Search results for ""author rath"

The Origins of Jewish Mysticism offers the first in-depth look at the history of Jewish mysticism from the book of Ezekiel to the Merkavah mysticism of late antiquity. The Merkavah movement is widely recognized as the first full-fledged expression of Jewish mysticism, one that had important ramifications for classical rabbinic Judaism and the emergence of the Kabbalah in twelfth-century Europe. Yet until now, the origins and development of still earlier forms of Jewish mysticism have been largely overlooked. In this book, Peter Schafer sheds new light on Ezekiel's tantalizing vision, the apocalyptic literature of Enoch, the Dead Sea Scrolls, the writings of the Hellenistic Jewish philosopher Philo, the rabbinical writings of the Talmudic period, and the esotericism of the Merkavah mystics. Schafer questions whether we can accurately speak of Jewish mysticism as a uniform, coherent phenomenon with origins in Judaism's mythical past. Rather than imposing preconceived notions about "mysticism" on a great variety of writings that arose from different cultural, religious, and historical settings, he reveals what these writings seek to tell us about the age-old human desire to get close to and communicate with God.

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The long seventeenth century in China was a period of tremendous commercial expansion, and no literary genre was better equipped to articulate its possibilities than southern drama. As a form and a practice, southern drama was in the business of world-building—both in its structural imperative to depict and reconcile the social whole and in its creation of entire economies dependent on its publication and performance. However, the early modern commercial world repelled rather than engaged most playwrights, who consigned its totems—the merchant and his money—to the margins as sources of political suspicion and cultural anxiety.In The Cornucopian Stage, Ariel Fox examines a body of influential yet understudied plays by a circle of Suzhou playwrights who enlisted the theatrical imaginary to very different ends. In plays about long-distance traders and small-time peddlers, impossible bargains and broken contracts, strings of cash and storehouses of silver, the Suzhou circle placed commercial forms not only at center stage but at the center of a new world coming into being. Here, Fox argues, the economic character of early modern selfhood is recast as fundamentally productive—as the basis for new subject positions, new kinds of communities, and new modes of art.

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This book explores the spread in recent years of political efforts to rectify injustices handed down from the past. Although it recognizes that campaigns for reparations may lead to an improvement in the well-being of victims of mistreatment by states and to reconciliation among former antagonists, it examines the extent to which the concern with the past may represent a departure from the traditionally future-oriented stance of progressive politics. Viewing the search for "coming to terms with the past" as a form of politics, it argues that there are major differences between reparations for the living victims of past wrongdoing and reparations for the descendants of such victims. More fundamentally, it argues that claims for reparations comprise a relatively novel kind of politics that involves a quest for symbolic recognition and material compensation for those seeking them--through the idiom of the past rather than the present. The prominent role of lawyers in such politics speaks to a larger trend toward the "juridification of politics" that often has problematic consequences for these campaigns. Concerns to right the wrongs of the past, the book concludes, may distract from the fight to overcome contemporary injustices.

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Designed specifically for introductory globalization courses, Introducing Globalization helps students to develop informed opinions about globalization, inviting them to become participants rather than just passive learners. Identifies and explores the major economic, political and social ties that comprise contemporary global interdependency Examines a broad sweep of topics, from the rise of transnational corporations and global commodity chains, to global health challenges and policies, to issues of worker solidarity and global labor markets, through to emerging forms of global mobility by both business elites and their critics Written by an award-winning teacher, and enhanced throughout by numerous empirical examples, maps, tables, an extended bibliography, glossary of key terms, and suggestions for further reading and student research Supported by additional web resources – available upon publication at www.wiley.com/go/sparke – including hot links to news reports, examples of globalization and other illustrative sites, and archived examples of student projects Engage with fellow readers of Introducing Globalization on the book's Facebook page at www.facebook.com/IntroducingGlobalization, or learn more about this topic by enrolling in the free Coursera course Globalization and You at www.coursera.org/course/globalization

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Why do we feel excited, afraid, and frustrated by algorithms?The Feel of Algorithms brings relatable first-person accounts of what it means to experience algorithms emotionally alongside interdisciplinary social science research, to reveal how political and economic processes are felt in the everyday. People’s algorithm stories might fail to separate fact and misconception, and circulate wishful, erroneous, or fearful views of digital technologies. Yet rather than treating algorithmic folklore as evidence of ignorance, this novel book explains why personal anecdotes are an important source of algorithmic knowledge. Minna Ruckenstein argues that we get to know algorithms by feeling their actions and telling stories about them. The Feel of Algorithms shows how taking everyday algorithmic emotions seriously balances the current discussion, which has a tendency to draw conclusions based on celebratory or oppositional responses to imagined future effects. An everyday focus zooms into experiences of pleasure, fear, and irritation, highlighting how political aims and ethical tensions play out in visions, practices, and emotional responses. This book shows that feelings aid in recognizing troubling practices, and also calls for alternatives that are currently ignored or suppressed.

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In the German states in the late eighteenth century, women flourished as musical performers and composers, their achievements measuring the progress of culture and society from barbarism to civilization. Female excellence, and related feminocentric values, were celebrated by forward-looking critics who argued for music as a fine art, a component of modern, polite, and commercial culture, rather than a symbol of institutional power. In the eyes of such critics, femininity - a newly emerging and primarily bourgeois ideal - linked women and music under the valorized signs of refinement, sensibility, virtue, patriotism, luxury, and, above all, beauty. This moment in musical history was eclipsed in the first decades of the nineteenth century, and ultimately erased from the music-historical record, by now familiar developments: the formation of musical canons, a musical history based on technical progress, the idea of masterworks, authorial autonomy, the musical sublime, and aggressively essentializing ideas about the relationship between sex, gender and art. In Sovereign Feminine, Matthew Head restores this earlier musical history and explores the role that women played in the development of classical music.

