Search results for ""author karen"

This dynamic collection documents the rich and varied history of social dance and the multiple styles it has generated, while drawing on some of the most current forms of critical and theoretical inquiry. The essays cover different historical periods and styles; encompass regional influences from North and South America, Britain, Europe, and Africa; and emphasize a variety of methodological approaches, including ethnography, anthropology, gender studies, and critical race theory. While social dance is defined primarily as dance performed by the public in ballrooms, clubs, dance halls, and other meeting spots, contributors also examine social dance’s symbiotic relationship with popular, theatrical stage dance forms.Contributors are Elizabeth Aldrich, Barbara Cohen-Stratyner, Yvonne Daniel, Sherril Dodds, Lisa Doolittle, David F. García, Nadine George-Graves, Jurretta Jordan Heckscher, Constance Valis Hill, Karen W. Hubbard, Tim Lawrence, Julie Malnig, Carol Martin, Juliet McMains, Terry Monaghan, Halifu Osumare, Sally R. Sommer, May Gwin Waggoner, Tim Wall, and Christina Zanfagna.

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Essays by prominent scholars and organists examine the music of Franck and other nineteenth-century French organist-composers through stylistic analysis, study of compositional process, and exploration of how ideas about organ technique and performance-practice traditions developed and became codified. Nineteenth-century French organ music attracts an ever-increasing number of performers and devotees. The music of Cesar Franck and other distinguished composers-Boëly, Guilmant, Widor-and the impact upon this repertoire of the organ-building achievements of Aristide Cavaillé-Coll, are here explored through stylistic analysis, the study of the compositional process, and the exploration of how ideas about organ technique and performance practice traditions developed and became codified. New consideration is also given to the political and cultural contexts within which Franck and other French organist-composers worked. Contributors: Kimberley Marshall, William J. Peterson,Benjamin van Wye, Craig Cramer, Jesse E. Eschbach, Karen Hastings-Deans, Marie-Louise Jaquet-Langlasi, Daniel Roth, Edward Zimmerman, Lawrence Archbold, Rollin Smith

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From the mind of a psychologist comes a chilling domestic thriller that gets under your skin."Creepy, compelling and very well written" Harriet TyceAt first it's the lie that hurts.A voicemail from her husband tells Sara he's arrived at the holiday cabin. Then a call from his friend confirms he never did. She tries to carry on as normal, teasing out her clients' deepest fears, but as the hours stretch out, her own begin to surface. And when the police finally take an interest, they want to know why Sara deleted that voicemail.To get to the root of Sigurd's disappearance, Sara must question everything she knows about her relationship.Could the truth about what happened be inside her head?"A wonderful storyteller" Chris Whitaker "Wonderfully creepy, twisty and compelling" Karen Hamilton"Masterfully paced and hauntingly written" Anna Bailey"Gets under your skin" Jo Spain"I couldn't put it down" Sarah WardTranslated from the Norwegian by Alison McCullough

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The contributors to Passages and Afterworlds explore death and its rituals across the Caribbean, drawing on ethnographic theories shaped by a deep understanding of the region's long history of violent encounters, exploitation, and cultural diversity. Examining the relationship between living bodies and the spirits of the dead, the contributors investigate the changes in cosmologies and rituals in the cultural sphere of death in relation to political developments, state violence, legislation, policing, and identity politics. Contributors address topics that range from the ever-evolving role of divinized spirits in Haiti and the contemporary mortuary practice of Indo-Trinidadians to funerary ceremonies in rural Jamaica and ancestor cults in Maroon culture in Suriname. Questions of alterity, difference, and hierarchy underlie these discussions of how racial, cultural, and class differences have been deployed in ritual practice and how such rituals have been governed in the colonial and postcolonial Caribbean. Contributors. Donald Cosentino, Maarit Forde, Yanique Hume, Paul Christopher Johnson, Aisha Khan, Keith E. McNeal, George Mentore, Richard Price, Karen Richman, Ineke (Wilhelmina) van Wetering, Bonno (H.U.E.) Thoden van Velzen

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‘A glorious story that celebrates the power of love’ – Bestselling author ADRIANA TRIGIANI ‘I adored The House in the Olive Grove. It is a hymn to friendship and love, and is utterly perfect’ – Bestselling author LIZ FENWICK Will one week in Greece change their lives for ever? Chef Maria is running a successful cookery school in her home village of Petalidi, Greece – but she is also running from the secrets of her past. Food journalist Kayla thought this was going to be just another work trip. But right before she leaves for Greece, she discovers that her whole life is built on a lie. Jewellery-maker Alessandra has always lived according to her own rules – despite what it has cost her to do so. But she has just had some devastating news. As these three very different women come together at the house in the olive grove, unlikely friendships blossom and a season of self-discovery begins. Will the sumptuous flavours, sapphire waters and golden sands of Greece give each of them the answers they so desperately seek? The breathtaking, escapist second novel from Emma Cowell, perfect for fans of Victoria Hislop, Carol Kirkwood and Karen Swan. Readers love The House in the Olive Grove: ‘Emma Cowell creates worlds of warmth, laughter, healing and hope in her delicious novels. The House in the Olive Grove is a glorious story that celebrates the power of love.’ – Adriana Trigiani ‘Light your favourite candle, pour yourself a glass of ouzo, play Leonard Cohen’s ‘Bird on a Wire,’ and let author Emma Cowell transport you to Petalidi, Greece.’ Reader Review ⭐⭐⭐⭐⭐ ‘I adored The House in the Olive Grove. It is a hymn to friendship and love, and is utterly perfect.’ – Liz Fenwick ‘A homage to Greek cooking, bee keeping and to the closeness of small communities … The book has an exceptionally strong emotional pulse.’ Reader Review ⭐⭐⭐⭐⭐ ‘A culinary twist, female solidarity, friendship and romance, what more does one need for a perfect summer read?’ – Nadia Marks ‘This book is food for the soul.’ Reader Review ⭐⭐⭐⭐⭐ ‘Evocative, compelling, moving. A glorious story.’ – Kate Frost ‘I loved how beautifully Greece and the food were described – it makes you wish you were there yourself.’ Reader Review ⭐⭐⭐⭐⭐ ‘Sunshine and friendship, broken hearts and secrets. Cowell’s exquisite writing is as delicious as the food she describes.’ – Jennie Keer ‘Eloquent prose brings to life the feel of the breeze off the ocean, the enticing aroma drifting from Maria’s kitchen and the sweetness of the bees’ honey.’ Reader Review ⭐⭐⭐⭐⭐ ‘A sweeping novel about sisterhood, courage and new beginnings that will inspire and delight.’ – Tessa Harris ‘Cowell has written a lovely atmospheric novel that will engage and entertain you.’ Reader Review ⭐⭐⭐⭐⭐ ‘The glorious setting will instantly transport you to sunnier climes!’ – My Weekly ‘A gorgeous read and a real nod to the friendships women can form.’ – Best

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Talk-show confessions, online rants, stand-up routines, inspirational speeches, banal reflections and calls to arms: we live in an age of solo voices demanding to be heard. In The Contemporary American Monologue Eddie Paterson looks at the pioneering work of US artists Spalding Gray, Laurie Anderson, Anna Deavere Smith and Karen Finley, and the development of solo performance in the US as a method of cultural and political critique. Ironic confession, post-punk poetry, investigations of race and violence, and subversive polemic, this book reveals the link between the rise of radical monologue in the late 20th century and history of speechmaking, politics, civil rights, individual freedom and the American Dream in the United States. It shows how US artists are speaking back to the cultural, political and economic forces that shape the world. Eddie Paterson traces the importance of the monologue in Shakespeare, Brecht, Beckett, Chekov, Pinter, O'Neill and Williams, before offering a comprehensive analysis of several of the most influential and innovative American practitioners of monologue performance. The Contemporary American Monologue constitutes the first book-length account of US monologists that links the tradition of oratory and speechmaking in the colony to the appearance of solo performance as a distinctly American phenomenon.

