Search results for ""author rath"

This collection explores the fragile territory between remembering and forgetting, both as an individual experience and in the life of a society. If in the end all is subject to “time’s slow bleed”, these poems enact the capacity of the imagination “to pass through ancient walls” and to reorder failures long gone in time into more hopeful connections. Poems recreate those childhood moments when physical presences, such as the “great house” at Drax Hall provoke the “beginning of poetry”, the searching for what is “hidden in the dark”, and thence to a grasp of the history that society would rather forget. For while forgetting is human, the collection also explores how amnesia can be cultivated in society as a means of hiding the sources of contemporary privilege and economic power. Poems such as “Canvas” (about the images from English and American magazines that patch up the hangings in an old woman’s “tumbledown dwelling”) not only picture children “tiptoe at the rim of the world” but, without needing to say it, show those children as far more familiar with Garbo’s “bright blue eyes/ and shiny red lipstick” than with the history and meaning of Drax Hall. If there are echoes of Walcott’s poem where “all in compassion ends”, Phillips is no less compassionate, but much readier to see “History’s wound still bleeding / to its last drop” – a wound extending down to a powerful poem in memory of George Floyd. If the collection calls out “Speak, stones, bear witness!”, poems also pay tribute to those who in the rural village memorialised the lives of the unconsidered poor, who, like the village historian, Miss Lewis, speaks across the years into contemporary urban life “to remind me who I am”. Esther Phillips’ poems are always lucid and musical; they gain a rewarding complexity from being part of the collection’s careful architecture that offers a richly nuanced inner dialogue about the meaning of experience in time. Not least powerful in this conversation are the sequence of poems about Barbadian childhoods, poems of grace, humour and insight. When Barbados chose Esther Phillips as its first poet laureate it knew what it was doing: electing a poet who could speak truth, who could challenge and console her nation – and all of us.

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Between the mid-seventeenth and mid-eighteenth century more than 15,000 Londoners suffered sudden violent deaths. In the early modern period, accidental and 'disorderly' deaths - from drowning, falls, stabbing, shooting, fires, explosions, suffocation, and animals and vehicles, among others - were a regular feature of urban life. Between the mid-seventeenth and mid-eighteenth centuries more than 15,000 Londoners suffered sudden violent deaths. While this figure includes around 3,000 who were murdered or committed suicide, the vast majority of fatalities resulted from accidents. In the early modern period, accidental and 'disorderly' deaths - from drowning, falls, stabbing, shooting, fires, explosions, suffocation, animals and vehicles, among other causes - were a regular feature ofurban life and left a significant mark in the archival records of the period. This book provides the first substantive critical study of the early modern accident, revealing and chronicling the lives - and deaths - of hundreds of otherwise unknown Londoners. Drawing on the weekly London Bills of Mortality, parish burial registers, newspapers and other related documents, it examines accidents and other forms of violent death in the city with a view tounderstanding who among its residents encountered such events, how the bureaucracy recorded and elaborated their circumstances and why they did so, and what practical responses might follow. Through a systematic review of the character of accidents, medical and social interventions, and changing attitudes toward the regulation of hazards across the metropolis, it establishes the historical significance of the accident and shows how, as the eighteenth century progressed, providential explanations gave way to a more rational viewpoint that saw certain accident events as threats to be managed rather than misfortunes to be explained. Additionally, the book explores how knowledge of such incidents was transformed to become a recurring cultural trope in oral, textual and visual narratives of metropolitan life, thereby opening a window to the way in which sudden death and violent injury was understood by early modern mentalities. CRAIG SPENCE is Senior Lecturer in History at Bishop Grosseteste University.

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In the timber plantations in northeastern South Africa, laborers work long hours among tall, swaying lines of eucalypts, on land once theirs. In 2008, at the height of the HIV/AIDS crisis, timber corporations distributed hot cooked meals as a nutrition intervention to bolster falling productivity and profits. But life and sustenance are about much more than calories and machinic bodies. What is at stake is the nurturing of capacity across all domains of life—physical, relational, cosmological—in the form of amandla. An Nguni word meaning power, strength or capacity, amandla organizes ordinary concerns with one’s abilities to earn a wage, to strengthen one’s body, and to take care of others; it describes the potency of medicines and sexual vitality; and it captures a history of anti-colonial and anti-apartheid struggle for freedom. The ordinary actions coordinated by and directed at amandla do not obscure the wounding effects of plantation labor or the long history of racial oppression, but rather form the basis of what the Algerian artist Kader Attia calls repair. In this captivating ethnography, Cousins examines how amandla, as the primary material of the work of repair, anchors ordinary scenes of living and working in and around the plantations. As a space of exploitation that enables the global paper and packaging industry to extract labor power, the plantation depends on the availability of creative action in ordinary life to capitalize on bodily capacity. The Work of Repair is a fine-grained exploration of the relationships between laborers in the timber plantations of KwaZulu-Natal, and the historical decompositions and reinventions of the milieu of those livelihoods and lives. Offering a fresh approach to the existential, ethical and political stakes of ethnography from and of late liberal South Africa, the book attends to urgent questions of postapartheid life: the fate of employment; the role of the state in providing welfare and access to treatment; the regulation of popular curatives; the queering of kinship; and the future of custom and its territories. Through detailed descriptions, Cousins explicates the important and fragile techniques that constitute the work of repair: the effort to augment one’s capacity in a way that draws on, acknowledges, and reimagines the wounds of history, keeping open the possibility of a future through and with others.

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A provocative, must-read investigation that both appreciates the importance of—and punctures the hype around—big-time contemporary American athletics In an increasingly secular, fragmented, and distracted culture, nothing brings Americans together quite like sports. On Sundays in September, more families worship at the altar of the NFL than at any church. This appeal, which cuts across all demographic and ideological lines, makes sports perhaps the last unifying mass ritual of our era, with huge numbers of people all focused on the same thing at the same moment. That timeless, live quality—impervious to DVR, evoking ancient religious rites—makes sports very powerful, and very lucrative. And the media spectacle around them is only getting bigger, brighter, and noisier—from hot take journalism formats to the creeping infestation of advertising to social media celebrity schemes. More importantly, sports are sold as an oasis of community to a nation deeply divided: They are escapist, apolitical, the only tie that binds. In fact, precisely because they appear allegedly “above politics,” sports are able to smuggle potent messages about inequality, patriotism, labor, and race to massive audiences. And as the wider culture works through shifting gender roles and masculine power, those anxieties are also found in the experiences of female sports journalists, athletes, and fans, and through the coverage of violence by and against male bodies. Sports, rather than being the one thing everyone can agree on, perfectly encapsulate the roiling tensions of modern American life. Michael Serazio maps and critiques the cultural production of today’s lucrative, ubiquitous sports landscape. Through dozens of in-depth interviews with leaders in sports media and journalism, as well as in the business and marketing of sports, The Power of Sports goes behind the scenes and tells a story of technological disruption, commercial greed, economic disparity, military hawkishness, and ideals of manhood. In the end, despite what our myths of escapism suggest, Serazio holds up a mirror to sports and reveals the lived realities of the nation staring back at us.

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Do you love bright, geometric quilt designs but wonder how to get such sharp points and accurate piecing? English paper piecing is the answer and this collection shows you how to sew your own patchwork projects even if you've never made a quilt before. English paper piecing (EPP) is a traditional patchwork technique which uses hexagon-shaped paper templates which are pieced together by hand sewing rather than machine piecing. This process of hand piecing is both mindful and calming and the fact that it doesn't rely on a sewing machine makes EPP the perfect 'sofa sewing' project that can be done while relaxing in front of your favourite TV show or while socialising with friends. Jenny Jackson is an expert in EPP and has been demonstrating the technique and showcasing her patterns on TV craft channels and magazines for a number of years. She has created this collection of techniques and patterns for modern EPP projects for the home including some really striking, large quilts. Jenny holds your hand through the EPP process so, even if you've never tried it before, you can complete projects to be proud of. Even if you already have some experience with EPP, Jenny shares her tips and tricks for quicker and sharper results so you can improve your skills. There are 18 projects for the home in a variety of sizes so you can build up to a full-sized quilt but you can also dip in and out of some smaller projects such as coasters, wall hangings and cushions while you hone your skills. The projects include repeats of EPP patterns and blocks as well as how to use EPP blocks and rosettes as applique within quilts and other projects. It's not just about the hexagon either: Jenny's geometric designs feature 20 different paper pieced templates including diamonds, octagons and even curved shapes for really exciting results. These sheets can be photocopied to give you multiple templates, fast. You can even flex your own creative muscle with the colouring pages included for every project so you can experiment with your own colour combinations to make your own unique designs.

