Search results for ""author thames"

The perfect primer on American street photographer Bruce Gilden, best known for his candid close-up photographs of people on the streets of New York City. Bruce Gilden was born in 1946 and grew up in Brooklyn, New York. After taking photography classes at the School of Visual Arts, he embarked on his first major project: recording tourists and pleasure-seekers visiting Coney Island. Gilden is probably best known for his work on the streets of New York, focusing on the city's characters and outsiders, but he has also spent many years on projects in Haiti, Japan and Ireland. A member of Magnum Photos since 2001, Gilden has taken the genre of street photography and pushed it in new directions, documenting the essence of the people he sees and the social landscape through which they move.

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A member of the celebrated Magnum agency, Richard Kalvar has spent more than four decades building up a diverse body of work that is characterized by a finely honed sense of observation. Born in Brooklyn, New York, in 1944, he has travelled all over the world, capturing fleeting details and moments of absurdity. His images suggest glimpses into untold stories, reflecting an idiosyncratic approach to the act and practice of photography.

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WOW: Experiential Design for a Changing World explores the work of the multi-disciplinary design firms Warner Wong Design and WOW Architects. Through the selection of twelve breathtaking hotel, restaurant and custom home projects located across five different countries, as well as one provocative architectural installation that was commissioned by the Singapore Institute of Architects, WOW Architects and Warner Wong Design’s experientially engaging work is beautifully presented in this book.

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A landmark compendium - the first authoritative publication to cover in its entirety one of the most significant holdings of Matisse in the world. Here is a vibrant celebration - slipcased and beautifully produced - of the Barnes's extraordinary Matisse collection. Composed of fifty-nine works from every stage of the artist's career, it is among the most important in the world. At its heart are Matisse's most historically significant paintings, Le Bonheur de vivre, also called The Joy of Life, and The Dance, the monumental mural that Albert C. Barnes commissioned to fill the lunettes of the Foundation's main gallery, transforming both the space and the artist's career. An essay by Yve-Alain Bois addresses the evolution of The Dance and its role in Matisse's career; Karen Butler looks at what Barnes thought of Matisse; and Claudine Grammont's considers how and why he collected his work. The artworks themselves, sumptuously reproduced, are the subjects of interpretive analyses that tell the stories of their acquisition and address their critical reception. The book includes major contributions by Barbara Buckley and Jennifer Mass on the artist’s technique and a report on the latest findings on the pigments used in Le Bonheur de vivre.

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In this classic survey, now updated and with full-colour images throughout, Edward Lucie-Smith introduces the art of Latin America from 1900 to the present day. He discusses in detail major figures such as Diego Rivera and Frida Kahlo, as well as dozens of less well-known artists. Those who spent their lives in exile, and artists from Europe and the US who lived in South America, such as Leonora Carrington, are all included in this broad, comprehensive view. The artists featured here have sought for indigenous roots and a local tradition; explored abstraction, expressionism and new media (video, installation, performance); entered dialogue with European and North American movements, while insisting on reaching a wide popular audience for their work; and created an energetic, innovative and very varied art scene across the continent today. A new chapter extends the discussion into the twenty-first century, summarizing key trends and most notable figures of the last two decades. A constant theme is the embrace of the experimental and the new by artists across Latin America.

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Following the bestselling Festival of Brexit and A Prat's Progress, star satirist Cold War Steve returns with a viral vengeance with his Journal of the Plague Year. Dubbed ‘the modern-day William Hogarth’, the collage artist casts a searing eye back at the last year on ‘Plague Island’ Britain and abroad: featuring a global pandemic, an inept government at home and the US election’s absurdist saga, his chronological journal spans lockdowns, G7 summits, crises and scandals, to leave no-one unscathed. Featuring the usual suspects in despicable settings, and rife with art historical references, Journal of the Plague Year brilliantly blends world news and art in signature-style collages, each accompanied by witty commentary. Published in an enlarged format, this new tome will delight Cold War Steve’s huge fanbase, and anyone in need of humour after the grimness of this past plague yearWith 100 illustrations in colour

