Search results for ""author rath"

"Key Themes in Media Theory is wonderfully wide-ranging and deservedly destined to become a key text for students of Media Studies." Professor John Storey, University of Sunderland, UK"The very best text books are not just summaries of complex ideas for a student audience or an introduction to a critical canon; the very best add something to the canon they reflect upon, and Dan Laughey’s Key Themes in Media Theory is one such book. [It] is not a means to an end, as many such books can be. Rather it is a motivational primer, and one that should send both students and teachers heading to the library toread the theorists presented here again, for the first time." Richard Berger, Art, Design, Media; The Higher Education Academy, UK What is media theory? How do media affect our actions, opinions and beliefs? In what ways do media serve powerful political and economic interests? Is media consumerism unhealthy or is it empowering? Key Themes in Media Theory provides a thorough and critical introduction to the key theories of media studies. It is unique in bringing together different schools of media theory into a single, comprehensive text, examining in depth the ideas of key media theorists such as Lasswell, McLuhan, Hall, Williams, Barthes, Adorno, Baudrillard and Bourdieu. Using up-to-date case studies the book embraces media in their everyday cultural forms – music, internet, film, television, radio, newspapers and magazines – to enable a clearer view of the ‘big picture’ of media theory.In ten succinct chapters Dan Laughey discusses a broad range of themes, issues and perspectives that inform our contemporary understanding of media production and consumption. These include: Behaviourism and media effects Feminist media theory Postmodernity and information society Political economy Media consumerism With images and diagrams to illustrate chapter themes, examples that apply media theory to media practice, recommended reading at the end of every chapter, and a useful glossary of key terms, this book is the definitive guide to understanding media theory.

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Reviewers’ comments on the first edition“Zygmunt Bauman presents a cogently argued and compelling thesis... an important book from a distinguished scholar, that adds a new dimension to the poverty debate.”British Journal of Sociology “It will be of great interest and value to students, teachers and researchers in sociology and social policy… [Bauman] provides a very forceful and sophisticated statement of the case; and a very well written one too. As a wide ranging analysis of our present discontents it is an admirable example of the sort of challenge which sociology at its best can offer to us and our fellow citizens to re-assess and re-think our current social arrangements.”Work, Employment and Society “This is a stylish and persuasive analysis of the transition between the age of the ‘society of producers’ to that of the ‘society of consumers’.”Political Studies It is one thing to be poor in a society of producers and universal employment; it is quite a different thing to be poor in a society of consumers, in which life projects are built around consumer choices rather than on work, professional skills or jobs. Where ‘being poor’ was once linked to being unemployed, today it draws its meaning primarily from the plight of a flawed consumer. This has a significant effect on the way living in poverty is experienced and on the prospects for redeeming its misery. Work, Consumerism and the New Poor traces this change over the duration of modern history. It makes an inventory of its social consequences, and considers how effective different ways of fighting poverty and relieving its hardships are. The new edition of this seminal work features: Updated coverage of key thinkers in the field Discussion of recent work on redundancy, disposability and exclusion Current thinking on the effects of capital flows on different countries and the changes on the shop floor through, for example, business process re-engineering New material on security and vulnerability Key reading for students and lecturers in sociology, politics and social policy, and those with an interest in contemporary social issues.

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THE GREAT PEACE is a harrowing, heartbreaking coming-of-age story set in Hollywood, in which young teenage model-turned-actor Mena Suvari lost herself to sex, drugs and bad, often abusive relationships even as blockbuster movies made her famous. It's about growing up in the 90s, with a soundtrack ranging from The Doors to Deee-Lite, fashion from denim to day-glo, and a sad young woman dealing with the lasting psychological scars of losing her virginity against her will at age 12, believing she has little more to offer than her body, yet knowing deep inside she has and desires so much more from life.Inspired by Mena's relatively recent discovery of diary writings and poetry she wrote during this troubled time and then put in storage for years, this book builds on these entries with gritty authenticity and hard-earned maturity. Despite many years of interviews and many miles on the red carpet, Mena has never revealed any part of her challenging adolescence and early career. After years of being taken advantage of by older, more powerful men--a photographer, a manager, a DJ--Mena finally learned how to stand on her own two feet, and reclaimed the power that had been locked inside her the whole time.Within these vulnerable pages, Mena not only reveals her own mistakes, but also the lessons she learned and her efforts to understand and grow rather than casting blame. As such, she makes this a timeless story of girl empowerment and redemption, of somebody using their voice to rediscover their past and redeem and understand their mistakes, and ultimately come to terms with their power as an individual to find a way and a will to live--and thrive. Poignant, intimate, and powerful, this book will resonate with anyone who has found themselves lost in the darkness, thinking there's no way out. Ultimately, Mena's story proves that, no matter how hopeless it may seem, there's always a light at the end.

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These authoritative lectures, delivered during a period of deep crisis and conflict in world history, present a comprehensive spiritual teaching for contemporary humanity. Despite the raging world war, Rudolf Steiner was still actively touring Central Europe whilst simultaneously completing work on his architectural masterpiece, the first Goetheanum, in neutral Switzerland. The building of the Goetheanum - undertaken by a community of people from seventeen nations at war - forms a thematic backdrop to the lectures. In speaking of the walls in the new building, for example, Rudolf Steiner describes how their forms are not confining, but rather express an openness to the surrounding cosmos. Likewise, the carved motifs on the architraves of the wooden pillars are not fixed 'symbols' but are alive and continually metamorphosing . These observations are reflected in Steiner's broader discussions. He speaks of extending and deepening our connection with the world and the cosmos, going beyond our usual narrow limits and definitions to engage in 'community with the realities of existence'. We can do this, for example, with the so-called 'dead', who find it difficult to relate to sense-bound thinking. Rudolf Steiner explains how we can connect with them, greatly enriching our lives and 'making an enormous difference to their souls'. The distinction between fixed symbols and living motifs takes us to the core of anthroposophy, striving never to rest in inert forms of thought. In the field of education, Steiner thus warns about 'external measuring' of pupils and linear models of cognitive learning. Throughout the three lecture courses included here - which together form a kind of compendium of anthroposophy at the time - Steiner touches upon a wealth of absorbing themes, including the 'discovery' of America, the contrast between East and West, the qualities of European 'folk souls', Valentin Andreae's Chymical Wedding, and Darwinism. Regardless of his topic, however, Steiner consistently makes the urgent appeal that we 'grasp reality', looking further than abstract schemes of all kinds - such as social and political 'programmes' - to participate in the cosmos as conscious and fully human co-creators.