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A captivating biography of two famous women whose sons, Winston Churchill and Franklin D Roosevelt, would change the course of the 20th century—by award-winning historian Charlotte Gray. Born into upper class America in the same year, 1854, Sara Delano and Jennie Jerome refused to settle into predictable, sheltered lives as little-known wives to prominent men. Instead, both women concentrated their energies on enabling their sons to reach the epicentre of political power on two continents. In the mid-19th century, the British Empire was at its height, France’s Second Empire flourished and the industrial vigour of the USA was catapulting the republic towards the Gilded Age. Sara and Jennie, raised with privilege but subject to the constraints of women’s roles at the time, learned how to take control of their destinies, Sara in the prosperous Hudson Valley and Jennie in the glittering world of Imperial London. Yet their personalities and choices were dramatically different. A vivacious extrovert, Jennie married Lord Randolph Churchill, rising politician and scion of a noble British family. Her deft social and political manoeuvrings helped not only her mercurial husband but, once she was widowed, her ambitious son, Winston. By contrast, deeply conventional Sara Delano married a man as old as her father. But once widowed, she made Franklin, her only child, the focus of her existence. Thanks in large part to her financial support and to her guidance, Franklin acquired the skills he needed to become a successful politician.Set against one hundred years of history, Passionate Mothers, Powerful Sons is a study in loyalty and resilience. Gray argues that Jennie and Sara are too often presented as lesser figures rather than two remarkable individuals who were key in shaping the characters of the sons who adored them, and preparing them for leadership on the world stage. A masterful biographer and acclaimed historian, Charlotte Gray breathes new life into Sara and Jennie. Impeccably researched and filled with intriguing social insights, Passionate Mothers, Powerful Sons offers a fascinating and fulsome portrait of how leaders are not just born but made.

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This book is a critical account of the history, evolution and challenges of higher education in mainland China, Taiwan and Hong Kong, with important reflections on other systems, notably those in the US, UK, Korea and Japan. In addition to hardware and software, it introduces the concept of "Soulware" in global higher education and analyses its importance for internationalization and the pursuit of excellence. In an age where robots and artificial intelligence are impacting our jobs and our daily lives, its critical analysis and insightful reflections provide considerable value for a range of global stakeholders interested in higher education reform to nurture talent and promote innovation to prepare students for an unpredictable future. "Professor Kuo’s perspective provides considerable value for a range of global stakeholders both in the east and the west. As American universities awake to the realization that the demand for higher education is an increasingly global phenomena, his contribution could not be more timely."Mike Crow, PhD President, Arizona State University "Way Kuo advances a powerful historical argument for the means to achieve excellence in Asian universities. His recipe is bold leadership, combining excellence in teaching and research, and embracing the lessons of western university successes and failures. A superb combination of history and forward thinking."Michael Kotlikoff, VMD, PhD Provost, Cornell University "Way’s book is not just about the past or the present. Rather, it offers useful insights into the future. In an age where robots and artificial intelligence are impacting our jobs and our daily lives, he introduces the concept of “soulware” and analyzes its importance for higher education."G. P. “Bud” Peterson, PhD President, Georgia Institute of Technology "Differing from their Western counterparts, Chinese universities will demonstrate their own cultural characteristics. In this regard, Professor Kuo’s book offers us many valuable insights." Yong Qiu, PhD President, Tsinghua University, Beijing "Wisdom is the ultimate goal of higher education. It is the illumination of that wisdom among audiences, English-speaking or Chinese-speaking, to which Way Kuo’s book hopes to kindle a spark." Frank H. Shu, PhD President, 2002-06, National Tsing Hua University, Hsinchu, and University Professor Emeritus, University of California, Berkeley and San Diego

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This book simultaneously tells a story—or rather, stories—and a history. The stories are those of Greek Leftists as paradigmatic figures of abjection, given that between 1929 and 1974 tens of thousands of Greek dissidents were detained and tortured in prisons, places of exile, and concentration camps. They were sometimes held for decades, in subhuman conditions of toil and deprivation. The history is that of how the Greek Left was constituted by the Greek state as a zone of danger. Legislation put in place in the early twentieth century postulated this zone. Once the zone was created, there was always the possibility—which came to be a horrific reality after the Greek Civil War of 1946 to 1949—that the state would populate it with its own citizens. Indeed, the Greek state started to do so in 1929, by identifying ever-increasing numbers of citizens as “Leftists” and persecuting them with means extending from indefinite detention to execution. In a striking departure from conventional treatments, Neni Panourgiá places the Civil War in a larger historical context, within ruptures that have marked Greek society for centuries. She begins the story in 1929, when the Greek state set up numerous exile camps on isolated islands in the Greek archipelago. The legal justification for these camps drew upon laws reaching back to 1871—originally directed at controlling “brigands”—that allowed the death penalty for those accused and the banishment of their family members and anyone helping to conceal them. She ends with the 2004 trial of the Revolutionary Organization 17 November. Drawing on years of fieldwork, Panourgiá uses ethnographic interviews, archival material, unpublished personal narratives, and memoirs of political prisoners and dissidents to piece together the various microhistories of a generation, stories that reveal how the modern Greek citizen was created as a fraught political subject. Her book does more than give voice to feelings and experiences suppressed for decades. It establishes a history for the notion of indefinite detention that appeared as a legal innovation with the Bush administration. Part of its roots, Panourgiá shows, lie in the laboratory that Greece provided for neo-colonialism after the Truman Doctrine and under the Marshall Plan.

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Women’s Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde.The contributors examine the work of Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer, Carolee Schneemann, Barbara Rubin, Amy Greenfield, Barbara Hammer, Chick Strand, Marjorie Keller, Leslie Thornton, Abigail Child, Peggy Ahwesh, Su Friedrich, and Cheryl Dunye. The essays highlight the diversity in these filmmakers’ forms and methods, covering topics such as how Menken used film as a way to rethink the transition from abstract expressionism to Pop Art in the 1950s and 1960s, how Rubin both objectified the body and investigated the filmic apparatus that enabled that objectification in her film Christmas on Earth (1963), and how Dunye uses film to explore her own identity as a black lesbian artist. At the same time, the essays reveal commonalities, including a tendency toward documentary rather than fiction and a commitment to nonhierarchical, collaborative production practices. The volume’s final essay focuses explicitly on teaching women’s experimental films, addressing logistical concerns (how to acquire the films and secure proper viewing spaces) and extending the range of the book by suggesting alternative films for classroom use.Contributors. Paul Arthur, Robin Blaetz, Noël Carroll, Janet Cutler, Mary Ann Doane, Robert A. Haller, Chris Holmlund, Chuck Kleinhans, Scott MacDonald, Kathleen McHugh, Ara Osterweil, Maria Pramaggiore, Melissa Ragona, Kathryn Ramey, M. M. Serra, Maureen Turim, William C. Wees

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Arguing that pop music turns on moments rather than movements, the essays in Listen Again pinpoint magic moments from a century of pop eclecticism, looking at artists who fall between genre lines, songs that sponge up influences from everywhere, and studio accidents with unforeseen consequences. Listen Again collects some of the finest presentations from the celebrated Experience Music Project Pop Conference, where journalists, musicians, academics, and other culturemongers come together once each year to stretch the boundaries of pop music culture, criticism, and scholarship.Building a history of pop music out of unexpected instances, critics and musicians delve into topics from the early-twentieth-century black performer Bert Williams’s use of blackface, to the invention of the Delta blues category by a forgotten record collector named James McKune, to an ER cast member’s performance as the Germs’ front man Darby Crash at a Germs reunion show. Cuban music historian Ned Sublette zeroes in on the signature riff of the garage-band staple “Louie, Louie.” David Thomas of the pioneering punk band Pere Ubu honors one of his forebears: Ghoulardi, a late-night monster-movie host on Cleveland-area TV in the 1960s. Benjamin Melendez discusses playing in a band, the Ghetto Brothers, that Latinized the Beatles, while leading a South Bronx gang, also called the Ghetto Brothers. Michaelangelo Matos traces the lineage of the hip-hop sample “Apache” to a Burt Lancaster film. Whether reflecting on the ringing freedom of an E chord or the significance of Bill Tate, who performed once in 1981 as Buddy Holocaust and was never heard from again, the essays reveal why Robert Christgau, a founder of rock criticism, has called the EMP Pop Conference “the best thing that’s ever happened to serious consideration of pop music.”Contributors. David Brackett, Franklin Bruno, Daphne Carr, Henry Chalfant, Jeff Chang, Drew Daniel, Robert Fink, Holly George-Warren, Lavinia Greenlaw, Marybeth Hamilton, Jason King, Josh Kun, W. T. Lhamon, Jr., Greil Marcus, Michaelangelo Matos, Benjamin Melendez, Mark Anthony Neal, Ned Sublette, David Thomas, Steve Waksman, Eric Weisbard

