Search results for ""Author Joyce"

Innovation is a core issue for public services and is a key element of public services reform - particularly in this age of austerity where policymakers urge the need to 'innovate to do more with less'. This comprehensive and accessible Handbook explores the potential for creating efficient and effective public services.Leading researchers from across the globe review the state-of-the-art in research on innovation in public services, providing an overview of key issues from a multi-disciplinary perspective. Topics explored include: context for innovation in public services and public service reform; managerial change challenges; ICT and e-government; and collaboration and networks. The theory is underpinned by seven wide-ranging case studies of innovation in practice.Taking the field forward and providing a baseline for future research, this highly unique and original Handbook will prove essential reading for academics, researchers, students, policymakers and practitioners across the fields of innovation, public policy, social policy and public management.Contributors include: D. Alexander, R. Andrews, S. Baines, J. Barlow, C. Barton-Sweeney, V. Bekkers, G.A. Boyne, J.M. Bryson, K. Brown, M. Carter, C. Chew, B.C. Crosby, M. Considine, I. Cunningham, J. Edler, M. Farr, S. Goldfinch, T. Greenhalgh, J. Hartley, G. Harvey, B. Head, B. Jæger, A. Johnston, P. Joyce, R. Keast, T. Kinder, J.M Lewis, C. Longley, L.E. Lynn, Jr., F. Lyon, K. McLaughlin, M.P. Mandell, M. Macaulay, F. Macfarlane, M. Martin, V. Mele, I. Miles, D. Nickson, H. Noke, D. Norris, Z. Radnor, M.L. Rhodes, N.C. Roberts, K. Strokosch, J.M Svara, J. Torfing, E. Uyarra, R.M. Walker, J. Wallis, J. Waterhouse, R. Wilson, P. Windrum

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"The Useless Mouths" and Other Literary Writings brings to English-language readers literary writings--several previously unknown--by Simone de Beauvoir. Culled from sources including various American university collections, the works span decades of Beauvoir's career. Ranging from dramatic works and literary theory to radio broadcasts, they collectively reveal fresh insights into Beauvoir's writing process, personal life, and the honing of her philosophy. The volume begins with a new translation of the 1945 play The Useless Mouths, written in Paris during the Nazi occupation. Other pieces were discovered after Beauvoir's death in 1986, such as the 1965 short novel "Misunderstanding in Moscow," involving an elderly French couple who confront their fears of aging. Two additional previously unknown texts include the fragmentary "Notes for a Novel," which contains the seed of what she later would call "the problem of the Other," and a lecture on postwar French theater titled Existentialist Theater. The collection notably includes the eagerly awaited translation of Beauvoir's contribution to a 1965 debate among Jean-Paul Sartre and other French writers and intellectuals, "What Can Literature Do?"Prefaces to well-known works such as Bluebeard and Other Fairy Tales,La Bâtarde, and James Joyce in Paris: His Final Years are also available in English for the first time, alongside essays and other short articles. A landmark contribution to Beauvoir studies and French literary studies, the volume includes informative and engaging introductory essays by prominent and rising scholars.Contributors are Meryl Altman, Elizabeth Fallaize, Alison S. Fell, Sarah Gendron, Dennis A. Gilbert, Laura Hengehold, Eleanore Holveck, Terry Keefe, J. Debbie Mann, Frederick M. Morrison, Catherine Naji, Justine Sarrot, Liz Stanley, Ursula Tidd, and Veronique Zaytzeff.

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"The Useless Mouths" and Other Literary Writings brings to English-language readers literary writings--several previously unknown--by Simone de Beauvoir. Culled from sources including various American university collections, the works span decades of Beauvoir's career. Ranging from dramatic works and literary theory to radio broadcasts, they collectively reveal fresh insights into Beauvoir's writing process, personal life, and the honing of her philosophy. The volume begins with a new translation of the 1945 play The Useless Mouths, written in Paris during the Nazi occupation. Other pieces were discovered after Beauvoir's death in 1986, such as the 1965 short novel "Misunderstanding in Moscow," involving an elderly French couple who confront their fears of aging. Two additional previously unknown texts include the fragmentary "Notes for a Novel," which contains the seed of what she later would call "the problem of the Other," and a lecture on postwar French theater titled Existentialist Theater. The collection notably includes the eagerly awaited translation of Beauvoir's contribution to a 1965 debate among Jean-Paul Sartre and other French writers and intellectuals, "What Can Literature Do?"Prefaces to well-known works such as Bluebeard and Other Fairy Tales,La Bâtarde, and James Joyce in Paris: His Final Years are also available in English for the first time, alongside essays and other short articles. A landmark contribution to Beauvoir studies and French literary studies, the volume includes informative and engaging introductory essays by prominent and rising scholars.Contributors are Meryl Altman, Elizabeth Fallaize, Alison S. Fell, Sarah Gendron, Dennis A. Gilbert, Laura Hengehold, Eleanore Holveck, Terry Keefe, J. Debbie Mann, Frederick M. Morrison, Catherine Naji, Justine Sarrot, Liz Stanley, Ursula Tidd, and Veronique Zaytzeff.

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Black Scholars on the Line: Race, Social Science, and American Thought in the Twentieth Century explores the development of American social science by highlighting the contributions of those scholars who were both students and objects of a segregated society. The book asks how segregation has influenced, and continues to influence, the development of American social thought and social science scholarship. Jonathan Scott Holloway and Ben Keppel present the work of thirty-one black social scientists whose work was published between the rise of the Tuskegee model of higher education and the end of the Black Power Era. Even though they had to fashion their careers outside of their respective fields' mainstream, the intellectuals featured here produced scholarship that helped define the contours of the social sciences as they evolved over the course of the twentieth century. Theirs was the work of pioneers, now for the first time gathered in one anthology. After a comprehensive introduction and survey of the selections to follow, Holloway and Keppel present the founding parents of African American social science, including excerpts from Alexander Crummell, Anna Julia Cooper, and others. They then examine contributions from the first real generation of professionally trained black scholars such as W. E. B. Du Bois. The interactions between cultural production and social scientific knowledge are examined through the work of various scholars, including Alain Locke and Zora Neale Hurston. The volume then explores the scholarship produced by the leading progressive social scientists of the day on issues of race and class and examines social scientific scholarship that put African American struggles in an international context. The book concludes by presenting the scholarship of, among others, Hylan Lewis, Joyce Ladner, and William Julius Wilson, which most effectively highlights the complex state of “raced” social science thought during the age of desegregation in academia.

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Human rights impact assessment (HRIA) has increasingly gained traction among state, business and civil society actors since the endorsement of the United Nations Guiding Principles on Business and Human Rights by the Human Rights Council in 2011. This timely and insightful Handbook addresses HRIA in the context of business and human rights. Employing state-of-the-art analysis of current practice, the contributors offer a dynamic overview of contemporary approaches to HRIA, looking ahead to its future trajectories. Chapters present key methodological concepts and new theoretical developments, comparing different approaches from project to sector and governance level. Collectively, these critical appraisals shed light on the role that HRIA can play in addressing the adverse human rights impacts of business activities and fostering sustainable development. Featuring extensive analysis of HRIA practice in a range of industrial contexts and global regions, this Handbook provides crucial insight for practitioners working with impact assessment, human rights, and sustainable development, as well as businesses, investors, government actors and multilateral institutions promoting responsible business conduct. Academics and others investigating human rights and impact assessments in business contexts will also benefit from this book's comprehensive analysis of theoretical developments in HRIA research. Contributors include: T. Bansal, S. Baumgartner, C. Brodeur, E. Buergi Bonanomi, R. Cleland, T.M. Collins, K.Y. Cordes, L.F. de Angulo, R. DeWinter-Schmitt, C. Doyle, G. Factor, B. Feiring, A. González Cavazos, N. Götzmann, J. Harrison, R.F. Jørgensen, S. Joyce, J. Loots, C. Lopez, S. McInerney-Lankford, B. Meyersfeld, I. Musselli, K. Salcito, C. Scheper, S. Szoke-Burke, I. Tamir, J.R. Tedaldi, N. ten Oever, D. Utlu, C.B. Veiberg, M. Wachenfeld, S. Walker, E. Wrzoncki, Y. Wyss, S. Zoen

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“Reader, my ‘library’ is not what it sounds”, says the columnist Raul Butler-Singh, writing a piece in the Trinidad Guardian in 2077 to argue that making heterosexuality illegal “may be attended with some inconvenience”. Like his character’s borrowing from J. Swift, Anton Nimblett raids his library and tampers artfully with its sound. In “Spouter Inn”, he reimagines the classic opening of Moby Dick (where Ishmael shares a bed with Queequeg and has the best night’s sleep ever) and imagines the tattoed harpoonist’s backstory that Melville never wrote. In “Something Promised”, Nimblett makes the ultimately odious Mr. Slime in George Lamming’s classic In the Castle of My Skin into quite a different kind of person, a gentle gay man who reflects, “Nobody never ask, What it is that make Mr Slime happy, eh?” In “Perseverence Village”, David Das shares much of the outward circumstance of V.S. Naipaul’s Mr Biswas – except that his most profound experience is a gay sexual encounter in his teens. But Nimblett does not only revisit the absences of past fiction; a wide range of characters are caught in the midst of their missions for self-knowledge, such as Anglican Joyce who wonders how much she has actually chosen her path away from her Spiritual Baptist roots, or Errol who discovers that “If a man pays close enough attention, he finds there is a place, one place, where he is most himself” – which for Errol is his taxi. These are stories that repay close attention. Nimblett is a writer who listens for the background notes, who knows “people not easy, not even the people who look like you”, who knows “you would get fool if you believe simple is easy, or simple not important”. Whether set in rural Trinidad or urban New York, these stories will enhance Anton Nimblett’s reputation as one of the most generous and humane of observers of human life, male or female, gay or straight.

