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Levinas is a thinker for the future, concerned with the future. He inverts the priority of the declaration of the French Revolution "Freedom, Equality, Brotherhood", by designating "brotherhood" first among modern European society's most cherished values. Levinas sees brotherhood as the fundamental condition of our shared humanity and as the foundation of freedom and equality. Thus, he presents himself as a Western thinker who sets modern thought on its head and at the same time enriches it. His radical view of the other, responsibility, subjectivity and the Infinite remains a challenge, today more than ever. Calling out to both religious and secular seekers alike, Levinas asks for an alert and critical dialogue of the ethical and metaphysical meaning of our inter-human and social relationships. In this work, a new generation of philosophers, ethicists and theologians embark on a conversation with Levians, with due appreciation for his genius and uninhibitedness in their questioning. The intermediaries in this provocative dialogue are: Hannah Arendt, Henri Bergson, Anders Nygren, Paul Ricoeur and Hans Urs von Balthasar. The following themes are thus treated: - ethics as liberation and redemption beyond the self - time, duration and alterity - freedom, society and politics - desire between eros and agape - 'good enough' parenting and family ethics - conversational processes and pastoral counselling - asymmetry and reciprocity between the self and the other - modern humanism vs. post-modern anti-humanism as an inspiration for a renewed secular humanism - suffering, death and euthanasia - perspectives and boundaries of interreligious dialogue - the (im)possibility of a Christian interpretation of Levinas' Jewish-inspired thought - a new Christian theology of Trinitarian praxis. This volume likewise includes contributions by: Roger Burggraeve, W. Wolf Diedrich, Annemie Dillen, Thomas Folens, Glen Morrison, Marianne Moyaert, Marina Riemslagh, Anya Topolski, Emilie Van Daele, Jean Vanheessen, Sophie Veulemans and Torben Wolfs. In this book Levinas is presented as an 'extra-ordinary' other who awakes into vigilance the conscience of not only the contributors, but the readers as well: one speaks and the other responds differently.

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A WATERSTONES AND IRISH TIMES BOOK OF THE YEAR A breathtaking exploration of Ukraine’s past, present, and future, and a heartbreaking account of the war against Russia, written by a leading journalist who has lived and worked in Ukraine for over a decade. 'Vivid… Shocking… [Miller] brings a seasoned, personal perspective to his account of both the 16-month conflict and its wider roots.' Daily Telegraph 'A beautiful blend of memoir, reportage and history...superb.' Irish Times '...powerful and insightful...Miller provides a human dimension to a bloody conflict.' Kirkus Reviews When Russian President Vladimir Putin launched his unprovoked, full-scale invasion of Ukraine just before dawn on 24 February 2022, it marked his latest and most overt attempt to brutally conquer the country, and reshaped the world order. Christopher Miller, the Ukraine correspondent for the Financial Times and a foremost journalist covering the country, was there on the ground when the first Russian missiles struck and troops stormed over the border. But the seeds of Russia’s war against Ukraine and the West were sown more than a decade earlier. This is the definitive, inside story of its long fight for freedom. Told through Miller’s personal experiences, vivid front-line dispatches and illuminating interviews with unforgettable characters, The War Came To Us takes readers on a riveting journey through the key locales and pivotal events of Ukraine’s modern history. From the coal-dusted, sunflower-covered steppe of the Donbas in the far east to the heart of the Euromaidan revolution camp in Kyiv; from the Black Sea shores of Crimea, where Russian troops stealthily annexed Ukraine’s peninsula, to the bloody battlefields where Cossacks roamed before the Kremlin’s warlords ruled with iron fists; and through the horror and destruction wrought by Russian forces in Bucha, Bakhmut, Mariupol, and beyond. With candor, wit and sensitivity, Miller captures Ukraine in all its glory: vast, defiant, resilient, and full of wonder. A breathtaking narrative that is at times both poignant and inspiring, The War Came To Us is the story of an American who fell in love with a foreign place and its people — and witnessed them do extraordinary things to escape the long shadow of their former imperial ruler and preserve their independence.

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This introductory book on quantum computing includes an emphasis on the development of algorithms. Appropriate for both university students as well as software developers interested in programming a quantum computer, this practical approach to modern quantum computing takes the reader through the required background and up to the latest developments. Beginning with introductory chapters on the required math and quantum mechanics, Fundamentals of Quantum Computing proceeds to describe four leading qubit modalities and explains the core principles of quantum computing in detail. Providing a step-by-step derivation of math and source code, some of the well-known quantum algorithms are explained in simple ways so the reader can try them either on IBM Q or Microsoft QDK. The book also includes a chapter on adiabatic quantum computing and modern concepts such as topological quantum computing and surface codes.Features:o Foundational chapters that build the necessary background on math and quantum mechanics.o Examples and illustrations throughout provide a practical approach to quantum programming with end-of-chapter exercises.o Detailed treatment on four leading qubit modalities -- trapped-ion, superconducting transmons, topological qubits, and quantum dots -- teaches how qubits work so that readers can understand how quantum computers work under the hood and devise efficient algorithms and error correction codes. Also introduces protected qubits - 0-π qubits, fluxon parity protected qubits, and charge-parity protected qubits. o Principles of quantum computing, such as quantum superposition principle, quantum entanglement, quantum teleportation, no-cloning theorem, quantum parallelism, and quantum interference are explained in detail. A dedicated chapter on quantum algorithm explores both oracle-based, and Quantum Fourier Transform-based algorithms in detail with step-by-step math and working code that runs on IBM QisKit and Microsoft QDK. Topics on EPR Paradox, Quantum Key Distribution protocols, Density Matrix formalism, and Stabilizer formalism are intriguing. While focusing on the universal gate model of quantum computing, this book also introduces adiabatic quantum computing and quantum annealing.This book includes a section on fault-tolerant quantum computing to make the discussions complete. The topics on Quantum Error Correction, Surface codes such as Toric code and Planar code, and protected qubits help explain how fault tolerance can be built at the system level.

