Search results for ""author alex"

Part bildungsroman and part psychological thriller, That Existential Leap is a novel of ideas about the struggle for self-realisation and belonging in the postmodern West. Claudette Dasgupta is a thoughtful but unremarkable American teenager unenthusiastic about the prospect of college and a conventional life. When she meets the heroically mysterious Siegfried at the New York Public Library, she barely hesitates to throw in her lot with him, but soon finds an unscripted life is scarier, and harder, than she could have imagined. Meanwhile, across the Atlantic in Siegfried's home town Glasgow, unconventional police detective Alexander investigates his disappearance. Alexander is soon caught up in still more unworldly affairs as his work spirals out of control and his personal life unravels. As the two stories wrap around one another, encompassing the worlds of crime and gangsterism, the law and police work, music and the supernatural, Dolan Cummings' novel explores the terrifying uncertainty at the core of all human relationships.

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The remarkable true story of the Queen Alexandra frontline nurses in the Second World War.The amazing experiences of the Queen Alexandra nurses in the Second World War form one of the greatest adventure stories of modern times, and - incredibly - remain largely untold. Thousands of middle-class girls, barely out of school, were plucked from sheltered backgrounds, subjected to training regimes unimaginably tough by today's standards, and sent forth to share the harsh conditions of the fighting services. They had to deal with the most appalling suffering, yet most found reserves of inner strength that carried them through episodes of unrelieved horror.Over 200 nurses died, torpedoed in hospital ships, bombed in field hospitals or murdered in Japanese prison camps. Dozens won medals for gallantry. From the beaches of Dunkirk, to Singapore and D-Day, they saw it all. Whether tending burned pilots from the Battle of Britain or improvising medical treatment in Japanese death camps, their dedication was second to none. This is their story.

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The emperor Julian pointed out that the duties of priesthood were better understood among 'the impious Galileans' (i.e. Christians) than among his pagan contemporaries. Like the emperor, the essays in this volume look in both directions. Its pages are populated by very diverse figures: Plutach, Aelius Aristides, Alexander of Abonouteichos, Daniel the Stylite, Gregory of Nazianzus, Shenoute of Atripe, Mani, Muhammad, and a host of anonymous Greek and Roman priests, prophets, and diviners. The priests of second temple Judaism are considered too. Both in the Greco-Roman and the early Christian worlds the neat division between priests and prophets proves hard to sustain. But in terms of fame and influence a strong contrast emerges between Greco-Roman and Judeo-Christian prophets; this is why it is only among Jews and Christians that 'false prophets' are feared. Two recurrent preoccupations are the relation of priests and prophets to secular power, and the priest/prophet not as reality but as idea, an imagined figure. Leading scholars of the religions of antiquity come together in this wide-ranging and innovative volume.

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Syncretistic exegesis.The philosopher Philo was born about 20 BC to a prominent Jewish family in Alexandria, the chief home of the Jewish Diaspora as well as the chief center of Hellenistic culture; he was trained in Greek as well as Jewish learning. In attempting to reconcile biblical teachings with Greek philosophy he developed ideas that had wide influence on Christian and Jewish religious thought. The Loeb Classical Library edition of the works of Philo is in ten volumes and two supplements, distributed as follows. Volume I: Creation; Interpretation of Genesis II and III. II: On the Cherubim; The Sacrifices of Abel and Cain; The Worse Attacks the Better; The Posterity and Exile of Cain; On the Giants. III: The Unchangeableness of God; On Husbandry; Noah's Work as a Planter; On Drunkenness; On Sobriety. IV: The Confusion of Tongues; The Migration of Abraham; The Heir of Divine Things; On the Preliminary Studies. V: On Flight and Finding; Change of Names; On Dreams. VI: Abraham; Joseph; Moses. VII: The Decalogue; On Special Laws Books I–III. VIII: On Special Laws Book IV; On the Virtues; Rewards and Punishments. IX: Every Good Man Is Free; The Contemplative Life; The Eternity of the World; Against Flaccus; Apology for the Jews; On Providence. X: On the Embassy to Gaius; indexes. Supplement I: Questions on Genesis. II: Questions on Exodus; index to supplements.

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Syncretistic exegesis.The philosopher Philo was born about 20 BC to a prominent Jewish family in Alexandria, the chief home of the Jewish Diaspora as well as the chief center of Hellenistic culture; he was trained in Greek as well as Jewish learning. In attempting to reconcile biblical teachings with Greek philosophy he developed ideas that had wide influence on Christian and Jewish religious thought. The Loeb Classical Library edition of the works of Philo is in ten volumes and two supplements, distributed as follows. Volume I: Creation; Interpretation of Genesis II and III. II: On the Cherubim; The Sacrifices of Abel and Cain; The Worse Attacks the Better; The Posterity and Exile of Cain; On the Giants. III: The Unchangeableness of God; On Husbandry; Noah's Work as a Planter; On Drunkenness; On Sobriety. IV: The Confusion of Tongues; The Migration of Abraham; The Heir of Divine Things; On the Preliminary Studies. V: On Flight and Finding; Change of Names; On Dreams. VI: Abraham; Joseph; Moses. VII: The Decalogue; On Special Laws Books I–III. VIII: On Special Laws Book IV; On the Virtues; Rewards and Punishments. IX: Every Good Man Is Free; The Contemplative Life; The Eternity of the World; Against Flaccus; Apology for the Jews; On Providence. X: On the Embassy to Gaius; indexes. Supplement I: Questions on Genesis. II: Questions on Exodus; index to supplements.

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Few figures in cinema history are as towering as Russian filmmaker and theorist Sergei Mikhailovitch Eisenstein (1898-1948). Not only did Eisenstein direct some of the most important and lasting works of the silent era, including Strike, October, and Battleship Potemkin, as well as, in the sound era, the historical epics Alexander Nevsky and Ivan the Terrible he also was a theorist whose insights into the workings of film were so powerful that they remain influential for both filmmakers and scholars today. Seagull Books is embarking on a series of translations of key works by Eisenstein into English. On Disney, which was begun in 1940 but was never finished, was part of a series of essays Eistenstein wrote on masters of cinema; for Eisenstein, Walt Disney offered a way to think about how such impulses and animism and totemism survived in modern consciousness and art. This edition presents the original, unfinished essay along with material on Disney that Eisenstein worked on in subsequent years but never succeeded in integrating with the original.

