Search results for ""Author Alex"

The Advances in Chemical Physics series—the cutting edge of research in chemical physics The Advances in Chemical Physics series provides the chemical physics and physical chemistry fields with a forum for critical, authoritative evaluations of advances in every area of the discipline. Filled with cutting-edge research reported in a cohesive manner not found elsewhere in the literature, each volume of the Advances in Chemical Physics series presents contributions from internationally renowned chemists and serves as the perfect supplement to any advanced graduate class devoted to the study of chemical physics. This volume explores: Kinetics and thermodynamics of fluctuation-induced transitions in multistable systems (G. Nicolis and C. Nicolis) Dynamical rare event simulation techniques for equilibrium and nonequilibrium systems (Titus S. van Erp) Confocal depolarized dynamic light scattering (M. Potenza, T. Sanvito, V. Degiorgio, and M. Giglio) The two-step mechanism and the solution-crystal spinodal for nucleation of crystals in solution (Peter G. Vekilov) Experimental studies of two-step nucleation during two-dimensional crystallization of colloidal particles with short-range attraction (John R. Savage, Liquan Pei, and Anthony D. Dinsmore) On the role of metastable intermediate states in the homogeneous nucleation of solids from solution (James F. Lutsko) Effects of protein size on the high-concentration/low-concentration phase transition (Patrick Grosfils) Geometric constraints in the self-assembly of mineral dendrites and platelets (John J. Kozak) What can mesoscopic level in situ observations teach us about kinetics and thermodynamics of protein crystallization? (Mike Sleutel, Dominique Maes, and Alexander Van Driessche) The ability of silica to induce biomimetic crystallization of calcium carbonate (Matthias Kellermeier, Emilio Melero-GarcÍa, Werner Kunz, and Juan Manuel GarcÍa-Ruiz)

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This is the fifth volume in the Oratory of Classical Greece. This series presents all of the surviving speeches from the late fifth and fourth centuries B.C. in new translations prepared by classical scholars who are at the forefront of the discipline. These translations are especially designed for the needs and interests of today's undergraduates, Greekless scholars in other disciplines, and the general public. Classical oratory is an invaluable resource for the study of ancient Greek life and culture. The speeches offer evidence on Greek moral views, social and economic conditions, political and social ideology, law and legal procedure, and other aspects of Athenian culture that have been largely ignored: women and family life, slavery, and religion, to name just a few. This volume combines the surviving speeches of three orators who stand at the end of the classical period. Dinarchus was not an Athenian, but he was called on to write speeches in connection with a corruption scandal (the Harpalus affair) that put an end to the career of Demosthenes. His speeches thus raise many of the vital issues surrounding the Macedonian conquest of Athens and the final years of Athenian democracy. Hyperides was an important public figure who was involved in many of the events described by Dinarchus and Lycurgus. His speeches open a window into many interesting facets of Athenian life. Lycurgus was one of the leading politicians in Athens during the reign of Alexander the Great and put Athenian public finances on a more secure footing. He was also a deeply religious man, who tried to revive Athenian patriotism after the crushing defeat at Chaeronea.

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The third book in the funny and joyful series Katherine Applegate has called “tender and important,” by National Book Award finalist Elana K. Arnold.Bixby Alexander Tam (nicknamed Bat) has been the caretaker for Thor, the best skunk kit in the world...but the last day of third grade is quickly approaching, and Thor is almost ready to be released into the wild.The end of school also means that Bat has to say good-bye to his favorite teacher, and he worries about the summer care of Babycakes, their adorable class pet. Not only that, but his best friend is leaving for a long vacation in Canada.Summer promises good things, too, like working with his mom at the vet clinic and hanging out with his sister, Janie. But Bat can’t help but feel that everything is coming to an end.National Book Award finalist Elana K. Arnold returns with the third story starring an unforgettable boy on the autism spectrum.Elana K. Arnold's Bat trilogy is a proven winner in the home and classroom—kids love these short illustrated young middle grade books. The trilogy is A Boy Called Bat, Bat and the Waiting Game, and Bat and the End of Everything.

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From King Arthur and the Round Table to Alexander the Great’s global conquests, the stories of romance appear in some of the most beautiful books of the Middle Ages, and still resonate today. This book provides an engaging, scholarly and richly illustrated guide to medieval romance and its continuing influence on literature and art. Romance’s conjunctions of chivalric violence, love and piety, and its openness to the miraculous, monstrous or bizarre mark it out as the most fertile narrative form of the Western Middle Ages. This book examines the development of romance as a literary genre, its place in medieval culture, and the scribes and readers who copied, owned and commented on romance books – from magnificent illuminated manuscripts to personal notebooks and chance survivals. It also explores the complex anatomy of human desire in romance, as portrayed by writers including Dante, Chaucer and Thomas Malory. Medieval romance was hugely popular after the Middle Ages. Shakespeare, Spenser and Walter Scott imbibed its motifs, Mark Twain parodied them, and the Pre-Raphaelites based an aesthetic movement around them. The Romance of the Middle Ages traces the influence of the genre to the twentieth century and beyond, encompassing the stories of J.R.R. Tolkien, C.S. Lewis and J.K. Rowling, the Jedi knights of Star Wars and Monty Python’s Knights who say ‘Ni!’.

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Circles Disturbed brings together important thinkers in mathematics, history, and philosophy to explore the relationship between mathematics and narrative. The book's title recalls the last words of the great Greek mathematician Archimedes before he was slain by a Roman soldier--"Don't disturb my circles"--words that seem to refer to two radically different concerns: that of the practical person living in the concrete world of reality, and that of the theoretician lost in a world of abstraction. Stories and theorems are, in a sense, the natural languages of these two worlds--stories representing the way we act and interact, and theorems giving us pure thought, distilled from the hustle and bustle of reality. Yet, though the voices of stories and theorems seem totally different, they share profound connections and similarities. A book unlike any other, Circles Disturbed delves into topics such as the way in which historical and biographical narratives shape our understanding of mathematics and mathematicians, the development of "myths of origins" in mathematics, the structure and importance of mathematical dreams, the role of storytelling in the formation of mathematical intuitions, the ways mathematics helps us organize the way we think about narrative structure, and much more. In addition to the editors, the contributors are Amir Alexander, David Corfield, Peter Galison, Timothy Gowers, Michael Harris, David Herman, Federica La Nave, G.E.R. Lloyd, Uri Margolin, Colin McLarty, Jan Christoph Meister, Arkady Plotnitsky, and Bernard Teissier.