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Calling culture lovers: sample music, films and books from 120 countries without leaving your armchair. Perfect preparation for travellers or simply a satisfying journey into the unknown, this book lists the five most interesting books and movies from each country, plus its top ten tunes. Be introduced to American jazz, French new wave cinema, Irish poetry and more. Discover a little of each countries’ life and soul through each recommendation by Lonely Planet’s experts.In-depth double page spread features examine iconic genres, artists and movements from a variety of countries: Belgium: Tintin England: The Beatles France: New Wave Cinema Germany: Love Parade Portugal: Fado Republic of Ireland: James Joyce Cuba: Cuban Son Mexico: New Mexican Cinema USA: Jazz New Zealand: Maori Renaissance Japan: Anime South Korea: K-Pop With coverage of countries that range from Argentina to Zimbabwe, this hardcover book is suited to travellers and culture enthusiasts, or as a great gift to a loved one to inspire them to dream of their next journey.About Lonely Planet: Lonely Planet is a leading travel media company, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and phrasebooks for 120 languages, and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, videos, 14 languages, armchair and lifestyle books, ebooks, and more, enabling you to explore every day. 'Lonely Planet guides are, quite simply, like no other.' – New York Times'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' – Fairfax Media (Australia)

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A 2021 INDIE NEXT PickA Women's National Book Association 2021 Great Group Read "With this novel, Kim Hooper has created magic from the seemingly impossible. In her hands, the gossamer threads that tie three perfect strangers to each other following a shared tragedy, become nothing less than a transformative bond of human connection. Honest, brave, messy and unsparing, her characters are fearless pioneers in the darkness, and ultimately shed light for us on the most precious gift of all…life after loss." –Brad Silberling, Writer/Director of Moonlight Mile, Director of City of Angels When Angie is awakened by a midnight call from an officer with the Boise Police Department, she thinks there must be a misunderstanding. The officer tells her that her husband was involved in a shooting at a local bar, but how can that be possible when her husband is sleeping right next to her? Except when she turns to wake him, he isn’t there. Tessa is the twenty-three-year-old bartender who escapes to a backroom storage closet during the shooting. When it comes to light that five people were killed, she is burdened with the question of why she survived. Joyce wakes up to a knock at her front door, a knock she assumes is her wayward son, Jed, who must have lost his keys. It’s not Jed, though. Two police officers tell her that Jed is dead, shot at the bar. Then they deliver even worse news: “We have reason to believe your son was the shooter.” So begins the story of three women tied together by tragic fate—a wife trying to understand why her now-comatose husband was frequenting a bar in the middle of the night, the young woman who her husband was apparently pursuing, and a mother who is forced to confront the reality of who her son was and who she is.

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A dazzling dawn breaks over the Stonehenge midwinter solstice, where the assembled new-age revellers are horrified to discover a green-painted human hand dangling from beneath a mound of snow, high on one of the stone lintels.Leading the investigation into this peculiar death is DI Shanti Joyce and her partner, Vincent Caine. To Shanti's chagrin the pair have become known as 'the go-to team for weird stuff in the West Country' and this festive fatality is the mother and Father Christmas of odd and ritualistic crimes.Amidst the swirling flurries of Salisbury Plain, the unlikely duo discover that the deceased is none other than Hector Lovell-Finch, the eccentric Earl of Lovell Court, known to all as 'Finch' - and who also happens to be the father of the notoriously right-wing MP, Quentin Lovell-Finch.It is no secret that relations between father and son have become decidedly frosty since Finch's acrimonious divorce from Quentin's mother, his conversion to environmentalism, and second marriage to an indigenous Brazilian environmentalist half his age. Now there is the icy issue of who will inherit the ancient Lovell-Finch Estate.To make things more complicated, single mum Shanti has faithfully promised her son, Paul a magical Christmas with all the trimmings. Can this most knotty of English murders be untwined in just five days? And will the unlikely detective duo celebrate the season with merriment, mindfulness and mistletoe?Praise for Solstice of Death'Quirky, engrossing and can be devoured at any time' Devon LifePraise for Laurence Anholt'A super start to the series' Frances Brody'An entertaining murder mystery . . . witty' L C Tyler'This quirky, fast-paced crime mystery is magically entertaining' Dundee Courier 'Quirky, compelling and thoroughly enjoyable' Kate Ellis

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Modernist literature at the end of the British empire challenges conventional notions of homeland, heritage, and community.Finalist of the MSA First Book Prize by The Modernist Studies AssociationThe waning British empire left behind an abundance of material relics and an inventory of feelings not easily relinquished. In The Obsolete Empire, Philip Tsang brings together an unusual constellation of writers—Henry James, James Joyce, Doris Lessing, and V. S. Naipaul—to trace an aesthetics of frustrated attachment that emerged in the wake of imperial decline. Caught between an expansive Britishness and an exclusive Englishness, these writers explored what it meant to belong to an empire that did not belong to them.Thanks to their voracious reading of English fiction and poetry in their formative years, all of these writers experienced a richly textured world with which they deeply identified but from which they felt excluded. The literary England they imagined, frozen in time and out of place with the realities of imperial decline, in turn figures in their writings as a repository of unconsummated attachments, contradictory desires, and belated exchanges. Their works arrest the linear progression from colonial to postcolonial, from empire to nation, and from subject to citizen. Drawing on a rich body of scholarship on affect and temporality, Tsang demonstrates how the British empire endures as a structure of desire that outlived its political lifespan. By showing how literary reading sets in motion a tense interplay of intimacy and exclusion, Tsang investigates a unique mode of belonging arising from the predicament of being conscripted into a global empire but not desired as its proper citizen. Ultimately, The Obsolete Empire asks: What does it mean to be inside or outside any given culture? How do large-scale geopolitical changes play out at the level of cultural attachment and political belonging? How does literary reading establish or unsettle narratives of who we are? These questions preoccupied writers across Britain's former empire and continue to resonate today.

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Winner: AAIS First Book Prize Old Schools marks out a modernist countertradition. The book makes sense of an apparent anachronism in twentieth-century literature and cinema: a fascination with outmoded, paradigmatically pre-modern educational forms that persists long after they are displaced in progressive pedagogical theories. Advocates of progressive education turned against Latin in particular. The dead language—taught through time-tested means including memorization, recitation, copying out, and other forms of repetition and recall—needed to be updated or eliminated, reformers argued, so that students could breathe free and become modern, achieving a break with convention and constraint. Yet McGlazer’s remarkable book reminds us that progressive education was championed not only by political progressives, but also by Fascists in Italy, where it was an object of Gramsci’s critique. Building on Gramsci’s pages on the Latin class, McGlazer shows how figures in various cultural vanguards, from Victorian Britain to 1970s Brazil, returned to and reimagined the old school. Strikingly, the works that McGlazer considers valorize this school’s outmoded techniques even at their most cumbersome and conventional. Like the Latin class to which they return, these works produce constraints that feel limiting but that, by virtue of that limitation, invite valuable resistance. As they turn grammar drills into verse and repetitious lectures into voiceovers, they find unlikely resources for critique in the very practices that progressive reformers sought to clear away. Registering the past’s persistence even while they respond to the mounting pressures of modernization, writers and filmmakers from Pater to Joyce to Pasolini retain what might look like retrograde attachments—to tradition, transmission, scholastic rites, and repetitive forms. But the counter-progressive pedagogies that they devise repeat the past to increasingly radical effect. Old Schools teaches us that this kind of repetition can enable the change that it might seem to impede.

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Prepare for practice with this essential text dedicated to Canadian legal and ethical issues! Focused solely on the ever-changing, and often complex health care landscape in Canada, Ethical & Legal Issues in Canadian Nursing, 5th Edition expertly covers the often intertwined ethical and legal issues that health care professionals face today. This edition includes discussions of Indigenous legal and ethical perspectives, the legal and ethical challenges related to SARS-CoV-2, case studies for the Next-Generation NCLEX®, and much more. Plus, the clear and straightforward writing style presents information just as you will encounter it in your day-to-day practice, ensuring you're even more prepared to make an impact from the start! Clear and straightforward writing style in a visually appealing design, presents information in the way that you will encounter ethical and legal issues in day-to-day practice. Comprehensive coverage of the latest legislation, nursing standards, guidelines, references, trends, principles, theories, and models. Case scenarios, tables, and figures help to illustrate complex topics and pertinent concepts. Case scenarios encourage critical thinking, discussion, and debate. Cross-country examples of regulatory and legal issues cover a large number of provinces and territories. Critical Thinking: Discussion Points at the end of every chapter test your comprehension. Key terms are indicated in bold type and are further defined and explained in the Glossary. UPDATED! Thoroughly revised and expanded coverage of top-of-mind ethical and legal topics concerning vulnerable populations; Indigenous (Joyce Echaquan Inquiry), refugees, and LGBTQ2 persons; advancing technologies and telemedicine; evolving scopes of practice of various categories of nurses; Medical Assistance in Dying (MAiD); and much more. NEW! Coverage of Indigenous legal and ethical perspectives and ways of knowing and understanding related to health, health care, and decision making. NEW! Up-to-date information on legal and ethical challenges in the time of SARS-CoV-2. NEW! Case studies for the Next-Generation NCLEX® on the companion Evolve website.

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This volume of Studies in Eighteenth-Century Culture explores the revolutions in culture, politics, and art that took place throughout the eighteenth century. The first section of the book focuses on the role that women played in both the formation and the expression of culture, whether as manufacturers or consumers. The second group of essays studies images of the body in popular drama, literature, and art, while the third is devoted to politics and religion, dealing specifically with the questions of ethnicity and loyalty brought up by rebellion and revolution. The book concludes with two essays about landscape art and its implications for legitimizing slavery and constructing the colonial fantasy. Contents:Franca Barricelli, "Imperial Mythologies: Ethnicity and Rebellion on the Eighteenth-Century Venetian Stage"Jennie Batchelor, "Fashion and Frugality: Eighteenth-Century Pocket Books for Women"William Chew, "Yankees Caught in the Crossfire: The Trials and Travails of Americans in Revolutionary and Napoleonic France"John Crowley, "Picturing the Caribbean in the Global British Landscape"Paola Giuli, "Women Poets and Improvisers: Cultural Assumptions and Literary Values in Arcadia"D. B. Haley, "Was Dryden a 'Cryptopapist' in 1681?" Joyce MacDonald, "Public Wounds: Sexual Bodies and the Origins of State in Nathaniel Lee's Lucius Junius Brutus"Rebecca Messbarger, "Re-membering a Body of Work: Master Anatomist Anna Morandi Manzolini"Johann Reusch, "Exotic Islands and the Stranded Traveler in the Works of Caspar David Friedrich and Gotthard Ludwig Kosegarten"Leslie Richardson, "'Who Shall Restore My Lost Credit': Rape, Reputation, and the Marriage Market"Betty Schellenberg, "Making Good Use of History: Sarah Robinson Scott in the Republic of Letters"Geraldine Sheridan, "Views of Women at Work by the Royal Academicians: The Collection Descriptions des arts et metiers"Joanna Stalnaker, "Painting Life, Describing Death: Epistemology and Poetics of Description in Buffon's Histoire Naturelle"Candace Ward, "'Cruel Disorder': Female Bodies, Eighteenth-Century Fever Narratives, and the Novel of Sensibility"

