Search results for ""bloomsbury publishing""

This textbook offers comprehensive coverage of the Equality Act 2010 and deals also with the equality aspects of the Human Rights Act 1998 and European Convention on Human Rights. It encourages critical analysis of equality law to equip the reader with an understanding of the enduring challenges that frame equality law and contemporary responses to those challenges. New content includes a chapter on age discrimination and analysis of the Public Sector Equality Duty. Structured so as to be accessible to the student approaching discrimination law for the first time, the book is also sufficiently detailed and analytical to appeal to the well-informed reader, and to provide those engaged in research with a solid base for further independent study. For the undergraduate student studying discrimination law as a free-standing subject or as part of a wider course, the book provides a one-stop shop. This book is also a key core text for any postgraduate discrimination law course.

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This textbook offers for the first time a comprehensive analysis of the classic doctrines and main areas of international law from a European perspective, meeting the needs of the many European law schools teaching public international law in English. Special attention is devoted to the practice of the European Union, the Council of Europe and European States – both civil law and common law countries – with regard to international law. In particular the book analyses the interplay between international law, EU law and national law in the case law of the Court of Justice of the EU, the European Court of Human Rights and national jurisdictions in Europe. It provides the reader with insights into how the international legal practice of the EU and its Member States impacts the development of international law, both in terms of doctrines such as treaty-making and customary law, the exercise of (extraterritorial) jurisdiction, state responsibility and the settlement of disputes, as well as particular sub-fields of international law, such as human rights law and international economic law. In addition the book covers other important areas such as the use of force and collective security, the law of armed conflict, and global and regional international organisations. It provides European perspectives on all these issues and will be of great value to students, scholars and practitioners.

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The image of the Roman legionary is as familiar today as it was to the citizens – and enemies – of the vast Roman Empire two thousand years ago. This book goes beyond the stereotypes found in popular culture to examine the Roman Army from the first armed citizens of the early Republic through the glorious heights of the Imperial legions to the shameful defeats inflicted upon the late Roman Army by the Goths and Huns. Tracing the development of tactics, equipment and training, this work provides a detailed insight into the military force that enable Rome to become the greatest empire the world has ever seen. As well as describing the changes in the army over the centuries, The Roman Army also sheds light on the talented men who led these soldiers in battle and the momentous battles fought, including Cannae, Pharsalus and Adrianople. Illustrated with detailed maps, artwork and photographs, this volume provides a complete reference to the Roman Army from the 8th century BC to the period after the fall of the Western Roman Empire in the 5th century AD.

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Art is not political action. Art is not education. Art does not exist to make society stronger, or the world a better place. Art disrupts and resists the comfortable, the stiflingly familiar and the status quo, or it only serves to deaden a disenfranchised society further. So argues This Is Not Art, a radical and vigorous critique that debunks myths about art in order to celebrate its real and unique importance. With the postmodern deconstruction of now-outdated shibboleths such as 'genius', 'authenticity' and 'beauty', new and neoliberal myths about art have arisen to take their place: that art's value is primarily monetary as a prized and marketable commodity, or that art is important because it ameliorates social problems. These ideas are not only the province of art-dealers and power-brokers, but pervade the part of the artworld that defines itself as radical, political or ethical too. Highlighting the social mechanisms of legitimisation and dissemination that exclude the genuinely disruptive or defiant, This Is Not Art draws on Foucault and Marx to uncover an artworld obsessed with profit and from which diversity, individuality and freedom have been erased. In the search for a new way to understand art's urgent importance, Alana Jelinek returns to the question of 'what is art?', retelling the history of art practice for our contemporary moment and exposing the ways in which neoliberal norms and values have seeped into every aspect of our lives. From the author's unique perspective as a practicing artist and theoretician, This Is Not Art offers not just a searing criticism of the artworld as it is, but a vision of a new way of understanding and practicing art - as the embodiment of power and agency within us, the possibility of thinking and acting differently, of finding new stories to tell.

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This title includes a new Foreword by WM. Roger Louis. On 26 July 1956, the British Empire received a blow from which it would never recover. On this day, Egypt's President Gamal Abdul Nasser nationalized the Suez Canal Company, one of the gems of Britain's imperial portfolio. It was to be a fateful day for Britain as a world power. Britain, France and Israel subsequently colluded in attacking Egypt, ostensibly - in the case of Britain and France - to protect the Suez Canal but in reality in an attempt to depose Nasser. The US opposition to this scheme forced an ignominious withdrawal, leaving Nasser triumphant and marking a decisive end to Britain's imperial era. In this, the seminal work on the Suez Crisis, Keith Kyle draws on a wealth of documentary evidence to tell this fascinating political, military and diplomatic story. Including new introductory material, this revised edition of a classic work will be essential reading for anyone interested in the history of the twentieth century, military history and the end of empire.

