Search results for ""author rath"

Why, after a childhood of emotional neglect and abuse, would a man move next door to the very parents who caused him pain? And how can a woman emerge from her mother's control in order to form healthy adult relationships? Giving up family attachments that failed to meet our needs as children, David Celani argues, is the hardest psychological task an adult can undertake. Yet the reality is that many adults re-create the most painful aspects of their early relationships with their parents in new relationships with peers and romantic partners, frustrating themselves and discouraging them from leaving their family of origin. Leaving Home emphasizes the life-saving benefits of separating from destructive parents and offers a viable program for personal emancipation. Celani's program is based on Object-Relations Theory, a branch of psychoanalysis developed by Scottish analyst Ronald Fairbairn. The human personality, Fairbairn argued, is not the result of inherited (and thus immutable) instincts. Rather, the developing child builds internal relational templates that guide his future interactions with others based on the conscious and unconscious memories he internalized from his primary relationship-the one he experienced with his parents. While a child's attachment to parents who were neglectful or even abusive is not uncommon, there is a way out. Articulate, sensitive, and replete with examples from Celani's twenty-six years of clinical practice, this book outlines the practical steps to leaving home.

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The volume collects a series of lectures given by the renowned French thinker Michel Foucault late in his career. The book is composed of two parts: a talk, "Parresia," delivered at the University of Grenoble in 1982, and a series of lectures entitled "Discourse and Truth," given at the University of California, Berkeley in 1983, which appears here for the first time in its full and correct form. Together, they provide an unprecedented account of Foucault's reading of the Greek concept of parresia, often translated as "truth-telling" or "frank speech." In typically Foucauldian style, the lectures trace the transformation of this concept across Greek, Roman, and early Christian thought, from its origins in pre-Socratic Greece to its role as a central element of the relationship between teacher and student. In mapping the concept's history, Foucault's concern is not to advocate for free speech; rather, his aim is to explore the moral and political position one must occupy in order to take the risk to speak truthfully. In his analysis of parresia, Foucault both advances his project of a history of the present and paves the way for a genealogy of the critical attitude in modern and contemporary societies. These essays--carefully edited and including notes and introductory material to fully illuminate Foucault's insights--are a major addition to Foucault's English-language corpus that no scholar of ancient or modern philosophy will want to miss.

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Over decades of consulting with corporations and the people who run them and 30 years teaching MBA students the nuances of organisational power, Jeffrey Pfeffer has watched numerous people suffer career reversals even as others prevail despite the odds. The most common mistake: most of us don't have a realistic understanding of what makes some people more successful than others. We tend to subscribe to the just world phenomenon, believing that life is fair, rendering us unprepared for the challenges and competition of the real world. Now, Pfeffer brings decades of research and incredible insights to a wide audience. Brimming with counterintuitive advice, numerous examples from a variety of countries, and surprising but research-based findings, his groundbreaking guide reveals the strategies and tactics that separate the winners from the losers. Power, he argues, is a force that can be used and harnessed for individual gain, but also for the benefit of organisations and society. Power, however, cannot be learned from those in charge - their advice often puts a rosy spin on their ascent and focuses on what should have worked, rather than what did. Instead, he reveals the actual paths to power and career success. Iconoclastic and grounded in the realpolitik of human interaction, "Power" is an essential organisational survival manual and a new standard in the field of leadership and management.

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How was the Soviet Union like a soup kitchen? In this important and highly revisionist work, historian Sheila Fitzpatrick explains that a reimagining of the Communist state as a provider of goods for the ‘deserving poor’ can be seen as a powerful metaphor for understanding Soviet life as a whole. By positioning the state both as a provider and as a relief agency, Fitzpatrick establishes it as not so much a prison (the metaphor favoured by many of her predecessors), but more the agency that made possible a way of life. Fitzpatrick’s real claim to originality, however, is to look at the relationship between the all-powerful totalitarian government and its own people from both sides – and to demonstrate that the Soviet people were not totally devoid of either agency or resources. Rather, they successfully developed practices that helped them to navigate everyday life at a time of considerable danger and multiple shortages. For many, Fitzpatrick shows, becoming an informer and reporting fellow citizens – even family and friends – to the state was a successful survival strategy. Fitzpatrick's work is noted mainly as an example of the critical thinking skill of reasoning; she marshals evidence and arguments to deliver a highly persuasive revisionist description of everyday life in Soviet time. However, her book has been criticized for the way in which it deals with possible counter-arguments, not least the charge that many of the interviewees on whose experiences she bases much of her analysis were not typical products of the Soviet system.

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The Republic is Plato's most complete and incisive work – a detailed study of the problem of how best to ensure that justice exists in a real society, rather than as merely the product of an idealized philosophical construct. The work considers several competing definitions of justice, and looks closely not only at what exactly a "just life" should be, but also at the ways in which society can organise itself in ways that maximise the opportunities for every member to live justly. Much of the discussion is via imagined dialogues, giving Plato the opportunity to deploy the tools of Socratic debate to remarkable effect; nowhere else, it can be argued, is the Socratic dialectic better exemplified than in The Republic. In large measure, Plato's success is the product of the acute analytical ability that he demonstrates throughout his surviving oeuvre. No one is better at understanding the relationships between the various parts of a successful argument than Plato, and The Republic also demonstrates the Greek philosopher has few peers when it comes to looking for and highlighting the core assumptions that underlie an argument. The demolition of competing views that Plato puts into the mouth of Socrates is based on a series of relentless interventions and counter-examples that this mastery makes possible. Combining analytical skills with great powers of reasoning to produce a well-structured solution that deals emphatically with counter-arguments, Plato crafts one of the most enduring works of philosophy in the entire western canon.

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Described as the most widely read and influential serious writer of the twentieth century, George Orwell remains relevant in our own era of contested media. He continues to attract a large readership. This book is about Orwell’s post-war cultural moment c. 1948. Taking his Diaries of the time as inspiration, together with his famous final novel, 1984 (published 1949), and treating them as contiguous texts, Brian May considers the gaps, equivocations, and contradictions in Orwell's message and asks what Orwell would have written next. But 1948 is more than a work of literary criticism: rather, it balances critical discussion with creative intervention, being one-half literary-critical commentary, and one-half fictional departure – a novella titled “From the Archives of Oceania,” which quotes, parodies and pastiches Orwell's Diaries, offering a possible prequel. Together these elements offer a resource for the reader to interrogate anew such difficult issues as Orwell's sexism and anti-Semitism; to explore the tensions between various intertwining strands of thought that cast Orwell as both realist and idealist, Puritan and individualist; and to better understand Orwell's curious affection for the natural world. 1948 will appeal to all readers and critics of Orwell, but also to students of dystopian fiction, "revisionary" fiction and "reception study," which highlights the audience’s contribution to an artwork's meaning.