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**WINNER OF THE SCOTTISH NON-FICTION BOOK OF THE YEAR AWARD 2021****A FINANCIAL TIMES, I PAPER AND STYLIST BOOK OF THE YEAR**'In his absorbing book about the lost and the gone, Peter Ross takes us from Flanders Fields to Milltown to Kensal Green, to melancholy islands and surprisingly lively ossuaries . . . a considered and moving book on the timely subject of how the dead are remembered, and how they go on working below the surface of our lives.' - Hilary Mantel'Ross is a wonderfully evocative writer, deftly capturing a sense of place and history, while bringing a deep humanity to his subject. He has written a delightful book.' - The Guardian'The pages burst with life and anecdote while also examining our relationship with remembrance.' - Financial Times (best travel books of 2020)'Among the year's most surprising "sleeper" successes is A Tomb with a View. In a year with so much death, it may have initially seemed a hard sell, but the author's humanity has instead acted as a beacon of light in the darkness.' - The Sunday Times'Fascinating . . . Ross makes a likeably idiosyncratic guide and one finishes the book feeling strangely optimistic about the inevitable.' - The Observer'Ross has written [a] lively elegy to Britain's best burial grounds.' - Evening Standard (*Best New Books of Autumn 2020*)'One of the non-fiction books of the year.' - The i paper (*2020 Best Books for Christmas*)'Brilliant.' - Stylist (*Best Christmas books for Christmas 2020*)'Never has a book about death been so full of life. James Joyce and Charles Dickens would've loved it - a book that reveals much gravity in the humour and many stories in the graveyard. It also reveals Peter Ross to be among the best non-fiction writers in the country.' - Andrew O'Hagan'His stories are always a joy.' - Ian Rankin'I'm a card-carrying admirer of Peter Ross.' - Robert Macfarlane'A startling, delight-filled tour of graveyards and the people who love them, dazzlingly told.' - Denise Mina 'A phenomenal, lyrical, beautiful book.' - Frank Turner'A walk through the graveyards of Britain guided by one of the most engaging wordsmiths willing to take you by the hand.' - The Big Issue (*Best Books 2020*)'A celebration of life and of love. It confronts our universal fate but tends towards a comforting embrace of mortality. It is also imbued with something deeply moving.' - The Herald'Beautifully written and strangely life affirming.' - Norman Blake, Teenage Fanclub For readers of The Salt Path, Mudlarking, Ghostland, Kathleen Jamie and Robert Macfarlane. Enter a grave new world of fascination and delight as award-winning writer Peter Ross uncovers the stories and glories of graveyards. Who are London's outcast dead and why is David Bowie their guardian angel? What is the remarkable truth about Phoebe Hessel, who disguised herself as a man to fight alongside her sweetheart, and went on to live in the reigns of five monarchs? Why is a Bristol cemetery the perfect wedding venue for goths? All of these sorrowful mysteries - and many more - are answered in A Tomb With A View, a book for anyone who has ever wandered through a field of crooked headstones and wondered about the lives and deaths of those who lie beneath.So push open the rusting gate, push back the ivy, and take a look inside...

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Museums After Modernism is a unique collectionthat showcases the ways questions about the museum go to the heart of contemporary debates about the production, consumption and distribution of art. The book features expert artists, curators and art historians who grapple with many of the vibrant issues in museum studies, while paying homage to a new museology that needs to be considered. Examines the key contemporary debates in museum studies Includes original essays by noted artists, curators, and art historians Engages with vital issues in the practice of art-making and art-exhibiting Edited by the world-renowned art historian and author, Griselda Pollock

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THE THIRD NOVEL IN THE RECORD-BREAKING, MILLION-COPY BESTSELLING THURSDAY MURDER CLUB SERIES.YOU KNOW WHO WILL LOVE RECEIVING THIS FOR CHRISTMAS? EVERYONE!----------'Full of Osman's trademark charm, insight and intelligence' Lee Child'Tender, hopeful and funny' Marian Keyes'I adored this thrilling adventure. His best yet!' Claire Douglas'Infectious, charming and full of heart' Gillian McAllisterIt is an ordinary Thursday and things should finally be returning to normal.Except trouble is never far away where the Thursday Murder Club is concerned. A decade-old cold case leads them to a local news legend and a murder with no body and no answers.Then a new foe pays Elizabeth a visit. Her mission? Kill...or be killed.As the cold case turns white hot, Elizabeth wrestles with her conscience (and a gun), while Joyce, Ron and Ibrahim chase down clues with help from old friends and new. But can the gang solve the mystery and save Elizabeth before the murderer strikes again?----------WHAT PEOPLE ARE SAYING ABOUT THE THURSDAY MURDER CLUB SERIES'Infectious, charming and full of heart' GILLIAN MCALLISTER'I adored this thrilling adventure. His best yet!' CLAIRE DOUGLAS'Another witty, charming and hugely entertaining read ... his best yet' SUNDAY EXPRESS'A joy to be back...intrigue, red herrings and loads of charm' GOOD HOUSEKEEPING'I snickered so much reading this one' THE OBSERVER'Opening the new Osman is like sitting down to dinner with treasured friends you know are going to kill you - deliciously!' PETER JAMES'Full of humour and heart, Osman delivers another must-read. I loved it' HARLAN COBEN'A warm, wise and witty warning never to underestimate the elderly' VAL MCDERMID'So smart and funny. Deplorably good' IAN RANKIN'Thrilling, moving, laugh-out-loud funny' MARK BILLINGHAM

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William Troy (1903-1961) was a highly regarded literary critic during the 1930s and 1940s. Among his contemporaries, he ranked with Edmund Wilson, Kenneth Burke, and F. O. Matthiessen. Indeed, in the preface to the posthumous, 1968 publication of his Selected Essays, which won a National Book Award, Allen Tate placed Troy among the handful of the best critics of this century. Troy's criticism was informed by an intelligence so balanced that, where many theoreticians took up positions in logical traps, he easily avoided them. At the very moment when scholars and critics were either treating literature like polemics or investigating ideas as if belles-lettres were a sub-category of history or philosophy, Troy acknowledged both the centrality of literary ideas and their distinction from ideas in other forms. When confronted with a text, he analysed it with a firm sense of its inherent meaning and of its cultural implications, in a style that expresses seriousness of commitment precisely and clearly. The Bookman presents a selection of Troy's remaining writings on such major literary figures as Henry James, e. e. cummings, Ernest Hemingway, Edith Wharton, F. Scott Fitzgerald, T. S. Eliot, Andre Gide, William Faulkner, James Joyce, Albert Camus, Jean Cocteau, Willa Cather, W. H. Auden, Virginia Woolf, and Emile Zola. Troy produced a body of work that is timeless, permanent, and exemplary -- perhaps as much as, if not more so than, the work of such other critical contemporaries of his as the Anglo-Americans Yvor Winters, I. A. Richards, William Empson, George Jean Nathan, and R. P. Blackmur. Published in conjunction with Film Nation: William Troy on the Cinema, 1933-1935 (ISBN 978-1-78976-173-3), The Bookman is clear evidence of Troy's role as one of the foremost critics of his age. Inclusion of a substantive index makes the work an essential and accessible gateway to a wide range of literary criticism.

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Reminiscent of her classic story 'The Lottery', Jackson's disturbing and darkly funny first novel exposes the underside of American suburban life.'Her books penetrate keenly to the terrible truths which sometimes hide behind comfortable fictions, to the treachery beneath cheery neighborhood faces and the plain manners of country folk; to the threat that sparkles at the rainbow's edge of the sprinkler spray on even the greenest lawns, on the sunniest of midsummer mornings' Donna TarttIn Pepper Street, an attractive suburban neighbourhood filled with bullies and egotistical bigots, the feelings of the inhabitants are shallow and selfish: what can a neighbour gain from another neighbour, what may be won from a friend? One child stands alone in her goodness: little Caroline Desmond, kind, sweet and gentle, and the pride of her family. But the malice and self-absorption of the people of Pepper Street lead to a terrible event that will destroy the community of which they are so proud. Exposing the murderous cruelty of children, and the blindness and selfishness of adults, Shirley Jackson reveals the ugly truth behind a 'perfect' world.Shirley Jackson's chilling tales have the power to unsettle and terrify unlike any other. She was born in California in 1916. When her short story The Lottery was first published in The New Yorker in 1948, readers were so horrified they sent her hate mail; it has since become one of the greatest American stories of all time. Her first novel, The Road Through the Wall, was published in the same year and was followed by five more: Hangsaman, The Bird's Nest, The Sundial, The Haunting of Hill House and We Have Always Lived in the Castle, widely seen as her masterpiece. Shirley Jackson died in her sleep at the age of 48.'An amazing writer' Neil Gaiman'Shirley Jackson is one of those highly idiosyncratic, inimitable writers ... whose work exerts an enduring spell' Joyce Carol Oates'An unburnished exercise in the sinister' The New York Times

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Donna Noble has come home. But she's about to be whisked away by aliens - and they're not as friendly as the Doctor! After the trauma of the Library, Donna wants a break, to see old friends and family, to remind herself of normality. Only Donna's new normal involves trips through time and space and visiting alien worlds. So when she and BFF Nat start looking into strange abductions, they are dragged into a whole new universe of trouble... 1. Out of this World by Jacqueline Rayner. Donna's home, but she's not quite herself. Sylvia has some ideas to bring her out of herself - involving an old friend, and speed-dating... As schoolgirl BFFs Donna and Natalie get reacquainted, a mysterious stranger dogs their steps. Is the Doctor keeping tabs on her, or is the truth far more sinister? 2. Spinvision by John Dorney. Donna and Nat have been stolen - along with the TARDIS - and they find themselves crashlanding on an alien world. On the planet Valdacki a very successful invasion is already underway. And it's one that has the very best PR. 3. The Sorcerer of Albion by James Goss. Trying to get home, Donna and Nat end up in the right place at the wrong time - the Middle Ages! A monastery is under siege from the Burning Knights, and the great Sorcerer Parval calls on the assistance of another great mage. He has summoned Merlin herself - or as Nat knows her, Donna Noble! 4. The Chiswick Cuckoos by Matt Fitton. Donna's home, but she's not quite herself. Sylvia couldn't be more pleased to see her daughter finally getting on with her life. But an alien plot is nearing completion, and the world needs saving. The Doctor is nowhere to be found, so it's all up to Donna - and Nat! CAST: Catherine Tate (Donna Noble), Jacqueline King (Sylvia Noble), Niky Wardley (Natalie), Sebastian Armesto (Garrison), Timothy Bentinck (Ganthak), Isla Blair (Marge), Phil Cornwell (Parsnip), Anthony Howell (Adrian), James Joyce (Josh Carter), Nisha Nayar (Coleridge), David Schofield (Parval), Dan Starkey (Dennis), Lydia West (Vivien). Other parts played by members of the cast.

