Search results for ""stanford university press""

This ethnographic study of a Chinese Catholic village reveals how the rapid penetration of transnational processes into the People’s Republic of China during the post-Mao period has redefined and created new social and cultural structures in rural communities. In examining the resurfacing of a Catholic community in a Hakka village in Jiaoling county, Guangdong, the book shows what it means to be part of a global and modern rural village. The Hakka are members of a Chinese diasporic group that in the past few decades have mobilized international campaigns to strengthen ethnic solidarity. After surviving campaigns of persecution in the Maoist era, Catholic villagers incorporated their village church into the state religious administrative structure while remaining faithful to Catholic traditions. They managed this transformation despite a multiplicity of national and transnational processes that might have deterred them: the privatization of local sectors of the socialist economy; the global movement of people as workers, students, and tourists; and the swift modernization of Chinese production and consumption. Through a close examination of life-cycle rituals such as weddings, baptisms, and funerals, and community-wide events such as the building of a new church and a celebration of Christmas, the author shows how Catholic villagers pursued strategies to make their imagined futures a reality. For these villagers, Chinese Catholicism has defined a deterritorialized community’s boundaries while simultaneously connecting them to the rest of the world through an international religious tradition.

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This book explores how modernity gives rise to temporal disorders when time cannot be assimilated and integrated into the realm of lived experience. Inspired by Walter Benjamin's description of the shock experience of modernity through readings of Baudelaire, the book turns to Baudelaire and Flaubert in order to derive insights into the many temporal disorders (such as trauma, addiction, and fetishism) that pervade contemporary culture. Through close readings of Baudelaire's Flowers of Evil and Flaubert's Madame Bovary, Elissa Marder argues that these nineteenth-century texts can, paradoxically, make us aware of aspects of present-day life that are not easily described or perceived. Following reflections by Benjamin, Jameson, and Lyotard, she shows that the ability to measure time increases in inverse proportion to the human ability to express it and create meaning through it. Although we have increased our ability to record events, we have become collectively less able to assimilate the experience of the very events that new technologies enable us to record. The literary articulations of addiction and fetishism in Baudelaire and Flaubert reveal that these temporal disorders can be understood structurally as expressions of an inability to live in time. At a psychic level, they can be read as attempts to ward off increased stimuli and unwanted aspects of reality by stopping time. The book also interrogates the relationship between misogyny and modernity. By revealing the privileged function assigned to feminine figures in Baudelaire and Flaubert, and engaging with contemporary writings in psychoanalysis, feminism, and cultural studies, this work shows how the experience of time—and the attempts to stop it—become inscribed on a feminine or feminized body. Dead Time provides us with a way of understanding how our own collective temporal disorders may be part of the unassimilated legacy of nineteenth-century modernity.

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Ranging chronologically from the twelfth to the fifteenth centuries and thematically from Latin to vernacular literary modes, this book challenges standard assumptions about the musical cultures and philosophies of the European Middle Ages. Engaging a wide range of premodern texts and contexts, from the musicality of sodomy in twelfth-century polyphony to Chaucer’s representation of pedagogical violence in the Prioress’s Tale, from early Christian writings on the music of the body to the plainchant and poetry of Hildegard of Bingen, the author argues that medieval music was quintessentially a practice of the flesh. The book reveals a sonorous landscape of flesh and bone, pleasure and pain, a medieval world in which erotic desire, sexual practice, torture, flagellation, and even death itself resonated with musical significance and meaning. In its insistence on music as an integral part of the material cultures of the Middle Ages, the book presents a revisionist account of an important aspect of premodern European civilization that will be of compelling interest to historians of literature, music, religion, and sexuality, as well as scholars of cultural, gender, and queer studies.

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This is a fascinating history of how psychoanalysis became an essential element of contemporary Argentine culture—in the media, in politics, and in daily private lives. The book reveals the unique conditions and complex historical process that made possible the diffusion, acceptance, and popularization of psychoanalysis in Argentina, which has the highest number of psychoanalysts per capita in the world. It shows why the intellectual trajectory of the psychoanalytic movement was different in Argentina than in either the United States or Europe and how Argentine culture both fostered and was shaped by its influence. The book starts with a description of the Argentine medical and intellectual establishments’ reception of psychoanalysis, and the subsequent founding of the Argentine Psychoanalytic Association in 1942. It then broadens to describe the emergence of a “psy culture” in the 1960s, tracing its origins to a complex combination of social, economic, political, and cultural factors. The author then analyzes the role of “diffusers” of psychoanalysis in Argentina—both those who were part of the psychoanalytic establishment and those who were not. The book goes on to discuss specific areas of reception and diffusion of psychoanalytic thought: its acceptance by progressive sectors of the psychiatric profession; the impact of the psychoanalytically oriented program in psychology at the University of Buenos Aires; and the incorporation of psychoanalysis into the theoretical artillery of the influential left of the 1960s and 1970s. Finally, the author analyzes the effects of the military dictatorship, established in 1976, on the “psy” universe, showing how it was possible to practice psychoanalysis in a highly authoritarian political context.

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This book is the first comprehensive study of antebellum depictions of the non-European world. Drawing on well-known works and archival discoveries, both artistic and textual, it proposes that U.S. cultural history cannot be fully understood unless we take into account how Americans regarded tropical America, the Holy Land, Polynesia, and Africa. The author first analyzes American geographical textbooks, arguing that through their hierarchical, racialized representations of the world's geobodies the American nation became embodied, was able to see itself on a global stage ushering the world into futurity. These textbooks did not just reflect normative, white bourgeois values; they produced those values daily in schools. Balancing psychological and cultural exegesis, the chapters that follow present case studies about U.S. travelers to non-European lands, in which the otherwise lofty geographic gaze became vexed by immersion in actual locales. A variety of issues and ideologies were thereby mediated, contested, or brought into focus: natural legalism (via Polynesia), the Protestant quest for scriptural luminosity (via the Holy Land), the fear of racial hybridity (via tropical America), and the question of African American agency (via Cuba and Africa). American Geographics, which ranges across the disciplines of archaeology, religion, anthropology, spatial studies, and literary analysis, challenges traditional (and still current) paradigms that trace only the nation's transit westward across the frontier or its inheritance from and allegiance to the Old World. It demonstrates that "America"—the national symbolic order—gained definition, but often uneasily so, through a complex, polygeographical thematics. It thus provides a new comparative framework for thinking about U.S. cultural production and how antebellum citizens viewed themselves, their land, and the vast world beyond it.

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The Ming period of Chinese history is often depicted as one of cultural aridity, political despotism, and social stasis. Recent studies have shown that the arts continued to flourish, government remained effective, people enjoyed considerable mobility, and China served as a center of the global economy. This study goes further to argue that China’s perennial quest for cultural centrality resulted in periodic political changes that permitted the Chinese people to retain control over social and economic developments. The study focuses on two and a half million people in three prefectures of northeast Henan, the central province in the heart of the “central plain”—a common synecdoche for China. The author argues that this population may have been more representative of the Chinese people at large than were the residents of more prosperous regions. Many diverse individuals in northeast Henan invoked historical models to deal with the present and shape the future. Though they differed in the lessons they drew, they shared the view that the Han dynasty was particularly relevant to their own time. Han and Ming politics were integral parts of a pattern of Chinese historical development that has lasted to the present.

