Search results for ""ARC""

"Picture the moment, in the run-up to a Christian Dior haute couture show. John Galliano is working silently in the Paris studio with his friend and ally, the master milliner Stephen Jones. The designer is looking at the arc of a silhouette, the drape of a skirt and the tilt of a hat: 'I often work through a mirror for most of my decisions and I always see Stephen's reflection,' says Galliano. 'He is reading my every nuance. He is studying my face. I don't need to say anything - he can read my mind'." - From the essay by Suzy Menkes. Stephen Jones is one of the world's most talented and distinguished milliners. This exquisitely illustrated monograph is the first to examine his illustrious career and famous collaborations. Including photographs from private collections and museums, the book focuses on a variety of aspects of his work, from his collaborations with Boy George, John Galliano and Thierry Mugler to his work with photographers Bruce Weber and Nick Knight. Recent collections include: Marc Jacobs, L'Wren Scott, Giles Deacon, Gareth Pugh, Loewe, Christian Dior Haute Couture, Prêt-à-porter, Ski & Baby collections, John Galliano, Comme des Garcons. His recent commissions include: Dita von Teese/Crazy Horse, Bryan Adams, Immodesty Blaize, Take That, Sex and the City 2, Perrier Jouet, Printemps, Ascot, Disneyland, Kylie Minogue, Kate Moss/Met Ball. "With her moulded felt cloche shadowing an eye and pinned with a tremblant diamond cow-parsley sprig, Nadja Auermann, slinking down the stairs of a crumbling Hotel Particulier in Paris for the John Galliano show, defined the fashion moment. Once again, Stephen Jones, millinery magician, had summoned up the spirit of the day. Jones is a deft conjurer, who can draw whimsy from a hat. Steeped in couture lore and craft, he nevertheless propels his art into the future with his ceaseless invention and thistledown touch. His genius is to enhance the mystery, allure, wit of the wearer - although a Jones hat might be a dramatic statement in itself, it will never overpower." - Hamish Bowles, Style Editor, Vogue USA

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On a hot July afternoon in 1953, George F. Kennan descended the steps of the State Department building as a newly retired man. His career had been tumultuous: early postings in eastern Europe followed by Berlin in 1940–41 and Moscow in the last year of World War II. In 1946, the forty-two-year-old Kennan authored the “Long Telegram,” a 5,500-word indictment of the Kremlin that became mandatory reading in Washington. A year later, in an article in Foreign Affairs, he outlined “containment,” America’s guiding strategy in the Cold War. Yet what should have been the pinnacle of his career—an ambassadorship in Moscow in 1952—was sabotaged by Kennan himself, deeply frustrated at his failure to ease the Cold War that he had helped launch. Yet, if it wasn’t the pinnacle, neither was it the capstone; over the next fifty years, Kennan would become the most respected foreign policy thinker of the twentieth century, giving influential lectures, advising presidents, and authoring twenty books, winning two Pulitzer prizes and two National Book awards in the process. Through it all, Kennan kept a diary. Spanning a staggering eighty-eight years and totaling over 8,000 pages, his journals brim with keen political and moral insights, philosophical ruminations, poetry, and vivid descriptions. In these pages, we see Kennan rambling through 1920s Europe as a college student, despairing for capitalism in the midst of the Depression, agonizing over the dilemmas of sex and marriage, becoming enchanted and then horrified by Soviet Russia, and developing into America’s foremost Soviet analyst. But it is the second half of this near-century-long record—the blossoming of Kennan the gifted author, wise counselor, and biting critic of the Vietnam and Iraq wars—that showcases this remarkable man at the height of his singular analytic and expressive powers, before giving way, heartbreakingly, to some of his most human moments, as his energy, memory, and finally his ability to write fade away. Masterfully selected and annotated by historian Frank Costigliola, the result is a landmark work of profound intellectual and emotional power. These diaries tell the complete narrative of Kennan’s life in his own intimate and unflinching words and, through him, the arc of world events in the twentieth century.

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More than a quarter-century after his death, James Baldwin remains an unparalleled figure in American literature and African American cultural politics. In Who Can Afford to Improvise? Ed Pavlić offers an unconventional, lyrical, and accessible meditation on the life, writings, and legacy of James Baldwin and their relationship to the lyric tradition in black music, from gospel and blues to jazz and R&B. Based on unprecedented access to private correspondence, unpublished manuscripts and attuned to a musically inclined poet’s skill in close listening, Who Can Afford to Improvise? frames a new narrative of James Baldwin’s work and life. The route retraces the full arc of Baldwin’s passage across the pages and stages of his career according to his constant interactions with black musical styles, recordings, and musicians. Presented in three books — or movements — the first listens to Baldwin, in the initial months of his most intense visibility in May 1963 and the publication of The Fire Next Time. It introduces the key terms of his lyrical aesthetic and identifies the shifting contours of Baldwin’s career from his early work as a reviewer for left-leaning journals in the 1940s to his last published and unpublished works from the mid-1980s. Book II listens with Baldwin and ruminates on the recorded performances of Billie Holiday and Dinah Washington, singers whose message and methods were closely related to his developing world view. It concludes with the first detailed account of “The Hallelujah Chorus,” a performance from July 1, 1973, in which Baldwin shared the stage at Carnegie Hall with Ray Charles. Finally, in Book III, Pavlić reverses our musically inflected reconsideration of Baldwin’s voice, projecting it into the contemporary moment and reading its impact on everything from the music of Amy Winehouse, to the street performances of Turf Feinz, and the fire of racial oppression and militarization against black Americans in the 21st century. Always with an ear close to the music, and avoiding the safe box of celebration, Who Can Afford to Improvise? enables a new kind of “lyrical travel” with the instructive clarity and the open-ended mystery Baldwin’s work invokes into the world.

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One of Choice's Significant University Press Titles for Undergraduates, 2010-2011 A necessary cultural and historical discussion on the stigma of fatness To be fat hasn’t always occasioned the level of hysteria that this condition receives today and indeed was once considered an admirable trait. Fat Shame: Stigma and the Fat Body in American Culture explores this arc, from veneration to shame, examining the historic roots of our contemporary anxiety about fatness. Tracing the cultural denigration of fatness to the mid 19th century, Amy Farrell argues that the stigma associated with a fat body preceded any health concerns about a large body size. Firmly in place by the time the diet industry began to flourish in the 1920s, the development of fat stigma was related not only to cultural anxieties that emerged during the modern period related to consumer excess, but, even more profoundly, to prevailing ideas about race, civilization and evolution. For 19th and early 20th century thinkers, fatness was a key marker of inferiority, of an uncivilized, barbaric, and primitive body. This idea—that fatness is a sign of a primitive person—endures today, fueling both our $60 billion “war on fat” and our cultural distress over the “obesity epidemic.” Farrell draws on a wide array of sources, including political cartoons, popular literature, postcards, advertisements, and physicians’ manuals, to explore the link between our historic denigration of fatness and our contemporary concern over obesity. Her work sheds particular light on feminisms’ fraught relationship to fatness. From the white suffragists of the early 20th century to contemporary public figures like Oprah Winfrey, Monica Lewinsky, and even the Obama family, Farrell explores the ways that those who seek to shed stigmatized identities—whether of gender, race, ethnicity or class—often take part in weight reduction schemes and fat mockery in order to validate themselves as “civilized.” In sharp contrast to these narratives of fat shame are the ideas of contemporary fat activists, whose articulation of a new vision of the body Farrell explores in depth. This book is significant for anyone concerned about the contemporary “war on fat” and the ways that notions of the “civilized body” continue to legitimate discrimination and cultural oppression.

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The popular image of a mid-century ad woman is of a feisty girl beating men at their own game, a female Horatio Alger protagonist battling her way through the sexist workplace. But before the fictional rise of Peggy Olson or the real-life stories of Patricia Tierney and Jane Maas came Jean Wade Rindlaub: a female powerbroker who used her considerable success in the workplace to encourage other women--to stick to their kitchens. The Angel in the Marketplace is the story of one of America's most accomplished advertising executives. It is also the story of how advertisers like Rindlaub sold a postwar American dream of capitalism and a Christian corporate order. Rindlaub was responsible for award-winning, mega sales-generating advertisements for all things domestic, including Oneida Silverware, Betty Crocker Cake Mix, Campbell's Soup, and Chiquita Bananas. Her success largely came from embracing, rather than subverting, the cultural expectations of women. She believed her responsibility as an advertiser was not to spring women from their trap, but to make that trap more comfortable. Rindlaub wasn't just selling silverware and cakes, she was selling the virtues of free enterprise. By following the arc of Rindlaub's career from the 1920s through the 1960s, we witness how a range of cultural narratives--advertising chief among them--worked powerfully to shape women's emotional and economic behavior in support of the free market system. Alongside Rindlaub's story, Ellen Wayland-Smith provides a riveting history of how women were repeatedly sold the idea that their role as housewives was more powerful, and more patriotic, than any outside the home. And by buying into the image of morality through an unregulated market, many of these women helped fuel backlash against economic regulation and socialization efforts throughout the twentieth century. The Angel in the Marketplace is a nuanced portrayal of a complex woman, one who both shaped and reflected the complicated cultural, political, and religious forces defining femininity in America at mid-century. This compelling account of one of advertising's most fervent believers is a tale of a Mad Woman we haven't been told.

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**WINNER of the PULITZER PRIZE for NON-FICTION 2016**In a thrilling dramatic narrative, Pulitzer Prize-winning reporter Joby Warrick traces how the strain of militant Islam behind ISIS first arose in a remote Jordanian prison and spread to become the world's greatest threat. When the government of Jordan granted amnesty to a group of political prisoners in 1999, it little realized that among them was Abu Musab al-Zarqawi, a terrorist mastermind and soon the architect of an Islamist movement bent on dominating the Middle East. In Black Flags, an unprecedented character-driven account of the rise of ISIS, Joby Warrick shows how the zeal of this one man and the strategic mistakes of Western governments led to the banner of ISIS being raised over huge swathes of Syria and Iraq. Zarqawi began by directing terror attacks from a base in northern Iraq, but it was the allied invasion in 2003 that catapulted him to the head of a vast insurgency. By falsely identifying him as the link between Saddam Hussein and Osama bin Laden, Western officials inadvertently spurred like-minded radicals to rally to his cause. Their wave of brutal beheadings and suicide bombings persisted until American and Jordanian intelligence discovered clues that led to a lethal airstrike on Zarqawi’s hideout in 2006. His movement, however, endured. First calling themselves al-Qaeda in Iraq, then Islamic State of Iraq and Syria, or ISIS, his followers sought refuge in unstable, ungoverned pockets on the Iraq-Syria border. When the Syrian civil war broke out in 2011, and the rest of the world largely stood by, ISIS seized its chance to pursue Zarqawi’s dream of an ultra-conservative Islamic caliphate. Drawing on unique high-level access to global intelligence sources, Warrick weaves gripping, moment-by-moment operational details with the perspectives of diplomats and spies, generals and heads of state, many of whom foresaw a menace worse than al Qaeda and tried desperately to stop it. Black Flags is a brilliant and definitive history that reveals the long arc of today’s most dangerous extremist threat.

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NATIONAL BESTSELLER“Engrossing...studded with wisdom about long-held bonds.” —People, Book of the Week“Enthralling, masterfully written...rich with social and psychological insights.” —The New York Times Book Review“A magnificent storytelling feat.” —The Boston GlobeThe “utterly engrossing, sweeping” (Time) story of a lifelong friendship between two very different “superbly depicted” (The Wall Street Journal) women with shared histories, divisive loyalties, hidden sorrows, and eighty years of summers on a pristine point of land on the coast of Maine, set across the arc of the 20th century. Celebrated children’s book author Agnes Lee is determined to secure her legacy—to complete what she knows will be the final volume of her pseudonymously written Franklin Square novels; and even more consuming, to permanently protect the peninsula of majestic coast in Maine known as Fellowship Point. To donate the land to a trust, Agnes must convince shareholders to dissolve a generations-old partnership. And one of those shareholders is her best friend, Polly. Polly Wister has led a different kind of life than Agnes: that of a well-off married woman with children, defined by her devotion to her husband, a philosophy professor with an inflated sense of stature. She strives to create beauty and harmony in her home, in her friendships, and in her family. Polly soon finds her loyalties torn between the wishes of her best friend and the wishes of her three sons—but what is it that Polly wants herself? Agnes’s designs are further muddied when an enterprising young book editor named Maud Silver sets out to convince Agnes to write her memoirs. Agnes’s resistance cannot prevent long-buried memories and secrets from coming to light with far-reaching repercussions for all. “An ambitious and satisfying tale” (The Washington Post), Fellowship Point reads like a 19th-century epic, but it is entirely contemporary in its “reflections on aging, writing, stewardship, legacies, independence, and responsibility. At its heart, Fellowship Point is about caring for the places and people we love...This magnificent novel affirms that change and growth are possible at any age” (The Christian Science Monitor).