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Few figures in cinema history are as towering as Russian filmmaker and theorist Sergei Mikhailovitch Eisenstein (1898-1948). Not only did Eisenstein direct some of the most important and lasting works of the silent era, including Strike, October, and Battleship Potemkin, as well as, in the sound era, the historical epics Alexander Nevsky and Ivan the Terrible he also was a theorist whose insights into the workings of film were so powerful that they remain influential for both filmmakers and scholars today. Seagull Books is embarking on a series of translations of key works by Eisenstein into English. A fascinating memoir in two volumes, Beyond the Stars first published by Seagull in 1995 and now available again. Begun as Eisenstein approached fifty, it is full of the famous names of his era, including Charlie Chaplin, Mary Pickford, John Dos Passos, Jean Cocteau, and many more; at the same time, it is a serious book of inquiry about film as a medium, offering countless reflections by Eisenstein on his own work and that of other movie pioneers.

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Europe and the Islamic World sheds much-needed light on the shared roots of Islamic and Western cultures and on the richness of their inextricably intertwined histories, refuting once and for all the misguided notion of a "clash of civilizations" between the Muslim world and Europe. In this landmark book, three eminent historians bring to life the complex and tumultuous relations between Genoans and Tunisians, Alexandrians and the people of Constantinople, Catalans and Maghrebis--the myriad groups and individuals whose stories reflect the common cultural, intellectual, and religious heritage of Europe and Islam. Since the seventh century, when the armies of Constantinople and Medina fought for control of Syria and Palestine, there has been ongoing contact between the Muslim world and the West. This sweeping history vividly recounts the wars and the crusades, the alliances and diplomacy, commerce and the slave trade, technology transfers, and the intellectual and artistic exchanges. Here readers are given an unparalleled introduction to key periods and events, including the Muslim conquests, the collapse of the Byzantine Empire, the commercial revolution of the medieval Mediterranean, the intellectual and cultural achievements of Muslim Spain, the crusades and Spanish reconquest, the rise of the Ottomans and their conquest of a third of Europe, European colonization and decolonization, and the challenges and promise of this entwined legacy today. As provocative as it is groundbreaking, this book describes this shared history in all its richness and diversity, revealing how ongoing encounters between Europe and Islam have profoundly shaped both.

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In this volume, the key Athenian monuments that form the Theatral Complex, including the Theatral Circle, the Fieldstone Building, the marble Doric hexastyle Dedication of Philip III and Alexander IV, the elegant Ionic Porch, and the remains of dozens of bronze statues, are presented in their archaeological, architectural and historical contexts.

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Al-Abarat consists of eight short stories, The Orphan, The Veil, The Abyss, The Punishment, The Martyrs, The Remembrance, The Reward and The Victim. Some are his own and some are translations of writers such as Chateavbriand, and Alexandre Dumas Fils.

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A female contemporary of Alexander Pushkin, Liubov Krichevskaya makes her Anglophone debut in an excellent translation of her fiction, drama, and poetry, which deftly capture women’s estate in the early nineteenth century. Krichevskaya intriguingly combines Sentimentalist preoccupations—sensibility, virtue, and men’s moral reformation through confrontation with exemplary women’s passive piety—with the uncontrollable passions and volatile hero popularized by the Byronic strain of Romanticism. Her gynocentric texts poignantly convey the stringent limitations imposed upon women’s agency by a society that paradoxically credited them with the seemingly limitless capacity to exert a civilizing influence as icons of probity. Readers acquainted with Rousseau, Richardson, and Goethe will discover familiar feminized turf, but cultivated in a Russian vein.—Helena GosciloChair and Professor of Slavic, The Ohio State University

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Ptolemy I, whose epithet was Savior, was in many respects the most successful of all of Alexander the Great’s successors. He created the longest lasting of the Hellenistic kingdoms that rose in the aftermath of the great conqueror’s death, ending with the death of Cleopatra VII and Egypt’s incorporation into the Roman Empire. This book is not a standard biography, but rather an examination of the major issues surrounding Ptolemy’s reign, the major controversies and questions surrounding his career and legacy. What were his ultimate ambitions? How did he administer his kingdom? What was his role in the demise of the unified empire created by Alexander? Ptolemy's administration of this foreign land, although privileging colonists from Greece and Macedonia over native Egyptians, maintained a level of political stability in a land with a long history of resisting foreign rule. Each of the key themes discussed in the chapters follows a chronological order so that readers unfamiliar with the life of Ptolemy can follow the narrative. Each chapter includes a discussion of the major academic positions on each issue and an evaluation of the primary historical and archaeological evidence. Ptolemy I Soter: Themes and Issues brings new clarity to the history of one of the chief architects of the Hellenistic Age.

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This collection of letters to and from the eminent harpsichordist, scholar, and early-music pioneer Ralph Kirkpatrick provides a portrait of the musician from the beginning of his career in Paris in the 1930s to its end in the early 1980s. This collection of letters to and from the eminent harpsichordist, scholar, and early-music pioneer Ralph Kirkpatrick provides a portrait of the musician from the beginning of his career in Paris in the 1930s to its end in the early 1980s, offering new insights into his work and scholarship. The volume contains letters from Europe to his family as well as correspondence with harpsichord makers, performers, and composers, including Nadia Boulanger, Alexander Schneider, John Kirkpatrick, Elliott Carter, Henry Cowell, John Challis, Kenneth Gilbert, Serge Koussevitzky, and Vincent Persichetti. In addition, two former students of Kirkpatrick, the guitarist Eliot Fisk and the harpsichordist Mark Kroll, write about their experiences studying with Kirkpatrick in a foreword and an afterword. The volume also includes a bibliography of publications by and about the musician, as well as a discography. MeredithKirkpatrick is a librarian and bibliographer at Boston University and is the niece of Ralph Kirkpatrick.