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What useful changes has feminism brought to science? Feminists have enjoyed success in their efforts to open many fields to women as participants. But the effects of feminism have not been restricted to altering employment and professional opportunities for women. The essays in this volume explore how feminist theory has had a direct impact on research in the biological and social sciences, in medicine, and in technology, often providing the impetus for fundamentally changing the theoretical underpinnings and practices of such research. In archaeology, evidence of women's hunting activities suggested by spears found in women's graves is no longer dismissed; computer scientists have used feminist epistemologies for rethinking the human-interface problems of our growing reliance on computers. Attention to women's movements often tends to reinforce a presumption that feminism changes institutions through critique-from-without. This volume reveals the potent but not always visible transformations feminism has brought to science, technology, and medicine from within.Contributors:Ruth Schwartz CowanLinda Marie FediganScott GilbertEvelynn M. HammondsEvelyn Fox KellerPamela E. MackMichael S. MahoneyEmily MartinRuth OldenzielNelly OudshoornCarroll PursellKaren RaderAlison Wylie

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The cultural impact of new information and communication technologies has been a constant topic of debate, but questions of race and ethnicity remain a critical absence. TechniColor fills this gap by exploring the relationship between race and technology.From Indian H-1B Workers and Detroit techno music to karaoke and the Chicano interneta, TechniColor's specific case studies document the ways in which people of color actually use technology. The results rupture such racial stereotypes as Asian whiz-kids and Black and Latino techno-phobes, while fundamentally challenging many widely-held theoretical and political assumptions. Incorporating a broader definition of technology and technological practices--to include not only those technologies thought to create "revolutions" (computer hardware and software) but also cars, cellular phones, and other everyday technologies--TechniColor reflects the larger history of technology use by people of color. Contributors: Vivek Bald, Ben Chappell, Beth Coleman, McLean Greaves, Logan Hill, Alicia Headlam Hines, Karen Hossfeld, Amitava Kumar, Casey Man Kong Lum, Alondra Nelson, Mimi Nguyen, Guillermo Goméz-Peña, Tricia Rose, Andrew Ross, Thuy Linh Nguyen Tu, and Ben Williams.

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Action-packed, fact-paced thriller perfect for fans of Karen Rose and the RED SPARROW movie. The second book in the series, The Moscow Deception, is available to buy nowBianca St. Ives is smart, talented and beautiful. She's also a high-end thief, a master manipulator, a card shark, and a genius of disguise.A femme fatale Robin Hood running a multinational firm with her father, she makes a living swindling con men out of money they stole and giving it back to those who should rightfully have it, keeping a little for herself of course. Her father has prepared her well to carry on the family business, and now the prodigy has surpassed the master.Their latest mission didn't go to plan - millions of dollars and top secret government documents went missing, and her father was supposedly killed. But not everyone believes in his death, including the US government. They'll stop at nothing to capture Richard St. Ives - a high-value target who has been on most-wanted lists all over the world - even if it means using Bianca as bait. With only a fellow criminals for backup and her life on the line, it's up to Bianca to uncover the terrifying truth behind what really happened . . . and set it right, before it's too late.BUY BOOK TWO, THE MOSCOW DECEPTION, NOW

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This volume of "International Perspectives on Education and Society" explores how educational research from a comparative perspective has been instrumental in broadening and testing hypotheses from institutional theory. Institutional theory has also played an increasingly influential role in developing an understanding of education in society. This symbiotic relationship has proven intellectually productive. In light of the impact that comparative education research has had on institutional theory, the chapters in this volume ask where the comparative and international study of education as an institution is heading in the 21st century. Chapters range from theoretical discussions of the impact that comparative research has had on institutional theory to highly empirical comparative scholarship that tests basic institutional assumptions and trends. Two pioneers in the field, John W. Meyer and Francisco O. Ramirez, contribute the Forward and the concluding chapter. In addition to the editors, other contributors to this volume include M. Fernanda Astiz, Janice Aurini, Jason Beech, Edward F. Bodine, Karen Bradley, Claudia Buchmann, Scott Davies, Gili S. Drori, David H. Kamens, Jong-Seon Kim, Hyeyoung Moon, Hyunjoon Park, Emilio A. Parrado, Lauren Rauscher, John G. Richardson, David F. Suarez, and Regina E. Werum.

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In his first memoir written especially for young readers, Kareem Abdul-Jabbar will focus on his relationships with several important coaches in his life - including his father, his high-school coach and Coach Wooden - as he tells the story of his life and career. At one time, Lew Alcindor was just another kid from New York City with all the usual problems: He struggled with fitting in, with pleasing a strict father, and with overcoming shyness that made him feel socially awkward. But with a talent for basketball, and an unmatched team of supporters, Lew Alcindor was able to transform and to become Kareem Abdul-Jabbar.From a childhood made difficult by racism and prejudice to a record-smashing career on the basketball court as an adult, Kareem Abdul-Jabbar's life was packed with "coaches" who taught him right from wrong and led him on the path to greatness. His parents, coaches Jack Donahue and John Wooden, Muhammad Ali, Bruce Lee, and many others played important roles in Abdul-Jabbar's life and sparked him to become an activist for social change and advancement. The inspiration from those around him, and his drive to find his own path in life, are highlighted in this personal and awe-inspiriting journey.

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Step inside his home and you'll see papier-mâché birds, a life-sized cardboard tiger, model cars; his work bench a vibrant collage of creativity, from hand-drawn maps and postcards to newly devised toys for his beloved grandchildren. Tom Karen is a toymaker, creative genius, award-winning designer and one of the world's most remarkable inventors. From inventing the Marble Run to designing the iconic Raleigh Chopper bike and creating the Bond Bug, Tom's designs are cherished the world over, but behind these fantastical creations lies an equally remarkable life.Born in the 1920s into a wealthy family and raised in Czechoslovakia by nannies, Tom had a lonely upbringing and longed for pencils, paper, paints and brushes. His childhood was short-lived when Tom and his family had to flee for their lives following the rise of Nazi Germany. It was this formative experience that would transform Tom's life. Arriving in the UK, Tom would establish himself as a creator slowly building the career that would see him dubbed 'the man who designed the seventies'.Told through the prism of Tom's incredible designs, Toymaker is a story about life, about imagination, about being in the present and existing in the past; about painting, drawing, chopping and changing; about thinking, discussing, arguing and listening. Tom's life is a tale of a century of creativity and how 'things' come to define who we are - and help us look ahead to where we're going.