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Yugoslavia, Rwanda, Liberia, Somalia, Azerbaijan, El Salvador, Northern Ireland, Lebanon, Cambodia -- all provide bloody evidence that civil wars continue to have a powerful impact on the international scene. Because they tear at the very fabric of a society and pit countryman against countryman, civil wars are often the most brutal and difficult to extinguish -- witness the American Revolution. And yet, civil wars do inevitably end. England is no longer criss-crossed by warring armies representing York and Lancaster or King and Parliament. The French no longer kill one another over the divine right of kings. Argentines seem reconciled to living in a single state, rather than several. The ideologies of the Spanish Civil War now seem largely irrelevant. And the possibility of Southern secession is an issue long-buried in the American past. The question then begs itself: how do people who have been killing one another with considerable enthusiasm and success come together to form a common government? How can individuals and factions work together, politically and economically, with others who have killed their friends, parents, children and lovers? How are armed societies disarmed? What effect does a total military victory have on a lasting peace? In sum, how are civil societies constructed from civil violence and chaos? This is the central concern of Stopping the Killing. In this highly original and much needed volume, a distinguished group of experts on civil wars discuss both specific conflicts and broader theoretical issues. Individual chapters examine civil wars in Colombia, the Sudan, Yemen, America, Greece, and Nigeria, and analyze the causes of peace, the relationship between the battlefield and the negotiating table, and issues of settlement. An introduction and conclusion by the editor unify the volume. Contributors include: Jonathan Hartlyn (Univ. of North Carolina), Caroline Hartzell (Univ. of California, Davis), Jane E. Holl (U.S. Military Academy), John Iatrides (Southern Connecticut State University), James O'Connell (University of Bradford), Donald Rothchild (Univ. of California, Davis), Stephen John Stedman (Johns Hopkins Univ.), Robert Harrison Wagner (Univ. of Texas, Austin), Harvey Waterman (Rutgers Univ.), Manfred Wenner (Northern Illinois Univ.), and I. William Zartman (Johns Hopkins Univ.).

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This second edition of the foundational textbook An Introduction to Applied Linguistics provides a state-of-the-art account of contemporary applied linguistics. The kinds of language problems of interest to applied linguists are discussed and a distinction drawn between the different research approach taken by theoretical linguists and by applied linguists to what seem to be the same problems. Professor Davies describes a variety of projects which illustrate the interests of the field and highlight the marriage it offers between practical experience and theoretical understanding. The increasing emphasis of applied linguistics on ethicality is linked to the growth of professionalism and to the concern for accountability, manifested in the widening emphasis on critical stances. This, Davies argues, is at its most acute in the tension between giving advice as the outcome of research and taking political action in order to change a situation which, it is claimed, needs ameliorisation. This dilemma is not confined to applied linguistics and may now be endemic in the applied disciplines. The book has been updated throughout and provides an excellent introduction to the problems and issues that arise in the practice of applied linguistics. Key Features: *Surveys current issues in applied linguistics, including the concept of the Native Speaker and the development of World Englishes *Examines the influence of linguistics, cognitive science and philosophy on applied linguistics and makes a contrast with educational linguistics *Proposes that a key issue for the profession will increasingly be the tension between advice and action *Suggests that applied linguistics is a theorising rather than a theoretical discipline. Feedback on the first edition: 'Alan Davies' introductory text forcefully re-echoes the famous Edinburgh series in applied linguistics, which he contributed to in a major way.' Applied Linguistics 'Every discipline coming of age needs to reflect on its origins, its history, its conflicts, in order to gain a better understanding of its identity and its long term objectives. Alan Davies, one of the founding fathers of applied linguistics, is the ideal person for this soul-searching exercise ...Introduction to Applied Linguistics is obligatory reading for students and researchers in applied linguistics, for language professionals and for anyone interested in the link between linguistics and applied linguistics. ' Modern Language Review

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Hannah Arendt's rich and varied political thought is more influential today than ever before, due in part to the collapse of communism and the need for ideas that move beyond the old ideologies of the Cold War. As Dana Villa shows, however, Arendt's thought is often poorly understood, both because of its complexity and because her fame has made it easy for critics to write about what she is reputed to have said rather than what she actually wrote. Villa sets out to change that here, explaining clearly, carefully, and forcefully Arendt's major contributions to our understanding of politics, modernity, and the nature of political evil in our century. Villa begins by focusing on some of the most controversial aspects of Arendt's political thought. He shows that Arendt's famous idea of the banality of evil--inspired by the trial of Adolf Eichmann--does not, as some have maintained, lessen the guilt of war criminals by suggesting that they are mere cogs in a bureaucratic machine. He examines what she meant when she wrote that terror was the essence of totalitarianism, explaining that she believed Nazi and Soviet terror served above all to reinforce the totalitarian idea that humans are expendable units, subordinate to the all-determining laws of Nature or History. Villa clarifies the personal and philosophical relationship between Arendt and Heidegger, showing how her work drew on his thought while providing a firm repudiation of Heidegger's political idiocy under the Nazis. Less controversially, but as importantly, Villa also engages with Arendt's ideas about the relationship between political thought and political action. He explores her views about the roles of theatricality, philosophical reflection, and public-spiritedness in political life. And he explores what relationship, if any, Arendt saw between totalitarianism and the "great tradition" of Western political thought. Throughout, Villa shows how Arendt's ideas illuminate contemporary debates about the nature of modernity and democracy and how they deepen our understanding of philosophers ranging from Socrates and Plato to Habermas and Leo Strauss. Direct, lucid, and powerfully argued, this is a much-needed analysis of the central ideas of one of the most influential political theorists of the twentieth century.

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Meryl Streep is the most celebrated actress of our time. She's a chameleon who disappears fully into each character she plays. She never tackles the same role twice. Instead, she leverages her rarified platform to channel a range of tough, complicated women--Margaret Thatcher, Karen Silkwood, the Anna Wintour avatar Miranda Priestly--rather than limit herself to marginal roles for which other actresses must settle: Supportive Wife. Supportive Mother. Supportive Yet Utterly Disposable Love Interest to the Leading Man. Streep will have none of that.The once-awkward, frizzy-haired suburban teen blossomed into a rising ingénue who quickly made a name on stage at Vassar College and the Yale School of Drama, where she pursued prestigious theater degrees. She came of age during the women's movement of the Sixties and Seventies, and has worn her activism on her sleeve even when it was unfashionable. When she reached 40, the age when many leading ladies in Hollywood fully transition to those "supportive" roles, Streep plunged forward, taking her pick of parts that interested her and winning a pile of awards along the way. She's broken records with 21 Oscar nominations, winning Best Actress twice for Sophie's Choice and The Iron Lady and Best Supporting Actress for Kramer vs. Kramer. Meanwhile, she remained an unlikely box-office draw, her clout even managing to grow with age: The Devil Wears Prada, starring Streep as a brilliant and sadistic magazine editrix, scored $125 million worldwide. Her next film, Mary Poppins Returns, with Emily Blunt and Lin Manuel Miranda, is poised for bigger success.Queen Meryl will pay tribute to the fearless icon, documenting all of her accents, Oscars, highs, lows, friendships, and feuds. It will also explore her "off-brand" forays into action-adventure (The River Wild) and musicals (Mamma Mia!), and how she managed to do a lot with a little, and sneak her feminism into each character. In the spirit of Notorious RBG and The Tao of Bill Murray, two bestsellers as nontraditional as Ruth Bader Ginsburg and Bill Murray, Queen Merylwill transmit joy in homage to its allegedly serious subject.

