Search results for ""griffin""

The past decade saw the rise of the British National Party, the country's most successful ever far-right political movement, and the emergence of the anti-Islamic English Defence League. Taking aim at asylum seekers, Muslims, "enforced multiculturalism" and benefit "scroungers", these groups have been working overtime to shift the blame for the nation's ills onto the shoulders of the vulnerable. What does this extremist resurgence say about the state of modern Britain?Drawing on archival research and extensive interviews with key figures, such as BNP leader Nick Griffin, Daniel Trilling shows how previously marginal characters from a tiny neo-Nazi subculture successfully exploited tensions exacerbated by the fear of immigration, the War on Terror and steepening economic inequality.Mainstream politicians have consistently underestimated the far right in Britain while pursuing policies that give it the space to grow. Bloody Nasty People calls time on this complacency in an account that provides us with fresh insights into the dynamics of political extremism.

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My father cleared his throat. He began to say, "They took her," but he never got past the first word, and had to start again. He said finally, "The Dreamies took her. She went with the Dreamies." Sooz was an extraordinary little girl. She grew into an extraordinary woman, with a gift given to her by a unicorn, after a battle with a griffin. The gift is more precious than she could have imagined but sets her on a dangerous path to rescue the sister she never knew she had from a land to which humans never go. But Sooz is no ordinary human. She may not be human at all. The one thing this changeling child does know is love, and courage. Combining the Hugo award-winning novelette Two Hearts with brand new story Sooz, The Way Home returns us to the world of The Last Unicorn. Peter S. Beagle brings the same humanity, poignancy and wisdom that makes his writing so magical.

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As the 587 colourful images in this magnificent volume reveal, animals were a constant—and delightful—presence in illuminated manuscripts throughout the Middle Ages. They were illustrated not only in bestiaries—the compendiums of animal fact and fable that were exceedingly popular in the 12th and 13th centuries—but in every sort of manuscript, sacred and profane, from the Gospels to the Romance of the Rose. This book is arranged in manner of a proper bestiary, with essays on the medieval lore and iconography of one hundred creatures alphabetised by their Latin names, from the alauda, or lark, whose morning song was thought to be a hymn to Creation, to the vultur, whose taste for carrion made it a symbol of the sinner who indulges in worldly pleasures. The selection includes a number of creatures that would now be considered fantastic, including the griffin, the manticore, and of course the fabled unicorn.

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The Penguin English Library Edition of The Invisible Man by H. G. Wells'People screamed. People sprang off the pavement ... "The Invisible Man is coming! The Invisible Man!"'With his face swaddled in bandages, his eyes hidden behind dark glasses and his hands covered even indoors, Griffin - the new guest at The Coach and Horses - is at first assumed to be a shy accident-victim. But the true reason for his disguise is far more chilling: he has developed a process that has made him invisible, and is locked in a struggle to discover the antidote. Forced from the village, and driven to murder, he seeks the aid of an old friend, Kemp. The horror of his fate has affected his mind, however - and when Kemp refuse to help, he resolves to wreak his revenge.The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

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Using archaeological data to examine the development of Han dynasty Chinese art (206 BC-AD 220), Sources of Han Décor focusses on three major iconographies (the animal master, the tree of life, and animal predation), together with a series of minor motifs (particularly the griffin and a number of vegetal forms). All of these are combined in what may be considered the most important iconographic creation of the Han: images of paradise. While influence from the Chinese Bronze Age (especially, c. the 14th-3rd centuries BC) on Han art is expected, a surprisingly profound debt to Greece, the Near East, and the steppe is evident not only in the art of the Han era, but in that of the preceding Eastern Zhou (c. 771-221 BC). Initial Eastern Zhou incorporation of this largely-Western influence appears concentrated in chronological parallel to the Orientalization of Greek art (c. the 7th century BC) and the eastern spread of Hellenism (c. the 4th century BC), followed by repeated introduction of foreign motifs during the Han, when these influences were fully integrated into Chinese art.

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The word ‘eunoia,’ which literally means ‘beautiful thinking,’ is the shortest word in English that contains all five vowels. Directly inspired by the Oulipo (l’Ouvroir de Littérature Potentielle), a French writers’ group interested in experimenting with different forms of literary constraint, Eunoia is a five-chapter book in which each chapter is a univocal lipogram – the first chapter has A as its only vowel, the second chapter E, etc. Each vowel takes on a distinct personality: the I is egotistical and romantic, the O jocular and obscene, the E elegiac and epic (including a retelling of the Iliad!). Stunning in its implications and masterful in its execution, Eunoia has developed a cult following, garnering extensive praise and winning the Griffin Poetry Prize. The original edition was never released in the U.S., but it has already been a bestseller in Canada and the U.K. (published by Canongate Books), where it was listed as one of the Times’ top ten books of 2008. This edition features several new but related poems by Christian Bök and an expanded afterword.

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The South African tour of England in 1960 was far from ordinary. The Springboks, under captain Jackie McGlew - and with fine players like Roy McLean, Hugh Tayfield and Neil Adcock - arrived full of confidence, but that confidence was quickly shaken. The tour began a few weeks after the Sharpeville massacre of April that year, and the cricket took place just as the world was waking up to the evils of apartheid. Then there was the 'no-balling' of Geoff Griffin, a controversy that had a great deal more to it than met the eye, revealing the sometimes unfortunate intervention of administrators into umpiring decisions. It may also have decided the series, for England won rather easily, but this of course was the era of the great English bowlers Brian Statham and Fred Trueman. All this took place before the all-seeing eyes of the new medium of television, and it was one of the first tours to be featured in detail on BBC TV. The Troubled Tour leaves no stone unturned to bring you the full story of that extraordinary tour.