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The Eye's Mind significantly alters our understanding of modernist literature by showing how changing visual discourses, techniques, and technologies affected the novels of that period. In readings that bring philosophies of vision into dialogue with photography and film as well as the methods of observation used by the social sciences, Karen Jacobs identifies distinctly modernist kinds of observers and visual relationships. This important reconception of modernism draws upon American, British, and French literary and extra-literary materials from the period 1900-1955. These texts share a sense of crisis about vision's capacity for violence and its inability to deliver reliable knowledge. Jacobs looks closely at the ways in which historical understandings of race and gender inflected visual relations in the modernist novel. She shows how modernist writers, increasingly aware of the body behind the neutral lens of the observer, used diverse strategies to displace embodiment onto those "others" historically perceived as cultural bodies in order to reimagine for themselves or their characters a "purified" gaze. The Eye's Mind addresses works by such high modernists as Vladimir Nabokov, Virginia Woolf, and (more distantly) Ralph Ellison and Maurice Blanchot, as well as those by Henry James, Zora Neale Hurston, and Nathanael West which have been tentatively placed in the modernist canon although they forgo the full-blown experimental techniques often seen as synonymous with literary modernism. Jacobs reframes fundamental debates about modernist aesthetic practices by demonstrating how much those practices are indebted to the changing visual cultures of the twentieth century.

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Lust, power, revenge: the gripping new gangland thriller from Karen Woods – the writer to show you the dark side of Manchester. Two women – one too innocent, one who knows too much. They have secrets, but none as lethal as those they uncover when they get caught up in turf wars between two strip club owners on the back streets of Manchester. Elsa Bradshaw is 18. Despite a tough start – never knowing her father, and barely seeing her mother who’d rather be chasing men – she’s grown up with her grandmother’s values and a desire to build a better life. But will falling for local bad boy, Clayton, change all that? Pamela Maylett seems to have everything – as wife of local lap-dancing club owner, Jordan, she’s got money, influence and plenty of life’s little luxuries. But is her beautiful home also her prison? She knows her husband is surrounded by women at work – after all, she was dancing when she met him. But Jordan won’t let his wife back on the stage and Pamela misses the lights, the lust and the power. When Elsa crosses paths with Pamela, she is grateful to be taken under her wing, and shown a world she never realised was out there. Elsa has a lot to learn – about the clubs, about what she wants, and most importantly, what she’ll do to get it. As the men that own the local clubs start a turf war, it’s time for the women to step up…

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A lost dog, a hidden time tunnel and a secret lake take Stella and Tom to their home and the children living there 100 years in the past. A page-turning time travel adventure for children aged 8-11. Now enjoyed by over 250,000 young readers! When Stella and her younger brother, Tom, move to their new London home, they become mystified by the disappearances of Harry, their elderly neighbour's dog. Where does he go? And why does he keep reappearing wet-through? Their quest to solve the riddle over the summer holidays soon leads to a boat buried under a grassy mound - and a tunnel that takes them to a secret lake. Who is the boy rowing towards them? Why is he so terrified? And whose are those children's voices carried on the wind from beyond the woods? Stella and Tom soon discover that they have travelled back in time to their home and its gardens almost 100 years earlier. Here they make both friends and enemies and uncover startling connections between the past and present. The Secret Lake has been described by readers as a modern Tom's Midnight Garden and compared in atmosphere with The Secret Garden and the Enid Blyton and Nancy Drew mystery adventure stories. Its page-turning plot, with its many twists and turns, makes it a firm favourite with both boys and girls. Karen Inglis describes it as: "a time travel mystery adventure with modern twists - the kind of story that I loved to read as a child, but brought right up to date".

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A bold new consideration of climate change between narratives of the Earth’s layers and policy of the present Long seen as a realm of mystery and possibility, the subsurface beneath our feet has taken on all-too-real import in the era of climate change. Can reading narratives of the past that take imaginative leaps under the surface better attune us to our present knowledge of a warming planet?In Subsurface, Karen Pinkus looks below the surface of texts by Edgar Allan Poe, Arthur Conan Doyle, George Sand, E. T. A. Hoffmann, and Jules Verne to find the buried origins of capitalist fantasies in which humans take what they want from the earth. Putting such texts into conversation with narrative theory, critical theory, geology, and climate policy, she shows that the subsurface has been, in our past, a place of myth and stories of male voyages down to gain knowledge—but it is also now the realm of fossil fuels. How do these two modes intertwine?A highly original take on evocative terms such as extraction, burial, fossils, deep time, and speculative futurity, Subsurface questions the certainty of comfortable narrative arcs. It asks us to read literature with and against the figure of the geological column, with and against fossil fuels and the emissions warming our planet. As we see our former selves move into the distance, what new modes of imagination might we summon?

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Around the world, indigenous peoples use international law to make claims for heritage, territory, and economic development. Karen Engle traces the history of these claims, considering the prevalence of particular legal frameworks and their costs and benefits for indigenous groups. Her vivid account highlights the dilemmas that accompany each legal strategy, as well as the persistent elusiveness of economic development for indigenous peoples. Focusing primarily on the Americas, Engle describes how cultural rights emerged over self-determination as the dominant framework for indigenous advocacy in the late twentieth century, bringing unfortunate, if unintended, consequences. Conceiving indigenous rights as cultural rights, Engle argues, has largely displaced or deferred many of the economic and political issues that initially motivated much indigenous advocacy. She contends that by asserting static, essentialized notions of indigenous culture, indigenous rights advocates have often made concessions that threaten to exclude many claimants, force others into norms of cultural cohesion, and limit indigenous economic, political, and territorial autonomy.Engle explores one use of the right to culture outside the context of indigenous rights, through a discussion of a 1993 Colombian law granting collective land title to certain Afro-descendant communities. Following the aspirations for and disappointments in this law, Engle cautions advocates for marginalized communities against learning the wrong lessons from the recent struggles of indigenous peoples at the international level.

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Animal Bodies, Renaissance Culture examines how the shared embodied existence of early modern human and nonhuman animals challenged the establishment of species distinctions. The material conditions of the early modern world brought humans and animals into complex interspecies relationships that have not been fully accounted for in critical readings of the period's philosophical, scientific, or literary representations of animals. Where such prior readings have focused on the role of reason in debates about human exceptionalism, this book turns instead to a series of cultural sites in which we find animal and human bodies sharing environments, mutually transforming and defining one another's lives. To uncover the animal body's role in anatomy, eroticism, architecture, labor, and consumption, Karen Raber analyzes canonical works including More's Utopia, Shakespeare's Hamlet and Romeo and Juliet, and Sidney's poetry, situating them among readings of human and equine anatomical texts, medical recipes, theories of architecture and urban design, husbandry manuals, and horsemanship treatises. Raber reconsiders interactions between environment, body, and consciousness that we find in early modern human-animal relations. Scholars of the Renaissance period recognized animals' fundamental role in fashioning what we call "culture," she demonstrates, providing historical narratives about embodiment and the cultural constructions of species difference that are often overlooked in ecocritical and posthumanist theory that attempts to address the "question of the animal."