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Ten years ago, Samantha Allen was a suit-and-tie-wearing Mormon missionary. Now she's a senior Daily Beast reporter happily married to another woman. A lot in her life has changed, but what hasn't changed is her deep love of Red State America, and of queer people who stay in so-called 'flyover country' rather than moving to the liberal coasts. In Real Queer America, Allen takes us on a cross-country road-trip stretching all the way from Provo, Utah to the Rio Grande Valley to the Bible Belt to the Deep South. Her motto for the trip: 'Something gay every day.' Making pit stops at drag shows, political rallies, and hubs of queer life across the heartland, she introduces us to scores of extraordinary LGBT people working for change, from the first openly transgender mayor in Texas history to the manager of the only queer night club in Bloomington, Indiana, and many more.Capturing profound cultural shifts underway in unexpected places and revealing a national network of chosen family fighting for a better world, Real Queer America is a treasure trove of uplifting stories and a much-needed source of hope and inspiration in these divided times.

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A significant new interpretation of the emergence of Western pictorial realism When Jan van Eyck (c. 1390–1441) completed the revolutionary Ghent Altarpiece in 1432, it was unprecedented in European visual culture. His novel visual strategies, including lifelike detail, not only helped make painting the defining medium of Western art, they also ushered in new ways of seeing the world. This highly original book explores Van Eyck’s pivotal work, as well as panels by Rogier van der Weyden and their followers, to understand how viewers came to appreciate a world depicted in two dimensions. Through careful examination of primary documents, Noa Turel reveals that paintings were consistently described as au vif: made not “from life” but “into life.” Animation, not representation, drove Van Eyck and his contemporaries. Turel’s interpretation reverses the commonly held belief that these artists were inspired by the era’s burgeoning empiricism, proposing instead that their “living pictures” helped create the conditions for empiricism. Illustrated with exquisite fifteenth-century paintings, this volume asserts these works’ key role in shaping, rather than simply mirroring, the early modern world.

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Part memoir, part handbook, part survey of the contemporary literary scene, Joan Frank’s Because You Have To: A Writing Life is a collection of essays that, taken together, provide a walking tour of the writing life. Frank’s aim is to form a coherent vision, one that may provide some communion about realities of the writer's vocation that have struck her as rarely revealed. Frank offers what she has learned as a writer not only to other writers, but to those to whom good writing matters. Her insights about "thinking on paper" are never dogmatic or pontifical; rather, they are cordial and intellectually welcoming. Original, witty, and practical, Frank ably steers us through the journey of her own life as a writer, as well as through the careers and work of other writers. Her subjects range widely, from the “boot camp” conditioning of marketing work to squaring off with rejection and envy; from sustaining belief in art’s necessity to the baffling subjectivity of literary perception and the magical books that nourish writers. Frank’s personal journey is wonderfully told, so that what in these essays is particular becomes useful and universal.

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In this masterful history, Eli Zaretsky reveals the power of Freudian thought to illuminate the great political conflicts of the twentieth century. Developing an original concept of "political Freudianism," he shows how twentieth-century radicals, activists, and intellectuals used psychoanalytic ideas to probe consumer capitalism, racial violence, anti-Semitism, and patriarchy. He also underscores the continuing influence and critical potential of those ideas in the transformed landscape of the present. Zaretsky's conception of political Freudianism unites the two overarching themes of the last century-totalitarianism and consumerism-in a single framework. He finds that theories of mass psychology and the unconscious were central to the study of fascism and the Holocaust; to African American radical thought, particularly the struggle to overcome the legacy of slavery; to the rebellions of the 1960s; and to the feminism and gay liberation movements of the 1970s. Nor did the influence of political Freud end when the era of Freud bashing began. Rather, Zaretsky proves that political Freudianism is alive today in cultural studies, the study of memory, theories of trauma, postcolonial thought, film, media and computer studies, evolutionary theory and even economics.

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Formed in 1972, Jesus People USA is an evangelical Christian community that fundamentally transformed the American Christian music industry and the practice of American evangelicalism, which continues to evolve under its influence. In this fascinating ethnographic study, Shawn David Young replays not only the growth and influence of the group over the past three decades but also the left-leaning politics it developed that continue to serve as a catalyst for change. Jesus People USA established a still-thriving Christian commune in downtown Chicago and a ground-breaking music festival that redefined the American Christian rock industry. Rather than join "establishment" evangelicalism and participate in what would become the megachurch movement, this community adopted a modified socialism and embraced forms of activism commonly associated with the New Left. Today the ideological tolerance of Jesus People USA aligns them closer to liberalism than to the religious right, and Young studies the embodiment of this liminality and its challenge to mainstream evangelical belief. He suggests the survival of this group is linked to a growing disenchantment with the separation of public and private, individual and community, and finds echoes of this postmodern faith deep within the evangelical subculture.

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Human beings are social animals. Yet despite vast amounts of research into political decision making, very little attention has been devoted to its social dimensions. In political science, social relationships are generally thought of as mere sources of information, rather than active influences on one's political decisions. Drawing upon data from settings as diverse as South Los Angeles and Chicago's wealthy North Shore, Betsy Sinclair shows that social networks do not merely inform citizens' behavior, they can - and do - have the power to change it. From the decision to donate money to a campaign or vote for a particular candidate to declaring oneself a Democrat or Republican, basic political acts are surprisingly subject to social pressures. When members of a social network express a particular political opinion or belief, Sinclair shows, others notice and conform, particularly if their conformity is likely to be highly visible. We are not just social animals, but social citizens whose political choices are significantly shaped by peer influence. "The Social Citizen" has important implications for our concept of democratic participation and will force political scientists to revise their notion of voters as socially isolated decision makers.

