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We often hear that finding the work we are meant for will multiply our accomplishments and enable us to attain new levels of personal satisfaction. Yet, many who are planning their careers find that the job market has shifted to the advantage of employers, whether as a result of the recession, globalization, IT-driven productivity, or other changes in the business landscape. Faced with these tough circumstances, it is more critical than ever for professionals to create a plan of attack and make sound decisions as they navigate their careers. The Strategic Career provides readers with the ultimate guide to career choices—both short-term and long. While other authors approach career development from the perspective of psychology and counseling, Bill Barnett demonstrates how business strategy concepts can successfully guide us as we chart our careers. Drawing on two decades of experience leading McKinsey & Company's Strategy Practice, as well as his popular Career Strategy courses at Yale and Rice University, he approaches the construction of a long-term career plan by looking at the main challenges professionals will face: developing and reaching long-term targets, surfacing opportunities, assessing career decisions, and staying on track. Underpinning his advice with research and illustrating it with vivid stories from others' successes, Barnett lays out practical, step-by-step processes to help readers realize their goals. Complete with a program to help you develop your own plan and over 100 specific activities to guide you, The Strategic Career is the ideal companion on your professional pathway.

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Papwa Sewgolum, against all odds, won the Dutch Open playing in only his second ‘white’ tournament, and a total of three times in four attempts. Then after being allowed to play in the Natal Open, he demolished a top field, BUT was presented with his trophy in the rain while the others players watched from the clubhouse igniting a worldwide backlash leading to South Africa being banned from the Olympics, whilst Papwa became the symbol of the anti-apartheid sport movement. Again allowed to play in the Natal Open he beat the world number 1, Gary Player, head-to-head, only for the apartheid government, after a failed assassination attempt, to ban him from all tournaments in South Africa, and then withhold his passport to prevent him playing abroad. This book is written in a popular, conversational style. It’s easily understood by those who don’t know much about golf, yet the book’s message is of hope and perseverance and in so doing, creates a black golfing hero to inspire the youth.

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Jenny Joseph was no ordinary poet - and Led by the Nose is no ordinary memoir. Shaped around the smells of the English countryside, it is full of the wilful personality and the sly humour that characterised the purple-clad old woman in her iconic poem 'Warning'. Joseph's eccentricities permeate each chapter as she flows through the gardening year with its chores and blossoms, frequently leading the reader off the garden path to stop, smell the roses, and ignore the world for a while. Full of the sensual awareness of Jenny Joseph's poetry, Led by the Nose is a singular memoir: a work of delicious diversion and literary flair, horticultural anxieties and countercultural tendencies, providing a glimpse - or sniff - of the landscape of this treasured poet's life.

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This is a study of the nine prose fiction works of Christiane Rochefort written between 1958 and 1988. Despite establishment recognition and a popular mass-market following, Christiane Rochefort has hitherto received little critical attention. Her fiction forms an approachable learning tool for all students of post-war French politics and culture; the bestseller "Les Petits Enfants du Siecle" is a set text in schools and universities in the UK and the USA. This novel of growing up in the working class high-rises of Paris, written in the language of the streets, provides a child-centred view of a youngs girl's social, political and sexual awakening. The study looks at each novel in turn and applies close attention to the narrative sophistication and political subversion of the books. Certain contemporary themes run through her work - the status of children, language as an instrument of oppression and subversion, homosexuality, incest and child abuse. Each chapter of this book provides cultural and socio-political background material.

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'One of the most deeply influential of all 20th century fantasy texts' ENCYCLOPEDIA OF FANTASY'She is unparalleled in creating fantasy peopled by finely drawn and complex characters' GUARDIAN'I'd love to sit at my desk one day and discover that I could think and write like Ursula Le Guin' Roddy DoyleThese five superlative, evocative and enchanting stories range from a few hundred years before A Wizard of Earthsea to just before The Other Wind, and feature some of Le Guin's most popular characters, including the Wizard Ged himself. The stories are rounded off with an essay about Earthsea's history and people.No Earthsea fan will want to be without this magical collection.

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A favourite Chinese greeting is Ni chi fan le ma? - Have you eaten yet? Unlike many in the West, the Chinese see food not as a chore to prepare and source of unwanted calories, but a health-giving pleasure.In 16 short, captivating chapters, Lorraine Clissold explains why the Chinese can eat as much as they want without worrying about their weight. With examples and recipes, Lorraine shows how the Chinese balance their diet by satisfying their taste buds with five flavours, by eating a mixture of staple foods and carefully prepared dishes, and by making sure they eat the right proportions of solids, liquids and hot and cold foods.

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Aston Martin has produced some of the finest sports cars made. One of the company’s most exciting periods was under the leadership of Augustus Bertelli. The company’s innovative cars, built between 1926 and 1940, were out-standing in terms of reliability and performance, and were proved in that toughest of motor sport classes, endurance racing – in particular the Le Mans 24 Hours race. This book looks at the cars produced by Aston Martin under the watchful eye of Bertelli, and covers the cars made by the company up to the start of the Second World War. It includes the 1.5-litre First, Second and Third Series cars and the 2-Litre range from 1936. These Aston Martins of the 1920s and 1930s – International, Le Mans, Mark II, Ulster and Speed models – are all covered in this book. Beyond Bertelli’s era, the book sheds light on the contributions made by engineer Claude Hill and owner Gordon Sutherland. It explores their innovative concept cars, ‘Donald Duck’ and Atom, which played a pivotal role in shaping the company’s post-war success under David Brown. Accompanied by a rich collection of contemporary and present-day photographs, this book stands as the definitive reference work solely dedicated to these beloved cars, revered by a passionate community of owners fostered by the Aston Martin Owners Club. Furthermore, these historic cars continue to enjoy great popularity, making this book a must-have for enthusiasts and admirers alike.