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There have been numerous studies in recent decades of the medieval inquisitions, most emphasizing larger social and political circumstances and neglecting the role of the inquisitors themselves. In this volume, Karen Sullivan sheds much-needed light on these individuals and reveals that they had choices - both the choice of whether to play a part in the orthodox repression of heresy and, more frequently, the choice of whether to approach heretics with zeal or with charity. In successive chapters on key figures in the Middle Ages-Bernard of Clairvaux, Dominic Guzman, Conrad of Marburg, Peter of Verona, Bernard Gui, Bernard Delicieux, and Nicholas Eymerich - Sullivan shows that it is possible to discern each inquisitor making personal, moral choices as to what course of action he would take. All medieval clerics recognized that the church should first attempt to correct heretics through repeated admonitions and that, if these admonitions failed, it should then move toward excluding them from society. Yet more charitable clerics preferred to wait for conversion, while zealous clerics preferred not to delay too long before sending heretics to the stake. By considering not the external prosecution of heretics during the Middles Ages, but the internal motivations of the preachers and inquisitors who pursued them, as represented in their writings and in those of their peers, The Inner Lives of Medieval Inquisitors explores how it is that the most idealistic of purposes can lead to the justification of such dark ends.

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When Otto Frank unwrapped his daughter's diary with trembling hands and began to read the first pages, he discovered a side to Anne that was as much a revelation to him as it would be to the rest of the world. Little did Otto know he was about to create an icon recognised the world over for her bravery, sometimes brutal teenage honesty and determination to see beauty even where its light was most hidden. Nor did he realise that publication would spark a bitter battle that would embroil him in years of legal contest and eventually drive him to a nervous breakdown and a new life in Switzerland. Today, more than seventy-five years after Anne's death, the diary is at the centre of a multi-million-pound industry, with competing foundations, cultural critics and former friends and relatives fighting for the right to control it. In this insightful and wide-ranging account, Karen Bartlett tells the full story of The Diary of Anne Frank, the highly controversial part it played in twentieth-century history, and its fundamental role in shaping our understanding of the Holocaust. At the same time, she sheds new light on the life and character of Otto Frank, the complex, driven and deeply human figure who lived in the shadows of the terrible events that robbed him of his family, while he painstakingly crafted and controlled his daughter's story.

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Expanded and updated second edition of the Gourmand World Cookbook Awards, 2018, Vegan Category Winner. Learn the craft of making authentic, delicious non-dairy cheese from acknowledged master plant-based cheesemaker Karen McAthy. Comprehensively updated and expanded, the second edition of the "plant-based cheesemaking bible" takes vegan cheesemaking to a new level. Containing over 150 full color photos and enhanced step-by-step instructions, coverage and new information includes: Eight new cheesemaking recipes plus dozens more from beginner to pro New coverage of "mixed method" fast-firming cultured cheeses Going beyond nuts and seeds and using legumes for cheesemaking Dairy-free cultured butter, coconut milk yogurt, oat and cashew milk yogurt, and sour cream Growing plant-based cultures, including rejuvelac, sprouting, fermentation, kefir, and probiotic capsules Lactic acid fermentation and how to use it in cheesemaking Expanded coverage of flavors, aging, rind curing and smoking, and working with white and blue molds New recipe section for cooking with dairy-free cheeses including Coeur a la Creme, Buttermilk Fried Tempeh and more. The Art of Plant-based Cheesemaking, Second Edition is a must-have for aspiring DIY non-dairy cheesemakers, vegans, and serious foodies alike. The texture, the sharpness, the taste; you will be proud to serve up your creations.

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Water supply privatization was emblematic of the neoliberal turn in development policy in the 1990s. Proponents argued that the private sector could provide better services at lower costs than governments; opponents questioned the risks involved in delegating control over a life-sustaining resource to for-profit companies. Private-sector activity was most concentrated—and contested—in large cities in developing countries, where the widespread lack of access to networked water supplies was characterized as a global crisis. In Privatizing Water, Karen Bakker focuses on three questions: Why did privatization emerge as a preferred alternative for managing urban water supply? Can privatization fulfill its proponents' expectations, particularly with respect to water supply to the urban poor? And, given the apparent shortcomings of both privatization and conventional approaches to government provision, what are the alternatives? In answering these questions, Bakker engages with broader debates over the role of the private sector in development, the role of urban communities in the provision of "public" services, and the governance of public goods. She introduces the concept of "governance failure" as a means of exploring the limitations facing both private companies and governments. Critically examining a range of issues—including the transnational struggle over the human right to water, the "commons" as a water-supply-management strategy, and the environmental dimensions of water privatization—Privatizing Water is a balanced exploration of a critical issue that affects billions of people around the world.

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Imagine a house whose wiring is spliced and patchy with knob and tube, coiled like a serpent ready to strike and spark at any moment. Even if you have a fire trap behind your walls, the lights will turn on. In her memoir of a life lived in physical pain, Karen Engle asks whether and how language can capture what it’s like to be in a body that appears to work from the outside, when its internal systems operate through an ad hoc assemblage of garbled messaging, reroutings, and shaky foundations. A series of narrative reflections capture the myriad ways in which the chronic conditions its suffering subject. Contrary to claims that pain obliterates language – long a trope of writing about illness – Engle contends that the person with chronic pain is not hampered by a scarcity of language, but rather its excess: enervation by the unending waves of utterance. From a history of the word chronic and its shifting significance to meditations on multiple diagnoses and interactions with medical personnel, Chronic Conditions is a doctor’s case file through the looking glass of a creative writer, scholar, and patient. Engle explores, through medical research, literature, and art, how it feels to become attuned to the rhythms of perpetual and mysterious physical pain. At stake here is the search for a kind of writing that does not instrumentalize pain for allegorical or transcendental purposes. Chronic pain is not a sign of weakness, nor is it an opportunity for personal growth, Engle argues. Instead, it is entirely ordinary and deeply affecting.

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Soon to be streaming on Netflix and BBC iPlayer! The Breakfast Club meets Pretty Little Liars in Gretchen McNeil's sharp and thrilling sequel to Get Even. Perfect for fans of E. Lockhart, Karen M. McManus, and Maureen Johnson. The members of Don't Get Mad aren't just mad anymore . . . they're afraid. And with Margot in a coma and Bree under house arrest, it's up to Olivia and Kitty to try to catch their deadly tormentor.But just as the girls are about to go on the offensive, Ed the Head reveals a shocking secret that turns all their theories upside down. The killer could be anyone, and this time he—or she—is out for more than just revenge. The girls desperately try to discover the killer's identity as their own lives are falling apart: Donté is pulling away from Kitty and seems to be hiding a secret of his own, Bree is sequestered under the watchful eye of her mom’s bodyguard, and Olivia's mother is on an emotional downward spiral.The killer is closing in, the threats are becoming more personal, and when the police refuse to listen, the girls have no choice but to confront their anonymous “friend” . . . or die trying.