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It has become increasingly clear in recent years that, for all their differences, the many varieties of thinking commonly grouped together under the rubric of “postmodernism” share at least one salient characteristic: they all depend upon a stereotyped account of the Enlightenment. Postmodernity requires a “modernity” to be repudiated and superseded, and the tenets of this modernity have invariably been identified with the so-called Enlightenment Project. This volume aims to explore critically the now conventional opposition between Enlightenment and Postmodernity and question some of the conclusions drawn from it. In so doing, the authors focus on three general areas. Part I, “Enlightenment or Postmodernity?”, reflects on the way in which contemporary discussion characterizes the two movements as radical alternatives. Part II, “Critical Confrontations,” provides a kind of archaeology of this opposition by charting a series of critical engagements by those who have affirmed or demeaned Enlightenment values in the twentieth century. Part III, “A Postmodern Enlightenment?”, complicates the perceived dichotomy between Enlightenment and Postmodernity by pointing to the existence within the Enlightenment of elements frequently seen as characteristic of Postmodernity. The contributors are Lorraine Daston, Dena Goodman, David Hollinger, Lawrence E. Klein, Jonathan Knudsen, Michael Meranze, Richard Rorty, Hans Sluga, and Johnson Kent Wright.

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Institutional logics, the underlying governing principles of societal sectors, strongly influence organizational decision making. Any shift in institutional logics results in a similar shift in attention to alternative problems and solutions and in new determinants for executive decisions. Examining changes in institutional logics in higher-education publishing, this book links cultural analysis with organizational decision making to develop a theory of attention and explain how executives concentrate on certain market characteristics to the exclusion of others. Analyzing both qualitative and quantitative data from the 1950s to the 1990s, the author shows how higher education publishing moved from a culture of independent domestic publishers focused on creating markets for books based on personal, relational networks to a culture of international conglomerates that create markets from corporate hierarchies. This book offers broader lessons beyond publishing—its theory is applicable to explaining institutional changes in organizational leadership, strategy, and structure occurring in all professional services industries.

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One of the most colorful yet neglected eras in American transportation history is re-created in this definitive history of the electric interurbans. Built with the idea of attracting short-distance passenger traffic and light freight, the interurbans were largely constructed in the early 1900s. The rise of the automobile and motor transport caused the industry to decline after World War I, and the depression virtually annihilated the industry by the middle 1930s. Part I describes interurban construction, technology, passenger and freight traffic, financial history, and final decline and abandonment. Part II presents individual histories (with route maps) of the more than 300 companies of the interurban industry. Reviews "A first-rate work of such detail and discernment that it might well serve as a model for all corporate biographies. . . . A wonderfully capable job of distillation." —Trains "Few economic, social, and business historians can afford to miss this definitive study." —Mississippi Valley Historical Review "All seekers after nostalgia will be interested in this encyclopedic volume on the days when the clang, clang of the trolley was the most exciting travel sound the suburbs knew." —Harper's Magazine "A fascinating and instructive chapter in the history of American transportation." —Journal of Economic History "The hint that behind the grand facade of scholarship lies an expanse of boyish enthusiasm is strengthened by a lovingly amassed and beautifully reproduced collection of 37 photographs." —The Nation

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Sun Yat-sen (1866-1925), the first president of the Republic of China, has left a supremely ambivalent political and intellectual legacy—so much so that he is claimed as a Founding Father by both the present rival governments in Taipei and Beijing. In Taiwan, he is the object of a veritable cult; in the People’s Republic of China, he is paid homage as “pioneer of the revolution,” making possible the Party’s claims of continuity with the national past. Western scholars, on the other hand, have tended to question the myth of Sun Yat-sen by stressing the man’s weaknesses, the thinker’s incoherences, and the revolutionary leader’s many failures. This book argues that the life and work of Sun Yat-sen have been distorted both by the creation of the myth and by the attempts at demythification. Its aim is to provide a fresh overall evaluation of the man and the events that turned an adventurer into the founder of the Chinese Republic and the leader of a great nationalist movement. The Sun Yat-sen who emerges from this rigorously researched account is a muddled politician, an opportunist with generous but confused ideas, a theorist without great originality or intellectual rigor. But the author demonstrates that the importance of Sun Yat-sen lies elsewhere. A Cantonese raised in Hawaii and Hong Kong, he was a product of maritime China, the China of the coastal provinces and overseas communities, open to foreign influences and acutely aware of the modern Western world (he was fund-raising in Denver when the eleventh attempt to bring down the Chinese empire finally succeeded). In facing the problems of change, of imitating the West, of rejecting or adapting tradition, he instinctively grasped the aspirations of his time, understood their force, and crystallized them into practical programs. Sun Yat-sen’s gifts enabled him to foresee the danger that technology might represent to democracy, stressed the role of infrastructures (transport, energy) in economic modernization, and looked forward to a new style of diplomatic and international economic relations based upon cooperation that bypassed or absorbed old hostilities. These “utopias” of his, at which his contemporaries heartily jeered, now seem to be so many prophecies.

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Theodor W. Adorno (1903-1969) was one of the twentieth century’s most influential thinkers in the areas of social theory, philosophy, aesthetics, and music. This volume reveals another aspect of the work of this remarkable polymath, a pioneering analysis of the psychological underpinnings of what we now call the Radical Right and its use of the media to propagate its political and religious agenda. The now-forgotten Martin Luther Thomas was an American fascist-style demagogue of the Christian right on the radio in the 1930s. During these years, Adorno was living in the United States and working with Paul Lazarsfeld on the social significance of radio. This book, Adorno’s penetrating analysis of Thomas’s rhetorical appeal and manipulative techniques, was written in English and is one of Adorno’s most accessible works. It is in four parts: “The Personal Element: Self-Characterization of the Agitator,” “Thomas’ Methods,” “The Religious Medium,”and “Ideological Bait.” The importance of the study is manifold: it includes a theory of fascism and anti-semitism, it provides a methodology for the cultural study of popular culture, and it offers broad reflections on comparative political life in America and Europe. Implicit in the book is an innovative idea about the relation between psychological and sociological reality. Moreover, the study is germane to the contemporary reality of political and religious radio in the United States because it provides an analysis of rhetorical techniques that exploit potentials of psychological regression for authoritarian aims.

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Theodor W. Adorno (1903-1969) was one of the twentieth century’s most influential thinkers in the areas of social theory, philosophy, aesthetics, and music. This volume reveals another aspect of the work of this remarkable polymath, a pioneering analysis of the psychological underpinnings of what we now call the Radical Right and its use of the media to propagate its political and religious agenda. The now-forgotten Martin Luther Thomas was an American fascist-style demagogue of the Christian right on the radio in the 1930s. During these years, Adorno was living in the United States and working with Paul Lazarsfeld on the social significance of radio. This book, Adorno’s penetrating analysis of Thomas’s rhetorical appeal and manipulative techniques, was written in English and is one of Adorno’s most accessible works. It is in four parts: “The Personal Element: Self-Characterization of the Agitator,” “Thomas’ Methods,” “The Religious Medium,”and “Ideological Bait.” The importance of the study is manifold: it includes a theory of fascism and anti-semitism, it provides a methodology for the cultural study of popular culture, and it offers broad reflections on comparative political life in America and Europe. Implicit in the book is an innovative idea about the relation between psychological and sociological reality. Moreover, the study is germane to the contemporary reality of political and religious radio in the United States because it provides an analysis of rhetorical techniques that exploit potentials of psychological regression for authoritarian aims.