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Take an unforgettable tour around the world to meet the creatures that share our city spaces – from bears to bats, penguins to opossums – and learn about how they have adapted and thrived in this gorgeously illustrated gift book written by award-winning natural history journalist Ben Hoare.Wild City travels the globe, exploring how animals have adapted to live alongside humans, in busy cities including New York, Rio de Janeiro, Berlin, Stockholm, London, Alexandria, Singapore and Mumbai. Discover hawks by a world-famous shopping street, snakes slithering through city sewers, and penguins waiting patiently to cross the road. Feature spreads take a closer look at the animals, showing how some wander in plain sight while others hide away in our homes, and we meet wildlife heroes from around the world – ordinary people doing extraordinary things to make our wild neighbours feel welcome.Lyrical and factual text written by the award-winning Ben Hoare is perfectly complemented by Lucy Rose's stunning illustrations. The beautiful cityscapes are full of detail with something new to discover with every look.

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Syncretistic exegesis.The philosopher Philo was born about 20 BC to a prominent Jewish family in Alexandria, the chief home of the Jewish Diaspora as well as the chief center of Hellenistic culture; he was trained in Greek as well as Jewish learning. In attempting to reconcile biblical teachings with Greek philosophy he developed ideas that had wide influence on Christian and Jewish religious thought. The Loeb Classical Library edition of the works of Philo is in ten volumes and two supplements, distributed as follows. Volume I: Creation; Interpretation of Genesis II and III. II: On the Cherubim; The Sacrifices of Abel and Cain; The Worse Attacks the Better; The Posterity and Exile of Cain; On the Giants. III: The Unchangeableness of God; On Husbandry; Noah's Work as a Planter; On Drunkenness; On Sobriety. IV: The Confusion of Tongues; The Migration of Abraham; The Heir of Divine Things; On the Preliminary Studies. V: On Flight and Finding; Change of Names; On Dreams. VI: Abraham; Joseph; Moses. VII: The Decalogue; On Special Laws Books I–III. VIII: On Special Laws Book IV; On the Virtues; Rewards and Punishments. IX: Every Good Man Is Free; The Contemplative Life; The Eternity of the World; Against Flaccus; Apology for the Jews; On Providence. X: On the Embassy to Gaius; indexes. Supplement I: Questions on Genesis. II: Questions on Exodus; index to supplements.

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In the winter of 1965, Leo Strauss taught a seminar on Hegel at the University of Chicago. While Strauss did not consider himself a Hegelian nor write about Hegel at any length, his writings contain intriguing references to the philosopher, particularly in connection with his studies of Hobbes, in his debate in On Tyranny with Alexandre Koje ve; and in his account of the "three waves" of modern political philosophy. Leo Strauss on Hegel reconstructs Strauss's seminar on Hegel, supplemented by passages from an earlier version of the seminar from which only fragments of a transcript remain. Strauss focused in his seminar on the lectures collected in The Philosophy of History, which he considered more accessible than Hegel's written works. In his own lectures on Hegel, Strauss continues his project of demonstrating how modern philosophers related to ancient thought and explores the development and weaknesses of modern political theory. Strauss is especially concerned with the relationship in Hegel between empirical history and his philosophy of history, and he argues for the primacy of religion in Hegel's understanding of history and society. In addition to a relatively complete transcript, Leo Strauss on Hegel also includes annotations, which bring context and clarity to the text.

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Judges are society's elders and experts, our masters and mediators. We depend on them to dispense justice with integrity, deliberation, and efficiency. Yet judges, as Alexander Hamilton famously noted, lack the power of the purse or the sword. They must rely almost entirely on their reputations to secure compliance with their decisions, obtain resources, and maintain their political influence. In Judicial Reputation, Nuno Garoupa and Tom Ginsburg show how reputation is not only an essential quality of the judiciary as a whole, but also of individual judges. Perceptions of judicial systems around the world range from widespread admiration to utter contempt, and as judges participate within these institutions some earn respect, while others are scorned. Transcending the conventional lenses of legal culture and tradition that are used to analyze this variation, Garoupa and Ginsburg approach the subject through their long-standing research on the economics of judiciary information and status, examining the fascinating effects that governmental interactions, multi-court systems, extrajudicial work, and the international rule-of-law movement have on the reputations of judges in this era.

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An updated and expanded edition, covering the past five years of the Met Costume Institute’s exhibitions and galas through the lens of Vogue The Metropolitan Museum of Art Costume Institute’s annual fashion exhibition is the most prestigious of its kind, featuring subjects that both reflect the zeitgeist and contribute to its creation. Each exhibition—from 2005’s Chanel to 2011’s Alexander McQueen: Savage Beauty and 2012’s Schiaparelli and Prada: Impossible Conversations—creates a provocative and engaging narrative drawing hundreds of thousands of visitors. This updated edition includes material from 2015’s China: Through the Looking Glass, 2018’s Heavenly Bodies: Fashion and the Catholic Imagination (the most visited exhibition in the museum’s history), and 2019’s Camp: Notes on Fashion. The show’s opening-night gala, produced in collaboration with Vogue magazine, is regularly referred to as the party of the year, and draws a glamorous A-list crowd, drawing an unrivaled mix of Hollywood fashion. This updated edition of Vogue and the Metropolitan Museum of Art Costume Institute once again invites you into the stunning spectacle that comes when fashion and art meet at The Met.