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Who is the richest, the first, the best, the most beautiful, the most influential, the most important, the poorest, the best-dressed WAG? --- As the influx of money into English football grew stratospheric, so did the wealth of the footballers and their WAGS. Once housewives, today WAGgery guarantees instant celebrity. Their own WAG ‘league’ draws as much media attention as the beautiful game. Here is the first-ever history of WAGs and how they came to dominate the front pages as much as the footballers do the sports pages. There are epic rivalries, catfights and gossip between and about the women and their husbands; from the first stirrings of the phenomenon 1960s to the WAGs’ roaring entry on to the front pages, to today where they are an institution with winners and losers. What makes WAGs tick? Do they want to get to know the man behind their footballer? Or is it something else? Come and find out! --- Victoria Beckham, Coleen Rooney, Rebekah Vardy, Cheryl Cole, Joy Beverley, Angie Best, Tina Moore, Danielle Souness, Karen Souness, Sheryl Gascoigne, Ulrika Johnson, Nancy Dell’Olio, Stacey Giggs, Natasha Giggs, Vanessa Perroncel and many others.

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Stick Dog and his friends return, and this time they are crashing a wedding. The uninvited guests will do their best to have their fill of ribs and cake galore! Perfect for fans of Big Nate, Diary of a Wimpy Kid, and the previous Stick Dog books, Tom Watson’s hilarious series continues with Stick Dog Crashes a Party—a festive adventure complete with cake, ribs, fireworks, and very special guests! IT’S TIME TO PARTY—STICK DOG STYLE! Stick Dog and his hungry pals have found plenty of tasty treats at Picasso Park before. But it’s never looked like it does on this dark, dark night. Strings of white lights, colorful fireworks, and an endless buffet of amazing food have transformed the park into a food-snatching wonderland. There’s a party going on, and Stick Dog, Mutt, Poo-Poo, Stripes, and Karen are ready to crash it. But how will they do it? It will take a top-notch strategy, some good luck, and a little help from two charming cats to complete their mission. It’s another smart, hilarious romp for Stick Dog and his team of strays.

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In 2008, anthropologist Matti Bunzl was given rare access to observe the curatorial department of Chicago's Museum of Contemporary Art. For five months, he sat with the institution's staff, witnessing firsthand what truly goes on behind the scenes at a contemporary art museum. From fund-raising and owner loans to museum-artist relations to the immense effort involved in safely shipping sixty works from twenty-seven lenders in fourteen cities and five countries, Matti Bunzl's In Search of a Lost Avant-Garde illustrates the inner workings of one of Chicago's premier cultural institutions. Bunzl's ethnography is designed to show how a commitment to the avant-garde can come into conflict with an imperative for growth, leading to the abandonment of the new and difficult in favor of the entertaining and profitable. Jeff Koons, whose massive retrospective debuted during Bunzl's research, occupies a central place in his book and exposes the anxieties caused by such seemingly pornographic work as the infamous Made in Heaven series. Featuring cameos by other leading artists, including Liam Gillick, Jenny Holzer, Karen Kilimnik, and Tino Sehgal, the drama Bunzl narrates is palpable and entertaining and sheds an altogether new light on the contemporary art boom.

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2009 Choice Outstanding Academic Title Crime in most urban areas has been falling since 1991. While the decline has been well-documented, few scholars have analyzed which groups have most benefited from the crime decline and which are still on the frontlines of violence—and why that might be. In Unequal Crime Decline, Karen F. Parker presents a structural and theoretical analysis of the various factors that affect the crime decline, looking particularly at the past three decades and the shifts that have taken place, and offers original insight into which trends have declined and why. Taking into account such indicators as employment, labor market opportunities, skill levels, housing, changes in racial composition, family structure, and drug trafficking, Parker provides statistics that illustrate how these factors do or do not affect urban violence, and carefully considers these factors in relation to various crime trends, such as rates involving blacks, whites, but also trends among black males, white females, as well as others. Throughout the book she discusses popular structural theories of crime and their limitations, in the end concentrating on today’s issues and important contemporary policy to be considered. Unequal Crime Decline is a comprehensive and theoretically sophisticated look at the relationship among race, urban inequality, and violence in the years leading up to and following America’s landmark crime drop.

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A meticulously researched history on the development of American mathematics in the three decades following World War IAs the Roaring Twenties lurched into the Great Depression, to be followed by the scourge of Nazi Germany and World War II, American mathematicians pursued their research, positioned themselves collectively within American science, and rose to global mathematical hegemony. How did they do it? The New Era in American Mathematics, 1920–1950 explores the institutional, financial, social, and political forces that shaped and supported this community in the first half of the twentieth century. In doing so, Karen Hunger Parshall debunks the widely held view that American mathematics only thrived after European émigrés fled to the shores of the United States.Drawing from extensive archival and primary-source research, Parshall uncovers the key players in American mathematics who worked together to effect change and she looks at their research output over the course of three decades. She highlights the educational, professional, philanthropic, and governmental entities that bolstered progress. And she uncovers the strategies implemented by American mathematicians in their quest for the advancement of knowledge. Throughout, she considers how geopolitical circumstances shifted the course of the discipline.Examining how the American mathematical community asserted itself on the international stage, The New Era in American Mathematics, 1920–1950 shows the way one nation became the focal point for the field.

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Often overlooked in the infamous history of U.S. internment during World War II is the plight of internee children. Drawn from personal interviews and multiple primary source materials, Schools behind Barbed Wire is the first book to uncover this unique chapter in American history. Previous to the attack on Pearl Harbor, the children of German and Japanese nationals took their 'Americanness' for granted. Many were citizens, born on American soil. Many had worn Boy Scout uniforms, pledged allegiance to the flag, and even collected tin foil in order to do their 'bit' for the war effort. But all this changed with the bombing of Pearl Harbor on December 7, 1941. Without warning their American identity was suspect and on the basis of their parents' nationality, they too were treated as enemies of the state and shipped off to remote internment camps such as the one located in Crystal City, TX. Schools behind Barbed Wire is the story of the boys and girls who grew up in the Crystal City internment camp and spent the war years attending one of its three internment camp schools. These children attended regular classes in math and English, joined clubs, and tried to go about 'normal' life in the most extraordinary of circumstances. For many, their wartime experiences were often the defining moments of their lives. Professor Karen L. Riley has meticulously recorded the struggles these children faced everyday in her new book Schools behind Barbed Wire. No account of World War II would be complete without the wartime stories of these children.

