state-sponsored remote violence.The essays here represent a panoply of viewpoints, revealing overlooked histories of remoteness, novel methodologies, and new intellectual challenges. From the story arc of Homeland to redefining the idea of a “warrior,” these thirteen pieces consider the new nature of surveillance, similarities between killing with drones and gaming, literature written by veterans, and much more. Timely and provocative, Remote Warfare makes significant and lasting contributions to our understanding of drones and the cultural forces that shape and sustain them.Contributors: Syed Irfan Ashraf, U of Peshawar, Pakistan; Jens Borrebye Bjering, U of Southern Denmark; Annika Brunck, U of Tübingen; David A. Buchanan, U.S. Air Force Academy; Owen Coggins, Open U; Andreas Immanuel Graae, U of Southern Denmark; Brittany Hirth, Dickinson State U; Tim Jelfs, U of Groningen; Ann-Katrine S. Nielsen, Aarhus U; Nike Nivar Ortiz, U of Southern California; Michael Richardson, U of New South Wales; Kristin Shamas, U of Oklahoma; Sajdeep Soomal; Michael Zeitlin, U of British Columbia.

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Considers how people have confronted, challenged, and resisted remote warfare Drone warfare is now a routine, if not predominant, aspect of military engagement. Although this method of delivering violence at a distance has been a part of military arsenals for two decades, scholarly debate on remote warfare writ large has remained stuck in tired debates about practicality, efficacy, and ethics. Remote Warfare broadens the conversation, interrogating the cultural and political dimensions of distant warfare and examining how various stakeholders have responded to the reality of state-sponsored remote violence.The essays here represent a panoply of viewpoints, revealing overlooked histories of remoteness, novel methodologies, and new intellectual challenges. From the story arc of Homeland to redefining the idea of a “warrior,” these thirteen pieces consider the new nature of surveillance, similarities between killing with drones and gaming, literature written by veterans, and much more. Timely and provocative, Remote Warfare makes significant and lasting contributions to our understanding of drones and the cultural forces that shape and sustain them.Contributors: Syed Irfan Ashraf, U of Peshawar, Pakistan; Jens Borrebye Bjering, U of Southern Denmark; Annika Brunck, U of Tübingen; David A. Buchanan, U.S. Air Force Academy; Owen Coggins, Open U; Andreas Immanuel Graae, U of Southern Denmark; Brittany Hirth, Dickinson State U; Tim Jelfs, U of Groningen; Ann-Katrine S. Nielsen, Aarhus U; Nike Nivar Ortiz, U of Southern California; Michael Richardson, U of New South Wales; Kristin Shamas, U of Oklahoma; Sajdeep Soomal; Michael Zeitlin, U of British Columbia.

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In this collection brimming, with pared down imagery and crystal sharp language, we are invited to become the hollow bone, the small vessel with space for insight and reflection. Steeped in the natural world and sensitive to how each body interfaces with the world, Ian Marriott''s debut moves us from the quotidian to the mysterious found in the everyday and in the world''s wilderenesses. The poetry is alive with experiences of the forest, the mountains, the vastness of Antartica; the language meditative, spare and precise and the form follows breath - short lines that carry contemplative thought forward with fluid ease. Winner of the Cinnamon Press Debut Poetry Collection Award, adjudicated by outstanding eco-poet, Susan Richardson, The Hollow Bone is suffused with shamanic sensibilty that is communicated with elegance, from the title poem with it''s thoughfully hone sketches of birds alive and dead to the longer sequence of koan-like fragments in Terra Infirma, it takes the

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Narrative Mourning explores death and its relics as they appear within the confines of the eighteenth-century British novel. It argues that the cultural disappearance of the dead/dying body and the introduction of consciousness as humanity’s newfound soul found expression in fictional representations of the relic (object) or relict (person). In the six novels examined in this monograph—Samuel Richardson's Clarissa and Sir Charles Grandison; Sarah Fielding's David Simple and Volume the Last; Henry Mackenzie's The Man of Feeling; and Ann Radcliffe's The Mysteries of Udolpho—the appearance of the relic/relict signals narrative mourning and expresses (often obliquely) changing cultural attitudes toward the dead. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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Narrative Mourning explores death and its relics as they appear within the confines of the eighteenth-century British novel. It argues that the cultural disappearance of the dead/dying body and the introduction of consciousness as humanity’s newfound soul found expression in fictional representations of the relic (object) or relict (person). In the six novels examined in this monograph—Samuel Richardson's Clarissa and Sir Charles Grandison; Sarah Fielding's David Simple and Volume the Last; Henry Mackenzie's The Man of Feeling; and Ann Radcliffe's The Mysteries of Udolpho—the appearance of the relic/relict signals narrative mourning and expresses (often obliquely) changing cultural attitudes toward the dead. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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Over a period of 100 days from July to October 2009, 2,400 people stood on the fourth plinth in Trafalgar Square for one hour. They were free to do as they chose during this period in the spotlight. Nobody could predict what would happen or the scale of the response. Many thousands applied for the 2,400 slots and candidates were selected randomly. Millions watched the events as they were all filmed and available online. Hundreds of thousands continued to turn to the website long after the project itself was finished. The event was a phenomenon, which we are grappling to understand. The entire enterprise was the conceived by Antony Gormley, and can be seen as a further example of the artist's ability to tap into the public consciousness. The book will contain studio portraits of all the 'plinthers' prior to their appearance. Photographs will be drawn from innumerable sources. The whole event has been remarkably photographed by Clare Richardson and the final edit will be drawn from a selection of 600 of her pictures of 'plinthers and public by day and night. Lee Hall will be writing a text about the importance of the square itself as a location. Essays will be included from Hans Ulrich Obrist, the art historian, as well as by both an anthropologist and a psychoanalyst. All the 'plinthers' were subject to extensive interviews set up by an oral history expert and their voices will contribute to the creation of a book that is more than a document. The aim is to capture the emotional intensity and the personally transformative effect that was created by one of the most extraordinary works of public art in our time.