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Now that ‘3-D models’ are so often digital displays on flat screens, it is timely to look back at the solid models that were once the third dimension of science. This book is about wooden ships and plastic molecules, wax bodies and a perspex economy, monuments in cork and mathematics in plaster, casts of diseases, habitat dioramas, and extinct monsters rebuilt in bricks and mortar. These remarkable artefacts were fixtures of laboratories and lecture halls, studios and workshops, dockyards and museums. Considering such objects together for the first time, this interdisciplinary volume demonstrates how, in research as well as in teaching, 3-D models played major roles in making knowledge. Accessible and original chapters by leading scholars highlight the special properties of models, explore the interplay between representation in two dimensions and three, and investigate the shift to modelling with computers. The book is fascinating reading for anyone interested in the sciences, medicine, and technology, and in collections and museums.

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This book is a history of the complex relations between scientific advisors, primarily physicists, and U.S. presidents in their role as decision makers about nuclear weapons and military strategy. The story, unsurprisingly, is one of considerable tension between the "experts" and the politicians, as scientists seek to influence policy and presidents alternate between accepting their advice and resisting or even ignoring it. First published in 1992, the book has been brought up to date to include the experiences of science advisors to President Clinton. In addition, the texts of eleven crucial documents, from the Einstein-Szilard letter to President Roosevelt (1939) to the announcement of the Strategic Defense Initiative by President Reagan (1983), have been added as appendixes.

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Speech act theory has taught us "how to do things with words." Arresting Language turns its attention in the opposite direction—toward the surprising things that language can undo and leave undone. In the eight essays of this volume, arresting language is seen as language at rest, words no longer in service to the project of establishing conventions or instituting legal regimes. Concentrating on both widely known and seldom-read texts from a variety of philosophers, writers, and critics—from Leibniz and Mendelssohn, through Kleist and Hebel, to Benjamin and Irigaray—the book analyzes the genesis and structure of interruption, a topic of growing interest to contemporary literary studies, continental philosophy, legal studies, and theological reflection. Beginning with an exposition of Hölderlin's rigorous account of interruption in terms of the "pure word," in which the event of representation alone appears, Arresting Language identifies critical moments in philosophical and literary texts during which language itself—without any identifiable speaker—arrests otherwise continuous processes and procedures, including the process of representation and the procedures for its legitimization. The book then investigates a series of pure words: the fatal verdict (arrêt) of divine wisdom in Leibniz, the performance of Jewish ceremonial practices in Mendelssohn, the issuing of unauthorized arrest warrants in Kleist, fraudulent acts of storytelling in Hebel, the eruption of tragic silence and the "mass strike" in Benjamin, and the recurrence of angelic intervention in Irigaray. At the center of this volume is a detailed explication of Benjamin's effort to transform Husserl's program for a phenomenological epoche into a paradoxically nonprogrammatic, paradisal epoche, by means of which the structure of paradise can be exactly outlined and the Messianic moment—as the ultimate event of arresting language—can at last appear to enter into its own.

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Continuously in demand since its first, prize-winning edition was published in 1975, this is the classic history of the development of the American atomic bomb, the decision to use it against Japan, and the origins of U.S. atomic diplomacy toward the Soviet Union. In his Preface to this new edition, the author describes and evaluates the lengthening trail of new evidence that has come to light concerning these often emotionally debated subjects. The author also invokes his experience as a historical advisor to the controversial, aborted 1995 Enola Gay exhibit at the National Air and Space Museum of the Smithsonian Institution. This leads him to analyze the impact on American democracy of one of the most insidious of the legacies of Hiroshima: the political control of historical interpretation. Reviews of Previous Editions "The quality of Sherwin's research and the strength of his argument are far superior to previous accounts." —New York Times Book Review "Probably the definitive account for a long time to come. . . . Sherwin has tackled some of the critical questions of the Cold War's origins—and has settled them, in my opinion." —Walter LaFeber, Cornell University "One of those rare achievements of conscientious scholarship, a book at once graceful and luminous, yet loyal to its documentation and restrained in its speculations." —Boston Globe

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Seven eminent authors, all known for their work in deconstruction, address the millennial issue of our “futures,” “promises,” “prophecies,” “projects,” and “possibilities”—including the possibility that there may be no “future” at all. Speculative in every sense, these essays are marked by a common concern for the act of reading as it is practiced in the work of Jacques Derrida. The contributors—Geoffrey Bennington, Paul Davies, Peter Fenves, Werner Hamacher, Jean-Michel Rabaté, Elisabeth Weber, and Jacques Derrida himself—study a range of authors, including Pascal, Kant, Hegel, Leibniz, Marx, Benjamin, Koyré, Arendt, and Lacan. These readings are neither prescriptive, definitive, nor definitional. Each essay seeks out, in the work it studies, those moments that pronounce or propose futures that enable speculation, moments in which the speculator has to make promises. As Derrida says in his essay, “Between lying and acting, acting in politics, manifesting one’s own freedom through action, transforming facts, anticipating the future, there is something like an essential affinity. . . . The lie is the future.” Or, in the words of Werner Hamacher, “The futurity of language, its inherent promising capacity, is the ground—but a ground with no solidity whatever—for all present and past experiences, meanings, and figures which could communicate themselves in it.” These essays, though arising from deconstruction, point out the ways in which deconstruction has yet to occur, and they do so by scanning the unattainable horizons marked off by thinkers at the forefront of our modern era.

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This book analyzes the relationship between the many and the few in the formation of a republican polity. It studies the case of Buenos Aires in the 1860s and 1870s, when the inauguration of a new national order in Argentina entailed a radical change in the ways of power. By exploring the different forms of participation of the people in the public life of the city, it illuminates a frequently neglected side of the process of construction and legitimization of political power in nineteenth-century Latin American societies. It also provides new historical evidence on the origins of democracy in Argentina, and proposes an interpretation of that process that challenges prevailing views. The book focuses on two major topics: the history of elections and electoral practices, and the creation and development of a public sphere. Its detailed, and often colorful, description of electoral procedures portrays a dynamic and competitive political life that contradicts traditional interpretations of the history of citizenship in Argentina. The author also argues that elections were not the only major element in the relationship between the many and the few, that these decades witnessed the formation of a public sphere: a space of mediation between civil society and the political realm, where different groups voiced their opinions and directly represented their claims. She studies three aspects of the life of the city that were symptoms of this process: the proliferation of associations, the expansion of the periodical press, and the development of a “culture of mobilization.” The book concludes by assessing how its conclusions offer new clues to the study of the Argentine political system, the history of Latin American democracies, and, more generally, the relations between the many and the few in modern societies.

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This book studies the nature of Venetian rule over the Slavs of Dalmatia during the eighteenth century, focusing on the cultural elaboration of an ideology of empire that was based on a civilizing mission toward the Slavs. The book argues that the Enlightenment within the “Adriatic Empire” of Venice was deeply concerned with exploring the economic and social dimensions of backwardness in Dalmatia, in accordance with the evolving distinction between “Western Europe” and “Eastern Europe” across the continent. It further argues that the primitivism attributed to Dalmatians by the Venetian Enlightenment was fundamental to the European intellectual discovery of the Slavs. The book begins by discussing Venetian literary perspectives on Dalmatia, notably the drama of Carlo Goldoni and the memoirs of Carlo Gozzi. It then studies the work that brought the subject of Dalmatia to the attention of the European Enlightenment: the travel account of the Paduan philosopher Alberto Fortis, which was translated from Italian into English, French, and German. The next two chapters focus on the Dalmatian inland mountain people called the Morlacchi, famous as “savages” throughout Europe in the eighteenth century. The Morlacchi are considered first as a concern of Venetian administration and then in relation to the problem of the “noble savage,” anthropologically studied and poetically celebrated. The book then describes the meeting of these administrative and philosophical discourses concerning Dalmatia during the final decades of the Venetian Republic. It concludes by assessing the legacy of the Venetian Enlightenment for later perspectives on Dalmatia and the South Slavs from Napoleonic Illyria to twentieth-century Yugoslavia.