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One of only seven editors-in-chief in American Vogue’s history, Jessica Daves has remained one of fashion’s most enigmatic figures—until now. Diana Vreeland’s direct predecessor in the role, it is Daves who first catapulted the magazine into modernity. A testament to a changing America on every level, Daves’s Vogue was the first to embrace a ‘high/low’ blend of fashion in its pages and also introduced world-renowned artists, literary greats, and cultural icons into every issue, offering the reader a complete vision of how fashion, interiors, art, architecture, entertaining, literature, and culture were all connected and all contributed to refining and defining personal style. Profiling icons of American style from John and Jackie Kennedy to Charles and Ray Eames, Daves’s Vogue also featured the couture creations of Dior, Chanel, Givenchy, and Balenciaga. Organized in multifaceted, thematic chapters, 1950s in Vogue features carefully curated photographs, illustrations and page spreads from the Vogue archives (with both iconic and less-familiar images from photographers including William Klein, Irving Penn, Karen Radkai and Erwin Blumenfeld), as well as reproductions of fascinating archival materials and correspondence.

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Soon to be streaming on Netflix and BBC iPlayer! The Breakfast Club meets Pretty Little Liars in Gretchen McNeil’s witty and suspenseful novel about four disparate girls who join forces to take revenge on high school bullies and create dangerous enemies for themselves in the process. Perfect for fans of E. Lockhart, Karen M. McManus, and Maureen Johnson. Bree Deringer, Olivia Hayes, Kitty Wei, and Margot Mejia have nothing in common. At least that’s what they’d like the students and administrators of their elite private school to think.The girls have different goals, different friends, and different lives, but they share one very big secret: They’re all members of Don’t Get Mad, a secret society that anonymously takes revenge on the school’s bullies, mean girls, and tyrannical teachers. But when their latest target ends up dead with a blood-soaked “DGM” card in his hands, the girls realize that they’re not as anonymous as they thought—and that someone now wants revenge on them. As the unlikely group searches for the killer, they also uncover secrets and lies that rock their tenuous friendship to the core. Soon the clues are piling up, the police are closing in . . . and everyone has something to lose.

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Mid-twentieth-century developments in science and technology produced new understandings and images of the planet that circulated the globe, giving rise to a modern ecological consciousness; but they also contributed to accelerating crises in the global environment, including climate change, pollution, and waste. In this new work, Patrick Whitmarsh analyzes postwar narrative fictions that describe, depict, or express the earth from above (the aerial) and below (the subterranean), revealing the ways that literature has engaged this history of vertical science and linked it to increasing environmental precarity, up to and including the extinction of humankind. Whitmarsh examines works by writers such as Don DeLillo, Karen Tei Yamashita, Reza Negarestani, and Colson Whitehead alongside postwar scientific programs including the Space Race, atmospheric and underground nuclear testing, and geological expeditions such as Project Mohole (which attempted to drill to the earth's mantle). As Whitmarsh argues, by focusing readers' attention on the fragility of postwar life through a vertical lens, Anthropocene fiction highlights the interconnections between human behavior and planetary change. These fictions situate industrial history within the much longer narrative of geological time and reframe scientific progress as a story through which humankind writes itself out of existence.

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Rebel Politics analyzes the changing dynamics of the civil war in Myanmar, one of the most entrenched armed conflicts in the world. Since 2011, a national peace process has gone hand-in-hand with escalating ethnic conflict. The Karen National Union (KNU), previously known for its uncompromising stance against the central government of Myanmar, became a leader in the peace process after it signed a ceasefire in 2012. Meanwhile, the Kachin Independence Organization (KIO) returned to the trenches in 2011 after its own seventeen-year-long ceasefire broke down. To understand these puzzling changes, Brenner conducted ethnographic fieldwork among the KNU and KIO, analyzing the relations between rebel leaders, their rank-and-file, and local communities in the context of wider political and geopolitical transformations. Drawing on Political Sociology, Rebel Politics explains how revolutionary elites capture and lose legitimacy within their own movements and how these internal contestations drive the strategies of rebellion in unforeseen ways. Brenner presents a novel perspective that contributes to our understanding of contemporary politics in Southeast Asia, and to the study of conflict, peace and security, by highlighting the hidden social dynamics and everyday practices of political violence, ethnic conflict, rebel governance and borderland politics.

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Will there be a library catalogue in the future and, if so, what will it look like? In the last 25 years, the library catalogue has undergone an evolution, from card catalogues to OPACs, discovery systems and even linked data applications making library bibliographic data accessible on the web. At the same time, users expectations of what catalogues will be able to offer in the way of discovery have never been higher. This groundbreaking edited collection brings together some of the foremost international cataloguing practitioners and thought leaders, including Lorcan Dempsey, Emmanuelle Bermès, Marshall Breeding and Karen Calhoun, to provide an overview of the current state of the art of the library catalogue and look ahead to see what the library catalogue might become. Practical projects and cutting edge concepts are showcased in discussions of: linked data and the Semantic Web user expectations and needs bibliographic control the FRBRization of the catalogue innovations in search and retrieval next-generation discovery products and mobile catalogues. Readership: Cataloguers and metadata specialists, library adminstrators and managers responsible for planning and strategy, systems librarians, user services managers, electronic resources librarians, and digital library project managers, students on cataloguing, information management and digital library courses.

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How policies forged after September 11 were weaponized under Trump and turned on American democracy itselfIn the wake of the September 11 terror attacks, the American government implemented a wave of overt policies to fight the nation’s enemies. Unseen and undetected by the public, however, another set of tools was brought to bear on the domestic front. In this riveting book, one of today’s leading experts on the US security state shows how these “subtle tools” imperiled the very foundations of democracy, from the separation of powers and transparency in government to adherence to the Constitution.Taking readers from Ground Zero to the Capitol insurrection, Karen Greenberg describes the subtle tools that were forged under George W. Bush in the name of security: imprecise language, bureaucratic confusion, secrecy, and the bypassing of procedural and legal norms. While the power and legacy of these tools lasted into the Obama years, reliance on them increased exponentially in the Trump era, both in the fight against terrorism abroad and in battles closer to home. Greenberg discusses how the Trump administration weaponized these tools to separate families at the border, suppress Black Lives Matter protests, and attempt to overturn the 2020 presidential election.Revealing the deeper consequences of the war on terror, Subtle Tools paints a troubling portrait of an increasingly undemocratic America where disinformation, xenophobia, and disdain for the law became the new norm, and where the subtle tools of national security threatened democracy itself.