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The American Comic Book Industry and Hollywood traces the evolving relationship between the American comic book industry and Hollywood from the launch of X-Men, Spider-Man, and Smallville in the early 2000s through the ascent of the Marvel Cinematic Universe, the Arrowverse, and the Walking Dead Universe in the 2010s. Perren and Steirer illustrate how the American comic book industry simultaneously has functioned throughout the first two decades of the twenty-first century as a relatively self-contained business characterized by its own organizational structures, business models, managerial discourses, production cultures, and professional identities even as it has remained dependent on Hollywood for revenue from IP licensing. The authors’ expansive view of the industry includes not only a discussion of the “Big Two,” Marvel/Disney and DC Comics/Time Warner, but also a survey of the larger comics ecosystem. Other key industry players, including independent publishers BOOM! Studios, IDW, and Image, digital distributor ComiXology, and management-production company Circle of Confusion, all receive attention. Drawing from interviews, fieldwork, archival research, and trade analysis, The American Comic Book Industry and Hollywood provides a road map to understanding the operations of the comic book industry while also offering new models for undertaking trans- and inter-industrial analysis.

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Indian Film Stars offers original insights and important reappraisals of film stardom in India from the early talkie era of the 1930s to the contemporary period of global blockbusters. The collection represents a substantial intervention to our understanding of the development of film star cultures in India during the 20th and 21st centuries. The contributors seek to inspire and inform further inquiries into the histories of film stardom—the industrial construction and promotion of star personalities, the actual labouring and imagined lifestyles of professional stars, the stars’ relationship to specific aesthetic cinematic conventions (such as frontality and song-dance) and production technologies (such as the play-back system and post-synchronization), and audiences’ investment in and devotion to specific star bodies—across the country’s multiple centres of film production and across the overlapping (and increasingly international) zones of the films’ distribution and reception. The star images, star bodies and star careers discussed are examined in relation to a wide range of issues, including the negotiation and contestation of tradition and modernity, the embodiment and articulation of both Indian and non-Indian values and vogues; the representation of gender and sexuality, of race and ethnicity, and of cosmopolitan mobility and transnational migration; innovations and conventions in performance style; the construction and transformation of public persona; the star’s association with film studios and the mainstream media; the star’s relationship with historical, political and cultural change and memory; and the star’s meaning and value for specific (including marginalised) sectors of the audience.

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‘Norman Stanley Fletcher, you have pleaded guilty to the charges brought by this court and it is now my duty to pass sentence.’ Those words, spoken by a judge to the show’s hero in the title sequence of every Porridge episode, are among the most famous in British comedy and they remind viewers that this is no ordinary TV sitcom. The first situation comedy anywhere in the world to be set in a prison, Porridge is about men being punished for crimes committed against the same sort of people who are watching the show. Millions of hard working Britons were fans, many of them anxious about rising crime and worried that burglars would steal the TV set they were watching it on. Yet they still settled down at 8.30pm on Friday nights between 1974 and 1977 to watch a series that celebrates the sometimes pathetic, often ingenious, recidivism of a group of social misfits who by their own admission are failed citizens. How did such a comedy come to be seen as part of a ‘golden age of British sitcom’, without ever losing its edge to nostalgia? Crime, like sex, sells. But Porridge did not romanticise villainy. Written by Dick Clement and Ian La Frenais, it’s a satire of class-consciousness and power, warmed by a humanistic celebration of men on the margins of society. Its heroes are weak inadequate misfits, not tough, glamorous gangsters. Porridge was a success because the essence of situation comedy is confinement; characters in this format are people who feel trapped and thwarted by circumstances beyond their control. This, therefore, is the ultimate sitcom. Richard Weight's entertaining study of this much-loved classic places Porridge in the context of 1970s social upheavals, explores how the series satirises structures of class and authority through Fletch and Godber's battles to outwit the prison officers Mr Mackay and Mr Barrowclough, and traces its influences on TV comedy that followed.

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This overview of the history, application and teaching of anthropology in post-colonial Africa shows how the continent's anthropologists are redefining the historical legacy of European and American disciplinary hegemony, and developing distinctively African contributions to anthropological theory and practice. The contributors illustrate the diverse national traditions of anthropological practice that have developed in sub-Saharan Africa since decolonisation and exemplify the diversity of professional work carried out by the discipline's practitioners. Their commitment to a common disciplinary identity demonstrates the place that exists for a critical anthropology that is reflective about both its potentials and limitations.