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Is Byzantine Studies a colonialist discipline? Rather than provide a definitive answer to this question, this book defines the parameters of the debate and proposes ways of thinking about what it would mean to engage seriously with the field’s political and intellectual genealogies, hierarchies, and forms of exclusion.In this volume, scholars of art, history, and literature address the entanglements, past and present, among the academic discipline of Byzantine Studies and the practice and legacies of European colonialism. Starting with the premise that Byzantium and the field of Byzantine studies are simultaneously colonial and colonized, the chapters address topics ranging from the material basis of philological scholarship and its uses in modern politics to the colonial plunder of art and its consequences for curatorial practice in the present. The book concludes with a bibliography that serves as a foundation for a coherent and systematic critical historiography. Bringing together insights from scholars working in different disciplines, regions, and institutions, Is Byzantine Studies a Colonialist Discipline? urges practitioners to reckon with the discipline’s colonialist, imperialist, and white supremacist history.In addition to the editors, the contributors to this volume include Andrea Myers Achi, Nathanael Aschenbrenner, Bahattin Bayram, Averil Cameron, Stephanie R. Caruso, Şebnem Dönbekci, Hugh G. Jeffery, Anthony Kaldellis, Matthew Kinloch, Nicholas S. M. Matheou, Maria Mavroudi, Zeynep Olgun, Arietta Papaconstantinou, Jake Ransohoff, Alexandra Vukovich, Elizabeth Dospěl Williams, and Arielle Winnik.

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What happens to art when feminism grips the curatorial imagination? How do sexual politics become realised as exhibits? Is the struggle against gender discrimination compatible with the aspirations of museums led by market values? Beginning with the feminist critique of the art exhibition in the 1970s and concluding with reflections on intersectional curating and globalisation after 2000, this pioneering collection offers an alternative narrative of feminism’s impact on art. The essays provide rigorous accounts of developments in Scandinavia, Eastern and Southern Europe as well as the UK and US, framed by an introduction which offers a politically engaging navigation of historical and current positions. Delivered through essays, memoirs and interviews, discussion highlights include the Tate Modern hang, relational aesthetics, the global exhibition, feminism and technology in the museum, the rise of curatorial collectivism, and insights into major exhibitions such as Gender Check on Eastern Europe. Bringing together two generations of curators, artists and historians to rethink distinct and unresolved moments in the feminist re-modelling of art contexts, this volume dares to ask: is there a history of feminist art or one of feminist presentations of artworks? Contributors include Deborah Cherry, Jo Anna Isaak, Malin Hedlin Hayden, Lubaina Himid, Amelia Jones, Kati Kivimaa, Alexandra Kokoli, Kuratorisk Aktion, Suzana Milevska, Suzanne Lacy, Lucy Lippard, Sue Malvern, Nancy Proctor, Bojana Pejić, Helena Reckitt, Jessica Sjöholm Skrubbe, Jeannine Tang and Catherine Wood.

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Rome’s internal conflicts, from the Gracchi to the Empire.Appian (Appianus) is among our principal sources for the history of the Roman Republic, particularly in the second and first centuries BC, and sometimes our only source, as for the Third Punic War and the destruction of Carthage. Born circa AD 95, Appian was an Alexandrian official at ease in the highest political and literary circles who later became a Roman citizen and advocate. He apparently received equestrian rank, for in his later years he was offered a procuratorship. He died during the reign of Antoninus Pius (emperor 138–161).Appian’s theme is the process by which the Roman Empire achieved its contemporary prosperity, and his unique method is to trace in individual books the story of each nation’s wars with Rome up through her own civil wars. Although this triumph of “harmony and monarchy” was achieved through characteristic Roman virtues, Appian is unusually objective about Rome’s shortcomings along the way. His history is particularly strong on financial and economic matters, and on the operations of warfare and diplomacy.Of the work’s original twenty-four books, only the Preface and Books 6–9 and 11–17 are preserved complete or nearly so: those on the Spanish, Hannibalic, African, Illyrian, Syrian, and Mithridatic wars, and five books on the civil wars.This edition of Appian replaces the original Loeb edition by Horace White and adds the fragments, as well as his letter to Fronto.

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A groundbreaking and essential survey of the art of Lynette Yiadom-Boakye, offering an in-depth discussion of the development of the artist and positioning her work within a wider history of portraiture. Lynette Yiadom-Boakye: Fly In League With The Night celebrates the work of one of the most significant and acclaimed figurative painters of her generation. Fact and fiction fuse in Yiadom-Boakye’s paintings: they appear to be portraits, yet the people she depicts are not real but invented. Created from a composite of found images and her own imagination, her characters seem to exist outside of a specific time or place: they feel at once familiar yet mysterious. This ambiguity resonates again in the enigmatic titles she gives to her artworks. The artist is also a writer of poetry and prose, and for her, the two forms of creativity complement each other: ‘The things I can’t paint, I write, and the things I can’t write, I paint.’ This perceptive and engaging publication provides a comprehensive account of Yiadom-Boakye’s practice over the past two decades. With contributions by the celebrated poet Elizabeth Alexander and curators Andrea Schlieker and Isabella Maidment, alongside new writing by Yiadom-Boakye, Fly In League With The Night reflects the dual aspects of the artist’s career as both a painter and a writer and offers an intimate insight into her creative process.

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Rome’s foreign wars, nation by nation.Appian (Appianus) is among our principal sources for the history of the Roman Republic, particularly in the second and first centuries BC, and sometimes our only source, as for the Third Punic War and the destruction of Carthage. Born circa AD 95, Appian was an Alexandrian official at ease in the highest political and literary circles who later became a Roman citizen and advocate. He apparently received equestrian rank, for in his later years he was offered a procuratorship. He died during the reign of Antoninus Pius (emperor 138–161).Appian’s theme is the process by which the Roman Empire achieved its contemporary prosperity, and his unique method is to trace in individual books the story of each nation’s wars with Rome up through her own civil wars. Although this triumph of “harmony and monarchy” was achieved through characteristic Roman virtues, Appian is unusually objective about Rome’s shortcomings along the way. His history is particularly strong on financial and economic matters, and on the operations of warfare and diplomacy.Of the work’s original twenty-four books, only the Preface and Books 6–9 and 11–17 are preserved complete or nearly so: those on the Spanish, Hannibalic, African, Illyrian, Syrian, and Mithridatic wars, and five books on the civil wars.This edition of Appian replaces the original Loeb edition by Horace White and adds the fragments, as well as his letter to Fronto.