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“Encouraging…Uplifting...Meeting apparently insurmountable goals requires thinking big…this will inspire.” —Publishers Weekly “Raj Shah has written a practical guide to making the world a better place. He knows what he’s talking about, because he’s done it himself. Anyone who wants to make a change in the world, or their own lives, will benefit from this book.” —Bill Gates, Cochair, Bill & Melinda Gates Foundation Rajiv J. Shah, president of the Rockefeller Foundation and former administrator of President Barack Obama’s United States Agency for International Development, shares a dynamic new model for creating large scale change, inspired by his own involvements with some of the largest humanitarian projects of our time.Rajiv J. Shah is no stranger to pulling off the impossible, from helping vaccinate 900 million children at the Bill & Melinda Gates Foundation to a high-pressure race against the clock to stop the spread of Ebola. His secret? A big bets philosophy—the idea that seeking to solve problems rather than make incremental improvements can attract the unlikely partners with the power and know-how to achieve transformational change. Part career sweeping memoir, part inspirational playbook, Big Bets offers a master class in decision-making, leadership, and changing the world one bet at a time. Shah animates his strategic insights with vivid behind-the-scenes stories, memorable conversations with household names that helped shape his approach to creating change, and his own personal growth as an Indian-American from an immigrant family looking for a way to belong. He distills his battle-tested strategies for creating change, arguing that big bets have a surprising advantage over cautious ones: a bold vision can attract support, collaborations, and fresh ideas from key players who might otherwise be resistant. Throughout the book, Shah traces his unlikely path to the Rockefeller Foundation across a changing world and through some of the most ambitious, dramatic global efforts to create a better world.

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From Design Thinking to Design Doing Innovators today are told to run loose and think lean in order to fail fast and succeed sooner. But in a world obsessed with the new, where cool added features often trump actual customer needs, it's the consumer who suffers. In our quest to be more agile, we end up creating products that underwhelm. So how does a company like Nest, creator of the mundane thermostat, earn accolades like "beautiful" and "revolutionary" and a $3.2 billion Google buyout? What did Nest do differently to create a household product that people speak of with love? Nest, and companies like it, understand that emotional connection is critical to product development. And they use a clear, repeatable design process that focuses squarely on consumer engagement rather than piling on features for features' sake. In this refreshingly jargon-free and practical book, product design expert Jon Kolko maps out this process, demonstrating how it will help you and your team conceive and build successful, emotionally resonant products again and again. The key, says Kolko, is empathy. You need to deeply understand customer needs and feelings, and this understanding must be reflected in the product. In successive chapters of the book, we see how leading companies use a design process of storytelling and iteration that evokes positive emotions, changes behavior, and creates deep engagement. Here are the four key steps: 1. Determine a product-market fit by seeking signals from communities of users. 2. Identify behavioral insights by conducting ethnographic research. 3. Sketch a product strategy by synthesizing complex research data into simple insights. 4. Polish the product details using visual representations to simplify complex ideas. Kolko walks the reader through each step, sharing eye-opening insights from his fifteen-year career in product design along the way. Whether you're a designer, a product developer, or a marketer thinking about your company's next offering, this book will forever change the way you think about--and create--successful products.

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'60 fantastical structures described and illustrated in this colourful and highly entertaining book.' The Sunday Times 'If you can’t think of a present for the armchair architect in your life – well, problem solved' The Daily Telegraph 'These ghostly architectural echoes entrance the reader.' The Field ‘This is a lavishly illustrated book of wonder for the dreamer in your life’ The MetroA skyscraper one mile high, a dome covering most of downtown Manhattan, a triumphal arch in the form of an elephant: some of the most exciting buildings in the history of architecture are the ones that never got built. These are the projects in which architects took materials to the limits, explored challenging new ideas, defied conventions, and pointed the way towards the future. Some of them are architectural masterpieces, some simply delightful flights of fancy. It was not usually poor design that stymied them – politics, inadequate funding, or a client who chose a ‘safe’ option rather than a daring vision were all things that could stop a project leaving the drawing board. These unbuilt buildings include the grand projects that acted as architectural calling cards, experimental designs that stretch technology, visions for the future of the city, and articles of architectural faith. Structures likeBuckminster Fuller’s dome over New York or Frank Lloyd Wright’s mile-high tower can seem impossibly daring. But they also point to buildings that came decades later, to the Eden Project and the Shard. Some of those unbuilt wonders are buildings of great beauty and individual form like Etienne-Louis Boullée’s enormous spherical monument to Isaac Newton; some, such as the city plans of Le Corbusier, seem to want to teach us how to live; some, like El Lissitsky’s ‘horizontal skyscrapers’ and Gaudí’s curvaceous New York hotel, turn architectural convention upside-down; some, such as Archigram’s Walking City and Plug-in City, are bizarre and inspiring by turns. All are captured in this magnificently illustrated book.