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A Pueblo Divided tells the story of the violent privatization of communal land in Papantla, a Mexican Indian village transformed by the fast growth of vanilla production and exports in the late nineteenth century. The demise of communal landholding, long identified as one of the leading causes of the Revolution of 1910, is one of the grand motifs of Mexico's modern history. It is also, surprisingly, one of the least researched. This is the first study of the process of village land privatization in Mexico. It describes how a complex interplay of commercial, political, demographic, fiscal, and legal pressures led to social strife, rebellion, and finally parcelization. Disproving long-held assumptions that indigenous villagers were passive participants in the process, the author shows that they actually played a crucial role in the subdivision of communal property. Papantla's story is at odds with prevailing stereotypes of pueblo history, and thus points to the need for a broad reexamination of the causes, process, and consequences of rural social change in pre-revolutionary Mexico.

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In this groundbreaking work, the author effects the first extended rhetorical-philosophical reading of the historically problematic relationship between Jews and Germans, based on an analysis of texts from the Enlightenment through Modernism by Moses Mendelssohn, Friedrich and Dorothea Schlegel, Karl Marx, Richard Wagner, Friedrich Nietzsche, and Sigmund Freud. The theoretical underpinning of the work lies in the author’s rereading, in terms of contemporary rhetorical theory, of the medieval tradition known as “figural representation,” which defines the Jewish-Christian relation as that between the dead, prefigural letter and the living, fulfilled spirit. After arguing that the German Enlightenment ultimately plays out the historical phantasm of a necessary “Judaization” of Protestant rationality, the author shows that German Early Romanticism consists fundamentally in the attempt to solve the aporias raised by this impossible confrontation between Protestant spirit and Jewish letter. In readings of Dorothea Schlegel—Mendelssohn’s daughter—and her husband Friedrich Schlegel, the author provides a new interpretation of the Neo-Catholic turn of later German Romanticism. Further, he situates the proleptic end and reversal of the project of Jewish emancipation in the two extreme versions of late-nineteenth-century anti-Judaism, those of Marx and Wagner, here viewed as binary concretizations of a specifically post-Romantic paganized Protestantism. Finally, the author argues that twentieth-century Modernism as represented by Nietzsche and Freud renews, if in a multiply ironic displacement, the secret “Judaizing” tendencies of the Enlightenment. Fascism and Communism both denigrate this Modernism, which affirms the letter of language as quasi-synonymous with the force of temporality—or anticipatory repetition—that disrupts all claims to the full presence of spirit. The book ends with a note on recent debates about Holocaust memory.

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In this study, Paola Marrati approaches—in an extremely insightful, rigorous, and well-argued way—the question of the philosophical sources of Derrida's thought through a consideration of his reading of both Husserl and Heidegger. A central focus of the book is the analysis of the concepts of genesis and trace as they define Derrida's thinking of historicity, time, and subjectivity. Notions such as the contamination of the empirical and the transcendental, dissemination and writing, are explained as key categories establishing a guiding thread that runs through Derrida's early and later works. Whereas in his discussion of Husserl Derrida problematizes the relationship between the ideality of meaning and the singularity of its historical production, in his interpretation of Heidegger he challenges the very idea of the originary finitude of temporality. This book is essential reading not only for those interested in the philosophical roots of deconstruction, but for all those interested in the central questions of history and temporality, subjectivity and language, that pervade contemporary debates in cultural, literary, and visual theory alike.

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In this study, Paola Marrati approaches—in an extremely insightful, rigorous, and well-argued way—the question of the philosophical sources of Derrida's thought through a consideration of his reading of both Husserl and Heidegger. A central focus of the book is the analysis of the concepts of genesis and trace as they define Derrida's thinking of historicity, time, and subjectivity. Notions such as the contamination of the empirical and the transcendental, dissemination and writing, are explained as key categories establishing a guiding thread that runs through Derrida's early and later works. Whereas in his discussion of Husserl Derrida problematizes the relationship between the ideality of meaning and the singularity of its historical production, in his interpretation of Heidegger he challenges the very idea of the originary finitude of temporality. This book is essential reading not only for those interested in the philosophical roots of deconstruction, but for all those interested in the central questions of history and temporality, subjectivity and language, that pervade contemporary debates in cultural, literary, and visual theory alike.

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Vividly bringing to light the tradition of physical comedy in the French cabaret, café-concert, and early French film comedy, this book answers the perplexing question, “Why do the French love Jerry Lewis?” The extraordinary emphasis on nervous pathology in the Parisian café-concert, where the genres of the Epileptic Singer and the Idiot Comic took center stage, and where popular comic monologues and songs included “Man with a Tic” and “I’m Neurasthenic,” points to a fascinating intersection between medicine and popular culture. The French tradition of comic performance style between 1870 and 1910 nearly exactly duplicates the movements, gestures, tics, grimaces, and speech anomalies found in nineteenth-century hysteria; the characteristics of hysteria became a new aesthetics. Early French film comedy carried on this tradition of frenetic gesture and gait, as most film performers came from these entertainments and from the circus. Even before Chaplin’s films triumphed in France, film comics were instantly recognizable from their pathological gait, just as Jacques Tati would be a half-century later. Comedy, a genre that dominated French cinema until World War I, has often been linked to a mass public for film; the author elucidates this link by proposing a broadly generalized cultural-medical phenomenon as the explanation for the dominance of the comic genre. Comic performance style drew from a group of nervous disorders characterized by the psychological automatism emanating from the “lower faculties”: nervous reflex, motor impulses, sensation, and instinct. Building on her previous work on hysteria, the cabaret, and pathologies of movement in the films of Georges Méliès, and drawing on over 400 French films made between 1896 and 1915, the author contributes to a new theory of spectatorship at work in the cabaret, in shows of magnetizers, and in early French film comedy. Jerry Lewis touches a nerve in French cultural memory because, more than any other film comic, he incarnates this tradition of performance style.

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Charlotte Perkins Gilman offers the definitive account of this controversial writer and activist's long and eventful life. Charlotte Anna Perkins Stetson Gilman (1860–1935) launched her career as a lecturer, author, and reformer with the story for which she is best-known today, "The Yellow Wallpaper." She was hailed as the "brains" of the US women's movement, whose focus she sought to broaden from suffrage to economics. Her most influential sociological work criticized the competitive individualism of capitalists and Social Darwinists, and touted altruistic service as the prerequisite to both social progress and human evolution. By 1900, Gilman had become an international celebrity, but had already faced a scandal over her divorce and "abandonment" of her child. As the years passed, her audience shrunk and grew more hostile, and she increasingly positioned herself in opposition to the society that in an earlier, more idealistic period she had seen as the better part of the self. In her final years, she unflinchingly faced breast cancer, her second husband's sudden death, and finally, her own carefully planned suicide— she "preferred chloroform to cancer" and cared little for a single life when its usefulness was over. Charlotte Perkins Gilman presents new insights into the life of a remarkable woman whose public solutions often belied her private anxieties. It aims to recapture the drama and complexity of Gilman's life while presenting a comprehensive scholarly portrait.