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More than a quarter-century after his death, James Baldwin remains an unparalleled figure in American literature and African American cultural politics. In Who Can Afford to Improvise? Ed Pavlić offers an unconventional, lyrical, and accessible meditation on the life, writings, and legacy of James Baldwin and their relationship to the lyric tradition in black music, from gospel and blues to jazz and R&B. Based on unprecedented access to private correspondence, unpublished manuscripts and attuned to a musically inclined poet’s skill in close listening, Who Can Afford to Improvise? frames a new narrative of James Baldwin’s work and life. The route retraces the full arc of Baldwin’s passage across the pages and stages of his career according to his constant interactions with black musical styles, recordings, and musicians. Presented in three books — or movements — the first listens to Baldwin, in the initial months of his most intense visibility in May 1963 and the publication of The Fire Next Time. It introduces the key terms of his lyrical aesthetic and identifies the shifting contours of Baldwin’s career from his early work as a reviewer for left-leaning journals in the 1940s to his last published and unpublished works from the mid-1980s. Book II listens with Baldwin and ruminates on the recorded performances of Billie Holiday and Dinah Washington, singers whose message and methods were closely related to his developing world view. It concludes with the first detailed account of “The Hallelujah Chorus,” a performance from July 1, 1973, in which Baldwin shared the stage at Carnegie Hall with Ray Charles. Finally, in Book III, Pavlić reverses our musically inflected reconsideration of Baldwin’s voice, projecting it into the contemporary moment and reading its impact on everything from the music of Amy Winehouse, to the street performances of Turf Feinz, and the fire of racial oppression and militarization against black Americans in the 21st century. Always with an ear close to the music, and avoiding the safe box of celebration, Who Can Afford to Improvise? enables a new kind of “lyrical travel” with the instructive clarity and the open-ended mystery Baldwin’s work invokes into the world.

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A riveting story of environmental disaster and political intrigue, Moving Water exposes how Florida's clean water is threatened by dirty power players and the sugar cane industry.Only a century ago, nearly all of South Florida was under water. The Everglades, one of the largest wetlands in the world, was a watery arc extending over 3 million acres. Today, that wetland ecosystem is half of its former self, supplanted by housing for the region's exploding population and over 700,000 acres of crops, including the nation's largest supply of sugar cane. Countless canals, dams, and pump stations keep the trickle flowing, but rarely address the cascade of environmental consequences, including dangerous threats to a crucial drinking water source for a full third of Florida's residents. In Moving Water, environmental journalist Amy Green explores the story of unlikely conservation heroes George and Mary Barley, wealthy real estate developers and champions of the Everglades, whose complicated legacy spans from fisheries in Florida Bay to the political worlds of Tallahassee and Washington. At the center of their surprising saga is the establishment and evolution of the Comprehensive Everglades Restoration Plan (CERP), a $17 billion taxpayer-funded initiative aimed at reclaiming this vital ecosystem. Green explains that, like the meandering River of Grass, the progress of CERP rarely runs straight, especially when it comes up against the fierce efforts of sugar-growing interests, or "Big Sugar," to obstruct the cleanup of fertilizer runoff wreaking havoc with restoration. This engrossing exposé tackles some of the most important issues of our time: Is it possible to save a complex ecosystem such as the Everglades—or, once degraded, are such ecological wonders gone forever? What kind of commitments—economic, scientific, and social—will it take to rescue our vulnerable natural resources? What influences do special interests wield in our everyday lives, and what does it take to push real reform through our democracy? A must-read for anyone fascinated by stories of political intrigue and the work of environmental crusaders like Erin Brockovich, as well as anyone who cares about the future of Florida, this book reveals why the Everglades serve as a model—and a warning—for environmental restoration efforts worldwide.

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One of Choice's Significant University Press Titles for Undergraduates, 2010-2011 A necessary cultural and historical discussion on the stigma of fatness To be fat hasn’t always occasioned the level of hysteria that this condition receives today and indeed was once considered an admirable trait. Fat Shame: Stigma and the Fat Body in American Culture explores this arc, from veneration to shame, examining the historic roots of our contemporary anxiety about fatness. Tracing the cultural denigration of fatness to the mid 19th century, Amy Farrell argues that the stigma associated with a fat body preceded any health concerns about a large body size. Firmly in place by the time the diet industry began to flourish in the 1920s, the development of fat stigma was related not only to cultural anxieties that emerged during the modern period related to consumer excess, but, even more profoundly, to prevailing ideas about race, civilization and evolution. For 19th and early 20th century thinkers, fatness was a key marker of inferiority, of an uncivilized, barbaric, and primitive body. This idea—that fatness is a sign of a primitive person—endures today, fueling both our $60 billion “war on fat” and our cultural distress over the “obesity epidemic.” Farrell draws on a wide array of sources, including political cartoons, popular literature, postcards, advertisements, and physicians’ manuals, to explore the link between our historic denigration of fatness and our contemporary concern over obesity. Her work sheds particular light on feminisms’ fraught relationship to fatness. From the white suffragists of the early 20th century to contemporary public figures like Oprah Winfrey, Monica Lewinsky, and even the Obama family, Farrell explores the ways that those who seek to shed stigmatized identities—whether of gender, race, ethnicity or class—often take part in weight reduction schemes and fat mockery in order to validate themselves as “civilized.” In sharp contrast to these narratives of fat shame are the ideas of contemporary fat activists, whose articulation of a new vision of the body Farrell explores in depth. This book is significant for anyone concerned about the contemporary “war on fat” and the ways that notions of the “civilized body” continue to legitimate discrimination and cultural oppression.

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An awe-inspiring exploration of the sounds of the living Earth, and the joys and threats of human music, language and noise. 'A symphony, filled with the music of life . . . fascinating, heartbreaking, and beautifully written.'ELIZABETH KOLBERT, author of The Sixth Extinction'Sounds Wild and Broken affirms Haskell as a laureate for the earth, his finely tuned scientific observations made more potent by his deep love for the wild he hopes to save.'NEW YORK TIMES'Wonderful . . . a reminder that the narrow aural spectrum on which most of us operate, and the ways in which human life is led, blocks out the planet's great, orchestral richness.'GUARDIANWe live on a planet alive with song, music, and speech. David George Haskell explores how these wonders came to be. In rainforests shimmering with insect sounds and swamps pulsing with frog calls we learn about evolution's creative powers. From birds in the Rocky Mountains and on the streets of Paris, we discover how animals learn their songs and adapt to new environments. Below the waves, we hear our kinship to beings as different as snapping shrimp, toadfish, and whales. In the startlingly divergent sonic vibes of the animals of different continents, we experience the legacies of plate tectonics, the deep history of animals and their movements around the world, and the quirks of aesthetic evolution.Starting with the origins of animal song and traversing the whole arc of Earth's history, Haskell illuminates and celebrates the emergence of the varied sounds of our world. In mammoth ivory flutes from Paleolithic caves, violins in modern concert halls, and electronic music in earbuds, we learn that human music and language belong within this story of ecology and evolution. Yet we are also destroyers, now silencing or smothering many of the sounds of the living Earth. Haskell takes us to threatened forests, noise-filled oceans, and loud city streets to show that sonic crises are not mere losses of sensory ornament. Sound is a generative force, and so the erasure of sonic diversity makes the world less creative, less beautiful. Sounds Wild and Broken is an invitation to listen, wonder, act.'Absolutely fascinating.' MARIELLA FROSTRUP, TIMES RADIO'Enlightening and sobering.' JINI REDDY, METRO

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Winner of the Northern California Book Award for General NonfictionNew York Times bestselling author David Talbot and New Yorker journalist Margaret Talbot illuminate “America’s second revolutionary generation” in this gripping history of one of the most dynamic eras of the twentieth century—brought to life through seven defining radical moments that offer vibrant parallels and lessons for today.The political landscape of the 1960s and 1970s was perhaps one of the most tumultuous in this country's history, shaped by the fight for civil rights, women’s liberation, Black power, and the end to the Vietnam War. In many ways, this second American revolution was a belated fulfillment of the betrayed promises of the first, striving to extend the full protections of the Bill of Rights to non-white, non-male, non-elite Americans excluded by the nation’s founders.Based on exclusive interviews, original documents, and archival research, By the Light of Burning Dreams explores critical moments in the lives of a diverse cast of iconoclastic leaders of the twentieth century radical movement: Bobby Seale of the Black Panthers; Heather Booth and the Jane Collective, the first underground feminist abortion clinic; Vietnam War peace activists Tom Hayden and Jane Fonda; Cesar Chavez, Dolores Huerta and the United Farm Workers; Craig Rodwell and the Gay Pride movement; Dennis Banks, Madonna Thunder Hawk, Russell Means and the warriors of Wounded Knee; and John Lennon and Yoko Ono’s politics of stardom. Margaret and David Talbot reveal the epiphanies that galvanized these modern revolutionaries and created unexpected connections and alliances between individual movements and across race, class, and gender divides. America is still absorbing—and reacting against—the revolutionary forces of this tumultuous period. The change these leaders enacted demanded much of American society and the human imagination. By the Light of Burning Dreams is an immersive and compelling chronicle of seven lighting rods of change and the generation that engraved itself in American narrative—and set the stage for those today, fighting to bend forward the arc of history. By the Light of Burning Dreams includes a 16-page black-and-white photo insert.

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If you thought that it was a man's world, think again! 100 Women Who Made History is the exciting story of the women who changed the world.Get ready to meet some of history’s wonder women. From super scientists like Marie Curie and Rosalind Franklin to clued-up creatives like Emily Dickinson and J.K Rowling. Celebrate centuries of brave and brilliant women with this visual educational book. Meet the most talented and famous women in history. Figures who changed politics, science, business, and the arts, to those who were exciting entrepreneurs and clever creatives.Discover the landmark moments in the lives of amazing historical women. Learn about leading ladies like Joan of Arc and Eleanor Roosevelt, and modern game-changers such as Maya Angelou, Angela Merkel, Serena Williams, and Malala Yousafzai.A rich history book for kids that explores the lives of each woman in detail with beautiful photography and quirky “bobblehead” illustrations that present history on an engaging and fun way.Meet The Wonder Women Who Helped Shape The WorldTake a tour of the past and uncover the stories of the women and girls who have shaped the modern world. Find out what made Catherine so Great, why millions have read Anne Frank’s diary, and how Harriet Tubman led hundreds to freedom.Kids can easily put each woman’s story into context with "what came before…" and "what came after…" panels showing the things that influenced and were influenced by each woman. Special features highlight contemporaneous women and women in similar fields to paint a more complete picture for young readers.100 Women Who Made History is a wonderfully inspirational history book for girls and boys ages 9 and up. This history book is a great learning tool for all children that broaches themes like human rights and gender equality from an age-appropriate angle.Learn about the different remarkable women in the past:- Clued-up creatives- Super scientists- Learning ladies- Intrepid entrepreneurs- Amazing achievers100 Women Who Made History is part of the 100 Who Made History book series. Explore the most important people in history and how they contributed to significant attributes of the past that have helped to shape the past into our present.

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Baron Roman Fedorovich von Ungern-Sternberg (1885–1921) was a Baltic German aristocrat and tsarist military officer who fought against the Bolsheviks in Eastern Siberia during the Russian Civil War. From there he established himself as the de facto warlord of Outer Mongolia, the base for a fantastical plan to restore the Russian and Chinese empires, which then ended with his capture and execution by the Red Army as the war drew to a close. In The Baron’s Cloak, Willard Sunderland tells the epic story of the Russian Empire’s final decades through the arc of the Baron’s life, which spanned the vast reaches of Eurasia. Tracking Ungern’s movements, he transits through the Empire’s multinational borderlands, where the country bumped up against three other doomed empires, the Habsburg, Ottoman, and Qing, and where the violence unleashed by war, revolution, and imperial collapse was particularly vicious. In compulsively readable prose that draws on wide-ranging research in multiple languages, Sunderland re-creates Ungern’s far-flung life and uses it to tell a compelling and original tale of imperial success and failure in a momentous time. Sunderland visited the many sites that shaped Ungern’s experience, from Austria and Estonia to Mongolia and China, and these travels help give the book its arresting geographical feel. In the early chapters, where direct evidence of Ungern’s activities is sparse, he evokes peoples and places as Ungern would have experienced them, carefully tracing the accumulation of influences that ultimately came together to propel the better documented, more notorious phase of his career. Recurring throughout Sunderland’s magisterial account is a specific artifact: the Baron’s cloak, an essential part of the cross-cultural uniform Ungern chose for himself by the time of his Mongolian campaign: an orangey-gold Mongolian kaftan embroidered in the Khalkha fashion yet outfitted with tsarist-style epaulettes on the shoulders. Like his cloak, Ungern was an imperial product. He lived across the Russian Empire, combined its contrasting cultures, fought its wars, and was molded by its greatest institutions and most volatile frontiers. By the time of his trial and execution mere months before the decree that created the USSR, he had become a profoundly contradictory figure, reflecting both the empire’s potential as a multinational society and its ultimately irresolvable limitations.