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In this second novel of the Dreamlight trilogy from New York Times bestselling author Amanda Quick, psychic power and passion collide when a legendary curse ignites a dangerous desire.The Arcane Society was born in turmoil when the friendship of its two founders evolved into a fierce rivalry. Nicholas Winters’s efforts led to the creation of a device of unknown powers called the Burning Lamp. Each generation of male descendants who inherits it is destined to develop multiple talents—and the curse of madness. Plagued by hallucinations and nightmares, notorious crime lord Griffin Winters is convinced he has been struck with the Winters Curse. But even as he arranges a meeting with the mysterious woman Adelaide Pyne, he has no idea how closely their fates are bound, for she holds the missing lamp in her possession. But their dangerous psychic experiment makes them the target of forces both inside and outside of the Arcane Society. And though desire strengthens their power, their different lives will keep them apart—if death doesn’t take them together.

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Perfect for fans of Maeve Binchy' – Candis Dear Reader, I'm not much of a letter writer. As the sheriff here, I'm used to writing incident reports, not chatty letters. But my daughter, Megan–who'll be making me a grandfather soon–told me I had to do this. So here goes. I'll tell you straight out that I'd hoped to marry Faith Beckwith (my onetime high school girlfriend) but she ended the relationship last month, even though we're both widowed and available. There were a few misunderstandings between us, some of them inadvertently caused by Megan. However, I've got plenty to keep me occupied, like the unidentified remains found in a cave outside town. And the fact that my friend Judge Olivia Griffin is fighting cancer. And the break-ins at 204 Rosewood Lane–the house Faith happens to be renting from Grace Harding… If you want to hear more, come on over to my place or the sheriff 's office–if you can stand the stale coffee! Troy Davis

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Gargoyles, Griffins, and Hippogriffs, oh my! Since 2017, Megan Lapp of Crafty Intentions has built a following for her unique crochet creations. Her crochet creatures are like nothing else out there! They are intricately detailed and colourful, and yet with her step–by–step instructions, anyone can achieve her results. Crochet Creatures of Myth and Legend includes 13 cute critter patterns—small and adorable creatures that are quick and fun to make and a great place to start—and 6 standard size mythological beasts in all their glory, including a dragon, kraken, feathered serpent, owl griffin, phoenix, and unicorn. Megan’s imagination is always at play, and many of her patterns include various options for wing styles, feathers, and more. The dragon pattern is a masterpiece of options, with multiple variations for ears, back scales, tail, face plates, and more. Cute critters include Pegasus, Phoenix, Wyvern, Jackalope, and more. Grab your hook and a few colourful skeins of worsted weight yarn, and start crocheting your own creatures of myth and legend!

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Lonely Planet: The world's number one travel guide publisher* Lonely Planet's Pocket Canberra is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Explore the city's many museums, take a leisurely stroll around Lake Burley Griffin and go tasting in the surrounding wineries - all with your trusted travel companion. Get to the heart of Canberra and begin your journey now! Inside Lonely Planet's Pocket Canberra: Full-colour maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sightseeing, going out, shopping, hidden gems that most guidebooks miss User-friendly layout with helpful icons, and organised by neighbourhood to help you pick the best spots to spend your time Covers Acton, Braddon, Civic, Dickson, Kingston, Manuka, Parkes, Barton, Fyshwick, Lake Burley Griffin, the Arboretum, Canberra wine region and more. The Perfect Choice: Lonely Planet's Pocket Canberra is our colourful, easy to use and handy guide that literally fits in your pocket, and is packed with the best sights and experiences for a short trip or weekend away. Looking for more extensive coverage? Check out Lonely Planet's Australia for a comprehensive guide to all the country has to offer. About Lonely Planet: Lonely Planet is a leading travel media company and the world's number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, video, 14 languages, nine international magazines, armchair and lifestyle books, ebooks, and more. 'Lonely Planet guides are, quite simply, like no other.' - New York Times 'Lonely Planet. It's on everyone's bookshelves, it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media (Australia) *Source: Nielsen BookScan: Australia, UK, USA, 5/2016-4/2017

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Gjertrud Schnackenberg is a major voice in American poetry. Supernatural Love shows the sensuous richness of her imaginatively daring poetry of ideas, and traces the evolution of this remarkable writer. Book by book, from an early mastery in which precision and heartbreak are inseparable, her poetry accelerates through the searching, dense, metaphysical imagery and cascading syntax which are her signature. From her classic portrait of Darwin in the last year of his life, to the vertiginous brilliance of her elegy for the Byzantine monuments of Ravenna, she produces poems as visionary documents, unmistakable in their glittering range and passion but never the same twice. With singular devotion, Schnackenberg writes as if poetry were a matter of life and death. Supernatural Love includes three collections previously published in Britain as well as The Throne of Labdacus, winner of the Los Angeles Times Book Prize for Poetry. This new book-length poem telling the story of Oedipus is a visionary work of profound and tragic beauty. Her later book, Heavenly Questions, winner of the Griffin International Poetry Prize, was published by Bloodaxe in Britain in 2011.

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Kleinzahler's poetry is, as ever, concerned with permeability: voices, places, the real and the dreamed, the present and the past, colliding and intersecting and spilling over into each other. Whether the voice embodied is that of 'an adult male of late middle age, // about to weep among the avocados and citrus fruits / in a vast, overlit room next to a bosomy Cuban grandma' as in 'Whitney Houston' or that of the title character in 'Hootie Bill Do Polonius' who is bidding 'adios compadre // To a most galuptious scene Kid', Kleinzahler locates and exhibits in his poetry the human heart at the core of lived experience. This is a poet searching for - and finding - a cadence capable of describing life as it is lived today. Kleinzahler's poetry is, as noted in the judges' citation for the 2004 Griffin Poetry Prize (which he won for his collection The Strange Hours Travelers Keep), 'ferociously on the move, between locations, between forms, between registers.' The Hotel Oneira finds Kleinzahler at his shape-shifting, acrobatic best, unearthing the 'moments of grace' buried amongst the detritus of our hectic, modern lives.