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Cassie Richardson wants revenge. She's angry. And dead. Like, murdered dead. Working for Dial One for Revenge - an afterlife vengeance for hire, she remains top of the leader board and powering through her cases to get her hundred file. Inside it - her killer's name. A few rules - work hard, no distractions and no contact with the unnecessary living. Stay detached from who you once were, keep the Miseria away, the Board happy, don't give your Nem any trouble and you won't be taken. Easy, right? Alongside Cassie, her PA and Doorkeeper work with her to keep her on top of her game, in between her situationship with Elodie and meetings at the Nutmeg Cafe, things seem to be going in the right direction. However, when Cassie stumbles into Perrie in the outside world, a very much alive psychic girl of her dreams, everything changes. Can an un-bucket list be just what Cassie needs? And is the vengeance she's been dreaming of really what she wants?

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Political Black Girl Magic explores black women’s experiences as mayors in American cities. The editor and contributors to this comprehensive volume examine black female mayoral campaigns and elections where race and gender are a factor—and where deracialized campaigns have garnered candidate support from white as well as Hispanic and Asian American voters. Chapters also consider how Black female mayors govern, from discussions of their pursuit of economic growth and how they use their power to enact positive reforms to the challenges they face that inhibit their abilities to cater to neglected communities. Case studies in this interdisciplinary volume include female mayors in Atlanta, Baltimore, Charlotte, Chicago, Compton, and Washington, DC, among other cities, along with discussion of each official’s political context. Covering mayors from the 1960s to the present, Political Black Girl Magic identifies the most significant obstacles black women have faced as mayors and mayoral candidates, and seeks to understand how race, gender, or the combination of both affected them. Contributors: Andrea Benjamin, Nadia E. Brown, Pearl K. Dowe, Christina Greer, Precious Hall, Valerie C. Johnson, Yolanda Jones, Lauren King, Angela K. Lewis-Maddox, Minion K.C. Morrison, Marcella Mulholland, Stephanie A. Pink-Harper, Kelly Briana Richardson, Emmitt Y. Riley, III, Ashley Robertson Preston, Taisha Saintil, Jamil Scott, Fatemeh Shafiei, James Lance Taylor, LaRaven Temoney, Linda Trautman, and the editor

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In this innovative analysis of canonical British novels, Campbell identifies a new literary device—the surrogate family—as a signal of cultural anxieties about young women’s changing relationship to matrimony across the long eighteenth century. By assembling chosen families rather than families of origin, Campbell convincingly argues, female protagonists in these works compensate for weak family ties, explore the world and themselves, prepare for idealized marriages, or sidestep marriage altogether. Tracing the evolution of this rich convention from the female characters in Defoe’s and Richardson’s fiction who are allowed some autonomy in choosing spouses, to the more explicitly feminist work of Haywood and Burney, in which connections between protagonists and their surrogate sisters and mothers can substitute for marriage itself, this book makes an ambitious intervention by upending a traditional trope—the model of the hierarchal family—ultimately offering a new lens through which to regard these familiar works.

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In The Motion of the Heart and Blood (1653), William Harvey had set forth the scientific model of a phallic, generative organ pumping blood through a feminized body; in Paradise Lost, it is through the protracted rape and violation of Eve's heart that the Fall of Man occurs; nearly a century later Samuel Richardson's Clarissa would present a no less forceful but far more feminist and heroic narrative of the heart's power. Examining these other—and mostly English-literary, medical, religious, and philosophical texts, Erickson uncovers two ruling clusters of metaphors: one associating the heart with language, writing, and thought, the other with sex, passion, and gender. Charting the tension between the two, he offers a brilliant new reading of one of the central symbols in Western culture.