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THE REVOLUTIONS is a fantasy of the occult scene in fin de siecle London, the celestial spheres, and mystical Martian exploration. It follows two young lovers separated by the schemes and blundering of rival occultists, from the drawing rooms of spiritualist societies, through shady enterprises in Deptford warehouses, and magical war on the Isle of Dogs, and out to a hallucinatory, doomed Mars drawn from the fantasies of Edgar Rice Burroughs, the imaginings of Aleister Crowley, and the speculations of Victorian astronomers.Praise for Felix Gilman:"[Gilman] takes the brutality of the wild west and twists it into an epic fantasy that left me staggered. It brings the sense of wonder back to fantasy by creating a complex and visceral world unlike anything I've read... stunning." Mary Robinette Kowal, author of Shades of Milk and Honey"Refreshingly unlike any other novel I've read. Felix Gilman writes like a modern-day Dickens drunk on rich invention and insane war." Stephen Donaldson, author of The Chronicles of Thomas Covenant"A fantasy that Mark Twain would have been proud to write...Never has fantasy been darker, cleverer, more sly, or more touching in its refraction of our own world. I scratch my head in awe." Francis Spufford, author of Red Plenty"Gilman is one of the essential modern fantasists, and his latest book lives up to the expectations generated by his previous successes." Benjamin Wald, SF Revu"Like The Half-Made World that came before it, The Rise of Ransom City brings us a re-imagined tale of America's Old West, mixing steampunk and magic realism to great effect." Kirkus Reviews"Felix Gilman has a sly wit and an assured hand. He is a fresh and original voice in fantasy." Lavie Tidhar, author of Osama"Vivid and accurate prose, a gripping, imaginative story, a terrifically inventive setting, a hard-bitten, indestructible hero, and an intelligent, fully adult heroine---we haven’t had a science-fiction novel like this for a long time." Ursula K. Le Guin

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Beyond help. Beyond redemption?In a Soviet prison camp near Murmansk is an old man, bowed but not broken, identified only by a number. Were his name known, his fellow inmates would kill him.For this old man is Stepan Povin, former KGB general, now disgraced but kept alive for the sake of the secret that he has retained through two years of interrogation.Povin’s secret is the final link in a chain, the completion of which would make his former masters very happy indeed – a secret which draws British Intelligence ever closer to the camp in the Arctic Circle...The gripping conclusion to the General Povin trilogy, perfect for fans of Robert Harris, John le Carré and Martin Cruz Smith.Praise for John Trenhaile‘Trenhaile has written a stunning and remarkable novel of treachery and betrayal... brilliantly conceived’ Booklist on The Man Called Kyril‘Does for the KGB what le Carré does for the British Intelligence Service’ Philadelphia Inquirer on The Man Called Kyril‘Kept me guessing to the very end...if you like Gorky Park you’ll like Kyril’ Newsday on The Man Called Kyril

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The Shutters collects the two most important poetry collections—"The Shutters" and "Photograms"—by the legendary Moroccan writer Ahmed Bouanani. By intertwining myth and tradition with the familiar objects and smells of his lived present, Bouanani reconstructs vivid images of Morocco's past. He weaves together references to the Second World War, the Spanish and French protectorates, the Rif War, dead soldiers, prisoners, and poets screaming in their tombs with mouths full of dirt. His poetry, written in an imposed language with a "strange alphabet," bravely confronts the violence of his country's history—particularly during the period of les années de plomb, the years of lead—all of which bears the brutal imprint of colonization. As Bouanani writes, "These memories retrace the seasons of a country that was quickly forgetful of its past, indifferent to its present, constantly turning its back on the future."

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Christian parables have retained their force well beyond the sphere of religion; indeed, they share with much of modern literature their status as a form of address: “Who hath ears to hear, let him hear.” There is no message without there first being—or, more subtly, without there also being in the message itself—an address to a capacity or an aptitude for listening. This is not an exhortation of the kind “Pay attention!” Rather, it is a warning: if you do not understand, the message will go away. The scene in the Gospel of John in which the newly risen Christ enjoins the Magdalene, “Noli me tangere,” a key moment in the general parable made up of his life, is a particularly good example of this sudden appearance in which a vanishing plays itself out. Resurrected, he speaks, makes an appeal, and leaves. “Do not touch me.” Beyond the Christ story, this everyday phrase says something important about touching in general. It points to the place where touching must not touch in order to carry out its touch (its art, its tact, its grace). The title essay of this volume is both a contribution to Nancy’s project of a “deconstruction of Christianity” and an exemplum of his remarkable writings on art, in analyses of “Noli me tangere” paintings by such painters as Rembrandt, Dürer, Titian, Pontormo, Bronzino, and Correggio. It is also in tacit dialogue with Jacques Derrida’s monumental tribute to Nancy’s work in Le toucher—Jean-Luc Nancy. For the English-language edition, Nancy has added an unpublished essay on the Magdalene and the English translation of “In Heaven and on the Earth,” a remarkable lecture he gave in a series designed to address children between six and twelve years of age. Closely aligned with his entire project of “the deconstruction of Christianity,’” this lecture may give the most accesible account of his ideas about God.

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'I needed to get to the stopping places, so I needed to get on the road. It was the road where I might at last find out where I belonged.'Damian Le Bas grew up surrounded by Gypsy history. His great-grandmother would tell him stories of her childhood in the ancient Romani language; the places they worked, the ways they lived, the superstitions and lores of their people. In a bid to better understand his heritage, Damian sets out on a journey to discover the stopping places – the old encampment sites known only to Travellers. Through winter frosts and summer dawns, from horse fairs to Gypsy churches, Damian lives on the road, somewhere between the romanticised Gypsies of old, and their much-maligned descendants of today.‘A beautiful writer who seems born to tell this fascinating story’ Amy LiptrotWinner of the Somerset Maugham AwardShortlisted for the Edward Stanford Travel Writing AwardLonglisted for the Wainwright Prize