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‘Tennessee Williams's mordantly funny and deeply troubled meditation on the desperate dismay of ageing and the iniquities of racial bigotry.’ INDEPENDENT ‘It’s a wonderfully weird play, starting claustrophobic, losing intensity as it introduces the locals… then regrouping for a devastating second half… This unruly, unforgettable play takes its unpredictable course to something that makes you feel afresh our powerlessness against time.’ THE TIMES When Chance Wayne left the small town of St. Cloud, he did so with the ambition of being an actor: now, many years later, he returns as a gigolo and the companion of faded movie star Alexandra del Lago. But can Chance convince the town he did actually make it big and win over his childhood sweetheart? Or will the mistakes of his past punish him still? Sweet Bird of Youth is Tennessee Williams's 1959 Broadway hit that explores the social and political climate of 1950s America, at a time when sexual freedom was a critical issue. This edition includes an introduction by Alison Walls that explores the play's production history as well as the dramatic, thematic and academic debates that surround it.

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The hunt for a serial killer takes criminal profiler Emily Roys and true-crime writer Alexis Castells from London to Sweden, and back into the past, to Buchenwald Concentration Camp, in the first instalment an addictive, award-winning new series from the Queen of French Noir ***Winner of Balai de la Découverte and Nouvelle Plume d’Argent Awards*** ***International Number One Bestseller*** ‘Dark, oppressive and bloody, but it’s also thought-provoking, compelling and very moving’ Metro ‘Gustawsson’s writing is so vivid, it’s electrifying. Utterly compelling’ Peter James ‘A bold and intelligent read’ Laura Wilson, Guardian ___________________ Evil remembers… Falkenberg, Sweden. The mutilated body of talented young jewellery designer, Linnea Blix, is found in a snow-swept marina.Hampstead Heath, London. The body of a young boy is discovered with similar wounds to Linnea's.Buchenwald Concentration Camp, 1944. In the midst of the hell of the Holocaust, Erich Hebner will do anything to see himself as a human again. Are the two murders the work of a serial killer, and how are they connected to shocking events at Buchenwald? Emily Roy, a profiler on loan to Scotland Yard from the Canadian Royal Mounted Police, joins up with Linnea's friend, French true-crime writer Alexis Castells, to investigate the puzzling case. They travel between Sweden and London, and then deep into the past, as a startling and terrifying connection comes to light. ___________________ ‘A terrific, original duo’ The Times ‘Multi-layered, superbly plotted, brimming with mystery, tension and bone-chilling violence, and with two very different – but equally fascinating – lead female characters, Block 46 is not for the squeamish or faint-hearted … this is a book that has the power to shock and the artistry to impress long after the last page has turned’ Lancashire Post ‘Utterly compelling’ Woman’s Own ‘A bold and audacious debut from a very talented writer. Heralds the beginning of a thrilling new series’ R J Ellory ‘Viscerally brutal yet delicately beautiful, like blood spatter on fresh snow. An unbelievable debut’ Matt Wesolowski ‘A truly unique and chilling blend of Nordic Noir’s dark atmosphere … gritty, bone-chilling, and harrowing – it’s not for the faint of heart, and not to be missed’ Crime by the Book ‘A real page-turner, I loved it’ Martina Cole ’A great serial-killer thriller with a nice twist … first rate’ James Oswald ‘Cleverly plotted, simply excellent’ Ragnar Jónasson ‘A must-read’ Daily Express ‘There’s a touch of Hannibal Lector in this one, and the final plot twists are harsh and sudden. You’ll want to double check the door locks and keep a few extra lights on, as you read … the suspense is brutal’ Kingdom Books

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“The problem of the twentieth century is the problem of the color line.” These were the prescient words of W. E. B. Du Bois’s influential 1903 book The Souls of Black Folk. The preeminent Black intellectual of his generation, Du Bois wrote about the trauma of seeing the Reconstruction era’s promise of racial equality cruelly dashed by the rise of white supremacist terror and Jim Crow laws. Yet he also argued for the value of African American cultural traditions and provided inspiration for countless civil rights leaders who followed him. Now artist Paul Peart-Smith offers the first graphic adaptation of Du Bois’s seminal work. Peart-Smith’s graphic adaptation provides historical and cultural contexts that bring to life the world behind Du Bois’s words. Readers will get a deeper understanding of the cultural debates The Souls of Black Folk engaged in, with more background on figures like Booker T. Washington, the advocate of black economic uplift, and the Pan-Africanist minister Alexander Crummell. This beautifully illustrated book vividly conveys the continuing legacy of The Souls of Black Folk, effectively updating it for the era of the 1619 Project and Black Lives Matter.

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Through 140 drawings, thought experiments, recipes, activist instructions, gardening ideas, insurgences and personal revolutions, artists who spend their lives thinking outside the box guide you to a new worldview; where you and the planet are one.Everything here is new. We invite you to rip out pages, to hang them up at home, to draw and scribble, to cook, to meditate, to take the book to your nearest green space.Featuring Olafur Eliasson, Etel Adnan, Alexis Pauline Gumbs, Jane Fonda & Swoon, Judy Chicago, Black Quantum Futurism Collective, Vivienne Westwood, Cauleen Smith, Marina Abramovic, Karrabing Film Collective, and many more.

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"This major new work is thought, spirit and sense (in every sense) ‘fleshed out’ in ‘all the corners’ by being unmade – as poetry, as music, as (black and white) images, and as attention to the interconnected circuitries the One has with the social, historical and environmental ‘to / link us outside’." - Emily CritchleyFor fans of: Nathaniel Mackey, Fred Moten, Will Alexander, D. S. Mariott This is a book of poems and an essay infused with the tempos of Grime music and black radical thought.

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A nuanced and richly detailed study that examines the development of Turkish national identity from the 1908 constitutional revolution to the inclusion of Alexandretta in 1939, using the lens of contemporary political cartoons.

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El Museu de Ratalona esta? a punt de rebre el prestigio?s Premi Crosta Fo?ssil, un reconeixement que nome?s aconsegueixen els millors museus del mo?n! Pero? hi falten tres restes arqueolo?giques... Aixi? doncs, Geronimo i la seva fami?lia no tenen cap altre remei que pujar a bord del Bananakronos, la nova Ma?quina del Temps, i partir de seguida per a un nou viatge, a la recerca d?antics tresors. Coneixeran Alexandre el Gran, Cleo?patra, Francis Drake i el jove Mozart!