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An intimate exploration of Yves Saint Laurent's creative world, captured by photographer and son of the couturier's right-hand woman, Anne-Marie Muñoz Carlos Muñoz-Yagüe. Yves Saint Laurent: Inside Out presents an extraordinarily intimate insight into a fascinating world of creativity in the latter, sumptuous phase of Saint Laurent's career, between 1989 and his final collection in 2002. The book offers a comprehensive and multi-faceted exploration of the life of an haute couture house: from informal, atmospheric portraits of Yves Saint Laurent at work in his studio, drawing and creating, to the behind-the-scenes work of the petites mains' in the ateliers, the skilled army of artisans whose activity is rarely documented. The house's world-famous models also feature, captured during pre-collection fittings in the house's grandiose salons and in electric backstage moments before the shows. Private archive materials letters, documents, drawings, and ephemera that sit

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The idea of heaven on earth haunts the human imagination. The day will come, say believers, when the pain and confusion of mortal life will give way to a transfigured community. Such a vision of the world seems indelible. Even politics, some reckon, has not escaped from the realm of the sacred: its dreams of the future still borrow their imagery from the prophets. In Heaven on Earth, T.J. Clark sets out to investigate the very different ways painting has given form to the dream of God’s kingdom come. He goes back to the late Middle Ages and Renaissance – to Giotto in Padua, Bruegel facing the horrors of religious war, Poussin painting the Sacraments, Veronese unfolding the human comedy. Was it to painting’s advantage, is Clark’s question, that in an age of enforced orthodoxy (threats of hellfire, burnings at the stake) artists could reflect on the powers and limitations of religion without putting their thoughts into words? At the heart of the book stands Bruegel’s ironic but tender picture of The Land of Cockaigne, but also Veronese’s inscrutable Allegory of Love. The story ends with Picasso’s Fall of Icarus, made for UNESCO in 1958, which already seems to signal – perhaps to prescribe – an age when all futures are dead.

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Pocket Museum: Ancient Greece presents more than 200 objects currently housed in public collections around the world that offer both context and immediacy to the rich culture of Ancient Greece. From the bifacial hand tools of the Lower Palaeolithic to the Hellenistic Great Altar of Pergamon, the artifacts presented here reveal a complex sociocultural history of shifting priorities, spiritual beliefs, and cultural traditions; the influence on material culture of isolation and internationalism, of technological advance and decline, and of prosperity and adversity. They also reflect the transmission of shared social-cultural ideals across vast distances through relationships maintained for centuries at a time – objects from across the Greek world, valued in life and in death. Pocket Museum: Ancient Greece also offers an insight into the history of collecting and methods of interpretation, examining how the perception of objects has changed over time. Beautifully illustrated with photographs of each featured artifact, this is an absorbing introduction to a culture that has exerted an unparalleled influence on Western civilization.

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A visual analysis of the colours used in furnishing fabrics and wallpapers from the 15th century to now, providing inspiration for designers. This simply structured and highly original book analyses the palettes that have been used by designers in the creation of furnishing fabrics and wallpapers from the 15th century to the present. The colours used in each pattern are presented in a simple proportional grid, giving a clear understanding of hues that have been expertly combined at different periods to create the designs we continue to admire and emulate. Spectrum opens with a brief introduction by interior design expert Ros Byam Shaw, exploring the history of colour as used in interiors. The fabrics and wallpapers that follow are arranged chronologically. Each is reproduced on its own double-page spread, and is accompanied by a brief narrative-style caption that provides information about each fabric or wallpaper and its significance in the context of interior design. Unique in such a book are the colour grids shown beside each pattern, in which the colours in the original piece are shown in proportion to their use, and with their CMYK references to enable designers to replicate these colours in their own work.

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New in the series Pocket Photo Books - attractive, immersive, compact photo guides - in which Harry Cory Wright explores one of London's iconic sights, Tower Bridge.

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Screenprinting is in the midst of a popular revival among beginners, students, hobbyists and experts alike, but there are very few recent publications that give actual fundamental information on its techniques and processes. This book provides the missing manual on this very popular practice. It includes iInspirational step-by-steps with leading artists, illustrators and designers, including Ben Eine and Rob Ryan. In each step-by-step original work is created to showcase a key process or technique such as hand-cut stencils, colour blending and monoprinting. The information on materials and techniques, along with tips, insights and troubleshooting, will ensure today’s creatively minded screenprinters will be able to produce eye-catching work of their own. The book also gives valuable advice to the budding screenprinter on how to organize an exhibition or screenprinting event and promote and sell their work. Deliciously fresh and visual, with specially commissioned photographs and written by a vibrant, innovative group working and teaching at the very epicentre of the contemporary screenprinting scene, this book is the complete modern guide for screenprinters of all levels of knowledge and skill, and will have a vital presence in their studios and workshops.