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During the period 1000-1700 major transformations took place in material culture. Quite simply, more objects were manufactured and used than ever before and many objects travelled across geographic, political, religious, linguistic, class and cultural boundaries. By starting with a focus on past objects, this volume brings together essays from art historians, historians, archaeologists, literary scholars and museum curators to reveal the different disciplinary approaches and methods taken to the study of objects and what this can reveal about transformations in material culture 1000-1700. Contributors: Katherine A. Wilson, Leah R. Clark, Alison M. Leonard, Steven P. Ashby, Michael Lewis, Robert Maniura, Sarah Hinds, Christina Antenhofer, Alexandra van Dongen, Bettina Bildhauer, Julie De Groot, Jennifer Hillman, Ruth Whelan, Christopher Donaldson, Thomas Pickles.

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This textbook is endorsed by OCR and supports the specification for AS and A-Level Ancient History (first teaching September 2017). It covers the whole of Component 1, both the compulsory Period Study and the three optional Depth Studies: Period Study: Relations between Greek states and between Greek and non-Greek states, 492–404 BC by Steve Matthews and James Renshaw Depth Study: The Politics and Society of Sparta, 478–404 BC by Charlie Cottam Depth Study: The Politics and Culture of Athens c. 460–399 BC by David L. S. Hodgkinson and James Renshaw Depth Study: The Rise of Macedon, 359–323 BC by Lucy Nicholas How and why did a small group of city states defy the might of the Persian Empire? Why did the same city states subsequently descend into 60 years of conflict among themselves? Were Sparta and Athens very different? How did Alexander later redefine the Greek world? These are the sort of questions that you are required to consider for A-Level Ancient History. This book investigates how the birth of democracy and the defeat of Persia allowed a flourish of political and philosophical thought that subsequently defined western civilisation. It further explores the contrasts between Spartan and Athenian culture. The ideal preparation for the final examinations, all content is presented by experts and experienced teachers in a clear and accessible narrative. Ancient literary and visual sources are described and analysed, with supporting images. Helpful student features include study questions, further reading, and boxes focusing in on key people, events and terms. Practice questions and exam guidance prepare students for assessment. A Companion Website is available at www.bloomsbury.com/ anc-hist-as-a-level.

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Le présent ouvrage vise à présenter des approches non-duales de la réalité issues d’aires géographiques et d’horizons disciplinaires différents : Advaita Vedanta, bouddhisme Chan et Dzogchen, soufisme, philosophie occidentale, sciences, arts et spiritualités contemporaines. Si le thème de la non-dualité est fréquent aujourd’hui dans divers types d’approches spirituelles, force est de constater qu’il n’a été que peu traité à un niveau académique. Les différents chapitres s’efforcent de cerner avec rigueur ces approches dans leur spécificité, préalable à toute véritable recherche transdisciplinaire. Ce volume est le fruit d’un séminaire de métaphysique organisé à l’Université de Louvain au cours de l’année académique 2017-2018. Contributions de Michel Hulin, Viktoria Lyssenko, Philippe Cornu, Dylan Esler, Grégory Vandamme, Daniel Proulx, Hervé Pasqua, Jean-Michel Counet, Marc Maesschalck, Manoé Reynaerts, Alexis Filippucci, Bertrand Hespel, Olivier Sartenaer, Philippe Filliot, José Le Roy et Christophe Vielle.

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Learn about the history of dragons in this photographic nonfiction leveled reader perfect for kids interested in the natural - and unnatural - world!Did you know that Marco Polo, Alexander the Great, and other explorers all described seeing dragons in their ancient travels? Or that the Komodo dragon may not breathe fire, but it has a venomous bite to help catch its prey? Even today there are still some types of dragons roaming the earth!Embracing children's delight in the mythical creatures while also imparting fascinating facts about the real ones, discover the history of these special animals and decide for yourself if you believe in dragons!With simple language and vivid photographs, Are Dragons Real? is perfect for emerging readers curious about the natural world and this legendary creature.

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Anhand einer Analyse des Konzepts der Fairness, auf das die Europäischen Verträge in der englischen Fassung von Art. 102 S. 2 lit. a) AEUV Bezug nehmen, und das der neue Digital Markets Act in sein Zentrum rückt, untersucht Johannes Blaschczok klassische Grundfragen des Kartellrechts unter einem veränderten Blickwinkel. Auf rechtsmethodischer Ebene erweist sich dabei die Diskurstheorie des Rechts nach J. Habermas und R. Alexy als besonders geeignet, um eine fundierte Integration komplexer wirtschaftswissenschaftlicher wie wirtschaftsethischer Argumente in die juristische Normauslegung zu gewährleisten. Auf wirtschaftspolitischer Ebene stellt sich unter dem Eindruck des post-Chicago reckoning und der sich in den Vereinigten Staaten im Vordringen befindenden New Brandeis School die Frage, ob nicht auch der herkömmliche europäische Ordoliberalismus einiger Aktualisierungen bedarf und wie diese im Wettbewerbsrecht aussehen müssen.

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Making a Life in Photography: Rollie McKenna is the first career survey of prolific American photographer Rosalie (Rollie) Thorne McKenna (19182003). After graduating from Vassar College in 1940, McKenna worked independently as a sought-after architectural and portrait photographer, making unique yet underrecognised contributions to American modernism and documentary photography. McKenna's work was published in numerous books and magazines including Vogue, Vanity Fair, and Fortune. The Museum of Modern Art's 1955 landmark exhibition Latin American Modernism Since 1945 featured her architectural photographs. She made iconic portraits of artists and writers, including W. H. Auden, Elizabeth Bishop, Alexander Calder, Truman Capote, T. S. Eliot, Laura Gilpin, Henry Moore, Sylvia Plath, Ezra Pound, Anne Sexton, Dylan Thomas, and Eudora Welty. McKenna's story as a queer woman would be lost if not for her dedication to preserving her own legacy.S

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Massively damaged in Aliens and Alien3, the synthetic Bishop asked to be shut down forever. His creator, Michael Bishop, has other plans. He seeks the Xenomorph knowledge stored in the android's mind, and brings Bishop back to life-but for what reason? No longer an employee of the Weyland-Yutani Corporation, Michael tells his creation that he seeks to advance medical research for the benefit of humanity. Yet where does he get the resources needed to advance his work. With whom do his new allegiances lie? Bishop is pursued by Colonial Marines Captain Marcel Apone, commander of the Il Conde and younger brother of Master Sergeant Alexander Apone, one of the casualties of the doomed mission to LV-426. Also on his trail are the "Dog Catchers," commandos employed by Weyland-Yutani. Who else might benefit from Bishop's intimate knowledge of the deadliest creatures in the galaxy?