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“Arresting, heartbreaking, and meditative.”—ALA Booklist (starred review)“Hand this to anyone trying their best wobbling through the precarious and precious parts of life.”—Bulletin of the Center for Children’s Books (starred review)“An intriguing dynamic and a twist on the typical romance arc.”—Kirkus ReviewsStruggling to balance the expectations of her immigrant mother with her own deep ambivalence about her place in the world, seventeen-year-old Ocean Sun takes her savings and goes off the grid. A haunting and romantic novel about family, friendship, philosophy, fitting in, and love from Amy Zhang, the acclaimed author of Falling into Place and This Is Where the World Ends.Ocean Sun has always felt an enormous pressure to succeed. After struggling with depression during her senior year of high school, Ocean moves to New York City, where she has been accepted at a prestigious university. But Ocean feels so emotionally raw and unmoored (and uncertain about what is real and what is not) that she decides to defer and live off her savings until she can get herself together. She also decides not to tell her mother (whom she loves very much but doesn’t want to disappoint) that she is deferring—at least until she absolutely must.In New York, Ocean moves into an apartment with Georgie and Tashya, two strangers who soon become friends, and gets a job tutoring. She also meets a boy—Constantine Brave (a name that makes her laugh)—late one night on the subway. Constant is a fellow student and a graffiti artist, and Constant and Ocean soon start corresponding via Google Docs—they discuss physics, philosophy, art, literature, and love. But everything falls apart when Ocean goes home for Thanksgiving, Constant reveals his true character, Georgie and Tashya break up, and the police get involved.Ocean, Constant, Georgie, and Tashya are all cartographers—mapping out their futures, their dreams, and their paths toward adulthood in this stunning and heartbreaking novel about finding the strength to control your own destiny. For fans of Nina LaCour’s We Are Okay and Daniel Nayeri’s Everything Sad Is Untrue.

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ECHO: A Vocal Language Program for Easing Anxiety in Conversation is for clinicians supporting individuals who may experience social anxiety related to speaking in specific situations, or with certain individuals. Anxiety has a negative impact on working memory, which can make it difficult for individuals to communicate with ease. With reduced experiences talking to a variety of people in various situations, speaking often becomes more challenging. The ECHO program was developed to build ease and comfort with social pragmatic communication, focusing on improving conversational skills for children from later elementary through teenage years. The program can be implemented by speech-language pathologists, psychologists, educators, and other facilitators (including parents), who support the needs of children and teens with selective mutism, stuttering, and those in need of social communication support. This unique intervention program combines methods of vocalization and verbalization to enhance conversational skills with role-play simulations for real-life application. There are three modules in the ECHO program that build upon each other: Module 1 uses interactive games to focus on vocal control, helping the child or teen learn how to initiate voice, modulate intonation and volume with greater ease, and produce classes of speech sounds in words and sentences. Module 2 provides targeted skills for the child or teen to use language for different purposes, change language for the listeners or situation, and follow rules for conversation and storytelling; all with online interactive games to become a more spontaneous communicator. Module 3 builds on the previous two modules by providing conversational role-plays which simulate real-life situations in school, at home, and in social and public settings. A cognitive behavioral therapy (CBT) framework is applied to help reduce cognitive distortions. Key Features Three modules bridging the gap from vocalization to conversation The ECHO Checklist to identify communication needs Social Communication Skills Pragmatics Checklist The ARC model for understanding anxiety tolerance, rescue reduction, and communication confidence Thirty-five interactive games and activities with over 150 photos (online and printed) to help children and teens gain skills necessary to vocalize and engage in conversation A PluralPlus companion website with interactive activities for in-person and telepractice use

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An awe-inspiring exploration of the sounds of the living Earth, and the joys and threats of human music, language and noise. 'A symphony, filled with the music of life . . . fascinating, heartbreaking, and beautifully written.'ELIZABETH KOLBERT, author of The Sixth Extinction'Sounds Wild and Broken affirms Haskell as a laureate for the earth, his finely tuned scientific observations made more potent by his deep love for the wild he hopes to save.'NEW YORK TIMES'Wonderful . . . a reminder that the narrow aural spectrum on which most of us operate, and the ways in which human life is led, blocks out the planet's great, orchestral richness.'GUARDIANWe live on a planet alive with song, music, and speech. David George Haskell explores how these wonders came to be. In rainforests shimmering with insect sounds and swamps pulsing with frog calls we learn about evolution's creative powers. From birds in the Rocky Mountains and on the streets of Paris, we discover how animals learn their songs and adapt to new environments. Below the waves, we hear our kinship to beings as different as snapping shrimp, toadfish, and whales. In the startlingly divergent sonic vibes of the animals of different continents, we experience the legacies of plate tectonics, the deep history of animals and their movements around the world, and the quirks of aesthetic evolution.Starting with the origins of animal song and traversing the whole arc of Earth's history, Haskell illuminates and celebrates the emergence of the varied sounds of our world. In mammoth ivory flutes from Paleolithic caves, violins in modern concert halls, and electronic music in earbuds, we learn that human music and language belong within this story of ecology and evolution. Yet we are also destroyers, now silencing or smothering many of the sounds of the living Earth. Haskell takes us to threatened forests, noise-filled oceans, and loud city streets to show that sonic crises are not mere losses of sensory ornament. Sound is a generative force, and so the erasure of sonic diversity makes the world less creative, less beautiful.Sounds Wild and Broken is an invitation to listen, wonder, act.'Absolutely fascinating.'MARIELLA FROSTRUP, TIMES RADIO'Enlightening and sobering.'JINI REDDY, METRO

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Martin Bowman's revealing narrative of the aerial conflict in South-East Asia, 1965-1972, which had its beginnings in 1 November 1955, engulfed Vi tnam, Laos, and Cambodia and only ended with the fall of S ig n on 30 April 1975 has resulted from decades of painstaking fact-finding as well as detailed correspondence with surviving aircrew incorporating a wealth of first-hand accounts, some never told before, supported by dozens of rare and unusual photographs. Together they describe in adrenalin-pumping accuracy the furious aerial battles of a long suffering and bitter war in South-East Asia and in particular the frontline action in the skies over Vietnam that will keep readers on the edge of their seats. They too will find a new and useful perspective on a conflict that cost the Americans 58,022 dead and brought the USA worldwide condemnation for its role in Southeast Asia. Nearly 2,500 Americans remained missing'. This work serves as a tribute to the courageous pilots who flew the F-104 Starfighter in the Widowmakers' war and B-52 bomber crews on Arc Light' Linebacker II' strikes and the eleven days of Christmas which ultimately ended the aerial campaign against North Vi tnam. And as well, strike aircraft such as the USAF F-4 Phantom and the F-105 Thud' and the US Navy carrier-borne jet and propeller-driven strike aircraft and the Americans' sworn enemy, the North Vi?tnamese MiG fighters, feature large, from Rolling Thunder' onwards. Equally, the Hueys and Chinooks and other notable work horses that participated on combat assaults or Ash & Trash missions and transports like the C-130 Herky-Bird', C-123 Provider, Caribou and Vi tnamese C-47 - the Haulers On Call' - that performed sterling service during the gruelling air campaign are not forgotten either. Here, at first hand, are their stories which also include some of the less publicised American forces like the pilots and crewmen who flew the Bird Dogs and all manner of helicopters as well as the largely forgotten Australian and New Zealand Air Force units and the Anzac Battalions whose valuable contributions are too often overlooked. So too is the cost in human misery, death and destruction.

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This lyrical adventure sweeps us through time and across Europe and the Middle East, charting the lands and events of the period known as the Middle Ages. Artworks, maps, and fine photography illuminate the key events of every century, beginning with the fall of the Roman Empire in A.D. 476 and moving forward to A.D. 1500 - the beginning of the age of discovery. Vibrant text from author John M. Thompson captures the drama and intrigue of the era, exploring wars, migrations, occupations, and inventions. Three hundred illustrations - antique paintings, magnificent portraits, illuminated manuscripts, and historical documents such as "Magna Carta" and the "Domesday Book" - lend rich immediacy. More than 60 maps, among them specially commissioned illustrated presentations and a lavishly drawn crusader map from A.D. 1170, chart important routes and events including the spread of Christianity and Islam. Twelve richly illustrated spreads chronicle the amusements, clothing, feasts, science, books, animals, and other aspects of daily life in the Middle Ages. Voices of the medieval world come alive through quotations from literature, letters, and journals that have survived the passage of time. Sidebars in every chapter examine important beliefs, arts and letters, architecture, and innovations. Biographical features introduce fascinating women and men, revealing the stories behind famous names like King Arthur, whose legend is noted in medieval Welsh literature. Joan of Arc, the teenage French peasant whose infamous trial is documented word for chilling word. Charlemagne, 8th-century ruler of an empire that encompassed Western and Central Europe. Saladin, sultan of the Arab world and enemy of the crusaders, yet respected by them for his high standards of chivalry. And his foe, Richard the Lionhearted, iconic king of England who spent most of his life elsewhere. In a unique feature that helps readers trace the march of time and progress, a world-class city is highlighted to exemplify the character and developments of each century. These key urban areas include London, Paris, Barcelona, Constantinople, and Damascus. Their histories are traced on fascinating time lines that also tie in global happenings during the century, for a rich overview of world events and progress. Painstakingly designed for accuracy and ease of use, "The Medieval World" is a fine reference for libraries, schools, families, and all who find fascination in this pivotal yet mysterious era of world history.

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In times of crisis: Quo vadis, architecture? Driven by the desire to create better worlds in the face of multiple crises, architects are attempting to rethink society, cities, and forms of living, to renew architecture and its materiality, and to develop a new aesthetic. As “tipping points,” crises offer new perspectives. Using the examples of historical as well as contemporary projects, Susanne Stacher examines different strategies in architecture. Ideas from science and philosophy (including those of Pierre-Henri Castel and Hartmut Rosa) provide a base from which to question ideas of progress, growth, nature, and society, which are represented in the selected architectural projects. This book spans a broad historical arc and includes a plea to reflect on the role of architecture and urbanism in times of ecological crisis. A historical and philosophical examination of architecture in times of crisis From archaism to the pursuit of deceleration, creation through destruction, and the reenchantment of the world Projects/concepts by Hans Hollein, Ebenezer Howard, Bjarke Ingels, Le Corbusier, Adolf Loos, Paul Otlet, Bernard Rudofsky, and others En temps de crise : Quo vadis, architecture ? Animés par le désir de créer des mondes meilleurs en temps de crise, les architectes cherchent à restructurer la société, à repenser le lien entre la ville et la campagne, à réimaginer les villes et les formes d’habitat, à réinventer l’architecture et sa matérialité – et créent ainsi une nouvelle esthétique. Les crises sont des points de basculement, où le temps est comme suspendu, où les attentes vis-à-vis de l’avenir changent, et où s’ouvrent de nouvelles perspectives. Prenant appui sur des projets historiques et contemporains, Susanne Stacher examine différentes stratégies architecturales. De nombreuses positions scientifiques et philosophiques (notamment celles de Pierre-Henri Castel et Hartmut Rosa) permettent de questionner les notions de progrès, de croissance, de nature et de société telles qu’elles s’expriment à travers les projets architecturaux présentés. Ce livre couvre un large spectre historique et constitue un plaidoyer pour une réflexion approfondie sur le rôle de l’architecture et de l’urbanisme face à la crise écologique. Une réflexion historique et philosophique sur l’architecture en temps de crise De l’archaïsme à la recherche de la décélération, de la création par destruction au réenchantement du monde Projets de Hans Hollein, Bjarke Ingels, Ebenezer Howard, Le Corbusier, Adolf Loos, Paul Otlet, Bernard Rudofsky, etc. Susanne Stacher, architecte, professeure en théorie et pratique de la conception architecturale et urbaine à l’ÉNSA Versailles