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Spanning the Minoan and Mycenaean origins of Greece to its eventual conquest by Rome, this new single-author survey combines an authoritative and engaging retelling of the history of ancient Greece with an assessment of the relevance of the Greeks today. Beautifully illustrated with examples of art, archaeology and architecture – from the frescoes of Akrotiri to the spectacular discovery of the Tomb of the Griffin Warrior in 2015 – this account foregrounds the variety and diversity of what it meant to be Greek. Dedicated chapters on Athens and Sparta highlight the differences of culture and civic structure within the Greek world, as well as the political tensions that would precipitate the Peloponnesian War and the subsequent Macedonian Hellenistic Age. Numerous maps and timelines support the clear chronological narrative, while ‘Spotlight’ features at the end of each chapter offer a visual commentary on specific concepts, places and institutions, such as the oracle of Delphi and the image of Alexander the Great. Greece in the Ancient World is the story of a culture that transformed the Western world. The Greeks’ achievements and failures, their ideals and their faults, established a legacy that remains at the heart of our modern life.

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A boy is reunited with his long-lost father, the Greek god Pan, only to find himself taken to the kingdom of the gods.What begins as just another ordinary day for Demon ends up being far from normal . . . because travelling on a rainbow to Mount Olympus is a bit odd for anyone, even if your dad is the Greek god Pan! When he arrives, Demon is in for a shock. The stables are full of mythical beasts like the flatulent Cattle of the Sun and a very grumpy Griffin. All Demon's animal husbandry skills, polished on his mother's farm on Earth, are going to be put to a rather exacting test as he tries to sort out the chaos and deal with the upset and concern of the gods. Can the stableboy help the Nemean lion that Heracles has hurt, and avoid incurring Hera's wrath if he can't heal her pet Hydra . . .The first in a delightful action-packed series, acclaimed writer Lucy Coats uses her original and funny voice to bring to life the gods, goddesses and mythical beasts of the ancient Greek pantheon.

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A celebration of a graphic design genius, published to mark what would have been his 80th birthday. The Wild World of Barney Bubbles celebrates the graphic design genius whose work linked the underground optimism of the 60s to the sardonic and manipulative art that accompanied the explosion of punk. Barney Bubbles remains a powerful influence on contemporary artists four decades after his death, having encompassed designs for Sir Terence Conran and underground magazines Oz and Friends as well as remarkable record sleeves and posters for Billy Bragg, Elvis Costello, Depeche Mode, Ian Dury, Hawkwind, The Damned and Nick Lowe. He also collaborated with artists and photographers, including Derek Boshier and Brian Griffin, and produced paintings, furniture, set designs and promo videos, not least the era-defining clip for The Specials’ 80’s hit, ‘Ghost Town’. This revised edition of Paul Gorman’s definitive Barney Bubbles monograph contains hundreds of rare and previously unpublished photographs, working sketches, notebooks and original artwork. It includes a new essay by American designer Clarita Hinojosa and sixteen extra pages of rare ephemera painstakingly collected by the author over the years.

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Love is the one thing you can't steal.Nessa Griffin leads a lonely life. Too compassionate and gentle for the underworld business she grew up in, she fills no role in her family's mafia empire, struggling to prove herself both at home and in her highly competitive ballet corps.Mikolaj Wilk is the most vicious gangster in Chicago, and he's hellbent on revenge. His adoptive father saved him from the streets of Warsaw only to die at the hands of the Griffins.As part of his vengeance, Mikolaj abducts Nessa, holding her captive in his moldering gothic mansion. She might not deserve to pay for her family's crimes, but in this world, the wolves eat the lambs no matter how gentle and innocent they may be.But even as Mikolaj plots the destruction of everything the Griffins hold dear, he finds himself fixated on his captive, wanting this ballerina to dance only for him. Meanwhile, Nessa finds herself lost in the growing tension between her and her kidnapper, their twisted relationship building in new, terrifying ways.He is the beast to her beauty-but can Nessa find the man inside before he gives into his hunger?

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Winner of the 2015 Griffin Poetry PrizeShortlisted for the 2014 T.S. Eliot PrizeIn The Stairwell, his tenth collection, Michael Longley’s themes and forms reach a new intensity. The second part of the book is a powerful sequence of elegies for his twin brother, Peter, and the dominant mood elsewhere is elegiac. The title poem begins: ‘I have been thinking about the music for my funeral …’ The two parts are also linked by Homer. Longley is well-known for his Homeric versions, and the Iliad is a presiding presence – both in poems about the Great War and in the range of imagery that gives his twin’s death a mythic dimension. Yet funeral music can be life-affirming. Longley has built this collection on intricate doublings, not only when he explores the tensions of twinship. The psychologically suggestive word ‘stairwell’ is itself an ambiguous compound. These poems encompass birth as well as death, childhood and age, nature and art, the animal and human worlds, tenderness and violence, battlefield and ‘homeland’. The Stairwell is a richly textured, immensely moving work. Michael Longley has the rare ability to fuse emotional depth with complicated artistry: to make them, somehow, the same thing.

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Griffin Lockhart holds the key to his family's fate. Since his brother Liam failed to reclaim the priceless heirloom that could save their ancestral Scottish estate, it's now up to Grif to find it -- among the lords and ladies of fashionable London society. Disguised as a Scottish earl, Grif attends the most glittering balls, hunting for the woman who is rumored to possess his family's treasure. Along the way he catches the eye of Anna Addison, a highborn young woman whose sharp tongue and even sharper wits have limited her marital prospects but enable her to detect Grif's deception. Determined to find a husband this Season, Anna draws Grif into a scandalous bargain: She will deliver his precious heirloom -- and keep secret his true identity -- if Grif can teach her how to seduce a man and win his heart. Well aware of what a man wants from a woman, Grif reluctantly instructs her. Soon Anna is besieged by suitors and Grif's exasperation with the troublesome beauty turns into heated desire. With time running out, Grif commits a reckless act in order to claim not only his treasure, but the passionate woman he believes is his and his alone.