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The forces of freedom are challenged everywhere by a newly energized spirit of tyranny, whether it is Jihadist terrorism, Putin's imperialism, or the ambitions of China's dictatorship, writes Waller R. Newell in this engaging exposé of a thousand dangers. We will see why tyranny is a permanent threat by following its strange career from Homeric Bronze Age warriors, through the empires of Alexander the Great and Rome, to the medieval struggle between the City of God and the City of Man, leading to the state-building despots of the Modern Age including the Tudors and 'enlightened despots' such as Peter the Great. The book explores the psychology of tyranny from Nero to Gaddafi, and how it changes with the Jacobin Terror into millenarian revolution. Stimulating and enlightening, Tyrants: Power, Injustice, and Terror will appeal to anyone interested in the danger posed by tyranny and terror in today's world.

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Descubra quiénes están detrás de algunas de las figuras más legendarias del arte, la política, la ciencia y la tecnología en este fascinante compendio de hechos históricos y datos biográficos. Como Michael y Joy Brown, que regalaron a Harper Lee el dinero suficiente para que pudiera dedicarse a escribir Matar a un ruiseñor. O Thomas A. Watson, el ayudante que construyó el teléfono inventado por Alexander Graham Bell. Y Sam Shaw, el hombre cuyas icónicas fotografías ayudaron a Marilyn Monroe a convertirse en el mito que es hoy en día. Cada uno de estos artículos está firmado por un reconocido analista e ilustrado por un artista de prestigio. Este libro es un homenaje a aquellas personas que ayudan a escribir la historia.

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A Kenyan upbringing is the ticket to this voyage into a remarkably real created world entered via carved, integrating frames. Twice TVs pick of the show at the Royal Academies and with crowds and fan mail at a third RA Summer Exhibition, James remains a virtual unknown in his own country. A production rate averaging just one painting a year may account for this, but in an Art World where price is all, his output is sufficient to net him a viable living selling internationally. Also introducing the remarkable paintings of his artist son Alexander James. Together their art is akin to a vigorous breath of fresh air in a stuffy room.

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Decouvert dans un manuscrit copte du IVe siecle de notre ere, le texte intitule Eugnoste est sans doute plus ancien. Il se caracterise par l'importance accordee au mythe de l'Homme primordial qui est la forme manifestee du Dieu supreme. Il touche la question, chaudement debattue depuis l'Ecole d'Histoire des Religions en Allemagne, des liens entre christianisme et gnosticisme, a propos du mythe de l'Homme celeste ou du Redempteur-rachete. Le milieu de production pourrait etre Alexandrie. Proche d'un judaisme platonisant, tel qu'on le trouve chez Philon d'Alexandrie, il enseigne un christianisme susceptible de plaire et d'attirer ce genre de milieu. Les doctrines philosophiques, issues du Moyen Platonisme, de meme que les paralleles dans la litterature patristique nous incitent a le dater de la premiere moitie du second siecle de notre ere. Comme Eugnoste a fait l'objet de plusieurs reecritures, sont analysees dans ce volume la version du codex III de Nag Hammadi (NH III, 3) ainsi que celle du codex V (NH V, 1). Un chapitre est egalement consacre a la doctrine baptismale qui se trouve dans une autre reecriture, celle de la Sagesse de Jesus-Christ (BG, 3; NH III, 4).

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At the beginning of the twenty-first century, scholarly interest in ceramics is at an all-time high. As a vehicle for much-needed synthesis, Ceramics in America is an interdisciplinary annual journal that examines the role of historical ceramics in the American context. Intended for collectors, historical archaeologists, curators, decorative arts students, social historians and contemporary potters, every issue features a variety of ground-breaking scholarly articles, new discoveries in the field, and book and exhibition reviews for this diverse audience. The 2006 issue of Ceramics in America will offer another comprehensive compilation of articles and new discoveries. This issue will review evidence of Dutch and English delft tiles used in seventeenth- and eighteenth-century American fireplaces. It will also feature new information about American stoneware and the archaeological recovery of commemorative wares related to George Washington in Alexandria, Virginia. The highlight of the journal will be the second part of John Austin's examination of potter Palin Thorely's career and production in Williamsburg, Virginia.

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Hilary Fannin (b. 1962) worked for many years as an actress both on stage and in television. A founder member of Wet Paint Arts theatre company, her first play, Mackerel Sky, was performed at the Bush Theatre (1997). She has written two radio plays: Red Feathers, and Dear Exile, both broadcast by BBC Radio 4. Sleeping Around, co-written with Stephen Greenhorn, Abi Morgan and Mark Ravenhill, was produced by Paines Plough, London in 1998, while Red Ball, which was commissioned by the Abbey Theatre's Education and Outreach Department, was performed by the National Association of Youth Drama in 2004. Fannin was joint Writer-in-Association at the Abbey Theatre for the centenary year.Maxim Gorky was born Alexei Maximovich Peshkov in Nizhny Novgorod, 225 miles east of Moscow, in 1868. By 1878 both his parents were dead and he spent his youth as a nomadic labourer. In 1898 his collection of Stories and Sketches was published and proved an

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Named 'Top 6' South Asia studies publications of 2016 by the British Association for South Asian Studies The Alchemy of Empire unravels the non-European origins of Enlightenment science. Focusing on the abject materials of empire-building, this study traces the genealogies of substances like mud, mortar, ice, and paper, as well as forms of knowledge like inoculation. Showing how East India Company employees deployed the paradigm of alchemy in order to make sense of the new worlds they confronted, Rajani Sudan argues that the Enlightenment was born largely out of Europe’s (and Britain’s) sense of insecurity and inferiority in the early modern world. Plumbing the depths of the imperial archive, Sudan uncovers the history of the British Enlightenment in the literary artifacts of the long eighteenth century, from the correspondence of the East India Company and the papers of the Royal Society to the poetry of Alexander Pope and the novels of Jane Austen.

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In the chaotic decades after the death of Alexander the Great, the world of the Greek city-state became deeply embroiled in the political struggles and unremitting violence of his successors’ contest for supremacy. As these presumptive rulers turned to the practical reality of administering the disparate territories under their control, they increasingly developed new cities by merging smaller settlements into large urban agglomerations. This practice of synoikism gave rise to many of the most important cities of the age, initiated major shifts in patterns of settlement, and consolidated numerous previously independent polities. The result was the increasing transformation of the fragmented world of the small Greek polis into an urbanized network of cities. Drawing on a wide array of archaeological, epigraphic, and textual evidence, City and Empire in the Age of the Successors reinterprets the role of urbanization in the creation of the Hellenistic kingdoms and argues for the agency of local actors in the formation of these new imperial cities.