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First published in 1998, Q & A: Queer in Asian America, edited by David L. Eng and Alice Y. Hom, became a canonical work in Asian American studies and queer studies. This new edition of Q & A is neither a sequel nor an update, but an entirely new work borne out of the progressive political and cultural advances of the queer experiences of Asian North American communities. The artists, activists, community organizers, creative writers, poets, scholars, and visual artists that contribute to this exciting new volume make visible the complicated intertwining of sexuality with race, class, gender, and ethnicity. Sections address activism, radicalism, and social justice; transformations in the meaning of Asian-ness and queerness in various mass media issues of queerness in relation to settler colonialism and diaspora; and issues of bodies, health, disability, gender transitions, death, healing, and resilience.The visual art, autobiographical writings, poetry, scholarly essays, meditations, and analyses of histories and popular culture in the new Q & Agesture to enduring everyday racial-gender-sexual experiences of mis-recognition, micro-aggressions, loss, and trauma when racialized Asian bodies are questioned, pathologized, marginalized, or violated. This anthology seeks to expand the idea of Asian and American in LGBTQ studies.Contributors: Marsha Aizumi, Kimberly Alidio, Paul Michael (Mike) Leonardo Atienza, Long T. Bui, John Paul (JP) Catungal, Ching-In Chen, Jih-Fei Cheng, Kim Compoc, Sony Coráñez Bolton, D’Lo, Patti Duncan, Chris A. Eng, May Farrales, Joyce Gabiola, C. Winter Han, Douglas S. Ishii, traci kato-kiriyama, Jennifer Lynn Kelly, Mimi Khúc, Anthony Yooshin Kim, Việt Lê, Danni Lin, Glenn D. Magpantay, Leslie Mah, Casey Mecija, Maiana Minahal, Sung Won Park, Thea Quiray Tagle, Emily Raymundo, Vanita Reddy, Eric Estuar Reyes, Margaret Rhee, Thomas Xavier Sarmiento, Pahole Sookkasikon, Amy Sueyoshi, Karen Tongson, Kim Tran, Kay Ulanday Barrett, Reid Uratani, Eric C. Wat, Sasha Wijeyeratne, Syd Yang, Xine Yao, and the editors

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Resonating at the heart of Neolithic Childhood. Art in a False Present, c. 1930 is the question whether art has present, past, and future functions. The modernist assertion of the autonomy of art was intended to render superfluous art’s social and religious functions. But what if the functionlessness of art comes under suspicion of being instrumentalized by bourgeois capitalism? This was an accusation that informed the anti-modernist critique of the avant-garde, and particularly of Surrealism. The objective throughout the crisis-ridden present of the 1920s to the 1940s was to reaffirm a once ubiquitous, but long-lost functionality—not only of art.The publication accompanying the exhibition examines the strategies deployed in this reaffirmation. These include the surrealist Primitivism of an “Ethnology of the White Man” together with the excavation of the deep time of humanity—into the “Neolithic Childhood” mapped out by the notoriously anti-modernist Carl Einstein (1885-1940) as a hallucinatory retro-utopia. The volume brings together essays by the curators and academics involved in the project, primary texts by Carl Einstein and a comprehensive documentation of the exhibition including lists of works, texts on as well as images of numerous exhibits and finally installation views. At the center of the volume, a glossary discusses Carl Einstein’s own theoretical vocabulary as well as further associated terms, such as Autonomy, Formalism, Function, Gesture, Hallucination, Art, Metamorphosis, Primitivisms, Totality.With contributions by: Irene Albers, Philipp Albers, Joyce S. Cheng, Rosa Eidelpes, Carl Einstein, Anselm Franke, Charles W. Haxthausen, Tom Holert, Sven Lütticken, Ulrike Müller, Jenny Nachtigall, David Quigley, Cornelius Reiber, Erhard Schüttpelz, Kerstin Stakemeier, Maria Stavrinaki, Elena Vogman, Zairong Xiang, Sebastian ZeidlerWith reproductions of artworks by: Jean (Hans) Arp, Willi Baumeister, Georges Braque, Brassaï, Claude Cahun, Lux T. Feininger, Max Ernst, Florence Henri, Barbara Hepworth, Hannah Höch, Heinrich Hoerle, Paul Klee, Germaine Krull, Helen Levitt, André Masson, Alexandra Povòrina, Gaston-Louis Roux, Kalifala Sidibé, Louis Soutter, Yves Tanguy, Toyen, Jindřich Štyrský, Raoul Ubac, Paule Vézelay and others.

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Women’s Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde.The contributors examine the work of Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer, Carolee Schneemann, Barbara Rubin, Amy Greenfield, Barbara Hammer, Chick Strand, Marjorie Keller, Leslie Thornton, Abigail Child, Peggy Ahwesh, Su Friedrich, and Cheryl Dunye. The essays highlight the diversity in these filmmakers’ forms and methods, covering topics such as how Menken used film as a way to rethink the transition from abstract expressionism to Pop Art in the 1950s and 1960s, how Rubin both objectified the body and investigated the filmic apparatus that enabled that objectification in her film Christmas on Earth (1963), and how Dunye uses film to explore her own identity as a black lesbian artist. At the same time, the essays reveal commonalities, including a tendency toward documentary rather than fiction and a commitment to nonhierarchical, collaborative production practices. The volume’s final essay focuses explicitly on teaching women’s experimental films, addressing logistical concerns (how to acquire the films and secure proper viewing spaces) and extending the range of the book by suggesting alternative films for classroom use.Contributors. Paul Arthur, Robin Blaetz, Noël Carroll, Janet Cutler, Mary Ann Doane, Robert A. Haller, Chris Holmlund, Chuck Kleinhans, Scott MacDonald, Kathleen McHugh, Ara Osterweil, Maria Pramaggiore, Melissa Ragona, Kathryn Ramey, M. M. Serra, Maureen Turim, William C. Wees

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'- What is your nation if I may ask, says the citizen. - Ireland, says Bloom. I was born here. Ireland.' Ulysses, one of the greatest novels of the twentieth century, has had a profound influence on modern fiction. In a series of episodes covering the course of a single day, 16 June 1904, the novel traces the movements of Leopold Bloom and Stephen Dedalus through the streets of Dublin. Each episode has its own literary style, and the epic journey of Odysseus is only one of many correspondencies that add layers of meaning to the text. Today critical interest centres on the authority of the text, and this edition, complete with an invaluable introduction, notes, and appendices, republishes without interference, the original 1922 text. Jeri Johnson's commentary guides the reader through this highly allusive novel in an edition acclaimed by scholars and general readers alike. This updated edition includes new explanatory notes, a revised introduction, and expanded bibliography. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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This innovative introductory textbook explores the central practices and beliefs of Hinduism through contemporary, everyday practice. Introduces and contextualizes the rituals, festivals and everyday lived experiences of Hinduism in text and images Includes data from the author’s own extensive ethnographic fieldwork in central India (Chhattisgarh), the Deccan Plateau (Hyderabad), and South India (Tirupati) Features coverage of Hindu diasporas, including a study of the Hindu community in Atlanta, Georgia Each chapter includes case study examples of specific topics related to the practice of Hinduism framed by introductory and contextual material

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Though Easter (like Christmas) is often trivialized by the culture at large, it is still the high point of the religious calendar for millions of people around the world. And for most of them, there can be no Easter without Lent, the season that leads up to it. A time for self-denial, soul-searching, and spiritual preparation, Lent is traditionally observed by daily reading and reflection. This collection will satisfy the growing hunger for meaningful and accessible devotions. Culled from the wealth of twenty centuries, the selections in Bread and Wine are ecumenical in scope, and represent the best classic and contemporary Christian writers. Includes more than seventy Lenten and Easter readings by Alexander Stuart Baillie, Alfred Kazin, Alister E. McGrath, Amy Carmichael, Barbara Brown Taylor, Barbara Cawthorne Crafton, Blaise Pascal, Brennan Manning, C. S. Lewis, Christina Rossetti, Christoph Friedrich Blumhardt, Clarence Jordan, Dag Hammarskjöld, Dale Aukerman, Dietrich Bonhoeffer, Dorothee Soelle, Dorothy Day, Dorothy Sayers, Dylan Thomas, E. Stanley Jones, Eberhard Arnold, Edith Stein, Edna Hong, Emil Brunner, Ernesto Cardenal, Fleming Rutledge, Frederica Mathewes-Green, Frederick Buechner, Fyodor Dostoevsky, G. K. Chesterton, Geoffrey Hill, George MacDonald, Henri Nouwen, Henry Drummond, Howard Hageman, J. Heinrich Arnold, Jean-Pierre de Caussade, Johann Christoph Arnold, John Dear, John Donne, John Howard Yoder, John Masefield, John Stott, John Updike, Joyce Hollyday, Jürgen Moltmann, Kahlil Gibran, Karl Barth, Kathleen Norris, Leo Tolstoy, Madeleine L’Engle, Malcolm Muggeridge, Martin Luther, Meister Eckhart, Morton T. Kelsey, Mother Teresa, N. T. Wright, Oscar Wilde, Oswald Chambers, Paul Tillich, Peter Kreeft, Philip Berrigan, Philip Yancey, Romano Guardini, Sadhu Sundar Singh , Saint Augustine, Simone Weil, Søren Kierkegaard, Thomas à Kempis , Thomas Howard, Thomas Merton, Toyohiko Kagawa, Walter J. Ciszek, Walter Wangerin, Watchman Nee, Wendell Berry and William Willimon.