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The phrase "midlife crisis" today conjures up images of male indulgence and irresponsibility--an affluent, middle-aged man speeding off in a red sports car with a woman half his age--but before it become a gendered cliche, it gained traction as a feminist concept. Journalist Gail Sheehy used the term to describe a midlife period when both men and women might reassess their choices and seek a change in life. Sheehy's definition challenged the double standard of middle age--where aging is advantageous to men and detrimental to women--by viewing midlife as an opportunity rather than a crisis. Widely popular in the United States and internationally, the term was quickly appropriated by psychological and psychiatric experts and redefined as a male-centered, masculinist concept. The first book-length history of this controversial concept, Susanne Schmidt's Midlife Crisis recounts the surprising origin story of the midlife debate and traces its movement from popular culture into academia. Schmidt's engaging narrative telling of the feminist construction--and ensuing antifeminist backlash--of the midlife crisis illuminates a lost legacy of feminist thought, shedding important new light on the history of gender and American social science in the 1970s and beyond.

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Men are often thought to have less interest in parenting than women, and gay men are generally assumed to prefer pleasure over responsibility. The toxic combination of these two stereotypical views has led to a lack of serious attention being paid to the experiences of gay fathers. But the truth is that more and more gay men are setting out to become parents and succeeding - and "Gay Fatherhood" aims to tell their stories. Ellen Lewin takes as her focus people who undertake the difficult process of becoming fathers as gay men, rather than having become fathers while married to women. These men face unique challenges in their quest for fatherhood, negotiating specific bureaucratic and financial difficulties as they pursue adoption or surrogacy and juggling questions about their future child's race, age, sex, and health. "Gay Fatherhood" chronicles the lives of these men, exploring how they cope with political attacks from both the 'family values' right and the 'radical queer' left - while also shedding light on the evolving meanings of family in twenty-first-century America.

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More than any other altruistic gesture, blood and organ donation exemplies the true spirit of self-sacrifice. Donors literally give of themselves for no reward so that the life of an individual - often anonymous - may be spared. But, as the demand for blood and organs has grown, the value of a system that depends solely on gifts has been called into question, and the possibility has surfaced that donors might be supplemented or replaced by paid suppliers. "Last Best Gifts" offers a fresh perspective on this ethical dilemma, by examining the social organization of blood and organ donation in Europe and the United States. Gifts of blood and organs are not given everywhere in the same way or to the same extent - contrasts that allow Kieran Healy to uncover the crucial role that institutions play in creating the contexts for donations. Procurement organizations, he shows, sustain altruism by providing opportunities to give and by producing public accounts of what giving means. In the end, Healy suggests, successful systems rest on the fairness of the exchange, rather than the purity of a donor's altruism or the size of a financial incentive.

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More than any other altruistic gesture, blood and organ donation exemplies the true spirit of self-sacrifice. Donors literally give of themselves for no reward so that the life of an individual - often anonymous - may be spared. But, as the demand for blood and organs has grown, the value of a system that depends solely on gifts has been called into question, and the possibility has surfaced that donors might be supplemented or replaced by paid suppliers. "Last Best Gifts" offers a fresh perspective on this ethical dilemma, by examining the social organization of blood and organ donation in Europe and the United States. Gifts of blood and organs are not given everywhere in the same way or to the same extent - contrasts that allow Kieran Healy to uncover the crucial role that institutions play in creating the contexts for donations. Procurement organizations, he shows, sustain altruism by providing opportunities to give and by producing public accounts of what giving means. In the end, Healy suggests, successful systems rest on the fairness of the exchange, rather than the purity of a donor's altruism or the size of a financial incentive.

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Alexis de Tocqueville was among the first to draw attention to Americans' propensity to form voluntary associations-and to join them with a fervor and frequency unmatched anywhere in the world. For nearly two centuries, we have sought to understand how and why early nineteenth-century Americans were, in Tocqueville's words, "forever forming associations." In The Making of Tocqueville's America, Kevin Butterfield argues that to understand this, we need to first ask: what did membership really mean to the growing number of affiliated Americans? Butterfield explains that the first generations of American citizens found in the concept of membership-in churches, fraternities, reform societies, labor unions, and private business corporations-a mechanism to balance the tension between collective action and personal autonomy, something they accomplished by emphasizing law and procedural fairness. As this post-Revolutionary procedural culture developed, so too did the legal substructure of American civil society. Tocqueville, then, was wrong to see associations as the training ground for democracy, where people learned to honor one another's voices and perspectives. Rather, they were the training ground for something no less valuable to the success of the American democratic experiment: increasingly formal and legalistic relations among people.

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This book is an invitation to think about why children chew pencils; why we talk to our cars, our refrigerators, our computers; rosary beads and worry beads; Cuban cigars; why we no longer wear hats that we can tip to one another and why we don't seem to long to; and what has been described as bourgcois longing. It is an invitation to think about the fetishism of daily life in different times and in different cultures. It is an invitation to rethink several topics of critical inquiry - camp, collage, primitivism, consumer culture, muscum culture, the aesthetic object, still life, "things as they are," Renaissance wonders, "the thing itself" - within the rubric of "things," not in an effort to foreclose the question of what sort of things these seem to be, but rather to suggest new questions about how objects produce subjects, about the phenomenology of the material everyday, about the secret life of things. Based on an award-winning special issue of the journal Critical Inquiry, Things features eighteen thought-provoking essays by contributors including Bill Brown, Matthew L. Jones, Bruno Latour, W. J. T. Mitchell, Jessica Riskin, Jeffrey T. Schnapp, Peter Schwenger, Charity Scribner, and Alan Trachtenberg.