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A gripping young adult suspense novel drenched in color, mystery, and lies. New York Times and USA Today bestselling author CJ Lyons grabs you and won’t let go, keeping you guessing until the very last page of The Color of Lies.When you can see emotions in color, motives become black and white. Even murder.Ella Cleary has always had an eye for the truth. She has synesthesia, which means she is able to read people via the waves of colors that surround them. Her unique gift has led her to trust very few people outside her family since her parents died in a fire. So when a handsome young journalist appears with no colors surrounding him at all, her senses go on high alert.But while Alec is a mystery, Ella feels a connection to him she can’t ignore. Something about him feels familiar, and she is able to talk with him in ways she can’t with anyone else. Then just as feelings develop between them, Alec drops a bombshell: he believes her parents’ deaths were no accident. And she may be in more danger than she’s ever realized.Soon Ella doesn’t know who she can trust or even who she really is. As family secrets begin to unravel and fact and fiction collide, it becomes clear that the only way for Ella to learn the truth about her past is to find a killer.The Color of Lies: YA suspense with themes of mystery, romance, and friendship By New York Times and USA Today bestselling thriller writer CJ Lyons, whose adult suspense novels have sold over 2 million copies in print and digital Features a protagonist with synesthesia, which can allow people to see sounds, taste words, or feel sensations on their skin associated with certain scents Perfect for fans of E. Lockhart, Karen M. McManus, and Jennifer Brown

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Bewitched retellings of classic fairy-tales with brave and resilient heroines. WINNER: Book of the Year 2018 (CBI Awards) WINNER: YA Book of the Year 2017 (Irish Book Awards) WINNER: Reader's Choice Award for YA Fiction 2017 (Irish Times Ticket Awards) A multi-award winning collection of twelve dark, feminist retellings of traditional fairytales from one of Ireland’s leading writers for young people. In the tradition of Angela Carter, stories such as Cinderella and Rumpelstiltskin are given a witchy makeover. Intricately illustrated with black and white line drawings. ‘Exquisitely written and powerful – I’m enchanted by it.’ — Marian Keyes ‘Deirdre Sullivan’s writing is beguiling, bewitching and poetic. Her prose is almost dreamlike, reminiscent of Angela Carter.’ – Juno Dawson, author of The Gender Games ‘Sullivan’s prose is delicate and masterful.’ – Dave Rudden, author of Knights of the Borrowed Dark ‘Witchy, eerie and beautiful. These thirteen fairytale retellings already feel like feminist classics.’ – Claire Hennessy, author of Like Other Girls Dark, feminist retellings of traditional fairytales for a teen audience – not for the faint-hearted

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Over six decades of brilliant prints and paintings from the most prominent Northwest Coast artist of his generation.Finalist for the Roderick Haig-Brown Regional Prize, a BC & Yukon Book Prize Since leaving Haida Gwaii to study art in Vancouver—where he carved argillite with Bill Reid in a department store and hand-sold prints on the UBC campus—Guud sans glans, Robert Davidson has moved between two worlds. As a host of Potlatches, carver of masks and totem poles, and performer and teacher of traditional Haida songs and dances, he has been one of the driving forces in the resurgence of Haida culture in the aftermath of colonization. As an artist working in serigraphs, acrylic, wood, silver, and aluminum to preserve and breathe new life into Haida formline, he has become among the most respected, celebrated, and thrilling artists in the country, if not the world.Echoes of the Supernatural is the first publication in over forty years to offer a comprehensive visual retrospective of his astonishing career. It includes new photography of over 150 prints, as well as images of over fifty paintings; numerous painted woven hats, painted and carved sculptures, jewellery, aluminum sculpture; and dozens of archival photos. His long-time gallerist Gary Wyatt, who worked closely with Davidson in shaping the book and received full access to his archives, details the artist’s life and career, and offers insights on the work based on extensive new interviews. A foreword by Karen Duffek situates the contours of Davidson’s practice within the broader Northwest Coast art world.

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A figurative realist in the heyday of abstract expres- sionism, Fairfield Porter (1907-1975) painted himself, his family, and friends in New York City, in Southampton, Long Island, and on an island off the Maine coast, all depicting a relaxed and comfortable world that seemed to mirror his own affluent, well- connected existence. With virtually all of the artist's previous publications now out of print, this much- anticipated volume is an important addition to the literature on this great American master. Porter graduated from Harvard in 1928 and then studied at the Art Students League in New York with Thomas Hart Benton. Along with months in Maine, Porter lived in New York and from 1948 on, in Southampton where he purchased a large, late Federal-style house for his own expanding family. Porter painted several artist friends, including Elaine de Kooning, Larry Rivers, and Jane Freilicher. He was also close to the modern poets John Ashbery, Frank O'Hara, and James Schuyler. With a carefully curated selection of the artist's best works, John Wilmerding, a specialist in American art, gives full consideration to Porter's expressive compositions and a color palette influenced by his coastal surroundings. Karen Wilkin discusses Porter's influences and pictorial creativity. Distinguished poet J. D. McClatchy writes a reflection on one of Porter's paintings.

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A behind-the-scenes look at how digital surveillance is affecting the trucking way of lifeLong-haul truckers are the backbone of the American economy, transporting goods under grueling conditions and immense economic pressure. Truckers have long valued the day-to-day independence of their work, sharing a strong occupational identity rooted in a tradition of autonomy. Yet these workers increasingly find themselves under many watchful eyes. Data Driven examines how digital surveillance is upending life and work on the open road, and raises crucial questions about the role of data collection in broader systems of social control.Karen Levy takes readers inside a world few ever see, painting a bracing portrait of one of the last great American frontiers. Federal regulations now require truckers to buy and install digital monitors that capture data about their locations and behaviors. Intended to address the pervasive problem of trucker fatigue by regulating the number of hours driven each day, these devices support additional surveillance by trucking firms and other companies. Traveling from industry trade shows to law offices and truck-stop bars, Levy reveals how these invasive technologies are reconfiguring industry relationships and providing new tools for managerial and legal control—and how truckers are challenging and resisting them.Data Driven contributes to an emerging conversation about how technology affects our work, institutions, and personal lives, and helps to guide our thinking about how to protect public interests and safeguard human dignity in the digital age.

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From the mind of a psychologist comes a chilling domestic thriller that gets under your skin.**One of Cosmopolitan's 25 of the best books to read this summer 2021**"A wonderful storyteller" Chris Whitaker "Creepy, compelling and very well written" Harriet Tyce"Wonderfully creepy, twisty and compelling" Karen Hamilton"Masterfully paced and hauntingly written" Anna Bailey"Gets under your skin" Jo Spain"I couldn't put it down" Sarah WardAt first it's the lie that hurts.A voicemail from her husband tells Sara he's arrived at the holiday cabin. Then a call from his friend confirms he never did. She tries to carry on as normal, teasing out her clients' deepest fears, but as the hours stretch out, her own begin to surface. And when the police finally take an interest, they want to know why Sara deleted that voicemail.To get to the root of Sigurd's disappearance, Sara must question everything she knows about their relationship.Could the truth about what happened be inside her head?Translated from the Norwegian by Alison McCullough