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When he was seventeen, Sam Kelly met Paul Robeson, who asked him, “What are you doing for the race?” That question became a challenge to the young Kelly and inspired him to devote his life to helping others. Sam Kelly’s story intersects with major developments in twentieth-century African American history, from the rich culture of the Harlem Renaissance and the integration of the U.S. Army to the civil rights movement and the political turmoil of the 1960s. Kelly recounts his childhood in Greenwich, Connecticut, and his visits to Harlem. He describes his rise from army private to second lieutenant between 1944 and 1945, his bitter encounters with racism while wearing his army uniform in the South, his participation in the U.S. occupation of Japan, and his role in the desegregation of the army in 1948. In his rise to colonel, Kelly was a training and operations officer who helped create the post–Korean War rapid-response deployment army that would later fight in Vietnam and Iraq. As an educator, Dr. Sam earned the respect of the Black Panthers who took his African American history courses. In 1970, he became the first vice president for the Office of Minority Affairs and the first major African American administrator at the University of Washington. For six years, he led one of the strongest programs in the nation dedicated to integrating students of color at a major university. After retiring from the University of Washington at the age of sixty-five, Dr. Sam continued his work for black Americans by beginning a new career as a teacher and administrator at an alternative high school in Portland, Oregon. This remarkable book shares the difficulties in his personal life, including the birth of his special needs son, Billy; the unsuccessful struggle of his wife, Joyce, against breast cancer; and the challenges facing an interracial family. Before he died in 2009, he was proud to witness the election of Barack Obama as the first African American president, a fulfillment of his lifelong dream that the nation would recognize the rights and dignity of all citizens. Watch the book trailer: https://www.youtube.com/watch?v=udknuKbOmnE

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This selection of Times obituaries from 1872 to 2014 revisits the lives of 125 women who have all, in their own way, played an important part in women’s educational, professional, social, cultural and emotional journey over the best part of two centuries. The anthology starts with the obituary of 91-year-old pioneering mathematician and scientist Mary Somerville (d. 1872) and concludes with that of 110-year-old concert pianist and Holocaust survivor Alice Herz-Sommer (d. 2014). In between come a formidable trio of later scientists: the discoverer of radium Marie Curie; the unsung heroine of DNA, Rosalind Franklin; and the only British woman to win a Nobel Prize for science, Dorothy Hodgkin. Plus a further quintet of great pianists: Clara Schumann, Myra Hess, Eileen Joyce, Tatiana Nikolayeva and Moura Lympany. Among campaigners, there is nursing reformer Florence Nightingale (d. 1910), along with suffragists Emmeline, Christabel and Sylvia Pankhurst (d. 1928, 1958 and 1960), the 20th century’s best-known promoter of contraception (Marie Stopes, d. 1958), civil rights worker Rosa Parks (d. 2005), founder of the hospice movement Cicely Saunders (d. 2005), anti-apartheid campaigner Helen Suzman (d. 2009) and Nobel Prize-winning environmentalist Wangari Maathai (d. 2011). Interspersed are women prime ministers from Golda Meir of Israel (d. 1978) to Margaret Thatcher (d. 2013); actresses from Sarah Bernhardt (d. 1923) to Marilyn Monroe (d. 1962) and Elizabeth Taylor (d. 2011); novelists from George Eliot (d. 1880) to Doris Lessing (d. 2013); singers from Jenny Lind (d. 1887) to Joan Sutherland (d. 2010); plus aviators, a mountaineer, a Channel swimmer, war correspondents, ballerinas, sportswomen, botanists, US first ladies, iconic members of the British royal family, and more.

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***A RICHARD & JUDY BOOK CLUB book 2023***'Nora-Ephron-style wit...comforting, so funny, moving... one of my favourite books ever' MARIAN KEYES'Newman writes loss and laughter in equally brilliant amounts.' BONNIE GARMUS'Dazzling, heart-wrenching, snorty-hilarious... An utter joy to read' RACHEL JOYCE'An absolute masterpiece in characterisation... utterly beautiful.' JOANNA CANNON_______Who knows you better than your best friend? Who knows your secrets, your fears, your desires, your strange imperfect self? Edi and Ash have been best friends for over forty years. Since childhood they have seen each other through life's milestones: stealing vodka from their parents, the Madonna phase, REM concerts, unexpected wakes, marriages, infertility, children. As Ash notes, 'Edi's memory is like the back-up hard drive for mine.' So when Edi is diagnosed with cancer, Ash's world reshapes around the rhythms of Edi's care, from making watermelon ice cubes to music therapy; from snack smuggling to impromptu excursions into the frozen winter night. Because life is about squeezing the joy out of every moment, about building a powerhouse of memories, about learning when to hold on, and when to let go.For fans of Nora Ephron and Sorrow & Bliss, We All Want Impossible Things is a deeply moving, jubilant celebration of life and friendship at its imperfect, radiant, and irreverent best.***COMING SOON: SANDWICH, the new novel from CATHERINE NEWMAN***_____'You'll stay up late devouring every word' KATHERINE HEINY'One of the best novels on friendship I've ever read' AJ PEARCE'I absolutely adored this...what a beautiful, emotional novel' JILL MANSELL'Shot through with whip-smart humour and boundless compassion. It's one of the best debuts I've read in a long time.' HANNAH BECKERMAN

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Thomas Kinsella began writing in the early 1950s when Irish poets were struggling to emerge from what he identified as the ""double shadow of Yeats and English verse"". Throughout his career, Kinsella has sought to establish his identity as an Irish poet writing in English, and to determine his place within the dual Irish tradition, Gaelic and English. This comprehensive study explores the poet's development within both the Irish and the English contexts, and defines the nature of his poetic achievement. It also offers a new reading of Kinsella's evolving relationship to one of his major literary forebears, W.B. Yeats. What becomes clear is the formidable accomplishment of a poet, now writing at the height of his powers, whose substantial body of work warrants comparison with the grand masters of 20th-century literature in English, Yeats, Joyce and Beckett. Beginning with Kinsella's first volume of poetry in 1956 and concluding with his most recent work, ""From Centre City"" (1994), the book traces the evolution of the poet's style and vision from the formal lyricism of his early volumes, through the long narrative poems of his middle period, to his later sequences of spare, laconic poems that are increasingly rich in polyphony and intertextuality. It finds that the formal structure and mellifluous cadence of Kinsella's early poetry, indebted to the works of past masters, such as Auden, Eliot and Yeats, give way to experimentalism, to a dislocated poetry that is often lacking closure. In his later writing, diverse exemplars, ranging from the early Irish literature and myth and the 18th-century Irish poet Aogan O Rathaille to the psycholoanalysis of Carl Jung and the music of Gustav Mahler and Sean O Riada, aid Kinsella in tracing his personal and poetic inheritance. This book illuminates poetry often regarded as difficult, and offers a useful evaluation of a major poet who continues to contribute to contemporary Irish poetry.

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As if the alien Vulpreen weren’t enough, what remains of UNIT faces another formidable adversary. The mercurial Time Lord Missy is on the side of the Vulpreen, helping and encouraging them in their ambition to become the rulers not just of Earth, but of all Space and Time. Contains four new adventures: One Way or Another by John Dorney. Kate leads an attack on a Vulpreen prison camp, unaware that UNIT friends are being held there. As paths converge, Kate and Osgood have different perspectives on the attack, and specific dangers to overcome. Traitors’ Gate by Sarah Grochala. Osgood is a prisoner in the Tower of London, which is now a Vulpreen base. To rescue her friend, Kate must devise a plan to raid her former headquarters. Inside the Tower, the Vulpreen are determined to access the Black Archive and the hugely dangerous alien technology it contains. How long can Osgood keep them out? The Destiny Labyrinth by Alison Winter. The UNIT team find themselves traveling through various epochs in Earth’s history. The only guide they have is working for the enemy, and the Vulpreen are hot on their heels. Help comes from a new friend, a young healer who already has a curious relationship with time. True Nemesis by Andrew Smith. Under Missy’s guiding hand, the Vulpreen are ready to strike out, to establish themselves as the new Masters of Time. UNIT’s confrontation with Missy in the depths of Portugal’s Douro Valley will decide the fate of not just the Earth but the whole Universe. CAST: Jemma Redgrave (Kate Stewart), Ingrid Oliver (Osgood), Michelle Gomez (Missy), Eleanor Crooks (Naomi Cross), Chris Lew Kum Hoi (Lieutenant Jimmy Tan), James Joyce (Josh Carter), Christopher Naylor (Harry Sullivan), Alisdair Simpson (Lord Varliss), Glen McCready (Bert Hockley / Jesden / Vulpreen Commander), Harriet Kershaw (Sorgan), Stewart Scudamore (Ashley Bassett), Donna Berlin (Lorraine Forrester), Oscar Batterham (Michel), Fiona Hampton (Kini), Harry Myers (Hugo da Costa / Crastor). Other parts played by members of the cast.

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Museums After Modernism is a unique collectionthat showcases the ways questions about the museum go to the heart of contemporary debates about the production, consumption and distribution of art. The book features expert artists, curators and art historians who grapple with many of the vibrant issues in museum studies, while paying homage to a new museology that needs to be considered. Examines the key contemporary debates in museum studies Includes original essays by noted artists, curators, and art historians Engages with vital issues in the practice of art-making and art-exhibiting Edited by the world-renowned art historian and author, Griselda Pollock

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The telephone marks the place of an absence. Affiliated with discontinuity, alarm, and silence, it raises fundamental questions about the constitution of self and other, the stability of location, systems of transfer, and the destination of speech. Profoundly changing our concept of long-distance, it is constantly transmitting effects of real and evocative power. To the extent that it always relates us to the absent other, the telephone, and the massive switchboard attending it, plugs into a hermeneutics of mourning. The Telephone Book, itself organized by a "telephonic logic," fields calls from philosophy, history, literature, and psychoanalysis. It installs a switchboard that hooks up diverse types of knowledge while rerouting and jamming the codes of the disciplines in daring ways. Avital Ronell has done nothing less than consider the impact of the telephone on modern thought. Her highly original, multifaceted inquiry into the nature of communication in a technological age will excite everyone who listens in. The book begins by calling close attention to the importance of the telephone in Nazi organization and propaganda, with special regard to the philosophy of Martin Heidegger. In the Third Reich the telephone became a weapon, a means of state surveillance, "an open accomplice to lies." Heidegger, in Being and Time and elsewhere, elaborates on the significance of "the call." In a tour de force response, Ronell mobilizes the history and terminology of the telephone to explicate his difficult philosophy.Ronell also speaks of the appearance of the telephone in the literary works of Duras, Joyce, Kafka, Rilke, and Strindberg. She examines its role in psychoanalysis—Freud said that the unconscious is structured like a telephone, and Jung and R. D. Laing saw it as a powerful new body part. She traces its historical development from Bell's famous first call: "Watson, come here!" Thomas A. Watson, his assistant, who used to communicate with spirits, was eager to get the telephone to talk, and thus to link technology with phantoms and phantasms. In many ways a meditation on the technologically constituted state, The Telephone Book opens a new field, becoming the first political deconstruction of technology, state terrorism, and schizophrenia. And it offers a fresh reading of the American and European addiction to technology in which the telephone emerges as the crucial figure of this age.