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The eagerly-awaited sequel to Shadowmagic. Having returned to the real world from Tir Na Nog at the end of the last book, our hero Conor finds himself arrested for the murder of his father. When he explains to the cops that his dad is safe and well and enjoying life as king of a land of elves, imps and banshees they understandably think he is a nutcase. That is until he is rescued by Celtic warriors on horseback and taken back to Tir Na Nog, accidentally bringing a policeman with him. Once safely back in The Land, Conor finds that all is not well. His father is dying, the girl he loves is betrothed to another and a rather confused American cop is wandering around causing havoc. It falls to our young hero, and his band of friends, to find a cure for the king. On their epic journey they encounter one of the most mystical and dangerous races in The Land, the shapeshifting Pooka, and find their fates linked in ways they could never have imagined. The Prince of Hazel and Oak is a stunning fantasy adventure that takes fans of Shadowmagic further in to the land and brings back many of the favourite characters from the first book.

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It's no secret that most girls, at some point, love all things princess: the poofy dresses, the plastic tiaras, the colour pink. Even grown-up women can't get enough of royal weddings and royal gossip. Yet critics claim the princess dream sets little girls up to be weak and submissive, and allows grown women to indulge in fantasies of rescue rather than hard work and self-reliance. Enter Jerramy Fine - an unabashed feminist who is proud of her life-long princess obsession and more than happy to defend it. Through her amusing life story and in-depth research, Fine makes it clear that feminine doesn't mean weak, pink doesn't mean inferior, and girliness is not incompatible with ambition. From 9th century Cinderella to modern-day Frozen , from Princess Diana to Kate Middleton, from Wonder Woman to Princess Leia, Fine valiantly assures us that princesses have always been about power, not passivity. And those who love them can still be confident, intelligent women. Provocative, insightful, but also witty and personal, In defence of the Princess empowers girls, women, and parents to dream of happily ever after without any guilt or shame.

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The unlikely beginnings of the East India Company—from Tudor origins and rivalry with the superior Dutch—to laying the groundwork for future British expansion The East India Company was the largest commercial enterprise in British history, yet its roots in Tudor England are often overlooked. The Tudor revolution in commerce led ambitious merchants to search for new forms of investment, not least in risky overseas enterprises—and for these “adventurers” the most profitable bet of all would be on the Company. Through a host of stories and fascinating details, David Howarth brings to life the Company’s way of doing business—from the leaky ships and petty seafarers of its embattled early days to later sweeping commercial success. While the Company’s efforts met with disappointment in Japan, they sowed the seeds of success in India, setting the outline for what would later become the Raj. Drawing on an abundance of sources, Howarth shows how competition from European powers was vital to success—and considers whether the Company was truly “English” at all, or rather part of a Europe-wide movement.

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Being human is hard. Being in relationships with other humans is even harder. People are complex and relationships are messy but loving one another well is possible. Whether navigating political or religious differences, or dealing with toxic people or our own unforgiveness, this book tackles the struggles no one really wants to talk about. But there is hope! We can actually grow closer to God and others through the circumstances we'd rather run from. In Come Sit with Me, 26 (in)courage writers help you navigate tough relational tensions by revealing their own hard-fought, grace-filled learning moments. They show you how to · delight in your differences · honor and value others even when you disagree · connect before you correct · trust that God is working even when people disappoint you · live and love like Jesus by serving others Whether you're in the middle of a conflict without resolution or wondering how to enter into a friend's pain, this book will serve as a gentle guide. Discover how God can work through your disagreements, differences, and discomfort in ways you might never expect.

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What do we mean when we say “the people”? The concept did not carry the contemporary meaning of a group of individuals with governing influence and political will until after the invention of democracy and the nation-state. Previously, in the Nordic context, the word people (folk) was associated not with a sovereign nation but rather with home and family. Subjects were only understood in relation to the heads of household (elders and patriarchs), state (kings and lords), and the Christian church. The term remains a battlefield of mixed or even opposing interests and has developed at least three different meanings: a political unit (demos), a cultural entity (ethnos), and a social multitude (plÉthos). As perceptions of political affinity and society change over time, “the people” will doubtless continue to adopt and adapt its meanings, with ramifications for both personal and group identity. Modern historian Ove Korsgaard focuses on the crucial struggles over who has (or has not) belonged to the people in the past 175 years and looks at its implications for state- and nation-building in Denmark and other Nordic countries.

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Mennonite literature has long been viewed as an expression of community identity. However, scholars in Mennonite literary studies have urged a reconsideration of the field’s past and a reconceptualization of its future. This is exactly what Reading Mennonite Writing does.Drawing on the transnational turn in literary studies, Robert Zacharias positions Mennonite literature in North America as “a mode of circulation and reading” rather than an expression of a distinct community. He tests this reframing with a series of methodological experiments that open new avenues of critical engagement with the field’s unique configuration of faith-based intercultural difference. These include cross-sectional readings in nonnarrative literary history; archival readings of transatlantic life writing; Canadian rewritings of Mexican film’s deployment of Mennonite theology as fantasy; an examination of the fetishistic structure of ethnicity as a “thing” that has enabled Mennonite identity to function in a post-identity age; and, finally, a tentative reinvestment in ideals of Mennonite community via the surprising routes of queerness and speculative fiction. In so doing, Zacharias reads Mennonite writing in North America as a useful case study in the shifting position of minor literatures in the wake of the transnational turn.Theoretically sophisticated, this study of minor transnationalism will appeal to specialists in Mennonite literature and to scholars working in the broader field of transnational literary studies.