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How Americans learned to wait on time for racial change What if, Joseph Darda asks, our desire to solve racism—with science, civil rights, antiracist literature, integration, and color blindness—has entrenched it further? In The Strange Career of Racial Liberalism, he traces the rise of liberal antiracism, showing how reformers' faith in time, in the moral arc of the universe, has undercut future movements with the insistence that racism constitutes a time-limited crisis to be solved with time-limited remedies. Most historians attribute the shortcomings of the civil rights era to a conservative backlash or to the fracturing of the liberal establishment in the late 1960s, but the civil rights movement also faced resistance from a liberal "frontlash," from antiredistributive allies who, before it ever took off, constrained what the movement could demand and how it could demand it. Telling the stories of Ruth Benedict, Kenneth Clark, W. E. B. Du Bois, John Howard Griffin, Pauli Murray, Lillian Smith, Richard Wright, and others, Darda reveals how Americans learned to wait on time for racial change and the enduring harm of that trust in the clock.

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How Americans learned to wait on time for racial change What if, Joseph Darda asks, our desire to solve racism—with science, civil rights, antiracist literature, integration, and color blindness—has entrenched it further? In The Strange Career of Racial Liberalism, he traces the rise of liberal antiracism, showing how reformers' faith in time, in the moral arc of the universe, has undercut future movements with the insistence that racism constitutes a time-limited crisis to be solved with time-limited remedies. Most historians attribute the shortcomings of the civil rights era to a conservative backlash or to the fracturing of the liberal establishment in the late 1960s, but the civil rights movement also faced resistance from a liberal "frontlash," from antiredistributive allies who, before it ever took off, constrained what the movement could demand and how it could demand it. Telling the stories of Ruth Benedict, Kenneth Clark, W. E. B. Du Bois, John Howard Griffin, Pauli Murray, Lillian Smith, Richard Wright, and others, Darda reveals how Americans learned to wait on time for racial change and the enduring harm of that trust in the clock.

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What's a duke to do, when the girl who's perfectly wrong becomes the woman he can't live without? Griffin York, the Duke of Halford, has no desire to wed this season-or any season-but his diabolical mother abducts him to "Spinster Cove" and insists he select a bride from the ladies in residence. Griff decides to teach her a lesson that will end the marriage debate forever. He chooses the serving girl. Overworked and struggling, Pauline Simms doesn't dream about dukes. All she wants is to hang up her barmaid apron and open a bookshop. That dream becomes a possibility when an arrogant, sinfully attractive duke offers her a small fortune for a week's employment. Her duties are simple: submit to his mother's "duchess training"...and fail miserably. But in London, Pauline isn't a miserable failure. She's a brave, quick-witted, beguiling failure-a woman who ignites Griff's desire and soothes the darkness in his soul. Keeping Pauline by his side won't be easy. Even if Society could accept a serving girl duchess-can a roguish duke convince a serving girl to trust him with her heart?

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The Narrowboat Girl by Annie Murray is the story of a young woman's search for freedom and happiness.Young Maryann Nelson is devastated at the loss of her beloved father. But worse is to come when her mother, Flo, sees an opportunity to better herself and her family in a marriage to the local undertaker, Norman Griffin. Though on the surface a caring family man, Norman is not at all what he seems, as Maryann and her sister Sal soon discover.Unable to turn to their unsympathetic mother for support, the girls are left alone with their harrowing secret. But for Sal it is too much to bear . . . The chance of a new life opens up for Maryann when she befriends Joel Bartholomew. Aboard his narrowboat, the Esther Jane, she finds herself falling in love with life on the canal as she is swept away from Birmingham and all her worries. Until Joel's feelings for Maryann begin to change, awakening all the old nightmares that she had thought were long buried, and in panic and confusion she takes flight . . . The Narrowboat Girl is followed by sequel, Water Gypsies.

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The Constitution is the cornerstone of American government, hailed as one of the greatest contributions of the Western Enlightenment. While many seem content simply to celebrate it, those most familiar with the document invariably find it wanting in at least some aspects. This unique volume brings together many of the country's most esteemed constitutional commentators and invites them to answer two questions: First, what is the stupidest provision of the Constitution? "Stupid" need not mean evil. Thus, a second, related question is whether the scholar-interpreter would be forced to reach truly evil results even if applying his or her own favored theory of constitutional interpretation. The contributors include Lawrence Alexander, Akhil Reed Amar, Jack Balkin, Philip Bobbitt, Gerard Bradley, Rebecca Brown, Steven Calabresi, Lief Carter, Christopher Eisgruber, Lawrence Sager, Marie Failinger, Daniel Farber, James Fleming, Mark Graber, Stephen Griffin, Gary Jacobsohn, Randall Kennedy, Lewis LaRue, Theodore Lowi, Earl Maltz, Michael McConnell, Matthew Michael, Robert Nagel, Daniel Ortiz, Pamela Karlen, Michael Paulsen, Robert Post, Lucas Powe, Dorothy Roberts, Jeffrey Rosen, Frederick Schauer, Michael Seidman, Suzanna Sherry, David Strauss, Laurence Tribe, Mark Tushnet, and John Yoo.

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William Helburn was the go-to photographer for many of the top advertising agencies in New York in the 1950s and 1960s. Shock value and an unrelenting hunger for success helped Helburn to a pioneer’s share in the revolutionary era of advertising and his work would also appear on the editorial pages and covers of major magazines. As well as cars and cosmetics, Helburn shot Coca-Cola, Canada Dry, whiskies, clothing lines, airlines, jewelry, cigars and cigarettes. He worked with the top models of the day, from Dovima and Dorian Leigh to Jean Patchett and Barbara Mullen, to Jean Shrimpton and Lauren Hutton. William Helburn: Seventh and Madison is the first book to survey Helburn’s work. It gives readers a delicious taste of the vivid reality that the television series Mad Men seeks to evoke. Most of these images have not been seen since they were first published decades ago. In addition to the photographs, Robert Lilly contributes a biographical account of Helburn’s life and work, and former colleagues Jerry Schatzberg, George Lois, Sunny Griffin and Ali McGraw offer insights into the lusty, creative spirit of William Helburn.