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Buckle up, folks. It’s time to jump in, embrace your inner self, and release the things that are holding you back from wholeness. Enter the Millenneagram.The Enneagram is an ancient personality typing system that has a sneaky way of revealing who we are and why we do the things we do. Using nine types, it gets to the root of our fears and motivations, unveiling our inner-most selves. Millenneagram reinvigorates the Enneagram by putting a modern spin on the classic nine types. Hannah Paasch, creator of the popular #millenneagream threads on Twitter, reveals how this system acts as a map toward our authentic selves. For Hannah, the Enneagram is not about changing who we are, but rather nurturing and loving our whole selves, even the pain in the ass qualities. “Only from this position of wholeness, rootedness in who we are, what we believe, and what kind of story we are writing, will we be able to act bravely for the sake of justice and humanity – to approach our f*cked-up world with the grounded courage it asks of us.”With her trademark irreverent humor and empowering affirmations, Millenneagram reframes the classic Enneagram types with a fresh perspective and new names that cut right to the chase: #1 The Machine “I’m an Enneagram 1 and I Can Fix This!”#2 The Parent “I’m an Enneagram 2 and Can I Get You a Refill?”#3 The Winner “I’m an Enneagram 3 and All I Do Is Win.”#4 The Tortured Artist “I’m an Enneagram 4 and I’m Deeper Than You.”#5 The Detective “I’m an Enneagram 5 and I Read an Article About That.”#6 The Oracle “I’m an Enneagram 6 and I’m Loyal as Fuck.”#7 The Party “I’m an Enneagram 7 so This Might Be Vodka In My Mug.”#8 The Dragon “I’m an Enneagram 8 so Nice Try, Bitch.”#9 The Wallflower “I’m an Enneagram 9 so Let’s Just All Chill Out, Dude.”A powerful tool for self-discovery (that doesn’t take itself too seriously), Millenneagram is an invitation for introspection and growth. Hannah’s revamped Enneagram goes beyond simply identifying with a type: it gives us permission to be our truest, enough-as-is, bad-ass selves.

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__________________________'The universal significance of this historic event becomes ever more relevant in our own turbulent times.' MIKE LEIGH, director of the award-winning film Peterloo__________________________The Peterloo Massacre is a revealing and compelling account of one of the darkest days in Britain's social history.On 16 August 1819, a strong force of yeomanry and regular cavalry charged into a crowd of more than 100,000 workers who had gathered on St Peter’s Field in Manchester for a meeting about Parliamentary reform.Many were killed. This violent, startling event became known as Peterloo, one of the darkest days in Britain’s social history.The Peterloo Massacre provides a revealing narrative account of the events leading up to Peterloo, starkly describes the actions of that fateful day, and examines its aftermath. It offers a new perspective on the political and military activities of the time, and shows how the very nature of society was powerfully influenced by irreversible technological change: a pattern that, two-hundred years later, still has relevance in understanding the forces shaping our world today.__________________________'One of our nation's defining moments.' STUART MACONIE'Vivid and rather brilliant.' THE TIMES'an absorbing analysis of one of the blackest days for civil liberties which this country has ever known. It is a story of heroes and villains, of suffering and carnage and of incompetence, betrayal and brutality, told with the skill of a master craftsman who makes history leap from the page fresh as the morning’s newspapers' EVENING CHRONICLE'There are many accounts of the Peterloo Massacre but none as thoroughly researched as this one. The characters . . . come alive in his easy to read style . . . there is much to be learned from Robert Reid’s description and analysis of the role and effects of technology, and I hope his book will be widely read. It should be in every school library and discussed by all those involved in the continuing search for civilised solutions to the social and political problems currently facing our people.' CAMDEN JOURNAL

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THE FUNNIEST BOOK OF THE YEAR. GUARANTEED TO TURN AN AWKWARD SILENCE INTO AN AWKWARD CONVERSATION.Now updated with new answers from: David Mitchell, Sara Pascoe, Charlie Brooker and Stephen Fry, among others!'Ridiculously funny and (unexpectedly) genuinely useful' ADAM KAY'A perfect way to pretend you're interested in people you're not that interested in' KATHY BURKE'Most of this book is pointless filth, all of it is hilarious, and my answer to question 715(a) is "Yes thank you and it was very tasty"' DAWN FRENCHIf you had to wear somebody's guts for garters - if you had to - who would you disembowel in order to facilitate your socks staying up?What do you consider your median achievement?Would you rather have pubic hair made of unremovable barbed wire or to be attacked by a rabid badger in your sleep once a week?We've all been there. Stuck at a boring family party, on an awkward date, in a below-par job interview, or any number of other situations in which conversation has become more of a trickle than a flow. Well, fear the excruciation no more, as Richard Herring's EMERGENCY QUESTIONS is about to change your life. Containing 1,001 conversation starters from one of our most cherished comedians, along with plenty of answers from the many household names who've appeared on his podcast, this book is virtually guaranteed to remove any social anxiety from your life, and will raise your repartee-game to new heights.'Of all the clever people I know, Richard is the stupidest. And of all the stupid people I know, Richard is the cleverest. That's why this is such a brilliant book for everyone' RICHARD OSMAN'Perhaps if Michael Parkinson had asked Mohammad Ali if he'd ever seen a Bigfoot he might be remembered as a great interviewer. Instead it is Richard Herring who has perfected the art of creating funny, interesting and offensive questions that will supercharge even the dullest encounter' ADAM BUXTON'Richard Herring bullied me into claiming this book, which I haven't yet read, is brilliant' CHARLIE BROOKER

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St Andrews, Scotland: When a woman''s eviscerated body is found on the golf course close to the Fairmont Hotel, DCI Andy Gilchrist and his associate DS Jessie Janes are assigned the investigation. But the post mortem examination uncovers a shocking detail that must be kept from the public.Who could carry out such a brutal murder? And what is the significance of the gruesome trophy? But DNA uncovers links to a murder committed thirty years earlier, and has Gilchrist fearing a killer of old has resurfaced, or worse, a debut serial killer setting out to learn his murderous trade. The hunt for the killer forces Gilchrist down a dangerous path that puts his and Jessie''s life in danger, and ultimately leads them to a mind-playing madman who will kill again rather than go to prison. As Gilchrist homes in on the murderer, he finds himself relentlessly drawn into the killer''s mind games, and a desperate fight for his life, in which there can only be one winne

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The present collection of articles deals with the relation between the Arabic popular epic and 'official' historiography. The Arabic popular epic can be considered as popular history since it represents a way in which a large, but mainly illiterate audience perceives, conceptualizes and commemorates history. Using methods based in literary criticism, modern research has come up with new and refreshing approaches to study the historicity of the heroic literature. The contributors to this volume are all experts in the field of the Arabic popular epic. They examine which narrative structures popular epics share with historiography and how historical characters and events are fictionalized in order to create the story. Each contribution deals with a different epic, including Sirat 'Antar, Sayf ibn Dhi Yazan, al-Iskandar, al-Amira Dhat al-Himma, al-Zahir Baybars, Bani Hilal, and epics in the Thousand and One Nights. One so far rather unknown epic, the Sirat al-Hakim bi-Amrillah, is discussed here in detail for the first time.