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The Haribana style was created in May 2020 in the mid of the global pandemic when the supply of fresh flowers and other materials was limited in Singapore. Used to making flamboyant designs with an abundance of flowers, the material shortage forced floral designer Harijanto Setiawan to drastically rethink his design style and to come up with a fresh way to create high-quality and impactful designs using the least number of materials as possible. One could argue that the pandemic was a blessing in disguise for Harijanto, as it rekindled his passion for floristry and allowed him to reinvent himself and show another aspect of his personality as a designer – away from the extravagance everyone was used to. It allowed him to go back to his roots as an architect. While Harijanto’s imagination was still limitless, the realisation of his ideas had to be within the reality of the pandemic. A grass leaf and a single flower are enough to create a Haribana piece, a highly architectural design statement with a single flower as focal point. The name Haribana hints at Ikebana – even though these designs cannot officially be classified as ‘Ikebana’, as even the most free-spirited Ikebana schools objected to this. Haribana therefore is Harijanto’s own interpretation of ‘some sort of Ikebana’ married with an architectural style and approach. Haribana pieces incorporate architectural concepts such as structure, balance, shape, line, color, texture, rhythm and harmony into floral art, as if the two are destined for each other, rather than forced upon. Steel grass stalks can be seen as the load bearing structures in architecture: the steel reinforcements and the concrete. The greenery is shaped to create the base structure, a filigree facade against which a single flower can shine. Haribana is suitable for any designer who wants to explore and understand how architecture can be translated through flowers. Haribana has been well received and it is Harijanto Setiawan’s hope that it will fill a unique void in floristry and develop into a specific style that is adapted worldwide. This book contains 65 stunning Haribana pieces designed by the master himself.

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This book explores the ways in which five female radical novelists of the 1790s—Elizabeth Inchbald, Eliza Fenwick, Mary Hays, Charlotte Smith, and Mary Wollstonecraft—attempted to use the components of private life to work toward widespread social reform. These writers depict the conjugal family as the site for a potential reformation of the prejudices and flaws of the biological family. The biological family in the radical novels of female writers is fraught with problems: greed and selfishness pervert the relationships between siblings, and neglect and ignorance characterize the parenting received by the heroines. Additionally, the radical novelists, responding to representations of biological families as inherently restrictive for unmarried women, develop the notion of marriage to a certain type of man as a social duty. Marriage between two properly sensible people who have both cultivated their reason and understanding and who can live together as equals, sharing domestic responsibilities, is shown to be an ideal with the power to create social change. Positioning their depictions of marriage in opposition to earlier feminist depictions of female utopian societies, the female radical novelists of the 1790s strive to depict relationships between men and women that are characterized by cooperation, individual autonomy, and equality. What is most important about these depictions is their ultimate failure. Most of the female radical novelists find such marriages nearly impossible to conceptualize. Marriage, for many of the female radical novelists, was an institution they perceived as inextricably related to (male) concerns about property and inescapably patriarchal under the marriage laws of late eighteenth-century British society. Unions between two worthy individuals outside the boundaries of marriage are shown in the female radical novels to be equally problematic: sex inevitably is the basis for such unions, yet sex leaves women vulnerable to exploitation by men. Rather than the triumph, therefore, of what comes to be in these novels the male-associated values of property and power through marriage, the female radical novels end by suggesting an alternative community, one that will shelter those members of society who are most frequently exploited in male attempts to accumulate this property and power: women, servants, and children.

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Discover the stories behind Jane Goodall’s visionary approach to community-led conservation. You know of Jane Goodall’s work with wild chimpanzees and her lifelong career advocating for environmental justice. But just as transformative is her work empowering local communities that live on the edge of human settlement to act to protect their natural resources—or to risk losing them forever. Local Voices, Local Choices: The Tacare Approach to Community-Led Conservation is the story of the Jane Goodall Institute’s holistic approach to conservation, which puts the local people in charge of preserving their surrounding ecosystems. Rather than conservationists leading the effort and imposing their solutions, local communities that live in the affected regions make their own decisions. Working with science and technology and with the support of conservationists, these communities grow to understand their human impact on the environment. By choosing to adopt sustainable livelihoods, they decide their own path into the future, finding ways to balance their environmental impact with their communities’ needs. Story by story, Local Voices, Local Choices brings readers into the diverse perspectives behind this approach to community-driven conservation—not only those of JGI staff and program partners but also, and equally, those of the local people who lead these initiatives. Read about: The origins of the Tacare approach, originally designed as a 1994 reforestation project with an abbreviation pronounced “ta-CAR-reh” A retired village member keeping the knowledge of medicinal plants alive in his community Spiritual and cultural story-holders who are vital to the recording and preservation of their traditional ecological knowledge Local people participating as forest monitors, village health workers, beekeepers, small-business owners, and educators of the next generation Former poachers turned advocates for sustainable land management Written for conservationists, fans of Jane Goodall, and readers interested in environmental issues, Local Voices, Local Choices is a vibrant expression of Jane Goodall’s vision and her hope that the Tacare approach will be understood and adopted wherever there is a need for genuine community-driven conservation. Local voices matter, and their choices can make all the difference for generations to come.

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'One of the best business books I've read in years.' BILL GATES THE #1 NEW YORK TIMES BESTSELLER A SUNDAY TIMES BOOK OF THE YEAR 2019 _____________________________The CEO of Disney, one of Time's most influential people of 2019, shares the ideas and values he embraced to reinvent one of the most beloved companies in the world and inspire the people who bring the magic to life.Robert Iger became CEO of The Walt Disney Company in 2005, during a difficult time. Morale had deteriorated, competition was intense, and technology was changing faster than at any time in the company's history. His vision came down to three clear ideas: Recommit to the concept that quality matters, embrace technology instead of fighting it, and think bigger-think global-and turn Disney into a stronger brand in international markets.Fourteen years later, Disney is the largest, most respected media company in the world, counting Pixar, Marvel, Lucasfilm and 21st Century Fox among its properties. Its value is nearly five times what it was when Iger took over, and he is recognized as one of the most innovative and successful CEOs of our era.In The Ride of a Lifetime, Robert Iger shares the lessons he's learned while running Disney and leading its 200,000 employees, and he explores the principles that are necessary for true leadership, including:Optimism. Even in the face of difficulty, an optimistic leader will find the path toward the best possible outcome and focus on that, rather than give in to pessimism and blaming. Courage. Leaders have to be willing to take risks and place big bets. Fear of failure destroys creativity. Decisiveness. All decisions, no matter how difficult, can be made on a timely basis. Indecisiveness is both wasteful and destructive to morale. Fairness. Treat people decently, with empathy, and be accessible to them.'Bob Iger has not only lived up to ninety-six years of groundbreaking history but has moved the Disney brand far beyond anyone's expectations, and he has done it with grace and audacity. This books shows you how that happened.' STEVEN SPIELBERG

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Important poems by the late New York poet published in The New American Poetry, Evergreen Review, Floating Bear and stranger places. Often this poet, strolling through the noisy splintered glare of a Manhattan noon, has paused at a sample Olivetti to type up thirty or forty lines of ruminations, or pondering more deeply has withdrawn to a darkened ware- or firehouse to limn his computed misunderstandings of the eternal questions of life, coexistence, and depth, while never forgetting to eat lunch, his favorite meal. "O'Hara speaks directly across the decades to our hopes and fears and especially our delights; his lines are as intimate as a telephone call. Few books of his era show less age." --Dwight Garner, New York Times "As collections go, none brings...quality to the fore more than the thirty-seven Lunch Poems, published in 1964 by City Lights." --Nicole Rudick, The Paris Review "What O'Hara is getting at is a sense of the evanescence, and the power, of great art, that inextricable contradiction -- that what makes it moving and transcendent is precisely our knowledge that it will pass away. This is the ethos at the center of "Lunch Poems": not the informal or the conversational for their own sake but rather in the service of something more intentional, more connective, more engaged." --David L. Ulin, Los Angeles TImes "The collection broadcasts snark, exuberance, lonely earnestness, and minute-by-minute autobiography to a wide, vague audience--much like today's Twitter and Facebook feeds." --Micah Mattix, The Atlantic Among the most significant post-war American poets, Frank O'Hara grew up in Grafton, MA, graduating from Harvard in 1950. After earning an MA at Michigan in 1951, O'Hara moved to New York, where he began working for the Museum of Modern Art and writing for Art News. By 1960, he was named Assistant Curator of Painting and Sculpture Exhibitions at MOMA. Along with John Ashbery, Kenneth Koch, James Schuyler, and Barbara Guest, he is considered an original member of the New York School. Though he died in a tragic accident in 1966, recent references to O'Hara on TV shows like Mad Men or Thurston Moore's new single evidence our culture's continuing fascination with this innovative poet.

