Search results for ""author "george"""

'His artistry is supreme' John Banville Certain details of the case were etched more sharply than others in Maigret's memory. Even years later he could recall the particular taste and smell of the rain shower in Rue Caulaincourt as keenly as a childhood memory. At a dinner party, Maigret recounts an old case in which Adrien Josset is found guilty and executed for the murder of his wife, Christine. As the case develops under the controlling hand of the magistrate, all clues point to Josset's guilt yet Maigret is left unconvinced following his one interview with him. Years after the case, Maigret still doubts the true identity of the murderer.This novel has been published in a previous translation as Maigret Has Doubts.'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian

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'His artistry is supreme' John Banville'What was he doing there? A hundred times, in the middle of an investigation, he'd had the same feeling of helplessness or, rather, futility. He would find himself abruptly plunged into the lives of people he had never met before, and his job was to discover their most intimate secrets. This time, as it happened, it wasn't even his job. He was the one who had chosen to come, because a teacher had waited for him for hours in the Purgatory at the Police Judiciaire.'When a school teacher from a small coastal town near La Rochelle asks Maigret to help prove he is innocent of murder, the Inspector returns with him to his insular community and finds the residents closing ranks to conceal the truth.'Compelling, remorseless, brilliant' John Gray

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'His artistry is supreme' John Banville'You're a good soul, inspector, and when you're up against the second-rate criminals you get here in Paris, you're a crack policeman. But this business isn't for you. These guys play rough and they may hurt you. Just drop it! What concern is it of yours, anyway?'When Maigret learns that his hapless colleague Inspector Lognon is being menaced by some notorious American mobsters, he makes it his mission to bring them to justice - despite threatening warnings that he is out of his depth. This novel has been published in a previous translation as Inspector Maigret and the Killers.'A supreme writer . . . unforgettable vividness' Independent

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'Compelling, remorseless, brilliant' John Gray I can still see Simenon coming into my office the next day, pleased with himself, displaying even more self-confidence, if possible, than before, but nevertheless with a touch of anxiety in his eyes.' Maigret sets the record straight and tells the story of his own life, giving a rare glimpse into the mind of the great inspector - and the writer who would immortalise him.'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

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'Compelling, remorseless, brilliant' John Gray In his mind's eye he would see that slim figure in the striking clothes, those wide eyes the colour of forget-me-not, the pert nose and especially the hat, that giddy, crimson bonnet perched on the top of her head with a bronze-green feather shaped like a blade stuck in it . . . Félicie had given him more trouble than all the 'hard' men who had been put behind bars.This novel has been published in a previous translation as Maigret and the Toy Village.'One of the greatest writers of the twentieth century' Guardian 'A supreme writer . . . unforgettable vividness' Independent

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'Compelling, remorseless, brilliant' John Gray In everyone's eyes, even the old ladies hiding behind their quivering curtains, even the kids just now who had turned to stare after they had passed him, he was the intruder, the undesirable. No, worse, he was fundamentally untrustworthy, some stranger who had just turned up from who knew where to do who knew what.Maigret's old colleague becomes an unexpected rival in book twenty-four of the new Penguin Maigret series.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Maigret's Rival.'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

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'Compelling, remorseless, brilliant' John Gray He went out, lit his pipe and walked slowly to the harbour. He could hear scurrying footsteps behind him. The sea was becoming swollen. The beams of the lighthouses joined in the sky. The moon had just risen and the judge's house emerged from the darkness, all white, a crude, livid, unreal white. Exiled from the Police Judiciare in Paris, Maigret bides his time in a remote coastal town of France. There, among the lighthouses, mussel farms and the eerie wail of foghorns, he discovers that a community's loyalties hide unpleasant truths.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Maigret in Exile.'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

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'His artistry is supreme' John BanvilleThey suddenly found themselves in an impersonal world, where everyday words no longer seemed to mean anything, where the most mundane details were translated into unintelligible formulae. The judges' black gowns, the ermine, the prosecutor's red robe further added to the impression of a ceremony set in stone where the individual counted for nothing Maigret receives an anonymous phone call concerning the brutal murder of a woman and young child. The tip off concerns the woman's nephew, a mild-mannered man by the name of Gaston Meurant. Maigret remains unconvinced of the man's guilt and at his trial exposes some shocking truths about Meurant's private life that may prove his innocence.'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian

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'His artistry is supreme' John Banville Standing here at the window in the middle of the morning, vaguely observing the comings and goings in the street, he had a feeling that reminded of certain days in his childhood, when his mother was still alive and he was off school because he had the 'flu or it was the end of term. It was the feeling of finding out 'what went on when he wasn't there'.Inspector Maigret is meant to be taking a holiday, but he can't resist following the development of his colleague Janvier's case in the papers - and playing a few tricks on the way.This novel has been published in a previous translation as Maigret's Little Joke.'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian'