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In the late 1960s the Richardson Torture Gang and the Kray Twins were removed from the London scene by ACC Gerry McArthur and Det. Supt. Nipper Read respectively. Predictably it was not long before the vacuum this left was being filled. With McArthur retired and Read moved on, who was to sort out the new gangland threat? Step forward Detective Chief Superintendent Bert Wickstead. Having cut his teeth on young desperadoes and neo-Nazis in North London and solved London's biggest post war bank robbery, Wickstead was well qualified to head up the Yard's Serious Crime Squad. First to fall were the Dixon brothers, followed by the Tibbs family. As his fame spread he took on the West End Maltese Syndicate specialising in prostitution and extortion. When he broke up the Norma Levy call-girl ring, two cabinet peers had to resign. Inevitably Wickstead's career was dogged by unproved allegations of malpractice but, as this riveting insider' account conclusively proves, he more than earned his sobriquet The Gangbuster'.

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'Unsentimental, truthful and wonderful' Beryl Bainbridge, Independent Books of the Year When Sam Richardson returns in 1946 from the 'Forgotten War' in Burma to Wigton in Cumbria, he finds the town little changed. But the war has changed him, broadening his horizons as well as leaving him with traumatic memories. In addition, his six-year-old son now barely remembers him, and his wife has gained a sense of independence from her wartime jobs. As all three strive to adjust, the bonds of loyalty and love are stretched to breaking point in this taut, and profoundly moving novel. 'An outstandingly good novel...utterly credible, utterly compelling, and very enjoyable' Allan Massie, Scotsman 'Deeply felt, beautifully realised' John Sutherland, Sunday Times 'The first Great War came alive in Faulks's Birdsong; the second Great War, and in particular the Burma campaign, comes very much alive in Melvyn Bragg's The Soldier's Return - wholly absorbing' John Bayley, Evening Standard 'Sympathetic, touching, infinitely believable...This is a highly accomplished novel' D.J. Taylor, Literary Review

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Cecil Beaton (1904–1980) was a man of dazzling charm and style, and his talents were many. In his twenties he recorded London and New York society in needle-sharp words and drawings, and then, at Condé Nast’s insistence, in photographs. The resulting work earned him a place among the great chroniclers of fashion. In this classic book, now in a sumptuous paperback edition after many years out of print, Josephine Ross selects and introduces articles, drawings and photographs by Beaton dating from the 1920s to the 1970s. It includes Beaton’s essays and vignettes on high society and its denizens, as well as such stars of the arts as Greta Garbo, Ralph Richardson, Pablo Picasso and David Hockney. It also reproduces Beaton’s war photographs, drawings and writings, from bombed London to China and the North Africa Desert. Beaton loved Vogue, and his contributions testify to the wit, imagination and professionalism that the man and the magazine always had in common.

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There has always been a great boxing tradition in Newport and the valleys of Monmouthshire, but recently the area has excelled itself. Over the last two decades, no fewer than four world champions have been groomed in local gyms. Robbie Regan, Gavin Rees, Nathan Cleverly and the incomparable Joe Calzaghe may be the stand-out achievers featured in this book, but they are far from the only stars remembered here. Johnny Basham and the `Maesglas Marciano’, Dick Richardson, lead the way for the city on the Usk, while there are many others who have worn the Lonsdale Belt or claimed Commonwealth Games medals. And the changing face of boxing is epitomised by Ebbw Vale girl Ashley Brace, the first woman to top a professional bill in Wales – and the first to win an international title. Some 70 boxers are pictured and profiled. Any fight fan, whether a `Gwentie’ or not, will enjoy this book.

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A groundbreaking study that shows how countries can create innovative, production-based economies for the twenty-first centuryAchieving economic growth is one of today's key challenges. In this groundbreaking book, Michael Best argues that to understand how successful growth happens we need an economic framework that focuses on production, governance, and skills.This production-centric framework is the culmination of three simultaneous journeys. The first has been Best's visits to hundreds of factories worldwide, starting early as the son of a labor organizer and continuing through his work as an academic and industrial consultant. The second is a survey of two hundred years of economic thought from Babbage to Krugman, with stops along the way for Marx, Marshall, Young, Penrose, Richardson, Schumpeter, Kuznets, Abramovitz, Keynes, and Jacobs. The third is a tour of historical episodes of successful and failed transformations, focusing sharply on three core elements—the production system, business organization, and skill formation—and their interconnections.Best makes the case that government should create the institutional infrastructures needed to support these elements and their interconnections rather than subsidize individual enterprises. The power of Best's alternative framework is illustrated by case studies of transformative experiences previously regarded as economic "miracles": America's World War II industrial buildup, Germany's postwar recovery, Greater Boston's innovation system, Ireland's tech-sector boom, and the rise of the Asian Tigers and China.Accessible and engaging, How Growth Really Happens is required reading for anyone who wants to advance today’s crucial debates about industrial policy, climate change, globalization, technological change, and the future of work.

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