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The French political philosopher Raymond Aron once observed that the twentieth century "could have been Germany's century." In 1900, the country was Europe's preeminent power, its material strength and strident militaristic ethos apparently balanced by a vital culture and extraordinary scientific achievement. It was poised to achieve greatness. In Einstein's German World, the eminent historian Fritz Stern explores the ambiguous promise of Germany before Hitler, as well as its horrifying decline into moral nihilism under Nazi rule, and aspects of its remarkable recovery since World War II. He does so by gracefully blending history and biography in a sequence of finely drawn studies of Germany's great scientists and of German-Jewish relations before and during Hitler's regime. Stern's central chapter traces the complex friendship of Albert Einstein and the Nobel Prize-winning chemist Fritz Haber, contrasting their responses to German life and to their Jewish heritage. Haber, a convert to Christianity and a firm German patriot until the rise of the Nazis; Einstein, a committed internationalist and pacifist, and a proud though secular Jew. Other chapters, also based on new archival sources, consider the turbulent and interrelated careers of the physicist Max Planck, an austere and powerful figure who helped to make Berlin a happy, productive place for Einstein and other legendary scientists; of Paul Ehrlich, the founder of chemotherapy; of Walther Rathenau, the German-Jewish industrialist and statesman tragically assassinated in 1922; and of Chaim Weizmann, chemist, Zionist, and first president of Israel, whose close relations with his German colleagues is here for the first time recounted. Stern examines the still controversial way that historians have dealt with World War I and Germans have dealt with their nation's defeat, and he analyzes the conflicts over the interpretations of Germany's past that persist to this day. He also writes movingly about the psychic cost of Germany's reunification in 1990, the reconciliation between Germany and Poland, and the challenges and prospects facing Germany today. At once historical and personal, provocative and accessible, Einstein's German World illuminates the issues that made Germany's and Europe's past and present so important in a tumultuous century of creativity and violence.

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The ideal travel companion, full of insider advice on what to see and do, plus detailed itineraries and comprehensive maps for exploring this vibrant city.Tour the museums and galleries on museum mile, visit the world's largest model railway at Miniatur Wunderland or spend the day boating on the Alster: everything you need to know is clearly laid out within colour-coded chapters. Discover the best of Hamburg with this indispensable travel guide.Inside DK Eyewitness Travel Guide Hamburg:- Over 30 colour maps, including a large-scale pull-out map of the city and a transport map, help you navigate with ease- Simple layout makes it easy to find the information you need- Comprehensive tours and itineraries of Hamburg, designed for every interest and budget- Illustrations and floorplans show in detail the Rathaus, Hamburger Kunsthalle, the Maritime Museum, HafenCity, Cap San Diego and more- Colour photographs of Hamburg's historic sights, museums, churches, parks, busy port and more- Detailed chapters, with area maps, cover Old Town, New Town, Port and Speicherstadt, St Pauli, Altona, Around the Alster and sights beyond the city centre- Historical and cultural context gives you a richer travel experience: learn about the city's history, architecture, museums and galleries, parks and gardens, media, famous residents and the festivals that take place throughout the year- Essential travel tips: our expert choices of where to stay, eat, shop and sightsee, plus useful phrases, visa and health information DK Eyewitness Travel Guide Hamburg is a detailed, easy-to-use guide designed to help you get the most from your visit to Hamburg.DK Eyewitness: winner of the Top Guidebook Series in the Wanderlust Reader Travel Awards 2017. "No other guide whets your appetite quite like this one" - The IndependentWant to explore more of Germany? Try our DK Eyewitness Travel Guide Germany.About DK Eyewitness Travel: DK's highly visual Eyewitness guides show you what others only tell you, with easy-to-read maps, tips, and tours to inform and enrich your holiday. DK is the world's leading illustrated reference publisher, producing beautifully designed books for adults and children in over 120 countries.

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‘A truly excellent account’ British Wildlife Beetles are arguably the most diverse organisms in the world, with nearly half a million beetle species described and catalogued in our museums, more than any other type of living thing. This astonishing species diversity is matched by a similar diversity in shape, form, size, life history, ecology, physiology and behaviour. Beetles occur everywhere, and do everything. And yet they form a clearly discrete insect group, typically characterised by their attractively compact form, with flight wings folded neatly under smooth hard wing-cases. Almost anyone could recognise a beetle, indeed many are intimately associated with human society. Groups like ladybirds are familiar to us from a very young age. Large stag beetles and handsome chafers are celebrated for their imposing size and bright colours. The sacred scarabs of the ancient Egyptians were given iconic, if not god-like, status and even though the exact religious meanings may be fading after three millennia, their bewitching jewellery and monumental statuary inspire us still. Despite this ancient and easy familiarity with beetles, the Coleoptera remains tainted by the notion that it is a ‘difficult’ group of insects. The traditional routes into studying British natural history, through birdwatching, butterfly-collecting and pressing wild flowers, now extend to studying dragonflies, bumblebees, grasshoppers, moths, hoverflies and even shieldbugs. These are on the verge of becoming popular groups, but beetles remain the preserve of the expert, or so it seems. So many British beetles are easy to find and easy to identify by the non-expert, but that bewildering background diversity, and the daunting numbers of species in the Coleoptera as a whole, have been enough to dissuade many a potential coleopterist from grasping the nettle and getting stuck in. Richard Jones’ groundbreaking New Naturalist volume on beetles encourages those enthusiasts who would otherwise be put off by the, to date, rather technical literature that has dominated the field, providing a comprehensive natural history of this fascinating and beautiful group of insects.

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In 2023, one hundred years have passed from the dissolution of the Great Northern Railway. Formed in the mid-1840s, the company was instrumental in connecting London with the eastern half of England, the North East and Scotland. Later, the GNR made inroads into other parts of the country, such as Nottinghamshire and West Yorkshire. The GNR successfully served the population for nearly a century and was able to innovate in several areas, with developments in locomotive design, carriage construction and services offered. The Glorious Years of the GNR presents several of these areas of the company using over 250 superb black-and-white images, coupled with interesting and informative captions. Boasting several world-renowned engineers, the locomotives of Archibald Sturrock, Patrick Stirling, H.A. Ivatt and H.N. Gresley (later Sir) are featured in various scenes from across the GNR’s network. The company’s coaching stock is also presented, ranging from E.F. Howlden’s six-wheelers to 12-wheel clerestory vehicles and Gresley’s articulated suburban and main line trains. Arguably, Doncaster was the most important place on the GNR, therefore a focus has been placed on the town’s workshops. A number of interesting scenes are included showing the workforce, construction of the Crimpsall Repair Shop, as well as women war workers during the Great War. A small section is dedicated to the GNR’s stations, which ranged from the grand terminus at King’s Cross to humble buildings serving small villages. A number of these have been lost subsequently. Often with staff posing happily for the camera, the stations recall a time when a high standard of service was expected and offered rather than the cost saving and utilitarian facilities of the present. In an era before the motor car, when the world was horse-drawn and steam powered, the GNR was part of a ‘golden age’ of British history. The centenary of the company’s demise provides a welcome opportunity to reflect on this distant, yet great period. A superb edition with over 250 outstanding photographs and thoroughly researched, informative captions. Beautifully produced in hardback with rare and previously unseen images