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This book provides an overview of the content and functioning of the Indian Constitution, with an emphasis on the broader socio-political context. It focuses on the overarching principles and the main institutions of constitutional governance that the world’s longest written constitution inaugurated in 1950. The nine chapters of the book deal with specific aspects of the Indian constitutional tradition as it has evolved across seven decades of India’s existence as an independent nation. Beginning with the pre-history of the Constitution and its making, the book moves onto an examination of the structural features and actual operation of the Constitution’s principal governance institutions. These include the executive and the parliament, the institutions of federalism and local government, and the judiciary. An unusual feature of Indian constitutionalism that is highlighted here is the role played by technocratic institutions such as the Election Commission, the Comptroller and Auditor General, and a set of new regulatory institutions, most of which were created during the 1990s. A considerable portion of the book evaluates issues relating to constitutional rights, directive principles and the constitutional regulation of multiple forms of identity in India. The important issue of constitutional change in India is approached from an atypical perspective. The book employs a narrative form to describe the twists, turns and challenges confronted across nearly seven decades of the working of the constitutional order. It departs from conventional Indian constitutional scholarship in placing less emphasis on constitutional doctrine (as evolved in judicial decisions delivered by the High Courts and the Supreme Court). Instead, the book turns the spotlight on the political bargains and extra-legal developments that have influenced constitutional evolution. Written in accessible prose that avoids undue legal jargon, the book aims at a general audience that is interested in understanding the complex yet fascinating challenges posed by constitutionalism in India. Its unconventional approach to some classic issues will stimulate the more seasoned student of constitutional law and politics.

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Japanese animation is at the nexus of an international multimedia industry worth over $23.6 billion a year, linked to everything from manga to computer games, Pokémon and plushies. In this comprehensive guide, Jonathan Clements chronicles the production and reception history of the entire medium, from a handful of hobbyists in the 1910s to the Oscar-winning Spirited Away and beyond. Exploring the cultural and technological developments of the past century, Clements addresses how anime’s history has been written by Japanese scholars, and covers previously neglected topics such as wartime instructional animation and work-for-hire for American clients. Founded on the testimonies of industry professionals, and drawing on a myriad of Japanese-language documents, memoirs and books, Anime: A History illuminates the anime business from the inside – investigating its innovators, its unsung heroes and its controversies. This new edition has been updated and revised throughout, with full colour illustrations and three new chapters on anime’s fortunes among Chinese audiences and subcontractors, 21st century trends in ‘otaku economics’, and the huge transformations brought about by the rise of global streaming technology.

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Ivor the Engine, Noggin the Nog, Pingwings, Pogles Wood, Clangers, and Bagpuss - the iconic animations produced by the Canterbury-based Smallfilms studio between 1958 and 1984 - constitute a significant thread of British cultural history. The lasting appeal of the imagined worlds created by Smallfilms is evident in the highly-successful BBC reboot of Clangers (2015-present), which has introduced a whole new audience to the pink moon mice. As well as the shows likely to be famiilar to readers, this history expands the Smallfilms story to include those less well-known animated shows that nonetheless played an important part in the studio’s history. Through extensive studio access, interviews with many key Smallfilms collaborators, press and audience analysis, Chris Pallant provides a comprehensive and definitive historical record of the studio’s work. Beyond Bagpuss is illustrated with 100 images from the Smallfilms archive, including those that have not previously been published.

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Japanese animation is at the nexus of an international multimedia industry worth over $23.6 billion a year, linked to everything from manga to computer games, Pokémon and plushies. In this comprehensive guide, Jonathan Clements chronicles the production and reception history of the entire medium, from a handful of hobbyists in the 1910s to the Oscar-winning Spirited Away and beyond. Exploring the cultural and technological developments of the past century, Clements addresses how anime’s history has been written by Japanese scholars, and covers previously neglected topics such as wartime instructional animation and work-for-hire for American clients. Founded on the testimonies of industry professionals, and drawing on a myriad of Japanese-language documents, memoirs and books, Anime: A History illuminates the anime business from the inside – investigating its innovators, its unsung heroes and its controversies. This new edition has been updated and revised throughout, with full colour illustrations and three new chapters on anime’s fortunes among Chinese audiences and subcontractors, 21st century trends in ‘otaku economics’, and the huge transformations brought about by the rise of global streaming technology.

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This book seeks to reshape the way that writers think about constructing their story, looking at the subject from the inside out. Often practitioners and theorists examine work through the separate lenses of character and/or structure and then bring them together. Within this book, authors Hughes and Wilkes argue that character is structure and one without the other makes for a dissatisfying narrative. Through detailed case studies on films that span all genres, from mainstream franchises like The Hunger Games (2012-2015) and Shrek (2001-2010) to art house films such as Toto Le Heros (1991) and Eraserhead (1977), the authors reveal the dramatic imperative behind the central choices or dilemmas faced by every protagonist in every classic feature length narrative. They argue there is only one of five choices that any writer must make in inventing that key transition from the protagonist’s ordinary world into the adventure that will form the heart of their story. Using the universal language of folk and fairy stories, this book gives writers and students a clear framework through which they can reference and improve their own storytelling. In doing so, it enables both the novice and experienced screenwriter to tell their story in the most authentic and impactful way, while keeping their protagonist at the heart of the narrative.