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Written by one of America's preeminent labor historians, this book is the definitive account of one of the most spectacular, captivating, complex and strangely neglected stories in Western history—the emergence of migratory farmworkers and the development of California agriculture. Street has systematically worked his way through a mountain of archival materials—more than 500 manuscript collections, scattered in 22 states, including Spain and Mexico—to follow the farmworker story from its beginnings on Spanish missions into the second decade of the twentieth century. The result is a comprehensive tour de force. Scene by scene, the epic narrative clarifies and breathes new life into a controversial and instructive saga long surrounded by myth, conjecture, and scholarly neglect. With its panoramic view spanning 144 years and moving from the US-Mexico border to Oregon, Beasts of the Field reveals diverse patterns of life and labor in the fields that varied among different crops, regions, time periods, and racial and ethic groups. Enormous in scope, packed with surprising twists and turns, and devastating in impact, this compelling, revelatory work of American social history will inform generations to come of the history of California and the nation.

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This handbook is a comprehensive guide to the federal Endangered Species Act, the primary U.S. law aimed at protecting species of animals and plants from human threats to their survival. The Act protects not only threatened and endangered animals and plants, but their habitats as well, from direct and indirect threats such as hunting and development. Enacted in 1973 without opposition, the Act has over the past 27 years become a focal point for controversy, as efforts to protect species have clashed with traditional views of economic progress. Despite the often heated debate, the Act enters the 21st century essentially unchanged. This handbook, intended for lawyers, government agency employees, students, community activists, businesspeople, and anyone else who needs to understand the Endangered Species Act, guides the reader through the Act's provisions, including the procedures for listing species and designating their critical habitats, the requirements the Act places on federal agencies, and the scope of protections afforded to listed species. It contains a discussion of the modern extinction crisis and a brief history of endangered species protection in the United States. The handbook also explains how the Act and its implementing regulations have been interpreted by courts over the years. It provides valuable tips for citizens who wish to become involved in application and enforcement of the Act. The handbook includes the text of the Act, as well as a bibliography of related legislative materials, case law, and legal scholarship.

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In the Russian Empire of the 1870s and 1880s, while intellectuals and politicians furiously debated the "Jewish Question," more and more acculturating Jews, who dressed, spoke, and behaved like non-Jews, appeared in real life and in literature. This book examines stories about Jewish assimilation by four authors: Grigory Bogrov, a Russian Jew; Eliza Orzeszkowa, a Polish Catholic; and Nikolai Leskov and Anton Chekhov, both Eastern Orthodox Russians. Safran introduces the English-language reader to works that were much discussed in their own time, and she situates Jewish and non-Jewish writers together in the context they shared. For nineteenth-century writers and readers, successful fictional characters were "types," literary creations that both mirrored and influenced the trajectories of real lives. Stories about Jewish assimilators and converts often juxtaposed two contrasting types: the sincere reformer or true convert who has experienced a complete transformation, and the secret recidivist or false convert whose real loyalties will never change. As Safran shows, writers borrowed these types from many sources, including the novel of education produced by the Jewish enlightenment movement (the Haskalah), the political rhetoric of "Positivist" Polish nationalism, the Bible, Shakespeare, and Slavic folk beliefs. Rewriting the Jew casts new light on the concept of type itself and on the question of whether literature can transfigure readers. The classic story of Jewish assimilation describes readers who redesign themselves after the model of fictional characters in secular texts. The writers studied here, though, examine attempts at Jewish self-transformation while wondering about the reformability of personality. In looking at their works, Safran relates the modern Eastern European Jewish experience to a fundamental question of aesthetics: Can art change us?

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What is medieval religious drama, and what function does it serve in negotiating between the domains of theology and popular life? This book aims to answer these questions by studying three sets of these dramas: tenth-century Easter plays, twelfth-century Adam plays, and fifteenth- and sixteenth-century Passion plays. However, the author’s intent is not to present a genre history. Instead, he seeks to mediate between the historical development of the plays and a systematic unfolding of the archetypal structure within which the plays grasp salvation history and act it out. His theoretical approach is grounded in the work of Niklas Luhmann, which strongly emphasizes the priority of social functions over institutional structures. The book’s textual basis is truly European—including works from Germany, France, England, and Spain—and goes beyond “literary” texts to engage a range of sources from sparsely documented folk rituals to high medieval theology. These sources enable the author to encompass the complex structure of popular feasts and religious celebrations that centered on Easter. His methodological program—a systematically informed, structured analysis sensitive to the historical context—identifies recurrent patterns of distortion in these feasts and celebrations vis-à-vis their model, the chapters of Scripture dealing with Christ’s death and resurrection. Eschewing the conventional view of medieval theater as a depiction of medieval theology, the author convincingly shows that below their textual surfaces, the Easter theatrical and religious celebrations must have served as collective rituals of compensation in whose context the figure of Christ (often, specifically, the actor incarnating the figure) took over the role of the scapegoat. This demonstrates another of the book’s major contributions, that a collaboration between medieval studies and contemporary cultural theory is not only viable but richly rewarding.

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This book is a history of the Mixtec Indians of southern Mexico, who in their own language call themselves Tay Ñudzahui, "people of the rain place." These people were among the most populous cultural and language groups of Mesoamerica at the time of the Spanish conquest. This study focuses on several dozen Mixtec communities in the region of Oaxaca during the period from about 1540 to 1750. The work is largely based on an extraordinary collection of primary sources, translated and analyzed by the author, that were written by Mixtecs in the roman alphabet from the mid-sixteenth to the early nineteenth centuries. To complement this native-language corpus, the author has examined preconquest and early colonial pictorial writings, Spanish-language civil and trial records, and Nahuatl (Aztec) texts. The book addresses many interrelated topics, including writing, language, sociopolitical organization, local government, social and gender relations, land tenure, trade, rebellion, religion, ethnicity, and historical memory. Throughout, the author emphasizes the internal, indigenous perspective instead of relying on Spanish sources and points of view. In its focus on indigenous concepts, the book introduces a new terminology and new categories of analysis in colonial Mexican history. The conclusion makes detailed comparisons with recent findings on the Nahuas of central Mexico and the Maya of Yucatán, and revisits the question of cultural change among indigenous peoples under colonial rule.

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For two decades, extending from the early 1970s to the early 1990s, elections to the U.S. House of Representatives were highly predictable. More than 90 percent of incumbents would seek reelection and more than 90 percent of those incumbents would win—by larger vote margins than in earlier decades. The once-dependable presidential coattail effect diminished, as one-quarter to one-third of all voters split their tickets, supporting presidential and House candidates of different parties. These trends helped the Democrats retain control of the House even while Republican presidential candidates won five of six elections beginning in 1968. An era of “incumbency and insulation” seemed firmly in place. Then came the 1994 midterm elections. The Republicans gained 52 seats in the House, taking control for the first time in 40 years. Incumbency appeared to have lost its semi-magical status as three dozen incumbents fell. Insulation, too, appeared to have failed, with all the losing incumbents being Democrats, most of them from districts where President Clinton had run poorly in 1992. But did 1994 herald a new era, or was it an aberration? In some ways, the 1996 elections, which reelected President Clinton, ratified the 1994 upheaval. Republicans retained control of the House, despite the decline of ticket-splitting as more voters aligned their presidential and House voting decisions. The 1998 election results added to the picture of a new era in congressional elections as the presidential party gained seats in a midterm election for the first time since 1934. Most of the essays in this volume closely examine these recent elections, documenting the erosion of incumbency and insulation, but pointing out important continuities as well. Other essays address the electoral consequences of political change in the South, majority-minority redistricting, PAC contributions, and the changing image of Congress.