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En 1995, le Pere Juan Nadal Canellas editait dans la "Series Graeca" du "Corpus Christianorum" deux refutations, ecrites par Akindynos, d'une oeuvre celebre de Gregoire Palamas, le "Dialogue d'un Orthodoxe avec un Barlaamite". Le texte grec de la plus importante de ces Refutations, ecrite en quatre traites, occupait non moins de 408 pages. De cet enorme ensemble, le P. Nadal publie aujourd'hui une traduction francaise. Elle fait l'objet du t. I, et on notera qu'en preparant cette traduction l'auteur a pu, en plusieurs endroits, ameliorer le texte edite il y a une dizaine d'annees.Quant au t. II, il presente, pourrait-on dire, le cadre historique dans lequel les Refutations ont vu le jour. Akindynos avait succede, apprenons-nous, a Theolepte de Philadelphie comme Pere spirituel de la princesse Irene-Eulogie Choumnaina Paleologina. Devenue, encore tres jeune, veuve de l'heritier de l'empire, celle-ci portait le titre de "basilissa" et etait tres riche; toute devouee a son Pere spirituel, elle l'encourageait et l'appuyait de toutes ses forces; elle fit notamment copier ses oeuvres sur parchemin, ce qui les a sauvees. La correspondance echangee entre Akindynos et Irene-Eulogie a egalement ete conservee en partie et permet de mieux connaitre l'auteur des Refutations et les conditions dans lesquelles il a travaille. La chronologie des annees 1340 a 1345 est egalement eclairee. Apres la mort inattendue d'Andronic III en 1341, on assiste a la montee en puissance du ministre et futur empereur Jean (VI) Cantacuzene et du groupe monastique inspire par Palamas, qui avait ses faveurs. Ces moines ne craignaient pas de tenir des positions pour le moins etonnantes. De la meme facon, disaient-ils, que durant tout l'Ancien Testament, seuls les prophetes ont entrevu le mystere de l'Incarnation et que le commun du peuple aurait trouve inacceptables les verites qu'a revelees le Nouveau Testament, ainsi auusi aujourd'hui certaines verites sont revelees a certaines personnes par la grace de l'Esprit, verites inconnues du Nouveau Testament. Les Palamites pretendaient aussi, notamment, voir la gloire essentielle de Dieu avec les yeux de leur corps "transformes par l'Esprit-Saint". Palamas ne redoutait pas d'employer le meme mot de "divinite" pour designer des realites fort differentes; on en arrivait ainsi a parler de divinites multiples. De telles positions eveillerent la resistance de plusieurs intellectuels, qui voyaient bien a quel point le mouvement rompait, au moins dans l'expression, avec la tradition. Akindynos fut de ceux qui denoncerent rapidement le danger. Mais parmi ceux qui attaquerent les moines, il y eut aussi Barlaam, un Calabrais qui, ne fut-ce que par ses origines, apparaissait comme lie a la Latinite; ceci ne fit surement pas de bien au parti des antipalamites. La lutte fut rude; il y eut des bagarres, des emprisonnements. Elle se termina, en 1351, par le triomphe complet des palamites, mais, chose etonnante, on constate qu'apres sa nomination au siege archiepiscopal de Thessalonique (1349), Palamas, en tant que pasteur, ne semble plus jamais avoir fait allusion aux idees qu'il avait promues auparavant et qui avaient cause tant de debats et tant de malheurs.

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AMLS : Advanced Medical Life Support est le cours de référence pour les praticiens préhospitaliers en matière d’évaluation médicale avancée et de traitement des affections médicales les plus courantes. Enseigné à travers le monde depuis 1999, l’AMLS a été le premier programme de formation des SMU à aborder de manière exhaustive la meilleure façon de gérer les patients en situation de détresse médicale. Créée par la National Association of Emergency Medical Technicians (NAEMT) et approuvée par la National Association of EMS Physicians (NAEMSP), l’AMLS met l’accent sur l’utilisation de la procédure d’évaluation AMLS. Cet outil d’évaluation essentiel permet aux praticiens préhospitaliers de diagnostiquer rapidement les patients malades et d’initier une gestion effi cace sur le terrain. Cette troisième édition de l’AMLS comprend un tout nouveau contenu sur la pharmacologie (chapitre 11), la septicémie (chapitre 12) et les urgences en matière de santé mentale (annexe C). L’AMLS est le seul manuel approuvé à être utilisé dans le cadre du cours de réanimation médicale avancée de la NAEMT. Son contenu médical est constamment révisé et mis à jour pour refl éter les connaissances et les pratiques actuelles, fondées sur des preuves. La philosophie de l’AMLS est centrée sur l’utilisation de la pensée critique pour évaluer les patients et établir des protocoles de prise en charge. Une approche précise de l’évaluation d’un patient Sur le terrain, chaque seconde compte. La méthode d’évaluation AMLS fournit une approche systématique de l’évaluation d’un patient malade qui permet aux praticiens préhospitaliers d’établir un diagnostic précis et rapide. Solutions technologiques dynamique Le contenu de référence associe une conception pédagogique solide à une interface conviviale pour offrir aux enseignants et aux étudiants une experience d’apprentissage réellement interactive et attrayante avec : • Le manuel AMLS du cours sous format eBook qui renforce les concepts clés présentés dans le cours