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In a comprehensively revised and updated new edition, James Naremore provides an illuminating critical account of the films of Stanley Kubrick, from his earliest feature, Fear and Desire (1953), to the posthumously-produced A.I. Artificial Intelligence (Steven Spielberg, 2001). Naremore offers provocative analyses of each of Kubrick's films, considering his emphasis on the absurdity of combat, as in Paths of Glory (1957) and Full Metal Jacket (1987), the failure of scientific reasoning, as in 2001 (1968), and the fascistic impulses in masculine sexuality, as in Dr Strangelove (1964) and Eyes Wide Shut (1999). He argues that while Kubrick was a voracious intellectual and a life-long autodidact, the fascination of his work has less to do with the ideas it espouses than with the emotions it evokes. Combining close readings with new insights into the production histories and cultural contexts of key films, Naremore provides a concise yet thorough discussion that will be useful to students of Kubrick's filmmaking and cinephiles who seek a deeper insight into the work of this perfectionist genius. Revised throughout, this new edition also includes a fully updated bibliography of critical writings on Kubrick's cinema.

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A historical biography of the Italian philosopher/politician Antonio Gramsci (1891-1973), considered one of the most important Marxist philosophers of the twentieth-century. As part of the Communist Lives series, Andrew Pearmain explores the life of Gramsci from his childhood, to his role in the newly formed Communist Party of Italy, and to his imprisonment and death in Turi di Bari, using recent archival research including material released by the Gramsci and Schucht family.

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Fashion reveals not only who we are, but whom we aspire to be. From 1775 to 1925, artists in Europe were especially attuned to the gaps between appearance and reality, participating in and often critiquing the making of the self and the image. Reading their portrayals of modern life with an eye to fashion and dress reveals a world of complex calculations and subtle signals. Fashion in European Art explores the significance of historical dress over this period of upheaval, as well as the lived experience of dress and its representation. Drawing on visual sources that extend from paintings and photographs to fashion plates, caricatures and advertisements, the expert contributors consider how artists and their sitters engaged with the fashion and culture of their times. They explore the politics of dress, its inspirations and the reactions it provoked, as well as the many meanings of fashion in European art, revealing its importance in understanding modernity itself.

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On the 29th of June 2014 ISIS declared the establishment of a caliphate stretching across territories in Iraq and Syria. In response, Operation Inherent Resolve, a US-led 77 nation coalition, was launched to respond to the threat of Islamic State. The West's War Against Islamic State offers the first history of Operation Inherent Resolve and the West's war against ISIS, from its inception in 2014 to the fall of Raqqa in 2017. Andrew Mumford offers a comprehensive analysis and assessment of the military campaign deployed against ISIS in Syria and Iraq by examining the West's strategic objectives as well as the conflicting interests of rival powers, namely Russia, Iran and Turkey. By examining individual operational components of this military engagement such as drone usage, cyber warfare, special forces operations and sponsorship of guerrilla forces, this book offers a unique insight into the nature of modern warfare.

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The conflict that swept over France from 1337 to 1453 remains the longest military struggle in history. A bitter dynastic fight between Plantagenet and Valois, The Hundred Years War was fought out on the widest of stages while also creating powerful new nationalist identities. In his vivid new history, Michael Prestwich shows that it likewise involved large and charismatic individuals: Edward III, claimant to the French throne; his son Edward of Woodstock, the Black Prince; wily architect of the first French victories, Bertrand du Guesclin; chivalric hero Jean Boucicaut; inspirational leader Henry V, unlikely winner at Agincourt (1415), who so nearly succeeded in becoming King of France; and the martyred Maid of Orleans, Joan of Arc, thought to be divinely inspired. Offering an up-to-date analysis of military organization, strategy and tactics, including the deadly power of English archery, the author explains the wider politics in a masterful account of the War as a whole: from English victory at Sluys (1340) to the turn of the tide and French revival as the invader was driven back across the Channel.

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What has brought about the transformation of the British film industry over the last few decades, to the beginnings of what is arguably a new golden era? In the mid-1980s the industry was in a parlous state. The number of films produced in the UK was tiny. Cinema attendance had dipped to an all-time low, cinema buildings were in a state of disrepair and home video had yet to flourish. Since then, while many business challenges - especially for independent producers and distributors - remain, the industry overall has developed beyond recognition. In recent years, as British films have won Oscars, Cannes Palms and Venice Golden Lions, releases such as Love Actually, Billy Elliot, Skyfall, Paddington and the Harry Potter series have found enormous commercial as well as critical success. The UK industry has encouraged, and benefitted from, a huge amount of inward investment, much of it from the Hollywood studios, but also from the National Lottery via the UK Film Council and BFI. This book portrays the visionaries and officials who were at the helm as a digital media revolution began to reshape the industry. Through vivid accounts based on first-hand interviews of what was happening behind the scenes, film commentator and critic Geoffrey Macnab provides in-depth analysis of how and why the British film industry has risen like a phoenix from the ashes.