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Drawing on her years of experience as an Arabic instructor and course developer, Samia Louis has used a functional approach to create a bright, innovative coursebook for the study of Egyptian colloquial Arabic—the spoken dialect most frequently studied and most widely understood in the Arab world. Designed according to the ACTFL guidelines for teaching Arabic as a foreign language, Kallimni ‘Arabi trains students through ten highly structured lessons in the crucial skills, with particular emphasis on listening and speaking. The associated audio files carry recordings of the dialogues and exercises in each chapter, made by Egyptian native speakers.From the basics of communicating (asking directions, the language of shopping) to more advanced conversations (future plans, hobbies, and free time), Kallimni ‘Arabi is structured so that students learn Egyptian Arabic using real-life situations and expressions. The key topics covered gradually lead students to understand, use, and speak Arabic, rather than simply memorize fixed phrases. Kallimni ‘Arabi is aimed at students with some ability to read and write Arabic, who have had the equivalent of 30 hours of a beginner Colloquial Arabic class or 40 hours of a Modern Standard Arabic program.

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"...captures the energy and camaraderie of the city’s burlesque club scene." — Burlesque Mag Angus Stewart has spent 10 years backstage with London’s burlesque community, getting to know the performers and documenting their shared world to create what he calls ‘a family album’. From the beginning, his focus was on the personalities, rather than the performances. He deliberately eschews the ‘big reveal’. Instead, his photographs capture the friendships, the laughter and the camaraderie that characterise the burlesque scene. We are introduced to a thriving community that values dedication and loyalty, and where the exotic is always laced with humour; and we hear from performers Belle de Beauvoir, REIx, Lady Cheek, Lady May and Lynn Ruth Miller. Burlesque can be provocative, it can be political, and it can be serious. But it can also be a lot of fun. ‘I discovered that while some performers earn a living from burlesque, most have other jobs – anything from seamstresses to doctors, to company directors. This huge melting pot of professional experience, coupled with a variety of reasons for wanting to perform, means that personal development is encouraged. It’s an incredibly supportive community, and I wanted to try to capture that spirit.’ – Angus Stewart

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What does it mean to be exiled? For the landmarks of your past to disappear?In 1943, Wanda Gizmunt was ripped from her family home in Poland and deported to a forced labour camp in Nazi Germany. At the end of the war, she became one of millions of displaced Europeans awaiting resettlement. Unwilling to return to then-Soviet-occupied Poland, Wanda became one of 100 young Polish women brought to Canada in 1947 to address a labour shortage at a Quebec textile mill. But rather than arriving to long-awaited freedom, the women found themselves captives to their Canadian employer. Their treatment eventually became a national controversy, prompting scrutiny of Canada’s utilitarian immigration policy. Wanda seized the opportunity to leave the mill in the midst of a strike in 1948. She never looked back, but she remained silent about her wartime experience. Only after her death did her daughter-in-law assemble the pieces of Wanda’s life in Poland, Nazi Germany, and finally, Canada. In this masterful account of a hidden episode of history, Faubert chronicles the tragedy of exile and the meaning of silence for those whose traumas were never fully recognized.

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The Paleolithic site of Barda Balka ("standing stone," "stone to lean upon" in local Kurdish) is situated about 3 kilometers northeast of Chemchemal in Kirkuk Province, Iraq. Until recent years, the site was marked by a natural monolith of limestone conglomerate 3.5 meters high on a rather barren slope partly littered with Acheulean-type bifaces, pebble tools, cores, and flake artifacts. The site was discovered in 1949 by members of the Directorate General of Antiquities of Iraq while on archaeological reconnaissance in the district. In 1951, during a field season of the Oriental Institute of the University of Chicago under the direction of Robert J. Braidwood (which not only conducted the excavations at nearby Jarmo and Karim Shahir but also carried out wider geological and prehistoric reconnaissance in the extended Chemchemal Valley area), Barda Balka was visited and further studied by Herbert E. Wright Jr. of the University of Minnesota Department of Geology and Bruce Howe, then of the Peabody Museum, Harvard University. Wright and Howe returned shortly thereafter to conduct a four-day sounding campaign of trenching and localized geological investigations. This volume is Howe's final report of these investigations at Barda Balka.

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Although he wrote hundreds of songs and was a key figure in the birth of the American stage musical, P. G. Wodehouse's (1881-1975) long and influential career as a lyricist has been almost completely forgotten and unheralded - until now. Highly regarded by literati for his rich, sardonic Wooster and Jeeves books (among his more than ninety novels and volumes of short stories), Wodehouse broke new ground by writing songs that were cohesively integrated into the narrative action of musicals rather than presented as a string of unrelated tunes, which was the then-standard format. Particularly in the shows he wrote with Guy Bolton and Jerome Kern, Wodehouse transformed the musical from a poor man's Gilbert and Sullivan-style operetta into a more idiomatic and respectable form based on contemporary life. This book sets the lyrics from his nearly forty theatrical productions within the context of each individual show, providing incisive and informative commentary for each. Lavishly illustrated with photos and memorabilia, Barry Day establishes why, throughout the 1920s and 1930s, Wodehouse was considered a top-tier theatrical figure on both sides of the Atlantic.

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Archimede Seguso (1909-1999), one of the great Muranese masters, took traditional glassmaking techniques to extremes. His introduction of merletto lacework technique at the Venice Biennale of 1952 turned heads. His secret for embedding fine lacy threads of glass was never shared. Rather than apply the filigree to the surface of vessels as was traditionally done, Seguso floated these delicate wisps of color inside the glass. Archimede Seguso was also a sculptor. His preference for solid glass and love of nature resulted in a glass menagerie of feathered, scaled, and furry creatures. In the late 1950s he debuted with an array of alabastro figurals mimicking natural white alabaster, as well as the stone in delicious colors. This book, the first on the subject written in English, shows the full array of his extraordinary work in almost 500 full color photos from collections around the world. With focus on the 1950s and the Venice Biennales, his designs for decanters, vases, bowls, and animal sculpture from the period are shown with detailed captions and a price guide. This book also includes a history, bibliography, index, and illustrated glossary of terms.