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Winner, Canadian Museums Association Award for Outstanding Achievement (Research) and APMA Best Atlantic-Published Book AwardLonglisted, First Nation Communities READ AwardThe story of an overlooked group of cultural visionariesThe “Micmac Indian Craftsmen” of Elsipogtog (then known as Big Cove) rose to national prominence in the early 1960s. At their peak, they were featured in print media from coast to coast, their work was included in books and exhibitions — including at Expo 67 — and their designs were featured on prints, silkscreened notecards, jewelry, tapestries, and even English porcelain.Primarily self-taught and deeply rooted in their community, they were among the first modern Indigenous artists in Atlantic Canada. Inspired by traditional Wabanaki stories, they produced an eclectic range of handmade objects that were sophisticated, profound, and eloquent.By 1966, the withdrawal of government support compromised the Craftsmen's resources, production soon ceased, and their work faded from memory. Now, for the first time, the story of this groundbreaking co-operative and their art is told in full. Accompanying a major exhibition at the Beaverbrook Art Gallery opening in 2022, Wabanaki Modern features essays on the history of this vibrant art workshop, archival photographs of the artisans, and stunning full-colour images of their art.Wla atukuaqn na ujit ta'nik mu ewi'tamuki'k tetuji kelulkɨpp ta'n teli amaliteka'tijik Wla “Mi'kmewaqq L'nue'k amaliteka'tijik” tlo'ltijik Elsipogtog (amskweseweyekk i'tlui'tasikɨpp Big Cove) poqji wuli nenupnikk wla amaliteka'tijik 1960ekk. Je wekaw wutlukowaqnmuwow ika'tasikɨpp wikatikniktuk aqq ne'yo'tasikɨpp ta'n pukwelk ta'n wen nmitew — je wekaw Expo 67 — aqq ta'n koqoey kisi napui'kmi'tipp tampasɨk koqoey eweketu'tij stike' l'taqnewi'kasik, napui'kn misekn, wi'katikne'ji'jk, meko'tikl kuntal, kaqapitkl l'taqa'teke'l, aqq wekaw akalasie'we'k eptaqnk. Nekmow na kekina'masultijik aqq melki knukwi'tij ta'n tett telayawultijik, nekmow na amskewsewa'jewaqq l'nu'k tel nenujik ujit ta'n teli amaliteka'tijik ujit Atlantic Canada. Pema'lkwi'titl a'tukuaqnn ta'n sa'qewe'l, ta'n wejiaqel a'tukuaqnn Wabanaki, l'tu'tipp kaqasi milamu'k koqowey toqo eweketu'titl wutpitnual tetuji moqɨtekl, ma'muntekl, aqq weltekl.Wekaw 1966ekk, kpno'l pun apoqnmuapni wla amaliteka'tikete'jɨk jel kaqnma'tijik ta'n koqoey nuta'tipp, amuj pana pun lukutipnikk, aqq tel awantasuwalutki'k. Nike', amskwesewey, wla a'tukuaqn tetuji msɨki'kɨpp wla wut lukewaqnmuwow etel kaqi a'tukwasikk. Wije'tew meski'k neya'tmk Beaverbrook Art Gallery pana'siktetew 2022al, Wabanaki Modern na pema'toql wikikaqnn ujit ta'n pemiaqɨpp wla tetuji wulamu'kɨpp kisitaqnne'l telukutijik, maskutekl sa'qewe'l napuikasikl toqo nemu'jik etl-lukutijik wla lukewinu'k, aqq sikte wultek aqq welamu'k ta'n koqoey kisitu'tij.L'histoire d'un groupe de visionnaires culturels ignorésUn groupe d'artisans mi'kmaw d'Elsipogtog (autrefois Big Cove) au Nouveau-Brunswick se fit connaître à travers le Canada au début des années 1960. À l'apogée de leur renommée, les Micmac Indian Craftsmen firent l'objet d'articles dans des publications d'un océan à l'autre. Leur travail figura dans des livres et des expositions — dont Expo 67 à Montréal — et leurs œuvres graphiques furent reproduites sous forme de gravures et de sérigraphies, et elles ornèrent de la papeterie, des bijoux, des tapisseries et même de la porcelaine anglaise.En grande partie autodidactes et solidement enracinés dans leur communauté, les Micmac Indian Craftsmen furent parmi les premiers artistes autochtones modernes au Canada atlantique. En s'inspirant de récits traditionnels wabanakis, ils fabriquaient à la main une gamme variée d'objets raffinés, évocateurs et porteurs d'un sens profond.En 1966, toutefois, le gouvernement retira son soutien. Les Craftsmen perdirent leur financement, la production cessa peu après et leur œuvre finit par être oubliée. Une nouvelle publication relate maintenant, pour la première fois, l'histoire complète de cette coopérative innovatrice et de ses réalisations. Publié dans le cadre d'une grande exposition qui a lieu à la Galerie d'art Beaverbrook en 2022, Wabanaki Moderne comprend des textes sur l'histoire de cet atelier dynamique, des photographies d'archives des artisans et de superbes illustrations couleur de leurs œuvres.