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The most comprehensive publication to date on Sarah Cain’s exuberant paintings and installations Los Angeles-based painter Sarah Cain (born 1979) works on canvases of all sizes, often modifying them by cutting and braiding, painting on all sides and installing the canvas with the back of the painting facing the viewer. She also paints on other surfaces, including interior and exterior walls, floors, furniture and dollar bills. Cain's process often involves altering and disfiguring a composition until the original image is no longer recognizable. Her process of creation and destruction frequently includes found objects and is steeped in the history of painting and feminist art practices. Cain's work is a challenge to the patriarchal hierarchies of painting. "Almost everything about Cain's paintings—their speed, their brashness, their noodling compositions, their splashes and spray-painted scribbles, their tacky accouterments, their sense of absurdity—seems to undermine the gravitas that large-scale painting traditionally projects," wrote Jonathan Griffin, in the New York Times. Sarah Cain: Enter the Center features new writings and previously unpublished photographs and documentation of dozens of artworks with a focus on the last decade of Cain's exuberant and unique paintings and installations.

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'A clear, helpful and refreshingly honest book which explains SEND from top to bottom. I would highly recommend this book' - Kim Griffin, Occupational Therapist, GriffinOT, @Griffin_OT This book is designed to give every Early Years practitioner the confidence to support children with special educational needs and disabilities. It covers how to define SEND and use inclusive language, how to build and implement inclusion policies and communicate these to parents and carers, how to prepare for transition, and much more. With a whole-team approach and commitment from both practitioners and key persons as well as SENDCos, Kerry Murphy strongly believes we have the potential to create truly inclusive Early Years settings. A Guide to SEND in the Early Years dispels common myths around SEND and offers clear, concise and practical ways to translate theory into practice, overcome challenges and support children with SEND. Written by an experienced Early Years consultant and inclusion specialist, there are tried-and-tested tips, case studies, activities and reflective questions. Focussing on the importance of teamwork and sharing responsibilities, this book is perfect for any Early Years practitioner looking to improve their understanding of SEND and develop their teaching with every child in mind.

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Winner of the An Post Irish Novel of the Year 2020Longlisted for the International Dublin Literary Award'You have to truly love people to write like this' RACHEL JOYCE'One of the greatest novels of this century' SUNDAY INDEPENDENT'Gorgeously wrought' GUARDIANIn 1973, twenty-year-old Moll Gladney takes a morning bus from her rural home and disappears.Bewildered and distraught, Paddy and Kit must confront an unbearable prospect: that they will never see their daughter again.Five years later, Moll returns. What - and who - she brings with her will change the course of her family's life forever.Beautiful and devastating, this exploration of loss, alienation and the redemptive power of love reaffirms Donal Ryan as one of the most talented and empathetic writers at work today._________'Outstanding ... Tender and beautifully written' INDEPENDENT'All the beauty and sorrow of life can be found in these pages' KATHLEEN MACMAHON'Exquisite . . . Beautiful' ANNE GRIFFIN, author of WHEN ALL IS SAID'Ryan gathers together the fragments of broken lives and makes us something new and beautiful from them' RÓNÁN HESSION, author of LEONARD AND HUNGRY PAUL

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'Walsh writes with a warmth and humour about the disparate lives of four new mothers over one summer in Dublin. This is a touching, enjoyable tale of friendship in all of its complexities.' Anne GriffinA long, hot summer has just begun. Three new mothers gather in the park, in the shade of the trees, forming a tight circle. They keep each other close, sharing gossip, parenting wisdom and deep secrets. Gracie appears to have adapted to motherhood with ease, but secretly she wonders if the cost - to her job and her relationship - is too high. Free-spirited Lina is a single parent by choice, but finds that her decisions have consequences, for her daughter and for herself? And shy Jane is facing the battle of her life, against the man who should be her rock, and with the echoes of a painful decision she made years before.When a lonely new mum asks to join them, the circle opens to let her in. But Elise's arrival provokes mixed emotions amongst the other mothers, as each is forced to confront her true self and the fact that life will never be the same again.

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Unleash the Beasts! For millennia historians, artists and scientists have chronicled their ideas and discoveries of mythological and magical monsters in encyclopedias known as bestiaries. From Asia to America, Japan to the jungles of South Africa, the vast menagerie of exotic and legendary creatures has populated the imaginations of all cultures for centuries. Beautifully illustrated and fantastically detailed, Dracopedia: The Bestiary is a modern, but no less unsettling reimagining of the ancient version. It is an A-to-Z artist's guide to animals of the legendary world. Some, like the griffin and yeti, may be familiar to you. Others--like the enigmatic questing beast and ferocious manticore--may seem new and strange. Some may even haunt your dreams. Inside the bestiary, you will find: Secrets of each animal's evolution--origins, habitat, anatomy, diet and more. Fantastic illustrations created using pencil sketches and digital coloring. Four-stage demonstrations taking you from concept and design to under-painting and finishing details. By drawing on the forms and features of more pedestrian animals, you'll learn how to give shape to the bizarre creatures that roam the depths of your imagination, adding to the bestiary of the ages.

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The nail-biting new novel from the thrilling Sunday Times bestseller Karen Rose, and Book 3 in the Cincinnati series.Cincinnati's children are in grave danger, and time is running out to save them...When FBI Special Agent Griffin 'Decker' Davenport wakes from a coma, he immediately thinks of two things: first, the ring of human traffickers he's spent the past three years undercover to bring down was just the tip of the iceberg; second, the brown eyes he sees upon waking belong to a woman he trusts to help him finish the job he started.FBI Special Agent Kate Coppola's mission is to stop the growing menace of domestic human trafficking, starting with the customers and suppliers of the now-broken Cincinnati trafficking ring. Decker's new revelation is her worst nightmare - one of the traffickers' customers is acquiring teens for the Internet sex trade.Kate and Decker's search for this mystery customer becomes more difficult and dangerous with every passing hour as witnesses, suspects, and even members of their own team, are systematically exterminated by a predator who lets nothing stand in his way...