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In Berlin Now, and on the 25th Anniversary of the fall of the Wall, a legendary Berliner tells the inside story of the city.Over the last five decades, no other city has changed more than Berlin. Divided in 1961, reunited in 1989, it has morphed over the last twenty-five years into Europe's most vibrant melting-pot of artists, immigrants and entrepreneurs. Pieces of the wall are collected around the world. Blending memoir, history, anecdote and reportage, this legendary Berliner takes us behind the scenes - from wrenching stories of life under the Stasi, to the difference between East and West Berliners' sex-lives, to a present-day investigation of its arts scene, night-life, tumultuous politics and hidden quirks - revealing what makes Berlin the uniquely fascinating place it is.Peter Schneider makes the city come alive. He knows his stuff and shares it beautifully, elegantly, generously and informatively. Berlin has found its bard'Breyten Breytenbach, author of 'Notes from the Middle World'Praise for The Wall Jumper:'Marvelous . . . creates, in very few words, the unreal reality of Berlin' Salman Rushdie, New York Times Book Review 'Schneider's description of the Berlin wall from both sides . . . is the ultimate depiction of this structure. Nothing more need be said' Werner Herzog'Wonderful' Ian McEwanPeter Schneider was born in Lübeck, Germany, in 1940, and has lived in Berlin on and off since the 1960s, when he was a key spokesperson for its radical student movement. Renowned as a novelist and essayist, he is now the author of more than twenty books, including the Penguin Modern Classic The Wall Jumper. He has taught at many universities, including Stanford, Princeton and Harvard, and written for many international newspapers, including Der Spiegel, The New York Times, Le Monde and La Repubblica.

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THE SPINE-TINGLING NEW THRILLER FROM THE AUTHOR OF ALICE TEALE IS MISSING 'Dark, creepy and compelling, with the claustrophobic sense of a killer waiting around every corner' T.M. LOGAN________ Eriston is a small town. It's the kind of place where everyone knows your name - and your secrets. Rebecca hasn't been back in years, but she grew up in the shadow of the dark local legend. There have always been deaths in Eriston - more than can easily be explained. People dying in their houses, behind locked doors. Her father Sean had always warned her of the dangers. Don't let him in. When Rebecca returns, she discovers that her father wasn't willing to let the legend lie. He was on the verge of uncovering the town's darkest truth. He thought he was on the trail of a killer. Sean knew too much. Now he's dead.Rebecca could accept her father's death.Or she could risk her life by carrying on his work . . .________ 'Dark, sinister, clever and creepy. Keeps you guessing right to the very end' Neil Lancaster PRAISE FOR HOWARD LINSKEY 'From the brilliant first chapter to the heart-in-mouth ending, Howard Linskey has created a dark, clever and engrossing tale that will grip crime readers the world over' CL Taylor 'This story will cause nightmares, it is that good' Daily Mail 'Dark and creepy with intrigue galore - an exceptional page-turner that I raced through' Mel Sherratt

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Letters & Sounds (2021): Phase 5 Scholastic Set: 13 Title: The Gnome Who Could Knit Focus: ey (as in 'they') gn (as in 'gnome'), kn (as in 'knitting'), dge (as in 'edge'), ge (as in 'village'), y (as in 'mystery'), ssi (as in 'passion') ore (as 'chore') Tricky words: the of to their were anyone one anything do everyone's again who busy friend Book Band: Turquoise This title is part of a brand new set of phonically decodable reading books perfect for very early readers. These expertly levelled stories are engaging, and are exactly matched to Little Wandle Letters & Sounds Revised, used in schools across the UK. The series includes a wide selection of diverse and inclusive stories, accompanied by bright, contemporary and humorous illustrations that will engage and inspire young readers with a 'find the character' feature on each spread. The artwork is detailed so as not to provide picture cues and prompting. Each book also contains parent's notes and a 'retell the story' task to support children's oracy, vocabulary and comprehension skills. Thirteen sets of books covering groups of sounds to allow for progression. The stories in this set focus on the sounds found in Scholastic Set 13 and revise the sounds found in previous sets. There are thirteen sets in total, covering: Phase 2 Set 1: s a t p i n m d Phase 2 Set 2: g o c k ck e u r h b f l Phase 2 Set 3: ff ll ss j v w x y z zz Phase 2 Set 4: qu ch sh th ng nk Phase 3 Set 5: ai ee igh oa oo Phase 3 Set 6: ar or ur ow oi ear air er Phase 4 Set 7: Adjacent consonants with short vowels Phase 4 Set 8: Adjacent consonants with Phase 3 long vowels Phase 5 Set 9: ay (play), ou (cloud), oy (boy), ea (each), ir (bird), ie (pie), ue (blue), u (unicorn) Phase 5 Set 10: o (go), i (tiger), a (paper), e (he), a-e (snake), i-e (time), o-e (home), u-e (cute), e-e (these), ew (new), ie (shield), aw (claw) Phase 5 Set 11: y (funny), ea (head), wh (wheel), oe (toe), ou (shoulder), y (fly), ow (snow), g (giant), ph (phone), le (apple), al (metal), c (ice), ve (give), o-e (some), o (mother), ou (young), se (cheese), se (mouse), ce (fence), ey (donkey), ui (fruit), ou (soup) Phase 5 Set 12: or (word), u (full), oul (could), are (share), ear (bear), ere (there), au (author), aur (dinosaur), oor (floor), al (walk), tch (match), ture (adventure), al (half), a (father), a (water), a (want), ear (learn), wr (wrist), st (whistle), sc (science), ch (school), ch (chef), ze (freeze), schwa at the end of words (actor) Phase 5 Set 13: eigh (eight), aigh (straight), ey (grey), ea (break), gn (gnaw), kn (knee), mb (thumb), ere (here), eer (deer), su (treasure), si (vision), dge (bridge), ge (large), y (crystal), ti (potion), ssi (mission), si (mansion), ci (delicious), augh (daughter), our (pour), oar (oar), ore (more) Have you got them all?