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In commemoration of our 125th Anniversary, we are proud to present the Collector’s Edition Replica of the original first edition of the Machinery’s Handbook, published in January, 1914. It's the perfect gift for your favorite machinist or to add to your own collection. Own the book that helped industry build! For virtually its entire life in print, Machinery’s Handbook has been a world-renowned reference and “the Bible” of the metalworking and mechanical industries. While we are on this tradition with the publication of the 28th Edition, which includes the most comprehensive and up-to-date selection of practical technical information, data, and standards for these industries found between two covers anywhere, we hope you enjoy this very special Collector’s Edition. MATHEMATICAL TABLES PRINCIPAL METHODS AND FORMULAS IN ARITHMETIC AND ALGEBRA LOGARITHMS AND LOGARITHMIC TABLES AREAS AND VOLUMES SOLUTION OF TRIANGLES AND TRIGONOMETRICAL TABLES GEOMETRICAL PROPOSITIONS AND PROBLEMS PRINCIPAL METHODS AND FORMULAS IN THEORETICAL MECHANICS STRENGTH OF MATERIALS RIVETING AND RIVETED JOINTS STRENGTH AND PROPERTIES OF STEEL WIRE STRENGTH AND PROPERTDSS OF WIRE ROPE FORMULAS AND TABLES FOR SPRING DESIGN TORSIONAL STRENGTH — SHAFTING FRICTION PLAIN, ROLLER AND BALL BEARINGS KEYS AND KEYWAYS CLUTCHES AND COUPLINGS FRICTION BRAKES CAM DESIGN AND CAM MILLING SPUR GEARING BEVEL GEARING WORM GEARING SPIRAL AND HERRINGBONE GEARING. EPICYCLIC GEARING. BELTS AND PULLEYS — MACHINE TOOL DRIVES ROPE TRANSMISSION TRANSMISSION CHAIN AND CHAIN DRIVES CRANE CHAIN AND HOOKS. BOLTS, NUTS, SCREWS, WRENCHES, HANDLES, HANDWHEELS AND OTHER MACHINE DETAILS SPEEDS AND FEEDS FOR MACHINE TOOLS — TOOL GRINDING AUTOMATIC SCREW MACHINE PRACTICE TAPPING AND THREADING LUBRICANTS FOR MACHINING OPERATIONS RUNNING, SHRINKAGE AND FORCED FIT ALLOWANCES MEASURING INSTRUMENTS AND GAGING METHODS CHANGE GEARS FOR SPIRAL MILLING — LEADS AND CORRESPONDING ANGLES MILLING MACHINE INDEXING JIGS AND FIXTURES GRINDING AND GRINDING WHEELS — POLISHING AND LAPPING PUNCHES, DIES AND PRESS WORK — DROP-FORGING DIESBROACHES AND BROACHING OPERATIONS CLASSIFICATION, TESTING AND APPLICATION OF FILES SCREW THREAD SYSTEMS AND THREAD GAGES TAPS AND THREADING DIES MILLING CUTTERS REAMERS TWIST DRILLS, COUNTERBORES AND BORING BARS HEAT-TREATMENT OF STEEL — HARDENING, TEMPERING AND ANNEALING TESTING THE HARDNESS OF METALS PRINCIPLES OF IRON AND STEEL MANUFACTURE FOUNDRY AND PATTERN SHOP PRACTICE EXTRUSION OF METALS DIE CASTING FORGE SHOP EQUIPMENT FORGE SHOP WELDING METHODS AUTOGENOUS WELDING WELDING WITH THERMIT ELECTRIC WELDING SOLDERING AND BRAZING ETCHING AND ETCHING FLUIDS COLORING METALS HORSEPOWER REQUIRED FOR MACHINE TOOLS AND FORGING MACHINERY — ELECTRIC MOTOR DRIVE CARE OF ELECTRICAL MACHINERY — DYNAMO AND MOTOR TROUBLES PROPERTIES AND WEIGHTS OF MATERIALS COMPOSITION OF ALLOYS INFORMATION RELATING TO HEAT — COMPARISON OF THERMOMETER SCALES. PNEUMATICS — AIR COMPRESSION — FLOW OF AIR WATER PRESSURES AND FLOW OF WATER PIPE AND PIPE FITTINGS LUTES AND CEMENTS WEIGHTS AND MEASURES METRIC SYSTEM OF MEASUREMENTS AND CONVERSION TABLES MANUFACTURING PLANT APPRAISAL DRAWING, TRACING AND BLUEPRINT PAPERS PRINCIPAL PATENT LAW REGULATIONS INDEX Erik Valdemar Oberg, born 1881, died 1951.

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« La passion selon saint Matthieu » : sous ce titre, qui est celui de plusieurs chefs-d’œuvre de l’art occidental, voici les trois derniers chapitres du premier évangile canonique, sur lesquels l’équipe-pilote de La Bible en ses Traditions a travaillé pendant plus de dix années. Ce livre traite non seulement de la passion elle-même (Mt 26-27), mais aussi de la compilation de témoignages de rencontres avec le Ressuscité qui le flanque (Mt 28). Entièrement retraduit, le texte est commenté, à l’instar de la Glose, sous forme de notes analytiques autour des versets, ou de brèves synthèses répertoriées dans le second volume. L’annotation décrit les richesses du texte, depuis ses variantes jusqu’à ses structures énonciatives et narratives, en passant par son lexique et sa grammaire. Elle en explore aussi le contexte, pour en affiner l’approche historique, en particulier grâce aux informations venues de la réappropriation savante des évangiles comme une part de la littérature juive de l’époque dite « du second Temple ». Elle en brosse, enfin, la réception à travers les disciplines et les âges. En choisissant un texte à la postérité immense, multiforme et regorgeant de trésors artistiques, l’équipe souhaitait expérimenter le modèle herméneutique de La Bible en ses Traditions en toutes directions, y compris les plus inattendues, telles que la danse. La riche enquête ici rapportée montre que l’histoire de la réception de l’Évangile détermine son sens au moins autant que les questions historiques qu’il pose. L’inventaire des interprétations n’est pas une discipline « décorative » de moindre importance que son étude philologique ou historique, ni de moindre sérieux que son utilisation proprement religieuse. En effet, la constitution même du texte évangélique fut déjà un acte de réception, et son étude scientifique, si objective qu’elle se veuille, est également redevable de nombreuses préconceptions, dont l’ouverture à d’autres disciplines, y compris les arts, permet de prendre conscience. Tout n’est pas imprimé : de nombreux extraits d’auteurs antiques et modernes, bien des œuvres d’art scrutées au cours de cette recherche, ne figurent pas dans le présent livre. Pour les découvrir dans la version numérique de notre recherche, les lecteurs consulteront bibletraditions.org. De nombreuses notes multimédia y présentent des œuvres d’arts visuelles et musicales à contempler, comme autant d’occasions de continuer à redécouvrir ce texte fondateur, depuis des détails textuels inaperçus jusqu’à ses significations théologiques les plus inattendues. Ces deux volumes s’ouvrent ainsi comme une riche carrière de pierres taillées et rangées… prêtes pour de nouvelles élaborations.