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The volume relates the controversy concerning competing knowledge claims to truth. In a pluralist context, substantive claims can no longer be made by skirting epistemological issues. Rather, claims concerning content can only be adequately addressed once epistemological issues have been clarified. Truth must furthermore be related to the hermeneutical task of understanding another's position. Finally, truth must be related to the rules governing the path by which competing claims arrive at consensus. This volume contains interdisciplinary dialogues between philosophers of religion, theologians, historians, and biblical scholars. The interdisciplinary dialogues are structured thematically; "Truth and Reality" is the theme structuring contributions by Marvin A. Sweeney (Claremont), Christine Helmer (Claremont), Christof Landmesser (Tubingen), Kristin De Troyer (Claremont), D.Z. Phillips (Claremont), and John S. Kloppenborg (Toronto). "Truth and History" is the focus of contributions by Tammi J. Schneider (Claremont), Lori Anne Ferrell (Claremont), and Anselm Kyongsuk Min (Claremont). The theme of "Truth and Religious Pluralism" is treated in contributions by Lieven Boeve (Louvain), Richard Amesbury (Valdosta) & H. Jong Kim (Claremont), Marjorie Suchocki (Claremont), and David Ray Griffin (Claremont).

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In MMA Unscripted: Behind the Scenes of America's Hottest Sport, the authors, editors, and writers for MMA Worldwide delve deep into the dramatic, awe-inspiring underpinnings of the mixed martial arts universe. The result is a revealing portrait of what happens once the cage empties and the lights darken. Within these pages, the MMA Worldwide crew has canvassed the entire sport to uncover the best stories and most-telling anecdotes about MMA personalities and events. Visit the training camps of some of the best fighters in the world, including Erik Paulson's Catch Submission Wrestling, Wanderlei Silva's home gym in Las Vegas, and Cung Le's facilities in San Jose. Get a rare personal look at some of the most intriguing personalities in the MMA World, including UFC cage announcer Bruce Buffer, former light heavyweight champion Forrest Griffin, and Tapout magazine founder Chris "Mask" Lewis. Enjoy behind-the-scenes peeks at some of the best fight promotions in the country. This is the best way to get exclusive access to the best on- and off-camera moments of the sport.

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A 2005 Newbery Honor Book It only takes a few hours for Turner Buckminster to start hating Phippsburg, Maine. No one in town will let him forget that he's a minister's son, even if he doesn't act like one. But then he meets Lizzie Bright Griffin, a smart and sassy girl from a poor nearby island community founded by former slaves. Despite his father's-and the town's-disapproval of their friendship, Turner spends time with Lizzie, and it opens up a whole new world to him, filled with the mystery and wonder of Maine's rocky coast. The two soon discover that the town elders, along with Turner's father, want to force the people to leave Lizzie's island so that Phippsburg can start a lucrative tourist trade there. Turner gets caught up in a spiral of disasters that alter his life-but also lead him to new levels of acceptance and maturity. This sensitively written historical novel, based on the true story of a community's destruction, highlights a unique friendship during a time of change. Author's note.

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London, the 1880s, and Jack the Ripper is at large. Two childhood friends meet again having found very different fortunes in the fog-bound, Ripper-stalked streets of Victorian London. Plain but witty Dot is a music hall star; pretty Kate (Eddowes, a true-life Ripper victim) has fallen on hard times.'Poignant and unsentimental, Dot's whipllash humour had me cheering' DAILY MAILWhen star of London's Victorian music hall, Dot Allbones, bumps into her childhood friend Kate Eddowes outside the Griffin theatre in Shoreditch, it's a blast from the past. The two grew up together in the Midlands, but life has treated them very differently since then.Told through the eyes of the irreverent Dot, this is the story of a London populated by chancers, some rich, some destitute. During one hot summer in the 1880s Whitechapel famously became the scene of unspeakable horror, and Kate Eddowes found a grisly fame that would far outshine Dot's.Because out there, in the stews of East London, Saucy Jack is sharpening his knife . . .

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A collection of sixteen sci-fi and fantasy stories edited by No.1 New York Times and Sunday Times bestselling author Laurell K. Hamilton and author William McCaskey.A child's wish for her father comes true. The end of the world has never been so much fun. Conquering personal demons becomes all too real. It's not always about winning; sometimes it's about showing up for the fight. It's about loving your life's work, and jobs that make you question everything.In this anthology, seventeen authors have woven together brand-new stories that speak to the darkness and despair that life brings while reminding us that good deeds, humour, love, sacrifice, dedication and following our joy can ignite a light that burns so bright the darkness cannot last.Laurell K. Hamilton and William McCaskey are joined by Kevin J. Anderson, Griffin Barber, Patricia Briggs, Larry Correia, Kacey Ezell, Monalisa Foster, Robert E. Hampson, John G. Hartness, Jonathan Maberry, L. E. Modesitt, Jr., Jessica Schlenker, Sharon Shinn, M. C. Sumner, Patrick M. Tracy and Michael Z. Williamson in this collection.