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Letters & Sounds (2021): Phase 4 Scholastic Set: 07 Title: Kingston and the Lost Frog Focus: Adjacent consonants with short vowel sounds (example words: lump frog still cloth went) Tricky words: was the he of you said I have there put are when out here Book Band: Yellow This title is part of a brand new set of phonically decodable reading books perfect for very early readers. These expertly levelled stories are engaging, and are exactly matched to Little Wandle Letters & Sounds Revised, used in schools across the UK. The series includes a wide selection of diverse and inclusive stories, accompanied by bright, contemporary and humorous illustrations that will engage and inspire young readers with a 'find the character' feature on each spread. The artwork is detailed so as not to provide picture cues and prompting. Each book also contains parent's notes and a 'retell the story' task to support children's oracy, vocabulary and comprehension skills. Thirteen sets of books covering groups of sounds to allow for progression. The stories in this set focus on the sounds found in Scholastic Set 07 and revise the sounds found in previous sets. There are thirteen sets in total, covering: Phase 2 Set 1: s a t p i n m d Phase 2 Set 2: g o c k ck e u r h b f l Phase 2 Set 3: ff ll ss j v w x y z zz Phase 2 Set 4: qu ch sh th ng nk Phase 3 Set 5: ai ee igh oa oo Phase 3 Set 6: ar or ur ow oi ear air er Phase 4 Set 7: Adjacent consonants with short vowels Phase 4 Set 8: Adjacent consonants with Phase 3 long vowels Phase 5 Set 9: ay (play), ou (cloud), oy (boy), ea (each), ir (bird), ie (pie), ue (blue), u (unicorn) Phase 5 Set 10: o (go), i (tiger), a (paper), e (he), a-e (snake), i-e (time), o-e (home), u-e (cute), e-e (these), ew (new), ie (shield), aw (claw) Phase 5 Set 11: y (funny), ea (head), wh (wheel), oe (toe), ou (shoulder), y (fly), ow (snow), g (giant), ph (phone), le (apple), al (metal), c (ice), ve (give), o-e (some), o (mother), ou (young), se (cheese), se (mouse), ce (fence), ey (donkey), ui (fruit), ou (soup) Phase 5 Set 12: or (word), u (full), oul (could), are (share), ear (bear), ere (there), au (author), aur (dinosaur), oor (floor), al (walk), tch (match), ture (adventure), al (half), a (father), a (water), a (want), ear (learn), wr (wrist), st (whistle), sc (science), ch (school), ch (chef), ze (freeze), schwa at the end of words (actor) Phase 5 Set 13: eigh (eight), aigh (straight), ey (grey), ea (break), gn (gnaw), kn (knee), mb (thumb), ere (here), eer (deer), su (treasure), si (vision), dge (bridge), ge (large), y (crystal), ti (potion), ssi (mission), si (mansion), ci (delicious), augh (daughter), our (pour), oar (oar), ore (more) Have you got them all?

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The new book in the heart-warming WW2 family saga series! ‘Just the balm our souls need right now’ Women’s Weekly Summer 1942. Despite grim reports on the wireless and rationing hitting hard, Lily Collins and her fellow shop girls from Marlow’s department store are determined to put out the bunting for a family party. But Beryl’s husband Les returns from North Africa a changed man, and Gladys worries for her own fiancé’s safety. The store is losing staff to the war effort and Lily’s young man, Jim, is torn over where his duty lies. Then comes the knock on the door that everyone dreads. Lily’s family, always the heart of her world, is rocked to the core. The small Midlands town – and Lily’s beloved Marlow’s – must face their greatest challenge yet.

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Shortlisted for the CWA/Ian Fleming Award, The Interrogator is a masterful spy story set in the darkest days of the Second World War. The Enigma Code has been broken - but what if German High Command can read our naval signals, too? For all readers of John le Carre and Robert Harris - 'Terrific... Robert Harris had better watch out' Daily Mail. Spring, 1941. The armies of the Reich are masters of Europe. Britain stands alone, dependent on her battered navy for survival, while Hitler's submarines - his 'grey wolves' - prey on the Atlantic convoys that are the country's only lifeline.Lieutenant Douglas Lindsay is amongst just a handful of men picked up when his ship is torpedoed. Unable to free himself from the memories of that night at sea, he becomes an interrogator with naval intelligence, questioning captured U-Boat crews. He is convinced the Germans have broken British naval codes, but he's a lone voice, a damaged outsider, and his superiors begin to wonder - can he really be trusted when so much is at stake?As the Blitz reduces Britain's cities to rubble and losses at sea mount, Lindsay becomes increasingly isolated and desperate. No one will believe him, not even his lover, Mary Henderson, who works at the very heart of the intelligence establishment. Lindsay decides to risk all in one last throw of the dice, setting a trap for his prize captive - and nemisis - U-Boat Commander Jürgen Mohr, the man who sent his ship to its doom.

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The Green Light (‘Le Feu Vert’) offers an original and profound exploration of the roots of environmental philosophy and the Anthropocene. Bernard Charbonneau situates the wellspring of the ecological movement in the dialectics of Nature and Freedom, and their needful but uneasy joining against the totalizing system of technological society that threatens them both. Using this paradoxical tension as a yardstick, he probes the ways in which concepts of Nature have developed as industrialization became second nature and jeopardized the original, taken for granted until its advent. This allows Charbonneau to explain how movements and policies claiming to deal with this issue have gone wrong. A spirited critique of how the environmental movement has taken shape in relation to philosophy, politics, theology and contemporary culture, this book written in 1980 is representative of an oft-overlooked strand of French environmentalist thought, as a look back on its first decade in the public eye by a man who had originated political ecology half a century earlier. Charbonneau can be said to have prepared the way for many current concerns within environmental thought: the tension between liberalism and ecologism in green political theory; the wider question of the compatibility of ecological imperatives with supposedly foundational freedoms under capitalism; the discussions over how to balance existing democratic structures with environmental goals; the tensions between radical and reformist strategies within green movements; the controversy over the core values of ecological politics in a world transformed by climate change and peak everything; and the proper attitude of environmental movements to institutional science. This ground-breaking work should be front and centre of the debates that he anticipated, while giving a timely perspective on the interconnected questions of nature and human freedom. This first English translation of a work by Bernard Charbonneau provides not only a vivid account of environmental philosophy, but an introduction to this important author’s thought.