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Glenn Armstrong, `The Millionaire Maker’, is probably the only man in the UK who has helped 71 people (and counting) become property millionaires through his tried and tested strategy developed over the past decade. Glenn’s desire to share his success and create a legion of potential property competitors is both unusual and impressive. Glenn Armstrong guides his mentees through a specific programme that helps them go from £0 to hundreds of thousands, and then to become a millionaire in five years... You don’t need to be rich to become a property millionaire! Glenn Armstrong is a self-taught property guru, and succeeding through his own mistakes has helped him identify what works and what doesn't when it comes to the property business. Incredibly, he's happy to share these secrets to success with anyone who will listen, pay attention, and work hard. Glenn's love of teaching is clear, and he writes as he talks - without pretension or smarm. He is no-nonsense and straight to the point. Glenn's new book – You Too Can Become A Property Millionaire - is just one more piece in his legacy jigsaw. He wants to share all he has learned and pass it on to the property investors and developers of the future. His new book is packed full of incredible pearls of wisdom for any budding entrepreneur - not just for those interested in property. Glenn shares inspiring stories about his entrepreneurial career over the decades, from setting up a video rental empire in his 20s to becoming a cabbie after he lost his first million and rather than `just’ waiting for the work to come to him, he put in an extra 30 hours per week to buy a car to hire out to fellow cabbies on an ingenious rent-to-buy scheme. Glenn offers time management tips, motivation, and ideas for success that are applicable for all entrepreneurs. He is really open about what has worked for him, as well as the hurdles he’s had to jump over. Never settling for the status quo, Glenn always seeks to be more creative and innovative, to earn more, succeed, thrive and not just survive in business. Glenn Armstrong is a brilliant example of how anyone with drive, motivation and who is fearless of proper hard graft, can succeed in today's competitive business world!

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The Sunday Times bestseller from international bestseller John Grisham.'Grisham at his passionate best' - Daily MailHe was framed for murder.Now he needs a miracle. 22 years ago Quincy Miller was sentenced to life without parole. He was accused of killing Keith Russo, a lawyer in a small Florida town. But there were no reliable witnesses and little motive. Just the fact that Russo had botched Quincy's divorce case, that Quincy was black in a largely all-white town and that a blood-splattered torch was found in the boot of Quincy's car. A torch he swore was planted. A torch that was conveniently destroyed in a fire just before his trial.The lack of evidence made no difference to judge or jury. In the eyes of the law Quincy was guilty and, no matter how often he protested his innocence, his punishment was life in prison.Finally, after 22 years, comes Quincy's one and only chance of freedom. An innocence lawyer and minister, Cullen Post, takes on his case. Post has exonerated eight men in the last ten years. He intends to make Quincy the next.But there were powerful and ruthless people behind Russo's murder. They prefer that an innocent man dies in jail rather than one of them. There's one way to guarantee that. They killed one lawyer 22 years ago, and they'll kill another without a second thought.Praise for John Grisham's THE GUARDIANS:'A canny and engrossing blend of two types of Grisham novel: enough of the familiar formula of a single lawsuit in a single town, mixed with a more picaresque and multistranded approach that has the significant advantage of taking in a wider swathe of America' - The Sunday Times'Delivered with all his signature easy, flowing style. A past master at the art of deft characterisation and the skilful delivery of hair-raising crescendos, Grisham makes this a deceptively easy read' - Irish Independent'This is typical Grisham: speedy, gripping, very good at conveying the complexities of the law in a digestible way' - Sunday Express'Speedy and gripping' - Daily Mirror 350+ million copies, 45 languages, 9 blockbuster films:NO ONE WRITES DRAMA LIKE JOHN GRISHAM

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An estimated forty million people in the United States regularly practice yoga, and as an industry it generates over nine billion dollars annually. A major reason for its popularity is its promise of mental and physical well-being: yoga and meditation are thought to be spiritual paths to self-improvement. Yoga is also widely practiced in prisons, another large business in the United States. Prisons in all fifty states offer yoga and meditation as a form of rehabilitation. But critics argue that such practices can also have disempowering effects, due to their emphasis on acceptance, non-judgment, and non-reaction. If the root of suffering is in the mind, as the philosophy behind yoga and meditation suggests, then injustice (including mass incarceration) may be reduced to a mental state requiring coping techniques rather than a more critical mindset. Others insist that yoga can heighten people's attention to structural violence, hierarchy, racism, and inequity. In fact, some of history's most radical activists, including M.K. Gandhi and Thich Nhat Hanh, traced their ethical and political commitments to their grounding in yogic or meditative traditions. Yoga and meditation programs no doubt offer crucial respite for those who are incarcerated, but what sort of political effects do they have? Do they reinforce the neoliberal logic of mass incarceration which emphasizes individual choices, or can they assist marginalized people in navigating systemic injustice? Drawing on collaborations with incarcerated practitioners, interviews with volunteers and formerly incarcerated practitioners, and her own fieldwork with organizations offering yoga/meditation classes inside prisons, Farah Godrej examines both the promises and pitfalls of yoga and meditation. Freedom Inside? reveals the ways in which incarcerated persons have used yogic practices to resist the dehumanizing effects of prisons, and to heighten their awareness of institutional racism and mass incarceration among poor people and people of color. Godrej argues that while these practices could unwittingly exacerbate systemic forms of inequity and injustice, they also serve as resources for challenging such injustice, whether internally (via the realm of belief) or externally (through action). A combination of ethnography and political theory, Freedom Inside? reimagines the concept of "resistance" in a way that considers people's interior lives as a crucial arena for liberation.

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The nearly half-million American airmen who served during World War II have almost disappeared. And so have their stories. In Unsung Eagles, award-winning writer and former fighter pilot Jay Stout has saved an exciting collection of those accounts from oblivion. These are not rehashed tales from the hoary icons of the war. Rather, they are stories from the masses of largely unrecognized men who―in the aggregate―actually won it. These are “everyman” accounts that are important but fast disappearing. Ray Crandall describes how he was nearly knocked into the Pacific by a heavy cruiser’s main battery during the Second Battle of the Philippine Sea. Jesse Barker―a displaced dive-bomber pilot―tells of dodging naval bombardments in the stinking mud of Guadalcanal. Bob Popeney relates how his friend and fellow A-20 pilot was blown out of formation by German antiaircraft fire: “I could see the inside of the airplane―and I could see Nordstrom's eyes. He looked confused…and then immediately he flipped up and went tumbling down.”

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The writer Gabriel Audisio once called the Mediterranean a “liquid continent.” Taking up the challenge issued by Audisio’s phrase, Edwige Tamalet Talbayev insists that we understand the region on both sides of the Mediterranean through a “transcontinental” heuristic. Rather than merely read the Maghreb in the context of its European colonizers from across the Mediterranean, Talbayev compellingly argues for a transmaritime deployment of the Maghreb across the multiple Mediterranean sites to which it has been materially and culturally bound for millennia. The Transcontinental Maghreb reveals these Mediterranean imaginaries to intersect with Maghrebi claims to an inclusive, democratic national ideal yet to be realized. Through a sustained reflection on allegory and critical melancholia, the book shows how the Mediterranean decenters postcolonial nation-building projects and mediates the nomadic subject’s reinsertion into a national collective respectful of heterogeneity. In engaging the space of the sea, the hybridity it produces, and the way it has shaped such historical dynamics as globalization, imperialism, decolonization, and nationalism, the book rethinks the very nature of postcolonial histories and identities along its shores.

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Nonlinear structural dynamic systems which are multi-degree of freedom systems involve, for instance, matrix dynamic equilibrium equations, which can be of various order up to very high order. In these equations, the nonlinear quantities can be dependent on time and other terms, such as scalar variables, which are dependent on time. Frequency response and response time derivatives would also, of course, be involved. Nonlinear terms can account for dissipative phenomena and can be due to other physical phenomena. In fact, many engineering structures involve time-dependent properties such as, stiffness elements of specific structural components which can change according to the stress level. Other examples of dynamic elements of nonlinear structural systems can include system mass and damping distribution elements which evolve with time, such as railway or highway bridges and other structures, which interact with external agencies generating the system motion (for example, trains, a queue of vehicles, or other external agencies.) This volume is a rather comprehensive treatment of many of the techniques and methods which are utilized for the analysis of nonlinear structural dynamic systems.