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In their remarkable art project Eyes as Big as Plates, ongoing since 2011, the two artists Karoline Hjorth and Riitta Ikonen explore the relationship between humans and nature. To this end, they have travelled the world and created portraits of 52 people in diverging landscapes. The resulting series of photographs presents people whose age is typically over 50, wrapped in artistic, almost living sculptures made of the most diverse natural materials that Hjorth and Ikonen collected from the subjects’ surroundings: their floral, faunal, and fungal cohorts. The sensitively shot photographs open up new aesthetic worlds full of playful effortlessness that convey a strong message: We are nature! For the Norwegian-Finnish duo, it is not just about a successful photographic image. This second volume of the series consolidates these atmospheric portraits with concise descriptions of those portrayed, who, rather than remain solely as props in the picture, present themselves and their life stories. The Field Notes section compiles further photographic material composed around the portraits. The artists offer insights into the portraits’ process of creation and provide us with the opportunity to accompany the artists on their journeys.

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Africa is known both for having a primarily youthful population and for its elders being held in high esteem. However, this situation is changing: people in Africa are living longer, some for many years with chronic, disabling illnesses. In Ghana, many older people, rather than experiencing a sense of security that they will be respected and cared for by the younger generations, feel anxious that they will be abandoned and neglected by their kin. In response to their concerns about care, they and their kin are exploring new kinds of support for aging adults, from paid caregivers to social groups and senior day centers. These innovations in care are happening in fits and starts, in episodic and scattered ways, visible in certain circles more than others. By examining emergent discourses and practices of aging in Ghana, Changes in Care makes an innovative argument about the uneven and fragile processes by which some social change occurs. There is a short film that accompanies the book, “Making Happiness: Older People Organize Themselves” (2020), an 11-minute film by Cati Coe. Available at: https://doi.org/doi:10.7282/t3-thke-hp15

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The last survivors of the human race escaped a ruined Earth. Eos seemed perfect at first. Warm. Hospitable. Safe from the grid. But everything isn't as it seems. The planet's first settlers have disappeared. As Dr James Sinclair digs into the mystery of the lost colony, he discovers a series of spheres buried on Eos. Are they the key to finding the lost colonists? Or are they responsible for their deaths? Or are they a sign of something else altogether? Just as James is unravelling the secrets of the spheres, a storm hits Eos, and in the middle of the chaos, a new danger emerges – a threat no one saw coming... With time running out to save the colonists, James and Emma will face their hardest choice yet in the final pulse-pounding instalment in The Long Winter trilogy. Praise for A.G. Riddle: 'Reads like a superior collaboration between Dan Brown and Michael Crichton' Guardian on Pandemic 'Riddle keeps the focus on characters rather than technological marvels' Publishers Weekly 'Apocalyptic sci-fi at its best.The action sling-shots from stage to stage like an intergalactic spaceship' Daily Mail

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A Filipino-American take on Depression-era noir featuring mistaken identities, speakeasies, and lost love. The year is 1929 and Bobot is just another migrant worker in rural California. Or rather, a migrant worker with a law degree from the Philippines reduced to manual labor in America. Bobot, like so many other young Filipinos, finds himself bunking in the fields, picking fruit by day. When his cousin writes claiming to have spotted his estranged wife in nearby San Francisco, he swipes a co-worker s favorite nightclub suit and heads to the big city to find her. What follows is classic noir with seedy dives, mouthy pool sharks, and obsession. Rina Ayuyang indulges her passion for old Hollywood and elaborate movie musicals while exploring her immigrant roots in a playful and mysterious drama, creating something she never saw but always had hoped for a classic tale about people who looked just like her. The Man in the McIntosh Suit is a gripping, romantic, and psychological exploration of a fledgling community chasing the American dream in an unwelcoming society heightened by racial hostility and the bubbling undercurrent of the coming Great Depression.

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WINNER OF THE MILES FRANKLIN LITERARY AWARD'This is an engaging story that feels both urgent and necessary. It is also a terrific read.' – The Daily Telegraph (Australia)Welcome to Cinnamon Gardens, a home for those who are lost and the stories they treasure. Cinnamon Gardens Nursing Home is nestled in the quiet suburb of Westgrove, Sydney – populated with residents with colourful histories, each with their own secrets, triumphs and failings. This is their safe place, an oasis of familiar delights – a beautiful garden, a busy kitchen and a bountiful recreation schedule. But this ordinary neighbourhood is not without its prejudices. The serenity of Cinnamon Gardens is threatened by malignant forces more interested in what makes this refuge different rather than embracing the calm companionship that makes this place home to so many. As those who challenge the residents’ existence make their stand against the nursing home with devastating consequences, our characters are forced to reckon with a country divided. Chai Time at Cinnamon Gardens is about family and memory, community and race, but is ultimately a love letter to storytelling and how our stories shape who we are.

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How do you detangle a monolithic system and migrate it to a microservice architecture? How do you do it while maintaining business-as-usual? As a companion to Sam Newman’s extremely popular Building Microservices, this new book details a proven method for transitioning an existing monolithic system to a microservice architecture. With many illustrative examples, insightful migration patterns, and a bevy of practical advice to transition your monolith enterprise into a microservice operation, this practical guide covers multiple scenarios and strategies for a successful migration, from initial planning all the way through application and database decomposition. You’ll learn several tried and tested patterns and techniques that you can use as you migrate your existing architecture. Ideal for organizations looking to transition to microservices, rather than rebuild Helps companies determine whether to migrate, when to migrate, and where to begin Addresses communication, integration, and the migration of legacy systems Discusses multiple migration patterns and where they apply Provides database migration examples, along with synchronization strategies Explores application decomposition, including several architectural refactoring patterns Delves into details of database decomposition, including the impact of breaking referential and transactional integrity, new failure modes, and more

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In Earworm and Event Eldritch Priest questions the nature of the imagination in contemporary culture through the phenomenon of the earworm: those reveries that hijack our attention, the shivers that run down our spines, and the songs that stick in our heads. Through a series of meditations on music, animal mentality, abstraction, and metaphor, Priest uses the earworm and the states of daydreaming, mind-wandering, and delusion it can produce to outline how music is something that is felt as thought rather than listened to. Priest presents Earworm and Event as a tête-bêche—two books bound together with each end meeting in the middle. Where Earworm theorizes the entanglement of thought and feeling, Event performs it. Throughout, Priest conceptualizes the earworm as an event that offers insight into not only the way human brains process musical experiences, but how abstractions and the imagination play key roles in the composition and expression of our contemporary social environments and more-than-human milieus. Unconventional and ambitious, Earworm and Event offers new ways to interrogate the convergence of thought, sound, and affect.