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La contribution des évêques et théologiens belges au Concile Vatican II a été largement mise en lumière en 2005 lors d’un colloque scientifique (cf. D. DONNELLY et al. [éds], The Belgian Contribution to the Second Vatican Council: International Research Conference at Mechelen, Leuven and Louvain-la-Neuve (September 12-16, 2005) [BETL, 216], Leuven – Paris – Dudley, MA, Peeters, 2008). Il en résulte que le Pontificio Collegio Belga a été l’un des «laboratoires» de plusieurs textes conciliaires, non seulement de Lumen gentium, mais aussi de Dei Verbum et de Gaudium et spes. Leo Declerck, auteur de ce volume, était pendant ces années vice-recteur du Collège belge et adjoint du recteur Mgr A. Prignon qui a exercé une grande influence auprès du cardinal Suenens et des autres évêques belges. Déjà à l’époque, Leo Declerck a gardé (et classé) pour les archives de Prignon une copie des documents (correspondances, projets de textes) produits ou polycopiés au Collège belge et que Prignon lui avait confiés, une partie de ceux-ci provenant des papiers Suenens. Quarante ans plus tard, il a entamé le classement et l’édition des inventaires des archives de plusieurs protagonistes du concile: Suenens, Charue, De Smedt, Heuschen, Philips, Willebrands, Heylen, Lanne. La découverte de documents inédits fut à l’origine de la publication d’un certain nombre d’articles qui concernent des acteurs belges et de la mise sous les projecteurs de quelques péripéties moins connues mais cruciales de l’histoire conciliaire et postconciliaire (notamment la réponse des évêques belges au Questionnaire du cardinal Ottaviani en 1966, et la réaction du cardinal Suenens et de l’épiscopat belge à l’encyclique Humanae vitae en 1968). Le recueil des articles comprend des textes concernant d’abord le cardinal Suenens (membre de la Commission de coordination et un des quatre modérateurs du concile), puis Mgr Charue (2ème vice-président de la Commission doctrinale), Mgr De Smedt (qui a joué un rôle majeur dans le texte Dignitatis humanae sur la liberté religieuse mais aussi dans Nostra aetate sur les religions non chrétiennes), Mgr Heuschen (dont l’aide, surtout dans l’expensio modorum de Lumen gentium, fut indispensable sans négliger le rôle qu’il a joué dans le chapitre De Matrimonio de Gaudium et spes), Mgr Prignon enfin (dont l’influence discrète auprès du cardinal Suenens a souvent été déterminante). Il va sans dire que l’auteur, étant actuellement un des rares survivants de Vatican II, a pu pimenter ses textes par quelques souvenirs personnels et vécus. À bon droit, le professeur Étienne Fouilloux observe dans sa Préface que: «Par-delà l’intérêt spécifique de chacun de ces extraits, leur rassemblement prouve que Leo Declerck n’est pas seulement l’archiviste indispensable de l’événement Vatican II vu de Belgique, mais un historien à part entière de l’Église catholique en Concile, dont il est aujourd’hui l’un des plus fins et des plus scrupuleux connaisseurs».

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Optimize, develop, and design PyTorch and TensorFlow models for a specific problem using the Microsoft Neural Network Intelligence (NNI) toolkit. This book includes practical examples illustrating automated deep learning approaches and provides techniques to facilitate your deep learning model development. The first chapters of this book cover the basics of NNI toolkit usage and methods for solving hyper-parameter optimization tasks. You will understand the black-box function maximization problem using NNI, and know how to prepare a TensorFlow or PyTorch model for hyper-parameter tuning, launch an experiment, and interpret the results. The book dives into optimization tuners and the search algorithms they are based on: Evolution search, Annealing search, and the Bayesian Optimization approach. The Neural Architecture Search is covered and you will learn how to develop deep learning models from scratch. Multi-trial and one-shot searching approaches of automatic neural network design are presented. The book teaches you how to construct a search space and launch an architecture search using the latest state-of-the-art exploration strategies: Efficient Neural Architecture Search (ENAS) and Differential Architectural Search (DARTS). You will learn how to automate the construction of a neural network architecture for a particular problem and dataset. The book focuses on model compression and feature engineering methods that are essential in automated deep learning. It also includes performance techniques that allow the creation of large-scale distributive training platforms using NNI. After reading this book, you will know how to use the full toolkit of automated deep learning methods. The techniques and practical examples presented in this book will allow you to bring your neural network routines to a higher level.What You Will Learn Know the basic concepts of optimization tuners, search space, and trials Apply different hyper-parameter optimization algorithms to develop effective neural networks Construct new deep learning models from scratch Execute the automated Neural Architecture Search to create state-of-the-art deep learning models Compress the model to eliminate unnecessary deep learning layers Who This Book Is For Intermediate to advanced data scientists and machine learning engineers involved in deep learning and practical neural network development

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There is an urgent focus on education around the world, and this book is pushing directly into this territory. It will appeal to a wide range of readers – to anyone who is passionate about art and or education – and will have a strong international appeal as the contributors have international profiles and the book is poised to address global issues concerning contemporary art, education, and independent practice. In this collection of original essays, the writers engage with the work of the artists who took part in Art School. Each contribution provides a lens through which each writer can focus on specific moments within the evolution of Art School, working outwards to explore how these moments resonate with the wider fields of art-in-education and radical pedagogies. These texts respond to a widespread concern with art and its place in education, while retaining a committed and informed engagement with the phenomena they assess. Art School takes place as a series of independent projects, exhibitions, workshop and residency programmes, bringing active contemporary artists into educational systems to inspire and expand their teachings. Responding to a growing desire to rethink art education at all levels, it is for those committed to new forms of social imagination and social engagement in contemporary art. This book is for curators, schoolteachers and other educators, and also for artists and art students who wish to extend their practice beyond the gallery. Less a manifesto or a declaration of doctrine than an emergent set of experiments, Curriculum considers the school as a zone of artistic and curatorial practice, foregrounding the potential of contemporary art (understood in wide terms) to stimulate students’ creativity in original and open ways. Although the book focuses on a specific project in Ireland, that project exemplifies trends in art and education that are happening around the world and includes contributions from an international group of scholars all well-known in their field. Contributors: Clare Butcher, Gerard Byrne, Juan Canela, Helen Carey, Daniela Cascella, Fiona Gannon, Jennie Guy, Andrew Hunt, Hannah Jickling & Helen Reed, Alissa Kleist, Rowan Lear, Peter Maybury, Annemarie Ní Churreáin, Nathan O’Donnell, Sofia Olascoaga and Priscila Fernandes, Matt Packer and Sjoerd Westbroek. Artists: Sven Anderson, John Beattie, Clare Breen, Sarah Browne, Karl Burke, Rhona Byrne, Ella de Búrca, Vanessa Donoso Lopez, Priscila Fernandes, Hannah Fitz, Jane Fogarty, Kevin Gaffney, Adam Gibney, Fiona Hallinan, Elaine Leader, Maria McKinney, Maeve Mulrennan, Mark O’Kelly, Sarah Pierce, Naomi Sex and Orlaith Treacy. Primary interest will be among educators, artists, curators, academics and students, and others working or studying in a variety of settings including school, universities, museums, and other arts organisations. Of interest to these groups in the following ways: Artists: Learning about how other artists are working in sites of education. Curators: Reading about the curatorial mechanisms that support artists maintaining the ethics and integrity of their practice when working with younger audiences in schools. Gallerists: Extending the horizons of audience and public outreach. Museums: Considering new models of education, outreach, exhibition, and off-site events. Schools: Learning about new models of artist residencies and workshops. Students and Parents: Researching the potential of contemporary artists’ impact on education. Educators: Forming a critical perspective of how contemporary arts practice can be integrated in curricula. Local and National Arts Agencies: Learning about how independent curatorial and artistic practice can co-exist within sites of education. This publication was funded by the Arts Council of Ireland and the Arts Office of Wicklow County Council.

