Search results for ""bloomsbury""

A prolific writer, photographer, portraitist, and documentarian, Lucia Moholy defies categorization. She was as active in avant-garde circles as she was in the field of information science, advancing an expansive understanding of visual reproduction. While previous publications on Moholy have limited her accomplishments to the five years she spent at the Bauhaus, Lucia Moholy: Exposures presents the full breadth of her writings and photographs for the first time. Extensive essays drawing on new archival discoveries offer insights into her early life in turn-of-the-century Prague, her involvement in the radical social movements of the 1920s in Weimar Germany, her emigration to London, where colleagues and friends included members of the Bloomsbury Group as well as her wartime involvement with microfilm and scientific documentation and her work in the Middle East on behalf of UNESCO. Acknowledging her reception by contemporary artists such as Jan Tichy, the publication demonstrates how M

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''He makes us see a subject we thought we knew so well from a completely different angle; in writing that is deeply researched, but inviting, warm, and full of personality'' Katy Hessel''Charlie Porter is a magician'' Olivia Laing Why do we wear what we wear? To answer this question, we must go back and unlock the wardrobes of the early twentieth century, when fashion as we know it was born.In Bring No Clothes, acclaimed fashion writer Charlie Porter brings us face to face with six members of the Bloomsbury Group-the collective of creatives and thinkers who were in the vanguard of a social and sartorial revolution. Each of them offers fresh insight into the constraints and possibilities of fashion today: from the stifling repression of E. M. Forster''s top buttons to the creativity of Vanessa Bell''s wayward hems; from the sheer pleasure of Ottoline Morrell''s lavish dresses to the clashing self-consciousness of Virginia Woolf''s orange stockin

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E. McKnight Kauffer (American, 1890-1954) was a pioneering figure who transformed the field of graphic design between the wars. He drew upon the emerging visual languages of Cubism, Vorticism, and Surrealism to create a modern graphic style that shaped the development of commercial art. Through collaborations with his avant-garde peers in art, literature, and design, including the Bloomsbury Group, Marion Dorn, T.S. Eliot, Langston Hughes, Aldous Huxley, and Man Ray, Kauffer expanded the scope and impact of his field. This groundbreaking publication is the first to address the full range of Kauffer s career, from sophisticated designs for major clients including the London transport system, Random House, American Airlines, and Shell, as well as Allied propaganda posters during World War II to book covers, rugs, costumes, and stage sets. An interdisciplinary group of authors offer critical perspectives on the cultural context of Kauffer s work, bringing new attention to the designer s depictions of race, gender, and global politics.

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This multi-authored volume, newly available in paperback, focuses on Leonard and Virginia Woolf's Hogarth Press (1917-1941). Scholars from the UK and the US use previously unpublished archival materials and new methodological frameworks to explore the relationships forged by the Woolfs via the Press and to gauge the impact of their editorial choices on writing and culture. Combining literary criticism, book history, biography and sociology, the chapters weave together the stories of the lesser known authors, artists and press workers with the canonical names linked to the press following a 'rich, dialogic' forum or network. The book brings together a wide range of thematic material in three sections - 'Class and Culture', 'Global Bloomsbury' and 'Marketing Other Modernisms'.

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In the 1920s, many in the British establishment became convinced that their way of life was being threatened by the new Soviet state. The British government launched vast spying operations in response, carrying out surveillance on not only suspect Russians, but British aristocrats, Bloomsbury artists, ordinary workers and even MPs. What they discovered had profound ramifications for the whole of British society, dividing the nation and laying the foundations for the later Cold War. Drawing on a wealth of recently declassified archives, The Secret Twenties tells the story of the first Soviet spies and the double agents in their midst, all of it set against the sparkling backdrop of cocktail-era London.

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This volume presents a radical revision of gay criticism and focuses on E.M. Forster's place in the emerging field of queer studies. This collection situates Forster within the Bloomsbury Group, and examines his relations with major figures such as Henry James, Edward Carpenter and Virginia Woolf. Particular attention is paid to Forster's several accounts of India and their troubled relation to the British colonial enterprise. Analyzing a wide range of Forster's work, the authors examine material from Forster's undergraduate writings to stories written more than a half-century later. A study of gender in literature, this book brings the terms "queer" and "gay" into conversation, opening up a dialogue on wider dimensions of theory and allowing a revaluation of modernist inventions of sexual identity.