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Jacques Le Goff sets out in this book to explain the role of money, or rather of the various types of money, in the economy, life and mentalities of the Middle Ages. He seeks also to explain how, in a society dominated by religion, the Church viewed money, and how it taught Christians what attitudes they should adopt towards it and towards the uses to which it could be put. He shows that, although money played an important role in the rise of towns and trade and in state formation, there was no capitalism but only a pre-capitalism in the Middle Ages, even by their end, in the absence of a truly global market. This is why economic development remained slow and limited, in spite of some remarkable success stories. It was a period in which it was as important to give money as it was to earn it. True wealth was not yet the wealth of this world, even though money played an increasingly large role in reality and in mentalities.No similar discussion of this subject, aimed at a wide readership, has previously been published. Written by one of the greatest medievalists, this book will be recognized as a standard work on the topic.

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Can Captain Jack Aubrey and his crew defy the odds, and outmanoeuvre the French, to take two small but vital islands in the Indian Ocean? Life ashore on half pay, despite the joys of family life, is unlikely to satisfy a man of action such as Jack Aubrey. The sea calls to him. And so, when his friend, ship’s surgeon and secret agent Stephen Maturin, arrives with secret orders, Aubrey soon finds himself in command of a frigate and setting sail for the Cape of Good Hope. But, in Nelson’s navy, there are as many enemies within as without. ‘A few books work their way . . . onto [bestseller] lists by genuine, lasting excellence – witness The Lord of the Rings, or Patrick O’Brian’s sea stories.’URSULA K. LE GUIN ‘I devoured Patrick O’Brian’s twenty-volume masterpiece as if it had been so many tots of Jamaica grog.’CHRISTOPHER HITCHENS

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The book covers a wide range of cinematic femininities: It starts with Marilyn Monroe's cool phrase We are all of us stars, and we deserve to twinkle, which self-confidently marked her profession - with a wink, because she did not say to sparkle. The (self-) staging of women also ironically plays its being tailored to the male gaze. In this section we discuss movies like Some like it hot, Breakfast at Tiffany's, Cet obscur objet du désir and Le Mépris - with a notable chapter by Laura Mulvey. Moreover, some fifty films later, the book ends with a section on Self-Empowerment and Identity, featuring films like Thelma & Louise, The Hours, Blue Valentine and Carol. Are women in film really just those who are seen and displayed? Where are the ones who see and who point to something themselves? Where are the women in the audience, behind the camera? If, as feminist psychoanalytical film criticism rightly observes, the stars and starlets, especially in Hollywood mainstream cinema, are suppo

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Celebrate the significance, the magic, and the mojo of the world’s most seductive instrument. An obsessive, full-color book presented in an irresistible slipcase, Guitar features 200 instruments in stunning detail. Here are icons, like Prince’s Yellow Cloud, Willie Nelson’s “Trigger,” Muddy Water’s Thunderbird, and “Rocky,” lovingly hand-painted by its owner, George Harrison. Historic instruments—Fender’s Broadcaster, Les Paul’s “Log,” the Gibson Nick Lucas Special, the very first artist model. Hand-carved archtops, pinnacles of the luthier’s art, from John D’Angelico to Ken Parker. Stunning acoustics from a new wave of women builders, like Rosie Heydenrych of England, who’s known to use 5,000-year-old wood retrieved from a peat bog. And quirky one-of-a-kind guitars, like Linda Manzer’s Pikasso II—four necks, 42 strings, and a thousand pounds of pressure. Marrying pure visual pleasure with layers of information, Guitar is a glorious gift for every guitar-lover

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The Later Prehistory of North-West Europe provides a unique, up-to-date, and easily accessible synthesis of the later prehistoric archaeology of north-west Europe, transcending political and language barriers that can hinder understanding. By surveying changes in social forms, landscape organization, monument types, and ritual practices over six millennia, the volume reassesses the prehistory of north-west Europe from the late Mesolithic to the end of the pre-Roman Iron Age. It explores how far common patterns of social development are apparent across north-west Europe, and whether there were periods when local differences were emphasized instead. In relation to this, it also examines changes through time in the main axes of contact between the various regions of continental Europe, Britain, and Ireland. Key to the volume's broad scope is its focus on the vast mass of new evidence provided by recent development-led excavations. The authors collate data that has been gathered on thousands of sites across Britain, Ireland, northern France, the Low Countries, western Germany, and Denmark, using sources including unpublished 'grey literature' reports. The results challenge many aspects of previous narratives of later prehistory, allowing the volume to present a distinctively fresh perspective.

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Louisa Siefert was a prolific poet, critic, playwright, and novelist who published many works that were bestsellers in nineteenth-century France. This bilingual critical edition of Siefert’s Les Stoïques (1870) aims to restore Louisa Siefert’s intellectual legacy while providing ample material for further scholarship on her unique poetic voice. Siefert’s intellectual power and aesthetic originality are especially pronounced in her Les Stoïques, a volume that exemplifies her transdisciplinary mind and rich sonnet practice. The more than forty poems collected here are presented in the original French with masterful translations into English by Norman R. Shapiro, one of the most highly regarded English translators of French poetry. Shapiro’s inspired translations of Siefert’s texts give readers gain a sense of her prosodic mastery and flair as well as the way she uses poetry to think about the relation between mind and body. In her introduction, Adrianna M. Paliyenko reconstructs from original archival research the reception of Les Stoïques from May 1870 to the present, describing how many nineteenth-century readers considered Siefert’s philosophical verse to be central to her contribution to French poetic history and, in turn, how the gendering of poetic expression and the canon sidelined Siefert’s intellectual accomplishment.A monumental achievement, this book brings the work of a major French poet to a broader audience. Siefert’s poetic primer on the Stoic way of thinking about why humans suffer or find serenity and joy, and other big questions of life, will strike a chord with modern readers.