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Though remembered largely by history as Andrew Jackson's nephew, Andrew Jackson Donelson was himself a significant figure in nineteenth-century America: a politician, planter, diplomat, newspaper editor, and vice-presidential candidate. His relationship with his uncle and mentor defined his life, as he struggled to find the political and personal success that he wanted and his uncle thought he deserved. In Old Hickory's Nephew, the first definitive biography of this enigmatic man, Mark R. Cheathem explores both Donelson's political contributions and his complex, tumultuous, and often-overlooked relationship with Andrew Jackson. Born in Sumner County, Tennessee, in 1799, Donelson lost his father only five years later. Andrew Jackson soon became a force in his nephew's life, seeing in his namesake his political protégé. Jackson went so far as to predict that Donelson would one day become president. After attending West Point, Donelson helped establish the Jacksonian wing of the Democratic party and edited a national Democratic newspaper. As a diplomat, he helped bring about the annexation of Texas and, following in his uncle's footsteps, he became the owner of several plantations. On the surface, Donelson was a political and personal success.But few lives are so straightforward. The strong relationship between the uncle and nephew - defined by the concept of honor that suffused the southern society in which they lived - quickly frayed when Donelson and his wife defied his uncle during the infamous Peggy Eaton sex scandal of Jackson's first presidential administration. This resulted, Cheathem shows, in a tense relationship, full of distrust and suspicion, between Donelson and Jackson that lasted until the ""Hero of New Orleans"" died in 1845. Donelson later left the Democratic party in a tiff and joined the American, or Know Nothing, party, which selected him as Millard Fillmore's running mate in 1856. Though Donelson tried to establish himself as his uncle's political successor and legator, his friends and foes alike accused him of trading on his uncle's name to gain political and financial success.The life of Andrew Jackson Donelson illuminates the expectations placed upon young southern men of prominent families as well as the complexities and contradictions in their lives. In this biography, Cheathem awakens interest in a nearly forgotten but nonetheless intriguing figure in American history.

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Of all of history's great romances, few can compare with that of Catherine the Great and Prince Grigory Potemkin. Their turbulent and complicated relationship shocked their contemporaries and continues to intrigue observers of Russia centuries later. Lovers, companions, and, most likely, husband and wife, Catherine and Potemkin were also close political partners, and for a time Potemkin served as Catherine's de facto co-ruler of the Russian Empire. Their letters offer an intimate glimpse into the lovers' unguarded moments, revealing both ecstatic expressions of love and candid insights on eighteenth-century politics. In February 1774, the Russian empress took Grigory Potemkin for her lover and, it is now believed, secretly married him a few months later. Particularly in the first two years of their relationship, Catherine was consumed by her passion for Potemkin. The hundreds of letters and notes she dashed off to him between assignations in the Winter Palace during this time attest to the giddy exuberance of the new love that so fully embraced her. Love and Conquest contains the most historically significant and personally revealing of these letters, only a few of which have ever before been translated into English. Beginning with Potemkin's letter to Catherine written while off fighting the Turks in 1769 and concluding with his farewell note scribbled the day before his death in 1791, the correspondence spans most of Catherine's reign. The letters are at once personal and political, private and public. Many of Catherine's love letters to Potemkin written during their stormy affair reveal the empress' passionate personality. Potemkin's letters provide rare insight into his arrogant and mercurial character, while serving to dispel the myth of Potemkin as little more than a corrupt sycophant. Love and Conquest reveals the complexity of Catherine and Potemkin's personal relationship in light of dramatic changes in matters of state, foreign relations, and military engagements. After their love cooled, Catherine and Potemkin continued to discuss and debate a wide range of state affairs in their letters, including the annexation of the Crimea, court politics, wars against the Ottoman Empire and Sweden, and the colonization of southern Russia. Together they carried out the most dramatic territorial expansion in the history of imperial Russia, transforming Catherine into a powerful world leader and creating a bond of affection that would never fully fade. Readers will find in the letters new insights on Russia's most famous empress, her passions, and her world.