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Kids deal with racism and social justice issues every day; give them the tools to effectively fight injustices using Christian principles and practical tools. In this adaptation of?How To Fight Racism, Dr. Jemar Tisby helps young readers ages 8-12 understand how everyday prejudice affects them, what they can do to create social change, how to maintain an anti-racist mindset, and make a positive difference in the world. Racism is pervasive in today's world, and in the wake of protests and a call for change, many kids are eager to confront it but aren’t always sure how. Jemar Tisby, author of?How to Fight Racism?and?The Color of Compromise, believes we need to move beyond mere discussions?about?racism and begin equipping young people with the practical tools to fight against it. In?How to Fight Racism Young Reader’s Edition,?Dr. Tisby uses history to explore how racism has affected America since before its founding and how it’s continued to grow, as well as examines how true social justice is rooted in the Christian faith. In a format that provides kids with a handbook for pursuing racial justice, readers ages 8-12 will discover: hands-on suggestions and real-world examples of?change they can put into action practical ideas for confronting racism and social injustice in their?everyday lives, and how they can use Christian values to change the narrative around race the ARC of racial justice—Awareness, Connection, and?Relationships—that help form an anti-racist mindset ways to evaluate their actions and promote biblical principles Throughout, kids will learn how to ask questions of themselves and their communities as they stand up to racism in all its forms. This book is for anyone who believes it is time to courageously confront the racism we see in our society today. How to Fight Racism Young Reader’s Edition: Is ideal for any young person wanting to make a?difference in today’s world Can be used by families and church groups to start?meaningful conversations with kids Provides practical tools and advice for how to deal with social justice and racism Is written at a level kids in grades 4 through 6 and?beyond can understand Can be used in a small group setting to develop discussions of diversity, racism, social justice, and more

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Equal parts Sapiens, Behave, and Superintelligence, but wholly original in scope, A Brief History of Intelligence offers a paradigm shift for how we understand neuroscience and AI. Artificial intelligence entrepreneur Max Bennett chronicles the five “breakthroughs” in the evolution of human intelligence and reveals what brains of the past can tell us about the AI of tomorrow. In the last decade, capabilities of artificial intelligence that had long been the realm of science fiction have, for the first time, become our reality. AI is now able to produce original art, identify tumors in pictures, and even steer our cars. And yet, large gaps remain in what modern AI systems can achieve—indeed, human brains still easily perform intellectual feats that we can’t replicate in AI systems. How is it possible that AI can beat a grandmaster at chess but can’t effectively load a dishwasher? As Max Bennett compellingly argues, finding the answer requires diving into the billion-year history of how the human brain evolved; a history filled with countless half-starts, calamities, and clever innovations. Not only do our brains have a story to tell—the future of AI may depend on it.Now, in A Brief History of Intelligence, Bennett bridges the gap between neuroscience and AI to tell the brain’s evolutionary story, revealing how understanding that story can help shape the next generation of AI breakthroughs. Deploying a fresh perspective and working with the support of many top minds in neuroscience, Bennett consolidates this immense history into an approachable new framework, identifying the “Five Breakthroughs” that mark the brain’s most important evolutionary leaps forward. Each breakthrough brings new insight into the biggest mysteries of human intelligence. Containing fascinating corollaries to developments in AI, A Brief History of Intelligence shows where current AI systems have matched or surpassed our brains, as well as where AI systems still fall short. Simply put, until AI systems successfully replicate each part of our brain’s long journey, AI systems will fail to exhibit human-like intelligence.Endorsed and lauded by many of the top neuroscientists in the field today, Bennett’s work synthesizes the most relevant scientific knowledge and cutting-edge research into an easy-to-understand and riveting evolutionary story. With sweeping scope and stunning insights, A Brief History of Intelligence proves that understanding the arc of our brain’s history can unlock the tools for successfully navigating our technological future.

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Le fonds d’archives berbères inédites `Arsène Roux’ déposé à la Maison Méditerranéenne des Sciences de l'Homme (MMSH, Médiathèque) à Aix-en-Provence (France) est d’une richesse exceptionnelle. S’il a attiré plusieurs berbérisants s'intéressant à la langue, à la littérature et aux manuscrits, et si quelques publications ont déjà été réalisées, seule une très faible partie de ce fonds a été exploitée jusqu’ici. Une collaboration régulière a été mise en place depuis plusieurs années entre l’IREMAM d’Aix et l’IRCAM de Rabat en vue de l’exploitation et de la valorisation de ce fonds – elle est bien sûr largement ouverte à tous les chercheurs. La qualité et la pertinence des écrits d'Arsène Roux, disséminés dans des revues aujourd'hui difficilement accessibles, et l'originalité des matériaux linguistiques recueillis et exploités, ont amené les éditeurs à regrouper tous ses articles, communications et comptes-rendus dans le présent ouvrage intitulé Un berbérisant de terrain: Arsène Roux (1893-1971). Écrits et inédits. On y a également intégré un certain nombre de rapports et notes internes relatifs à l’enseignement du berbère pendant la période du Protectorat, ainsi que le fac-similé de quelques travaux d’élèves, tous particulièrement éclairants sur l’activité pédagogique d’A. Roux. Car la carrière d'Arsène Roux a été marquée par un domaine de prédilection : celui de l'enseignement, aussi bien du berbère que de l'arabe. Sa bibliothèque foisonne de documents relatifs à ce champ d'intérêt, fondés le plus souvent sur des corpus authentiques collectés auprès de ses informateurs, essentiellement Si Brahim Akenku et ses élèves du Collège berbère d’Azrou. Le fonds documentaire Roux renferme également de précieux manuscrits en tachelhit en caractères arabes, désormais numérisés. Roux avait plus d'une corde à son arc. Son intérêt pour la langue berbère et pour son enseignement l'a amené à projeter d'élaborer des ouvrages de référence, en l'occurrence un dictionnaire et une grammaire pour le tachelhit et le tamazight. Les fichiers lexicographiques, les matériaux lexicaux ainsi que les diverses notes de linguistique sont les éléments d'un grand projet que Roux n'a pas eu le temps d'achever, pourtant tous les ingrédients étaient réunis pour sa réalisation. On espère que la publication de cet hommage posthume suscitera des vocations parmi les jeunes générations de berbérisants qui trouveront dans ce fonds des matériaux linguistiques, littéraires et ethnographiques considérables, divers et fiables.

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Julia Ward Howe Award Finalist NBC News "Top Science and Tech Books of the Year" selection Scientific American/FSG "Favorite Science Books of the Year" selection Nature.com "Top Reads of the Year" selection Kirkus Reviews "Best Books of the Year" selection Discover magazine "Top 5 Summer Read" "A masterful balance of science, history and rich narrative." --Discover magazine "Hirshfeld tells this climactic discovery of the expanding universe with great verve and sweep, as befits a story whose scope, characters and import leave most fiction far behind." --Wall Street Journal "Starlight Detectives is just the sort of richly veined book I love to read--full of scientific history and discoveries, peopled by real heroes and rogues, and told with absolute authority. Alan Hirshfeld's wide, deep knowledge of astronomy arises not only from the most careful scholarship, but also from the years he's spent at the telescope, posing his own questions to the stars." --DAVA SOBEL, author of A More Perfect Heaven: How Copernicus Revolutionized the Cosmos and Longitude In 1929, Edwin Hubble announced the greatest discovery in the history of astronomy since Galileo first turned a telescope to the heavens. The galaxies, previously believed to float serenely in the void, are in fact hurtling apart at an incredible speed: the universe is expanding. This stunning discovery was the culmination of a decades-long arc of scientific and technical advancement. In its shadow lies an untold, yet equally fascinating, backstory whose cast of characters illuminates the gritty, hard-won nature of scientific progress. The path to a broader mode of cosmic observation was blazed by a cadre of nineteenth-century amateur astronomers and inventors, galvanized by the advent of photography, spectral analysis, and innovative technology to create the entirely new field of astrophysics. From William Bond, who turned his home into a functional observatory, to John and Henry Draper, a father and son team who were trailblazers of astrophotography and spectroscopy, to geniuses of invention such as Leon Foucault, and George Hale, who founded the Mount Wilson Observatory, Hirshfeld reveals the incredible stories--and the ambitious dreamers--behind the birth of modern astronomy. Alan Hirshfeld, Professor of Physics at the University of Massachusetts Dartmouth and an Associate of the Harvard College Observatory, is the author of Parallax: The Race to Measure the Cosmos, The Electric Life of Michael Faraday, and Eureka Man: The Life and Legacy of Archimedes.

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A Treatise of Legal Philosophy and General Jurisprudence is the first-ever multivolume treatment of the issues in legal philosophy and general jurisprudence, from both a theoretical and a historical perspective. The work is aimed at jurists as well as legal and practical philosophers. Edited by the renowned theorist Enrico Pattaro and his team, this book is a classical reference work that would be of great interest to legal and practical philosophers as well as to jurists and legal scholar at all levels. The work is divided in two parts. The theoretical part (published in 2005), consisting of five volumes, covers the main topics of the contemporary debate; the historical part, consisting of six volumes (Volumes 6-8 published in 2007; Volumes 9 and 10, published in 2009; Volume 11 published in 2011 and Volume 12 forthcoming in 2016), accounts for the development of legal thought from ancient Greek times through the twentieth century. Volume 12 Legal Philosophy in the Twentieth Century: The Civil Law WorldVolume 12 of A Treatise of Legal Philosophy and General Jurisprudence, titled Legal Philosophy in the Twentieth Century: The Civil-Law World, functions as a complement to Gerald Postema’s volume 11 (titled Legal Philosophy in the Twentieth Century: The Common Law World), and it offers the first comprehensive account of the complex development that legal philosophy has undergone in continental Europe and Latin America since 1900. In this volume, leading international scholars from the different language areas making up the civil-law world give an account of the way legal philosophy has evolved in these areas in the 20th century, the outcome being an overall mosaic of civil-law legal philosophy in this arc of time. Further, specialists in the field describe the development that legal philosophy has undergone in the 20th century by focusing on three of its main subjects—namely, legal positivism, natural-law theory, and the theory of legal reasoning—and discussing the different conceptions that have been put forward under these labels. The layout of the volume is meant to frame historical analysis with a view to the contemporary theoretical debate, thus completing the Treatise in keeping with its overall methodological aim, namely, that of combining history and theory as a necessary means by which to provide a comprehensive account of jurisprudential thinking.

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“Marvelous. . . . Wonderfully imaginative. . . . Sparkling.”—Wall Street Journal “Stunning. . . . Read this book: in equal measure it will give you hope and trouble your dreams.”—Laura Dassow Walls, author of Henry David Thoreau: A Life and Passage to Cosmos: Alexander von Humboldt’s Shaping of America Georg Forster (1754–94) was in many ways self-taught and rarely had two cents to rub together, but he became one of the most dynamic figures of the Enlightenment: a brilliant writer, naturalist, explorer, illustrator, translator—and a revolutionary. Granted the extraordinary opportunity to sail around the world as part of Captain James Cook’s fabled crew, Forster touched icebergs, walked the beaches of Tahiti, visited far-flung foreign nations, lived with purported cannibals, and crossed oceans and the equator. Forster recounted the journey in his 1777 book A Voyage Round the World, a work of travel and science that not only established Forster as one of the most accomplished stylists of the time—and led some to credit him as the inventor of the literary travel narrative—but also influenced other German trailblazers of scientific and literary writing, most notably Alexander von Humboldt. A superb essayist, Forster made lasting contributions to our scientific—and especially botanical and ornithological—knowledge of the South Seas. Having witnessed more egalitarian societies in the southern hemisphere, Forster returned after more than three years at sea to a monarchist Europe entering the era of revolution. When, following the French Revolution of 1789, French forces occupied the German city of Mainz, Forster became a leading political actor in the founding of the Republic of Mainz—the first democratic state on German soil. In an age of Kantian reason, Forster privileged experience. He claimed a deep connection between nature and reason, nature and politics, nature and revolution. His politics was radical in its understanding of revolution as a natural phenomenon, and in this often overlooked way his many facets—as voyager, naturalist, and revolutionary—were intertwined. Yet, in the constellation of the Enlightenment’s trailblazing naturalists, scientists, political thinkers, and writers, Forster’s star remains relatively dim today: the Republic of Mainz was crushed, and Forster died in exile in Paris. This book is the source of illumination that Forster’s journey so greatly deserves. Tracing the arc of this unheralded polymath’s short life, Georg Forster explores both his contributions to literature and science and the enduring relationship between nature and politics that threaded through his extraordinary four decades.