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'Wodehouse is a tonic' - New Yorker. A Wodehouse pick-me-up that'll lift your spirits, whatever your mood.Cheaper and more effective than Valium’.*Offers ‘relief from anxiety, raginess or an afternoon-long tendency towards the sour’.*‘Read when you’re well and when you’re poorly; when you’re travelling, and when you’re not; when you’re feeling clever, and when you’re feeling utterly dim.’*Whatever your mood, P. G. Wodehouse, widely acknowledged to be ‘the best English comic novelist of the century’*, is guaranteed to lift your spirits. Why? Because ‘Mr Wodehouse’s idyllic world can never stale. He has made a world for us to live in and delight in.’*How? ‘You don’t analyse such sunlit perfection, you just bask in its warmth and splendour.’**Olivia Williams *Caitlin Moran *Lynne Truss *Sebastian Faulks *Evelyn Waugh *Stephen FryMeet the Young Men in Spats – all members of the Drones Club, all crossed in love and all busy betting their sometimes non-existent fortunes on unlikely outcomes – that's when they're not recovering from driving their sports cars through, rather than round, Marble Arch.These wonderful comic short stories are the essence of innocent fun. Here, you'll encounter some of Wodehouse's favourite characters – and, in 'The Amazing Hat Mystery', one of his favourite stories.Contents:- The Amazing Hat Mystery - Uncle Fred Flits By - Trouble Down at Tudsleigh

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SHORTLISTED FOR THE COSTA FIRST NOVEL AWARD'Maximilian Ponder is lying face up, dead, on the dining table in his own front room. This is something you really should know, right from the start. 'Max would also have wanted you to know that this is a Henri II style, French, walnut extending dining table, standing on solid turned legs with fretwork decor to the middle, also with ebony and sandalwood inlay, designed by the French furniture maker Nicolas Rastin and probably dating from around 1900 ...'Maximilian Ponder shut himself away for thirty years in an attempt to record every memory he ever had. Now he lies dead, surrounded by his magnum opus - The Catalogue - an exhaustive set of notebooks and journals that he hopes will form the map of one human mind. But before his friend Adam Last can call the police and inform them of Max's death, one rather gruesome task remains in order for Max's project to be complete. Interspersed with sections from The Catalogue, Adam tells the story of the man he knew - a man whose life changed dramatically the day he buried a dead labrador and fought a duel with his father. What emerges is both the story of a friendship, and also of a lifelong obsession, a quest to understand the human mind, memory and what constitutes a life.

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While previous EW exploited flaws in the analogue equipment to corrupt or degrade the sensor detection or localisation capabilities, EW is now an information battle. Modern autonomous threat sensors can readily detect and locate targets by incorporating state of the art high speed digital signal processing (DSP) algorithms that focus on the classification of targets via target physical features. As a result the autonomous threat has a significant advantage over attacking forces consisting of armoured vehicles, aircraft or ships. To elucidate the state of EW, this book focuses on the example of autonomous anti ship missiles (ASM) attacking a naval fleet rather than airborne battles, thus filling a significant gap in the EW literature. It describes modern DSP algorithms that have been published by ASM development personnel from several nations, including the People's Republic of China and the Russian federation and outlines instances where it has been successfully used against ships. The book elaborates on the mathematical techniques employed and the advantages of incorporating digital signal processing algorithms into the autonomous sensor. With straight forward DSP algorithms, ASM can rapidly identify and distinguish electronically generated false targets, passive decoys, chaff and true targets. Moreover, special sensor waveforms now proactively probe the targets for enhanced feature measurements, and modern multi-channel optimal DSP readily mitigates noise jamming.

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Love food but hate spending hours in the kitchen? This book is the answer, with over 350 delicious recipes ready in less than 30 minutes'Easily my first choice for a simple, good, workable and readable cookery book' Nigella Lawson_______ Nigel Slater presents over 350 creative, delicious and nourishing recipes and suggestions for those who'd rather spend more of their time eating than cooking.From simple snacks to dinner-party desserts, all the dishes in Nigel Slater's Real Fast Food can be ready to eat in 30 minutes or under.These delicious meals include . . .- Roast Pork Sandwiches with Pickled Walnuts and Crackling- Caramelised Onion and Parsley Frittata- Baked Fish Steaks with Tomato and Breadcrumbs- Grilled Chicken with Red Chilli, Garlic and Yoghurt- Spiced Lamb Kofta with Pine Nuts and Red Cabbage- Stir-fried Beef with Broccoli and MushroomsFull of tips and tricks, feasts and quick-fixes, this is the staple cookbook that every household needs._______ 'Not just a cookery book for gourmets and foodies, but for real people too' Sophie Grigson 'Nigel Slater offers us a decade's worth of fresh, original cookery ideas with spoonfuls of wit' Observer 'Designed to appeal to people who love food but don't want to spend hours slaving away at the stove (i.e. nearly everybody in Britain)' Independent on Sunday

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For many, video games are like magic. They hide in the dark and then appear from nowhere, fully formed. Based on over a dozen firsthand interviews that cover genre-defining games and the titles that inspired them Metal Gear Solid, Thief, Deus Ex, Dishonored, Assassin's Creed, Hitman, Splinter Cell, Prey, The Last of Us Part II, and more this book shines a flashlight into the shadowy corners of game development history, uncovering the untold stories behind these formative titles. These insider interviews cover development struggles, internal conflicts, changes in direction, and insight into the reasoning and challenges behind specific mechanics and development decisions. There's the story of how Thief was developed, in part, by an indie band. It covers Metal Gear Solid's localisation issues and the Americanisation of Hideo Kojima's seminal stealth series, along with a page from the original Metal Gear Solid design document. Elsewhere, one of IO Interactive's founders explains why Hitman's Agent 47 is inspired by Coca-Cola, the creator of Assassin's Creed tells us his vision for the future of the series, and there are plenty of surprises besides. Rather than looking back at the genre as a whole, it traces a line through and connects the dots via personal stories and anecdotes from the people who were there. Foreword written by Arkane's Harvey Smith.

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A FINANCIAL TIMES BUSINESS BOOK OF THE MONTH (APRIL 2017) Humans have become subservient to algorithms. Every day brings a new Moneyball fix - a maths whiz who will crack open an industry with clean fact-based analysis rather than human intuition and experience. As a result, we have stopped thinking. Machines do it for us. Christian Madsbjerg argues that our fixation with data often masks stunning deficiencies, and the risks for humankind are enormous. Blind devotion to number crunching imperils our businesses, our educations, our governments, and our life savings. Too many companies have lost touch with the humanity of their customers, while marginalising workers with arts-based skills. Contrary to popular thinking, Madsbjerg shows how many of today's biggest success stories stem not from 'quant' thinking but from deep, nuanced engagement with culture, language, and history. He calls his method sensemaking. In this landmark book, Madsbjerg lays out five principles for how business leaders, entrepreneurs, and individuals can use it to solve their thorniest problems. He profiles companies using sensemaking to connect with new customers, and takes readers inside the work process of sensemaking 'connoisseurs' like investor George Soros, architect Bjarke Ingels, and others. Both practical and philosophical, Sensemaking is a powerful rejoinder to corporate groupthink and an indispensable resource for leaders and innovators who want to stand out from the pack.

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To understand the ethics of immigration, we need to start from the way it is enacted and understood by everyday actors: through practices of hospitality and hostility. Drawing on feminist and poststructuralist understandings of ethics and hospitality, this book offers a new approach to immigration ethics by exploring state and societal responses to immigration from the Global North and South. Rather than treating ethics as a determinable code for how we ought to behave toward strangers, it explores hospitality as a relational ethics—an ethics without moralism—that aims to understand and possibly transform the way people already do embrace and deflect obligations and responsibilities to each other. Building from specific examples in Colombia, Turkey, and Tanzania, as well as the EU, US and UK, hospitality is developed as a structural and emotional practice of drawing and redrawing boundaries of inside and outside; belonging and non-belonging. It thereby actively creates a society as a communal space with a particular ethos: from a welcoming home to a racialised hostile environment. Hospitality is therefore treated as a critical mode of reflecting on how we create a 'we' and relate to others through entangled histories of colonialism, displacement, friendship, and exploitation. Only through such a reflective understanding can we seek to transform immigration practices to better reflect the real and aspirational ethos of a society. Instead of simple answers—removing borders or creating global migration regimes—the book argues for grounded negotiations that build from existing local capacities to respond to immigration.