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Drawing on a wide body of research, including extensive in-depth interviews, THE ONE THING YOU NEED TO KNOW reveals the central insights that lie at the core of: Great Managing, Great Leadership and Great Careers. Buckingham uses a wealth of relevant examples to reveal that at the heart of each insight lies a controlling insight. Lose sight of this 'one thing' and all of your best efforts at managing, leading, or individual achievement will be diminished. For great managing, the controlling insight has less to do with fairness, or team building, or clear expectations (although all are important). Rather, the one thing great managers know is the need to discover and then capitalize on what is unique about each person. For leadership, the controlling insight is the opposite - discover and capitalize on what is universal to all your people, regardless of differences in personality, race, sex, or age. For sustained individual success, the controlling insight is the need to discover what you don't like doing, and know how and when to stop doing it. In every way a groundbreaking work, THE ONE THING YOU NEED TO KNOW offers crucial performance and career lessons for business people at every level.

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The bestselling children’s books series for over 50 years! Drum roll please… the new Mr Men chosen by the public is Mr Calm! It’s time to meet Mr Calm, who is quite possibly the calmest person in the world. He appreciates the simple pleasures in life and nothing can upset or disturb him, which means he’s a calm head in a crisis. But unfortunately not all his friends approach life in the same way. Can Mr Calm help them to change their ways? Fifty years after Mr Tickle, the very first Mr Men book was published, the public voted for the next two new characters from Little Miss Brave, Mr Calm, Little Miss Energy, Mr Brilliant and Little Miss Kind. A rather relaxed Mr Calm stayed true to his name and was calmly selected alongside Little Miss Brave, as one of the two most popular characters. The Mr Men and Little Miss have been delighting children for generations with their charming and funny antics. Bold illustrations and funny stories make Mr Men and Little Miss the perfect story time experience for children aged two up. Have you met them all?

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Make better financial choices, reduce money anxiety, and grow your wealth In Unbiased Investor: Reduce Financial Stress and Keep More of Your Money, Portfolio Manager at CIBC World Markets, Coreen Sol, delivers an inspiring and illuminating roadmap to investing success. In the book, you’ll explore the behavioral and psychological roadblocks to achieving optimal results from your portfolio and the strategies you can use to overcome them. You’ll learn to focus on basic economic principles—rather than harmful psychological biases—to reduce financial stress and reliably grow wealth. The book also shows you how to: Recognize the decision-making shortcuts (heuristics) we use to navigate and understand the world around us Avoid counter-productive and ineffective risk-management strategies that decrease returns without mitigating risk Consider your own financial goals, personal preferences, and skills in the creation of a strategy to make good financial choices, consistently A powerful and easy-to-follow handbook for everyday investors, Unbiased Investor shows readers from all kinds of background the foundational, straightforward behaviors and habits we need to embrace to realize financial security.

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Captain Jim Agnihotri and his wife Lady Diana Framji are embarking to England in the summer of 1894. Jim is hopeful the cruise will help Diana open up to him. Something is troubling her, and Jim is concerned. On their first evening, Jim meets an intriguing Spaniard, a fellow soldier with whom he finds an instant kinship. But within twenty-four hours, Don Juan Nepomuceno is murdered, his body discovered shortly after he asks rather urgently to see Jim. When the captain discovers that Jim is an investigator, he pleads with Jim to find the killer before they dock in Liverpool in six days, or there could be international consequences. Aboard the beleaguered luxury liner are a thousand suspects, but no witnesses to the locked-cabin crime. Jim would prefer to keep Diana safely out of his investigation, but he’s doubled over, seasick. Plus, Jim knows Diana can navigate the high society world of the ship's first-class passengers in ways he cannot. Together, using the tricks gleaned from their favourite fictional sleuth, Sherlock Holmes, Jim and Diana must learn why one man’s life came to a murderous end.

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This pocket guide to Jamie Goode’s philosophy divulges what you need to know (and what you don’t) about the world of wine. Who will have the last word on wine, if not Jamie Goode? Over the last decade, Goode has embarked on almost nonstop travel through the world’s vineyards in an effort to understand the beautifully diverse and complicated world of wine. His hard-nosed pursuit of the most interesting stories to tell about wine has led us here, to The Goode Guide to Wine. This book—a sort of manifesto—distills many of the observations, lessons, and opinions that have made Jamie Goode a renowned voice within the wine world. In a series of short, pithy, and often rather blunt chapters, he celebrates what is exciting and interesting about wine, asks how we could do things better, and points out some of the absurdities of wine culture. Jamie Goode has a distinct philosophy when it comes to wine, and he knows you may disagree; if you do, that means it’s working. The Goode Guide to Wine is a book designed to provoke and inspire in equal measure, encouraging the reader to be critical and to see the world of wine through fresh eyes.