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Drawing on a rich heritage of Irish, English, Ulster Scots, Shelta, Hindustani, Swahili and many other linguistic resources, Hiberno-English has retained both its inventiveness and its vigour in a country which now plays host to some 167 languages, suggesting that Ireland will continue to make new words for old in the spirit of its own highly distinctive idiom. From the reviews of previous editions ‘This is worth its weight in gold-dust, for at last we have a proper, and often improper, dictionary of Irish slang.’ Hugh Leonard, Sunday Independent ‘Joyce would have loved it.’ John Boland, The Times (London) ‘The book can take its place on the shelf beside the great Eric Partridge himself and there is no greater tribute.’ Sean McMahon, Irish Independent ‘Slanguage is an exceptionally well researched work of reference.’ John Slevin, RTÉ Guide ‘Much of the book is a joy to read.’ Brian Griffin, International Journal of Lexicography ‘This is quite simply an outstandingly brilliant piece of Sherlock-Holmesing, characterised by both authenticity and wit.’ Aubrey Malone, Books Ireland

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'The man's become inhuman ... He has cut himself off from his kind. His blood be upon his own head.' One night in the depths of winter, a bizarre and sinister stranger wrapped in bandages and eccentric clothing arrives in a remote English village. His peculiar, secretive activities in the room he rents spook the locals. Speculation about his identity becomes horror and disbelief when the villagers discover that, beneath his disguise, he is invisible. Griffin, as the man is called, is an embittered scientist who is determined to exploit his extraordinary gifts, developed in the course of brutal self-experimentation, in order to conduct a Reign of Terror on the sleepy inhabitants of England. As the police close in on him, he becomes ever more desperate and violent. In this pioneering novella, subtitled 'A Grotesque Romance', Wells combines comedy, both farcical and satirical, and tragedy - to superbly unsettling effect. Since its publication in 1897, The Invisible Man has haunted not only popular culture (in particular cinema) but also the greatest and most experimental novels of the twentieth century.

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The shimmering, cloud-covered planet of Venus conceals a wondrous secret: the strikingly beautiful yet deadly world of Amtor. In Amtor, cities of immortal beings flourish in giant trees reaching thousands of feet into the sky; ferocious beasts stalk the wilderness below; rare flashes of sunlight precipitate devastating storms; and the inhabitants believe their world is saucer-shaped with a fiery center and an icy rim. Stranded on Amtor after his spaceship crashes, astronaut Carson Napier is swept into a world where revolution is ripe, the love of a princess carries a dear price, and death can come as easily from the blade of a sword as from the ray of a futuristic gun. Pirates of Venus is the exciting inaugural volume in the last series imagined and penned by Edgar Rice Burroughs. This commemorative edition features new illustrations by Thomas Floyd, the original frontispiece by J. Allen St. John, an afterword by Phillip Burger, a glossary of Amtor terms by Scott Tracy Griffin, a map of Amtor drawn by Edgar Rice Burroughs that appeared in the first edition, and an introduction by acclaimed science fiction and horror novelist F. Paul Wilson.

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During the performances of fashionable operas in an unidentified but "civilized" town in northern Europe, the musicians (with the exception of the conscientious bass drummer) tell tales, read stories, and exchange gossip to relieve the tedium of the bad music they are paid to perform. In this delightful and now classic narrative written by the brilliant composer and critic Hector Berlioz, we are privy to twenty-five highly entertaining evenings with a fascinating group of distracted performers. As we near the two-hundredth anniversary of Berlioz's birth, Jacques Barzun's pitch-perfect translation of Evenings with the Orchestra --with a new foreword by Berlioz scholar Peter Bloom--testifies to the enduring pleasure found in this most witty and amusing book. "[F]ull of knowledge, penetration, good sense, individual wit, stock humor, justifiable exasperation, understanding exaggeration, emotion and rhetoric of every kind." --Randall Jarrell, New York Times Book Review "To succeed in [writing these tales], as Berlioz most brilliantly does, requires a combination of qualities which is very rare, the many-faceted curiosity of the dramatist with the aggressively personal vision of the lyric poet."--W. H. Auden, The Griffin

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The great English, Anglican and modernist poet and writer C.H. Sisson was born in Bristol a hundred years ago. This Reader draws on his poetry, fiction, translations, and his literary, political and religious essays. It justifies what his peers and critics said of him. Of the poems Donald Hall wrote in the New York Times Book Review that they 'move in service of the loved landscapes of England and France, they sing (and growl) in love of argument, in love of seeing through [ - ]; they move in love of the old lost life by which the new life is condemned.' Writing of his essays in the same pages Louis Simpson notes 'his fearless views'. 'Mr Sisson isn't afraid to say what he thinks. He isn't looking over his shoulder at an establishment as he writes.' Jasper Griffin in the Times Literary Supplement dubbed him 'one of the great translators of our time'. As a writer he was always starting anew, rejecting, he said, 'whatever appeared with the face of familiarity' and referring the present to those defining periods of English and European history and culture that tried humanity and languages most harshly: the seventeenth century, for example, and the twentieth.

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Available for the first time in more than fifteen years, this collection from celebrated poet, novelist, and essayist Nicole Brossard is a provocative investigation of the human body — our physical and spiritual museums of identity and desire.Nicole Brossard’s Museum of Bone and Water delivers sensual and provocative investigations of the human body — our physical and spiritual museums of identity and desire — that pulse and surprise at every turn. In this collection, fingers, lips, fists, cheeks mingle in the palm trees of Dublin and Key West, the heat of Palermo and Madrid. With each dazzling turn and each “crazy” silence, Brossard speeds our breath and quickens our hearts, reminding us that poetry too is both a physical and spiritual reality. Museum of Bone and Water, a finalist for the Governor General’s Literary Award, is recognized as a major work in the oeuvre of leading Québécoise poet, novelist, and essayist Nicole Brossard — recently honoured with the Lifetime Recognition Award by the Griffin Trust for Excellence in Poetry. The collection is now available in a handsome A List edition with a new introduction by Robert Majzels and Erín Moure.

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An inspiration for young people who love to design, build, and work with their hands, Women of Steel and Stone tells the stories of 22 female architects, engineers, and landscape designers from the 1800s to today. Engaging profiles based on historical research and firsthand interviews stress how childhood passions, perseverance, and creativity led these women to overcome challenges and break barriers to achieve great success in their professions. Subjects include Marion Mahony Griffin, who worked alongside Frank Lloyd Wright to establish his distinct architectural-drawing style; Emily Warren Roebling, who, after her husband fell ill, took over the duties of chief engineer on the Brooklyn Bridge project; Marian Cruger Coffin, a landscape architect who designed estates of Gilded Age mansions; Beverly L. Greene, the first African American woman in the country to get her architecture license; Zaha Hadid, one of today’s best-known architects and the first woman to receive the prestigious Pritzker Architecture Prize; and many others. Practical information such as lists of top schools in each field; descriptions of specific areas of study and required degrees; and lists of programs for kids and teens, places to visit, and professional organizations, make this an invaluable resource for students, parents, and teachers alike.