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Hadimba is a primary village goddess in the Kullu Valley of the West Indian Himalayan state of Himachal Pradesh, a rural area known as the Land of Gods. As the book shows, Hadimba is a goddess whose vitality reveals itself in her devotees' rapidly changing encounters with local and far from local players, powers, and ideas. These include invading royal forces, colonial forms of knowledge, and more recently the onslaught of modernity, capitalism, tourism, and ecological change. Hadimba has provided her worshipers with discursive, ritual, and ideological arenas within which they reflect on, debate, give meaning to, and sometimes resist these changing realities, and she herself has been transformed in the process. Drawing on diverse ethnographic and textual materials gathered in the region from 2009 to 2017, The Many Faces of a Himalayan Goddess is rich with myths and tales, accounts of dramatic rituals and festivals, and descriptions of everyday life in the celebrated but remote Kullu Valley. The book employs an interdisciplinary approach to tell the story of Hadimba from the ground up, or rather, from the center out, portraying the goddess in varying contexts that radiate outward from her temple to local, regional, national, and indeed global spheres. The result is an important contribution to the study of Indian village goddesses, lived Hinduism, Himalayan Hinduism, and the rapidly growing field of religion and ecology.

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A growing body of knowledge has revealed the profound impact of the social determinants of health—the social, political, and economic factors apart from health care that influence health. The question is no longer if social factors are important influences on health, but rather how social factors operate and how to address them most effectively, efficiently, and equitably. Social Determinants of Health and Health Disparities is a comprehensive resource for students and educators to understand the wide-ranging effects of social and political factors, including racism, on individual health. Drawing on Paula Braveman's seminal work in health equity, this volume explains how upstream drivers like law and policy are at the beginning of causal chains influencing health, and in particular how systemic issues like racism are core drivers of health outcomes. Each chapter examines how different social determinants of health—such as income, education, stress, work, and racism—are impacted by upstream social factors and how those factors influence health and health disparities through complex pathways. Chapters also include approaches for future practitioners and policymakers to most effectively activate health-promoting pathways while interrupting health-damaging ones. Complete with chapter summaries and discussion questions, Social Determinants of Health and Health Disparities is the definitive classroom guide to understanding and addressing social disparities in health, particularly racial and socioeconomic disparities.

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A quick trip to the capital goes horribly wrong when Blotto and Twinks get accidentally involved in London's criminal underworld . . .It starts innocently enough at the intimate review 'absolutely everyone is talking about', Light and Frothy, where its glamorous star, Frou Frou Gavotte, has rather taken the fancy of Blotto's school friend Giles 'Whiffler' Trumpington. But while Blotto and Whiffler wait for the star outside the theatre to take her to dinner, Whiffler is seized and manhandled into the back of a cab which then drives off into the night . . . Leaving Blotto with the problem of how to rescue his kidnapped schoolmate.Naturally, he enlists Twinks's help and the two of them encounter actors, singers, impresarios, revue writers, cockney showgirls and Scotland Yard's finest - and white slave traders, who succeed in abducting Twinks - leaving it up to Blotto and his trusty chauffeur, Corky Froggett, to rescue her before she's shipped off to foreign parts forever . . .Praise for Simon Brett'A new Simon Brett is an event for mystery fans' P. D. James'Murder most enjoyable' Colin Dexter'One of British crime's most assured craftsmen . . . Crime writing just like in the good old days, and perfect entertainment' Guardian'Few crime writers are so enchantingly gifted' Sunday Times'Simon Brett writes stunning detective stories. I would recommend them to anyone' Jilly Cooper

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It is the height of the Troubles and Northern Ireland lies under a shadow…When Neil Fitzpatrick, a rogue Green Beret soldier, is recruited by the Irish Republican Army to help prepare a terrorist attack, Paul Stavros, his former teammate, is sent to stop him and bring him home alive. Fitzpatrick, the American son of an Irish rebel who was forced to flee his birthplace, is a Special Forces demolitions expert. Fitzpatrick knows his trade and has a personal agenda with the IRA.Alarm bells erupt when the US government learns that Fitzpatrick has gone over to the IRA. The American public can't find out that one of its elite soldiers is involved in terrorism and the US government won't rely on the British to find him. They need someone who knows Fitzpatrick and how he operates. Who better than one of his former teammates?Paul Stavros is also a Special Forces veteran. He knows little of the Irish Troubles but is about to learn. What he does know is how to fix problems and Neil has just become his biggest headache. But before Stavros can go operational, he must endure an arduous and hazardous selection process to be accepted by the joint SAS-intelligence cell that will back him up. The British aren't happy with Stavros on their turf; they'd rather do the job themselves face=Calibri>– quickly, cleanly, and terminally.Once, Fitzpatrick and Stavros were comrades and friends. Now they are pawns on opposite sides of an ugly war where all is fair and no one is innocent. The British want to kill one, the IRA wants to kill the other. It's a race to see who will be first.

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The Shenandoah Valley Campaign, often referred to as Jackson’s Valley Campaign, saw Gen. Stonewall Jackson lead fewer than seventeen thousand Confederate soldiers on a 464-mile march that defeated three larger Union armies. Jackson’s men fought and skirmished for months to achieve their ultimate objective of preventing Union forces in the Valley from reinforcing the Federal assault on the Confederacy’s capital at Richmond. Jackson’s success in the Shenandoah Valley contributed greatly to his legend among Confederate soldiers and brass and to his permanent place in military history, yet Jackson was not the only leader of note during this pivotal episode of the Civil War.Decisions of the 1862 Shenandoah Valley Campaign explores the critical decisions made by Confederate and Union commanders during the battle and how these decisions shaped its outcome. Rather than offering a history of the battle, Robert G. Tanner hones in on a sequence of critical decisions made by commanders on both sides of the contest to provide a blueprint of Jackson’s Valley Campaign at its tactical core. Identifying and exploring the critical decisions in this way allows students of the battle to progress from a knowledge of what happened to a mature grasp of why events happened. Complete with maps and a driving tour, Decisions of the 1862 Shenandoah Valley Campaign is an indispensable primer, and readers looking for a concise introduction to the battle can tour this sacred ground—or read about it at their leisure—with key insights into the campaign and a deeper understanding of the Civil War itself.Decisions of the 1862 Shenandoah Valley Campaign is the fifteenth in a series of books that will explore the critical decisions of major campaigns and battles of the Civil War.

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In the course of researching dogwood trees, beloved poet and essayist Christopher Merrill realized that a number of formative moments in his life had some connection to the tree named--according to one writer--because its fruit was not fit for a dog. As he approached his sixtieth birthday, Merrill began to compose a self-portrait alongside this tree whose lifespan is comparable to a human's and that, from an early age, he's regarded as a talisman. Dogwoods have never been far from Merrill's view at significant moments throughout his life, helping to shape his understanding of place in the great chain of being; entwined in his experience is the conviction that our relationship to the natural world is central to our walk in the sun. The feeling of a connection to nature has become more acute as his life has taken him to distant corners of the earth, often to war zones where he has witnessed not only humankind's propensity for violence and evil but also the enduring power of connections that can be forged across languages, borders, and politics. Dogwoods teach us persistence humility and wonder. Self-Portrait with Dogwood is no ordinary memoir, but rather the work of a traveler who has crisscrossed the country and the globe in search of ways to make sense of his time here. Merrill provides new ways of thinking about personal history, the environment, politics, faith, and the power of the written word. In his descriptions of places far and near, many outside of the average American's purview--a besieged city in Bosnia, a hidden path in a Taiwanese park, Tolstoy's country house in Russia, a castle in Slovakia, a blossoming dogwood at daybreak in Seattle--the reader's understanding of the world will flourish as well.