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The Visual is Political examines the growth of feminist photography as it unfolded in Britain during the 1970s and 1980s. This period in Britain was marked by instability following the collapse of the welfare state, massive unemployment, race riots, and workers’ strikes. However, this was also a time in which various forms of social activism emerged or solidified, including the Women’s Movement, whose members increasingly turned to photography as a tool for their political activism. Rather than focusing on the aesthetic quality of the images produced, Klorman-Eraqi looks at the application of feminist theory, photojournalism, advertising, photo montage, punk subculture and aesthetics, and politicized street activity to emphasize the statement and challenge that the photographic language of these works posed. She shows both the utilitarian uses of photography in activism, but also how these same photographers went on to be accepted (or co-opted) into the mainstream art spaces little by little, sometimes with great controversy. The Visual is Political highlights the relevance and impact of an earlier contentious, creative, and politicized moment of feminism and photography as art and activism.

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In this poignant new poetry collection, one of New Zealand’s most significant voices reflects on home, on away, and on friends living and dead. ‘I lead a life of quiet medication’, the poet claims, ‘longing for foreign shores, adventure and death.’ But whether swimming to the yellow buoy or remembering an encounter in Belsize Park, in the thick of it or asking, ‘what next?’, Stead’s voice is intimate, amusing and always compelling. "This Side of Silence resounds with intimations of mortality, compounded with reactions to a contemporary world of pandemic, climate change and war, but this collection is not in the least morose. Rather, the poetry is enlivening – concrete, particular, detailed and often playful. There is a wealth of sensory content, and each poem has its own satisfying shape, with easy idiomatic speech forming its special kind of rhythm. In this book a major modern poet continues to “live and sing”." - MacDonald P. Jackson "Stead has his usual quick wit and steely eye for his world and, at 90, has the linguistic dexterity that many thousands of aspiring writers can only dream about." - Chris Reed, NZ Booklovers

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A sitting judge makes the compelling argument that we should simplify lawsuits to create a more humane and accessible legal system. Americans are losing faith in their courts. After long delays, judges often get rid of cases for technical reasons, or force litigants to settle rather than issue a decision. When they do decide cases, we can't understand why. The Common Flaw seeks to rid the American lawsuit of this needless complexity. The book proposes fifty changes from the filing of a complaint in court to the drafting of appellate decisions to replace the legal system’s formalism with a kind of humanism. Thomas G. Moukawsher calls for courts that decide cases promptly based more on the facts than the law, that prioritize the parties involved over lawyers, that consider the consequences for the people and the public, and that use words we can all understand. Sure to spark an important conversation about court reform, The Common Flaw makes the case for a more effective and credible legal system with warmth and humor, incorporating cartoons alongside insightful reflection.

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Medical error often results in disability, pain, and suffering, and it is the third leading cause of death in hospitals. Despite its frequency, medical error has been largely invisible to the mainstream public. Within the medical system itself, medical error is often understood as the result of an isolated case of malpractice. When Medicine Goes Awry argues that the causes of medical error are not an anomaly but rather the outcome of a number of factors at play, ranging from political to social to economic. When Medicine Goes Awry dismisses the common blame perspective associated with medical malpractice, instead asserting that medical error is – and will continue to be – inevitable, given the relentless and expanding processes of medicalization. Shedding light on the ways these forces lead to medicine going awry, the book examines seven well-known cases of medical error. Taking an in-depth look at both patients and medical care providers, Juanne Nancarrow Clarke offers a novel approach to medical error or mishap that applies sociological research and theory to the larger societal forces contributing to a taxing and endemic medical problem.

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By foregrounding the ways that human existence is bound together with the lives of other entities, contemporary cultural theorists have sought to move beyond an anthropocentric worldview. Yet as Eva Haifa Giraud contends in What Comes after Entanglement?, for all their conceptual power in implicating humans in ecologically damaging practices, these theories can undermine scope for political action. Drawing inspiration from activist projects between the 1980s and the present that range from anticapitalist media experiments and vegan food activism to social media campaigns against animal research, Giraud explores possibilities for action while fleshing out the tensions between theory and practice. Rather than an activist ethics based solely on relationality and entanglement, Giraud calls for what she describes as an ethics of exclusion, which would attend to the entities, practices, and ways of being that are foreclosed when other entangled realities are realized. Such an ethics of exclusion emphasizes foreclosures in the context of human entanglement in order to foster the conditions for people to create meaningful political change.

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Thresholds of Listening addresses recent and historical changes in the ways listening has been conceived. Listening, having been emancipated from the passive, subjected position of reception, has come to be asserted as an active force in culture and in collective and individual politics. The contributors to this volume show that the exteriorization of listening— brought into relief by recent historical studies of technologies of listening—involves a re-negotiation of the theoretical and pragmatic distinctions that underpin the notion of listening. Focusing on the manifold borderlines between listening and its erstwhile others, such as speaking, reading, touching, seeing, or hearing, the book maps new frontiers in the history of aurality. They suggest that listening’s finitude— defined in some of the essays as its death or deadliness—should be considered as a heuristic instrument rather than as a mere descriptor. Listening emerges where it appears to end or to run up against thresholds and limits—or when it takes unexpected turns. Listening’s recent emergence on the cultural and theoretical scene may therefore be productively read against contemporary recurrences of the motifs of elusiveness, finitude, and resistance to open up new politics, discourses, and technologies of aurality.

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In Sensing Sound Nina Sun Eidsheim offers a vibrational theory of music that radically re-envisions how we think about sound, music, and listening. Eidsheim shows how sound, music, and listening are dynamic and contextually dependent, rather than being fixed, knowable, and constant. She uses twenty-first-century operas by Juliana Snapper, Meredith Monk, Christopher Cerrone, and Alba Triana as case studies to challenge common assumptions about sound—such as air being the default medium through which it travels—and to demonstrate the importance a performance's location and reception play in its contingency. By theorizing the voice as an object of knowledge and rejecting the notion of an a priori definition of sound, Eidsheim releases the voice from a constraining set of fixed concepts and meanings. In Eidsheim's theory, music consists of aural, tactile, spatial, physical, material, and vibrational sensations. This expanded definition of music as manifested through material and personal relations suggests that we are all connected to each other in and through sound. Sensing Sound will appeal to readers interested in sound studies, new musicology, contemporary opera, and performance studies.

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John Locke's theory of toleration is generally seen as advocating the privatization of religion. This interpretation has become conventional wisdom: secularization is widely understood as entailing the privatization of religion, and the separation of religion from power. This book turns that conventional wisdom on its head and argues that Locke secularizes religion, that is, makes it worldly, public, and political. In the name of diverse citizenship, Locke reconstructs religion as persuasion, speech, and fashion. He insists on a consensus that human rights are sacred insofar as humans are the creatures, and thus, the property of God. Drawing on a range of sources beyond Locke's own writings, Pritchard portrays the secular not as religion's separation from power, but rather as its affiliation with subtler, and sometimes insidious, forms of power. As a result, she captures the range of anxieties and conflicts attending religion's secularization: denunciations of promiscuous bodies freed from patriarchal religious and political formations, correlations between secular religion and colonialist education and conversion efforts, and more recently, condemnations of the coercive and injurious force of unrestricted religious speech.

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What does it mean to be a traditional Koryak in the modern world? How do indigenous Siberians express a culture that entails distinctive customs and traditions? For decades these people, who live on the Kamchatka Peninsula in northeastern Siberia, have been in the middle of contradictory Soviet/Russian colonial policies that celebrate cultural and ethnic difference across Russia yet seek to erase those differences. Government institutions both impose state ideologies of culture and civilization and are sites of community revitalization for indigenous Siberians. In Living with Koryak Traditions, Alexander D. King reveals that, rather than having a single model of Koryak culture, Koryaks themselves are engaged in deep debates and conversations about what “culture” and “tradition” mean and how they are represented for native peoples, both locally and globally. To most Koryaks, tradition does not function simply as an identity marker but also helps to maintain moral communities and support vulnerable youth in dire times. Debunking an immutable view of tradition and culture, King presents a dynamic one that validates contemporary indigenous peoples’ lived experience.

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Breaking new ground in the study of British literary culture during an important, transitional period, this new work by Mary Ann Gillies focuses on the professional literary agent whose emergence in Britain around 1880 coincided with, and accelerated, the transformation of both publishing and authorship. Like other recent studies in book and print culture, The Professional Literary Agent in Britain, 1880-1920 starts from the central premise that the business of authorship is inextricably linked with the aesthetics of literary praxis. Rather than provide a broad overview of the period, however, Gillies focuses on a specific figure, the professional literary agent. She then traces the influence of two prominent agents - A. P. Watt (generally acknowledged as the first professional literary agent) and J. B. Pinker (the leading figure in the second wave of agents) - focusing on their respective relationships with two key clients. The case studies not only provide insight into the business dynamics of the literary world at this time, but also illustrate the shifting definition of literature itself during the period.