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Quinn wants to save his bookshop, the last thing he needs is to fall in loveHay-on-Wye's only queer bookshop is always a hive of activity. So when it's threatened with closure, its owner Quinn Oxford is determined to do whatever it takes to save his beloved shop.That is until romantic novelist Noah Sage arrives in town. Gorgeous, brooding and clearly unhappy to be there, Noah is the distraction Quinn doesn't need. Noah has a history with Hay and it's one he'd rather not face. But when the snow leaves him stranded, he's left with no choice.Hay is a small town, meaning Quinn can't help but bump into Noah wherever he goes. And as the two grow closer together, is it possible that Noah's feelings towards Hay will thaw? Can Quinn have a real-life romance and save his beloved bookshop? Or will he need a Christmas miracleThe perfect festive romcom for fans of Casey McQuiston and Alexis Hall! Tropes:Small TownForced ProximityGrumpy x Sunshine

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Experimental fashion has a dark side, a preoccupation with representations of death, trauma, alienation and decay. This seminal publication offers an unexpected discussion of cutting-edge fashion in the 1990s, exploring what its disturbing themes tell us about consumer culture and contemporary anxieties. Caroline Evans analyses the work of innovative designers, the images of fashion photographers and the spectacular fashion shows that developed in the final decade of the twentieth century to arrive at a new understanding of fashion’s dark side and what it signifies.Fashion at the Edge considers a range of ground- breaking fashion in unprecedented depth and detail, including the work of such designers as John Galliano, Alexander McQueen, Hussein Chalayan and Viktor & Rolf, and photographers such as Steven Meisel, Nick Knight and Juergen Teller.Drawing on diverse perspectives from Marx to Walter Benjamin, Evans shows that fashion stands at the very centre of the contemporary, and that it voices some of Western culture’s deepest concerns.

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The focus of Fictive Domains is the period 1717-1770, during which nostalgia was just beginning to emerge as a cultural concept. Using psychoanalytic, feminist, and materialist theories, this book examines representations of bodies and landscapes in the cultural production of the early- to mid-eighteenth century. With considerable social anxiety surrounding changes in the structure of the family, the control of bodies within the family, and ownership and access to the land, nostalgia generated narratives that became the richly textured novels and long poems of the eighteenth century. In Samuel Richardson's Clarissa, or the History of a Young Lady (1747-48), social anxieties are played out on the body of Clarissa Harlowe; female passion is controlled in Alexander Pope's "Eloisa to Abelard" (1717) and Jean-Jacques Rousseau's Julie, ou la Nouvelle Heloise (1761); questions of domesticity and family are explored in Oliver Goldsmith's The Vicar of Wakefield (1760); and an alternative domestic structure is proposed in Sarah Scott's A Description of Millenium Hall (1762).

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For fans of Jason Reynolds and Kwame Alexander, a poignant and timely novel about race, class, and second chances.Ever since T’Shawn’s dad died, his mother has been struggling to keep the family afloat. So when he’s offered a spot on a prestigious diving team at the local private swim club, he knows that joining would only add another bill to the pile.But T studies hard and never gets into trouble, so he thinks his mom might be willing to bear the cost… until he finds out that his older brother, Lamont, is getting released early from prison.Luckily, T’Shawn is given a scholarship, and he can put all his frustration into diving practices. But when criminal activity increases in the neighborhood and people begin to suspect Lamont, T’Shawn begins to worry that maybe his brother hasn’t left his criminal past behind after all. Can they put the broken pieces of their relationship back together?

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The Caro-Kann is a reliable yet at the same time dynamic answer to White's most popular opening move, 1 e4. It has the seal of approval of numerous leading Grandmasters including Vishy Anand, Evgeny Bareev and Alexey Dreev, as well as former World Champion Anatoly Karpov, who has utilized it with great success throughout his illustrious career. One of the attractions of the Caro-Kann is that it suits a variety of different styles; it can lead to wild tactical battles as well as quiet, positional play. In Play the Caro-Kann, Jovanka Houska presents the reader with a concise and trustworthy repertoire within the opening, providing a solution against all of White's main possibilities. Houska examines the important tactical and strategic plans for both sides, arming the reader with enough information to begin playing the Caro-Kann with confidence in his or her own games. *A complete repertoire against 1 e4 *Written by a Caro-Kann expert *Ideal for improvers, and club and tournament players

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Named 'Top 6' South Asia studies publications of 2016 by the British Association for South Asian Studies The Alchemy of Empire unravels the non-European origins of Enlightenment science. Focusing on the abject materials of empire-building, this study traces the genealogies of substances like mud, mortar, ice, and paper, as well as forms of knowledge like inoculation. Showing how East India Company employees deployed the paradigm of alchemy in order to make sense of the new worlds they confronted, Rajani Sudan argues that the Enlightenment was born largely out of Europe’s (and Britain’s) sense of insecurity and inferiority in the early modern world. Plumbing the depths of the imperial archive, Sudan uncovers the history of the British Enlightenment in the literary artifacts of the long eighteenth century, from the correspondence of the East India Company and the papers of the Royal Society to the poetry of Alexander Pope and the novels of Jane Austen.

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As lady-in-waiting to Mary, Queen of Scots, the beautiful Ginette - known as Jenny - is the young queen's closest childhood friend. Growing up in the elegant but ruthless French court, surrounded by enemies and traitors - not least the jealous, manipulative Catherine de Medici, and Mary's own scheming half-brother, James - Jenny has always been fiercely loyal to her mistress. But when she overhears a mysterious whispered plot, closely followed by several unexplained deaths at court, she puts her own life in danger and turns spy for Mary.Jenny quickly realises not a soul at court can be trusted, and when she and Mary return to their Scottish homeland for Mary to claim her throne, they face even greater peril. Desperate to protect her friend from those who would slit her throat to steal her crown, while battling her feelings for the charismatic nobleman Duncan Alexander, Jenny becomes embroiled in a dangerous web of secrets, betrayals and lies.