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BRITISH SPORTS BOOK AWARDS SPORTS BOOK OF THE YEAR. SHORTLISTED FOR THE WILLIAM HILL SPORTS BOOK OF THE YEAR PRIZE 2017. SHORTLISTED FOR THE JAMES TAIT BLACK BIOGRAPHY OF THE YEAR. WINNER OF THE PEN/ESPN AWARD FOR LITERARY SPORTS WRITING. THE TIMES SPORTS BOOK AWARDS BIOGRAPHY OF THE YEAR. The most comprehensive and definitive biography of Muhammad Ali that has ever been published, based on more than 500 interviews with those who knew him best, with many dramatic new discoveries about his life and career. When the frail, trembling figure of Muhammad Ali lit the Olympic flame in Atlanta in 1996, a TV audience of up to 3 billion people was once again gripped by the story of the world's most famous sporting icon. The man who had once been reviled for his refusal to fight for his country and for his fast-talking denunciation of his opponents was now almost universally adored, the true cost of his astonishing boxing career clear to see. In Jonathan Eig's ground-breaking biography, backed up with much detailed new research specially commissioned for this book, we get a stunning portrait of one of the most significant personalities of the second half of the twentieth century. We are not only taken inside the ring for some of the most famous bouts in boxing history, we also learn about his personal life, his finances, his faith and the moments when the first signs of his physical decline began to show. Ali was a symbol of freedom and courage, a hero to many, but this is also a very personal story of a warrior who vanquished every opponent but was finally brought down by his own stubborn refusal to quit. An epic tale of a fighter who became the world's most famous pacifist, Ali: A Life does full justice to an extraordinary man.‘Ali: A Life is the business – 640 pages of patient scholarship and intelligent reassessment written in crackly prose’ Giles Smith, The Times ‘[A] richly researched, sympathetic yet unsparing portrait ... Ali: A Life is an epic of a biography’ Joyce Carol Oates, New York Times

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'A sensual feast of a novel, written with elegance, beauty, charm and skill in a voice that is both lyrical and unique. The Language of Food is an intriguing story with characters that leap off the page and live, but what sets it apart from it's contemporaries is Abbs' outstanding prose' Santa Montefiore Eliza Acton, despite having never before boiled an egg, became one of the world’s most successful cookery writers, revolutionizing cooking and cookbooks around the world. Her story is fascinating, uplifting and truly inspiring.Told in alternate voices by the award-winning author of The Joyce Girl, and with recipes that leap to life from the page, The Language of Food by Annabel Abbs is the most thought-provoking and page-turning historical novel you’ll read this year, exploring the enduring struggle for female freedom, the power of female friendship, the creativity and quiet joy of cooking and the poetry of food, all while bringing Eliza Action out of the archives and back into the public eye. ‘I love Abbs’s writing and the extraordinary, hidden stories she unearths. Eliza Acton is her best discovery yet’ Clare Pooley'A feast for the senses, rich with the flavours of Victorian England, I prepared every dish with Eliza and Ann and devoured every page. A literary - and culinary - triumph!' Hazel Gaynor ‘Exhilarating to read - thoughtful, heart-warming and poignant, with a quiet intelligence and elegance that does its heroine proud’ Bridget Collins 'A sumptuous banquet of a book that nourished me and satisfied me just as Eliza Acton’s meals would have... I adored it' Polly Crosby ‘An effervescent novel, bursting with delectable language and elegant details about cookbook writer, Eliza Acton. Don’t miss this intimate glimpse into the early English kitchens and snapshot of food history’ Sara Dahmen ‘Wonderful... Abbs is such a good story teller. She catches period atmosphere and character so well’ Vanessa Nicolson 'Two of my favourite topics in one elegantly written novel - women’s lives and food history. I absolutely loved it' Polly Russell 'A story of courage, unlikely friendship and an exceptional character, told in vibrant and immersive prose' Caroline Scott ‘Richly imagined and emotionally tender’ Pen Vogler 'Characters that leap off the page, a fascinating story and so much atmosphere, you feel you're in the kitchen with Eliza - I loved it.' Frances Quinn 'I was inspired by Eliza's passion, her independence, her bravery and ambition. Like a cook's pantry, The Language of Food is full of wonderful ingredients, exciting possibilities and secrets. Full of warmth and as comforting as sitting by the kitchen range, I loved it' Jo Thomas 'A delightful read' Nina Pottell 'Clever, unsentimental, beautifully detailed and quietly riveting' Elizabeth Buchan, author of Two Women in Rome ‘A wonderful read’ John Torode 'A really charming historical fiction novel that's full of gorgeous recipies and descriptions of food. At its heart is the uplifting story of the friendship between Eliza and Ann Kirby, her kitchen help, which crosses the class divide.' Good HousekeepingEngland 1835. Eliza Acton is a poet who dreams of seeing her words in print. But when she takes her new manuscript to a publisher, she’s told that ‘poetry is not the business of a lady’. Instead, they want her to write a cookery book. That’s what readers really want from women. England is awash with exciting new ingredients, from spices to exotic fruits. But no one knows how to use them Eliza leaves the offices appalled. But when her father is forced to flee the country for bankruptcy, she has no choice but to consider the proposal. Never having cooked before, she is determined to learn and to discover, if she can, the poetry in recipe writing. To assist her, she hires seventeen-year-old Ann Kirby, the impoverished daughter of a war-crippled father and a mother with dementia. Over the course of ten years, Eliza and Ann developed an unusual friendship – one that crossed social classes and divides – and, together, they broke the mould of traditional cookbooks and changed the course of cookery writing forever.

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First published in 1998, Q & A: Queer in Asian America, edited by David L. Eng and Alice Y. Hom, became a canonical work in Asian American studies and queer studies. This new edition of Q & A is neither a sequel nor an update, but an entirely new work borne out of the progressive political and cultural advances of the queer experiences of Asian North American communities. The artists, activists, community organizers, creative writers, poets, scholars, and visual artists that contribute to this exciting new volume make visible the complicated intertwining of sexuality with race, class, gender, and ethnicity. Sections address activism, radicalism, and social justice; transformations in the meaning of Asian-ness and queerness in various mass media issues of queerness in relation to settler colonialism and diaspora; and issues of bodies, health, disability, gender transitions, death, healing, and resilience.The visual art, autobiographical writings, poetry, scholarly essays, meditations, and analyses of histories and popular culture in the new Q & Agesture to enduring everyday racial-gender-sexual experiences of mis-recognition, micro-aggressions, loss, and trauma when racialized Asian bodies are questioned, pathologized, marginalized, or violated. This anthology seeks to expand the idea of Asian and American in LGBTQ studies.Contributors: Marsha Aizumi, Kimberly Alidio, Paul Michael (Mike) Leonardo Atienza, Long T. Bui, John Paul (JP) Catungal, Ching-In Chen, Jih-Fei Cheng, Kim Compoc, Sony Coráñez Bolton, D’Lo, Patti Duncan, Chris A. Eng, May Farrales, Joyce Gabiola, C. Winter Han, Douglas S. Ishii, traci kato-kiriyama, Jennifer Lynn Kelly, Mimi Khúc, Anthony Yooshin Kim, Việt Lê, Danni Lin, Glenn D. Magpantay, Leslie Mah, Casey Mecija, Maiana Minahal, Sung Won Park, Thea Quiray Tagle, Emily Raymundo, Vanita Reddy, Eric Estuar Reyes, Margaret Rhee, Thomas Xavier Sarmiento, Pahole Sookkasikon, Amy Sueyoshi, Karen Tongson, Kim Tran, Kay Ulanday Barrett, Reid Uratani, Eric C. Wat, Sasha Wijeyeratne, Syd Yang, Xine Yao, and the editors

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When The Heart Is a Lonely Hunter was published in 1940, Carson McCullers was instantly recognized as one of the most promising writers of her generation. The novels that followed established her as a master of Southern Gothic. This Library of America volume collects McCullers’s complete novels for the first time in a single-volume edition that reveals the power and breadth of her haunting vision.“McCullers’s gift,” writes Joyce Carol Oates, “was to evoke, through an accumulation of images and musically repeated phrases, the singularity of experience, not to pass judgment on it.” McCullers effortlessly conveyed the raw anguish of her characters and the weird beauty of their perceptions. Set in small Georgia towns that are at once precisely observed and mythically resonant, McCullers’s novels explore the strange, sometimes grotesque inner lives of characters who are often marginal and misunderstood. Above all, McCullers possessed an unmatched ability to capture the bewilderment and fragile wonder of adolescence.In The Heart Is a Lonely Hunter (1940), one of the most extraordinary debuts in modern American literature, an enigmatic deaf-mute draws out the haunted confessions of an itinerant worker, a young girl, a doctor, and a widowed owner of a small-town café. The disfiguring violence of desire is explored with shocking intensity in two shorter works, Reflections in a Golden Eye (1941) and The Ballad of the Sad Café (1943).The Member of the Wedding (1946), thought by many to be McCullers’s masterpiece, hauntingly depicts a young girl’s fascination with her brother’s wedding. In 13-year-old Frankie Addams, confused, easily wounded, yet determined to survive, McCullers created her most indelible protagonist. Clock Without Hands (1960), her final novel, was completed against great odds in the midst of tremendous physical suffering. Set against the background of court-ordered school integration, it contains some of McCullers’s most forceful social criticism.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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Danilo Kis (1935–89) was a Yugoslav novelist, essayist, poet, and translator whose work generated storms of controversy in his homeland but today holds classic status. Kis was championed by prominent literary figures around the world, including Joseph Brodsky, Susan Sontag, Milan Kundera, Philip Roth, Nadine Gordimer, and Salman Rushdie. As more of his works become available in translation, they are prized by an international readership drawn to Kis's innovative brilliance as a storyteller and to his profound meditation on history, culture, and the human condition at the end of the twentieth century.A subtle analysis of a rich and varied body of writing, Birth Certificate is also a careful and sensitive telling of a life that experienced some of the last century's greatest cruelties. Kis's father was a Hungarian Jew, his mother a Montenegrin of Orthodox faith. The father disappeared into the Holocaust and the son—cosmopolitan, anticommunist, and passionately opposed to the myth-drenched nationalisms of his native lands—grew up chafing against the hypocrisies of Titoism. His writing broke with the epic mode, pioneered modernist techniques in his language, fulminated against literary kitsch, and sketched out a literary heritage "with no Sun as its Center and Tyrant." Joyce and Borges were influences on his writing, which nevertheless is stunningly original. The best known of his works are Garden, Ashes; The Encyclopedia of the Dead; Hourglass; The Anatomy Lesson; and A Tomb for Boris Davidovich. Over the course of nearly two decades, Mark Thompson studied Kis's papers and interviewed his family members, friends, and admirers. His intimate understanding of the writer's life and his sure grasp of the region's history inform his revelatory readings of Kis's individual works.More than an appreciation of an important literary and cultural figure, this book is also a compelling guide to the destructive policies which would, shortly after Kis’s death, generate the worst violence in Europe since World War II. Thompson’s book pays tribute to Kis’s experimentalism by being itself experimental in form. It is patterned as a series of commentaries on a short autobiographical text that Kis called "Birth Certificate." This unusual structure adds to the interest and intrigue of the book, and is appropriate for treating so autobiographical a writer who believed that literary meaning is always deeply shaped by other texts.