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Hans Purrmann und Mathilde Vollmoeller-Purrmann zählen zu den bedeutenden Malerpaaren der Klassischen Moderne. Der Diskurs mit anderen Künstlerpaaren ihrer Zeit eröffnet ein Spektrum vielfältiger Lebensbilder. Rollenverteilung in Partnerschaft und Familie sowie Ausbildung, Alltag der künstlerischen Arbeit oder Stellung im Ausstellungswesen sind spannende Aspekte moderner Kunstgeschichte. Hochkarätige Spezialist/-innen beleuchten Leben und Werk von Sabine und Reinhold Lepsius, Marg und Oskar Moll, Leo von König und Mathilde Tardif, Carl Casper und Maria Caspar-Filser, Wassily Kandinsky und Gabriele Münter, Alexej von Jawlensky und Marianne von Werefkin sowie Max Beckmann und Minna Tube. In diesem imposanten Panorama der Avantgarde werden neben der Genderproblematik auch Netzwerke der Moderne sichtbar.

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Die kunsthistorische Forschung und Lehre ist aufs Engste mit der Mediengeschichte verzahnt. Durch die Digitalisierung ergeben sich hier neue Perspektiven. Der Band wirft vor diesem Hintergrund einen differenzierten Blick auf die Vielfalt kunsthistorischer Lehrmedien, indem er nach der Geschichte, den Prämissen, aber auch den Grenzen kunsthistorischer Medienpraxis fragt. Fallstudien widmen sich den unterschiedlichen Medien und ihrer Verwendung für die Wissensproduktion innerhalb der Kunstgeschichte. Beiträge u.a. von Alexandra Axtmann, Peter Bell, Matthias Bruhn, Bernd Carqué, Ortwin Dally, Ute Dercks, Philipp Goldbach, Erkki Huhtamo, Joseph Imorde, Rossella Monaco, Hubert Locher, Maria Männig, Susanne Müller-Bechtel, Robert S. Nelson, Franziska Scheuer, Barbara Schrödl, Andreas Zeising.

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** With an introduction by Mariana Enríquez **A Granta Book of the Year'Cruel and strange and colourful.' Catherine Lacey 'Brimming with life, humour and a vital twist of darkness.' Alexandra Kleeman ''A hellishly tender and hilariously twisted Little Women.' Pola Oloixarac 'Ruthlessly ambitious and honest.' Dizz TateCousins is the jewel in Venturini's oeuvre - mischievous and stylish, vital and mysterious . . . and completely original. It is the story of four women from an impoverished, dysfunctional family in La Plata, Argentina. Neighborhood mythologies, family, female sexuality, vengeance, and social mobility through art are explored and scrutinized in the voice of an unforgettable protagonist, Yuna, who stares wildly at the world in which she is compelled to live; a voice unique in its candidness, sharp edge and utterly breathtaking power.

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A charming Greek romance narrated by its hero.Achilles Tatius was a Greek from Alexandria in Egypt; he is now believed to have flourished in the second century AD. Of his life nothing is known, though the Suidas says he became a Christian and a bishop and wrote a work on etymology, one on the sphere, and an account of great men. He is famous however for his surviving novel in eight books, The Adventures of Leucippe and Clitophon, one of the best Greek love stories. Clitophon relates to a friend the various difficulties which he and Leucippe had to overcome before they are happily united. The story is full of incident and readers are kept in suspense. There are many digressions giving scientific facts, myths, meditations, and so on, the interest of which redeems irrelevance.

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Engaged to the ambitious and self-serving Adolphus Crosbie, Lily Dale is devastated when he jilts her for the aristocratic Lady Alexandrina. Although crushed by his faithlessness, Lily still believes she is bound to her unworthy former fiancé for life and therefore condemned to remain single after his betrayal. And when a more deserving suitor pays his addresses, she is unable to see past her feelings for Crosbie. Written when Trollope was at the height of his popularity, The Small House at Allington (1864) contains his most admired heroine in Lily Dale - a young woman of independent spirit who nonetheless longs to be loved - and is a moving dramatization of the ways in which personal dilemmas are affected by social pressures.

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Yauci Manuel Fernández relata -en El resurgir de la esperanza. Caballeros del Odio las vivencias de Alexander, un adolescente que disfruta de su rutinaria juventud, junto a su mejor amiga Alice. Pronto sus sentimientos hacia ella se disparan, pero ocurre una tragedia que hace temblar los cimientos de su vida para siempre. Meses después, Alexander huye de su pasado, y a punto de fallecer por la falta de recursos los llamados caballeros del odio lo adoptan y lo entrenan como uno más. Con ellos, el muchacho convierte su desdicha en un arma, que utiliza para luchar contra las injusticias de la vida. Mientras tanto descubre que el mundo que tenía frente a sus ojos era una ínfima parte de la realidad; y encuentra en él nuevas criaturas o fantásticas ciudades subterráneas. No obstante, no todo serán ventajas. La traición inesperada de uno de los caballeros pone en peligro la integridad de todo lo que le rodea, algo que deberá afrontar junto a sus nuevos amigos si quiere salir victorioso.

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Originally published in German in 1938, this highly acclaimed volume presents more than one thousand selections from the various extant writings of Origen, the great Alexandrian theologian. Robert J. Daly, S.J., has re-translated the majority of these texts from the original Greek and Latin, added the scriptural references in the translated texts and an index, and included updated bibliographical information. This volume comprises thoughts of one of the greatest of ancient theologians as seen through the eyes of an almost equally prolific successor in the same central Christian enterprise. The book remains a great resource for anyone interested in patristic theology, early Christian mysticism, and early interpretation of Scripture. This Cornerstones edition has a new introduction written by Robert J. Daly, S.J.