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Very few diaries of directors and senior managers of the Big Four railways have survived to enter the public domain. There are, however, two notable Southern Railway diarists whose records have been available in archives for some years, but have been largely ignored by historians; Southern Railway General Manager Gilbert Szlumper and Director Leopold Amery. Their remarkable diaries are addressed in this insightful book, which gives a slightly different view of the company in contrast to the almost sanitised histories by some writers. The surviving diaries of Szlumper are far from complete. They begin in 1936 and continue into the war years, but there are several gaps. Throughout, Szlumper comments on individuals and developments, revealing little-known facts and the circumstances that meant he could never truly achieve his potential. Formally retiring in 1942, he died in 1969, after which his diaries entered the public domain. Leopold Amery was director of the Southern Railway from 1932. A Birmingham Member of Parliament for many years, he was a statesman of some stature, his high offices including Secretary of State for the Colonies in the 1920s. In his autobiography, Amery writes very little on the railway, although he does comment on its family atmosphere. His diaries, which are in the public domain in a Cambridge University archive, have been published in two volumes but Amerys fascinating business activities were omitted by the publisher, and like Szlumper he comments on individuals and developments. The diary information of these two exceptional men has been supplemented by information from the railway, state archives and other sources, and many of the photographs have never been published before.

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Following official protection of natural environments for public benefit in Fontainebleau Forest in France (1861) and in Yosemite (1864) and Yellowstone (1872) in the USA, the New Forest Act of 1877 marked the first major instance in Britain. Art and artists were involved in this achievement to a greater extent than in all preceding cases. For the first time, and within an ecocritical framework, this study examines the role played by art during the previous anti-enclosure campaign – highlighting both the hitherto-unacknowledged extent of German influence in terms of the original artistic initiative and of German artists’ participation in the cause, as well as the significance of connections between landscape art of the day and priorities of the early Open Spaces movement. Ecocriticism in art history With works by the German and British artists George Bouverie Goddard, Wilhelm Kümpel, Alfred Pizzi Newton, Wilhelm Trautschold, Edmund George Warren

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One woman’s influential contribution to modernism, achieved through a fascinating revival of tapestry Marie Cuttoli (1879–1973) lived in Algeria and Paris in the 1920s and collected the work of avant-garde artists such as Georges Braque, Joan Miró, and Pablo Picasso. In the ensuing decades, she went on to revive the French tapestry tradition and to popularize it as a modernist medium. This catalogue traces Cuttoli’s career, beginning with her work in fashion and interiors under her label Myrbor. She subsequently commissioned artists including Braque, Le Corbusier, Fernand Léger, Man Ray, Miró, and Picasso to design cartoons to be woven at Aubusson, a center of tapestry production since the 17th century. Today these cartoons—paintings and collages by canonical artists—are often understood as autonomous works of art, but this catalogue uncovers their original purpose as textile designs. Beautifully illustrated with rarely exhibited works by giants of European modernism, Marie Cuttoli reveals the significant contributions of a shrewd and visionary woman as well as the role of the decorative arts in the development of the movement.Distributed for the Barnes FoundationExhibition Schedule:The Barnes Foundation, Philadelphia (February 23–August 23, 2020)

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Letters & Sounds (2021): Phase 2 Scholastic Set: 02 Non-fiction Title: At the Hen Run Focus: ck e u r h b l Tricky words: is the Book Band: Pink B This title is part of a brand new set of non-fiction phonically decodable reading books perfect for very early readers. These expertly levelled books are engaging, and are exactly matched to Little Wandle Letters & Sounds Revised, used in schools across the UK. The artwork and photographs are detailed so as not to provide picture cues and prompting. Each book also contains parent's notes and a 'talk about it' task to support children's oracy, vocabulary and comprehension skills. Thirteen sets of non-fiction books covering groups of sounds to allow for progression. There are thirteen sets in total, covering: Phase 2 Set 1: s a t p i n m d Phase 2 Set 2: g o c k ck e u r h b f l Phase 2 Set 3: ff ll ss j v w x y z zz Phase 2 Set 4: qu ch sh th ng nk Phase 3 Set 5: ai ee igh oa oo Phase 3 Set 6: ar or ur ow oi ear air er Phase 4 Set 7: Adjacent consonants with short vowels Phase 4 Set 8: Adjacent consonants with Phase 3 long vowels Phase 5 Set 9: ay (play), ou (cloud), oy (boy), ea (each), ir (bird), ie (pie), ue (blue), u (unicorn) Phase 5 Set 10: o (go), i (tiger), a (paper), e (he), a-e (snake), i-e (time), o-e (home), u-e (cute), e-e (these), ew (new), ie (shield), aw (claw) Phase 5 Set 11: y (funny), ea (head), wh (wheel), oe (toe), ou (shoulder), y (fly), ow (snow), g (giant), ph (phone), le (apple), al (metal), c (ice), ve (give), o-e (some), o (mother), ou (young), se (cheese), se (mouse), ce (fence), ey (donkey), ui (fruit), ou (soup) Phase 5 Set 12: or (word), u (full), oul (could), are (share), ear (bear), ere (there), au (author), aur (dinosaur), oor (floor), al (walk), tch (match), ture (adventure), al (half), a (father), a (water), a (want), ear (learn), wr (wrist), st (whistle), sc (science), ch (school), ch (chef), ze (freeze), schwa at the end of words (actor) Phase 5 Set 13: eigh (eight), aigh (straight), ey (grey), ea (break), gn (gnaw), kn (knee), mb (thumb), ere (here), eer (deer), su (treasure), si (vision), dge (bridge), ge (large), y (crystal), ti (potion), ssi (mission), si (mansion), ci (delicious), augh (daughter), our (pour), oar (oar), ore (more) Have you got them all?

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"Classical works have for us become covered with the glassy armor of familiarity," wrote Victor Shklovsky in 1914. Here Kristin Thompson "defamiliarizes" the reader with eleven different films. Developing the technique formulated in her Eisenstein's Ivan the Terrible (Princeton, 1981), she clearly demonstrates the flexibility of the neoformalist approach. She argues that critics often use cut-and-dried methods and choose films that easily fit those methods. Neoformalism, on the other hand, encourages the critic to deal with each film differently and to modify his or her analytical assumptions continually. Thompson's analyses are thus refreshingly varied and revealing, ranging from an ordinary Hollywood film, Terror by Night, to such masterpieces as Late Spring and Lancelot du Lac. She proposes a formal historical way of dealing with realism, using Bicycle Thieves and The Rules of the Game as examples. Stage Fright and Laura provide cases in which the classical cinema defamiliarizes its own conventions by playing with audience expectations. Other chapters deal with Tati's Les Vacances de Monsieur Hulot and Play Time and Godard's Tout va bien and Sauve qui peut (la vie). Although neoformalist analysis is a rigorous, distinctive approach, it avoids extensive specialized vocabulary and esoteric concepts: the essays here can be read separately by those interested in the individual films. The book's overall purpose, however, goes beyond making these particular films more accessible and intriguing to propose new ways of looking at cinema as a whole.