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Protracted economic crises, accelerating inequalities, and increased resource scarcity present significant challenges for the majority of Africa's urban population. Limited state capacity and widespread infrastructure deficiencies common in cities across the continent often require residents to draw on their own resources, knowledge, and expertise to resolve these life and livelihood dilemmas. DIY Urbanism in Africa investigates these practices. It develops a theoretical framework through which to analyze them, and it presents a series of case studies to demonstrate how residents invent new DIY tactics and strategies in response to security, place-making, or economic problems. This book offers a timely critical intervention into literatures on urban development and politics in Africa. It is valuable to students, policymakers, and urban practitioners keen to understand the mechanisms and political implications of widespread dynamics now shaping Africa's expanding urban environments.

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The Myth of Development boldly states that the benefits of development, so long promised over the past sixty years, have not come about for most people. Nor are they going to. State-driven and market-led development models have both failed. Many countries, and their cities in particular, are collapsing into ungovernable chaotic entities. De Rivero shows that the root of this chaos is not simply economic, but stems from a much more profound crisis of our way of life and of our unsustainable global urban civilization. Arguing that the 'wealth of nations' agenda must be replaced by a 'survival of nations' agenda in order to prevent increasing human misery and political disorder, De Riviero explains why many countries must abandon dreams of development and adopt instead a policy of national survival based on providing basic water, food, renewable energy, and stabilizing their populations. Featuring a new introduction by the author, this edition engages with the latest findings on climate change and assesses the prospects for our species in the decades ahead.

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The Middle East is often portrayed as oppressively patriarchal and homophobic. Yet, in recent years the region has become a vibrant and important arena for feminist and LGBTQ activism. This book provides an insight into this emerging politics through a unique analysis of feminist and LGBTQ social movements in the context of Lebanon’s postwar sectarian system. Resisting Sectarianism argues that LGBTQ and feminists social movements are powerful agents of political and social transformation in Lebanon. Drawing on extensive ethnographic fieldwork, the book takes the reader inside these movements to see how they attract members and construct campaigns, forge alliances, and the multiple ways in which they generate important forms of resistance to, and change within, the sectarian system. The book also traces the strong obstacles that sectarian parties and religious authorities employ to weaken LGBTQ and feminist activism.

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Academic freedom is under siege, as our universities become the sites of increasingly fraught battles over freedom of speech. While much of the public debate has focussed on ‘no platforming’ by students, this overlooks the far graver threat posed by concerted efforts to silence the critical voices of both academics and students, through the use of bureaucracy, legal threats and online harassment. Such tactics have conspicuously been used, with particularly virulent effect, in an attempt to silence academic criticism of Israel. This collection uses the controversies surrounding the Israeli-Palestinian conflict as a means of exploring the limits placed on academic freedom in a variety of different national contexts. It looks at how the increased neoliberalisation of higher education has shaped the current climate, and considers how academics and their universities should respond to these new threats. Bringing together new and established scholars from Palestine and the wider Middle East as well as the US and Europe, Enforcing Silence shows us how we can and must defend our universities as places for critical thinking and free expression.

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Since the turn of the century bilateral trade between China and Latin America has increased by more than a factor of ten. In 2000, two-way trade stood at £12.17 billion; by 2019, it had reached $307.94 billion. Coupled with this commercial element of China-Latin America relations is a growing assertiveness in diplomatic and military affairs. Yet Beijing is showing caution in its diplomatic engagement, especially with the more left leaning countries of Venezuela and Ecuador. However, Latin America’s enthusiasm in this regard has taken even the Chinese by surprise. What are we to make of these shifting dynamics? In this detailed and up-to-the-minute investigation, Chris Alden, author of the critically acclaimed China in Africa, and Alvaro Mendez, leading expert in the international relations of Latin America, look at the interests, strategies and practices of China’s incoming power. What can be learned by comparing Latin America with other developing regions in which China has had significant economic ties and a growing diplomatic stake? Does Beijing’s approach to Latin America really differ, as is often claimed by Chinese leaders, from its approach to Africa? And more broadly, how should we read the curious and uneven decline of both the US and Europe as actors in the region?

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‘Draws on a vital history of trans performance – an emerging canon that may no longer be ignored.’ – Morgan M Page, from her foreword Seven turbulent years. Five radical performances. One landmark publication. None of Us is Yet a Robot charts artist and performer Emma Frankland’s gender transition against a shifting social and political landscape, while grappling with the systematic erasure of trans history. Richly illustrated with images from the performances and designed in close collaboration with the author, the book is a new experience in itself as well as a vital document of Emma's groundbreaking work in theatre. Featuring introductions from foremost theatre practitioners, including Maddy Costa and Travis Alabanza, this collection of work is an evocative exploration of a trans experience in twenty-first century Britain.

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As New Labour's first period of government picks up steam, we find Bernard Donoughue working as a minister at the Ministry of Agriculture, Fishing and Food. In this, the second volume of Donoughue's House of Lords diaries, he chronicles his experiences - often frustrating, often hilarious - serving in the early years of Blair's government, as he attempts to modernise MAFF by expanding its interests more broadly in rural affairs. It outlines Donoughue's role in the EU's agricultural policy, including as the UK minister at the Agriculture Council as well as his unofficial role in the lead-up to the Good Friday agreement. As with all Donoughue's diaries, the book sheds a spotlight on the daily trials and tribulations of life in Westminster, told with trademark waspish wit, insight and humour.