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Winner, James Beard Award for Best Book in Vegetable-Focused CookingNamed a Best Cookbook of the Year by the Wall Street Journal, The Atlantic, Bon Appétit, Food Network Magazine, Every Day with Rachael Ray, USA Today, Seattle Times, Milwaukee Journal-Sentinel, Library Journal, Eater, and moreFeatured in The Strategist 's Nonobvious Wedding Gift Guide"Of the many vegetable-focused cookbooks on the market, few espouse the dual goals of starting from square one and of deploying minimal ingredients for maximum enjoyment. Joshua McFadden's guide excels at both. These are recipes that every last relative around your holiday table would use because they're umami-rich and can be made on a weeknight." -USA Today, 8 Cookbooks for People Who Don't Know How to Cook"If you're finding pantry cooking to mean too many uninspired pots of beans, might I suggest Six Seasons? [It] both highlights a perfectly ripe plant . . . and shows you how to transform slightly less peak-season produce (yes, the cabbage lurking in the back of your fridge right now counts) with heat, spice, acid, and fat." -Epicurious "Never before have I seen so many fascinating, delicious, easy recipes in one book. . . . [Six Seasons is] about as close to a perfect cookbook as I have seen . . . a book beginner and seasoned cooks alike will reach for repeatedly."-Lucky Peach Joshua McFadden, chef and owner of renowned trattoria Ava Gene's in Portland, Oregon, is a vegetable whisperer. After years racking up culinary cred at New York City restaurants like Lupa, Momofuku, and Blue Hill, he managed the trailblazing Four Season Farm in coastal Maine, where he developed an appreciation for every part of the plant and learned to coax the best from vegetables at each stage of their lives. In Six Seasons, his first book, McFadden channels both farmer and chef, highlighting the evolving attributes of vegetables throughout their growing seasons-an arc from spring to early summer to midsummer to the bursting harvest of late summer, then ebbing into autumn and, finally, the earthy, mellow sweetness of winter. Each chapter begins with recipes featuring raw vegetables at the start of their season. As weeks progress, McFadden turns up the heat-grilling and steaming, then moving on to sautés, pan roasts, braises, and stews. His ingenuity is on display in 225 revelatory recipes that celebrate flavour at its peak.

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Winner of the 2023 National Book Award in Nonfiction • National Bestseller • A New Yorker Best Book of 2023 • A New York Times Notable Book of 2023 • A Washington Post Notable Work of Nonfiction of 2023 • An Esquire Best Book of 2023 • An NPR “Book We Love” for 2023 • A Publishers Weekly Best Book of 2023 • A Tribal College Journal Best Native Studies Book of 2023 • A Michigan Notable Book of 2024 • A Powell’s Books “Best Books of 2023: Nonfiction” • A Barnes & Noble Best Book of 2023 A sweeping and overdue retelling of U.S. history that recognizes that Native Americans are essential to understanding the evolution of modern America “Eloquent and comprehensive. . . . In the book’s sweeping synthesis, standard flashpoints of U.S. history take on new meaning.”—Kathleen DuVal, Wall Street Journal “In accounts of American history, Indigenous peoples are often treated as largely incidental—either obstacles to be overcome or part of a narrative separate from the arc of nation-building. Blackhawk . . . [shows] that Native communities have, instead, been inseparable from the American story all along.”—Washington Post Book World, “Books to Read in 2023” The most enduring feature of U.S. history is the presence of Native Americans, yet most histories focus on Europeans and their descendants. This long practice of ignoring Indigenous history is changing, however, as a new generation of scholars insists that any full American history address the struggle, survival, and resurgence of American Indian nations. Indigenous history is essential to understanding the evolution of modern America. Ned Blackhawk interweaves five centuries of Native and non‑Native histories, from Spanish colonial exploration to the rise of Native American self-determination in the late twentieth century. In this transformative synthesis he shows that • European colonization in the 1600s was never a predetermined success; • Native nations helped shape England’s crisis of empire; • the first shots of the American Revolution were prompted by Indian affairs in the interior; • California Indians targeted by federally funded militias were among the first casualties of the Civil War; • the Union victory forever recalibrated Native communities across the West; • twentieth-century reservation activists refashioned American law and policy. Blackhawk’s retelling of U.S. history acknowledges the enduring power, agency, and survival of Indigenous peoples, yielding a truer account of the United States and revealing anew the varied meanings of America.

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THE NEW YORK TIMES AND TIMES BESTSELLER_______________________'A gripping historical adventure that feels sharp, fresh and modern' STYLIST'So beautiful, so daring, so complete' TAYLOR JENKINS REID'A masterpiece' NIGELLA LAWSON'Extraordinary' NEW YORK TIMES'Wonderful' GOOD HOUSEKEEPING MAGAZINE_______________________A soaring, breathtakingly ambitious novel that weaves together the astonishing lives of a 1950s vanished female aviator and the modern-day Hollywood actress who plays her on screen.Marian Graves is driven by a need for freedom and danger. From her days as a wild child in prohibition America to the blitz and glitz of wartime London, she is determined to live an independent life.But it is an obsession with flight that consumes her most.Having become one of the most fearless pilots in her time, she sets out to do what no one has done before: to circumnavigate the globe from pole to pole.But shortly before completing the journey, her plane disappears, lost to history.Over half a century later, troubled film star Hadley Baxter is offered to play Marian in the comeback role of a lifetime. From the first pages of the script, Hadley is drawn inexorably to the female pilot.It is a role that will lead her to an unexpected discovery, throwing fresh and spellbinding light on the story of the unknowable Marian Graves._______________________WATERSTONES FICTION BOOK OF THE MONTH JUNE 2022SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2022SHORTLISTED FOR THE BOOKER PRIZE 2021A ROYAL READING ROOM PICK 2023SHORTLISTED FOR THE HWA GOLD CROWN 2022TIME MAGAZINE BOOK OF THE YEAR 2021NEW YORK TIMES BESTSELLER MAY 2021TIMES BESTSELLER JUNE 2022_______________________'Full of adventure, passion and tragedy' THE TIMES'Soars from the very first page' SUNDAY EXPRESS'Luminous, masterful. Glides seamlessly through the 20th century' TELEGRAPH, Best Fiction of 2021'Breathtaking' OBSERVER'Truly exceptional storytelling, combining a sweeping arc of history with writing that, at sentence level, is near-flawless.' THE BOOKSELLER'A tour-de-force' DAILY EXPRESS'Impressive and gripping' SUNDAY TIMES'Surprising and moving at every turn' GUARDIAN'Audacious and Immersive' DAILY MAIL'Accomplished and ambitious' FINANCIAL TIMESReaders love GREAT CIRCLE:***** What a read! Immense story with beautifully created characters***** The story is so well researched and planned; historical fiction standing side by side with history itself***** This is a stunning achievement, my perspective feels fundamentally transformed through reading it***** A wonderful saga, covering a large chunk of the twentieth century

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Even before the publication of his seminal Animal Liberation in 1975, Peter Singer, one of the greatest moral philosophers of our time, unflinchingly challenged the ethics of eating animals. Now, in Why Vegan?, Singer brings together the most consequential essays of his career to make this devastating case against our failure to confront what we are doing to animals, to public health, and to our planet. From his 1973 manifesto for Animal Liberation to his personal account of becoming a vegetarian in “The Oxford Vegetarians” and to investigating the impact of meat on global warming, Singer traces the historical arc of the animal rights, vegetarian, and vegan movements from their embryonic days to today, when climate change and global pandemics threaten the very existence of humans and animals alike. In his introduction and in “The Two Dark Sides of COVID-19,” cowritten with Paola Cavalieri, Singer excoriates the appalling health hazards of Chinese wet markets—where thousands of animals endure almost endless brutality and suffering—but also reminds westerners that they cannot blame China alone without also acknowledging the perils of our own factory farms, where unimaginably overcrowded sheds create the ideal environment for viruses to mutate and multiply. Spanning more than five decades of writing on the systemic mistreatment of animals, Why Vegan? features a topical new introduction, along with nine other essays, including: • “An Ethical Way of Treating Chickens?,” which opens our eyes to the lives of the birds who end up on so many plates—and to the lives of their parents; • “If Fish Could Scream,” an essay exposing the utter indifference of commercial fishing practices to the experiences of the sentient beings they scoop from the oceans in such unimaginably vast numbers; • “The Case for Going Vegan,” in which Singer assembles his most powerful case for boycotting the animal production industry; • And most recently, in the introduction to this book and in “The Two Dark Sides of COVID-19,” Singer points to a new reason for avoiding meat: the role eating animals has played, and will play, in pandemics past, present, and future. Written in Singer’s pellucid prose, Why Vegan? asserts that human tyranny over animals is a wrong comparable to racism and sexism. The book ultimately becomes an urgent call to reframe our lives in order to redeem ourselves and alter the calamitous trajectory of our imperiled planet.

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Winner, Coral Horton Tullis Memorial Prize, Texas State Historical Association, 2012 Liz Carpenter Award for Research in the History of Women, Texas State Historical Association, 2012When Ann Richards delivered the keynote of the 1988 Democratic National Convention and mocked President George H. W. Bush—“Poor George, he can’t help it. He was born with a silver foot in his mouth”—she instantly became a media celebrity and triggered a rivalry that would alter the course of American history. In 1990, Richards won the governorship of Texas, upsetting the GOP’s colorful rancher and oilman Clayton Williams. The first ardent feminist elected to high office in America, she opened up public service to women, blacks, Hispanics, Asian Americans, gays, and the disabled. Her progressive achievements and the force of her personality created a lasting legacy that far transcends her rise and fall as governor of Texas.In Let the People In, Jan Reid draws on his long friendship with Richards, interviews with her family and many of her closest associates, her unpublished correspondence with longtime companion Bud Shrake, and extensive research to tell a very personal, human story of Ann Richards’s remarkable rise to power as a liberal Democrat in a conservative Republican state. Reid traces the whole arc of Richards’s life, beginning with her youth in Waco, her marriage to attorney David Richards, her frustration and boredom with being a young housewife and mother in Dallas, and her shocking encounters with Lyndon Johnson and Jimmy Carter. He follows Richards to Austin and the wild 1970s scene and describes her painful but successful struggle against alcoholism. He tells the full, inside story of Richards’s rise from county office and the state treasurer’s office to the governorship, where she championed gun control, prison reform, environmental protection, and school finance reform, and he explains why she lost her reelection bid to George W. Bush, which evened his family’s score and launched him toward the presidency. Reid describes Richards’s final years as a world traveler, lobbyist, public speaker, and mentor and inspiration to office holders, including Hillary Clinton. His nuanced portrait reveals a complex woman who battled her own frailties and a good-old-boy establishment to claim a place on the national political stage and prove “what can happen in government if we simply open the doors and let the people in.”

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Groundbreaking ideas in archival description and control Archival authority control is an often ambiguous label that embraces a potentially wide scope. In this active and quickly-evolving field, new methods of clarification are essential for successful archive management. The articles in Respect for Authority: Authority Control, Context Control, and Archival Description offer an innovative approach by marking and exploring a clear distinction between conventional archival authority files and the broader concept of context control. Intended to not only answer important questions but raise worthy new ones as well, Respect for Authority: Authority Control, Context Control, and Archival Description reveals striking new perspectives in managing archival description more effectively. The engaging essays in this collection tackle key issues of archive authority control and offer sound proposals for advancing a new course. Comprehensive in its approach, this text takes an in-depth look at both the International Standard for Archival Authority Records (ISAAR) and the American standard, Describing Archives: a Content Standard (DACS) and considers the place of authority control in these two standards for archival description. In addition, contributors offer practical answers to the thorny issue of identifying the boundaries of a records-creating entity and present criteria for determining when a new entity is established. International in scope, this book presents groundbreaking case studies by archive professionals from Canada, the United States, Italy, and Australia that document the successes of different institutional applications that describe the records-creator first and then link this description to that of the records themselves. Respect for Authority: Authority Control, Context Control, and Archival Description also includes expert discussions of: the role of standards the nature of archives and their relationships with their creators resources necessary to fully document contextualized content the power of provenance possibilities available through a trinity of descriptive entitiesrecords, agents, and functions the potential of provenance rediscovery in American repositories postmodern archive theory, multiple provenance, and the reconceptualization of archive context using ISAAR to document records-creating environments challenges inherent in implementing series-based systems of arrangement and description the National Archives and Records Administration (NARA) and the Archival Resource Catalog (ARC) digitizing and publishing registers and the development of the Online Heritage Resource Manager (OHRM) and many more! Ideal for archive professionals, manuscript librarians, students, and researchers of archival administration, Respect for Authority: Authority Control, Context Control, and Archival Description not only resolves important questions revealed by these new trends but opens new discussions of a major shift in descriptive practice.