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This book offers a clear and highly readable introduction to the ethical and social-political philosophy of John Stuart Mill. Dale E. Miller argues for a "utopian" reading of Mill's utilitarianism. He analyses Mill's views on happiness and goes on to show the practical, social and political implications that can be drawn from his utilitarianism, especially in relation to the construction of morality, individual freedom, democratic reform, and economic organization. By highlighting the utopian thinking which lies at the heart of Mill's theories, Miller shows that rather than allowing for well-being for the few, Mill believed that a society must do everything in its power to see to it that each individual can enjoy a genuinely happy life if the happiness of its members is to be maximized. Miller provides a cogent and careful account of the main arguments offered by Mill, considers the critical responses to his work, and assesses its legacy for contemporary philosophy. Lucidly and persuasively written, this book will be a valuable resource for students and scholars seeking to understand the continued importance of Mill's thinking.

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A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Becoming Global Asia centers Singapore as a crucial site for comprehending the uneven effects of colonialism and capitalism. In the wake of the 1997 Asian financial crisis, Singapore initiated socioeconomic policies and branding campaigns to transform its reputation from a culturally sterile and punitive nation to "Global Asia"—an alluring location ideal for economic flourishing. Rather than evaluating the efficacy of state policy, Cheryl Narumi Naruse analyzes how Singapore gained cultural capital and soft power from its anglophonic legibility. By examining genres such as literary anthologies, demographic compilations, coming-of-career narratives, and princess fantasies, Naruse reveals how, as Global Asia, Singapore has emerged as simultaneously a site of imperial desire, a celebrated postcolonial model nation, and an alibi for the continued subjugation of the so-called Third World. Her readings of Global Asia as a formation of postcolonial capitalism offer new conceptual paradigms for understanding postcolonialism, neoliberalism, and empire.

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In this groundbreaking union of art and science, rocker-turned-neuroscientist Daniel J. Levitin explores the connection between music—its performance, its composition, how we listen to it, why we enjoy it—and the human brain. Taking on prominent thinkers who argue that music is nothing more than an evolutionary accident, Levitin poses that music is fundamental to our species, perhaps even more so than language. Drawing on the latest research and on musical examples ranging from Mozart to Duke Ellington to Van Halen, he reveals:• How composers produce some of the most pleasurable effects of listening to music by exploiting the way our brains make sense of the world• Why we are so emotionally attached to the music we listened to as teenagers, whether it was Fleetwood Mac, U2, or Dr. Dre• That practice, rather than talent, is the driving force behind musical expertise• How those insidious little jingles (called earworms) get stuck in our headA Los Angeles Times Book Award finalist, This Is Your Brain on Music will attract readers of Oliver Sacks and David Byrne, as it is an unprecedented, eye-opening investigation into an obsession at the heart of human nature.

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An illuminating study tracing the evolution of drone technology and counterterrorism policy from the Reagan to the Obama administrations This eye-opening study uncovers the history of the most important instrument of U.S. counterterrorism today: the armed drone. It reveals that, contrary to popular belief, the CIA’s covert drone program is not a product of 9/11. Rather, it is the result of U.S. counterterrorism practices extending back to an influential group of policy makers in the Reagan administration. Tracing the evolution of counterterrorism policy and drone technology from the fallout of Iran-Contra and the CIA’s “Eagle Program” prototype in the mid-1980s to the emergence of al-Qaeda, Fuller shows how George W. Bush and Obama built upon or discarded strategies from the Reagan and Clinton eras as they responded to changes in the partisan environment, the perceived level of threat, and technological advances. Examining a range of counterterrorism strategies, he reveals why the CIA’s drones became the United States’ preferred tool for pursuing the decades-old goal of preemptively targeting anti-American terrorists around the world.

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How do people become activists for causes they care deeply about? Many people with similar backgrounds, for instance, fervently believe that abortion should be illegal, but only some of them join the pro-life movement. By delving into the lives and beliefs of activists and nonactivists alike, Ziad W. Munson is able to lucidly examine the differences between them.Through extensive interviews and detailed studies of pro-life organizations across the nation, Munson makes the startling discovery that many activists join up before they develop strong beliefs about abortion - in fact, some are even pro-choice prior to their mobilization. Therefore, Munson concludes, commitment to an issue is often a consequence rather than a cause of activism."The Making of Pro-life Activists" provides a compelling new model of how people become activists while also offering a penetrating analysis of the complex relationship between religion, politics, and the pro-life movement. Policy makers, activists on both sides of the issue, and anyone seeking to understand how social movements take shape will find this book essential.

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The 2016 Brexit referendum result has been portrayed as the consequence of various short-term phenomena: the financial crisis, austerity, migration and UKIP, to name a few. Overnight the political future of the UK took an unprecedented and unexpected turn against EU membership. Since then, the UK’s government has been charting unknown waters in its negotiations to disentangle the United Kingdom from its membership and obligations to the European Union. In this book, Martin Westlake argues that focus on the short-term, reflex action of the Brexit vote has overshadowed a series of longer-term trends that were inexorably leading, or pushing, the UK away from full membership of the European Union. He shows that the UK was an increasingly semi-detached member, requiring ever more elaborate and ingenious fixes with opt-outs and rebates to keep its involvement in the project. Rather than a sudden, impulsive act of rejection, Brexit should be seen as having taken place over a number of years at various levels: a gradual slipping of the ties that bound the country to the European Union.

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In Interplay of Things Anthony B. Pinn theorizes religion as a technology for interrogating human experiences and the boundaries between people and other things. Rather than considering religion in terms of institutions, doctrines, and creeds, Pinn shows how religion exposes the openness and porousness of all things and how they are always involved in processes of exchange and interplay. Pinn examines work by Nella Larsen and Richard Wright that illustrates an openness between things, and he traces how pop art and readymades point to the multidirectional nature of influence. He also shows how Ron Athey's and Clifford Owens's performance art draws out inherent interconnectedness to various cultural codes in ways that reveal the symbiotic relationship between art and religion as a technology. Theorizing that antiblack racism and gender- and class-based hostility constitute efforts to close off the porous nature of certain bodies, Pinn shows how many artists have rebelled against these attempts to counter openness. His analyses offer a means by which to understand the porous, unbounded, and open nature of humans and things.

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Mental health providers confront emotional suffering every day, yet working with emotion is rarely explicitly taught in clinical graduate programs. There is evidence that emotional experience in therapy relates to therapy outcome across multiple diagnoses. This research has given rise to strategies that address the core maladaptive processes that cause distress and dysfunction, rather than specific diagnoses. This book presents principles and methods for working with emotion in psychotherapy to target the internal mechanisms that underlie anxiety, depression, and other common clinical disorders. Chapters in this volume focus on methods that help clients with all types of disorders to “arrive at,” or fully experience, their painful maladaptive emotions, and then “leave” these emotions by accessing new, adaptive emotions. These methods include helping clients sit with painful feelings, access bodily felt experience, identify unmet needs, and articulate the meaning of an emotion. Excerpts of moment-to-moment clinical dialogue demonstrate techniques such as memory reconsolidation, providing corrective emotional experiences, chair work, and imaginal reentry to past situations.

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Privacy is one of the most important concepts of our time, yet it is also one of the most elusive. As rapidly changing technology makes information increasingly available, scholars, activists, and policymakers have struggled to define privacy, with many conceding that the task is virtually impossible. In this concise and lucid book, Daniel J. Solove offers a comprehensive overview of the difficulties involved in discussions of privacy and ultimately provides a provocative resolution. He argues that no single definition can be workable, but rather that there are multiple forms of privacy, related to one another by family resemblances. His theory bridges cultural differences and addresses historical changes in views on privacy. Drawing on a broad array of interdisciplinary sources, Solove sets forth a framework for understanding privacy that provides clear, practical guidance for engaging with relevant issues. Understanding Privacy will be an essential introduction to long-standing debates and an invaluable resource for crafting laws and policies about surveillance, data mining, identity theft, state involvement in reproductive and marital decisions, and other pressing contemporary matters concerning privacy.

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