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Charmaine Cadeau's intensely imagined poems captivate everyone who experiences them. Delving beneath the gleaming surfaces of satellite dishes, wagon-wheels, rain-barrel planters, and suburban sprawl, she reveals a luminous spirituality. The encroachment that turns rural Ontario into cottage country becomes Cadeau's unsentimental locus of truth and beauty. With skill that even experienced poets seldom possess, Cadeau evokes the intangibility of perception, its flickering contingencies. In What You Used to Wear, Charmaine Cadeau has achieved what all young poets wish for but almost none attain. Her poetry is so impressive that her first book appears unheralded, untested by journal publication, and with few of the other supports usually so essential to first collections. Ross Leckie, Goose Lane's poetry editor and Cadeau's former creative writing professor at the University of New Brunswick, says, "This is very much a surprise book. I threw the manuscript into the mix to fill out packages for the readers, and it kept coming to the top." Anne Simpson, a finalist for the 2003 Governor General's Award for poetry and winner of the 2004 Griffin Prize, eagerly edited the book. With the publication of What You Used to Wear, Goose Lane is proud to launch the first book of a truly remarkable poet.

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In Mark Dunn’s new novel, his alter ego, Griffin Stoddard, a long-time admirer of Cranford author, Mrs Gaskell, chances upon her work called We Five. He comes to learn that the novel – unpublished in her lifetime – was subsequently adapted by three other writers. Stoddard draws together the four versions and writes his own to complement them. The result is a novel which spans five different historical periods – a small mill town near Manchester in 1859, San Francisco in the days before the 1906 earthquake, the fictional Zenith, Winnemac of 1923, autumn in 1940’s war torn London and a small town in Northern Mississippi in 1997 – and follows five childhood friends – Ruth, Jane, Molly, Maggie and Carrie – their encounters with five young men of differing intentions, the girls’ respective families together with their ever-changing occupations and exploits, concluding with an explosive unification of all five stories. This cleverly constructed novel’s style is faithful to each era, the vagaries of language and the bonds of friendship. Readers who have already discovered Ella Minnow Pea – a novel without letters, Ibid: A Life – a novel in footnotes and Welcome to Higby will recognise and enjoy the challenges in Mark Dunn’s new adventure Pentaptych.

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Two women. Two stories. One hundred years of secrets. 'Eloquent and accomplished' Anne Griffin, author of When All Is Said A sweeping novel of love, loss, family and history for readers who love Maggie O'Farrell, John Boyne and Donal Ryan 1919Ireland is about to be torn apart by the War of Independence.Hannah O'Donovan helps her father hide rebel soldiers in the attic, putting her family in great danger from the British soldiers who roam the countryside. An immediate connection between Hannah and O'Riada, the leader of this hidden band of rebels, will change her life and that of her family forever . . . 2019Ellen is at a crossroads: her marriage is in trouble, her career is over and she's grieving the loss of a baby. After years in London, she decides to come home to Ireland to face the things she's tried so hard to escape. Reaching into the past, she feels a connection to her ancestor, the mysterious Hannah O'Donovan. But why won't anyone in her family talk about Hannah? And how can this journey help Ellen put her life back together?'A gripping novel about two women, their desires and frustrations, about the wars they find themselves fighting . . . a thrill to discover' Belinda McKeon 'A fierce, beautifully written story' Louise O'Neill

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WINNER OF THE AUTHORS' CLUB BEST FIRST NOVEL AWARD__________________________________________________'Fresh, entertaining, funny and moving' RODDY DOYLE'A touching tale of how one woman survives a tough beginning to eventually end up exactly where her heart belongs' ANNE GRIFFIN, author of When All is Said__________________________________________________'If I could go back to being sixteen again, I'd do things differently.''Everyone over the age of forty feels like that, you total gom,' says my best friend Lizzie Magee.When she was young Mary Rattigan wanted to fly. She was going to take off like an angel from heaven and leave the muck and madness of troubled Northern Ireland behind. Nothing but the Land of Happy Ever After would do for her.But as a Catholic girl with a B.I.T.C.H. for a Mammy and a silent Daddy, things did not go as she and Lizzie Magee had planned.Now, five children, twenty-five years, an end to the bombs and bullets, enough whiskey to sink a ship and endless wakes and sandwich teas later, Mary's alone. She's learned plenty of hard lessons and missed a hundred steps towards the life she'd always hoped for. Will she finally find the courage to ask for the love she deserves? Or is it too late?

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Over the past four decades, Geoffrey Hartman's voice has been one of the most important and profound in contemporary literary theory. Most noted for his scholarship on Wordsworth and Romanticism, Hartman developed throughout his work an original conception of the relationship between literary and critical writing that is still considered a deeply significant contribution to the field. In The Wordsworthian Enlightenment, the most important contemporary critics of Romantic poetry and trauma reflect on Hartman's work and its lasting influence. This collection of sixteen essays-including a new essay from Hartman-provides a wide-ranging and thorough perspective on recent approaches to Romanticism. Contributors: Leslie Brisman, Yale University; Gerald L. Bruns, University of Notre Dame; Cathy Caruth, Emory University; Helen Regueiro Elam, University of Albany; Frances Ferguson, University of Chicago; Paul H. Fry, Yale University; Kevis Goodman, University of California at Berkeley; Ortwin de Graef, Katholieke Universiteit Leuven (Belgium); Robert J. Griffin, Texas A & M University; Geoffrey Hartman, Yale University; J. Douglas Kneale, University of Western Ontario; Alan Liu, University of California, Santa Barbara; Peter J. Manning, Stony Brook University; Donald G. Marshall, Pepperdine University; J. Hillis Miller, University of California at Irvine; Lucy Newlyn, Oxford University; Patricia Parker, Stanford University.

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