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Nearly a century after his wrenching death, the Portuguese poet Fernando Pessoa (1888–1935) remains one of our most enigmatic writers. Believing he could do “more in dreams than Napoleon,” yet haunted by the specter of hereditary madness, Pessoa invented dozens of alter egos, or “heteronyms,” under whose names he wrote in Portuguese, English, and French. Unsurprisingly, this “most multifarious of writers” (Guardian) has long eluded a definitive biographer—but in renowned translator and Pessoa scholar Richard Zenith, he has met his match. Relatively unknown in his lifetime, Pessoa was all but destined for literary oblivion when the arc of his afterlife bent, suddenly and improbably, toward greatness, with the discovery of some 25,000 unpublished papers left in a large, wooden trunk. Drawing on this vast archive of sources as well as on unpublished family letters, and skillfully setting the poet’s life against the nationalist currents of twentieth-century European history, Zenith at last reveals the true depths of Pessoa’s teeming imagination and literary genius. Much as Nobel laureate José Saramago brought a single heteronym to life in The Year of the Death of Ricardo Reis, Zenith traces the backstories of virtually all of Pessoa’s imagined personalities, demonstrating how they were projections, spin-offs, or metamorphoses of Pessoa himself. A solitary man who had only one, ultimately platonic love affair, Pessoa used his and his heteronyms’ writings to explore questions of sexuality, to obsessively search after spiritual truth, and to try to chart a way forward for a benighted and politically agitated Portugal. Although he preferred the world of his mind, Pessoa was nonetheless a man of the places he inhabited, including not only Lisbon but also turn-of-the-century Durban, South Africa, where he spent nine years as a child. Zenith re-creates the drama of Pessoa’s adolescence—when the first heteronyms emerged—and his bumbling attempts to survive as a translator and publisher. Zenith introduces us, too, to Pessoa’s bohemian circle of friends, and to Ophelia Quieroz, with whom he exchanged numerous love letters. Pessoa reveals in equal force the poet’s unwavering commitment to defending homosexual writers whose books had been banned, as well as his courageous opposition to Salazar, the Portuguese dictator, toward the end of his life. In stunning, magisterial prose, Zenith contextualizes Pessoa’s posthumous literary achievements—especially his most renowned work, The Book of Disquiet. A modern literary masterpiece, Pessoa simultaneously immortalizes the life of a literary maestro and confirms the enduring power of Pessoa’s work to speak prophetically to the disconnectedness of our modern world.

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Walk! Costa Blanca Mountains includes 37 fully detailed walking route itineraries. Each walking route itinerary includes:- - walking route summary - ratings for Effort, Time, Distance, Ascents/Descents, Refreshments and Vertigo risk - fully detailed walk description, including frequent timings to aid navigation and check your progress - GPS Waypoints at every key point on every route where there is good gps reception - full colour 1:40,000 scale map of the route - short walk and stroll alternatives There are some easy routes. There are some challenging routes for fit experts. With Charles Davis' excellent walk descriptions you'll know which routes are for you - and all of them are a true adventure. Contents The Author INTRODUCTION: Climbing Into Cliche; a Better Costa Blanca The Terrain, Castles, Arcs & Karst , Pathways to Pleasure, Valls & Sierras Using GPS in the Costa Blanca Symbols Rating Guide Map Information THE WALKS. SIERRAS 1 Xalo: PR7 Serra de Bernia 3 walker, 2.5 hrs, 7.9 km, ascents & descents 260 metres (circular). 2 Polop: Monte Ponoig 4 hrs, 9.3 km, ascents & descents 770 metres (linear) 3 Finestrat: Puig Campana 4 hrs, 10.1 km, ascents & descents 1020 metres, vertigo warning (circular). 4 Finestrat: Barranc de Sacarest 3 hours, 10.2 km, ascents & descents 545 metres (circular). 5 Sella: SL112 La Ruta del Aigua 1.5 hrs, 6.3 km, ascents & descents 200 metres (circular). 6 Sella: Barrancs del Xarquer and Arc 3.75 hours, 13 km, ascents & descents 400 metres (circular). 7 Confrides: Castell de Confrides 1 hr, 3.2 km, ascents & descents 130 metres (linear or circular). 8 Confrides: Cumbre de Aitana from Font de l'Arbre 3 hrs, 11 km, ascents & descents 450 metres (circular). 9 Benifato: Cumbre de Aitana from Font de Partagat 3.2 hrs, 10 km, ascents & descents 450 metres (circular). 10 Benimantell: Penyo Mulero 2.75 hrs, 10.7 km, ascents & descents 500 metres (circular). 11 Benimantell: Barrancs del Salt, Xarquer & Arc 3.5 hrs, 12.6 km, ascents & descents 500 metres (circular). 12 Benasu: El Recingle Alt 3 hrs, 11.5km, ascents & descents 500 metres (linear). 13 Quatredonteda: Els Frares (a) via Cami del Carrascal 50 mins one-way, 2.2 km one-way, ascents & descents 345 metres (linear). (b) via Cami des Clots 2.5 hrs, 6 km, ascents & descents 375 metres (linear). 14 Fageca: PR182 Pla de la Casa- Plus alternative access from the south 4.7 hrs, 9.4 km, ascents & descents 565 metres (circular). 15 Famorca: Little Wolf - Mallada del Llop 3.5 hrs, 7.5 km, ascents & descents 580 metres (linear). 16 Famorca: Big Wolf - Barranc de la Canal, Mallada del Llop, El Regall 4.3 hrs, 10.3 km, ascents & descents 660 metres (circular). 17 Castell de Castells: PR149 El Castellet 2.8 hrs, 8.5 km, ascents & descents 540 metres (circular). 18 Castell de Castells: Cumbre de Aixorta and Els Arcs 5.5 hrs, 20.8 km, ascents & descents 845 metres (circular). 19 Tarbena: PR145 Parelles and Serrals via Font dels Olbis 3.5 hrs, 13.5 km, ascents & descents 450 metres (circular). 20 Bolulla: Tour of Raco Roig 2.5 hrs, 7.4 km, ascents & descents 250 metres (circular). 21 Orxa: Serra La Safor and Raco del Duc 6.3 hrs, 18.4 km, ascents & descents 730 metres (circular). 22 Orxa: Cim de la Safor 1.7 hrs, 6.3 km, ascents & descents 320 metres (linear). LES VALLS 23 Vall de Planes: Barranc de l'Encantada 40 mins one-way, 2.3 km one-way, ascents & descents 100 metres (linear). 24 Vall de Gallinera (Benissili): Castillo de Benissili 1.8 hrs, 6.3 km, ascents & descents 315 metres (circular). 25 Vall de Gallinera (Benissiva): La Forada Linear: 1 hour one-way, 2.5 km one-way, ascents & descents 224 metres. Circuit: 2.75 hrs, 10.5 km, ascents & descents 300 metres. 26 Pego: Refugio de la Figuereta 2.25 hours, 7.35 km, ascents & descents 445 metres (circular). 27 Vall d'Alcala: Alcala de la Jovada to Es Pouet 3.3 hrs, 15.3 km, ascents & descents 340 metres (circular). 28 Vall d'Ebo: Travessia del Masset 2 walker, 1.3 hrs, 4.7 km, ascents & descents 210 metres (circular). 29 Tormos: Sender dels Pintors 2.25 hrs, 3.8 km, ascents & descents 300 metres (circular). 30 Tormos: Sender dels Poets 2.5 hrs, 8.6 km, ascents & descents 380 metres (linear). 31 Vall de Laguar (Fleix): PR147 La Catedral del Senderisme 3.75 hrs, 13.5 km, ascents & descents 845 metres (circular). 32 Vall de Laguar (Fleix): Barranc dels Racons 3.75 hrs, 11.5 km, ascents & descents 450 metres (circular). 33 Vall de Laguar (Campell): Presa d'Isbert & Barranc del Moro 2 hrs, 5.2 km, ascents & descents 285 metres (circular). 34 Vall de Laguar (Campell): Cavall Verd - the conventional circuit 2.5 hrs, 7. 6 km, ascents & descents 315 metres (circular). 35 Vall de Laguar (Benimaurell): Cavall Verd - the western loop 2 hrs, 6.6 km, ascents & descents 246 metres (circular). 36 Vall de Pop (Parcent): PR158 Sender de Parcent 4 hrs, 14.1 km, ascents & descents 700 metres (circular) 37 Vall de Pop (Pla de Petracos), Serra l'Alfaro and Barranc de Malafi 6 hrs, 20.5 km, ascents & descents 530 metres (circular). Gps waypoint files for all the walking routes are available as a free download from the Discovery Walking Guides website.

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An examination of the waxing and waning influence of demoted planets • Explains in detail how the demotion or proved nonexistence of a planet marks the beginning of a roughly 30-year period in which that planet’s influence wanes • Explores Pluto’s arc of influence on individual and collective life in depth, from its discovery in 1930 to the end of its influence in 2036 • Offers examples from other demoted planets, such as Ceres, whose fifty-year reign as a planet corresponds very closely to the Romantic Era of history Recent research in astrology has shown that the discovery of a new planet correlates with the emergence of a new set of influences in individual and collective life. As John Michael Greer reveals, the opposite is also true: the demotion of a planet correlates with the decline of a set of influences into the background. Although there are several instances of this over the last two centuries, Pluto, downgraded to minor planet status in 2006, is the most striking example. Exploring the waxing and waning of planetary influences in astrology, Pluto in particular, Greer explains in detail how the demotion or proved nonexistence of a planet marks the beginning of a roughly 30-year period in which that planet’s influence fades out. He examines several examples of planet demotion, including Ceres, whose fifty-year reign as a planet corresponds closely to the Romantic Era of history. Ceres’s influence began to take shape some 30 years before its discovery in 1801 and gradually faded over the three decades following its demotion in the 1850s. Examining Pluto’s astrological influence in depth, from the beginning of the search for “Planet X” in 1900 to the end of its influence in 2036, the author shows how during the Plutonian era the concept of cosmos--from the ancient Greek meaning “that which is beautifully ordered”--was in eclipse. Pluto’s influence led to the rejection of unity, beauty, and order, exemplified through the splitting of the atom by physicists, the splitting of the individual into conscious and subconscious halves by psychoanalysts, and the splitting of the world into warring camps by politicians. Offering an essential guide not only to the astrology of the future but to the twilight of the Plutonian era, Greer shows how as Pluto’s influence fades out in the years ahead, a great many disruptive phenomena of the recent past will fade with it and the notion of cosmos--beautiful order--will regain its traditional role in our individual and collective worlds.

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“Walden. Yesterday I came here to live.” That entry from the journal of Henry David Thoreau, and the intellectual journey it began, would by themselves be enough to place Thoreau in the American pantheon. His attempt to “live deliberately” in a small woods at the edge of his hometown of Concord has been a touchstone for individualists and seekers since the publication of Walden in 1854. But there was much more to Thoreau than his brief experiment in living at Walden Pond. A member of the vibrant intellectual circle centered on his neighbor Ralph Waldo Emerson, he was also an ardent naturalist, a manual laborer and inventor, a radical political activist, and more. Many books have taken up various aspects of Thoreau’s character and achievements, but, as Laura Dassow Walls writes, “Thoreau has never been captured between covers; he was too quixotic, mischievous, many-sided.” Two hundred years after his birth, and two generations after the last full-scale biography, Walls restores Henry David Thoreau to us in all his profound, inspiring complexity. Walls traces the full arc of Thoreau’s life, from his early days in the intellectual hothouse of Concord, when the American experiment still felt fresh and precarious, and “America was a family affair, earned by one generation and about to pass to the next.” By the time he died in 1862, at only forty-four years of age, Thoreau had witnessed the transformation of his world from a community of farmers and artisans into a bustling, interconnected commercial nation. What did that portend for the contemplative individual and abundant, wild nature that Thoreau celebrated? Drawing on Thoreau’s copious writings, published and unpublished, Walls presents a Thoreau vigorously alive in all his quirks and contradictions: the young man shattered by the sudden death of his brother; the ambitious Harvard College student; the ecstatic visionary who closed Walden with an account of the regenerative power of the Cosmos. We meet the man whose belief in human freedom and the value of labor made him an uncompromising abolitionist; the solitary walker who found society in nature, but also found his own nature in the society of which he was a deeply interwoven part. And, running through it all, Thoreau the passionate naturalist, who, long before the age of environmentalism, saw tragedy for future generations in the human heedlessness around him. “The Thoreau I sought was not in any book, so I wrote this one,” says Walls. The result is a Thoreau unlike any seen since he walked the streets of Concord, a Thoreau for our time and all time.