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Royal murder mysteries never fail to intrigue readers and TV viewers. Here are some of the most haunting and even horrific episodes from the middle ages, based on latest historical research and historiography, and authentic and rare sources, including archaeology and DNA evidence, uncovering wonderful tales of pathos, tragedy, suffering and romance. This is history for specialists and general readers - and sceptics - given the intense media coverage, including TV, and interest in exciting and accessible popular history. The famous and also less well-known mysteries, which may be new to readers, surrounding British Royalty, are included from around the 11th to the 15th centuries. The murder mysteries show personal and individual tragedy but are also a vehicle for historical analysis. William II - William Rufus - was he murdered or killed accidentally by a 'stray arrow', allowing brother Henry to seize the throne, or was it God's punishment for William's irreligious living and persecution of the church? Or was Edward II murdered at the instigation of Queen Isabella - 'she-wolf of France' - and her lover, Roger Mortimer. who assumed the throne? Did he survive to live peaceably in Italy? Richard II resembled Edward II, as a rather inadequate figure, and was deposed by his rival, Henry IV. Did he die, and if so, was it murder or suicide? Was Edward IV a bigamist? Mystery, if not murder, but wrapped in dynastic rivalry and sex scandal, and usurpation of the throne. The 'Princes in the Tower' and who who killed them if anyone? A beguiling mystery for over 500 years with their usurping uncle Richard III's guilt contested by 'Ricardians'.

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Profiling 60 medical innovations and milestones from the 11th through 21st centuries, this book highlights the people and stories behind these key moments while also exploring their historical context and enduring legacy. Medical Firsts: Innovations and Milestones That Changed the World brings together a carefully curated collection of turning points in the history of medicine over the last millennium. These firsts are drawn from a wide array of medical fields, from surgery to genetics, dentistry, and psychiatry. Firsts are arranged chronologically, but a thematic listing has also been included to allow readers to focus in on particular subject areas, such as trailblazing individuals, groundbreaking drugs and treatments, pioneering diagnostic tools, and life-saving medical procedures. Each entry begins with a description of how the first came to be, followed by discussion of the historical context in which it emerged and its continued impact on the world of medicine. Sources for further information are provided at the end of each entry and serve as a gateway to further study. We take many modern medical devices and techniques for granted, but everything from hypodermic needles and baby incubators to organ transplants, antibiotics, and hearing aids began simply as ideas in someone's mind. And while such concepts as formal medical education, methodical clinical trials, and universal healthcare may seem commonplace today, this wasn't always the case. In some cases, milestones centered around key people and institutions rather than technologies or ideas. Do you know who the first woman to win the Nobel Prize in Physiology or Medicine was, or where the oldest medical school still in existence resides? Medical history comes to life in this captivating volume.

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A reimagining of how the aesthetic movement of the Victorian era ushered in modern queer theory.Late Victorian aesthetes were dedicated to the belief that an artwork's value derived solely from its beauty, rather than any moral or utilitarian purpose. Works by these queer artists have rarely been taken seriously as contributions to the theories of sexuality or aesthetics. But in Before Queer Theory, Dustin Friedman argues that aestheticism deploys its "art for art's sake" rhetoric to establish a nascent sense of sexual identity and community.Friedman makes the case for a claim rarely articulated in either Victorian or modern culture: that intellectually, creatively, and ethically, being queer can be an advantage not in spite but because of social hostility toward nonnormative desires. Showing how aesthetes—among them Walter Pater, Oscar Wilde, Vernon Lee, and Michael Field—harnessed the force that Georg Wilhelm Friedrich Hegel called "the negative," Friedman reveals how becoming self-aware of one's sexuality through art can be both liberating and affirming of humanity's capacity for subjective autonomy.Challenging one of the central precepts of modern queer theory—the notion that the heroic subject of Enlightenment thought is merely an effect of discourse and power—Friedman develops a new framework for understanding the relationship between desire and self-determination. He also articulates an innovative, queer notion of subjective autonomy that encourages reflecting critically on one's historical moment and envisioning new modes of seeing, thinking, and living that expand the boundaries of social and intellectual structures. Before Queer Theory is an audacious reimagining that will appeal to scholars with interests in Victorian studies, queer theory, gender and sexuality studies, and art history.

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A practical and systematic approach to deepening student engagement, promoting a growth mindset, and building a classroom culture that truly supports thinking and learning.Every student deserves access to deep and rigorous learning. Still, some persistent myths about rigor can get in the way—such as the belief that it means more or harder work for everyone, rather than challenging and advancing students' thinking. So how can teachers get more clarity on rigor and foster more meaningful learning in their classrooms.In Rigor by Design, Not Chance, veteran educator Karin Hess offers not only a clear vision of what makes learning deep and rigorous but also a systematic and equitable approach for engaging students of all ages in rich learning tasks. To that end, she outlines five essential teacher moves that foster thinking and learning:1. Ask a series of probing questions of increasing complexity.2. Build schemas in each content area.3. Consider ways to strategically scaffold learning.4. Design complex tasks that emphasize transfer and evidence-based solutions.5. Engage students in metacognition and reflection throughout the learning process.From there, Hess details how to create an "actionable" assessment cycle that will drive learning forward in any classroom.This book offers a treasure trove of strategies, student "look-for" behaviors, and templates to guide teachers in their work as well as an array of rich performance-based assessments to engage and challenge students. School leaders and instructional coaches can also benefit from the variety of teacher-friendly supports to foster rigorous learning in their schools. Ultimately, Rigor by Design, Not Chance helps educators empower students to take greater ownership of their own learning.

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"Good lesson plans have an almost mysterious power; they declare that all information can be interesting, that every skill acquired broadens our potentials to make a better world, and that all impassioned activity leads to learning. Our best teachers have shown us over and over that life is not a struggle against boredom and compliance; it is a wonder to be apprehended. Every bit of SEL you can integrate into your planning will not only begin to heal the wounds of passivity, racism, and inequity, but also give students an experience today, in your classroom, of that better world."Jeffrey Benson draws from his 40-plus years of experience as a teacher and an administrator to provide explicit, step-by-step guidance on how to incorporate social and emotional learning (SEL) into K–12 lesson planning–without imposing a separate SEL curriculum.The book identifies SEL skills in three broad categories: skills for self, interpersonal skills, and skills as a community member. It offers research-based strategies for seamlessly integrating these skills into every section of lesson plans, from introducing a topic in a way that sparks students' interest, to accessing prior knowledge, providing direct instruction, allowing time for experimentation and discovery, using formative assessment, and closing a lesson in a purposeful rather than haphazard manner.In addition to practical advice on lesson planning that can lead to improved student motivation and achievement, Benson offers inspiration, urging both new and veteran teachers to seize every opportunity to develop caring, joyful communities of learners whose experiences and skills can contribute to a better, more equitable world both inside and outside the classroom.

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The new southern studies has had an uneasy relationship with both American studies and the old southern studies. In Finding Purple America, Jon Smith, one of the founders of the new movement, locates the source of that unease in the fundamentally antimodern fantasies of both older fields.The old southern studies tends to view modernity as a threat to a mystic southern essence—a dangerous outside force taking the form of everything from a “bulldozer revolution” to a “national project of forgetting”. Since the rise of the New Americanists, American studies has also imagined itself to be in a permanent crisis mode, seeking to affiliate the field and the national essence with youth countercultures that sixties leftists once imagined to be “the future”. Such fantasies, Smith argues, have resulted in an old southern studies that cannot understand places like Birmingham or Atlanta (or cities at all) and an American studies that cannot understand red states.Most Americans live in neither a comforting, premodern Mayberry nor an exciting, postmodern Los Angeles but rather in what postcolonialists call “alternative modernities” and “hybrid cultures” whose relationships to past and future, to stability and change, are complex and ambivalent. Looking at how “the South” has played in global metropolitan pop culture since the nineties and at how southern popular and high culture alike have, in fact, repeatedly embraced urban modernity, Smith masterfully weaves together postcolonial theory, cultural studies, Lacanian psychoanalysis, and, surprisingly, marketing theory to open up the inconveniently in-between purple spaces and places that Americanist and southernist fantasies about “who we are” have so long sought to foreclose.