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Master Quilter Sylvia Bergstrom Compson treasures an antique quilt called by three names -- Birds in the Air, after its pattern; the Runaway Quilt, after the woman who sewed it; and the Elm Creek Quilt, after the place to which its maker longed to return. That quilter was Joanna, a fugitive slave who traveled by the Underground Railroad to reach safe haven in 1859 at Elm Creek Farm. Though Joanna's freedom proved short-lived -- she was forcibly returned by slave catchers to Josiah Chester's plantation in Virginia -- she left the Bergstrom family a most precious gift, her son. Hans and Anneke Bergstrom, along with maiden aunt Gerda, raised the boy as their own, and the secret of his identity died with their generation. Now it falls to Sylvia -- drawing upon Gerda's diary and Joanna's quilt -- to connect Joanna's past to present-day Elm Creek Manor. Just as Joanna could not have foreseen that, generations later, her quilt would become the subject of so much speculation and wonder, Sylvia and her friends never could have imagined the events Joanna witnessed in her lifetime. Punished for her escape by being sold off to her master's brother in Edisto Island, South Carolina, Joanna grieves over the loss of her son and resolves to run again, to reunite with him someday in the free North. Farther south than she has ever been, she nevertheless finds allies, friends, and even love in the slave quarter of Oak Grove, a cotton plantation where her skill with needle and thread soon becomes highly prized. Through hardship and deprivation, Joanna dreams of freedom and returning to Elm Creek Farm. Determined to remember each landmark on the route north, Joanna pieces a quilt of scraps left over from the household sewing, concealing clues within the meticulous stitches. Later, in service as a seamstress to the new bride of a Confederate officer, Joanna moves on to Charleston, where secrets she keeps will affect the fate of a nation, and her abilities and courage enable her to aid the country and the people she loves most. The knowledge that scraps can be pieced and sewn into simple lines -- beautiful both in and of themselves and also for what they represent and what they can accomplish -- carries Joanna through dark days. Sustaining herself and her family through ingenuity and art during the Civil War and into Reconstruction, Joanna leaves behind a remarkable artistic legacy that, at last, allows Sylvia to discover the fate of the long-lost quilter.

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The SIPRI Yearbook is an authoritative and independent source of data and analysis on armaments, disarmament and international security. It provides an overview of developments in international security, military expenditure, weapons and technology, arms production and the arms trade, armed conflict and conflict management, and efforts to control conventional, nuclear, chemical and biological weapons. This 53rd edition of the SIPRI Yearbook covers developments during 2021, including: US BLArmed conflict and conflict management, with an overview of armed conflict and peace processes across the Americas, Asia and Oceania, Europe, the Middle East and North Africa, and sub-Saharan Africa, as well as a focus on global and regional trends in peace operationsBE UE US BLMilitary expenditure, international arms transfers and developments in arms productionBE UE US BLWorld nuclear forces, with an overview of each of the nine nuclear-armed states and their nuclear modernization programmesBE UE US BLNuclear arms control, featuring developments in the Russian-United States strategic dialogue, Iran's nuclear deal and the multilateral nuclear arms control and disarmament treaties, including the entry into force of the Treaty on the Prohibition of Nuclear WeaponsBE UE US BLChemical, biological and health security threats, including the impact of the Covid-19 pandemic, the investigation of allegations of chemical weapon use in Syria and developments in the international legal instruments against chemical and biological warfare BE UE US BLConventional arms control and regulation of new weapon technologies, with a focus on inhumane weapons and other conventional weapons of humanitarian concern, including efforts to regulate autonomous weapon systems, state behaviour in cyberspace and space, and developments in the Open Skies TreatyBE UE US BLDual use and arms trade controls, including developments in the Arms Trade Treaty, multilateral arms embargoes and export control regimes, and review processes in the legal framework of the European Union for such controls as well as annexes listing arms control and disarmament agreements, international security cooperation bodies, and key events in 2021.BE UE

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Goodreads Summer Romance Reading RecommendationBuzzfeed's Most Anticipated LGBTQ Romances of 2022'Exactly the slow-burn, second-chance, friends-to-lovers romance I was craving' ALI HAZELWOOD'The perfect holiday romance! . . . Move over, Stars Hollow. I'm moving to Fern Falls!' LACIE WALDON'The holiday romance of my dreams! The sweetness of a Hallmark holiday movie, set in a town that rivals Schitt's Creek, with plenty of steamy scenes to heat things up!' FALON BALLARD'Wintry perfection, a cozy flannel blanket of a book that wraps its reader in the warmest hug' RACHEL LYNN SOLOMONOffering a steamy, queer spin on the feel-good tropes Hallmark movie, this sweet, funny #OwnVoices rom-com is perfect for fans of Casey McQuiston and Alexandria Bellefleur!'Who doesn't love a proper steamy holiday romance?!? Full of whimsical settings, humorous, cute, sexy and full of typical romance tropes' ⭐ ⭐ ⭐ ⭐ ⭐ reader review'A great second chance romance that has all the best parts of a Hallmark movie, lovely characters and sweet and spicy scenes that will warm your heart' ⭐ ⭐ ⭐ ⭐ reader review'You have slow-burn, second-chance, friends-to-lovers romance and it's set in the holidays! . . . I loved the main characters, they're fun, genuine and a little spicy' ⭐ ⭐ ⭐ ⭐ reader review'If you too love all things Christmas, don't miss this book' ⭐ ⭐ ⭐ ⭐ reader review.........................................Morgan Ross can plan world-class events, but she didn't plan on returning to the hometown that broke her heart seven years ago - and re-discovering the girl of her dreams . . .With her career as a Los Angeles event planner imploding after a tabloid blowup, Morgan Ross isn't headed home for the holidays so much as in strategic retreat. Breathtaking mountain vistas, quirky townsfolk, and charming small businesses aside, her hometown of Fern Falls is built of one heartbreak on top of another . . .Take her one-time best friend turned crush, Rachel Reed. The memory of their perfect, doomed first kiss is still fresh as new-fallen snow. Way fresher than the freezing mud Morgan ends up sprawled in on her very first day back, only to be hauled out via Rachel's sexy new lumberjane muscles acquired from running her family tree farm.When Morgan discovers that the Reeds' struggling tree farm is the only thing standing between Fern Falls and corporate greed destroying the whole town's livelihood, she decides she can put heartbreak aside to save the farm by planning her best fundraiser yet. She has all the inspiration for a spectacular event: delicious vanilla lattes, acoustic guitars under majestic pines, a cozy barn surrounded by brilliant stars. But she and Rachel will ABSOLUTELY NOT have a heartwarming holiday happy ending. That would be as unprofessional as it is unlikely. Right?.........................................'Sparkles with humour and charm' SONIA HARTL'Will make your heart soar' ANNETTE CHRISTIE'Reads like a Hallmark Christmas movie . . . Cozy, comforting, and surprisingly steamy - this is the queer Christmas story we deserve!' ALISON COCHRUN'The feel-good, queer, second-chance holiday romance we've all been waiting for' ANITA KELLY'Kae's sparkling voice wraps you up like a warm blanket' AVA WILDER'Ultra cozy, heart-meltingly sweet, and full of warm wit' ROSIE DANAN'With its charming small town, snowy mountaintop kisses, and dreamy lesbian lumberjane, In the Event of Love is perfect for the holidays!' HELEN HOANG