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James Joyce remains a mysterious figure, and yet his books concern his own life: his friends, loves, and above all the city of Dublin. Professor Chester Anderson here examines Joyce as one of the greatest modern writers, but also explores his life, visiting all the places where he lived and worked, and showing how closely all these biographical details are related to Joyce's four great books: Dubliners, A Portrait of the Artist as a Young Man, Ulysses and Finnegan's Wake. This unity of work and life is illuminated by passages quoted from these masterpieces and from Joyce's letters and other writings. The fascinating photographs of Joyce, his family and his surroundings cover every phase of his life.

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Hokusai: the blue, foam-crested wave rearing above Mount Fuji; the celebrated volcano idealized and reinventedby the artist in every nuance of view, season and painting; extraordinary bridges, the waterfalls of Japan, the contortions, costumes, gestures – the very breath of men, women, peasants, townsmen, warriors, artisans, leaping horses, birds, insects, fish, almost live on the ground on which they are painted – the countless imaginative drawings or the lively sketches done on the spot for the Manga, Hokusai’s record of shapes and forms drawn from life or imagined over time. With a body of work comprising more than 30,000 drawings and paintings, Hokusai (1760–1849) was the most prolific, varied and indisputably the most creative artist of old Japan. A universal genius in everything that constituted drawing and painting in his time, he practised all genres of ukiyo-e, those ‘images of the floating world’, as his contemporaries liked to describe their pleasures and their daily life. This book traces the career of this child from a working-class district of old Tokyo, then known as Edo, evoking the special atmosphere of this great city and of Japanese life, when Japan – closed to foreigners – developed in a vacuum a powerfully original culture. Hokusai became one of the great masters of the woodcut, this ‘brush gone wild’, as he called himself, being rediscovered by the Impressionists and aesthetes at the end of the 19th century. He remains one of the greatest and – thanks to his personality – one of the most attractive figures of world art.

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A Financial Times Book of the Year 2022A penetrating analysis of the work of one of the most influential painters in the history of modern art by one of the world’s most respected art historians. For more than a century the art of Paul Cézanne was held to hold the key to modernity. His painting was a touchstone for Samuel Beckett as much as Henri Matisse. Rilke revered him deeply, as did Picasso. If we lost touch with his sense of life, they thought, we lost an essential element in our self-understanding. If These Apples Should Fall: Cézanne and the Present looks back on Cézanne from a moment – our own – when such judgments may seem to need justifying. What was it, the book asks, that held Cézanne’s viewers spellbound? At the heart of Cézanne lies a sense of disquiet: a homelessness haunting the vividness, an anxiety underlying the appeal of colour. T. J. Clark addresses this strangeness head-on, examining the art of Pissarro, Matisse and others in relation to it. Above all, he speaks to the uncanniness and beauty of Cézanne’s achievement.

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Using luminous HUV printing, Bang immerses readers in the awe-inspiring phenomena of the natural world. In this follow up to the highly acclaimed Glow, award-winning illustrator Jennifer N. R. Smith takes us on a breathtaking tour of the planet's most astonishing natural phenomena - from explosive volcanoes and geysers to dancing lights in the night sky. The Earth may seem solid and stationary but deep beneath its surface it is constantly changing, twisting and transforming. Its unbridled power is what generates surreal natural phenomena and dramatic landscapes, as well as devastating natural disasters. In this lavishly illustrated book, young readers will discover the explosive power of volcanoes, a cave filled with giant crystals, a hot spring pool filled with bathing snow monkeys, dinosaurs hidden between layers of rock and an incredible ecosystem that can survive the boiling hot waters around hydrothermal vents, as well as extreme weather and incredible optical phenomena, inc