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In a thrilling interconnected narrative, You're in the Wrong Place presents characters reaching for transcendence from a place they cannot escape. Charles Baxter stated that "Joseph Harris has a particular feeling for the Detroit suburbs and the slightly stunted lives of the young people there....You're in the Wrong Place isn't uniformly downbeat-there are all sorts of rays of hope that gleam toward the end".The book, composed of twelve stories, begins in the fall of 2008 with the shuttering of Dynamic Fabricating-a fictional industrial shop located in the Detroit suburb of Ferndale. Over the next seven years, the shop's former employees - as well as their friends and families-struggle to find money, purpose, and levity in a landscape suddenly devoid of work, faith, and love.In "Would You Rather", a young couple brought together by Dynamic Fabricating shares a blissful weekend in Northern Michigan, unaware of the catastrophe that awaits them upon their return home. In "Acolytes", a devout Catholic clings to her faith as her brothers descend into cultish soccer violence. In "Memorial", an ex-Dynamic worker scrapes money together for a tribute to his best friend, lost to the war in Afghanistan. In "Was It Good for You?" a cam girl deconstructs materialism with her ageng great aunt, a luxury sales associate, and an anxious, faceless client. And in the title story, simmering tensions come to a boil on a hot summer day for a hardscrabble landscaping crew, hired by the local bank to maintain the lawns of foreclosuresIn turns elegiac and harrowing, You're in the Wrong Place blends lyric intensity with philosophical eroticism to create a singular, powerful vision of contemporary American life. Readers of contemporary fiction grounded in place need to take up this collection.

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The Time Is Out of Joint handles the Shakespearean oeuvre from a philosophical perspective, finding that Shakespeare's historical dramas reflect on issues and reveal puzzles which were taken up by philosophy proper only in the centuries following them. Shakespeare's extraordinary handling of time and temporality, the difference between truth and fact, that of theory, and that of interpretation and revelatory truth are evaluated in terms of Shakespeare's own conjectural endeavors, and are compared with early modern, modern, and postmodern thought. Heller shows that modernity, which recognized itself in Shakespeare only from the time of Romanticism, found in Shakespeare's work a revelatory character which marked the end of both metaphysical system-building and a tragic reckoning with the inaccessibility of an absolute, timeless truth. Heller distinguishes the four stages found in constantly unique relation in Shakespeare's work (historical, personal, political, and existential) and probes their significance as time comes to fall "out of joint" and may be again set aright. Rather than initially bestowing upon Shakespeare the dubious honorary title of philosopher, Heller probes the concretely situated reflections of characters who must face a blind and irrational fate either without taking responsibility for the discordance of time, or with a responsibility which may both transform history into politics, and set right the time which is out of joint. In the ruminations and undertakings of these characters, Shakespeare's dramas present a philosophy of history, a political philosophy, and a philosophy of (im)moral personality. Heller weighs each as distinctly modern confrontations with the possibility of truth and virtue within a human historical condition no less multifarious for its momentariness.

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The Defining Decade for the #Adulting generation—a book that blends storytelling and data to unpack the choices you make in your twenties, why they matter, and how to turn those critical years into a launchpad for the life you want.We tend to think of our twenties as a playground for life: A time for low-consequence experimentation and delaying big decisions. But the truth is that while you’re muddling through those years—exploring new cities, dating the wrong people, hopping between jobs—a small shift in your flight path can mean the difference between landing on Mars or Saturn. As the data shows, the choices we make (or put off) during this critical decade about our career, marriage, health, friends, even downtime have the greatest impact on how our lives play out. For example, did you know that people who marry between the ages of 28 and 32 have the lowest risk of divorce? And that the average 25 year old has 20 close friends, but this will shrink to 8 after age 40? And that most of us don’t acquire new hobbies after we hit our thirties?Rather than prescribing one correct path (who are we kidding, there’s no such thing anyway!), Elizabeth Segran invites readers to think critically and holistically about the life they want to build. With signature warmth and humor, Segran is the guide we all wish we had to show us the way. Blending insightful anecdotes with research from economics, sociology, and political science, The Rocket Years is an empowering exploration of these exciting, confusing, wonderful years.

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Javanmardi is one of those Persian terms that is heard frequently in discussions associated with Persian identity, and yet its precise meaning, conveying all the nuances inherent within it, is so difficult to comprehend. A number of equivalents have been offered, including chivalry and manliness, and while these terms are not incorrect, javanmardi transcends them. The concept encompasses character traits of generosity, selflessness, hospitality, bravery, courage, honesty, truthfulness and justice - and yet there are occasions when the exact opposite of these is required for one to be a javanmard. At times it would seem that being a javanmard is about knowing and doing the right thing, although this is not an adequate definition at all. The present collection is the product of a three-year project, financed by the British Institute of Persian Studies on the theme of `Javanmardi in the Persianate world'. The articles in this volume represent the sheer range, influence and importance that the concept has had in contributing and creating Persianate identities over the past one hundred and fifty years. A conscious decision was taken to make the contributions as wide-ranging as possible. Rather than focus, for example, on medieval Sufi manifestations of javanmardi, both medieval and modern studies were encouraged, as were literary, artistic, archaeological and sociological studies among others. The opening essays examine the concept's origin in medieval history and legends throughout a geographical background that spans from modern Iran to Turkey, Armenia and Bosnia, among both Muslim and Christian communities. Subsequent articles explore modern implications of javanmardi within such contexts as sportsmanship, political heroism, gender fluidity, cinematic representations and the advent of digitalisation.

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This book offers the first critical edition with an English translation and commentary on some of the letters attributed to Alexander and transmitted by mainly Plutarch and Arrian. The vast majority of the texts examined here are constituted by Alexander’s 'private' letters, but the book also includes some letters regarded as official. Thirty-four letters are included, although there are many more letters allegedly written by Alexander, which are definitely forgeries. The doubts about the letters mostly come from the fact that the Romance of Alexander is considered a sort of epistolary novel, thus it has been argued that at some point a collection of Alexander’s letters was put together, containing a nucleus of genuine letters, but also expanded with forgeries. This volume attempts to isolate the letters which are regarded as authentic by the majority of modern scholars, with each letter followed by an outline of previous scholarly discussion of its authenticity. The book brings to wider attention a much-neglected corpus by employing an innovative approach. The traditional study of epistolography tends to focus on literary rather than historical aspects of the genre, whereas this book, by exploring the culture behind the action of writing at Alexander’s court and the diverse approaches in relation to the letters, suggests that different criteria and new ways of writing history, prompted by Eastern standards, were introduced at his court. Furthermore, the collection shows that the step Alexander made, when he assumed the title of Great King, had formal and cultural implications. Finally, the book discusses the provenance of the letters, especially who among the historians contemporary with Alexander knew and handed the letters down.

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The past 30 years are often depicted as an era of globalisation, and even more so with the recent rise of global giants such as Google and Amazon. This updated and revised edition of The Handbook of Globalisation offers novel insights into the rapid changes our world is facing, and how best we can handle them. With multi-disciplinary contributions from leading experts, this Handbook covers a broad spectrum of issues and opportunities surrounding modern globalisation. It explores the idea that globalisation is not new, natural or inevitable, but rather that current global arrangements are the result of corporate pressure and the choices of politicians. It highlights the fact that the deregulated, free market form of globalisation is not unavoidable and explores a new era of global co-operation based around a Green New Deal. It also considers the future of globalisation in the face of the Trump presidency, Brexit and the move towards more state-centred policies. This Handbook continues to be a vital resource for scholars, students and researchers of economics, international relations, and business and management who wish to gain a more in-depth understanding of globalisation from a variety of different disciplines. Politicians and policy makers will also benefit from the advice offered to avoid some of the increasingly negative impacts of our globalising world.Contributors include: P. Arestis, E. Braunstein, P. Brosnan, H.-J. Chang, C. Craypo, G. DeMartino, G. Dymski, G. Epstein, A. Glyn, J. Heintz, C. Hines, P. Hirst, G.M. Hodgson, J. Howells, G. Ietto-Gillies, M. Koenig-Archibugi, S. Lee, P. Lysandrou, J. Michie, J.G. Palma, M. Panic, J. Perraton, J. Plasmans, M. Sawyer, S. Sinclair, A. Singh, J. Stanford, B. Sutcliffe, G. Thompson, J. Toye, F. Wilkinson, R. Woodward, A. Zammit