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This beautifully illustrated book, with numerous essays by an international roster of leading art historians, examines Jacopo Tintoretto's masterpiece Angel Foretelling the Martyrdom of Saint Catherine of Alexandria, painted between 1560 and 1570 for the Church of San Geminiano in Venice. It was displayed in this location for some 250 years until the church was demolished in 1807, and in 1818 the painting was sold into private hands. It was, famously, the centrepiece of the late rock star David Bowie's collection, being one of the first artworks he acquired. He had it for nearly 30 years, and named his record label after the artist (the Jones/Tintoretto Entertainment Company LLC). In 2016 it was purchased at auction by a private collector and donated to the Rubens House in Antwerp, where it is on long-term loan. This book accompanies the display of the painting, back in Venice for the first time in 200 years as part of an exhibition at Palazzo Ducale.

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Sea, Sky, Land: Towards a Map of Everything brings together a selection of paintings and sculptures by world renowned artist Enrique Martínez Celaya, from 2005 to the present. Following his installation of Schneebett at the Berliner Philharmonie in 2004, Martínez Celaya’s work has undergone significant transformation while remaining intellectually and emotionally ambitious, connecting art to philosophy, literature, and science. This book, a companion to the exhibition at the USC Fisher Museum of Art in Los Angeles, shows Martínez Celaya’s work of the last seventeen years as an artistic, poetic, and intellectual mapping of an existential landscape the artist crosses in a search for meaning. Sea, Sky, Land: Towards a Map of Everything, co-edited in collaboration with the artist, includes over 120 illustrations; an introduction by Selma Holo; essays by Susan M. Anderson, Alexander Nemerov, Elizabeth Prelinger, and Ed Schad; poetry by Mark Irwin and David St. John; and an interview with the artist."

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The Norton Critical Edition is based on the 1623 First Folio text, the only authoritative edition of the play. The editor has modernized spelling but preserves, for the most part, the original lineation and characteristically heavy punctuation. The text of Measure for Measure is accompanied by a full introduction, a note on the text, textual variants, and related illustrations. “Sources” considers the probable, primary, and analogous sources Shakespeare drew upon while composing Measure for Measure, including excerpts from G. B. Giraldi Cinthio’s Hecatommithi and The Tragedy of Epitia, King James I’s Basilikon Doron, and—most directly—George Whetstone’s The History of Promos and Cassandra. “Criticism” collects seventeen important commentaries on Measure for Measure spanning four centuries, including, among others, those by Alexander Pope, Charlotte Lennox, Samuel Johnson, Elizabeth Inchbald, A. C. Bradley, G. Wilson Knight, Jonathan Dollimore, and Marliss C. Desens. “Adaptations and Responses” reprints alternative versions of the play: William D’avenant’s The Law Against Lovers (1662), Charles Gildon’s Measure of Measure, or, Beauty the Best Advocate (1700), and Charles Marowitz’s postmodern version (1975). A Selected Bibliography is also included.

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An illuminating exploration of the new frontiers—and unsettled geographical, temporal, and thematic borders—of early modern European history.The study of early modern Europe has long been the source of some of the most creative and influential movements in historical scholarship. New Horizons for Early Modern European Scholarship explores recent developments in historiography both to exhibit the field's continuing vibrancy and to highlight emerging challenges to long-assumed truths. Essays examine • how key ideas and intellectual practices arose, circulated through scholarly culture, and gave way to subsequent forms • Europe's transforming relationship with Asia, the Americas, Africa, and the rest of the world• how overlooked evidence illuminates vital but obscured people, practices, and objects • connections between disciplines, types of sources, time periods, and placesOpening up emerging possibilities, this book demonstrates that early modern European scholarship remains a source for groundbreaking historical insights and methodologies that would benefit the study of any time and place. Contributors: Alexander Bevilacqua, Ann Blair, Daniela Bleichmar, William J. Bulman, Frederic Clark, Anthony Grafton, Jill Kraye, Yuen-Gen Liang, Elizabeth McCahill, Nicholas Popper, Amanda Wunder

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While ancient civilizations worshipped strong, active emotions, modern societies have favored more peaceful attitudes, especially within the democratic process. We have largely forgotten the struggle to make use of thymos, the part of the soul that, following Plato, contains spirit, pride, and indignation. Rather, Christianity and psychoanalysis have promoted mutual understanding to overcome conflict. Through unique examples, Peter Sloterdijk, the preeminent posthumanist, argues exactly the opposite, showing how the history of Western civilization can be read as a suppression and return of rage. By way of reinterpreting the Iliad, Alexandre Dumas's Count of Monte Cristo, and recent Islamic political riots in Paris, Sloterdijk proves the fallacy that rage is an emotion capable of control. Global terrorism and economic frustrations have rendered strong emotions visibly resurgent, and the consequences of violent outbursts will determine international relations for decades to come. To better respond to rage and its complexity, Sloterdijk daringly breaks with entrenched dogma and contructs a new theory for confronting conflict. His approach acknowledges and respects the proper place of rage and channels it into productive political struggle.

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In the winter of 1965, Leo Strauss taught a seminar on Hegel at the University of Chicago. While Strauss neither considered himself a Hegelian nor wrote about Hegel at any length, his writings contain intriguing references to the philosopher, particularly in connection with his studies of Hobbes, in his debate in On Tyranny with Alexandre Kojève; and in his account of the “three waves” of modern political philosophy. Leo Strauss on Hegel reconstructs Strauss’s seminar on Hegel, supplemented by passages from an earlier version of the seminar from which only fragments of a transcript remain. Strauss focused his seminar on the lectures collected in The Philosophy of History, which he considered more accessible than Hegel’s written works. In his own lectures on Hegel, Strauss continues his project of demonstrating how modern philosophers related to ancient thought and explores the development and weaknesses of modern political theory. Strauss is especially concerned with the relationship in Hegel between empirical history and his philosophy of history, and he argues for the primacy of religion in Hegel’s understanding of history and society. In addition to a relatively complete transcript, Leo Strauss on Hegel also includes annotations, which bring context and clarity to the text.