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Afghanistan: A Military History from the Ancient Empires to the Great Game covers the military history of a region encompassing Afghanistan, Central and South Asia, and West Asia, over some 2,500 years. This is the first comprehensive study in any language published on the millennia-long competition for domination and influence in one of the key regions of the Eurasian continent.Jalali’s work covers some of the most important events and figures in world military history, including the armies commanded by Cyrus the Great, Alexander the Great, the Muslim conquerors, Chinggis Khan, Tamerlane, and Babur. Afghanistan was the site of their campaigns and the numerous military conquests that facilitated exchange of military culture and technology that influenced military developments far beyond the region. An enduring theme throughout Afghanistan is the strong influence of the geography and the often extreme nature of the local terrain. Invaders mostly failed because the locals outmaneuvered them in an unforgiving environment. Important segments include Alexander the Great, remembered to this day as a great victor, though not a grand builder; the rise of Islam in the early seventh century in the Arabian Peninsula and the monumental and enduring shift in the social and political map of the world brought by its conquering armies; the medieval Islamic era, when the constant rise and fall of ruling dynasties and the prevalence of an unstable security environment reinforced localism in political, social, and military life; the centuries-long impact of the destruction caused by Chinggis Khan’s thirteenth century; early eighteenth century, when the Afghans achieved a remarkable military victory with extremely limited means leading to the downfall of the Persian Safavid dynasty; and the Battle of Panipat (1761), where Afghan Emperor Ahmad Shah Abdali decisively routed the Hindu confederacy under Maratha leadership, widely considered as one of the decisive battles of the world. It was in this period when the Afghans founded their modern state and a vast empire under Ahmad Shah Durrani, which shaped the environment for the arrival of the European powers and the Great Game.

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Raising questions that are as relevant to modern society as they were to the ancient world, Aristotle's The Politics remains central to the study of political science millennia after its compilation. This Penguin Classics edition is translated from the Greek by T.A. Sinclair, revised and re-presented by Trevor J. Saunders.In The Politics Aristotle addresses the questions that lie at the heart of political science. How should society be ordered to ensure the happiness of the individual? Which forms of government are best and how should they be maintained? By analysing a range of city constitutions - oligarchies, democracies and tyrannies - he seeks to establish the strengths and weaknesses of each system, and to decide which are the most effective, in theory and in practice. Like his predecessor Plato, Aristotle believed that the ideal constitution should be good in itself and in accordance with nature, and that it is needed by man - 'a political animal' - to fulfil his potential. A hugely significant work, which has influenced thinkers as diverse as Thomas Aquinas and Machiavelli, The Politics remains an outstanding commentary on fundamental political issues and concerns, and provides fascinating insights into the workings and attitudes of the Greek city-state.The introductions by T.A. Sinclair and Trevor J. Saunders discuss the influence of The Politics on philosophers, its modern relevance and Aristotle's political beliefs. This edition contains Greek and English glossaries, and a bibliography for further reading.Aristotle (384-322BC) was born at Stagira, in the dominion of the kings of Macedonia. For twenty years he studied at Athens in the Academy of Plato. Some time later, became the tutor of young Alexander the Great. His writings, including De Anima, The Nicomachean Ethics, Poetics, and The Politics, profoundly affected the whole course of ancient and medieval philosophy.If you enjoyed The Politics, you might like Plato's Republic, also available in Penguin Classics.

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En esta guía práctica la neurocientífica Jenny Barnett y la profesora y madre Alexia Barrable demuestran que puedes aumentar de forma espectacular la felicidad de tu hijo con solo unos minutos al día. Y lo hacen a través de métodos cuya eficacia ha sido demostrada científicamente y que inculcarán en ellos habilidades de felicidad que les durarán toda la vida. Un libro repleto de actividades sencillas para niños de todaslas edades.

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With contributions from: Eric Blyth, Ken Daniels, Julia Feast, Robert Lee, Nina Martin, Alexina McWhinnie, Derek Morgan, Clare Murray, Sharon Pettle, Claire Potter, Jim Richards and Francoise Shenfield The separation of procreation from conception has broadened notions of parenthood and created novel dilemmas. A woman may carry a foetus derived from gametes neither or only one of which came from her or her partner; or she may carry a foetus created using in vitro fertilisation (IVF) with the purpose of handing it to two other parents one, neither or both of whom may be genetically related to the prospective child. Parents may consist of single-sex couples, only one of them genetically related to the child; the prospective mother may be past her menopause; and genetic parenthood after death is now achievable. In a world increasingly reliant on medical science, how can the argument that equates traditional with natural and novel with unnatural/unethical be justified? Should there be legislation, which is notoriously slow to change, in a field driven by dazzling new possibilities at ever faster rate; particularly when restrictions differ from country to country, so that those who can afford it travel elsewhere for their treatment of choice? Whose rights are paramount - the adults hoping to build a family or the prospective child(ren)s future well being? On what basis can apparently competing rights be regulated or adjudicated and how and to what extent can these be enforced in practice?

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The focus of this book is two-fold. First it traces the expansive geographical spread of the language commonly referred to as Spanish. This has given rise to multiple hybrid formations over time emerging in the clash of multiple cultures, languages and religions within and between great empires (Roman, Islamic, Hispano-Catholic), each with expansionist policies leading to wars, huge territorial gains and population movements. This long history makes Hispanophone culture itself a supranational, trans-imperial one long before we witness its various national cultures being refashioned as a result of the transnational processes associated with globalization today. Indeed, the Spanish language we recognise today was ‘transnational’ long before it was ever the foundation of a single nation state. Secondly, it approaches the more recent post-national, translingual and inter-subjective ‘border-crossings’ that characterise the global world today with an eye to their unfolding within this long trans-imperial history of the Hispanophone world. In doing so, it maps out some of the contemporary post-colonial, decolonial and trans-Atlantic inflections of this trans-imperial history as manifest in literature, cinema, music and digital cultures. Contributors: Christopher J. Pountain, L.P. Harvey, James T. Monroe, Rosaleen Howard, Mark Thurner, Alexander Samson, Andrew Ginger, Samuel Llano, Philip Swanson, Claire Taylor, Emily Baker, Elzbieta Slodowska, Francisco-J. Hernández Adrián, Henriette Partzsch, Helen Melling, Conrad James and Benjamin Quarshie.