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The astonishing phenomenon of bioluminescence is brought to life in vivid detail by medical illustrator Jennifer N. R. Smith. The natural world is an infinite source of wonder and the phenomenon of bioluminescence is no exception. Glow explores the remarkable way animals and plants light up of their own accord, and what we can learn from their incredible glow-in-the-dark abilities. Written and illustrated in minute detail by medical illustrator Jennifer N. R. Smith, Glow takes readers on a magical journey to the deepest ocean trenches, through winding networks of caves and into the darkest corners of the forest to experience the wonder of bioluminescence. The first in a series of non-fiction children’s books exploring natural phenomena, Glow introduces readers to creatures that glow in the dark including anglerfish, firefly squid, lanternfish, the glowing sucker octopus, Flor de Coco and Honey fungi, as well as hosts of fireflies and glow-worms. It also celebrates the scientists and deep-sea explorers who, at great personal risk, have travelled to the ocean floor to study bioluminescence. Combining natural history with STEM, Glow considers how bioluminescence works and what we can learn from it, including ways to prevent climate change and tackle pollution. Printed using UV printing techniques, the illustrations appear luminous on the page, making for a truly awe-inspiring reading experience. Shortlisted for the AOI World Illustration Awards

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Danny Dodo is a detective on a mission. Over the years, hundreds of amazing animals have disappeared. Where did they go? Why did they vanish? It’s Danny’s job to find out – and he wants readers to help! Danny Dodo’s Detective Diary includes tales about Skye the passenger pigeon; Lily, the snail muse of Hawaii whose shimmering shell inspired poetry; and Mayleen the Baiji river dolphin, known to many as the ‘Goddess of the Yangtze.’ But Danny doesn’t just want to celebrate his extinct friends – he’s going to help everyone get to know some of his endangered friends too. Featuring the quirky illustrations of Rob Hodgson, Danny Dodo’s Detective Diary stands apart from other natural history titles with its characterful creatures and humorous approach to zoology based on the latest scientific research, and includes handy tips for young children on what they can do to help the planet.With 48 illustrations in colour

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Even in the digital age, the printed poster retains an important, much-loved role in connecting with audiences in a way that both entertains and informs. The V&A was one of the first museums to start collecting posters and to recognize the importance of doing so. Far from ephemeral, posters are both a representation of the time in which they were produced and distributed and, in many instances, have shaped the societies in which they were seen. The story of the poster is both one of changing styles and new innovations in design, illustration and printing, and a visually compelling social history. The Poster brings together over 300 examples that tell a comprehensive visual history of poster design and the various ways the poster has been used to tell, to sell, to charm and to spur on change. Organized into seven thematic chapters that tell the story of the poster as a medium, each poster is accompanied by a concise commentary that explains the work in terms of its design, printing, content, message and the commercial, social or political impact it may have had. Featuring works by the masters of poster design that have become popular and highly collectible classics, charting the ebb and flow of styles such as Art Nouveau, Modernism, Art Deco, Psychedelia and Punk and featuring the nostalgic glow of muchloved brands as well as posters that shook and changed the world, The Poster will be an essential visual resource for graphic designers and illustrators – a reference for anyone with an interest in collecting posters and an engaging design and social history for all who appreciate this most popular of art forms.

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Many ‘model’ cities, both imagined and physical, have existed throughout history; from the ideal cities of the Renaissance, Urbino, Pienza and Ferrara, to modernist utopias, such as Brasília or Chandigarh. North Korea’s Pyongyang, however, is arguably unique. Entirely rebuilt following the Korean War (1950–53), the city was planned and fully implemented to model a single ideological vision – a guide for an entire state. As a result, the urban fabric of Pyongyang displays an extraordinary architectural cohesion and narrative, artfully captured in the pages of this book. In recent years, many of Pyongyang’s buildings have been redeveloped to remove interior features or to render façades unrecognizable. From the city’s monumental axes to its symbolic sports halls and experimental housing concepts, this timely book offers comprehensive visual access to Pyongyang’s restricted buildings, which still preserve the DPRK’s original vision for a city designed ‘for the people’. Often kitsch, colourful and dramatic, Pyongyang’s architecture can be reminiscent of the aesthetic of a Wes Anderson film, where it is difficult to distinguish between reality and theatre. Reflecting a culture that has carefully crafted its own narrative, the backdrop of each photograph has been replaced with a colour gradient, evoking the idealized pastel skies of the country’s propaganda posters.