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This wonderful 5-book box-set brings together the most celebrated works of Virginia Woolf, presented with vibrant contemporary cover designs. Virginia Woolf was one of the greatest writers of the twentieth century, a member of literary set the Bloomsbury Group and one of the founders of the Modernist movement. A great stylist, she experimented with plot and structure in her novels which dealt exuberantly with her great themes: the balance of power between the sexes, England''s social hierarchy and the consequences of war.Woolf lived an extraordinary life at an extraordinary time in human history, and this classic collection contains the core of her innovative and influential output:• The Voyage Out, a tale of love, loss and self-discovery onboard ship.• Mrs Dalloway, a moving and introspective portrait of life in interwar London.• To the Lighthouse, a modernist tour-de-force evolving from a family''s trips to

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NEW EDITION IN PAPERBACK to coincide with a new project to unveil a statue of the author in Richmond on Thames in 2022 "I ought to be grateful to Richmond & Hogarth, and indeed, whether it's my invincible optimism or not, I am grateful." - Virginia Woolf Although more commonly associated with Bloomsbury, Virginia and her husband Leonard Woolf lived in Richmond-upon-Thames for ten years from the time of the First World War (1914-1924). Refuting the common misconception that she disliked the town, this book explores her daily habits as well as her intimate thoughts while living at the pretty house she came to love - Hogarth House. Drawing on information from her many letters and diaries, as well as Leonard's autobiography, the editor reveals how Richmond's relaxed way of life came to influence the writer, from her experimentation as a novelist to her work with her husband and the Hogarth Press, from her relationships with her servants to her many famous visitors.

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Now in B-format paperback, this book describes ten women over the past three hundred years who have found walking essential to their sense of themselves, as people and as writers. Wanderers traces their footsteps, from eighteenth-century parson’s daughter Elizabeth Carter – who desired nothing more than to be taken for a vagabond in the wilds of southern England – to modern walker-writers such as Nan Shepherd and Cheryl Strayed. For each, walking was integral, whether it was rambling for miles across the Highlands, like Sarah Stoddart Hazlitt, or pacing novels into being, as Virginia Woolf did around Bloomsbury. Offering a beguiling view of the history of walking, Wanderers guides us through the different ways of seeing – of being – articulated by these ten pathfinding women.

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In times of war, how do you know who to trust?Celia Ashwin has driven ambulances throughout the Blitz for the Bloomsbury Auxiliary Ambulance Depot. Cool under fire, she revels in her exciting and extremely dangerous job. When her husband, a known Nazi supporter, is released from prison, Celia refuses to return to her unhappy marriage. Instead she joins forces with Simon Levy, a man who appears to despise her, to help a young Jewish orphan. In so doing she discovers that one ruthless traitor can be more dangerous than any German bomber, and that love can cross any boundary.A heartwarming saga about a woman doing her bit for the war effort. Full of wartime adventure, romance and heartbreak, this is perfect for fans of Daisy Styles, Donna Douglas and Nancy Revell

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St Giles-in-the-Fields: History of a London Parish resurrects a neglected area of Central London, rich in history and incident. St Giles is at the centre of one of the greatest cities in the world but you've probably never heard of it. But it is an area with a dense and tangled history that tells us a great deal about the experience of living in London across the span of time from the twelfth century to today. This history has rarely been glamorous, but it is packed with the stories of lives touched by many of the most momentous events in British history.St Giles began as a mediaeval leper hospital. After the Reformationitgrewinto one ofLondon's largestparishes, stretching east to Lincoln's Inn Fields and north to Bedford Square and Bloomsbury. Aristocrats, poets, musicians,artists andlawyerslivedhere. St Gileswasnotorious too for its slums notably the Rookery where Centre Point now stands. Its streetsalsoboasteda hive of industry, printing, brewing andcrafts. Latercamemusic shops in

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Dying well is an art . . . the rest is just murderInspector John Carlyle is waiting for his father to die of a terminal illness. Meanwhile, others are dropping like flies.An elderly professor is found dead in his Bloomsbury flat. The verdict is that of heart attack. But who then stuffed the deceased academic in a closet? And who emptied the man's bank account? Across town, Sergeant Alison Roche is back from maternity leave. Struggling to juggle The Job and a new baby, she needs Carlyle's help after a controversial financier is controversially murdered at a charity dinner. Similarities with a previous, unsolved killing, which left a black mark against Carlyle's record, only raise the stakes higher.With problems at work and problems at home, Carlyle just wants to keep his head down but there's little chance of that. Can he do his job, nail a couple of murder cases - and be there for his father at the end?

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In London's Bloomsbury, Inspector Julian Rivers of Scotland Yard looks down at a dismal scene. Here is the victim, burnt to a crisp. Here are the clues - clues which point to a good climber and expert skier, and which lead Rivers to the piercing sunshine and sparkling snow of the Austrian Alps. Yet there is something sinister beneath the heady joys of the slopes, and Rivers is soon confronted by a merry group of suspects, and a long list of reasons not to trust each of them. For the mountains can be a dangerous, changeable place, and it can be lonely out between the pines of the slopes... As with each of the novels published under E C R Lorac in the Crime Classics series, the author's sense of place is beautifully realised in all its breathtaking freshness, and she does not miss opportunities; there may be at least one high-stakes ski-chase before this chilling mystery can be put to rest.