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These objects do not have a single purpose. This is the central premise that guides the research within this book. Throughout the volume the reader will follow a representation of a marine hunter-gatherer society, a projection deriving from one of its iconic and most important material assets, the harpoon. This very technical object will be studied not only for its most evident function - hunting at sea – and the work delves into the structural, symbolic, technological and world-building aspects of the human societies that used them. To achieve this goal the text begins with a judgment about the role of marine hunting, its prey, and the agents involved in different coastal societies on the American continent, in order to create a comprehensive framework of reference for the subject. It continues by focussing on clarifying, defining and discussing the concept of harponage from technology compared with other historical and ethnographic cases of marine hunters across the globe. A typology of harpoon points from the Atacama Desert is presented, with classification based on their technical attributes, constituent units, composition features and articulation mechanisms, in order to evaluate the chronological scope and geographical distribution of each one of the types of harpoon heads from the last 7000 years of coastal history. The text then explores the multiple values and meanings of the harpoons of the Atacama Desert. The book finally examines the social reasons that influenced the development of an incredibly sophisticated and complex technology of marine hunting. Inferences that take it out of the sea and away from hunting, towards hypotheses that seek answers in the cultural determinism stemming from technical decisions, to utilise technology as another mechanism to establish and strengthen social bonds in the construction of worlds between different agents and collectives, and no longer as a simple tool to satisfy subsistence needs. | Les objets n’ont pas un seul objectif. Prémisse centrale qui guide le dénouement de ce livre. Dans les pages suivantes le lecteur trouvera une réflexion sur une société des chasseurs-collecteurs marins à partir d’un de ces biens matériaux iconiques et un des plus importantes, le harpon. Cet objet technique sera étudié hors de sa fonction la plus évidente, au-delà de la chasse marine, pour pénétrer les aspects structurels, symboliques, technologiques et de construction du monde de ces collectifs humains. Pour entreprendre ce défi, le texte nous submerge dans un premier temps dans une révision critique sur le rôle de la chasse marine, leurs proies et les agents impliqués dans ces activités et dans différentes sociétés côtières du continent américain, afin de pourvoir un cadre de référence adéquate sur cette thématique. Dans un deuxième moment, nous nous centrons dans l’éclaircissement, la définition et la concrétisation du concept de harponnage depuis la technologie comparée avec d’autres cas historiques et ethnographiques de chasseurs-cueilleurs du monde. Une typologie de têtes de harpon pour le désert d’Atacama est ensuite présentée, fondée sur leurs solutions techniques, leurs unités constitutives, leurs normes de composition et leurs mécanismes d’articulation, pour évaluer ensuite la portée chronologique et la distribution géographique de chaque type au cours des dernières 7000 années d’histoire littorale. Par la suite, le texte tente d’explorer les multiples valeurs et significations des harpons du désert d’Atacama. Dans sa partie finale, notre récit aborde les raisons sociales qui ont permis le développement d’une technologie de chasse marine aussi sophistiquée et complexe. Interprétations qui nous emmènent hors de la mer et loin de la chasse, vers des hypothèses qui cherchent des réponses sur les contraintes culturelles qui se trouvent derrière les décisions techniques, pour concevoir à la technologie comme un mécanisme employé afin d’établir les liens sociaux dans la construction des mondes et rapprocher différents agents sociaux et collectifs, plus que comme un simple outil destiné à satisfaire des besoins de subsistance. | Los objetos no tienen un solo objetivo. Esta es la premisa central que guía el desenlace de este libro. A lo largo de sus páginas el lector conocerá una reflexión acerca de una sociedad cazadora-recolectora marina a partir de uno de sus bienes materiales icónicos y más importantes, el arpón. Este objeto técnico será estudiado fuera de su función más evidente, más allá de la caza en el mar, para adentrarse en aspectos estructurales, simbólicos, tecnológicos y de construcción de mundo de estos colectivos humanos. Para llevar a cabo este programa, el texto se sumerge en una primera instancia en un juicio acerca del rol de la caza marina, sus presas y los agentes involucrados en diferentes sociedades costeras del continente americano, con tal de crear un marco de referencia comprensivo y adecuado sobre el tema. En segundo lugar, se aboca a clarificar, definir y concretizar el concepto de arponaje desde la tecnología comparada con otros casos históricos y etnográficos de cazadores marinos del planeta. Se presenta una tipología de cabezales para el desierto de Atacama fundada en sus soluciones técnicas, unidades constitutivas, normas de composición y mecanismos de articulación, para luego evaluar el alcance cronológico y la distribución geográfica de cada uno de los tipos de cabezales de arpón definidos para los últimos 7000 años de historia litoral. Posteriormente, el texto intenta explorar en torno a los múltiples valores y significados de los arpones del desierto de Atacama. El libro indaga en su desenlace final acerca de las razones sociales que dieron cabida al desarrollo de una tecnología de caza marina tan sofisticada y compleja. Inferencias que lo llevan fuera del mar y lejos de la caza, hacia hipótesis que buscan respuestas en las condicionantes culturales tras las decisiones técnicas, para concebir a la tecnología como un mecanismo más para entablar y estrechar lazos sociales en la construcción de mundos entre distintos agentes y colectivos, y ya no como una simple herramienta para satisfacer necesidades de subsistencia.

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