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Chosen as a BOOK OF THE YEAR in the Sunday Times, Stylist and Observer'A multifaceted novel that is funny, verbally inventive and moving' Sunday Times, Book of the Year'In Mercury Pictures Presents . . . the story moves between the real war and the better version Hollywood is busy creating. Sometimes tragic, often hilarious' KAREN JOY FOWLER, Observer, Books of the Year'Its prose pulses with humour, wit and affection' Mail on SundayThe epic tale of a brilliant woman who must reinvent herself to survive, moving from Mussolini's Italy to 1940s Los Angeles-a timeless story of love, deceit, and sacrifice from the award-winning, New York Times bestselling author of A Constellation of Vital PhenomenaLike many before her, Maria Lagana has come to Hollywood to outrun her past. Born in Rome, where every Sunday her father took her to the cinema instead of church, Maria immigrates with her mother to Los Angeles after a childhood transgression leads to her father's arrest.Fifteen years later, on the eve of America's entry into World War II, Maria is an associate producer at Mercury Pictures, trying to keep her personal and professional lives from falling apart. Her mother won't speak to her. Her boss, a man of many toupees, has been summoned to Washington by congressional investigators. Her boyfriend, a virtuoso Chinese American actor, can't escape the studio's narrow typecasting. And the studio itself, Maria's only home in exile, teeters on the verge of bankruptcy.Over the coming months, as the bright lights go dark across Los Angeles, Mercury Pictures becomes a nexus of European émigrés: modernist poets trying their luck as B-movie screenwriters, once-celebrated architects becoming scale-model miniaturists, and refugee actors finding work playing the very villains they fled. While the world descends into war, Maria rises through a maze of conflicting politics, divided loyalties, and jockeying ambitions. But when the arrival of a stranger from her father's past threatens Maria's carefully constructed facade, she must finally confront her father's fate - and her own.Written with intelligence, wit, and an exhilarating sense of possibility, Mercury Pictures Presents is a love letter to life's bit players, a panorama of an era that casts a long shadow over our own, and a tour de force by a novelist whose work The Washington Post calls 'a flash in the heavens that makes you look up and believe in miracles'.

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"Camilla has been an absolute saviour for me. With her guidance I've been able to pull through some tough times and put to use the tools she has given me to make sure I don't regress into old habits" Karen Clifton, Professional Dancer All the challenges we face in our lives present us with an opportunity to learn, evolve and grow as people. Holding on to patterns from the past creates blocks; these can make us feel stuck and unworthy of love and respect. In It's Not You, It's Me, Camilla uses a series of targeted questions followed by exercises, tips and techniques to help the reader explore and release their old patterns and blocks so that they can move forward in their lives. Camilla will explore - Self-Awareness Self-Acceptance Self-Love Self-Care This book is a reminder to us all that we are worthy enough and that we do not need to wait for outside validation to feel whole and healed within. By taking responsibility for our situation we can heal the most important relationship – the one we have with ourselves. In doing this, we unlock our true potential and step into our light.

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'Extraordinarily inventive, witty, moving and profound.' Bernardine Evaristo'If you read one novel this year, let it be Top Doll. This is innovative, exquisitely crafted storytelling at its finest.' Malika BookerWhen reclusive billionaire Huguette Clark dies age 104, she leaves behind a suite of New York apartments, a meticulously upkept California mansion, at least one Monet and her vast collection of antique dolls. Having barely been outside for 50 years, the elusive Clark spoke to few--in this highly unreliable, semi-fictional miniature epic, the dolls tell all.Theirs is a tale that takes us from their lavish Park Avenue home back in time to the slave plantations of Virginia and the palaces of Imperial Japan via the addictive hedonism of 1930s queer LA.Joyfully irreverent, Top Doll is a story of love, betrayal, Barbies and ultimately, what it means to be human.'An astonishing combination of depth, compassion and beauty. A constant series of delicious surprises.' Leone Ross***Praise for An Aviary of Small Birds:'Beautiful, painful, pitch-perfect . . . McCarthy Woolf's tuning fork always rings true.' Guardian'I loved Karen McCarthy Woolf's technically perfect poems of winged heartbreak.' Maggie Gee, The ObserverPraise for Seasonal Disturbances:'A strange and stunning collection from a true writer. Vulnerable, hilarious and wise.' Warsan Shire'An unclassifiable book, revolutionary in its engagement with form, stunning in its intersectional politics, and an extraordinary achievement . . . It will break you, in a good way.' Poetry School Books of the Year 2017

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How a million little things are dragging you down, and what to do about it.There's a force we encounter every day that we aren't aware of—and it threatens to derail otherwise promising careers and lives: microstress.This hidden epidemic of small moments of stress has insidiously infiltrated both our work and our personal lives with invisible but devastating effects. Microstress doesn't trigger the normal stress response in our brains to help us deal with it. Instead, it embeds itself in our minds and accumulates daily, one microstress on top of the other. The long-term impact can be debilitating. Unregistered microstress weighs us down, damages our physical and emotional health, and contributes to a decline in our well-being. What's more, microstress is baked into our lives. The source is seldom a classic antagonist, such as a demanding client or a jerk boss. Instead, it comes from the people with whom we are closest: our friends, family, and colleagues.The good news is that once you understand microstress, you can fight back. Drawing on fresh research, Rob Cross and Karen Dillon explain the science behind the phenomenon. They also share the secrets of a small set of people who've endured their share of microstress but have still managed to cultivate relationships that enable them to thrive both at work and in life. Compelling interviews with these high achievers bring to life best practices that show you how to build resilience against microstress and ultimately how to find purpose—purpose that helps you break free from this quietly invasive force that's stealing your life.

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The most up-to-date edition of the gold standard in health care information system references In the newly revised Fifth Edition of Health Care Information Systems, veteran healthcare information management experts and educators Karen A. Wager and Frances Wickham Lee, along with nationally-recognized leader in health information technology, John P. Glaser, deliver a one-stop resource for graduate and upper-level undergraduate students to gain the knowledge and develop the skills they need to manage information and information systems technology in the new healthcare environment. The latest edition sees its focus shift from the adoption of health care information systems and electronic health records to making effective use of health care data, information, and systems and optimizing their impact. New additions to this celebrated text include: Explorations of how health care information systems and information technology can be used to support national quality initiatives, value-based payment, population health management, and precision health and quality reporting Discussions of how issues like interoperability, electronic health record usability, and health IT safety are being (or not being) addressed Treatments of the roles played by data governance and analytics in clinical decision making and healthcare operations. Filled with case studies, supplemental resources, and engaging examinations of critical areas in health care information system use, management, implementation, and support, Health Care Information Systems is an ideal reference for students taking courses in business administration, public health, health administration, medicine, health informatics and health care management.

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A SUNDAY TIMES BEST POETRY BOOK OF THE YEARIn this blistering anthology, poet, editor and DJ Kayo Chingonyi brings together a selection of exceptional Black British poets. This is his dream mixtape featuring a cross-generational span of current poets extending and inhabiting the spirits of the ancestors. Following in the tread of Lemn Sissay's The Fire People, More Fiya aims to lodge in the mind of its readers for a lifetime, radiating to touch the lives of many.Including work from: Jason Allen-Paisant, Raymond Antrobus, Janette Ayachi, Dean Atta, Malika Booker, Eric Ngalle Charles, Dzifa Benson, Inua Ellams, Samatar Elmi, Khadijah Ibrahiim, Keith Jarrett, Anthony Joseph, Safiya Kamaria Kinshasa, Vanessa Kisuule, Rachel Long, Adam Lowe, Nick Makoha, Karen McCarthy Woolf, Momtaza Mehri, Bridget Minamore, Selina Nwulu, Gboyega Odubanjo, Louisa Adjoa Parker, Roger Robinson, Denise Saul, Kim Squirrell, Warsan Shire, Rommi Smith, Yomi Sode, Degna Stone, Keisha Thompson, Kandace Siobhan Walker, Warda Yassin, Belinda Zhawi

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