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In the midst of fear, anger, or sadness, the feelings we want to avoid can open the way to fearlessness, our basic goodness, and true freedom This supportive series of talks brings us the beloved Tibetan Buddhist teacher Pema Chödrön at her best—helping to guide us back to our wisest and most heartful selves. Here, she shares three simple, time honored steps or "attitudes" to practice when we are in pain or crisis: • Finding the stillness and space within our inner storms so that we can act rather than react • Transforming our emotions and welcoming them as friends • Using all of our felt experiences—positive and negative—as a direct path not only to immediate relief but to real courage, nurtured through compassion The feelings that we want to run from, Pema tells us, offers us the very fuel we need to grow our strength and self-acceptance. With Three Steps to Courage, listeners will learn how to do just that—with welcome support and inspiration along the way.

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In the 1960s and early 1970s, countercultural rebels decided that, rather than confront the system, they would create the world they wanted. The natural foods movement grew out of this contrarian spirit. Through a politics of principled shopping, eating, and entrepreneurship, food revolutionaries dissented from corporate capitalism and mainstream America.In Food for Dissent, Maria McGrath traces the growth of the natural foods movement from its countercultural fringe beginning to its twenty-first-century ""food revolution"" ascendance, focusing on popular natural foods touchstones - vegetarian cookbooks, food co-ops, and health advocates. Guided by an ideology of ethical consumption, these institutions and actors spread the movement's oppositionality and transformed America's foodscape, at least for some. Yet this strategy proved an uncertain instrument for the advancement of social justice, environmental defense, and anti-corporatism. The case studies explored in Food for Dissent indicate the limits of using conscientious eating, shopping, and selling as tools for civic activism.

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Murder, dark family secrets, and the unwavering bond of sisterhood-regardless of the cost Beth Ralston, a paralegal in Portland, Oregon, would rather be racking up billable hours than mingling at an office party-especially when her sister Lindsay, aka her plus one, is a no-show. After making her obligatory rounds, Beth returns to her office to find that her boss, who she'd talked with moments before, has been murdered. She sees a woman fleeing the scene. Wait-was that Lindsay? Unable to catch up to her in time, Beth waits for the police to arrive and notices that Lindsay has left her phone behind with an unsent text message to Beth displayed on the screen: Don't ask. Don't follow. Lindsay is unreachable for days, and when Beth starts to come under suspicion for the crime, she decides that waiting is impossible. While retracing Lindsay's steps, determined to bring her home, Beth uncovers what her sister, an investigative reporter bent on changing the world, was trying to expose-corru

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Librarian Janet Johnson is puzzled when she is invited—and practically dragged—to her first meeting of the Rejected Writers’ Book Club. This quirky group of women would much rather celebrate one another’s rejected manuscripts over cups of tea and slices of lemon cake than actually publish a book. But good friends are exactly what Janet needs after moving to the small town of Southlea Bay, Washington. Just as the ladies are about to raise a teacup to their five hundredth rejection letter, they receive bad news that could destroy one member’s reputation—and disband the group forever. To save the club, Janet joins her fellow writers on a wild road trip to San Francisco in search of the local publisher who holds the key to a long-buried secret. As they race to the finish line, they’ll face their fears—landslides, haunted houses, handsome strangers, ungrateful children—and have the time of their lives. Revised edition: This edition of The Rejected Writers' Book Club includes editorial revisions.

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Outstanding Academic Title, Choice In The Practice of Satire in England, 1658-1770, Ashley Marshall explores how satire was conceived and understood by writers and readers of the period. Her account is based on a reading of some 3,000 works, ranging from one-page squibs to novels. The objective is not to recuperate particular minor works but to recover the satiric milieu-to resituate the masterpieces amid the hundreds of other works alongside which they were originally written and read. The long eighteenth century is generally hailed as the great age of satire, and as such, it has received much critical attention. However, scholars have focused almost exclusively on a small number of canonical works, such as Gulliver's Travels and The Dunciad, and have not looked for continuity over time. Marshall revises the standard account of eighteenth-century satire, revealing it to be messy, confused, and discontinuous, exhibiting radical and rapid changes over time. The true history of satire in its great age is not a history at all. Rather, it is a collection of episodic little histories.

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When feuding neighbors Sonnet and Zeke are paired up for a class project, they unearth a secret that could uproot Sonnet’s family—or allow it to finally heal and grow.Twelve-year-old Sonnet’s family has just moved across the country to live with her grandfather after her nana dies. Gramps’s once-impressive apple orchard has been razed for a housing development, with only one heirloom tree left. Sonnet doesn’t want to think about how Gramps and his tree are both growing old—she just wants everything to be okay.Sonnet is not okay with her neighbor, Zeke, a boy her age who gets on her bad side and stays there when he tries to choose her grandpa to interview for an oral history assignment. Zeke irks Sonnet with his prying questions, bringing out the sad side of Gramps she’d rather not see. Meanwhile, Sonnet joins the Green Club at school and without talking to Zeke about it, she asks his activist father to speak at the

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This is the story of a woman, Rae, and her dog, Dante, a wolfhound who teaches "his human" that love is stronger than fear (the dog has always known this). Dante is the catalyst for change in other characters as well, and they step forward with their narratives: Rae's house-tender; her therapist; two veterinarians; and an anxiety-ridden actor, Howard, who turns out to be as stalwart as Dante himself. As the "seer" who hunts by sight rather than smell, Dante has some things to add, as does Rose, another dog who lives at Rae's heels, and Stanley the cat. Among and above these myriad voices, Rae voices her own challenges. With the wit and dead-on candor we've come to expect from Pam Houston, Sight Hound unfolds a story that illuminates the intangible covenant between loved ones. Here, dogs and humans are simply equal creatures, looking to connect and holding on for dear life when they do. Reading group guide included.