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This work, by one of the most innovative and challenging of contemporary thinkers, pivots on a Remark added by Hegel in 1831 to the second edition of his Science of Logic. As a model of close reading applied both to philosophical texts and the making of philosophical systems, The Speculative Remark played a significant role in transforming the practice of philosophy away from system building to analysis of specific linguistic detail, with meticulous attention to etymological, philological, and rhetorical nuance. Nancy uses his extended examination of the Remark to delineate certain overall strategies in several Hegelian texts that militate for language-oriented readings of Hegel, as shown in Nancy's redefinition of such key terms as Aufhebung, mediation, and speculation. Nancy's reading progresses from speculative words and propositions to registering the speculative itself. While he avoids analyzing Hegel's system as such, Nancy reconstructs the Hegelian trajectory on a basis of tropes, building from propositions rather than structures, elements, and cycles. The overview that emerges in the final chapter and epilogue constitutes a broad statement about Hegel's practice and significance, one nuanced by close attention to his deployment of rhetoric and linguistic play. The Speculative Remark thus furnishes a model for a theoretically aware approach to all systematic philosophy, while providing a significant historical contribution to the evolution of contemporary critical theory.

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This book argues that The Birth of Tragedy, Nietzsche's first book, does not mark a rupture with his prior philosophical undertakings but is, in fact, continuous with them and with his later writings as well. These continuities are displayed above all in the entanglement of his surface narratives, in the self-consuming artifice of his writing, in the interplay of his voices, posturings, and ironies—in a word, in his staging of meaning rather than in his advocacy of one position or another. The author shows that many of the substantive elements of The Birth of Tragedy are reminiscent of Nietzsche's earlier revisions of philology and that they anticipate the later writings: the inversion of the Dionysian and Appollinian domains; the interest in the atomistic challenge to Platonism (one of Nietzsche's lifelong concerns); and the theory of the all-too-human subject that emerges as a cultural anthropology, a hauntingly present reminder of human pretensions and their limits, which is likewise a thread that runs through the whole of Nietzsche's oeuvre, critically undoing what his philosophy appears to erect. The author argues that the coherence of Nietzsche's writings up to and including The Birth of Tragedy is incontestable. It points to a fact that needs to be turned to account in any reading of The Birth of Tragedy, namely that Nietzsche is a most unreliable witness to his own meaning. The first parts of the study focus on broader issues: the relation of The Birth of Tragedy to the later writings; the problems of what the author calls "the metaphysics of appearances" (as opposed to the identification of the metaphysical as a realm lurking "behind" appearances); and the appearance—the apparition—of metaphysics in both the early and late works. In the latter parts of the study, the focus falls more narrowly on the formal and thematic complications in the narrative of The Birth of Tragedy. This book, the author argues, is a self-standing, complexly organized, and complete piece of imagining that needs to be examined on its own terms. And so while the surrounding philosophical reflections that Nietzsche made prior to and at the time of The Birth of Tragedy are brought in as needed, for instance the notes on Kant, Schopenhauer, and Lange, the primary interest lies in the self-presentation of the work itself.

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Two features of mathematics stand out: its menagerie of seemingly eternal objects (numbers, spaces, patterns, functions, categories, morphisms, graphs, and so on), and the hieroglyphics of special notations, signs, symbols, and diagrams associated with them. The author challenges the widespread belief in the extra-human origins of these objects and the understanding of mathematics as either a purely mental activity about them or a formal game of manipulating symbols. Instead, he argues that mathematics is a vast and unique man-made imagination machine controlled by writing. Mathematics as Sign addresses both aspects—mental and linguistic—of this machine. The opening essay, "Toward a Semiotics of Mathematics" (long acknowledged as a seminal contribution to its field), sets out the author's underlying model. According to this model, "doing" mathematics constitutes a kind of waking dream or thought experiment in which a proxy of the self is propelled around imagined worlds that are conjured into intersubjective being through signs. Other essays explore the status of these signs and the nature of mathematical objects, how mathematical ideograms and diagrams differ from each other and from written words, the probable fate of the real number continuum and calculus in the digital era, the manner in which Platonic and Aristotelean metaphysics are enshrined in the contemporary mathematical infinitude of endless counting, and the possibility of creating a new conception of the sequence of whole numbers based on what the author calls non-Euclidean counting. Reprising and going beyond the critique of number in Ad Infinitum, the essays in this volume offer an accessible insight into Rotman's project, one that has been called "one of the most original and important recent contributions to the philosophy of mathematics."

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Two features of mathematics stand out: its menagerie of seemingly eternal objects (numbers, spaces, patterns, functions, categories, morphisms, graphs, and so on), and the hieroglyphics of special notations, signs, symbols, and diagrams associated with them. The author challenges the widespread belief in the extra-human origins of these objects and the understanding of mathematics as either a purely mental activity about them or a formal game of manipulating symbols. Instead, he argues that mathematics is a vast and unique man-made imagination machine controlled by writing. Mathematics as Sign addresses both aspects—mental and linguistic—of this machine. The opening essay, "Toward a Semiotics of Mathematics" (long acknowledged as a seminal contribution to its field), sets out the author's underlying model. According to this model, "doing" mathematics constitutes a kind of waking dream or thought experiment in which a proxy of the self is propelled around imagined worlds that are conjured into intersubjective being through signs. Other essays explore the status of these signs and the nature of mathematical objects, how mathematical ideograms and diagrams differ from each other and from written words, the probable fate of the real number continuum and calculus in the digital era, the manner in which Platonic and Aristotelean metaphysics are enshrined in the contemporary mathematical infinitude of endless counting, and the possibility of creating a new conception of the sequence of whole numbers based on what the author calls non-Euclidean counting. Reprising and going beyond the critique of number in Ad Infinitum, the essays in this volume offer an accessible insight into Rotman's project, one that has been called "one of the most original and important recent contributions to the philosophy of mathematics."

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This book consists of transcripts from two lecture courses Levinas delivered in 1975-76, his last year at the Sorbonne. They cover some of the most pervasive themes of his thought and were written at a time when he had just published his most important—and difficult—book, Otherwise than Being, or Beyond Essence. Both courses pursue issues related to the question at the heart of Levinas's thought: ethical relation. The Foreword and Afterword place the lectures in the context of his work as a whole, rounding out this unique picture of Levinas the thinker and the teacher. The lectures are essential to a full understanding of Levinas for three reasons. First, he seeks to explain his thought to an audience of students, with a clarity and an intensity altogether different from his written work. Second, the themes of God, death, and time are not only crucial for Levinas, but they lead him to confront their treatment by the main philosphers of the great continental tradition. Thus his discussions of accounts of death by Heidegger, Hegel, and Bloch place Levinas's thought in a broader context. Third, the basic concepts Levinas employs are those of Otherwise than Being rather than the earlier Totality and Infinity: patience, obsession, substitution, witness, traumatism. There is a growing recognition that the ultimate standing of Levinas as a philosopher may well depend on his assessment of those terms. These lectures offer an excellent introduction to them that shows how they contribute to a wide range of traditional philosophical issues.