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A new translation of Simenon's gripping novel about lives transformed by deceit and the destructive power of lust.It was all real: himself, the room, Andrée still lying on the ravaged bed.For Tony and Andrée, there are no rules when they meet in the blue room at the Hôtel des Voyageurs. Their adulterous affair is intoxicating, passionate - and dangerous. Soon it turns into a nightmare from which there can be no escape. Simenon's stylish and sensual psychological thriller weaves a story of cruelty, reckless lust and relentless guilt.'A wondrous achievement, brief, inexorable, pared to, and agonisingly close to, the bone, and utterly compelling; in short, a true and luminous work of art.' John Banville'A double crime, a dark provincial scandal, and a dreadful sort of triumph . . . presented with shattering power' San Francisco Chronicle'One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian'A supreme writer . . . unforgettable vividness' Independent

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'The father of contemporary European detective fiction' Ann Cleeves Maigret shrugged his shoulders, buried his hands in his pockets and went off without answering. He had just spent one of the most wretched days in his life. For hours, in his corner he had felt old and feeble, without idea or incentive. But now a tiny flame flickered. 'You bet we'll see' he growled.Maigret's peaceful retirement in the countryside is disrupted when a relative unwittingly embroils himself in a crime he did not commit and the inspector returns to Police Headquarters in Paris once again.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Maigret Returns.'Compelling, remorseless, brilliant' John Gray'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

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'She came forward, the outlines of her figure blurred in the half-light. She came forward like a film star, or rather like the ideal woman in an adolescent's dream. 'I gather you wish to talk to me, Inspector . . . but first of all please sit down . . .' Her accent was more pronounced than Carl's. Her voice sang, dropping on the last syllable of the longer words.'Maigret has been interrogating Carl Andersen for seventeen hours without a confession. He's either innocent or a very good liar. So why was the body of a diamond merchant found at his isolated mansion? Why is his sister always shut away in her room? And why does everyone at Three Widows Crossroads have something to hide?

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In this ingenious book Perec creates an entire microcosm in a Paris apartment block. Serge Valene wants to make an elaborate painting of the building he has made his home for the last sixty years. As he plans his picture, he contemplates the lives of all the people he has ever known there. Chapter by chapter, the narrative moves around the building revealing a marvellously diverse cast of characters in a series of every more unlikely tales, which range from an avenging murderer to an eccentric English millionaire who has devised the ultimate pastime...

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'The father of contemporary European detective fiction' Ann Cleeves'You see, I mainly work at night. I've ended up getting to know everybody. They're used to me in Pigalle, I exchange a few words with this person or that person. I go into the bars and cabarets where they give me a quarter bottle of Vichy without waiting for me to order anything.'An anonymous tip-off regarding the death of a restaurant owner sends Maigret into the world of Parisian nightlife, a notorious criminal gang and a man known as 'the Flea'.This novel has been pubished in a previous translation as Maigret and the Flea. 'One of the greatest writers of the twentieth century' Guardian

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'A Stylist pick for best new non-fiction for 2021' “A sweet, touching memoir about family, faith and love. There’s a purity and simplicity to Huma’s writing, as she attempts to reconcile the sprawling weight of expectation with her own desire for a contained but free life. But what does a life on her own terms look like? What even are her own terms? A consolation to others who have trod this very path, enlightening for those of us who haven’t, you’ll be rooting for not just Huma, but for everyone she loves too.” – Pandora Sykes "A beautiful, refreshing and honest memoir about family, love, inheritance and loss" - Nikesh Shukla, author of Brown Baby You can't choose who you fall in love with, they say. If only it were that simple. Growing up in Walsall in the 1990s, Huma straddled two worlds - school and teenage crushes in one, and the expectations and unwritten rules of her family's south Asian social circle in the other. Reconciling the two was sometimes a tightrope act, but she managed it. Until it came to marriage. Caught between her family's concern to see her safely settled down with someone suitable, her own appetite for adventure and a hopeless devotion to romance honed from Georgette Heyer, she seeks temporary refuge in Paris and imagines a future full of possibility. And then her father has a stroke and everything changes. As Huma learns to focus on herself she begins to realise that searching for a suitor has been masking everything that was wrong in her life: grief for her father, the weight of expectation, and her uncertainty about who she really is. Marriage - arranged or otherwise - can't be the all-consuming purpose of her life. And then she meets someone. Neither Pakistani nor Muslim nor brown, and therefore technically not suitable at all. When your worlds collide, how do you measure one love against another? As much as it is about love, How We Met is also about falling out with and misunderstanding each other, and how sometimes even our closest relationships can feel so far away. Warm, wise and ultimately uplifting, this is a coming-of-age story about what it really means to find 'happy ever after'. "This beautiful, romantic memoir grabs you from the first page and won't let you go. Told with heart, wit and quiet restraint, How We Met is the story of how we can transcend the expectations of others and arrange our own happiness in life and in love." - Viv Groskop