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Reissued for the 200th anniversary of the Battle of Waterloo The first Duke of Wellington's victory at Waterloo in 1815 is remembered as one of our nation's greatest triumphs and, two hundred years on, the 'Iron Duke' is still very much a public figure. But here, Jane Wellesley's family memoir paints an altogether more intimate and compelling portrait.Jane journeys through the past, unearthing memories and secrets to illuminate her family tree. It is a saga peppered with fascinating characters: the 2nd Duke was a full-time eccentric and had his lawnmower pulled by an elephant; the 7th Duke, Jane's grandfather, worked for MI6; and Jane's grandmother's involvement with writer Vita Sackville-West created ripples in the Bloomsbury set as well as her marriage.The Wellesley story shows how Wellington's descendants have lived on in the light of their ancestor's fame, and how a family is so much more than the history of one man.

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FROM THE BOOKER PRIZE SHORTLISTED AUTHOR OF THIS MOURNABLE BODY, ONE OF THE BBC'S 100 WOMEN FOR 2020 'UNFORGETTABLE' Alice Walker 'THIS IS THE BOOK WE'VE BEEN WAITING FOR' Doris Lessing 'A UNIQUE AND VALUABLE BOOK.' Booklist 'AN ABSORBING PAGE-TURNER' Bloomsbury Review 'A MASTERPIECE' Madeleine Thien 'ARRESTING' Kwame Anthony Appiah Two decades before Zimbabwe would win independence and ended white minority rule, thirteen-year-old Tambudzai Sigauke embarks on her education. On her shoulders rest the economic hopes of her parents, siblings, and extended family, and within her burns the desire for independence. A timeless coming-of-age tale, and a powerful exploration of cultural imperialism, Nervous Conditions charts Tambu's journey to personhood in a nation that is also emerging. 'With its searing observations, devastating exploration of the state of "not being", wicked humour and astonishing immersion into the mind of a young woman growing up and growing old before her time, the novel is a masterpiece.' Madelein Thien

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"This is a fascinating and unusual collection that deserves attention." —Bloomsbury Review" . . . this anthology of poetry is a breath of fresh air. It provides the reader with the means of gaining a deeper insight into Somali life through what is to the Somalis their most important cultural form, namely, poetry." —Bulletin of the School of Irental & African Studies"This affordable and beautifully produced book is a small jewel in the field of Somali studies, as it is the fruit of over forty years of dedicated linguistic and literary scholarship by one of the most thorough and accurate translators and analysts of Somali poetry, B. W. Andrzejewski." —International Journal of African Historical StudiesSomalia has been called "a nation of poets." This volume makes available in beautiful English translation the very best, and most universal, of Somali poetry, from the 19th century to the present. With appendixes covering the oral and written medium, the pronunciation of Somali words, alliteration and scansion, selected bibliography, and sources.

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Nancy Durrell was a woman famous for her silences. Anaïs Nin said 'I think often of Nancy's most eloquent silences, Nancy talking with her fingers, her hair, her cheeks, a wonderful gift. Music again.' As the first wife Lawrence Durrell, author of The Alexandria Quartet, it is perhaps surprising that she is an unknown entity, a constant presence in the biographies of Durrell and others in the Bloomsbury set, yet always a shadowy figure, beautiful and enigmatic. But who was the woman who was with Durrell during the most important years of his development as a writer? Joanna Hodgkin decides to retrace her mother's fascinating story: the escape from her toxic and mysterious family; the years in bohemian literary London and Paris in the 1930s; marriage to Durrell and their discovery of the 'Eden' of pre-war Corfu and her desperate struggle to survive in Palestine alone with a small child as the British Mandate collapsed. Amateurs in Eden is a fascinating biography of a literary marriage and of an unusual woman struggling to live an independent life.

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One hundred years after the Berlin Psychoanalytic Institute was established, this book recovers the cultural and intellectual history connected to this vibrant organization and places it alongside the London Bloomsbury group, the Paris Surrealist circle, and the Viennese fin-de-siecle as a crucial chapter in the history of modernism. Taking us from World War I Berlin to the Third Reich and beyond to 1940s Palestine and 1950s New York - and to the influential work of the Frankfurt School - Veronika Fuechtner traces the network of artists and psychoanalysts that began in Germany and continued in exile. Connecting movements, forms, and themes such as Dada, multi-perspectivity, and the urban experience with the theory and practice of psychoanalysis, she illuminates themes distinctive to the Berlin psychoanalytic context such as war trauma, masculinity and femininity, race and anti-Semitism, and the cultural avant-garde. In particular, she explores the lives and works of Alfred Doblin, Max Eitingon, Georg Groddeck, Karen Horney, Richard Huelsenbeck, Count Hermann von Keyserling, Ernst Simmel, and Arnold Zweig.