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This compact, pocket-sized Ireland travel guidebook is ideal for travellers on shorter trips, who want to make sure they experience the destination's highlights. The book includes highly practical, ready-made walks and tours that allow you to organise your short break in Ireland without losing time planning. This Ireland pocket guidebook covers: Dublin, Wicklow, Kilkenny, Waterford, Kilkenny, Cork city, West Cork, the Ring of Kerry, Dingle Peninsula, Limerick, the Shannon, The Cliffs of Moher, The Burren, Westport, Galway, Connemara, Mayo, Sligo and Donegal, Belfast.Inside this Ireland travel book, you will find:- 16 ready-made walks and tours - easy-to-follow walking and driving tour itineraries featuring the best places to visit, as well as what to do and where to eat along the way- Itinerary details - each walk or tour starts with pointers on the time taken, distance covered and how to connect with other itineraries in the book- Things not to miss in Ireland - Fota Wildlife Park, Donegal's Beaches and New Ross famine ship, Ross Castle and Glendalough, Powerscourt and Altamount, James Joyce Museum, the Cliffs of Moher, Lismore and Adare, Croagh Patrick, Slieve League - Curated recommendations of places - main attractions, off-the-beaten-track adventures, child-friendly family activities, chilled-out breaks in popular tourist areas- Insider recommendations - tips on how to beat the crowds, save time and money and find the best local spots- Historical and cultural insights - thematic articles highlight Ireland's unique life and culture - Unique hotel, restaurant and nightlife listings - curated details of where to stay, eat and go out, whatever your interest, for a range of budgets- Practical information - how to get there, how to get around and an A-Z of essential details- Meticulous mapping - practical full-colour maps, with clearly numbered sights relating to major points of interest and places to eat or drink in the main itinerary text- Free download of the eBook - available after purchase of the printed guidebook Ireland - Fully updated post-COVID-19The guide is a perfect companion both ahead of your trip and on the ground. It gives you a distinct taste of Ireland with a concise edit of all the information you'll need.

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An official Platinum Jubilee souvenir that explores the incredible life and legacy of Queen Elizabeth and how her historic reign has shaped the world.In honour of Queen Elizabeth's Platinum Jubilee 2022, this once in a lifetime history book for kids tells the story of a young princess who grew up to become our longest reigning monarch, and celebrates the achievements, people and places that have become part of her remarkable legacy.There is a treasure box hidden away in Great Granny Joyce's home, bursting with all kinds of things... A photo of a young woman wearing a crown, a map of the world, newspaper clippings, and so much more that reveal the great wonders of the last 70 years. There is so much to look at that little Isabella doesn't even know where to begin! Did you know that Princess Elizabeth was only 27 when she became Queen? Or that she made an appearance at the opening ceremony of the 2010 London Olympics alongside James Bond? And that the most astonishing inventions like the World Wide Web, as well as historic milestones like the first female Prime Minister of the UK happened under our Queen's watch?Delightfully playful illustrations, exciting facts, and information sidebars fill every page to tell the full story of the world's most beloved and inspiring monarch. Embark on this royal journey and show what you know with a surprise quiz at the end!Inside this beautifully illustrated history book for children, you will find everything from the Crown to the Corgis detailed here, including:- An exclusive quiz poster- An illustration mapping out the Royal Family tree- A timeline of the histories of the four UK nations- The story of the Queen's dedication to her country from wartime service during World War II to fundraising and commitments to the Commonwealth and wider world- A timeline of the extraordinary events in history, as well as the incredible achievements of people from the UK and Commonwealth countries that have taken place during The Queen's lifetime- Details of the 14 British Prime Ministers who have served alongside The Queen- A celebration of the amazing people The Queen has recognised

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A veteran Twin Cities journalist and raconteur summons the life of the city after reporting and recording its stories for more than thirty years Two or three times a week, as a columnist, hustling freelance writer, and genuinely curious reporter, Jim Walsh would hang out in a coffee shop or a bar, or wander in a club or on a side street, and invariably a story would unfold—one more chapter in the story of Minneapolis, the city that was his home and his beat for more than thirty years. Fear and Loving in South Minneapolis tells that story, collecting the encounters and adventures and lives that make a city hum—and make South Minneapolis what it is. Here is a man who drives around Minneapolis in a van that sports a neon sign and keeps a running tally of the soldiers killed in Iraq. Here is another, haunted by the woman he fell in love with, and lost, many years ago at the Minnesota Music Café on St. Paul’s East Side. Here are strangers on a cold night on the corner of Forty-sixth and Nicollet, finding comfort in each other’s company in the wake of the shootings in Paris. And here are Walsh’s own memories catching up with him: the woman who joined him in representing “junior royalty” for the Minneapolis Aquatennial when they were both seven years old; the lost friend, Soul Asylum’s Karl Mueller, recalled while sitting on his memorial bench at Walsh’s go-to refuge, the Rose Gardens near Lake Harriet. These everyday interactions, ordinary people, and quiet moments in Jim Walsh’s writing create an extraordinary picture of a city’s life. James Joyce famously bragged that if Dublin were ever destroyed, it could be rebuilt in its entirety from his written works. The Minneapolis that Jim Walsh maps is more a matter of heart, of urban life built on human connections, than of streets intersecting and literal landmarks: it is that lived city, documented in measures large and small, that his book brings so vividly to mind, drafting a blueprint of a community’s soul and inviting a reader into the boundless, enduring experience of Fear and Loving in South Minneapolis.

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From Norman invaders, religious wars—and the struggle for independence—the fascinating, turbulent history of a tortured nation and its gifted people When Shakespeare referred to England as a "jewel set in a silver sea," he could just as well have been speaking of Ireland. Not only has its luminous green landscape been the backdrop for bloody Catholic/Protestant conflict and a devastating famine, Ireland's great voices—like Joyce and Yeats—are now indelibly part of world literature. In Irish History For Dummies, readers will not only get a bird's-eye view of key historical events (Ten Turning Points) but, also, a detailed, chapter-by-chapter timeline of Irish history beginning with the first Stone Age farmers to the recent rise and fall of the Celtic tiger economy. In the informal, friendly For Dummies style, the book details historic highs like building an Irish Free State in the 1920s—and devastating lows (including the Troubles in the '60s and '70s), as well as key figures (like MP Charles Parnell and President Eamon de Valera) central to the cause of Irish nationalism. The book also details historic artifacts, offbeat places, and little-known facts key to the life of Ireland past and present. Includes Ten Major Documents—including the Confession of St. Patrick, The Book of Kells, the Proclamation of the Irish Republic, and Ulysses Lists Ten Things the Irish Have Given the World—including Irish coffee, U.S. Presidents, the submarine, shorthand writing, and the hypodermic syringe Details Ten Great Irish Places to Visit—including Cobh, Irish National Stud and Museum, Giants Causeway, and Derry Includes an online cheat sheet that gives readers a robust and expanded quick reference guide to relevant dates and historical figures Includes a Who's Who in Irish History section on dummies.com With a light-hearted touch, this informative guide sheds light on how this ancient land has survived wars, invasions, uprisings, and emigration to forge a unique nation, renowned the world over for its superb literature, music, and indomitable spirit.

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Women’s Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde.The contributors examine the work of Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer, Carolee Schneemann, Barbara Rubin, Amy Greenfield, Barbara Hammer, Chick Strand, Marjorie Keller, Leslie Thornton, Abigail Child, Peggy Ahwesh, Su Friedrich, and Cheryl Dunye. The essays highlight the diversity in these filmmakers’ forms and methods, covering topics such as how Menken used film as a way to rethink the transition from abstract expressionism to Pop Art in the 1950s and 1960s, how Rubin both objectified the body and investigated the filmic apparatus that enabled that objectification in her film Christmas on Earth (1963), and how Dunye uses film to explore her own identity as a black lesbian artist. At the same time, the essays reveal commonalities, including a tendency toward documentary rather than fiction and a commitment to nonhierarchical, collaborative production practices. The volume’s final essay focuses explicitly on teaching women’s experimental films, addressing logistical concerns (how to acquire the films and secure proper viewing spaces) and extending the range of the book by suggesting alternative films for classroom use.Contributors. Paul Arthur, Robin Blaetz, Noël Carroll, Janet Cutler, Mary Ann Doane, Robert A. Haller, Chris Holmlund, Chuck Kleinhans, Scott MacDonald, Kathleen McHugh, Ara Osterweil, Maria Pramaggiore, Melissa Ragona, Kathryn Ramey, M. M. Serra, Maureen Turim, William C. Wees

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Globally, discussions about sex work focus on exploitation. The media regularly provides us with stories about teen girls coerced to perform sexual acts for money, frequently beaten and robbed by their pimps or traffickers. While one would have to be hard-pressed to deny that sex workers are victimized, the popular media and our political leaders emphasize sex work as exclusively exploitative. In Negotiating Sex Work, Carisa R. Showden and Samantha Majic present a series of essays that depict sex work as an issue far more complex than generally perceived. Positions on sex work are primarily divided between those who consider that selling sexual acts is legitimate work and those who consider it a form of exploitation. Organized into three parts, Negotiating Sex Work rejects this either/or framework and offers instead diverse and compelling contributions that aim to reframe these viewpoints. Part I addresses how knowledge about sex work and sex workers is generated. The next section explores how nations and political actors who claim to protect individuals in sex work often further marginalize them. Finally, part III examines sex workers’ own political-organizational efforts to combat laws and policies that deem them deviant, sinful, or total victims. A timely and necessary intervention into sex work debates, this volume challenges how policy makers and the broader public regard sex workers’ capacity to advocate for their own interests. Contributors: Cheryl Auger; Sarah Beer, Dawson College, Montreal; Michele Tracy Berger, U of North Carolina–Chapel Hill; Thaddeus Gregory Blanchette, Federal U of Rio de Janeiro; Raven Bowen; Gregg Bucken-Knapp, U of Gothenburg, Sweden; Ana Paula da Silva, Federal U of Viçosa; Valerie Feldman; Gregor Gall, U of Bradford; Kathleen Guidroz, Georgetown U; Annie Hill, U of Minnesota; Johan Karlsson Schaffer, U of Oslo; Edith Kinney, Mills College; Yasmin Lalani; Pia Levin; Alexandra Lutnick; Tamara O’Doherty, U of the Fraser Valley, British Columbia; Joyce Outshoorn, U of Leiden; Francine Tremblay, Concordia U, Montreal.