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Lonely Planet's Pocket Paris is your guide to the city's best experiences and local life - neighbourhood by neighbourhood. Wonder at the city's museums and architecture, stroll through the Pere Lachaise and dine on rich French cuisine; all with your trusted travel companion. Uncover the best of Paris and make the most of your trip!Inside Lonely Planet's Pocket Paris:Full-colour maps and travel photography throughoutHighlights and itineraries help you tailor a trip to your personal needs and interestsInsider tips to save time and money and get around like a local, avoiding crowds and trouble spotsEssential info at your fingertips - hours of operation, phone numbers, websites, transit tips, pricesHonest reviews for all budgets - eating, sightseeing, going out, shopping, hidden gems that most guidebooks missConvenient pull-out Paris map (included in print version), plus over 8 colour neighbourhood mapsUser-friendly layout with helpful icons, and organised by neighbourhood to help you pick the best spots to spend your timeCovers Eiffel Tower and Les Invalides, Arc de Triomphe and the Champs-Elysees, Louvre, Tuileries and Opera, Sacre-Coeur and Montmartre, Centre Pompidou and Le Marais, Notre Dame and the Islands, The Latin Quarter, Musee d'Orsay and St Germain des Pres and moreThe Perfect Choice: Lonely Planet's Pocket Paris, an easy-to-use guide filled with top experiences - neighbourhood by neighbourhood - that literally fits in your pocket. Make the most of a quick trip to Paris with trusted travel advice to get you straight to the heart of the city. Looking for a comprehensive guide that recommends both popular and offbeat experiences, and extensively covers all of Paris's neighbourhoods? Check out Lonely Planet's Paris city guide and Experience Paris guide.Looking for more extensive coverage? Check out Lonely Planet's France guide for a comprehensive look at all that the country has to offer.About Lonely Planet: Lonely Planet is a leading travel media company, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and phrasebooks for 120 languages, and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, videos, 14 languages, armchair and lifestyle books, ebooks, and more, enabling you to explore every day.'Lonely Planet guides are, quite simply, like no other.' New York Times'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' Fairfax Media (Australia)

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This generously illustrated volume is the first comprehensive publication devoted to the powerfully expressive work of David Park (1911–60). Best known as the founder of Bay Area Figurative art, Park moved from Boston to California at the age of seventeen and spent most of his adult life in and around San Francisco. In the immediate postwar years, like many avant-garde American artists, he engaged with Abstract Expressionism and painted non-objectively. In a moment of passion in 1949, he made the radical decision to abandon nearly all of his abstract canvases at the Berkeley city dump and return to the human figure, in so doing marking the beginning of the Bay Area Figurative movement. The astonishingly powerful paintings he made in the decade that followed brought together his long-held interest in classic subjects such as portraiture, domestic interiors, musicians, rowers, and bathers with lush, gestural paint handling and an extraordinary sense of color. In 1958–59 Park reached his expressive peak, reveling in the sensuous qualities of paint to create intensely physical, psychologically charged, and deeply felt canvases. This fertile period cut short by illness in 1960, Park transferred his creative energy to other mediums when he could no longer work on canvas. In the last months of his life, bedridden, he produced an extraordinary thirty-foot-long felt-tip-pen scroll and a poignant series of gouaches. Published to accompany the first major museum exhibition of Park’s work in more than thirty years, David Park: A Retrospective traces the full arc of the artist’s career, from his early social realist and cubist-inspired efforts of the 1930s to his mature figurative paintings of the 1950s and his astounding final works on paper. An overview of Park’s full body of work by Janet Bishop, SFMOMA’s Thomas Weisel Family Curator of Painting and Sculpture, will be joined by approximately ninety full-color plates of paintings and works on paper; an essay by Tara McDowell on the figure drawing sessions held by Park, Richard Diebenkorn, Elmer Bischoff, Frank Lobdell, and others in their studios starting in 1953; short essays on Park’s scroll, his gouaches, and the portraits that Imogen Cunningham and Park made of each other; and an illustrated chronology. Published in association with the San Francisco Museum of Modern Art. Exhibition schedule: Modern Art Museum of Fort Worth: June 2–September 8, 2019 Kalamazoo Institute of Arts: December 21, 2019–March 15, 2020 San Francisco Museum of Modern Art: October 4, 2020–January 18, 2021

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She lay so still, blue eyes shining, blonde hair fanned out, her mouth stuck forever open in a soundless scream...When Rachel Mullen is found dead by her only sister Beth, her body twisted in an arc of pain, Detective Lottie Parker knows that she has been murdered the minute she enters the bedroom. Lottie's heart aches for Beth, all alone in the world, whose last memory of her sister will forever be the brutal way she was taken. And when Lottie finds a shard of glass placed in the young girl's throat, she fears that Rachel may be just the first victim.The night before, Rachel had attended a party at a luxurious new restaurant in Ragmullin, and Lottie wastes no time in tracking down the other guests. But there are several things troubling her: Rachel's handbag and keys are nowhere to be found, and no one at the party seems to have seen her leave.Just as Lottie thinks she's onto something, her worst fears are confirmed: another woman is found murdered... with glass in her throat. The brilliant, young doctor wasn't a guest at the party and Lottie is forced to question everything.Desperate to find proof of what really happened that night, Lottie gets close to the hostess of the party, whose two daughters were friends with Rachel. But Lottie's hunt for the truth must be getting under the killer's skin, because then her beloved fiancé, Boyd, goes missing.Can Lottie get in the mind of this twisted killer before it's too late? Or will the man she loves be silenced forever?What everyone is saying about Silent Voices:'A new book in this series is like waking up on your birthday and looking forward to opening your gifts! It's book number 9 and I would not mind reading a hundred more of them with this great DI and her team.' B for Book Review, FIVE STARS'This was utterly fantastic I loved every page. A great storyline that had me hanging on to every word... holding my breath and that ending! Everything about this book was brilliant; if I could give it more than five stars I would it was awesome.' Bonnie's Book Talk, FIVE STARS'Mesmerizing! Utterly thrilling! Unputdownable! One of the best series I have ever read. It seems like nothing can stop Patricia Gibney. Her writing is excellent. The story flows like a river with no dams, but many waterfalls, and several dangerous currents. Highly recommended!' The World is Ours to Read, FIVE STARS

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The Books We Love in 2016 - The New Yorker Best Poetry Collections of 2015 - The Washington Post Best Books 2015: Poetry - Library Journal Best Books of 2015 - NPR Books 16 Best Poetry Books of 2015 - BuzzFeed Books Juan Felipe Herrera, the first Latino Poet Laureate of the United States and son of Mexican immigrants, grew up in the migrant fields of California. Exuberant and socially engaged, reflective and healing, this collection of new work from the nation's first Latino Poet Laureate is brimming with the wide-open vision and hard-won wisdom of a poet whose life and creative arc have spanned chasms of culture in an endless crossing, dreaming and back again. "[This year] Juan Felipe Herrera's Notes on the Assemblage has been a ladder of hope ..."--Ada Limon, The New Yorker "Juan Felipe Herrera's family has gone from migrant worker to poet laureate of the United States in one generation. One generation. I am an adamant objector to the Horatio Alger myth of pulling oneself up by the bootstraps, but Herrera's story is one of epic American proportions. The heads carved into my own Mount Rushmas would be Cesar Chavez, Dolores Huerta, Frida Kahlo, El Chapulin Colorado, Selena, and Juan Felipe Herrera. Notes from the Assemblage further carves out Herrera's place in American letters."--David Tomas Martinez "At home with field workers, wage slaves, the homeless, little children, old folks, artists, traditionalists, the avant-garde, students, scholars and prisoners, the bilingual Juan Felipe Herrera is the real thing: a populist treasure. He will fulfill his appointment as U.S. Poet Laureate with the same high energy, savvy, passion, compassion, commitment and playfulness that his art and life's have always embodied. Bravo! Bravo!"--Al Young "While reporters can give you the what, when, and where of a war, a poet with the enormous gifts of Juan Herrera can give you its soul."--Ishmael Reed "I am proud that Juan Felipe Herrera has been appointed U.S. Poet Laureate, bringing his truthful, beautiful voice to all of us universally. As the first Chicano Laureate, he will empower all diverse cultures."--Janice Mirikitani "Herrera is ...a sometimes hermetic, wildly inventive, always unpredictable poet, whose work commands attention for its style alone . ..Many poets since the 1960s have dreamed of a new hybrid art, part oral, part written, part English, part something else: an art grounded in ethnic identity, fueled by collective pride, yet irreducibly individual too. Many poets have tried to create such an art: Herrera is one of the first to succeed."--The New York Times "Herrera has the unusual capacity to write convincing political poems that are as personally felt as poems can be."--National Public Radio

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The artist Ed Kluz has a fascination for the sites of lost buildings. Kluz grew up in the wilds of the Yorkshire Dales, surrounded by the landscape of the past, and the sense of remoteness he felt there sparked an interest in forgotten places, such as country houses and follies. Once-celebrated houses that were abandoned to ruin, burned or deliberately destroyed have now become the haunting subject matter of his distinctive collages.Kluz is meticulous in his research. He spends hours at a site, sketching, taking photographs and generally 'getting to the heart of a place'. Then, in a process in which he likens himself to a collector of fragments or relics, he gathers all the material he can find before adding a little invention of his own to revive or reimagine the house. His highly original works are a combination of watercolour and layer upon layer of delicate painted collage elements, the tension between colour and texture achieving a sense of depth and light. Kluz's lost houses conjure up the vanished buildings in all their pomp, perched on stark, treeless plains under threatening skies, as if briefly illuminated in the glare of lightening or the beam of an arc light. In his introduction to the book, the art and architectural historian Tim Knox describes Kluz's views of houses, with their concentration on the filigree architecture and silhouette of building itself, as heirs to the highly finished perspective drawings produced by professional architectural artists in the early nineteenth century, but he also draws parallels with the bold graphic tradition of Eric Ravilious and Edward Bawden. Kluz himself, too, explains that his aim is to evolve the long tradition of country-house painting - a tradition that began in Britain in the sixteenth century and continued into the 1800s, only declining with the advent of photography. Over recent decades, public interest in lost country houses has been growing; there are an increasing number of books and websites devoted to the theme. In his search for information about his often elusive subjects, Kluz has made full use of these sources, presenting in this book a wide range of materials - engravings, paintings, plans, maps, written accounts and his own preparatory sketches - before the final spread in each chapter unveils the finished collage. Ten English houses are featured in depth, among them the Tudor palace of Holdenby House in Northamptonshire, the magnificent mansion of Hamstead Marshall in Berkshire, Vanbrugh's Claremont in Surrey, and the grandiosely Gothic Fonthill Abbey in Wiltshire. Each house is introduced by the architectural historian Olivia Horsfall Turner, who details its history and fate. As Knox concludes, one yearns to have all the houses back, 'But in a sense we have, in Kluz's scenographic visions.'

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Nearly a century after his wrenching death, the Portuguese poet Fernando Pessoa (1888–1935) remains one of our most enigmatic writers. Believing he could do “more in dreams than Napoleon,” yet haunted by the specter of hereditary madness, Pessoa invented dozens of alter egos, or “heteronyms,” under whose names he wrote in Portuguese, English, and French. Unsurprisingly, this “most multifarious of writers” (Guardian) has long eluded a definitive biographer—but in renowned translator and Pessoa scholar Richard Zenith, he has met his match. Relatively unknown in his lifetime, Pessoa was all but destined for literary oblivion when the arc of his afterlife bent, suddenly and improbably, toward greatness, with the discovery of some 25,000 unpublished papers left in a large, wooden trunk. Drawing on this vast archive of sources as well as on unpublished family letters, and skillfully setting the poet’s life against the nationalist currents of twentieth-century European history, Zenith at last reveals the true depths of Pessoa’s teeming imagination and literary genius. Much as Nobel laureate José Saramago brought a single heteronym to life in The Year of the Death of Ricardo Reis, Zenith traces the backstories of virtually all of Pessoa’s imagined personalities, demonstrating how they were projections, spin-offs, or metamorphoses of Pessoa himself. A solitary man who had only one, ultimately platonic love affair, Pessoa used his and his heteronyms’ writings to explore questions of sexuality, to obsessively search after spiritual truth, and to try to chart a way forward for a benighted and politically agitated Portugal. Although he preferred the world of his mind, Pessoa was nonetheless a man of the places he inhabited, including not only Lisbon but also turn-of-the-century Durban, South Africa, where he spent nine years as a child. Zenith re-creates the drama of Pessoa’s adolescence—when the first heteronyms emerged—and his bumbling attempts to survive as a translator and publisher. Zenith introduces us, too, to Pessoa’s bohemian circle of friends, and to Ophelia Quieroz, with whom he exchanged numerous love letters. Pessoa reveals in equal force the poet’s unwavering commitment to defending homosexual writers whose books had been banned, as well as his courageous opposition to Salazar, the Portuguese dictator, toward the end of his life. In stunning, magisterial prose, Zenith contextualizes Pessoa’s posthumous literary achievements—especially his most renowned work, The Book of Disquiet. A modern literary masterpiece, Pessoa simultaneously immortalizes the life of a literary maestro and confirms the enduring power of Pessoa’s work to speak prophetically to the disconnectedness of our modern world.