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Applying practical tools to the volatile process of negotiating Prognosticators apply Monte Carlo Analysis (MCA) to determine the likelihood and significance of a complete range of future outcomes; Real Options Analysis (ROA) can then be employed to develop pricing structures, or options, for such outcomes. Richard Razgaitis' Dealmaking shows readers how to apply these powerful valuation tools to a variety of business processes, such as pricing, negotiating, or living with a "deal," be it a technology license, and R&D partnership, or an outright sales agreement. Dealmaking distinguishes itself from other negotiating guides not only by treating negotiations as an increasingly common situation, but also by presenting a tool-based approach that creates flexible, practical valuation models. This forward-thinking guide includes a variety of checklists, case studies, and a CD-ROM with the appropriate software. Richard Razgaitis (Bloomsbury, NJ) is a Managing Director at InteCap, Inc. He has over twenty-five years of experience working with the development, commercialization, and strategic management of technology, seventeen of which have been spent in the commercialization of intellectual property.

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When Edith Wharton became friends with Henry James, she joined a group of men who became her "inner circle." This group included both well-known figures, such as James, Percy Lubbock, and Bernard Berenson, and several now forgotten, including John Hugh Smith, Walter Berry, Gaillard Lapsley, Robert Norton, and Howard Sturgis.Drawing on unpublished archival material by and about members of the circle, Susan Goodman here presents an intimate view of this American expatriate community, as well as the larger transatlantic culture it mirrored. She explores how the group, which began forming around 1904 and lasted until Wharton's death in 1937, defined itself against the society its founders had left in the United States, while simultaneously criticizing and accommodating the one it found in Europe. Tracing Wharton's individual relationships with these men and their relationships with one another, she examines literary kinships and movements in the biographical and feminist context of gender, exile, and aesthetics. She also relates the group to other literary circles, such as the Bloomsbury group and Gertrude Stein's salon.

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A surprise phone call from her late fiance''s family sends Vivien Lowry of Bloomsbury Girls off on her next adventure. Struggling as a playwright, she moves to Italy both to reckon with her past and create a new future as a script-writer at the Cinecittà Studios in Rome. Here she encounters the greatest male bastion of them all, the Vatican. Vivien ends up entangled between the church and the censors, while romantically caught between two men: an enigmatic American film financier who is not who he says he is, and a socialist Italian prince and independent filmmaker who ends up under house arrest over a censored screenplay. Each of them has a wartime experience from their past that they must revisit in order to move on - Vivien most of all.

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An Edifice of Ideas Architectural patronage was crucial for the thinking of Aby Warburg and his circle. In Hamburg the purpose-designed Kulturwissenschaftliche Bibliothek Warburg, completed in 1926, organized Warburg’s remarkable library. From 1927 Warburg developed ideas about orientation in the radical transformation of a disused water tower into the Hamburg Planetarium. After the Warburg Institute transferred to London in 1933 this pattern of seminal architectural commissioning continued, including projects designed by the avant-garde practice Tecton during the 1930s, and culminating in the construction of the library’s present home at Woburn Square, Bloomsbury in 1958. Warburg Models: Buildings as Bilderfahrzeuge follows this history, using archive photographs, architectural drawings and a series of architectural models to show how the Warburg scholars projected a connection between their own physical occupancy of architectural space and their shared ideas about intellectual order, cultural survival, and memory.

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A P.G. Wodehouse novelChâteau Blissac, on its hill above St Roque, is in a setting where every prospect pleases. But it doesn't please its current occupier, J. Wellington Gedge. Mr Gedge wants none of it - and particularly none of the domineering Mrs Gedge's imperious wish that he should become American Ambassador to Paris. Instead he pines for the simpler life of California, where men are men and filling stations stand tall.Mrs Gedge has powerful allies - including the prohibitionist Senator Opal. But will she get her way? And will the Senator's delightful daughter Jane get her man?In a plot which involves safe-blowers, con men, jewel-thieves and even a Bloomsbury novelist, few are quite as they seem. But the heady atmosphere of France in the 1930s makes for one of Wodehouse's most delightful comedies.

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“A monumental contribution to international literature.” —BLOOMSBURY REVIEW Vietnam—the very word raises many associations for Westerners. Yet while the country has been ravaged by a modern history of colonialism and war, its ancient culture is rich and multilayered, and within it poetry has long had a special place. In this groundbreaking anthology, coeditors and translators Nguyen Do and Paul Hoover present a revelatory portrait of contemporary Vietnamese poetry. What emerges from this conversation of outsiders and insiders, Vietnamese and American voices, is a worldly sensibility descended from the geographical and historical crossroads of Vietnam in the modern era. Reflecting influences as diverse as traditional folk stories and American Modernism, the twenty-one poets included in Black Dog, Black Night, many of whom have never before been published in English, introduce readers to a fresh, uncensored, and utterly unique poetic vision.

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Young Maisie Halliday has escaped the grinding poverty of the northern town where she was born and now lives in the glittering world of professional dancing. At the outbreak of the Second World War, she volunteers as an ambulance driver, finding joy both in helping the wounded during the Blitz and also in her friends among the other drivers in the Bloomsbury Auxiliary Ambulance Depot. Maisie is at the Cafe de Paris nightclub when it is bombed. In the chaos, she attempts to help an injured man, and by this charitable act she becomes mixed up in what may well be a murder. A series of incidents, all connected to a handsome, arrogant American, throw Maisie's life into a dangerous spin. Is anything what it seems in wartime? With one serious misjudgement, Maisie risks losing everything she holds dear...