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Modernity and What Has Been Lost comes out of a conference held at the Jagiellonian University in Kraków, Poland, on June 4–5, 2009 that sought to identify Leo Strauss’s intellectual background in re: the repudiation of a modern idea of homogenous, universal state (considered as an illegitimate synthesis of Jerusalem and Athens, i.e., the claims of Reason and Revelation). The world we live in, molded by science and historical relativism, may be described as hostile to human dignity or perfection, or abhorrent to those who love the search for wisdom. Straussian teaching consisted in the steady effort to reopen “the quarrel between the Ancients and the Moderns,” and refers to the esoteric way of writing practiced by the most profound thinkers of the past which has been apparently forgotten in the last three centuries. Strauss binds the concept of natural right with the question of maintenance of conditions for philosophizing, and it probably seems to him that such defense of philosophy is the highest task in our times. However, one must be well aware that philosophizing always means a perilous way of life. Indeed, it may be destructive of the city (polis) itself as far as the city exists due to some crucial beliefs the philosopher might put in doubt. Reflecting on those issues, Strauss engaged in several highly important debates with his contemporaries, in an open way with, e.g., Carl Schmitt, Karl Löwith and Alexandre Kojève, and more tacitly with Martin Heidegger.

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Rome’s foreign wars, nation by nation.Appian (Appianus) is among our principal sources for the history of the Roman Republic, particularly in the second and first centuries BC, and sometimes our only source, as for the Third Punic War and the destruction of Carthage. Born circa AD 95, Appian was an Alexandrian official at ease in the highest political and literary circles who later became a Roman citizen and advocate. He apparently received equestrian rank, for in his later years he was offered a procuratorship. He died during the reign of Antoninus Pius (emperor 138–161).Appian’s theme is the process by which the Roman Empire achieved its contemporary prosperity, and his unique method is to trace in individual books the story of each nation’s wars with Rome up through her own civil wars. Although this triumph of “harmony and monarchy” was achieved through characteristic Roman virtues, Appian is unusually objective about Rome’s shortcomings along the way. His history is particularly strong on financial and economic matters, and on the operations of warfare and diplomacy.Of the work’s original twenty-four books, only the Preface and Books 6–9 and 11–17 are preserved complete or nearly so: those on the Spanish, Hannibalic, African, Illyrian, Syrian, and Mithridatic wars, and five books on the civil wars.This edition of Appian replaces the original Loeb edition by Horace White and adds the fragments, as well as his letter to Fronto.

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A lush visual celebration of Pulp’s sixth album, This Is Hardcore, featuring unseen photography, behind-the-scenes interviews and revealing visuals. From the mid- to late 1990s, Paul Burgess was invited by Jarvis Cocker to document the British band Pulp, taking photographs during video shoots, live gigs and other events for what has become one of the landmark albums of the period, This Is Hardcore. Written and designed by Burgess and Louise Colbourne, Hardcore contains a candid selection of previously unseen images of the band, behind the scenes and on set, of the four main video shoots made to promote the album. Twenty-five years have passed since Pulp released this extraordinary album, and this book holds up a mirror to the ingenious creative processes and characters behind the seminal record. With carefully curated images from Burgess’s archive, Hardcore also includes quotations and interviews from then and now by the video directors, band members and other artists involved with the album. The book contains contributions from Doug Nichol, John Currin, Stephen Mallinder, Sergei Sviatchenko, John Stezaker and Florian Habicht, all of whom have a connection to the album, the band or the era. There are also visual responses from a selection of younger artists and designers, such as Alexa Vieira, who have been inspired by Burgess’s photographs and the band’s legacy.

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From Pascal Gross's fantastic brace at Old Trafford and an unbelievable 5-2 victory over Leicester City, to a 6-0 demolition of Wolves, the 2022-23 campaign is quite possibly Brighton's best ever season. After a fantastic start to the Premier League campaign, Graham Potter left the Seagulls to join Chelsea leaving fans concerned. Enter Roberto De Zerbi. De Zerbi's first win came in a 4-1 thrashing of . . . that's right, Chelsea! Anyone who was at the AMEX that day will never forgot the incredible atmosphere produced by the Brighton faithful. Fast forward a few months and the Seagulls were walking out at Wembley for an FA Cup semi-final. A month later, Brighton had qualified for Europe for the first time in their 122-year history. Tony Noble, a lifelong Brighton fan and season ticket holder, has written The Seagulls Greatest Ever Season, a match-by match account of this amazing campaign. Written with passion, honesty and humour, Tony recalls Alexis Mac Allister's stellar performances during a year in which he became a World champion; Lewis Dunk's inspirational on-pitch leadership; Kauro Mitoma's wizardry down the left-hand side; the emergence of exciting young talent Evan Ferguson, and much more. The Seagulls Greatest Ever Season allows the reader to relive the games, the goals and the glory in what was - the greatest ever season.

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Posthumanism synthesizes philosophical, literary, and artistic responses to technological advancements, globalization, and mass extinction in the Anthropocene. It asks what it can mean to be human in an increasingly more-than-human world that has lost faith in the ideal of humanism, the autonomous, rational subject, and it models generative alternatives cognizant of the demands of social and ecological justice. Amid rising social justice movements, collapsing economic structures, and the dwindling power of cultural institutions, posthumanism advances thinking on new and previously unenvisionable challenges.Posthumanism in Art and Science is an anthology of indispensable statements and artworks that provide an unprecedented mapping of this intellectual and aesthetic development in a global context. It features groundbreaking theorists including Donna Haraway, Rosi Braidotti, Mel Y. Chen, Michael Marder, Alexander Weheliye, Anna Tsing, Timothy Morton, N. Katherine Hayles, Bruno Latour, Francesca Ferrando, and Cary Wolfe, as well as innovative, influential artists and curators such as Yvonne Rainer, Skawennati, Chus Martínez, William Wegman, Nandipha Mntambo, Cassils, Pauline Oliveros, and Doo-sung Yoo. These provocative and compelling works, including previously unpublished interviews and essays, speak to the ongoing conceptual and political challenge of posthumanist thinking in a time of unprecedented cultural and environmental crises.An essential primer and reference for educators, students, artists, and art enthusiasts, this volume offers a powerful framework for rethinking anthropocentric certitudes and reenvisioning equitable and sustainable futures.