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This handsome volume is the first authoritative survey of one of the most intriguing periods of British art—the radically innovative decade of the 1860s. The book explores new developments in English painting of this period, focusing on the early work of Edward Burne-Jones, Frederic Leighton, Albert Moore, Edward Poynter, Simeon Solomon, and James McNeill Whistler, as well as on paintings by Frederick Sandys and the older G. F. Watts, and by Dante Gabriel Rossetti and his Pre-Raphaelite colleagues Holman Hunt and John Everett Millais. Allen Staley argues that engagement in the decorative arts, particularly by Burne-Jones, Moore, and Poynter at the outset of their careers, led to a transcending of traditional expectations of painting, making abstract formal qualities, or beauty for beauty's sake, the main goal. Rather than being about what it depicts, the painting itself becomes its own subject. The New Painting of the 1860s examines the interplay among the artists and the shared ambitions underlying their works, giving impetus to what would soon come to be known as the Aesthetic Movement.Published for the Paul Mellon Centre for Studies in British Art

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How did the early Christian church manage to win its dominant place in the Roman world? In his newest book, an eminent historian of ancient Rome examines this question from a secular—rather than an ecclesiastical—viewpoint. MacMullen’s provocative conclusion is that mass conversions to Christianity were based more on the appeal of miracle or the opportunity for worldly advantages than simply on a “rising tide of Christian piety.”“Provocative to the Christian religious scholar and the nonreligious historian alike. . . . MacMullen’s style is lucid, and the story of a period with its own innate interest is narrated with compelling feeling. . . . It is an important book, and highly recommended for the general reader of history as well as the Christian who wonders how the ‘Jesus movement’ came, by Constantine’s time, to be the church we know—Choice“Written in a fresh and vigorous style, . . . [this book] offers an admirable survey of some major aspects of the history [of the early Christian church].”—Robert M. Grant, New York Times Book Review “Gently provocative. . . . MacMullen has written an instructive and enjoyable book on a great theme.”—Henry Chadwick, Times Literary Supplement “A carefully argued and well-written study.”—Jackson P. Hershbell, Library Journal

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The gold-standard text in dermatology – completely updated for today’s practice by an all-new editorial board Encyclopedic in scope, yet skillfully edited to make it easy to read and understand, this trusted classic delivers everything clinicians need to know about skin, skin symptoms, and skin diseases. Presented in full color, Fitzpatrick’s covers all the essentials, from the basic science of skin to the day-to-day clinical issues of managing common skin disorders such as acne, skin cancer, and psoriasis. Backed by the expertise of more than 500 world-renowned contributors, and the reference of choice for clinicians, students, and educators, Fitzpatrick’s is enhanced by thousands of full-color photographs and a wealth of newly enhanced tables and diagrams. The Ninth Edition is bolstered by a new global editorial team; a reorganized table of contents; a more simple, readable, and direct writing style, the incorporation of more genetic, syndromic, and treatment information into each chapter; the addition of first, second, and third line treatment options; and improved table presentation. The reorganized table of contents reflects how disease presents rather than its cause.

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"Magnificent! The best how-to manual ever published." - Kevin Kelly, Cool Tools Scott McCloud tore down the wall between high and low culture in 1993 with Understanding Comics, a massive comic book about comics, linking the medium to such diverse fields as media theory, movie criticism, and web design. In Reinventing Comics, McCloud took this to the next level, charting twelve different revolutions in how comics are generated, read, and perceived today. Now, in Making Comics, McCloud focuses his analysis on the art form itself, exploring the creation of comics, from the broadest principles to the sharpest details (like how to accentuate a character's facial muscles in order to form the emotion of disgust rather than the emotion of surprise.) And he does all of it in his inimitable voice and through his cartoon stand-in narrator, mixing dry humor and legitimate instruction. McCloud shows his reader how to master the human condition through word and image in a brilliantly minimalistic way. Both comic book devotees and the uninitiated will marvel at this journey into a once-underappreciated art form.

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‘Dark, twisty, gripping and dripping with authenticity…I loved it’ Peter James ‘An electrifying thriller’ Woman's Own PR guru Lola Lovett’s client has gone missing, but that’s not the problem. It’s the fact that he’s meant to be at home. Already dead. But Lola hasn’t come this far in life to let an inconvenience like an undead actor stop her from getting what she wants, so she immediately sets about getting close to the investigation into his disappearance…and DCI Sue Fisher. Sue’s been laying low ever since the Medford nail bar case, determined to focus on her grieving son Tom and moving on from the horrors they’ve faced, but the search for actor Sam Stevens throws up unexpected challenges. Because in the glitzy, glamorous world of showbiz it’s not a matter of discovering who might be keeping secrets, but rather, determining who is willing to kill to keep them… Praise for Natalie Tambini: ‘An explosive thriller not for the faint-hearted' Woman's Own ‘Secrets and lies on every page. Utterly absorbing' Best ‘A brilliant thriller’ Bella ‘We couldn’t put this down’ Crime Scene Magazine ‘Creepy, shocking, addictive’ Tammy Cohen

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The most crucial ability for machine learning and data science is mathematical logic for grasping their essence rather than knowledge and experience. This textbook approaches the essence of machine learning and data science by considering math problems and building Python programs. As the preliminary part, Chapter 1 provides a concise introduction to linear algebra, which will help novices read further to the following main chapters. Those succeeding chapters present essential topics in statistical learning: linear regression, classification, resampling, information criteria, regularization, nonlinear regression, decision trees, support vector machines, and unsupervised learning. Each chapter mathematically formulates and solves machine learning problems and builds the programs. The body of a chapter is accompanied by proofs and programs in an appendix, with exercises at the end of the chapter. Because the book is carefully organized to provide the solutions to the exercises in each chapter, readers can solve the total of 100 exercises by simply following the contents of each chapter. This textbook is suitable for an undergraduate or graduate course consisting of about 12 lectures. Written in an easy-to-follow and self-contained style, this book will also be perfect material for independent learning.

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