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When you live next door to the big bad wolf ...After years in prison, North Callaghan is finally free. But the demons haunting him still make him feel like a caged beast. He loses himself in work and hard living, coming up for air only to bed any willing woman to cross his path. So when his new neighbor snares his interest, he decides to add another notch to his bedpost. The only problem? Faith Walters is a white picket fence kind of girl. Prepare to be devoured. Faith's new neighbor is the rudest man alive. He'd rather grunt at her than speak and he takes her "welcome-to-the-neighborhood" scones without a thank you. She knows she should run for the hills from the ex-con. If only he weren't so smoldering sexy...if only the sounds of him with other women didn't drift through their shared wall and fill her with longing...and if only he didn't look at her like they were a collision waiting to happen.

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Many American Christians have come to understand their relationship to other Christian denominations and traditions through the lens of religious persecution. This book provides a historical account of these developments, showing the global, theological, and political changes that made it possible for contemporary Christians to claim that there is a global war on Christians. This book, however, does not advocate on behalf of particular repressed Christian communities, nor does it argue for the genuineness (or lack thereof) of certain Christians’ claims of persecution. Instead, this book is the first to examine the idea that there is a “global war on Christians” and its analytical implications. It does so by giving a concise history of the categories (like “martyrs”), evidence (statistics and metrics), and theologies that have come together to produce a global Christian imagination premised upon the notion of shared suffering for one’s faith. The purpose in doing so is not to deny certain instances of suffering or death; rather, it is to reflect upon the consequences for thinking about religious violence and Christianity worldwide using terms such as a “global war on Christians.”

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Angela France’s Terminarchy eloquently considers the troubling terms of existence in an age of climate catastrophe and technological change. How do we negotiate a world where capitalism and greed threaten a fragile earth, where technology seems to promise us connection but might also fuel isolation? Where even finding solace in nature reminds us that the seasons can no longer be trusted? Reframing ecopoetics in her own instinctive, radical, lyrical form. France considers whether, rather than collison-course, there might be a better way to coexist. Where extinction threatens, these wry, alert poems and their earthy voices try to find a way through and look for hope."Angela France travels the living world of our fellow creatures with much empathy, considering the survivals, (for now) and the irrevocable losses. Though the theme is mortal and full of danger, the poems sing, they inhabit delight amid the sorrow. Observational, meditative, earthy, riverine, full of foundational energy; this is a key collection, an essential poetics of gravity and grace." - Penelope Shuttle

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A book by stalwart chess writer on an aspect of chess that is quite common, but little is written about, swindling in chess. In chess, a swindle is a ruse by which a player in a losing position tricks his opponent, and thereby achieves a win or draw instead of the expected loss. Renown chess writers Horowitz and Reinfeld observe that swindles,"though ignored in virtually all chess books","play an enormously important role in over-the-board chess, and decide the fate of countless games". Andrew Soltis, American chess journalist, says swindles are not accidental or a matter of luck. Swindling is a skill. But there has been almost nothing written about how to do it, how to make yourself lucky in chess. Swindling means setting traps that exploit an opponent's over-confidence. It means choosing the move that has the greatest chance of winning, rather than the move that has the least chance of losing. Soltis' new proposal will explain to players of all levels how to do just that with plenty of examples to explain along the way.

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In Easy Money David Spanier studies the psychological motivation of gamblers, those who beat the system and those beaten by it, portraying the personalities and legends of the gambling world of the time. Spanier ranges widely over his subject, considering the motivations of gamesters, stressing the physical sensations they experience, the percentages and chances, heuristic principles, the differences in European and American gambling, and the criminal element in U.S. gaming, but concentrates primarily on the human side of gambling rather than the mathematical or theoretical. While he is comfortable discussing Freud's analysis of the compulsive gambler, his real emphasis is on the individuals: the mathematician who devised a way to beat the house advantage at blackjack; the London man-about-town who ran games for the upper class; the cleric who founded the British Gamblers Anonymous; the physician who established a 'gamblers' hospital' in Brecksville, Ohio. This is an insider's analysis of the thrills, action, and intense emotional involvement that makes up the world of gambling.

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The ancient Celts lived by and worshipped the moon. While modern, digital life is often at odds with nature rubbing against it rather than working in harmony with it is there something to be said for embracing this ancient way of being and reconnecting to the moon's natural calendar?January's Quiet Moon reflects an air of melancholy, illuminating a midwinter of quiet menace; it was the time of the Dark Days for the ancient Celts, when the natural world balanced on a knife edge. By May, the Bright Moon brings happiness as time slows, mayflies cloud and elderflowers cascade. Nature approaches her peak during a summer of short nights and bright days this was when the ancient Celts claimed their wives and celebrated Lugnasad. With the descent into winter comes the sadness of December's Cold Moon. Trees stand bare and creatures shiver their way to shelter as the Dark Days creep in once more and the cycle restarts.In The Quiet Moon, Kevin Parr discovers th

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A beautiful coming-of-age story for fans of Front Desk and Merci Suarez Changes Gears, this award-winning book celebrates identity, language, heritage, family, and the determination to follow one''s own inner light. Now in paperback! Have you ever been the best at something . . . only to lose it all? Luz Veliz is a soccer star-or rather, she was a soccer star. With her serious knee injury, it''s unlikely she''ll be back on the field anytime soon. But without soccer, who is she? Even her dad treats her differently now-like he doesn''t know her or, worse, like he doesn''t even like her. When Luz discovers she has a knack for coding, it feels like a lifeline to a better self. If she can just ace the May Showcase, she''ll not only skip a level in her coding courses and impress Ms. Freeman andintriguing, brilliant Trevor-she''ll have her parents cheering her on from the sidelines, just the way she likes it. But something-someone-is

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The Citizen and the State conducts an essential criminological analysis of contemporary justice systems, combining critical criminology and human rights perspectives. The book contextualizes criminal justice and criminal justice processes as tools of the state that impact negatively on citizens’ lives. Particularly in a post 9/11 world where ‘national security’ and terrorism concerns are used as justification for the erosion of citizens’ rights, justice systems are inherently in conflict with principles of liberty and justice enshrined in human rights instruments. While acknowledging the reality of changes in law-and-order discourse, this book argues that contemporary justice systems risk lacking in legitimacy in circumstances where the necessity for interference in rights is largely asserted rather than demonstrated. Using a range of real-world case studies, the book conducts a critical analysis of contemporary criminal justice and examines the challenges in achieving a balance between effective criminal justice and upholding civil liberties. This book is essential reading for academics, post-graduate researchers, and social policy professionals.