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A fascinating deep dive into one city’s urban policy—and the anxiety over immigrants that informs it The city of Toronto is often held up as a leader in diversity and inclusion. In Fearing the Immigrant, however, Parastou Saberi argues that Toronto’s urban policies are influenced by a territorialized and racialized security agenda—one that parallels the “War on Terror.” Focusing on the figure of the immigrant and so-called immigrant neighborhoods as the targets of urban policy, Saberi offers an innovative, multidisciplinary approach to the politics of racialization and the governing of alterity through space in contemporary cities.A comprehensive study of urban policymaking in Canada’s largest city from the 1990s to the late 2010s, Fearing the Immigrant uses Toronto as a jumping-off point to understand how the nexus of development, racialization, and security works at the urban and international levels. Saberi situates urban policymaking in Toronto in relation to the dominant policies of international development and public health, counterinsurgency, and humanitarian intervention. Engaging with the genealogies and contemporary developments of major policy techniques involving mapping and policy concepts such as poverty, security, policing, development, empowerment, as well as social determinants of health, equity, and prevention, she scrutinizes the parallel ways these techniques and concepts operate in urban policy and international relations. Fearing the Immigrant ultimately asserts that the geopolitical fear of the immigrant is central to the formation of urban policy in Toronto. Rather than addressing the root causes of poverty, urban policy as it has been practiced aims to pacify the specter of urban unrest and to secure the production of a neocolonial urban order. As such, this book is an urgent call to reimagine urban policy in the name of equality and social justice.

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A groundbreaking history of the confluence of regulatory thinking and building design in the United States What is the origin of “room temperature”? When did food become considered fresh or not fresh? Why do we think management makes things more efficient? The answers to these questions share a history with architecture and regulation at the turn of the twentieth century. This pioneering technological and architectural history of environmental control systems during the Gilded Age begins with the premise that regulation—of temperature, the economy, even the freshness of food—can be found in the guts of buildings. From cold storage and scientific laboratories to factories, these infrastructures first organized life in a way we now call “modern.”Drawing on a range of previously unexplored archival resources, Michael Osman examines the increasing role of environmental technologies in building design from the late nineteenth century. He shows how architects appropriated and subsumed the work of engineers as thermostats, air handlers, and refrigeration proliferated. He argues that this change was closely connected to broader cultural and economic trends in management and the regulation of risk. The transformation shaped the evolution of architectural modernism and the development of the building as a machine. Rather than assume the preexisting natural order of things, participants in regulation—including architects, scientists, entrepreneurs, engineers, managers, economists, government employees, and domestic reformers—became entangled in managing the errors, crises, and risks stemming from the nation’s unprecedented growth.Modernism’s Visible Hand not only broadens our conception of how industrial capitalism shaped the built environment but is also vital to understanding the role of design in dealing with ecological crises today.

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Finalist, 2020 Elliott P. Skinner Award, given by the Association of Africanist Anthropology Examines why African care workers feel politically excluded from the United States Care for America’s growing elderly population is increasingly provided by migrants, and the demand for health care labor is only expected to grow. Because of this health care crunch and the low barriers to entry, new African immigrants have adopted elder care as a niche employment sector, funneling their friends and relatives into this occupation. However, elder care puts care workers into racialized, gendered, and age hierarchies, making it difficult for them to achieve social and economic mobility. In The New American Servitude, Coe demonstrates how these workers often struggle to find a sense of political and social belonging. They are regularly subjected to racial insults and demonstrations of power—and effectively turned into servants—at the hands of other members of the care worker network, including clients and their relatives, agency staff, and even other care workers. Low pay, a lack of benefits, and a lack of stable employment, combined with a lack of appreciation for their efforts, often alienate them, so that many come to believe that they cannot lead valuable lives in the United States. While jobs are a means of acculturating new immigrants, African care workers don’t tend to become involved or politically active. Many plan to leave rather than putting down roots in the US. Offering revealing insights into the dark side of a burgeoning economy, The New American Servitude carries serious implications for the future of labor and justice in the care work industry.

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Finalist, 2020 Elliott P. Skinner Award, given by the Association of Africanist Anthropology Examines why African care workers feel politically excluded from the United States Care for America’s growing elderly population is increasingly provided by migrants, and the demand for health care labor is only expected to grow. Because of this health care crunch and the low barriers to entry, new African immigrants have adopted elder care as a niche employment sector, funneling their friends and relatives into this occupation. However, elder care puts care workers into racialized, gendered, and age hierarchies, making it difficult for them to achieve social and economic mobility. In The New American Servitude, Coe demonstrates how these workers often struggle to find a sense of political and social belonging. They are regularly subjected to racial insults and demonstrations of power—and effectively turned into servants—at the hands of other members of the care worker network, including clients and their relatives, agency staff, and even other care workers. Low pay, a lack of benefits, and a lack of stable employment, combined with a lack of appreciation for their efforts, often alienate them, so that many come to believe that they cannot lead valuable lives in the United States. While jobs are a means of acculturating new immigrants, African care workers don’t tend to become involved or politically active. Many plan to leave rather than putting down roots in the US. Offering revealing insights into the dark side of a burgeoning economy, The New American Servitude carries serious implications for the future of labor and justice in the care work industry.

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What might behaviorism, that debunked school of psychology, tell us about literature?If inanimate objects such as novels or poems have no mental properties of their own, then why do we talk about them as if they do? Why do we perceive the minds of characters, narrators, and speakers as if they were comparable to our own? In Behaviorism, Consciousness, and the Literary Mind, Joshua Gang offers a radical new approach to these questions, which are among the most challenging philosophical problems faced by literary study today.Recent cognitive criticism has tried to answer these questions by looking for similarities and analogies between literary form and the processes of the brain. In contrast, Gang turns to one of the twentieth century's most infamous psychological doctrines: behaviorism. Beginning in 1913, a range of psychologists and philosophers—including John B. Watson, B. F. Skinner, and Gilbert Ryle—argued that many of the things we talk about as mental phenomena aren't at all interior but rather misunderstood behaviors and physiological processes. Today, behaviorism has relatively little scientific value, but Gang argues for its enormous critical value for thinking about why language is so good at creating illusions of mental life.Turning to behaviorism's own literary history, Gang offers the first sustained examination of the outmoded science's place in twentieth-century literature and criticism. Through innovative readings of figures such as I. A. Richards, the American New Critics, Samuel Beckett, Harold Pinter, and J. M. Coetzee, Behaviorism, Consciousness, and the Literary Mind reveals important convergences between modernist writers, experimental psychology, and analytic philosophy of mind—while also giving readers a new framework for thinking about some of literature's most fundamental and exciting questions.

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In this provocative history, David Tucker argues that "irregular warfare"-including terrorism, guerrilla warfare, and other insurgency tactics-is intimately linked to the rise and decline of Euro-American empire around the globe. Tracing the evolution of resistance warfare from the age of the conquistadors through the United States' recent ventures in Afghanistan and Iraq, Revolution and Resistance demonstrates that contemporary conflicts in the Middle East, Africa, and Asia are simply the final stages in the unraveling of Euro-American imperialism. Tucker explores why it was so difficult for indigenous people and states to resist imperial power, which possessed superior military technology and was driven by a curious moral imperative to conquer. He also explains how native populations eventually learned to fight back by successfully combining guerrilla warfare with political warfare. By exploiting certain Euro-American weaknesses-above all, the instability created by the fading rationale for empire-insurgents were able to subvert imperialism by using its own ideologies against it. Tucker also examines how the development of free trade and world finance began to undermine the need for direct political control of foreign territory. Touching on Pontiac's Rebellion of 1763, Abd el-Kader's jihad in nineteenth-century Algeria, the national liberation movements that arose in twentieth-century Palestine, Vietnam, and Ireland, and contemporary terrorist activity, Revolution and Resistance shows how changing means have been used to wage the same struggle. Emphasizing moral rather than economic or technological explanations for the rise and fall of Euro-American imperialism, this concise, comprehensive book is required reading for anyone seeking to understand the character of contemporary conflict.