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Ben Crystal is an actor, producer, and writer. He played Hamlet in the first Original Pronunciation production of the play for 400 years with the Nevada Repertory Company, and curated the British Library's CD, Shakespeare's Original Pronunciation. He co-wrote Shakespeare's Words and The Shakespeare Miscellany with his father, David Crystal, and his first solo book, Shakespeare on Toast: Getting a Taste for the Bard was shortlisted for the 2010 Educational Writer of the Year Award. His new series of introductions to the Bard's plays - Springboard Shakespeare - was published by Bloomsbury / Arden in June 2013. He and his Shakespeare ensemble perform and give Shakespeare workshops around the world.David Crystal works from his home in Holyhead, North Wales, as a writer, editor, lecturer and broadcaster. He has published extensively on the history and development of English, including The Stories of English, Evolving English and Spell It Out:

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Pari Thomson works as the Editorial Director for picture books at Bloomsbury Children's Books. Half Persian, half English, she lived in many places while she was growing up, including India, Pakistan, the USA, the UK and Belgium. She studied at Oxford University and now lives near the river in London, not far from Kew Gardens. Greenwild: The World Behind the Door is her debut novel in the Greenwild series.Elisa Paganelli was born in Italy and since childhood, hasn't been able to resist the smell of paper and pencils. She graduated from the European Institute of Design in Turn and worked in advertising, as well as running an award-winning design shop and studio. She now collaborates as a freelance designer with publishers and advertising agencies all over the world, including designing and illustrating The House With Chicken Legs, Greenwild: The World Behind the Door and the Travels of Ermine series.

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The bestselling author of The Jane Austen Society and Bloomsbury Girls returns with a brilliant novel of love and art, of grief and memory, of confronting the past and facing the future.In 1955, Vivien Lowry is facing the greatest challenge of her life. Her latest play, the only female-authored play on the London stage that season, has opened in the West End to rapturous applause from the audience. The reviewers, however, are not as impressed as the playgoers and their savage notices not only shut down the play but ruin Lowry''s last chance for a dramatic career. With her future in London not looking bright, at the suggestion of her friend, Peggy Guggenheim, Vivien takes a job in as a script doctor on a major film shooting in Rome's Cinecitta Studios. There she finds a vibrant movie making scene filled with rising stars, acclaimed directors, and famous actors in a country that is torn between its past and its potentially bright future, between the libera

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When I cross the river, the sword that divides me from pleasure and money, I go North. That is, I take the Northern Line ''up West'', as we say: that is, to the West End. My London consists of all the stations on the Northern Line, but don''t think I scare easily: I have known the free and easy slap-and-tickle of Soho since toddlerhood ... nothing between Morden and Camden Town holds terror for me - Angela CarterThe clue is in the name: the London Review of Books has never been anything other than Bloomsbury-based, and though its outlook remains as international as ever, after 46 years you come to know a few things about your own patch. Next year''s LRB Diary duly takes an alphabetical tour, week by week, through 52 subjects indelibly inked into the capital''s literary (and not so literary) past, present and future, via the magazine''s archive. From Ackroyd to Zadie, carnival to cottaging, gentrification to the Great Stink, Keats to the Krays, Wren to Windrush.

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The British Museum in Bloomsbury is home to one of the Caryatids, a statue of a maiden that acted as one of the six columns in a temple which stood on the Acropolis in ancient Athens. Lord Elgin had brought her to London in the nineteenth century, and even though now she was over 2,300 years old, she was still rather beautiful - and desirable.Which is why Lord Francis Powerscourt finds himself summoned by the British Museum to attend a most urgent matter. The Caryatid has been stolen and an inferior copy left in her place. Powerscourt agrees to handle the case discreetly - but then comes the first death: an employee of the British Museum is pushed under a rush hour train before he and the police can question him.What had he known about the statue's disappearance? And who would want such a priceless object? Powerscourt and his friend Johnny Fitzgerald undertake a mission that takes them deep into the heart of London's Greek community and the upper echelons of English society to uncover the bizarre truth of the vanishing lady...

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London is a vast metropolis with a population of over 8.5 million people and a history stretching back two millennia. However, unlike more modern cities, London was never planned as a major city but has grown over the centuries to absorb numerous historic towns and villages. Many of these are now bustling cosmopolitan areas such as Bloomsbury and Notting Hill, while others, such as Barnes and Dulwich, are more rural and retain their original charm and character. It’s hard to imagine nowadays, but in the 18th and 19th centuries, people were farming in Islington and fishing in Chiswick! Nevertheless, if you’re seeking a village vibe – a village green, small local shops, an ancient church and graveyard, even a pond beside a pub – you can still find them in London if you know where to look. Modern London is made up of a rich tapestry of ancient villages, just waiting to be discovered. London’s Village Walks takes you around 20 of the city’s most interesting and best preserved villages, where – with a little imagination – it’s possible to imagine you’re still living in a bygone age.