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Return to Kristin Cashore's captivating Graceling Realm with a heart-wrenching tale set eight years after the events of FireEight years have passed since the young Princess Bitterblue and her country were saved from the vicious King Leck. Now Bitterblue is the queen of Monsea, and her land is at peace.But the influence of her father, a violent psychopath with mind-altering abilities, lives on. Her advisers, who have run the country on her behalf since Leck's death, believe in a forward-thinking plan: to pardon all of those who committed terrible acts during Leck's reign; and to forget every dark event that ever happened. Monsea's past has become shrouded in mystery, and it's only when Bitterblue begins sneaking out of her castle - curious, disguised and alone - to walk the streets of her own city, that she begins to realise the truth. Her kingdom has been under the thirty-five-year long spell of a madman, and now their only chance to move forward is to revisit the past.Whatever that past holds.Two thieves, who have sworn only to steal what has already been stolen, change her life forever. They hold a key to the truth of Leck's reign. And one of them, who possesses an unidentified Grace, may also hold a key to her heart ...Readers love Bitterblue:'Bitterblue features a cast of well-written, compelling side characters, a hilarious appendix written by an actual character, a cast that is around 70% queer and 90% characters of colour, a f***ing glorious slow-burn mystery, a f***ing glorious character arc for a young woman in a tight space, and a narrative around colonialism that sticks out in my mind to this day. I cannot get past how much I adore this book' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'This book! It was so wonderful and so sad at the same time! The feels..................... I love Queen Bitterblue so much!' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Bitterblue met all of my hopes and expectations (and they were high, let me tell you) . . . I can truthfully say Kristin Cashore is one of my favorite authors ever, and I will wholeheartedly devour anything she writes' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'This series breaks my heart and patches it all back together again' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Bitterblue is near perfect. I haven't been this captivated while reading in a long, long time' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐

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"Playful, learned, and bursting with golden nuggets of information―a joyful book that shows us how medieval history still matters in surprising ways." — Dan Jones, New York Times best-selling author and presenter of Netflix’s Secrets of Great British Castles "A must read for anyone who wants to brush up on the finer points of etiquette, or who just wants to be a better human being." — Eleanor Janega, author of The Once and Future Sex: Going Medieval on Women’s Roles in Society and creator of the blog Going Medieval "Daniele Cybulskie has done it again: no one is better at bringing the medieval world to life… There’s so much to learn from the Middle Ages, and this wonderful book―supremely elegant, witty, expert, and wise―is the ideal guide." — Helen Castor, medieval historian, broadcaster, and author of She-Wolves and Joan of Arc ... "With wit and insight, Danièle draws on a wide variety of primary sources, from courtiers’ handbooks to romantic poems." — Medievalists.net A surprising look at how medieval etiquette can improve our lives today, from the author of the popular How to Live Like a Monk. Medieval people are often portrayed as having poor hygiene and table manners — licking their knives or throwing chicken bones on the floor. In the Middle Ages, however, such behaviour was not tolerated. Medieval society cherished order in nearly every facet of life, from regular handwashing to daily prayer. There were consequences if you didn’t adhere to the rules of good behaviour: you wouldn’t be invited to the lord’s next dinner, you wouldn’t win the battle, and you wouldn’t win the lady. Author Danièle Cybulskie explores the world of etiquette from the time of Chaucer to the court of Elizabeth I, encompassing table manners and interpersonal relationships as well as running a household and ruling a kingdom. With wit and insight, Cybulskie draws on a wide variety of primary sources, from courtiers’ handbooks to romantic poems. Though we may no longer need best practices for things like duelling or ordering about our servants, the principles of generosity, kindness, and respect still apply today. After all, it’s a good reminder to “be companionable no matter who you are with” and to not “chew on bones because that is what dogs do.” Illustrated with original drawings by Anna Lobanova as well as 80 medieval artworks, Chivalry and Courtesy is full of good advice for everyone, whether you are a peasant or a knight, a student or a CEO, a king or a queen.

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In this entertaining and eye-opening collection, writer, actor, and feminist Tracy Dawson showcases trailblazers throughout history who disguised themselves as men and continuously broke the rules to gain access and opportunities denied them because they were women.“This book will surprise, astonish, and hopefully anger you on the lengths women have had to go to pursue their dreams. Tracy has such a gift for storytelling and making history leap off the page. Her book has a wit that suggests it was written by a man since everyone knows women aren't this funny.”—Kay Cannon, writer, producer, director (the Pitch Perfect films, Cinderella)“A smart, funny journey through history that introduces us to the rule breakers who made history worth traveling through.”—Patton Oswalt, comedian, actor and author“I came up with Tracy as a fellow sketch comedian on the vomit-soaked stages of the Toronto comedy scene. And like the brilliant, resourceful, rule-breaking, damn-well-stubborn sisters in Let Me Be Frank, Tracy is someone who gets the job done, and gets it done well.”—Samantha Bee, Full Frontal with Samantha Bee Let Me Be Frank illuminates with a wry warmth the incredible stories of a diverse group of women from different ethnicities and cultural backgrounds who have defied the patriarchy, refusing to allow men or the status quo to define their lives or break their spirit. An often sardonic and thoroughly impassioned homage to female ingenuity and tenacity, the women profiled in this inspiring anthology broke the rules to reach their goals and refused to take “no” for an answer. These women took matters into their own hands, dressing—sometimes literally, sometimes figuratively—as men to do what they wanted to do. This includes competing in marathons, publishing books, escaping enslavement, practicing medicine, tunneling deep in the earth as miners, taking to the seas as pirates and serving on the frontlines in the military, among many other pursuits. Not only did these women persist, many unknowingly made history and ultimately inspired later generations in doing so. This compendium is an informative and enthralling celebration of these revolutionary badasses who have changed the world and our lives.Let Me Be Frank is filled with more than two dozen specially commissioned, full-color illustrations and hand-lettering by artist Tina Berning, whose multi-award-winning work has been published in numerous publications and anthologies worldwide, and is designed by Alex Kalman.WOMEN PROFILED INCLUDE: Jeanne Baret * Anne Bonny and Mary Read * Christian Caddell * Ellen Craft * Catalina De Erauso * Louise Augustine Gleizes * Hatshepsut * Annie Hindle and Florence Hines* Pili Hussein * Joan of Arc * Rena “Rusty” Kanokogi * Margaret King * Dorothy Lawrence * Tarpé Mills * Hannah Snell * Kathrine Switzer * Maria Toorpakai * Dr. Mary Edwards Walker * Cathay Williams

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'Merriman excels at recreating the physicality of their experiences: the smell of dense clay, the click-clack of a woman walking down the street above in high heels... Merriman has burrowed her way deep into interviews, news reports and Stasi files to fashion an impressive real life page-turner.' Guardian'An audacious and compelling tale, told with narrative tension and novelistic drive, creating a fascinating portrayal of life in Berlin in the early days of the Wall.' Observer'A fantastic story, exceedingly well told...more gripping than a thriller. The story arc, through betrayal and disaster to triumph, is perfect...a cracking tale that deserves retelling.' The Times'Helena Merriman's book is a tour de force... The chapters on the day of the escape are possibly the most suspenseful I have ever read, in fiction as well as nonfiction.' Scotsman'its skilful blend of a dynamic protagonist, intrigue, spooks, deception, and a love divided imbues Tunnel 29 with all the qualities of a taut Cold War spy thriller.' Sunday Business Post'Captivating... Ms Merriman's well-crafted book does justice to the extraordinary bravery of her characters.' Economist'This new book... allows readers to slip into Joachim's shoes as if living this extraordinary experience... This is a remarkable tale, beautifully told and utterly compelling.' BBC History Magazine-------------------------He's just escaped from one of the world's most brutal regimes.Now, he decides to tunnel back in.It's summer, 1962, and Joachim Rudolph, a student, is digging a tunnel under the Berlin Wall. Waiting on the other side in East Berlin - dozens of men, women and children; all willing to risk everything to escape.From the award-winning creator of the acclaimed BBC Radio 4 podcast, Tunnel 29 is the true story of the most remarkable escape tunnel dug under the Berlin Wall. Drawing on hundreds of hours of interviews with the survivors, and thousands of pages of Stasi documents, Helena Merriman brilliantly reveals the stranger-than-fiction story of the ingenious group of student-diggers, the glamorous red-haired messenger, the American News network which films the escape, and the Stasi spy who betrays it. For what Joachim doesn't know as he burrows closer to East Germany, is that the escape operation has been infiltrated. As the escapees prepare to crawl through the cold, wet darkness, above them, the Stasi are closing in.Tunnel 29 is about what happens when people lose their freedom - and how some will do anything to win it back.Acclaim for the TUNNEL 29 podcast:'Combining the fun of a thriller that we know will end happily with grim perspective on history and tyranny... stunning.' New Yorker'Reminiscent of a savvy Netflix block buster series.' Evening Standard'A truly exciting yarn... creates a sense for the listener of being right there in the tunnel, experiencing the dangers.' Observer

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In the eighth decade of the Queendom of Sol, three commodities rule the day. The first is wellstone, a form of programmable matter capable of emulating almost any substance: natural, artificial, even hypothetical. The second is collapsium, a deadly crystal composed of miniature black holes, vital for the transmission of information and matter — including humans — throughout the solar system. The third is the bitter rivalry between Her Majesty's top scientists. Bruno de Towaji, famed lover and statesman, dreams of building an arc de fin, an almost mythical device capable of probing the farthest reaches of spacetime. Marlon Sykes, de Towaji's rival in both love and science, is meanwhile hard at work on a vast telecommunications project whose first step is the construction of a ring of collapsium around the sun. But when a ruthless saboteur attacks the Ring Collapsiter and sends it falling into the sun, the two scientists must put aside personal animosity and combine their prodigious intellects to prevent the destruction of the solar system... and every living thing within it. About The Collapsium: “Ingenious and witty . . . as if Terry Pratchett at his zaniest and Larry Niven at his best had collaborated.”—Booklist "Fresh and imaginative. From a plausible yet startling invention, McCarthy follows the logical lines of sight, building in parallel the technological and societal innovations. 'Our Pick.' I wanted to visit this Queendom and meet these people."—Science Fiction Weekly "The future as McCarthy sees it is a wondrous place. While there are amusing attributes and quirks to McCarthy's characters, the greater pleasures of this novel lie in its hard science extrapolations. McCarthy plays us his technical strengths by providing a useful appendix and glossary for the mathematically inclined reader." —Publishers Weekly "[McCarthy] studs his narrative with far-out scientific concepts that he defends in a series of appendices. He certainly has a sense of humor. [Protagonist] Bruno de Towaji . . . is surely speaking for his creator when he assures another character, 'Imagination really is the only limit.'"—The New York Times About Wil McCarthy: "McCarthy is an entertaining, intelligent, amusing writer, with Heinlein's knack for breakneck plotting and, at the same time, Clarke's thoughtfulness."—Booklist “‘Imagination really is the only limit.’”—The New York Times “The future as McCarthy sees it is a wondrous place.”—Publishers Weekly "A bright light on the SF horizon.”—David Brin “Wil McCarthy demonstrates that he has a sharp intelligence, a galaxy-spanning imagination, and the solid scientific background to make it all work.”—Connie Willis “In nearly every passage, we get another slice of the science of McCarthy’s construction, and a deeper sense of danger and foreboding... McCarthy develops considerable tension.”—San Diego Union-Tribune “An ingenious yarn with challenging ideas, well-handled technical details, and plenty of twists and turns.”—Kirkus

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When Clarence Thomas joined the Supreme Court in 1991, he found with dismay that it was interpreting a very different Constitution from the one the framers had written—the one that had established a federal government manned by the people’s own elected representatives, charged with protecting citizens’ inborn rights while leaving them free to work out their individual happiness themselves, in their families, communities, and states. He found that his predecessors on the Court were complicit in the first step of this transformation, when in the 1870s they defanged the Civil War amendments intended to give full citizenship to his fellow black Americans. In the next generation, Woodrow Wilson, dismissing the framers and their work as obsolete, set out to replace laws made by the people’s representatives with rules made by highly educated, modern, supposedly nonpartisan “experts,” an idea Franklin Roosevelt supersized in the New Deal agencies that he acknowledged had no constitutional warrant. Then, under Chief Justice Earl Warren in the 1950s and 1960s, the Nine set about realizing Wilson’s dream of a Supreme Court sitting as a permanent constitutional convention, conjuring up laws out of smoke and mirrors and justifying them as expressions of the spirit of the age. But Thomas, who joined the Court after eight years running one of the myriad administrative agencies that the Great Society had piled on top of FDR’s batch, had deep misgivings about the new governmental order. He shared the framers’ vision of free, self-governing citizens forging their own fate. And from his own experience growing up in segregated Savannah, flirting with and rejecting black radicalism at college, and running an agency that supposedly advanced equality, he doubted that unelected experts and justices really did understand the moral arc of the universe better than the people themselves, or that the rules and rulings they issued made lives better rather than worse. So in the hundreds of opinions he has written in more than a quarter century on the Court—the most important of them explained in these pages in clear, non-lawyerly language—he has questioned the constitutional underpinnings of the new order and tried to restore the limited, self-governing original one, as more legitimate, more just, and more free than the one that grew up in its stead. The Court now seems set to move down the trail he blazed. A free, self-governing nation needs independent-minded, self-reliant citizens, and Thomas’s biography, vividly recounted here, produced just the kind of character that the founders assumed would always mark Americans. America’s future depends on the power of its culture and institutions to form ever more citizens of this stamp.

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