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'Henderson's Grace Williams Says It Loud was shortlisted for the Orange Prize and this more than matches it.'Elizabeth Buchan, Daily MailIn June 1914, Sir Anthony Valentine, a keen mountaineer, arrives with his family to spend the summer in their chalet, high in the French Alps. There, for the first time, fourteen-year-old foundling Mathilde starts work as one of the 'uglies' - village girls employed as servants and picked, it is believed, to ensure they don't catch Sir Anthony's roving eye. For Mathilde it is the start of a life-long entanglement with les anglais - strange, exciting people, far removed from the hard grind of farming. Except she soon finds the Valentines are less carefree than they appear, with a curiously absent daughter no one talks about. It will be decades - disrupted by war, accidents and a cruel betrayal - before Mathilde discovers the key to the mystery. And in 1976, the year Sir Anthony's great-great grandson comes to visit, she must decide whether to use it. Vividly evoking the dramatic landscape that so enthrals the Valentines, this deeply involving, intriguing novel tells the story of an English family through the generations and a memorable French woman, whose lives seem worlds apart yet which become inextricably connected.

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The report presents the results of the measurements of grain size, total organic carbon (TOC),hydrocarbons and metals in surface sediments (greater than 100 samples) collected from 40 locations off the coast of northern Mozambique during an environmental survey in March–April 2018. The survey was carried out from the R/V Dr Fridtjof Nansen in the following areas: (i) Pemba – planned gas industry logistic base, (ii) Ibo Island (Quirimbas National Protected Area) to St. Lazarus Bank – the reference area, and(iii) Palma - gas exploration area. The contents of fine-grained fraction (les than 63 um) of the sediment varied strongly in all areas from coarse sediment to high mud contents, whereas TOC levels were generally low and correlated poorly with fine-grained fraction. Background levels of hydrocarbons and metals were found in most of the samples. Anthropogenic contamination was found at one site in Pemba harbour. No oil-related contamination was demonstrated, including the Palma area where gas exploration is concentrated. Elevated concentrations of barium and total hydrocarbon content at some locations in the Palma area are attributed to drilling activities but are not considered to be of environmental concern. Based on the measured concentrations of chemicals, background concentrations for the studied areas are proposed

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Containing over 140 exclusive photographs – ranging from private homes to football stadia – across every region of the country, Brutalist Italy is the first publication to focus entirely on this subject. Best books of 2023 (Architecture and Design) - Financial Times ‘Brutalist Italian architecture enthusiasts and concrete completists will be spoilt for choice by Roberto Conte and Stefano Perego’s pictorial tour.’ - Wallpaper* What makes Italian Brutalist buildings different to their counterparts in other countries? Containing over 140 exclusive photographs – ranging from private homes to churches and cemeteries via football stadia – across every region of the country, Brutalist Italy is the first publication to focus entirely on this subject. Architectural photographers Roberto Conte and Stefano Perego (authors of Soviet Asia) have spent the past five years travelling over 20,000 kilometres documenting the monumental concrete structures of their native country. Brutalism – with its minimalist aesthetic, favouring raw materials and structural elements over decorative design – has a complex relationship with Italian history. After World War II, Italian architects were keen to distance themselves from fascism, without rejecting the architectural modernism that had flourished during that era. They developed a form of contemporary architecture that engaged with traditional methods and materials, drawing on uncontaminated historical references. This plurality of pasts assimilated into new constructions is a recurring feature of the country’s Brutalist buildings, imparting to them a unique identity. From the imposing social housing of Le Vele di Scampia to the celestial Our Lady of Tears Sanctuary, Syracuse – Brutalist Italy collects the most compelling examples of this extraordinary architecture for the first time in a single volume. The book is dual language, with texts in both English and Italian.

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Much has been written about the French Revolution and especially its bloody phase known as the Reign of Terror. The actions of the leaders who unleashed the massacres and public executions, especially Maximilien Robespierre and Georges Danton, are well known. They inspired many soldiers in the Revolutionary cause, who did not survive, let alone thrive, in the post-Revolutionary world. In this work of historical reconstruction, Jeff Horn recounts the life of Alexandre Rousselin and narrates the history of the age of the French Revolution from the perspective of an eyewitness. From a young age, Rousselin worked for and with some of the era's most important men and women, giving him access to the corridors of power. Dedication to the ideals of the Revolution led him to accept the need for a system of Terror to save the Republic in 1793-94. Rousselin personally utilized violent methods to accomplish the state's goals in Provins and Troyes. This terrorism marked his life. It led to his denunciation by its victims. He spent the next five decades trying to escape the consequences of his actions. His emotional responses as well as the practical measures he took to rehabilitate his reputation illuminate the hopes and fears of the revolutionaries. Across the first four decades of the nineteenth century, Rousselin acquired a noble title, the comte de Saint-Albin, and emerged as a wealthy press baron of the liberal newspaper Le Constitutionnel. But he could not escape his past. He retired to write his own version of his legacy and to protect his family from the consequences of his actions as a terrorist during the French Revolution. Rousselin's life traces the complex twists and turns of the Revolution and demonstrates how one man was able to remake himself, from a revolutionary to a liberal, to accommodate regime change.