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A Room of One's Own is Virginia Woolf's most powerful feminist essay, justifying the need for women to possess intellectual freedom and financial independence. Based on a lecture given at Girton College, Cambridge, the essay is one of the great feminist polemics, ranging in its themes from Jane Austen and Carlotte Brontë to the silent fate of Shakespeare's gifted (imaginary) sister and the effects of poverty and sexual constraint on female creativity.Virginia Woolf (1882-1941) is regarded as a major twentieth-century author and essayist, a key figure in literary history as a feminist and modernist, and the centre of 'The Bloomsbury Group'. Between 1925 and 1931 Woolf produced what are now regarded as her finest masterpieces, from Mrs Dalloway (1925) to the poetic and highly experimental novel The Waves (1931). She also maintained an astonishing output of literary criticism, short fiction, journalism and biography, including the playfully subversive Orlando (1928) and A Room of One's Own (1929).If you enjoyed A Room of One's Own, you might like Woolf's Orlando, also available in Penguin Modern Classics.'Probably the most influential piece of non-fictional writing by a woman in this century'Hermione Lee, Financial Times

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The classic story of the relationship between Vita Sackville-West and Harold Nicolson, and a unique portrait of the Bloomsbury Group.'Vita and Harold have become part of our literature' OBSERVERThe marriage of Vita Sackville-West and Harold Nicolson was one of the most controversial relationships of the 20th century. This selection of letters, many of which have never been published, skilfully woven together by their son, Nigel Nicolson, gives dramatic new insight into their fascinating lives.Set within a framework of their son's highly personal memories, the story of this most extraordinary of marriages comes full circle - from the announcement of their engagement in 1912, through the storm days of Vita's well-known affairs with Violet Trefusis and Virginia Woolf, during the years of long separation as Harold's profession as a diplomat took him abroad, and culminating in the days leading up to Vita's death in 1962.

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The boy who wouldn’t grow up, Peter Pan has the power of flight and lives on a magical island. But he is fascinated by Mary Darling’s bedtime stories for her children and makes covert night-time visits to their Bloomsbury home. One evening he loses his shadow, and after Mary’s daughter Wendy helps him reattach it, he invites her to fly away with him on an extraordinary adventure. In addition to the famous 1911 novel Peter and Wendy, which tells the familiar adventures of Peter Pan in Neverland and popularized the characters of Tinkerbell and Captain Hook, this volume contains the celebrated stage version on which Peter and Wendy is based, as well as Peter Pan in Kensington Gardens, in which Peter Pan is a seven-day-old infant who consorts with birds and fairies and travels down the Serpentine in a thrush’s nest.

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With an introduction by Virginia Nicholson Saturday 2 February 1918. The first walk we've had for ever so long. Damp, mild vaporous day. Funeral bells tolling as we went out, & marriage as we came in. The streets lined with people waiting their meat. Aeroplanes droning invisible. Our usual evening, alone happily, knee deep in papers. This diary begins in January 1915. Virginia Woolf was about to publish her first novel, The Voyage Out. By the end of 1919 she had published many essays and reviews, as well as a second novel, Night and Day. Her diary was the counterpoint to that public writing: here she could record details of daily life, think about friends and reading, writing and her state of mind. This diary offers a unique insight into the life and mind of one of Britain's most influential writers, and the circle she was part of which came to be known as Bloomsbury. This new Granta edition includes Woolf's 'Asheham Diary' for the first time.

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London is the only city in the world where you could ever find Gilbert and George sharing space with the Gherkin and the Globe while the Great Fire burns and a gin drinker glugs her favorite tipple, and where members of the Bloomsbury Group hail a black cab while barrage balloons hover over Broadcasting House during the Blitz. In A London Alphabet, Christopher Brown presents a series of wonderfully whimsical linocuts illustrating every aspect of London past and present, including personalities, buildings, monuments, legends, historic events, and other metropolitan icons. From Dickens, Dr Johnson, Tower Bridge, and the Shard to the Diamond Jubilee, Wimbledon, pigeons, and jellied eels, all London life is here. A born-and-bred Londoner, Brown recounts his own memories of growing up in the capital, and also describes how he creates his distinctive prints. His unique, often humorous take on London will delight anyone who lives in or visits the city.

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An elegant presentation of interiors for introverts, placing the memorable work of London architect William Smalley alongside buildings around the world that have inspired his practice. Quiet Spaces places the work of architect William Smalley alongside spaces that have inspired him. Places of private contemplation – calm spaces to read a book or listen to music in, to walk through or simply be in – they are spaces that achieve a rare sense of repose and peace. From his own Bloomsbury Apartment and projects in the UK, France and New York, the book expands to include the work of other architects: a sixteenth-century villa by Palladio, houses in Mexico and Sri Lanka and the Secular Retreat in Devon by Swiss master architect Peter Zumthor. There are also places of making and displaying art: simplicity in Barbara Hepworth’s garden and studio in Cornwall, and intimacy in Kettle’s Yard gallery in Cambridge. Specially commissioned photography by Harry Crowder conveys the atmosphere of the spaces. A foreword by acclaimed potter and writer Edmund de Waal records the small, unspoken ways in which we relate to buildings and how they come to have meaning for us.