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This is the first detailed exploration of one of the earliest major poems by Alexander Pope, Windsor-Forest (1713). The book reveals how Pope used the artistic conventions of the Stuart court, such as masque, architecture, allegorical painting, and heraldry to create the last great Renaissance poem in English. A coherent symbolic design is constructed around the themes of the river and the forest. Pope organizes the structure and style of the poem to create a prophetic version of nationhood, drawing on such sources as the plays of Ben Jonson, the Whitehall paintings of Rubens, the architecture of Inigo Jones, the panegyric work of Dryden, and the topographical poetry of Drayton. The political dimensions of the poem are considered in relation to the foundation of the South Sea Company in 1711, with its foreshadowing of imperial issues to come. The book will spark further interest in a poem that has been gaining increasing attention recently from writers such as E. P. Thompson and Laura Brown. It shows the centrality of Windsor-Forest in Pope's own career, and the centrality of Pope in the debates of his time. Pat Rogers is DeBartolo Professor in the Liberal Arts at the University of South Florida.

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Description A new generation of serverless tools, including Claudia.js, make it radically easier to set up serverless web applications so users can focus on what their app does instead of meddling with infrastructure configuration and deployment. Serverless Apps with Node and Claudia.js walks readers through building serverless apps on AWS using JavaScript. They’ll learn to simplify the design and development process so they can focus on getting their application deployed as fast as possible without sacrificing quality. Key features · Create a serverless API using AWS Lambda and Claudia.js · Build a voice assistant with Amazon Alexa · Develop microservices with Node.js, AWS Lambda, S3, and more · Create a chatbot for multiple platforms Audience Written for beginner and intermediate web developers comfortable with JavaScript and Node.js. Some prior experience with AWS is required. About the technology Serverless computing services like AWS Lambda and API Gateway can be tedious to set up, aren't designed to work well with JavaScript and Node, and most of the quirks and gotchas aren't well documented. Claudia doesn't alter your project layout or abstract away the core AWS services; it just makes it easier to get started with them!

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Take an unforgettable tour around the world to meet the creatures that share our city spaces – from bears to bats, penguins to opossums – and learn about how they have adapted and thrived in this gorgeously illustrated gift book written by award-winning natural history journalist Ben Hoare.Wild City travels the globe, exploring how animals have adapted to live alongside humans, in busy cities including New York, Rio de Janeiro, Berlin, Stockholm, London, Alexandria, Singapore and Mumbai. Discover hawks by a world-famous shopping street, snakes slithering through city sewers, and penguins waiting patiently to cross the road. Feature spreads take a closer look at the animals, showing how some wander in plain sight while others hide away in our homes, and we meet wildlife heroes from around the world – ordinary people doing extraordinary things to make our wild neighbours feel welcome.Lyrical and factual text written by the award-winning Ben Hoare is perfectly complemented by Lucy Rose's stunning illustrations. The beautiful cityscapes are full of detail with something new to discover with every look.

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The phenomenon of women's entrepreneurship has gained significant momentum across the globe. Written by leading scholars from a wide range of countries, this book advances the understanding of women's entrepreneurship by drawing attention to the contexts they operate in. It is the fifth in the series of books produced in partnership with the Diana International Research Network.In this book, expert contributors explore female potential and how entrepreneurs make decisions within a multi-layered gendered context. As a rare and current overview of women's entrepreneurship, it presents evidence of the positive impact that achieving equality in gendered institutions would have, how to facilitate meso-institutions' impact and how to foster entrepreneurship education and entrepreneurial initiative at the individual level. A crucial discussion of how women's entrepreneurship could benefit from a more comprehensive concept of innovation or implementing entrepreneurial policies focused on women is also included.With its focus on advancing knowledge about gender issues within the business realm, Women's Entrepreneurship in Global and Local Contexts will be of interest to researchers, faculty and students as well as policy-makers and practitioners.Contributors include: R. Aidis, L. Alexandre, G. Armannsdottir, T. Bijedic, A.M. Bojica, C. Brindley, S. Brink, C.G. Brush, S. Coleman, S. Cooper, L. De Vita, M. del Mar Fuentes, C. Díaz-García, K. Ettl, A. Ford, C. Foster, E.J. Gatewood, G. Gunay, B.R. Hernández-Sánchez, E.B. Kahraman, S. Kriwoluzky, J.V. León, M. Mari, D. Nziku, C. Pich, S. Poggesi, A. Robb, M. Ruiz-Arroyo, J.C. Sánchez-García, M. Tillmar, D. Uygur, F. Welter, D. Wheatley

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This volume includes: Rachel Zelnick-Abramovitz, “Half Slave, Half Free: Partial Manumission in the Ancient Near East and Beyond”; Chris Eckerman, “I Weave a Variegated Headband: Metaphors for Song and Communication in Pindar’s Odes”; Alexander Nikolaev, “Through the Thicket: The Text of Pindar Olympian 6.54 (βατιᾶι τ’ ἐν ἀπειράτωι)”; Tobias Joho, “Alcibiadean Mysteries and Longing for ‘Absent’ and ‘Invisible Things’ in Thucydides’ Account of the Sicilian Expedition”; Peter Barrios Lech, “Menander and Catullus 8—Revisited: Menander Misoumenos and Catullus Carmen 8”; Katharina Volk, “Varro and the Disorder of Things”; John T. Ramsey, “The Date of the Consular Elections in 63 and the Inception of Catiline’s Conspiracy”; Brian D. McPhee, “Erulus and the Moliones: An Iliadic Intertext in Aeneid 8.560–567”; Julia Scarborough, “Eridanus in Elysium: The Underground Poetics of Virgil’s Violent River”; Geert Roskam, “Providential Gods and Social Justice: An Ancient Controversy on Theonomous Ethics”; Rafael J. Gallé Cejudo, “Progymnasmatic Alteration in the Love Letters of Philostratus”; Moysés Marcos, “Callidior ceteris persecutor: The Emperor Julian and His Place in Christian Historiography”; Valéry Berlincourt, “Dea Roma and Mars: Intertext and Structure in Claudian’s Panegyric for the Consuls Olybrius and Probinus”; Fabio Stok, “What is the Spangenberg Fragment?”; George M. Hollenback, “Do Not Steal Seed: An Overlooked Double Entendre in Oracula Sibyllina 2.71”; and Paolo Pellegrini, “R. A. B. Mynors and Harvard: An Unpublished Letter to E. K. Rand (10.10.1944).”