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In history, this grand arterial 1500-mile waterway was always seen as the natural frontier between the northern provinces of the Iranian empires and the outer Turanian lands. It was for centuries central to Achaemenid and later Persian power. But, as the author shows, it has a prehistory which goes very much further back: and a succession of skilled yet still elusive Bronze Age cultures flourished here well before the rise of Cyrus the Great in the 6th century BCE. This richly illustrated book explores the fascinating history, art and archaeology of the region, including its primal trade in silk and foodstuffs; the mineral wealth of the Oxus basin; its exotic myths and beliefs; and the converging tribes and peoples which led to a new stability, economic growth and urbanism. The volume contains 150 full-colour photographs of notable artefacts, including silver decorated vessels, inlaid stone pots, agate beads and 25 'Bactrian Princesses': remarkable statuettes made in chlorite and limestone. Most of these rare objects have never been seen, let alone published, before.

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Broadcasting is now an important part of the international aid effort, and as such communication for development has ambitious aims: to save lives, improve livelihoods and end corruption. In order to achieve this, specialist innovative production techniques and formats are required. This book provides a practical and thorough guide to the production of effective broadcasting for development. It covers four key areas of communication: humanitarian broadcasting in emergencies; distance learning; empowerment, good governance and human rights; broadcasting for behaviour and social change. Tuckey takes us through each stage from project design, to selecting and training a production team and developing formats, with key emphasis on the inclusion of local communities.

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Dominico Caracciolo was an important figure on the 18th-century European stage, holding high office as a diplomat in London, Turin and Paris, and as viceroy and prime minister in the Two Sicilies. He was an inveterate letter-writer and his huge correspondence, with his diplomatic despatches and other official writing, is a unique original source, providing a detailed and vivid picture of the 18th-century European elite with all its extravagance and scandalous behaviour but, even more importantly, it is an account of an Enlightenment struggle against the increasingly outdated clerical and feudal rule in Sicily. Caracciolo was an abrasive and combative official and politician and vigorous scion of the Enlightenment. In this book, Angus Campbell provides a detailed portrait of Caracciolo and of the political, social, economic, legal and cultural context in which he lived and worked. In doing so, he provides a unique vantage point on the European diplomatic culture of the 18th century.

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The Islamic State movement (ISIS/ISIL/IS) burst onto the world stage in 2014. From its heartland in Syria, where it arose from the chaos of the Syrian Revolt, the organisation has expanded in ideology and membership and now poses a significant threat to the region, if not to the wider world. Moubayed, a Beirut-based journalist who has been analysing Syria and the region for 20 years, has unrivalled access to the movement and its participants. His book is the first inside account of an organisation which has dominated the headlines with a dangerous mix of barbarity and military prowess. In looking at the historical background of ISIS: where it came from, how it evolved, where it stands today and what its aims are for the future to reveal, it will provide, for the first time, a fully-fledged picture of what lies at the heart of the Islamic State.

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Cathedrals are awe-inspiring buildings. Most are grand medieval structures, while others appear simple and unpretentious – yet all were designed to reflect the glory of God and have a profound impact on us. As trailblazers of architectural development, each cathedral has distinct individual features – such as the powerful Norman Romanesque west towers of Durham, the unique octagonal tower at Ely, and the daring late Gothic finery and spaciousness at Gloucester. In this lavishly illustrated guide to cathedrals from Bangor to York, with profiles of Roman Catholic and Scottish cathedrals, David Pepin outlines the evolution of architectural style, each building’s key features, and the ongoing story of daily worship, wide-ranging ministry, conservation, the new work of craftspeople, and the increasing numbers of pilgrims and visitors.

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Having a good grasp of the theories of child development and how these translate into practice can make a positive difference to how you understand babies and children and the ways in which you can help them learn. This approachable guide offers easy access to a wide range of concepts, as well as classic and current theories, about how babies and children learn. Each chapter offers clear guidance on how to recognise the theory in action and suggests ways to test these ideas out in early years settings, supporting the development of reflective practice. Case studies are included throughout, along with questions to guide thinking and encourage readers to develop their practice. Summaries conclude each chapter offering a quick reference of the theory examined and the benefits of applying it to practice. Early Childhood Theories and Contemporary Issues is an essential guide for all those looking to develop and enhance their practice in supporting child development within the early years.

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Truth and Method is a landmark work of 20th century thought which established Hans Georg-Gadamer as one of the most important philosophical voices of the 20th Century. In this book, Gadamer established the field of ‘philosophical hermeneutics': exploring the nature of knowledge, the book rejected traditional quasi-scientific approaches to establishing cultural meaning that were prevalent after the war. In arguing the ‘truth' and ‘method' acted in opposition to each other, Gadamer examined the ways in which historical and cultural circumstance fundamentally influenced human understanding. It was an approach that would become hugely influential in the humanities and social sciences and remains so to this day in the work of Jurgen Habermas and many others.