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John Cleland is among the most scandalous figures in British literary history, both celebrated and attacked as a pioneer of pornographic writing in English. His first novel, "Memoirs of a Woman of Pleasure", or "Fanny Hill", is one of the enduring literary creations of the eighteenth century, despite over two-hundred years of legal prohibition. Yet the full range of his work is still too little known. In this study, Hal Gladfelder combines groundbreaking archival research into Cleland's tumultuous life with incisive readings of his sometimes extravagant, sometimes perverse body of work, positioning him as a central figure in the development of the novel and in the construction of modern notions of authorial and sexual identity in eighteenth-century England. Rather than a traditional biography, "Fanny Hill in Bombay" presents a case history of a renegade authorial persona, based on published works, letters, private notes, and newly discovered legal testimony. It retraces Cleland's career from his years as a young colonial striver with the East India Company in Bombay through periods of imprisonment for debt and of estrangement from collaborators and family, shedding light on his paradoxical status as literary insider and social outcast. As novelist, critic, journalist, and translator, Cleland engaged with the most challenging intellectual currents of his era yet at the same time was vilified as a pornographer, atheist, and sodomite. Reconnecting Cleland's writing to its literary and social milieu, this study offers new insights into the history of authorship and the literary marketplace and contributes to contemporary debates on pornography, censorship, the history of sexuality, and the contested role of literature in eighteenth-century culture.

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Loan sharks may conjure up an image of tough guys in fedoras looking to make a profit off of desperate people in dire financial straits; but in reality, lenders who advance small sums of cash at high interest rates until payday existed long before organized crime entered the trade. Today the businesses that fill this niche in the credit market prefer the name "payday lenders" rather than loan sharks, but most large cities are still a hotbed of usurious lending, and the landscapes are dotted with their inviting and brightly colored storefronts. Despite their more respectable name, these predatory lenders have endured through regulation, prohibition, and the rise and fall of the mob since the late 1800s. In this intriguing and accessible book, Mayer aptly assesses the consequences of high-interest lending—both for the people who borrow at such steep prices and for society as a whole. He argues that although some consumers gain from borrowing at high rates, payday lending in its modern form consistently traps many of the wage earners who pawn their postdated checks, leaving them worse off than they were before. Because payday lending regulations vary widely throughout the country, Mayer chose to focus his story on Chicago, a city that serves as a fine representative of the legacy of loan sharking. Quick Cash will engage policy analysts, economists, and regional historians, as wells as general readers interested in the fascinating story behind these unscrupulous lending operations that feed off America's current tough economic times.

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The political, economic and social transformations that have taken place in China over the last half-century have had a major impact upon the formal methods, institutions and mechanisms used to deal with alleged criminal infractions. This path-breaking book, based upon the largest and most systematic empirical inquiry ever undertaken in China, analyzes the extent to which changes to the formal legal structure have resulted in changes to the law in practice. With unprecedented access to prosecution case files, observation of live trials and interviews with judges, prosecutors and defence lawyers, the book paints a uniquely detailed picture of China's criminal justice system as it operates in everyday cases. Among the major themes explored are: bail; detention; torture; confessions; the role of police, prosecutors and judges; the work of defence lawyers; pre-trial and trial practice; and sentencing practices, including the death penalty. The book shows, through volumes of quantitative data and the voices of judges, prosecutors and defence lawyers, how the party-state continues to influence and control both the process and outcome of criminal trials through an elaborate system of audit and sanction, the result of which is a system of aggregate rather than individual justice. With a wealth of original empirical data, this book will be of significant interest to academics and postgraduate students in the general area of Chinese Studies, human rights, criminal justice and comparative criminal justice. Policy makers, politicians and development agencies will also find it invaluable.With contributions from: Satnam Choongh, Pinky Choy Dick Wan, Eric Chui Wing Hong, Ian Dobinson and Carol Jones

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This volume addresses the relation between religion and things. That relation has long been conceived in antagonistic terms, privileging spirit above matter, belief above ritual and objects, meaning above form, and “inward” contemplation above “outward” action. After all, wasn’t the opposition between spirituality and materiality the defining characteristic of religion, understood as geared to a transcendental beyond that was immaterial by definition? Grounded in the rise of religion as a modern category, with Protestantism as its main exponent, this conceptualization devalues religious things as lacking serious empirical, let alone theoretical, interest. The resurgence of public religion in our time has exposed the limitations of this attitude. Taking materiality seriously, this volume uses as a starting point the insight that religion necessarily requires some kind of incarnation, through which the beyond to which it refers becomes accessible. Conjoining rather than separating spirit and matter, incarnation (whether understood as “the word becoming flesh” or in a broader sense) places at center stage the question of how the realm of the transcendental, spiritual, or invisible is rendered tangible in the world. How do things matter in religious discourse and practice? How are we to account for the value or devaluation, the appraisal or contestation, of things within particular religious perspectives? How are we to rematerialize our scholarly approaches to religion? These are the key questions addressed by this multidisciplinary volume. Focusing on different kinds of things that matter for religion, including sacred artifacts, images, bodily fluids, sites, and electronic media, it offers a wide-ranging set of multidisciplinary studies that combine detailed analysis and critical reflection.

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Marcel Duchamp’s 1919 readymade, L.H.O.O.Q., which he created by drawing a moustache and goatee on a commercial reproduction of the Mona Lisa, precipitated a radical reevaluation of the meaning of art, the process of art making, and the role of the artist. In Drawing on Art, Dalia Judovitz explores the central importance of appropriation, collaboration, influence, and play in Duchamp’s work—and in Dada and Surrealist art more broadly—to show how the concept of art itself became the critical fuel and springboard for questioning art’s fundamental premises. Judovitz argues that rather than simply negating art, Duchamp’s readymades and later works, including films and conceptual pieces, demonstrate the impossibility of defining art in the first place. Through his readymades, for instance, Duchamp explicitly critiqued the commodification of art and inaugurated a profound shift from valuing art for its visual appearance to understanding the significance of its mode of public presentation. And if Duchamp literally drew on art, he also did so figuratively, thus raising questions of creativity and artistic influence. Equally destabilizing, Judovitz writes, was Duchamp’s idea that viewers actively participate in the creation of the art they are viewing. In addition to close readings ranging across Duchamp’s oeuvre, even his neglected works on chess, Judovitz provides interpretations of works by other figures who affected Duchamp’s thinking and collaborated with him, notably Francis Picabia, Man Ray, and Salvador Dalí, as well as artists who later appropriated and redeployed these gestures, such as Enrico Baj, Gordon Matta-Clark, and Richard Wilson. As Judovitz makes clear, these associations become paradigmatic of a new, collective way of thinking about artistic production that decisively overturns the myth of artistic genius.

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Principles of Evolution covers all aspects of the subject. Following an introductory section that provides necessary background, it has chapters on the evidence for evolution that cover the fossil record, DNA-sequence homologies, and protein homologies (evo-devo). It also includes a full history of life from the first universal common ancestor, through the rise of the eukaryote and on to the major groups of phyla. This section is followed by one on the mechanism of evolution with chapters on variation, selection and speciation. The main part of the book ends with a chapter on human evolution and this is followed by appendices that expand on the making of fossils, the history of the subject and creationism.What marks this book as different from others on evolution is its systems-biology perspective. This new area focuses on the role of protein networks and on multi-level complexity, and is used in three contexts. First, most biological activity is driven by such networks and this has direct implications for understanding evo-devo and for seeing how variation is initiated, mainly during embryogenesis. Second, it provides the natural language for discussing phylogenetics. Third, evolutionary change involves events at levels ranging from the genome to the ecosystem and systems biology provides a context for integrating material of this complexity.The book assumes a basic grounding in biology but little mathematics as the difficult subject of evolutionary population genetics is mainly covered qualitatively, with major results being discussed and used rather than derived. Principles of Evolution will be an interesting and thought-provoking text for undergraduates and graduates across the biological sciences.