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In the murky waters of the Mediterranean lie the ruins of Alexandria’s fabled lighthouse, a wonder of the ancient world destroyed by earthquakes in the Middle Ages. While mapped by archeologists, most of these 2,000 stone remnants will never be retrieved and reconstructed: the Pharos Lighthouse can only be inferred. But above the surface, the lighthouse is ubiquitous in the modern city, its image wholly imagined, with little resemblance to the stones at the bottom of the sea. In a richly braided, intimately told narrative of text and image, New York–born artist and writer Ellie Ga (born 1976) takes the reader with her on dive boats and into the water, behind the walls of hidden museums, through city streets pasted with political graffiti, into the offices of archeologists and the homes of Alexandrians—just as Egypt is on the cusp of its first post-revolution election. Ga’s investigations into the lighthouse chart the charged spaces between the historical and mythological, between the translated and untranslatable, between the unearthing of memory, the circumscription of the past and the potential of the present. Ga’s subject is ostensibly the Pharos Lighthouse, but her own gorgeously constructed palimpsests reveal a multitude of possible truths: Square Octagon Circle becomes a prism through which to see the nature of the unknown.

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'This may be the greatest tale of the ancient world. Hugely enjoyable' CONN IGGULDEN'Excellent . . . scintillating' THE TIMESForging Kingdoms is the fifth book in a huge, brutal and bloodthirsty series about the fight to regain Alexander the Great's empire after his untimely death. From the shattered empire, five kingdoms are emerging.Seleukos, triumphant in the capture of Babylon, now faces the challenge of holding onto his hard-won prize. One-eyed Antigonos and his son are newly reconciled and both hungry for revenge.But Antigonos has foes of his own. Driven by vengeance, widowed Artonis sides with Ptolemy, planning to thwart the one-eyed brute. The key to their success is Herakles, the sixteen-year-old illegitimate son of Alexander. To see him crowned, they will not only need an army but also to eliminate Kassandros, a powerful rival with his own designs on the throne of Macedon. Meanwhile in the north, Lysimachus broods.As loyalties shift like sand and political ambitions run rife, the stage is set for the greatest war in the ancient world. Who will win the fight for the greatest Kingdom in the ancient world? Let the games begin . . .

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The epic story of the imperial rivalry between two of the greatest empires of the ancient world – Parthian and Persian – and how they rose and eventually fell. The Roman empire shaped the culture of the western world against which all other great powers are compared. Stretching from the north of Britain to the Sahara, and from the Atlantic coast to the Euphrates, it imposed peace and prosperity on an unprecedented scale. However, the exception lay in the east, where the Parthian and then Persian empires ruled over great cities and the trade routes to mysterious lands beyond. This was the place Alexander the Great had swept through, creating a dream of glory and conquest which tantalised Greeks and Romans alike. Caesar, Mark Antony and a long succession of emperors longed to follow in Alexander's footsteps. All failed. Only here did the Roman empire slow down and eventually stop, unable to go any further. Following seven centuries of conflict that, ultimately, neither Rome nor Persia would win, The Eagle and the Lion delves into the clash, context and journeys of these entities of great power and the people caught in their wider struggle.

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Revitalizes Alexander Kluge's classic 1979 film, showing it to be not just great storytelling but also an exploration of the poetic force of Frankfurt School Critical Theory. Alexander Kluge achieved his breakthrough at the 1966 Venice Biennale with his first feature, Yesterday Girl (Abschied von gestern), but it is arguably his 1979 film The Patriot (Die Patriotin) that first embodied the great heights his storytelling could reach. Titled after its heroine, the history teacher Gabi Teichert, The Patriot is, however, much more than just a curious story about a headstrong pedagogue intent on teaching kids a version of German history that does not end in war and death: it is one of the finest examples of Kluge's exploration of the poetic force of Frankfurt School Critical Theory. This book pursues The Patriot's conception as a cinematic extension of the theoretical agenda that Kluge and social philosopher Oskar Negt began developing just as the Frankfurt School's first generation was ending. It will guide twenty-first-century English-language readers past superficial interpretations of the film's engagement with German history. By asking how and why The Patriot brings the twin concepts of history and obstinacy - the human propensity to resist capitalism's forces of expropriation and alienation - to the screen, this book revitalizes Kluge's film for the new millennium.

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It's the dawning of a new era for Alexandria and Cleopatra and her younger brother, Ptolemy are established on the throne. Long overlooked by his father in favor of his beguiling sister, eleven-year-old Ptolemy is desperate to assert himself as a man and as a king. But he and his advisors are no match for Queen Cleopatra, who's quick to establish her primacy throughout the land, from Alexandria to Upper Egypt. When, a year later, Cleopatra alienates Rome's remaining legions and flees the palace, Ptolemy finally gets his first taste of power, though not without its complications: Cleopatra has joined forces with their sister Arsinoe in Egypt, and Ptolemy must prepare to meet their army head-on and prove his ruthlessness to Caesar. Despite mounting doubts about where her sister's loyalties lie, Arsinoe has remained faithful to her. But when news comes that Cleopatra has manipulated Caesar to regain the throne and embraced Rome's dominance, Arsinoe is torn between her warring siblings and sensing her own nascent hunger to lead rising within.Arsinoe must choose whether it will be her dear sister or brother she irrevocably betrays . . . and make a decision that will determine the fate of a kingdom, and all the future of history.

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