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Creating A Role is the third book - alongside the international bestseller An Actor Prepares and Building A Character - in the series of influential translations that introduced Stanislavski's acting 'system' to the English-speaking world. Here Stanislavski describes the elaborate preparation that an actor must undergo before the actual performance itself. Now published in the Bloomsbury Revelations series to mark the 150th anniversary of Stanislavski's birth, the book includes the director's analysis of such works as Othello and Gogol's Inspector General.

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In an increasingly globalised world with new cross-border threats to public health and widening disparities between populations, civil society actors are challenging the existing structures of global health policies. Like its critically acclaimed predecessors, this third volume of Global Health Watch covers a comprehensive range of topics, including access to medicines, mental health, water and sanitation, nutrition, and war and conflict. Unlike most documentations of global health, it also draws attention to the politics of global health and the policies and actions of key actors. Global Health Watch books are the definite independent sources of data on global health, and this third volume offers unique and essential information for anyone working in the field.

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Revolutions in Communication offers a new approach to media history, presenting an encyclopedic look at the way technological change has linked social and ideological communities. Using key figures in history to benchmark the chronology of technical innovation, Kovarik's exhaustive scholarship narrates the story of revolutions in printing, electronic communication and digital information, while drawing parallels between the past and present. Updated to reflect new research that has surfaced these past few years, Revolutions in Communication continues to provide students and teachers with the most readable history of communications, while including enough international perspective to get the most accurate sense of the field. The supplemental reading materials on the companion website include slideshows, podcasts and video demonstration plans in order to facilitate further reading. www.revolutionsincommunication.com

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Background Noise follows the development of sound as an artistic medium and illustrates how sound is put to use within modes of composition, installation, and performance. While chronological in its structure, Brandon LaBelle's book is informed by spatial thinking - weaving architecture, environments, and the specifics of location into the work of sound, with the aim of formulating an expansive history and understanding of sound art. At its center the book presupposes an intrinsic relation between sound and its location, galvanizing acoustics, sound phenomena, and the environmental with the tensions inherent in what LaBelle identifies as sound's relational dynamic. For the author, this is embedded within sound's tendency to become public expressed in its ability to travel distances, foster cultural expression, and define spaces while being radically flexible. This second expanded edition includes a new chapter on the non-human and subnatural tendencies in sound art, revisions to the text as well as a new preface by the author. Intersecting material analysis with theoretical frameworks spanning art and architectural theory, performance studies and media theory, Background Noise makes the case that sound and sound art are central to understandings of contemporary culture.

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This compact, heavily-illustrated guide makes it a snap to identify period styles from the 17th century to the present day. The Guide to Period Styles for Interiors, Second Edition is a comprehensive reference that combines depth of content with ease of use. Including examples and analysis on 17th-century Louis XIV through 20th-century Late Modern and each style in between, this new edition is also updated with the latest trends of the 21st century, including computer design, sustainable design, and modern office design. New sidebars interspersed throughout the book offer glimpses into historic design styles from around the globe. Each style section ends with a summary of key characteristics, major designers, and iconic fabrics. This book is an indispensable tool for identifying the trends throughout the history of interior design.

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From South Park to Kathy Acker, from Lars Von Trier to Sex and the City, women’s sexual organs are demonized. In The Vagina: A Literary and Cultural History, Emma L.E. Rees investigates the evolution of this demonization: she considers how writers, artists and filmmakers contend with the dilemma of he vagina's puzzling 'covert visibility' and how the ‘c-word’ is an obscenity that both legitimates and perpetuates the fractured identities of women globally. In our postmodern, porn-obsessed culture, vaginas appear to be everywhere, literally or symbolically but, crucially, they are as silenced as they are objectified. Even common slang terms for the vagina can be seen as an attempt to divert attention away from the reality of women’s lived sexual experiences: slang offers a convenient distraction from something taboo. The Vagina: A Literary and Cultural History is an important contribution to the ongoing debate in understanding the feminine identity.

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Thrills and chills, witches, ghosts, and goblins—these terrifying teaching tools don't need to be controversial to inspire reluctant readers in grades K-6. Cross-curricular lesson plans are linked to language arts, social studies, math, art and technology.