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A powerful, big-hearted debut of love, sisterhood and what it means to be home – warm, joyful and tender One of the biggest debuts for 2023 Number One Bestseller in Audio Picked by Stylist as a Big Fiction Debut for 2023 Included in the Ten Best New Novelists for 2023 (Observer)____________________________________ ‘Moore finds wry humour in her protagonists’ dilemmas, conjures a beguiling sense of place, and wrings emotional depth out of the women’s fractious relationships with each other’ The Times ‘An assured first novel… this immersive saga probes the traumas all families conceal. It is a novel of appetite… readers will down greedily’ The Sunday Times ‘With Moore’s evocative prose it’s easy to see why The Garnett Girls is being likened to works by… Penny Vincenzi and Maeve Binchy’ The Observer Forbidden, passionate and all-encompassing, Margo and Richard’s love affair was the stuff of legend– but, ultimately, doomed. When Richard walked out, Margo locked herself away, leaving her three daughters, Rachel, Imogen and Sasha, to run wild. Years later, charismatic Margo entertains lovers and friends in her cottage on the Isle of Wight, refusing to ever speak of Richard and her painful past. But her silence is keeping each of the Garnett girls from finding true happiness. Rachel is desperate to return to London, but is held hostage by responsibility for Sandcove, their beloved but crumbling family home. Dreamy Imogen feels the pressure to marry her kind, considerate fiancé, even when life is taking an unexpected turn. And wild, passionate Sasha, trapped between her fractured family and controlling husband, is weighed down by a secret that could shake the family to its core… The Garnett Girls, the captivating debut from Georgina Moore, asks whether children can ever be free of the mistakes of their parents. Praise for The Garnett Girls: 'A rare and wonderful delight’ Lucy Foley ‘I adored it’ Bryony Gordon ‘A delicious read’ Rachel Joyce ‘Richly drawn’ Patrick Gale ‘What a gem of a book!’ Erica James ‘A smashing debut exploring the secrets every family keeps’ Daisy Goodwin ‘Pure pleasure’ Emma Stonex ‘Beautifully written’ Jill Mansell ‘A wonderfully woven tale of love, friendship and family’ Catherine Alliott

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The Death of Archaeological Theory? addresses the provocative subject of whether it is time to discount the burden of somewhat dogmatic theory and ideology that has defined archaeological debate and shaped archaeology over the last 25 years. Seven chapters meet this controversial subject head on, also assessing where archaeological theory is now, and future directions. John Bintliff questions what theory is and argues that archaeologists should be freed from 'Ideopraxists', or those who preach that a single approach or model is right to the exclusion of all others. Marc Pluciennik again questions what we mean by archaeological theory and argues that the role of intellectual fashion is underestimated. He predicts pressure from outside archaeology to redirect our dominant theories towards genetic and human impact theory. Kristian Kristiansen argues that theory cannot die, but it can change direction and sees signs of a retreat from the present post-modern and post-processual cycle towards a more science based, rationalistic cycle of revived modernity. To Mark Pearce the most striking thing about the present state of archaeological theory is that there is no emerging paradigm to be discerned; he proposes that Theory is not dead, but has instead become more eclectic and nuanced. Two papers offer a different perspective from other areas of the world; Alexander Gramsch examines the issue from the German tradition and shows that in Central and Eastern Europe not only has Anglo-American Theory had limited impact, but current discussions on the future of method and theory offer a broader view of the discipline in which older traditions are seen to form the foundation. Kent Flannery and Joyce Marcus demonstrate that American archaeologists do not foresee the death of a genuinely archaeological theory (which they believe has never existed) but fear the real catastrophe would be the death of anthropological theory, because some anthropology today has become decidedly anti-scientific, rejecting not only the controlled comparison and contrast of cultures, but also the use of generalisation, both of which are crucial to theories and models and without which the longue durée will always be invisible.

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A beautiful picture-book adaptation of Thomas Harding's Costa-shortlisted biography for adults, exquisitely illustrated by Britta Teckentrup.On the outskirts of Berlin, a wooden cottage stands on the shore of a lake. Over the course of a century, this little house played host to a loving Jewish family, a renowned Nazi composer, wartime refugees and a Stasi informant; in that time, a world war came and went, and the Berlin Wall was built a stone's throw from the cottage's back door. Thomas Harding first shared this remarkable story in his Costa-shortlisted biography The House by the Lake – now he has rendered it into a deeply moving picture-book for young readers. With words that read like a haunting fairy-tale, and magnificent artwork by Britta Teckentrup, this is the astonishing true story of the house by the lake.PRAISE FOR THE ORIGINAL BIOGRAPHY OF THE HOUSE BY THE LAKE: A Radio 4 Book of the WeekNamed a Best Book of the Year by: The Times >> New Statesman >> Daily Express >> Commonweal magazineShortlisted for the Costa Biography Award 2015Longlisted for the Orwell Prize 2016Over 50 five-star reviews on Amazon"A passionate memoir." – Neil MacGregor"A superb portrait of twentieth century Germany seen through the prism of a house which was lived in, and lost, by five different families. A remarkable book." – Tom Holland"A book that will stay with me for a very long time." – Rachel Joyce"A superb work of social history." – The Sunday Times "Diamond brilliant ... an extraordinary book." – Sunday Express"A deft history of a cabin containing many secrets." – Independent"A fascinating window on a tumultuous period" – Financial Times"Original, personal, moving and uplifting" – Literary Review"This is a history that is often poignant, sometimes heartening, and never other than intimate." – Spectator"An extraordinary book…. Harding has extracted the past from the dust that collects between floorboards and from layers of peeling wallpaper.” – Washington PostSEE ALSO THOMAS HARDING'S NEW BIOGRAPHY, LEGACY:"I was riveted: this is a fascinating social history." – Nigella Lawson"Written with love and imagination ... a masterclass in historical empathy." – TLS"Nobody quite stirs the soup of historical detail like Harding." – Express

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A compelling, intimate history of the Revolutionary period through a series of charismatic and ambitious families, revealing how the American Revolution was, in many ways, a civil war.“Posterity! You will never know, how much it cost the present Generation, to preserve your Freedom! —John Adams to Abigail Adams, 26 April 1777 All wars are tragic, but the "revolutionary generation" paid an exceptionally personal price. Foreign wars pull men from home to fight and die abroad leaving empty seats at the family table. But the ideological war that forms the foundation of a civil war also severs intimate family relationships and bonds of friendship in addition to the loss of life on the battle fields. In The Times That Try Men's Soul, Joyce Lee Malcolm masterfully traces the origins and experience of that division during the American Revolution—the growing political disagreements, the intransigence of colonial and government officials swelling into a flood of intolerance, intimidation and mob violence. In that tidal wave opportunities for reconciliation were lost. Those loyal to the royal government fled into exile and banishment, or stayed home to support British troops. Patriots risked everything in a fight they seemed destined to lose. Many people simply hoped against hope to get on with ordinary life in extraordinary times. The hidden cost of this war was families and dear friends split along party lines. Samuel Quincy, Josiah Quincy’s only surviving son, sailed to England, abandoning his father, wife, and three children. John Adam’s dearest friend, Jonathan Sewell, fled with his family to England after his home was stormed by a mob. Sewell’s sister-in-law was married to none other than John Hancock. James Otis’s beloved wife Ruth was a wealthy Tory. One daughter would marry a British Army captain and spend the rest of her life abroad while the other wed the son of a major general in the Continental Army. The pain of husbands divided from wives, fathers from children, sisters and brothers from each other and close friends caught on opposite sides in the throes of war has been explored in histories of other American wars, yet Malcolm reveals how this conflict reaches into the heart of our country's foundation. Loyalists who fled to England became strangers in a strange land who did not fit into British society. They were Americans longing for home, wondering whether there would—or could—be reconciliation. The grief of separated loyalties is an important and often ignored part of the revolutionary war story. Those who risked their lives battling the great British empire, and those who left home loyal to the government were all caught in a war without an enemy. In his rough draft of the Declaration of Independence Thomas Jefferson reflected sadly that “we might have been a free and a great people together.” The Times That Try Men's Souls is a poignant and vivid narrative that provides a fresh and timely perspective on a foundational part of our nation's history.

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__________'Essential reading' Rolling Stone'A must read. The best bit of literature currently out there on Kendrick Lamar' VICE __________Kendrick Lamar is at the top of his game.He has been described as perceptive, philosophical, unapologetic, fearless, and an innovative storyteller whose body of work has been compared to James Joyce and James Baldwin.He is a visionary who will go down as history as one of the most important artists of all time.But what's so striking about Kendrick Lamar, aside from his impressive accolades, is how he's effectively established himself as a formidable opponent of oppression, a force for change. Through his confessional poetics, his politically charged anthems, and his radical performances, Lamar has become a beacon of light for many people in America.The Butterfly Effect not only Lamar's powerful impact on music but also on our current society, especially under the weight of police brutality, divisive politics, and social injustice. This is the extraordinary, triumphant story of a modern lyrical prophet and an American icon who has given hope to those buckling under the weight of systemic oppression, reminding everyone that through it all, "we gon' be alright".__________'By the end of listening to his first full album, I felt like I knew everything about him. He brings you into his world with his lyrics in a way that really paints a clear picture' Eminem'I love everything about his music. I can literally listen to his music and become a kid growing up with all the struggles in the inner city, but at the same time [learn] all the lessons it taught that we use as men today.' Lebron James'Kendrick Lamar understands and employs blues, jazz, and soul in his music, which makes it startling. His work is more than merely brilliant; it is magic' Toni Morrison'Lamar is a man living on a real and metaphorical peak, with one eye trained on the heavens, the other searching for stories in the valley below' Guardian

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