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Dementia brings many challenges, not least its ability to disrupt effective communication. The quality of communication plays a major role in how well people living with a dementia manage. When communication doesn't work well, the complications of dementia are compounded.Rather than only offering tips on what to say and how to say it, this book explores the underlying motivations of communication, so we can better understand why we say what we do, why we say it the way we do, what can go wrong, and how attempts to fix things can go awry.As well as considering why communication goes wrong in day-to-day conversations, the chapters offer advice on dealing with awkward moments, the question of deception, and the things we can and can't control in dementia. Readers are asked to reflect on their own role, and how they can manage their own behaviours to avoid unintentionally blocking routes to productive communication.Including clear action points for carers, bystanders and people with a dementia diagnosis, this book shows how to approach communication to improve outcomes.

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The Wandering Paddy, aka James Mooney, has more than 530,000 followers on social media, a following that's growing at the rate of 20,000 a month, with 6 million account interactions and views a month. His unique perspective on life has resonated with people both in his native Ireland and around the world, as The Wandering Paddy shares his thoughts and experiences, his challenges in overcoming cancer, his mental health struggles and the invaluable life lessons he has learned and can now pass on. The Book of Truths captures the essence of what The Wandering Paddy has learned about life, and this collection will inspire you towards new ways to appreciate the beauty and fragility of life, show you how to embrace your own unique journey and make the most of every precious moment. It's all about living and loving with gratitude and compassion and cherishing the time we have together rather than taking it for granted.With a hugely engaged following, including

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An incredible collection of images of chess players from the last 130 years, showcasing the unique relationship between chess and culture, featuring world famous actors, artists, politicians and musicians. You don't have to play chess to appreciate Chess Players: from Charlie Chaplin to Wu-Tang Clan, but as Martin Amis asks in his illuminating essay: What are they playing at?'These evocative photographs transcend the chessboard, spanning 130 years from a steamship crossing the Atlantic in 1888, to the zero-gravity of space showcasing the diverse range of individuals who have embraced the game across continents and eras. Marcel Duchamp's iconic quote, All chess players are artists,' resonates through these pages. David Hockney likened the games strategic thinking to that of making art 'Drawing is rather like playing chess: your mind races ahead of the moves that you eventually make.''Chess is war over the board', said Bobby Fischer (grand master and world chess champion) but here

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An accessible introduction to cultural theory and an original polemic about the purpose of criticism. What is criticism for? Over the past few decades, impassioned disagreements over that question in the academy have burst into the news media. These conflicts have renewed the culture wars over the legacy of the 1960s, becoming entangled in national politics and leading to a new set of questions about critics and the power they do or don't wield. Re-examining theorists from Matthew Arnold to Walter Benjamin, to Fredric Jameson, Stuart Hall, and Hortense Spillers, Criticism and Politics explores the animating contradictions that have long propelled literary studies: between pronouncing judgment and engaging in philosophical critique, between democracy and expertise, between political commitment and aesthetic autonomy. Both a leftist critic and a critic of the left, Robbins unflinchingly defends criticism from those who might wish to de-politicize it, arguing that working for change is not optional for critics, but rather a core part of their job description.

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An accessible introduction to cultural theory and an original polemic about the purpose of criticism. What is criticism for? Over the past few decades, impassioned disagreements over that question in the academy have burst into the news media. These conflicts have renewed the culture wars over the legacy of the 1960s, becoming entangled in national politics and leading to a new set of questions about critics and the power they do or don't wield. Re-examining theorists from Matthew Arnold to Walter Benjamin, to Fredric Jameson, Stuart Hall, and Hortense Spillers, Criticism and Politics explores the animating contradictions that have long propelled literary studies: between pronouncing judgment and engaging in philosophical critique, between democracy and expertise, between political commitment and aesthetic autonomy. Both a leftist critic and a critic of the left, Robbins unflinchingly defends criticism from those who might wish to de-politicize it, arguing that working for change is not optional for critics, but rather a core part of their job description.

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In Visitation, Jennifer DeClue shows how Black feminist avant-garde filmmakers draw from historical archives in order to visualize and reckon with violence suffered by Black women in the United States. DeClue argues that these filmmakers—including Kara Walker, Kara Lynch, Tourmaline, and Ja’Tovia Gary—create spaces of mourning and reckoning rather than voyeurism and pornotropy. Through their use of editing, performance, and cinematic experimentation, these filmmakers intervene in the production of Blackness and activate new ways of seeing Black women and telling their stories. Theorizing these films as a form of conjure work, DeClue shows how these filmmakers raise the specters of Black women from the past and invite them to reveal history from their point of view. In so doing, Black feminist avant-garde filmmakers channel spirits that haunt archives and create cinematic arenas for witnessing Black women battling for survival during pivotal and exceedingly violent moments in US history. Duke University Press Scholars of Color First Book Award recipient

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In Diminished Faculties Jonathan Sterne offers a sweeping cultural study and theorization of impairment. Drawing on his personal history with thyroid cancer and a paralyzed vocal cord, Sterne undertakes a political phenomenology of impairment in which experience is understood from the standpoint of a subject that is not fully able to account for itself. He conceives of impairment as a fundamental dimension of human experience, examining it as both political and physical. While some impairments are enshrined as normal in international standards, others are treated as causes or effects of illness or disability. Alongside his fractured account of experience, Sterne provides a tour of alternative vocal technologies and practices; a study of “normal” hearing loss as a cultural practice rather than a medical problem; and an intertwined history and phenomenology of fatigue that follows the concept as it careens from people to materials science to industrial management to spoons. Sterne demonstrates how impairment is a problem, opportunity, and occasion for approaching larger questions about disability, subjectivity, power, technology, and experience in new ways. Diminished Faculties ends with a practical user’s guide to impairment theory.