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This is a riveting, day-by-day, hour-by-hour reconstruction of the massacre in Tiananmen Square on June 3-4, 1989, as well as of the crucial events in Beijing during the previous weeks that largely precipitated the massacre. The author focuses on the army—the People's Liberation Army—which, with its motto "Serve the People," had always prided itself on its close ties to the civilian population. What were the intentions of the Chinese government in mobilizing the army against civilians? Why did the troops act as they did, and what does this say about how the army would act on the next such occasion? How does the military suppression of the democracy movement help us to understand China's current predicament over democratization and human rights?

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Jack London, one of the most read and recognized figures in American literature, produced an immense body of work, including 22 novels, 200 short stories, memoirs, newspaper articles, book reviews, essays, and poems. A significant and revealing feature of London's literary life lies in his introspective observations on the craft of writing, brought together in this collection of essays, reviews, letters, and autobiographical writings. London's public role as a daring, carefree man of action has obscured the shrewd, disciplined, and methodical writer whose practical reflections and meditations on his profession provide a vivid portrait of the literary industry in turn-of-the-century America. For this edition, a significant amount of new material has been added. Reviews of the First Edition "Dale Walker has rendered a valuable service in his painstaking collection of London's writings about writers. He has included 43 selections, 20 of which are previously uncollected: 13 essays, and excerpts from London's two autobiographical works. The result is a remarkably comprehensive view of London 'the writer's writer.'" —American Literary Realism "An absorbing account of how hard the writer worked to learn his craft. . . . We find a master prose stylist concerned with problems of selectivity and concrete issues of tone, form, atmosphere, and point of view." —Modern Philology "A remarkable collection. . . . This is a firsthand look at a writer's honest and forthright opinions on his craft." —Los Angeles Times

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As early as the Warring States period in China (fourth through third centuries B.C.), debates arose concerning how and under what circumstances new institutions could be formed and legitimated. But the debates quickly encompassed more than just legitimation. Larger issues came to the fore: Can a sage innovate? If so, under what conditions? Where did human culture originally come from? Was it created by human sages? Is it therefore an artificial fabrication, or was it based in part on natural patterns? Is it possible for new sages to emerge who could create something better? This book studies these debates from the Warring States period to the early Han (second century b.c.), analyzing the texts in detail and tracing the historical consequences of the various positions that emerged. It also examines the time's conflicting narratives about the origin of the state and how these narratives and ideas were manipulated for ideological purposes during the formation of the first empires. While tracing debates over the question of innovation in early China, the author engages such questions as the prevailing notions concerning artifice and creation. This is of special importance because early China is often described as a civilization that assumed continuity between nature and culture, and hence had no notion of culture as a fabrication, no notion that the sages did anything other than imitate the natural world. The author concludes that such views were not assumptions at all. The ideas that human culture is merely part of the natural world, and that true sages never created anything but instead replicated natural patterns arose at a certain moment, then came to prominence only at the end of a lengthy debate.

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Dialectic of Enlightenment is undoubtedly the most influential publication of the Frankfurt School of Critical Theory. Written during the Second World War and circulated privately, it appeared in a printed edition in Amsterdam in 1947. "What we had set out to do," the authors write in the Preface, "was nothing less than to explain why humanity, instead of entering a truly human state, is sinking into a new kind of barbarism." Yet the work goes far beyond a mere critique of contemporary events. Historically remote developments, indeed, the birth of Western history and of subjectivity itself out of the struggle against natural forces, as represented in myths, are connected in a wide arch to the most threatening experiences of the present. The book consists in five chapters, at first glance unconnected, together with a number of shorter notes. The various analyses concern such phenomena as the detachment of science from practical life, formalized morality, the manipulative nature of entertainment culture, and a paranoid behavioral structure, expressed in aggressive anti-Semitism, that marks the limits of enlightenment. The authors perceive a common element in these phenomena, the tendency toward self-destruction of the guiding criteria inherent in enlightenment thought from the beginning. Using historical analyses to elucidate the present, they show, against the background of a prehistory of subjectivity, why the National Socialist terror was not an aberration of modern history but was rooted deeply in the fundamental characteristics of Western civilization. Adorno and Horkheimer see the self-destruction of Western reason as grounded in a historical and fateful dialectic between the domination of external nature and society. They trace enlightenment, which split these spheres apart, back to its mythical roots. Enlightenment and myth, therefore, are not irreconcilable opposites, but dialectically mediated qualities of both real and intellectual life. "Myth is already enlightenment, and enlightenment reverts to mythology." This paradox is the fundamental thesis of the book. This new translation, based on the text in the complete edition of the works of Max Horkheimer, contains textual variants, commentary upon them, and an editorial discussion of the position of this work in the development of Critical Theory.

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This book explores the complex ways in which England’s gradual transformation from a Roman Catholic to a Protestant nation presented men and women with new ways in which to fashion their own identities and to define their relationships with society. The past generation’s research into the religious history of early modern England has heightened our appreciation for the persistence of traditional beliefs in the face of concerted attacks by followers of Henry VIII and his successor Edward VI. The book argues that the present challenge for historians is to move beyond this revisionist characterization of the English Reformation as a largely unpopular and unsuccessful exercise of state power to assess its legacy of increasing religious diversification. The contributors cast a post-revisionist light on religious change by showing how the Henrician break with Rome and the Edwardian implementation of a Protestant agenda had a lasting influence on the laity’s beliefs and practices, forging a legacy that Mary I’s efforts to restore Catholicism could not overturn. If, as revisionist research has stressed, late medieval Christianity provided the laity with a wide array of means with which to internalize and individualize their religious experiences, then surely the events of the reigns of Henry and Edward vastly expanded the field over which the religiosity of English men and women could range. This book addresses the unfolding consequences of this theological variegation to assess how individual spiritual beliefs, aspirations, and practices helped shape social and political action on a family, local, and national level.

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Despite the rousing stories of male heroism in battles, the Trojan War transcended the activities of its human participants. For Homer, it was the gods who conducted and accounted for what happened. In the first part of this book, the authors find in Homer's Iliad material for exploring the everyday life of the Greek gods: what their bodies were made of and how they were nourished, the organization of their society, and the sort of life they led both in Olympus and in the human world. The gods are divided in their human nature: at once a fantasized model of infinite joys and an edifying example of engagement in the world, they have loves, festivities, and quarrels. In the second part, the authors show how citizens carried on everyday relations with the gods and those who would become the Olympians, inviting them to reside with humans organized in cities. At the heart of rituals and of social life, the gods were omnipresent: in sacrifices, at meals, in political assemblies, in war, in sexuality. In brief, the authors show how the gods were indispensable to the everyday social organization of Greek cities. To set on stage a number of gods implicated in the world of human beings, the authors give precedence to the feminine over the masculine, choosing to show how such great powers as Hera and Athena wielded their sovereignty over cities, reigning over not only the activities of women but also the moulding of future citizens. Equally important, the authors turn to Dionysus and follow the evolution of one of his forms, that of the phallus paraded in processions. Under this god, so attentive to all things feminine, the authors explore the typically civic ways of thinking about the relations between natural fecundity and the sexuality of daily life.