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Alexandra Page is a children's writer. In 2019 her younger middle grade novel, Wishyouwas, was shortlisted for the Times Chicken House prize and won the WriteMentor Children's Novel Award, before being published by Bloomsbury in 2021. Alexandra grew up between England and Zimbabwe, making up stories to entertain her younger sisters and brother. After studying English Literature she settled in London and worked for several years in the production departments at Penguin, Puffin and Walker Books, before becoming a freelance project manager in the City. She loves to travel, swim and spend time with her husband and daughter in her favourite place, Budapest. She is the author of The Fire Fox and The Worry Tiger, illustrated by Stef Murphy.Stef Murphy is a freelance Illustrator and storyteller living in Norwich. Growing up in a large family, Stef was never short of entertainment. Armed with a foil-wrapped (usually squashed) jam sandwich Stef and h

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Each of E. M. Forster's five novels-The Longest journey, Where Angels Fear to Tread, Room with a View. Howards End, and A Passage to India-is here analyzed within the framework of Forster's cultural heritage nineteenth-century liberalism and humanism. In tracing Forster's family and educational background, his religious and political heritage, and his relation to the "Bloomsbury Group," Mr. Crews reveals the growing melancholy in Forster's acceptance of "the perils of humanism." Originally published in 1962. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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John Maynard Keynes died in 1946 but his ideas and his example remain relevant today. In this distinctive new account, Peter Clarke shows how Keynes's own career was not simply that of an academic economist, nor that of a modern policy advisor. Though rightly credited for reshaping economic theory, Keynes's influence was more broadly based and is assessed here in a rounded historical, political and cultural context. Peter Clarke re-examines the full trajectory of Keynes's public career from his role in Paris over the Versailles Treaty to Bretton Woods. He reveals how Keynes's insights as an economic theorist were rooted in his wider intellectual and cultural milieu including Bloomsbury and his friendship with Virginia Woolf as well as his involvement in government business. Keynes in Action uncovers a much more pragmatic Keynes whose concept of 'truth' needs to be interpreted in tension with an acknowledgement of 'expediency' in implementing public policy.

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This book interrogates the relationship between the material conditions of Woolf's writing practices and her work as a printer and publisher at the Hogarth Press. In bringing to light her embodied literary processes, from drafting and composition to hand-printing and binding, this study foregrounds the interactions between Woolf's modernist experimentation and the visual and material aspects of her printed works. By drawing on the field of print culture, as well as the materialist turn in Woolf scholarship, it explores how her experience in print, book-design and publishing underlines her experimental writing, and how her literary texts are conditioned by the context of their production. This book, therefore, provides new ways of reading Woolf's modernism in the context of twentieth-century print, material, and visual cultures. By suggesting that Woolf's work at the Hogarth Press sensitized her to the significant role the visual aspects of a text play in its system of representation, it also considers the extent to which materiality informs both her work, as well as her engagement with Bloomsbury formalist aesthetics, which often exaggerate the distinction between visual and verbal modes of expression.

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‘Ackroyd makes history accessible to the layman’ – Ian Thomson, IndependentInnovation brings Peter Ackroyd’s History of England to a triumphant close. In it, Ackroyd takes readers from the end of the Boer War and the accession of Edward VII to the end of the twentieth century, when his great-granddaughter Elizabeth II had been on the throne for almost five decades. A century of enormous change, encompassing two world wars, four monarchs (Edward VII, George V, George VI and the Queen), the decline of the aristocracy and the rise of the Labour Party, women’s suffrage, the birth of the NHS, the march of suburbia and the clearance of the slums. It was a period that saw the work of the Bloomsbury Group and T. S. Eliot, of Kingsley Amis and Philip Larkin, of the end of the post-war slump to the technicolour explosion of the 1960s, to free love and punk rock and from Thatcher to Blair. A vividly readable, richly peopled tour de force, Innovation is Peter Ackroyd writing at his considerable best.