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Advances in computer aided design have proven to be an invaluable tool for the architect and designer, yet Frank Gehry still begins his creative process by making "simple" models out of modest materials. Drawings and video, while an essential part of the design process, are still not substitutes for the tactile sensation one receives from a scale model. Drawing on 20 years experience in art and architecture, the author has developed this book on model making as it applies to students and professional of the built environment. It will illustrate a multitude of techniques and the use of a wide variety of materials, providing a solid foundation for students and professionals to create and enjoy three-dimensional model making. Features: -- Organized according to a logical progression, using skills, techniques, and materials which build upon themselves -- Covers 3D fundamentals for interior design, architecture, landscape architecture, furniture design, theatrical design, and retail merchandising -- Chapters follow a logical progression from basic to the most advanced -- Section on "Learning from the Pros" will list common mistakes and how to avoid them -- Relevant safety issues relating to the tools and materials discussed throughout -- Planning considerations such as budget, use of models, scale, and construction techniques -- Display and photographing models for presentation including choosing a viewpoint, background and lighting effects -- Chapter on history of models and/or building systems, materials and construction techniques -- End of chapter assignments/exercises and summary and glossary -- Pre-printed geometric patterns for students to cut out and use to assemble models -- Instructor's Manual includes course outlines and recommended additional projects

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The Practical Guide to Patternmaking for Fashion Designers: Menswear offers patternmaking techniques for a variety of garment styles and includes information on sizing, lining and a variety of fabrics. Covering everything from casual to tailored designs, it can serve both as an introduction to the pattern-drafting skills necessary for menswear and as a more in-depth treatment of patternmaking techniques. The guide covers the patternmaking process for an array of menswear garments, as well as the accompanying theories and concepts.

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Wheatley’s Road Traffic Law in Scotland is a highly regarded source of reference for all those involved in the detection and prosecution of road traffic offences, with all the relevant law and authority presented in a clear and accessible style. The Seventh Edition of this text updates case law and legislation and takes account of: - The impact of Brexit on existing statutory provisions - New drug driving regulations - The revised Highway Code, fundamentally shifting roads in favour of pedestrians and cyclists - Sentencing guidelines for death by driving cases - The new proposed offence of death by dangerous cycling - e-bikes, e-scooters, and other novel mechanically propelled vehicles - The creation of LEZ (Low Emission Zones) in city centres across Scotland This concise manual is an essential resource for all practitioners involved with road traffic law in Scotland. This title is included in Bloomsbury Professional's Scottish Law and Scottish Criminal Law online service.

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The fourth edition of this respected textbook examines the regulation and conduct of lawyers in England and Wales and addresses new developments in the field, including those in international practice, sexual misconduct, and the environment. Focusing on the practice of, and interrelationship between, solicitors and barristers, the book provides background to current arrangements while exploring contemporary rules of conduct, systems of regulation, and controversies. The four main parts cover client duties, wider obligations, key contexts, and regulation. Parts one to three provide an academic introduction to the subject of lawyers’ ethics. They are suitable as a core text for a semester course at undergraduate level, providing grounding for vocational training, such as the Solicitors’ Qualifying Examination. Comparisons are made with conduct rules applying in other leading common law jurisdictions where relevant. These parts also explore links between the subject of ethics and the development of lawyers’ practical skills. Part four applies the general principles to three elements of regulation: practice, admission, and discipline. The approach throughout is socio-legal. While the essential law is described, relevant social science research informs consideration of issues and debates.

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This book offers conceptual analyses, highlights issues, proposes solutions, and discusses practices regarding privacy and data protection in transitional times. It is one of the results of the 15th annual International Conference on Computers, Privacy and Data Protection (CPDP), which was held in Brussels in May 2022. We are in a time of transition. Artificial Intelligence is making significant breakthroughs in how humans use data and information, and is changing our lives in virtually all aspects. The pandemic has pushed society to adopt changes in how, when, why, and the media through which, we interact. A new generation of European digital regulations — such as the AI Act, Digital Services Act, Digital Markets Act, Data Governance Act, and Data Act — is on the horizon. This raises difficult questions as to which rights we should have, the degree to which these rights should be balanced against other poignant social interests, and how these rights should be enforced in light of the fluidity and uncertainty of circumstances. The book covers a range of topics, including: data protection risks in European retail banks; data protection, privacy legislation, and litigation in China; synthetic data generation as a privacy-preserving technique for the training of machine learning models; effectiveness of privacy consent dialogues; legal analysis of the role of individuals in data protection law; and the role of data subject rights in the platform economy. This interdisciplinary book has been written at a time when the scale and impact of data processing on society – on individuals as well as on social systems – is becoming ever more important. It discusses open issues as well as daring and prospective approaches and is an insightful resource for readers with an interest in computers, privacy and data protection.

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'... undoubtedly a first-rate companion for any undergraduate or post-graduate law course.’ John Taggart, Criminal Law Review This outstanding account of modern English criminal law combines detailed exposition and analysis of the law with a careful exploration of its theoretical underpinnings. Primarily, it is written for undergraduate students of criminal law, covering all subjects taught at undergraduate level. The book’s philosophical approach ensures students have a deeper understanding of the law that goes beyond a purely doctrinal knowledge As a result, over its numerous editions, it has become required reading for many criminal law courses. The 8th edition covers all statutory law including the Assaults on Emergency Workers Act 2018 and Domestic Abuse Act, s 71. Case law discussions now cover: Grant (complicity); Barton (dishonesty); Broughton, Field, Kuddus, and Rebelo (homicide) and AG’s Ref (No 1 of 2020) (sexual offences).

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