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In the early decades of the twentieth-century, Main Street was the heart of Los Angeles’s Mexican immigrant community. It was also the hub for an extensive, largely forgotten film culture that thrived in L.A. during the early days of Hollywood. Drawing from rare archives, including the city’s Spanish-language newspapers, Colin Gunckel vividly demonstrates how this immigrant community pioneered a practice of transnational media convergence, consuming films from Hollywood and Mexico, while also producing fan publications, fiction, criticism, music, and live theatrical events. Mexico on Main Street locates this film culture at the center of a series of key debates concerning national identity, ethnicity, class, and the role of Mexicans within Hollywood before World War II. As Gunckel shows, the immigrant community’s cultural elite tried to rally the working-class population toward the cause of Mexican nationalism, while Hollywood sought to position them as part of a lucrative transnational Latin American market. Yet ironically, both Hollywood studios and Mexican American cultural elites used the media to present negative depictions of working-class Mexicans, portraying their behaviors as a threat to middle-class respectability. Rather than simply depicting working-class immigrants as pawns of these power players, however, Gunckel reveals their active participation in the era’s film culture. Gunckel’s innovative approach combines media studies, urban history, and ethnic studies to reconstruct a distinctive, richly layered immigrant film culture. Mexico on Main Street demonstrates how a site-specific study of cultural and ethnic issues challenges our existing conceptions of U.S. film history, Mexican cinema, and the history of Los Angeles.

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In the early decades of the twentieth-century, Main Street was the heart of Los Angeles’s Mexican immigrant community. It was also the hub for an extensive, largely forgotten film culture that thrived in L.A. during the early days of Hollywood. Drawing from rare archives, including the city’s Spanish-language newspapers, Colin Gunckel vividly demonstrates how this immigrant community pioneered a practice of transnational media convergence, consuming films from Hollywood and Mexico, while also producing fan publications, fiction, criticism, music, and live theatrical events. Mexico on Main Street locates this film culture at the center of a series of key debates concerning national identity, ethnicity, class, and the role of Mexicans within Hollywood before World War II. As Gunckel shows, the immigrant community’s cultural elite tried to rally the working-class population toward the cause of Mexican nationalism, while Hollywood sought to position them as part of a lucrative transnational Latin American market. Yet ironically, both Hollywood studios and Mexican American cultural elites used the media to present negative depictions of working-class Mexicans, portraying their behaviors as a threat to middle-class respectability. Rather than simply depicting working-class immigrants as pawns of these power players, however, Gunckel reveals their active participation in the era’s film culture. Gunckel’s innovative approach combines media studies, urban history, and ethnic studies to reconstruct a distinctive, richly layered immigrant film culture. Mexico on Main Street demonstrates how a site-specific study of cultural and ethnic issues challenges our existing conceptions of U.S. film history, Mexican cinema, and the history of Los Angeles.

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Although the Enlightenment is often associated with the emergence of human rights and humanitarian sensibility, "humanity" is an elusive category in the literary, philosophical, scientific, and political writings of the period. Fiction Without Humanity offers a literary history of late seventeenth- and early eighteenth-century efforts to define the human. Focusing on the shifting terms in which human difference from animals, things, and machines was expressed, Lynn Festa argues that writers and artists treated humanity as an indefinite class, which needed to be called into being through literature and the arts. Drawing on an array of literary, scientific, artistic, and philosophical devices— the riddle, the fable, the microscope, the novel, and trompe l'oeil and still-life painting— Fiction Without Humanity focuses on experiments with the perspectives of nonhuman creatures and inanimate things. Rather than deriving species membership from sympathetic identification or likeness to a fixed template, early Enlightenment writers and artists grounded humanity in the enactment of capacities (reason, speech, educability) that distinguish humans from other creatures, generating a performative model of humanity capacious enough to accommodate broader claims to human rights. In addressing genres typically excluded from canonical literary histories, Fiction Without Humanity offers an alternative account of the rise of the novel, showing how these early experiments with nonhuman perspectives helped generate novelistic techniques for the representation of consciousness. By placing the novel in a genealogy that embraces paintings, riddles, scientific plates, and fables, Festa shows realism to issue less from mimetic exactitude than from the tailoring of the represented world to a distinctively human point of view.

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Known for his ultraconservatism and eccentricity, Gu Hongming (1857-1928) remains one of the most controversial figures in modern Chinese intellectual history. A former member of the colonial elite from Penang who was educated in Europe, Gu, in his late twenties, became a Qing loyalist and Confucian spokesman who also defended concubinage, footbinding, and the queue. Seen as a reactionary by his Chinese contemporaries, Gu nevertheless gained fame as an Eastern prophet following the carnage of World War I, often paired with Rabindranath Tagore and Leo Tolstoy by Western and Japanese intellectuals. Rather than resort to the typical conception of Gu as an inscrutable eccentric, Chunmei Du argues that Gu was a trickster-sage figure who fought modern Western civilization in a time dominated by industrial power, utilitarian values, and imperialist expansion. A shape-shifter, Gu was by turns a lampooning jester, defying modern political and economic systems and, at other times, an avenging cultural hero who denounced colonial ideologies with formidable intellect, symbolic performances, and calculated pranks. A cultural amphibian, Gu transformed from an "imitation Western man" to "a Chinaman again," and reinterpreted, performed, and embodied "authentic Chineseness" in a time when China itself was adopting the new identity of a modern nation-state. Gu Hongming's Eccentric Chinese Odyssey is the first comprehensive study in English of Gu Hongming, both the private individual and the public cultural figure. It examines the controversial scholar's intellectual and psychological journeys across geographical, national, and cultural boundaries in new global contexts. In addition to complicating existing studies of Chinese conservatism and global discussions on civilization around the World War I era, the book sheds new light on the contested notion of authenticity within the Chinese diaspora and the psychological impact of colonialism.

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Writing in the cosmopolitan metropolis of Baghdad, Alfarabi (870-950) is unique in the history of premodern political philosophy for his extensive discussion of the nation, or Umma in Arabic. The term Umma may be traced back to the Qur'ān and signifies, then and now, both the Islamic religious community as a whole and the various ethnic nations of which that community is composed, such as the Turks, Persians, and Arabs. Examining Alfarabi's political writings as well as parts of his logical commentaries, his book on music, and other treatises, Alexander Orwin contends that the connections and tensions between ethnic and religious Ummas explored by Alfarabi in his time persist today in the ongoing political and cultural disputes among the various nationalities within Islam. According to Orwin, Alfarabi strove to recast the Islamic Umma as a community in both a religious and cultural sense, encompassing art and poetry as well as law and piety. By proposing to acknowledge and accommodate diverse Ummas rather than ignoring or suppressing them, Alfarabi anticipated the contemporary concept of "Islamic civilization," which emphasizes culture at least as much as religion. Enlisting language experts, jurists, theologians, artists, and rulers in his philosophic enterprise, Alfarabi argued for a new Umma that would be less rigid and more creative than the Muslim community as it has often been understood, and therefore less inclined to force disparate ethnic and religious communities into a single mold. Redefining the Muslim Community demonstrates how Alfarabi's judicious combination of cultural pluralism, religious flexibility, and political prudence could provide a blueprint for reducing communal strife in a region that continues to be plagued by it today.

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