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Awakening the sleeping dragon...Smooth expat Michael Nicholson is a fixer, getting on by doing favours for the rich and powerful in booming China. When he makes the mistake of getting too close to one of his clients, the wife of a leading Communist Party official, the ageing Lothario fears for his life as a vengeful husband decides to put his house in order. So when a domestic dispute from the other side of the world leads to a shoot-out in a luxury penthouse apartment in Chelsea, an ex-cop called Marvin Taylor is one of the casualties. Inspector John Carlyle is little more than a casual onlooker until Taylor's widow turns up, looking for answers. The inspector is drawn into the morass of dealing and double-dealing, much to the dismay of his boss, Carole Simpson, who wants him to focus on Barbara Hutton, a Bloomsbury housewife who may - or may not - be a former German terrorist wanted for a forty-year-old murder...'A cracking read' BBC Radio 4 'Fast paced and very easy to get quickly lost in' Lovereading.com

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When discussing unsolved murders of women in late Victorian London, most people think of the depredations of Jack the Ripper, the Whitechapel Murderer, whose sanguineous exploits have spawned the creation of a small library of books. But Jack the Ripper was just one of a string of phantom murderers whose unsolved slayings outraged late Victorian Britain. The mysterious Great Coram Street, Burton Crescent and Euston Square murders were talked about with bated breath, and the northern part of Bloomsbury got the unflattering nickname of the ‘murder neighbourhood’ for its profusion of unsolved mysteries. Marvel at the convoluted Kingswood Mystery, littered with fake names and mistaken identities; be puzzled by the blackmail and secret marriage in the Cannon Street Murder; and shudder at the vicious yet silent killing in St Giles that took place in a crowded house in the dead of night. This book is the first to resurrect these unsolved Victorian murder mysteries, and to highlight the ghoulish handiwork of the Rivals of the Ripper: the spectral killers of gas-lit London.

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The classic story of the relationship between Vita Sackville-West and Harold Nicolson, and a unique portrait of the Bloomsbury Group.'A brilliantly structured account of the dramas, infidelities and deep emotional attachments' GUARDIAN'An intimate and controversial account of his bisexual parents' open relationship' NEW YORK TIMES'One of the most absorbing stories, built around two very remarkable people, ever to stray from Gothic fiction into real life' TLSThe marriage was that between the two writers, Vita Sackville-West and Harold Nicolson and the portrait is drawn partly by Vita herself in an autobiography which she left behind at her death in 1962 and partly by her son, Nigel. It was one of the happiest and strangest marriages there has ever been. Both Vita and Harold were always in love with other people and each gave the other full liberty 'without enquiry or reproach', knowing that their love for each other would be unaffected and even strengthened by the crises which it survived. This account of their love story is now a modern classic.

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'What is this life if, full of care, We have no time to stand and stare.' - W.H. DaviesWalking around London is one of life's great pleasures. There is a huge amount that you can only see on foot – but sometimes it is hard to know where to look. Luckily, Christopher Winn, bestselling author of I Never Knew That About London, knows where all the hidden treasures are. This book takes the reader on a series of stimulating original walks through different areas of central London, focusing on one particular period of history, the Victorian, so ubiquitous that we take it for granted, and yet so astonishing and so far reaching in its variety, imagination, ambition and detail.Discover.....the remarkable 300-foot bell tower at the Houses of Parliament you never knew was there.... ..the extraordinary fairytale house in Kensington where the Mikado was inspired.....the best Victorian loos in the world near Old Street... ..a hidden chapel in Bloomsbury described by Oscar Wilde as 'the most delightful private chapel in London'... ..London's best preserved high class Victorian shop near Tottenham Court Road… ...an almost complete Victorian townscape boasting the world's oldest surviving mansion block... Walk through history and discover the hidden gems of Victorian London!

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Sometimes you need to go deep into the past, to make sense of the present. Alice had not expected to spend the first twenty years of the twenty-first century writing about Leonard Woolf. When she stood on Morell Bridge watching fireworks explode from the rooftops of Melbourne at the start of a new millennium, she had only two thoughts. One was: the fireworks are better in Sydney. The other was: was the world’s technology about to crash down around her? The world’s technology did not crash. But there were worse disasters to come: Environmental collapse. The return of fascism. Wars. A sexual reckoning. A plague. Uncertain of what to do she picks up an unfinished project and finds herself trapped with the ghosts of writers past. What began as a novel about a member of the Bloomsbury set, colonial administrator, publisher and husband of one the most famous English writers of the twentieth century becomes something else altogether. Complex, heartfelt, darkly funny and deeply moving, this is Sophie Cunningham’s most important book to date – a dazzlingly original novel about what it’s like to live through a time that feels like the end of days, and how we can find comfort and answers in the past.​

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‘Ackroyd makes history accessible to the layman’ – Ian Thomson, Independent Innovation brings Peter Ackroyd’s History of England to a triumphant close. In it, Ackroyd takes readers from the end of the Boer War and the accession of Edward VII to the end of the twentieth century, when his great-granddaughter Elizabeth II had been on the throne for almost five decades. A century of enormous change, encompassing two world wars, four monarchs (Edward VII, George V, George VI and the Queen), the decline of the aristocracy and the rise of the Labour Party, women’s suffrage, the birth of the NHS, the march of suburbia and the clearance of the slums. It was a period that saw the work of the Bloomsbury Group and T. S. Eliot, of Kingsley Amis and Philip Larkin, of the end of the post-war slump to the technicolour explosion of the 1960s, to free love and punk rock and from Thatcher to Blair. A vividly readable, richly peopled tour de force, it is Peter Ackroyd writing at his considerable best.

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