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A cultural history of artisans and hand skills against the background of technical and commercial modernisation in ScotlandShortlisted for Saltire Society Scottish Research Book of the Year 2022 Draws on personal, business, institutional and official records as well as newspaper reports and visual illustrations Examples cover the whole of Scotland and all areas of craftwork and handmade goods Considers the changing cultural value accorded to handmade goods for craftworkers and their customers This book examines individuals, families and communities of craftworkers and their changing experience in town and country. Based on case studies drawn from personal, business, institutional and official records, as well as newspaper reports and visual illustrations, it looks at workplace dynamics and handmade wares shaped by personal consumption, rather than industrial production. Stana Nenadic examines the 'things' that were made and the values they embodied at a time when most Scots were still engaged in hand making either for income or pleasure despite Scotland's emergence as a great industrial powerhouse.

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Interrogates the rise of national philosophies and their impact on cosmopolitanism and nationalismThe idea of national philosophy carries in it a strange contradiction. We talk about 'German philosophy' or 'American philosophy'. But philosophy has always pictured itself to be the project of universality. It presents itself as something that takes place outside or beyond the national detachable from language, culture and history.So why do we assign nationalities to philosophies? Building on Jacques Derrida's unpublished seminars on philosophical nationalism, Oisin Keohane claims that national philosophies are a variant of some form of cosmo-nationalism: a strain of nationalism that uses, rather than opposes, ideas in cosmopolitanism to advance the aims of one nation.Key FeaturesOpens up new exciting areas of exploration between nationalism and cosmopolitanism through the concept of the cosmo-nationalExamines Derrida's unpublished seminars on philosophical nationalism, showing him to be much more interested in the intersection of philosophy and the social sciences than previously thoughtExplores three cases: German Philosophy through Kant and Fichte, French Philosophy through Tocqueville and American Philosophy through Emerson

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Sparks fly when a spirited witch and a smoldering werewolf give in to passion in the third installment of Juliette Cross's addictive paranormal romance book series Stay a Spell. Violet Savoie has a plan. A dream, rather: to open her own tattoo shop, catering to supernaturals and specializing in permanent charms. As a powerful Seer, she has the potent magic needed to cast every kind of spell . . . except the kind her friend and business partner, Nico, needs in the worst way. Even Violet can't help this werewolf control his beastly side. Ever since their first (and only) sizzling encounter on New Year's Eve two years earlier, Nico Cruz has been dying to get his handsand his tongueback on Violet's body. He knows a firecracker like Violet can't be courted in the usual way. And Nico has no scruples about misbehaving to get what he wants. But when his former pack roams into town, Nico's focus shifts to the threat venturing into his territory. The intruders are about to regret setting f

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Income inequality has skyrocketed in Canada over the past few decades. The rich have become richer, while the average household income has deteriorated and job quality has plummeted. Common explanations for these trends point to globalization, technology, or other forces largely beyond our control. But, as Jobs with Inequality shows, there is nothing inevitable about inequality. Rather, runaway inequality is the result of politics and policies - what governments have done to aid the rich and boost finance and what they have not done to uphold the interests of workers. Drawing on new tax and income data, John Peters tells the story of how inequality is unfolding in Canada today by examining post-democracy, financialization, and labour market deregulation. Timely and novel, Jobs with Inequality explains how and why business and government have rewritten the rules of the economy to the advantage of the few, and considers why progressive efforts to reverse these trends have so regularly run aground.

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Marketing 2nd edition is the ideal text for the undergraduate Introductory Marketing course in the Asia-Pacific region. Significantly, it is an original work rather than being an adaptation of a US text. The 1st edition of this text was the most successful ?ground-up' Introductory Marketing text ever released in the local market. Building on the strengths of the popular 1st edition, the text and its extensive accompanying digital resources are designed to engage students in the study of marketing. A diverse range of organisations, goods and services from Australia, New Zealand and the Asian region are featured to illustrate key concepts, coupled with detailed coverage of the latest marketing theory, research and thinking. This text provides a thorough analysis of contemporary marketing and is an essential guide to best practice. The iStudy contains interactive modules and local videos to enhance your understanding of key concepts. Each interactive module contains a summarised version of the textbook with the inclusion of audio voiceover and interactive activities designed to test your knowledge and assist your learning.

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In An Aqueous Territory Ernesto Bassi traces the configuration of a geographic space he calls the transimperial Greater Caribbean between 1760 and 1860. Focusing on the Caribbean coast of New Granada (present-day Colombia), Bassi shows that the region's residents did not live their lives bounded by geopolitical borders. Rather, the cross-border activities of sailors, traders, revolutionaries, indigenous peoples, and others reflected their perceptions of the Caribbean as a transimperial space where trade, information, and people circulated, both conforming to and in defiance of imperial regulations. Bassi demonstrates that the islands, continental coasts, and open waters of the transimperial Greater Caribbean constituted a space that was simultaneously Spanish, British, French, Dutch, Danish, Anglo-American, African, and indigenous. Exploring the "lived geographies" of the region's dwellers, Bassi challenges preconceived notions of the existence of discrete imperial spheres and the inevitable emergence of independent nation-states while providing insights into how people envision their own futures and make sense of their place in the world.

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The United States, and the West in general, has always organized society along bipolar lines. We are either gay or straight, male or female, white or not, disabled or not. In recent years, however, America seems increasingly aware of those who defy such easy categorization. Yet, rather than being welcomed for the challenges that they offer, people living the gap are often ostracized by all the communities to which they might belong. Bisexuals, for instance, are often blamed for spreading AIDS to the heterosexual community and are regarded with suspicion by gays and lesbians. Interracial couples are rendered invisible through monoracial recordkeeping that confronts them at school, at work, and on official documents. In Hybrid, Ruth Colker argues that our bipolar classification system obscures a genuine understanding of the very nature of subordination. Acknowledging that categorization is crucial and unavoidable in a world of practical problems and day-to-day conflicts, Ruth Colker shows how categories can and must be improved for the good of all.