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Explores cities of exile from different perspectives and presents different methods and sources for exile and urban studies. The essays are written by internationally recognized scholars, and contain a wide range of themes including mapping, oral history, queerness, photography. This book will make a significant contribution to the theory and methodology of research on historical exile, cities and modernities, as well as present multidisciplinary exile research from an urban perspective. With a blend of case studies, and theoretical approaches, it interweaves histories of modernism and exile in different urban environments and focuses on historical dislocations in the first half of the twentieth century, when artistic and urban movements constituted themselves in global exchange. Although this book takes a historical perspective, it is written with an awareness of current flight movements and will make a significant contribution to the theory and methodology of research on exile. The knowledge of previous historical exile experiences is important for the understanding of contemporary flight movements: after all, these are not singular phenomena. For migration movements in the first half of the 20th century and for those of today, it is equally possible to speak of urban centres of attraction for refugees: Today, Berlin is a European metropolis of exile; in the 1930s and 1940s, Paris, Prague, London, New York, Istanbul and Shanghai were destinations for refugees. With contributions from Maddalena Alvi, Ekaterina Aygün, Claudia Cendales Paredes, Julia Eichenberg, Margit Franz, Nils Grosch, Mareike Hetschold, Louis Kaplan, Laura Karp Lugo, Katya Knyazeva, Merve Köksal, Rachel Lee, Chris McConville, Anna Messner, Alexis Nuselovici, Robert Pascoe, Valentina Pino Reyes, Helene Roth, Valeria Sánchez Michel, Marine Schütz, Seza Sinanlar Uslu, Felicitas Söhner, Mareike Schwarz, Marina Sorokina, Xin Tong, Diana Wechsler, Jessica Williams Stark and Federico Vitelli.

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Noir Affect proposes a new understanding of noir as defined by negative affect. This new understanding emphasizes that noir is, first and foremost, an affective disposition rather than a specific cycle of films or novels associated with a given time period or national tradition. Instead, the essays in Noir Affect trace noir’s negativity as it manifests in different national contexts from the United States to Mexico, France, and Japan and in a range of different media, including films, novels, video games, and manga. The forms of affect associated with noir are resolutely negative: These are narratives centered on loss, sadness, rage, shame, guilt, regret, anxiety, humiliation, resentment, resistance, and refusal. Moreover, noir often asks us to identify with those on the losing end of cultural narratives, especially the criminal, the lost, the compromised, the haunted, the unlucky, the cast-aside, and the erotically “perverse,” including those whose greatest erotic attachment is to death. Drawing on contemporary work in affect theory, while also re-orienting some of its core assumptions to address the resolutely negative affects narrated by noir, Noir Affect is invested in thinking through the material, bodily, social, and political–economic impact of the various forms noir affect takes. If much affect theory asks us to consider affect as a space of possibility and becoming, Noir Affect asks us to consider affect as also a site of repetition, dissolution, redundancy, unmaking, and decay. It also asks us to consider the way in which the affective dimensions of noir enable the staging of various forms of social antagonism, including those associated with racial, gendered, sexual, and economic inequality. Featuring an Afterword by the celebrated noir scholar Paula Rabinowitz and essays by an array of leading scholars, Noir Affect aims to fundamentally re-orient our understanding of noir. Contributors: Alexander Dunst, Sean Grattan, Peter Hitchcock, Justus Nieland, Andrew Pepper, Ignacio Sánchez Prado, Brian Rejack, Pamela Thoma, Kirin Wachter-Grene

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Fresh from the staggering success of The Truth about the Harry Quebert Affair, Marcus Goldman is struggling to write his third novel. A chance encounter in Florida throws him some inspiration from a surprising source: Alexandra Neville, the beautiful, phenomenally successful singer and Marcus's first love. All at once, memories of his childhood come flooding back. Memories of a family torn apart by tragedy, and a once glorious legacy reduced to shame and ruin.The Baltimore Boys. The Goldman Gang. That was what they called Marcus, and his cousins Hillel and Woody. Three brilliant young men with their whole lives ahead of them, before their kingdom crumbled beneath the weight of lies, jealousy and betrayal. For years, Marcus has struggled with the burdens of his past, but now, he must attempt to banish his demons and tell the real story of the Baltimore Boys.Translated from the French by Alison Anderson

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Tanja Stähler and Alexander Kozin’s elegant translation of Bernhard Waldenfels’s Phenomenology of the Alien (Grundmotive einer Phänomenologie des Fremden) introduces the English readership to the philosophy of alien-experience, a multifaceted and multidimensional phenomenon that permeates our everyday experiences of the life-world with immediate implications for the ways we conduct our social, political, and ethical affairs. With impressive erudition Waldenfels weaves in xenological themes from classical philosophy, contemporary phenomenology, literature, linguistics, sociology, and anthropology to address the boundaries of experience that unite and separate human beings, their collectives, their perceptions, and aspirations. While the debate has long raged in German-speaking circles, Waldenfels’s work is largely unavailable to the English-speaking audience, with the only other translation being The Order in the Twilight (1996). Phenomenology of the Alien is a superb introduction to both xenological phenomenology, and the the question of the alien as it has been unfolding in contemporary thought.

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A new take on Afrofuturism, this book gathers together a range of contemporary voices who, carrying legacies of 500 years of contact between Africa, Europe, and the Americas, reach towards the stars and unknown planets, galaxies, and ways of being. Writing from queer and feminist perspectives and circumnavigating continents, they recalibrate definitions of Afrofuturism. The editors and contributors of this exciting volume thus reflect upon the re-emergence of Black visions of political and cultural futures, proposing practices, identities, and collectivities. With contributions from AfroFuturist Affair, John Akomfrah, Jamika Ajalon, Stefanie Alisch, Jim Chuchu, Grisha Coleman, Thomas F. DeFrantz, Abigail DeVille, M. Asli Dukan with Wildseeds, Kodwo Eshun, Anna Everett, Raimi Gbadamosi, Alexis Pauline Gumbs, Milumbe Haimbe, Ayesha Hameed, Kiluanji Kia Henda, Kara Keeling, Carla J. Maier, Tobias Nagl, Tavia Nyongo, Rasheedah Phillips, Daniel Kojo Schrade, Nadine Siegert, Robyn Smith, Greg Tate and Frohawk Two Feathers.

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Plastic has shaped our daily lives like no other material. Originally associated with convenience, progress, even revolution, today plastic seems to have lost its utopian appeal. Plastic is everywhere, yet most conspicuous as waste and as a key factor in the global environmental crisis. This book examines the success story of plastic in the twentieth century and at the same time presents the different discourses on how we should manage the waste the material produces and also find solutions that take into account its entire life cycle in the future. Mark Miodownik, Susan Freinkel, and Nanjala Nyabola each contribute an essay that sheds light on the history of plastics from 1850 to today. A material-rich visual chronology illustrates how consumers’ perception of plastics has changed over the decades. Brief descriptions of a selection of 50 objects examine the importance of plastics for material culture. Reprints of fundamental texts about the history of plastics—for example by Alexander Parkes and Roland Barthes—provide a context from the history of ideas. The book reflects the current discourse and state of research on plastic with numerous individual interviews and panel discussions that were held with designers, representatives from industry, researchers, and environmental activists. Underpinning these conversations are comprehensive data visualizations on plastic production and consumption, recycling.

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