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Few novels have caused as much debate as Hubert Selby Jr.'s notorious masterpiece, Last Exit to Brooklyn, and this Penguin Modern Classics edition includes an introduction by Irvine Welsh, author of Trainspotting.Described by various reviewers as hellish and obscene, Last Exit to Brooklyn tells the stories of New Yorkers who at every turn confront the worst excesses in human nature. Yet there are moments of exquisite tenderness in these troubled lives. Georgette, the transvestite who falls in love with a callous hoodlum; Tralala, the conniving prostitute who plumbs the depths of sexual degradation; and Harry, the strike leader who hides his true desires behind a boorish masculinity, are unforgettable creations. Last Exit to Brooklyn was banned by British courts in 1967, a decision that was reversed the following year with the help of a number of writers and critics including Anthony Burgess and Frank Kermode. Hubert Selby, Jr. (1928-2004) was born in Brooklyn, New York. At the age of 15, he dropped out of school and went to sea with the merchant marines. While at sea he was diagnosed with lung disease. With no other way to make a living, he decided to try writing: 'I knew the alphabet. Maybe I could be a writer.' In 1964 he completed his first book, Last Exit to Brooklyn, which has since become a cult classic. In 1966, it was the subject of an obscenity trial in the UK. His other books include The Room, The Demon, Requiem for a Dream, The Willow Tree and Waiting Period. In 2000, Requiem for a Dream was adapted into a film starring Jared Leto and Ellen Burstyn, and directed by Darren Aronofsky.If you enjoyed Last Exit to Brooklyn, you might like Larry McMurty's The Last Picture Show, also available in Penguin Modern Classics.'Last Exit to Brooklyn will explode like a rusty hellish bombshell over America, and still be eagerly read in 100 years'Allen Ginsberg'An urgent tickertape from hell'Spectator

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Bilitere, trilitere, quadrilitere, quiquilitere voir sextilitere - en chamito-semitique, ou, si l'on prefere, en afro-asiatique - y aurait-il un "primitif", un "nucleaire", "un pole premier"? OA' serait-il? Comment l'isoler? Y aurait-il un criterium "objectif" qui puisse inflechir l'option du theoricien de l'analyse lexicologique? Voila une lice oA' l'on voit se contrer, s'opposer, se brocarder, se vilipender meme les tenants d'une position ou improuvable ou reductionniste depuis le Moyen-Age - grammairiens orientaux et orientalistes occidentaux, les seconds ignorant parfois les arguments les plus subtils des premiers - si engages dans une impasse epistemologique si flagrante qu'il est de bon ton de ne pas chercher a en sortir. Aussi le mieux informe, qui serait peut-etre le plus blase sur pareille question, doute que puisse etre applicable a un corpus lexical - mettons d'une langue semitique - une analyse rigoureuse qui fasse emerger un criterium formalisable touchant une strate de l'analyse de la langue oA' il est sage que nul ne se risque de s'aventurer: la lexicogenese. L'histoire des theories grammaticales orientalistes etant maitrisee, ce "criterium" innovant les depasserait, sans les nier, il s'en faut: il les integre. Par contre, le cote fallacieux, confortable, reductionniste, sinon agressif, des theories des Occidentaux, a partir du XXeme siecle est ici pour le moins souligne, l'angle d'attaque marquant la fragilite de ces idees toutes faites etant, on le verra, la phonologie, en ce qu'elle est achronique, intemporelle et dure a torder par les ideologies, et, pire que tout, feconde et explicative. Au diligent lecteur de juger si cet essai fournit une matiere coherente a un paradigme nouveau. Si ce dernier est fecond, il ira de soi et s'appliquera, fut-ce a des langues dont le corpus lexical est moins plethorique que celui de l'arabe. Tel est le pari de cette recherche.

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From the bridgehead sector Sainte Mere Eglise and Utah Beach, the Americans crossed the Merderet at speed, taking Picauville on June 10. The advance slowed with the checking of the 90th Infantry Division before the storming of Pont l'Abbé on the 12th and Saint-Sauveur le Vicomte on the 16th. Two days later, they cut through the Cotentin up to Barneville and headed back northward towards Cherbourg. The book breaks new ground with many period photographs in the series "Normandy 1944". French Language

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The German army occupied the town of Saint-Lô on 17 June 1940. Being a strategic crossroads, Saint-Lô was almost totally destroyed (95% according to common estimates) during the Battle of Normandy in World War II, earning the title of "The Capital of the Ruins" from Samuel Beckett; it was even questioned whether to rebuild it or to leave the ruins intact as a testimony to the bombing. A detailed and vivid photo history, packed with rare photographs, some in colour, this is an invaluable reference tool to any modeller, historian or enthusiast on one of the most devastating battles in history. French Language

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