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China's 1911 Revolution was a momentous political transformation. Its leaders, however, were not rebellious troublemakers on the periphery of imperial order. On the contrary, they were a powerful political and economic elite deeply entrenched in local society and well-respected both for their imperially sanctioned cultural credentials and for their mastery of new ideas. The revolution they spearheaded produced a new, democratic political culture that enshrined national sovereignty, constitutionalism, and the rights of the people as indisputable principles. Based upon previously untapped Qing and Republican sources, The Politics of Rights and the 1911 Revolution in China is a nuanced and colorful chronicle of the revolution as it occurred in local and regional areas. Xiaowei Zheng explores the ideas that motivated the revolution, the popularization of those ideas, and their animating impact on the Chinese people at large. The focus of the book is not on the success or failure of the revolution, but rather on the transformative effect that revolution has on people and what they learn from it.

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Better Left Unsaid is in the unseemly position of defending censorship from the central allegations that are traditionally leveled against it. Taking two genres generally presumed to have been stymied by the censor's knife—the Victorian novel and classical Hollywood film—this book reveals the varied ways in which censorship, for all its blustery self-righteousness, can actually be good for sex, politics, feminism, and art. As much as Victorianism is equated with such cultural impulses as repression and prudery, few scholars have explored the Victorian novel as a "censored" commodity—thanks, in large part, to the indirectness and intangibility of England's literary censorship process. This indirection stands in sharp contrast to the explicit, detailed formality of Hollywood's infamous Production Code of 1930. In comparing these two versions of censorship, Nora Gilbert explores the paradoxical effects of prohibitive practices. Rather than being ruined by censorship, Victorian novels and Hays Code films were stirred and stimulated by the very forces meant to restrain them.

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Better Left Unsaid is in the unseemly position of defending censorship from the central allegations that are traditionally leveled against it. Taking two genres generally presumed to have been stymied by the censor's knife—the Victorian novel and classical Hollywood film—this book reveals the varied ways in which censorship, for all its blustery self-righteousness, can actually be good for sex, politics, feminism, and art. As much as Victorianism is equated with such cultural impulses as repression and prudery, few scholars have explored the Victorian novel as a "censored" commodity—thanks, in large part, to the indirectness and intangibility of England's literary censorship process. This indirection stands in sharp contrast to the explicit, detailed formality of Hollywood's infamous Production Code of 1930. In comparing these two versions of censorship, Nora Gilbert explores the paradoxical effects of prohibitive practices. Rather than being ruined by censorship, Victorian novels and Hays Code films were stirred and stimulated by the very forces meant to restrain them.

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Canada is often called a pluralist state, but few commentators view Aboriginal self-government from the perspective of political pluralism. Instead, Aboriginal identity is framed in terms of cultural and national traits, while self-government is taken to represent an Aboriginal desire to protect those traits. Shifting Boundaries challenges this view, arguing that it fosters a woefully incomplete understanding of the politics of self-government.Taking the position that a relational theory of pluralism offers a more accurate interpretation, Tim Schouls contends that self-government is better understood when an “identification” perspective on Aboriginal identity is adopted instead of a “cultural” or “national” one. He shows that self-government is not about preserving cultural and national differences as goods in and of themselves, but rather is about equalizing current imbalances in power to allow Aboriginal peoples to construct their own identities.In focusing on relational pluralism, Shifting Boundaries adds an important perspective to existing theoretical approaches to Aboriginal self-government. It will appeal to academics, students, and policy analysts interested in Aboriginal governance, cultural studies, political theory, nationalism studies, and constitutional theory.

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Tracie Peterson Begins Compelling New Series Set on the 1840s Frontier Grace Martindale has known more than her share of hardship. After her parents died, raising her two younger sisters became her responsibility. A hasty marriage to a minister who is heading to the untamed West seemed like an opportunity for a fresh start, but a cholera outbreak along the wagon trail has left Grace a widow in a very precarious position. Having learned natural remedies and midwifery from her mother, Grace seeks an opportunity to use her skills for the benefit of others. So when she and her sisters arrive at the Whitman mission in "Oregon Country," she decides to stay rather than push on. With the help of Alex Armistead, a French-American fur trapper, Grace begins to provide care for her neighbors, including some of the native populace. But not everyone welcomes her skills--or her presence--and soon Grace finds herself and those she loves in more danger than she imagined possible.

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This book presents a new approach to the issue of temporality in film. Matilda Mroz argues that cinema provides an ideal opportunity to engage with ideas of temporal flow and change. Temporality, however, remains an underexplored area of film analysis, which frequently discusses images as though they were still rather than moving. This book traces the operation of duration in cinema, and argues that temporality should be a central concern of film scholarship. In close readings of Michelangelo Antonioni's "L'Avventura", Andrei Tarkovsky's "Mirror", and the ten short films that make up Krzysztof Kieslowski's "Decalogue" series, Mroz highlights how film analysis must consider both particular moments in cinema which are critically significant, and the way in which such moments interrelate in temporal flux. She explores the concepts of duration and rhythm, resonance and uncertainty, affect, sense and texture, to bring a fresh perspective to film analysis and criticism. Essential reading for students and scholars in Film Studies, this engaging study will also be a valuable resource for critical theorists.

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We talk about irrationality when behaviour defies explanation or prediction, when decisions are driven by emotions or instinct rather than by reflection, when reasoning fails to conform to basic principles of logic and probability, and when beliefs lack coherence or empirical support. Depending on the context, agents exhibiting irrational behaviour may be described as foolish, ignorant, unwise or even insane.In this clear and engaging introduction to current debates on irrationality, Lisa Bortolotti presents the many facets of the concept and offers an original account of the importance of judgements of irrationality as value judgements. The book examines the standards against which we measure human behaviour, and reviews the often serious implications of judgements of irrationality for ethics and policy. Bortolotti argues that we should adopt a more critical stance towards accepted standards of rationality in the light of the often surprising outcomes of philosophical inquiry and cognitive science research into decision making. Irrationality is an accessible guide to the concept and will be essential reading for students and scholars interested in the limitations of human cognition and human agency.

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