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Challenging the triumphalist narrative of Enlightenment secularism.According to most scholars, the Enlightenment was a rational awakening, a radical break from a past dominated by religion and superstition. But in Let There Be Enlightenment, Anton M. Matytsin, Dan Edelstein, and the contributors they have assembled deftly undermine this simplistic narrative. Emphasizing the ways in which religious beliefs and motivations shaped philosophical perspectives, essays in this book highlight figures and topics often overlooked in standard genealogies of the Enlightenment. The volume underscores the prominent role that religious discourses continued to play in major aspects of seventeenth- and eighteenth-century thought. The essays probe a wide range of subjects, from reformer Jan Amos Comenius’s quest for universal enlightenment to the changing meanings of the light metaphor, Quaker influences on Baruch Spinoza’s theology, and the unexpected persistence of Aristotle in the Enlightenment. Exploring the emergence of historical consciousness among Enlightenment thinkers while examining their repeated insistence on living in an enlightened age, the collection also investigates the origins and the long-term dynamics of the relationship between faith and reason. Providing an overview of the rich spectrum of eighteenth-century culture, the authors demonstrate that religion was central to Enlightenment thought. The term “enlightenment” itself had a deeply religious connotation. Rather than revisiting the celebrated breaks between the eighteenth century and the period that preceded it, Let There Be Enlightenment reveals the unacknowledged continuities that connect the Enlightenment to its various antecedents.Contributors: Philippe Buc, William J. Bulman, Jeffrey D. Burson, Charly Coleman, Dan Edelstein, Matthew T. Gaetano, Howard Hotson, Anton M. Matytsin, Darrin M. McMahon, James Schmidt, Céline Spector, Jo Van Cauter

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2024: AÑO PACO DE LUCÍALa biografía más personal y original de uno de los grandes genios de la música española de todos los tiempos.«César Suárez tiene el don de la amenidad para reflejar el carácter atormentado de Paco, su angustiosa búsqueda de una perfección que no existe, como le pasó a Ícaro o a los constructores de la Torre de Babel. Su lectura me enganchó desde el primer momento». — Luis Landero, Premio Nacional de las Letras Españolas 2022Su guitarra, decía su amigo Manolo Sanlúcar, «encanta al que no sabe y vuelve loco al que sabe». Su compleja personalidad le convirtió en un genio admirado en todo el mundo, pero también en un hombre angustiado y lleno de dudas. ¿Qué hay tras la mirada enigmática del mejor músico ­flamenco de la hi

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From the age of 14, Caitlin was completely controlled, repeatedly raped, provided with alcohol, given drugs, sold and passed on to new gangs over and over again. The majority of her abusers were Pakistani men, who were blatant in their attacks upon her, often collecting her from school or home, to be taken to flats they owned, family homes, or hotels booked for the day, to be horrifically and systematically abused. At a time when the abuse ring realities of young white women in Rotherham and other major English cities are coming to light, Caitlin's story will appal readers - not just because of the degree of horrific attacks which were perpetrated upon her, but also because of the ways in which the authorities refused to act. Caitlin speaks openly about what she has suffered, and also shows just how unwilling many people are to face up to what is happening in our midst, for fear of being called racist. By bravely speaking out, she will, hopefully prove just how deep these problems are and just how the abusers get away with it in plain sight of the authorities.

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Rural Iraq, during the war against the so-called Islamic State. A pregnancy out of wedlock. The young woman knows her fate is sealed. In crystalline prose May the Tigris Grieve for You enters the minds of all protagonists, before and after death; fragments of the legend of Gilgamesh, the Mesopotamian hero who carries along the memory of the country and its people, punctuate the family members' short monologues, spaced with the mythical voice of the Tigris River, who has seen it all.; Inspired by her experience of Iraq's complex reality and brutal wars, Malfatto delivers an uncompromising yet compassionate insight into a rigid society ruled by fathers and sons, a world in which life matters less than honour. Winner of the Prix Goncourt du Premier Roman 2021.

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The gripping and immersive historical thriller from the author of Witchfinder, based on the true events of a scandalous blackmail plot hidden in the shadows...'A compelling story of power, passion and intrigue based on real events. A terrific read' NICK ROBINSON, BBC Today presenter'A wickedly entertaining tale of political chicanery' DAILY TELEGRAPH___________London 1929. Very much not a land fit for heroes. Frenchie knows his occasional work for MI5 serves only the ruling classes. But he needs to feed his children. Scruples died in the trenches.When Ramsay MacDonald, Britain's first Labour Prime Minister, is blackmailed by a former lover, Frenchie must go to Paris to buy her silence.It is clear there are many people who would see MacDonald fall - the Conservatives, their friends in the press, even some of his own colleagues. But his own secret service? When Frenchie hears the other side of the story, everything changes.___________'If le Carre needs a successor, Williams has all the equipment for the role' TIMES Literary Supplement Books of the Year'Spy tradecraft of the old school, with no computers, fast cars or mobile phones, but not a whit less exciting for that. Highly recommended as both a spy story and a piece of social and political history' Shots Magazine

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The result of a collaboration between Sydney’s Macquarie University and International PEN Sydney Centre, and funded by the Australia Council for the Arts and the Australian Research Council, The Literature of Australia gathers the most distinctive and most significant of the nation’s writing. Highlights include: Coverage of over two hundred years of literature in all genres, from the 1700s to the present, and over 500 entries from 307 different authors, including writing by Aboriginal authors from the early colonial period to the present. Work from contemporary authors of international renown, including Shirley Hazzard, Peter Carey, David Malouf, Les Murray, Alexis Wright, and Kate Grenville. Biographical details about the authors of the works selected, an introductory essay, major essays setting the works in their historical context, and suggestions for further reading. The Literature of Australia offers readers of all kinds a window into the myriad ways of being Australian.

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50TH ANNIVERSARY EDITION—WITH A NEW INTRODUCTION BY DAVID MITCHELL AND A NEW AFTERWORD BY CHARLIE JANE ANDERSUrsula K. Le Guin’s groundbreaking work of science fiction—winner of the Hugo and Nebula Awards.A lone human ambassador is sent to the icebound planet of Winter, a world without sexual prejudice, where the inhabitants’ gender is fluid. His goal is to facilitate Winter’s inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the strange, intriguing culture he encounters...Embracing the aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of intellectual science fiction.

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This volume details the author's friendship with a New Guinea warrior and the fate of the indigenous peoples.

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