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From its inception in the early nineteenth century, the museum has been more than a mere historical object; it has manufactured an image of history. In collecting past artifacts, the museum gives shape and presence to history, defining the space of a ritual encounter with the past. The museum believes in history, yet it behaves as though history could be summarized and completed. By building a monument to the end of history and lifting art out of the turmoil of historical survival, the museum is said to dehistoricize the artwork. It replaces historicity with historiography, and living history turns into timelessness. This twofold process explains the paradoxical character of museums. They have been accused of being both too heavy with historical dust and too historically spotless, excessively historicizing artworks while cutting them off from the historical life in which artworks are born. Thus the museum seems contradictory because it lectures about the historical nature of its objects while denying the same objects the living historical connection about which it purports to educate. The contradictory character of museums leads the author to a philosophical reflection on history, one that reconsiders the concept of culture and the historical value of art in light of the philosophers, artists, and writers who are captivated by the museum. Together, their voices prompt a reevaluation of the concepts of historical consciousness, artistic identity, and the culture of objects in the modern period. The author shows how museum culture offers a unique vantage point on the nineteenth and twentieth centuries’ preoccupation with history and subjectivity, and he demonstrates how the constitution of the aesthetic provides insight into the realms of technology, industrial culture, architecture, and ethics.

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This lavishly illustrated book on the famous automobile manufacturer traces the Studebaker family from its arrival in America in 1736, to the beginnings of the wagon business under John M. Studebaker and his brothers in the nineteenth century, to the family’s entry into the automobile industry in 1902, to the last Studebaker automobile to roll off the assembly line in 1966. The book, however, is much more than the story of a family business; it is also, in microcosm, the story of the industrial development of America. The Studebakers had always been industrialists in the sense that they made their living by manufacturing things, albeit on a small scale. When the Industrial Revolution hit the country with full force, spurred on by the Civil War, it transformed America from a rural-agrarian society into an urban-industrial one. The fortunes of the Studebaker family were transformed with it. As the title suggests, the Studebaker story was mostly one of success. Studebaker wagons and carriages were long noted for their quality and popularity, and so, too, were Studebaker automobiles. The 1953 Starliner and the 1963 Avanti, designed under Raymond Loewy’s direction, are widely regarded as among the most innovative examples of American industrial design. The book deals in detail with the soaring prosperity of the company in the 1920s, the bankruptcy and miraculous recovery in the 1930s, the stupendous success of the early post-World War II period, and the eventual decline of the company’s fortunes in the mid-1950s. It describes the development of such famous models as the Lark, Avanti, and Gran Tourisimo Hawk, with special attention paid to the Avanti II, a surprisingly successful spinoff from the dying company that continued to be produced until 1991. The final chapter, on why Studebaker died, is tightly reasoned and more convincing than previous theories. Throughout, the author has used personal incident and characterization to bring to life the rich, tumultuous history of one of America’s longest enduring industrial empires.

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Collapsing buildings, unexpected meetings in the marketplace, monstrous births, encounters with pirates at sea—these and other unforeseen “accidents” at the turn of the seventeenth century in England acquired unprecedented significance in the early modern philosophical and cultural imagination. Drawing on intellectual history, cultural criticism, and rhetorical theory, this book chronicles the narrative transformation of “accident” from a philosophical dead end to an astonishing occasion for revelation and wonder in early modern religious life, dramatic practice, and experimental philosophy. Embracing the notion that accident was a concept with both learned and popular appeal, the book traces its evolution through Aristotelian, Scholastic, and Calvinist thought into a range of early modern texts. It suggests that for many English writers, accidental events raised fundamental questions about the nature of order in the world and the way that order should be apprehended. Alongside texts by such canonical figures as Shakespeare and Bacon, this study draws on several lesser-known authors of sensational news accounts about accidents that occurred around the turn of the seventeenth century. The result is a cultural anatomy of accidents as philosophical problem, theatrical conceit, spiritual landmark, and even a prototype for Baconian “experiment,” one that provides a fresh interpretation of the early modern engagement with contingency in intellectual and cultural terms.

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A history of dance’s pathologization may startle readers who find in dance performance grace, discipline, geometry, poetry, and the body’s transcendence of itself. Exploring dance’s historical links to the medical and scientific connotations of a “pathology,” this book asks what has subtended the idealization of dance in the West. It investigates the nineteenth-century response, in the intersections of dance, literature, and medicine, to the complex and long-standing connections between illness, madness, poetry, and performance. In the nineteenth century, medicine becomes a major cultural index to measure the body’s meanings. As a particularly performative form of madness, nineteenth-century hysteria preserved the traditional connection to dance in medical descriptions of “choreas.” In its withholding of speech and its use of body code, dance, like hysteria, functions as a form of symptomatic expression. Yet by working like a symptom, dance performance can also be read as a commentary on symptomatology and as a condition of possibility for such alternative approaches to mental illness as psychoanalysis. By redeeming as art what is “lost” in hysteria, dance expresses non-hysterically what only hysteria had been able to express: the somatic translation of idea, the physicalization of meaning. Medicine’s discovery of “idea” manifesting itself in the body in mental illness strikingly parallels a literary fascination with the ability of nineteenth-century dance to manifest “idea,” suggesting that the evolution of medical thinking about mind-body relations as they malfunction in madness, as well as changes in the cultural reception of danced representations of these relations, might be paradigmatic shifts caused by the same cultural factors: concern about the body as a site of meaning and about vision as a theater of knowledge.

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In his final work, one that distills decades of research and thought, a distinguished economic thinker turned social scientist and philosopher confronts three crucial questions facing the world at the end of the century: How and in what form can a harmonious and stable post-cold war world order be created? How can the world maintain the economic performance necessary for the well-being of people while minimizing international economic conflicts and further deterioration of the world’s environment? What must be done to safeguard the freedoms of all peoples? In attempting to answer these questions, Murakami criticizes classical political-economic analysis and offers his own “anticlassical” analyses and visions for the next century. By classical political-economic analysis, Murakami refers to analyses of power politics based on the nation-state system and to classical and neoclassical economic analysis which holds that unimpeded competition and free trade are fundamental bases for increasing wealth for the benefit of all. Murakami’s anticlassical stance takes the form of a new, intellectually integrated and reasoned concept called “polymorphic liberalism,” which argues that traditional “progressivism”—the belief that humans have an ultimate unique path on which they will reach an ideal social and political-economic system—can no longer meet today’s challenges.

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The latter part of the twentieth century saw an explosion of new media that effected profound changes in human categories of communication. At the same time, a "return to religion" occurred on a global scale. The twenty-five contributors to this volume—who include such influential thinkers as Jacques Derrida, Jean-Luc Nancy, Talal Asad, and James Siegel—confront the conceptual, analytical, and empirical difficulties involved in addressing the complex relationship between religion and media. The book's introductory section offers a prolegomenon to the multiple problems raised by an interdisciplinary approach to these multifaceted phenomena. The essays in the following part provide exemplary approaches to the historical and systematic background to the study of religion and media, ranging from the biblical prohibition of images and its modern counterparts, through theological discussion of imagery in Ignatius and Luther, to recent investigations into icons and images that "think" in Jean-Luc Marion and Gilles Deleuze. The third part presents case studies by anthropologists and scholars of comparative religion who deal with religion and media in Indonesia, India, Japan, South Africa, Venezuela, Iran, Poland, Turkey, present-day Germany, and Australia. The book concludes with two remarkable documents: a chapter from Theodor W. Adorno's study of the relationship between religion and media in the context of political agitation (The Psychological Technique of Martin Luther Thomas' Radio Addresses) and a section from Niklas Luhmann's monumental Die Gesellschaft der Gesellschaft (Society as a Social System).

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