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When long-term cat owner and Dutch photographer Marcel Heijnen moved to Hong Kong, he was delighted to find that many of his neighbours were of the feline variety. It was only natural for him to make friends with the local shop cats and their owners, taking photos as he went. And this book is the charming result. Against a background of Hong Kong’s bustling dried goods trade, dusty shelves groaning with traditional products, the beloved cats either stand out as shop mascots or magically melt away behind boxes and jars. Meanwhile, their innermost thoughts, delivered deadpan, are revealed through Ian Row’s intuitive haiku and stories.With 90 illustrations in colour

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Created in collaboration with Dronestegram, the world-leading drone photography website, and Ayperi Karabuda Ecer, a highly renowned photography editor, Dronescapes is the first book to bring together the very best photographs taken by quadcopters around the globe. It grants us the thrilling opportunity to see our planet from entirely new vantage points, whether this is a bird’s-eye view of Christ the Redeemer in Rio de Janeiro, a photograph taken inches away from an eagle in mid-flight, or a vertiginous shot taken above Mexico’s Tamul Waterfalls. There are extended commentaries on how individual images were created, profiles on notable photographers and a separate user guide containing key advice on how to use your drone. An introduction also discusses how the arrival of drone photography signals a major shift in the history of aerial photography. Dronescapes is a landmark publication at the cutting edge of contemporary photography, taking the medium – for once, literally – to newfound, dizzying heights.

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This book tells the remarkable lives of the pioneers of science – from Galileo and Newton, Faraday and Darwin, Pasteur and Marie Curie, to Einstein, Freud, Turing, and Crick and Watson. A series of seventy articles, written by an international team of distinguished scientists, historians of science and science writers, provides an unrivalled account of the lives and personalities behind the greatest scientific breakthroughs of all time. Organized thematically, starting at the ‘Universe’, and moving smaller through the ‘Earth’ and ‘Molecules and Matter’ to ‘Inside the Atom’, with the final two sections looking at ‘Life’ and ‘Body and Mind’, it covers all the major scientific disciplines, including astronomy, biology, biochemistry, chemistry, computing, ecology, geology, medicine, neurology, physics and psychology, as well as mathematics. The Scientists will intrigue budding scientists, those fascinated by the lives of great individuals, and anyone curious to know how over the centuries we came to understand the physical world around us and inside us.

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Showcasing more than sixty pieces from the Pierre Bergé-Yves Saint Laurent Foundation and the Museum of Lace and Fashion collections, Sheer highlights the designer’s mastery over transparent fabrics. Through archival drawings and photographs, and newly shot sheer silhouettes designed by Yves Saint Laurent from the collections of the Musée Yves Saint Laurent Paris and the Museum for Lace and Fashion, Calais, Sheer: The Diaphanous Creations of Yves Saint Laurent highlights the couturier’s pioneering work in lace and other sheer fabrics, uncovering how he was able to overturn codes of unveiling the body to present a new, powerful and sensual feminine figure. The book shows how he worked to ‘reveal’ the body of the woman wearing his clothes with both elegance and audacity: the Nude Dress of 1968, for example, made entirely of transparent chiffon, provided ‘modesty’ in the form of ostrich feathers. Original outfits, sketches, collection boards and fabric swatches give an intimate window into the designs, while photographs of models and clients such as Catherine Deneuve and Naomi Campbell bring to life the designer’s creations in a way that still shocks even now. Sheer is an essential read for fashion fans, and a fascinating and unique look at the work of one of the great designers.

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The first monograph from exciting young Singapore architecture practice RT+Q, celebrating 20 years of work. With more than 120 completed projects in Singapore, Indonesia and Malaysia, RT+Q has established itself as a leading practice in the region. Perhaps best known for its striking residential architecture that draws on both vernacular and Modernist traditions, the practice always surprises, and consistently wins awards. This book brings together 29 of the best houses completed since the practice was founded in 2003 by Rene Tan and TK Quek. RT+Q's designs make the most of their tropical setting, with an easy interplay between indoor and outdoor spaces through permeable apertures, lush planting and airy mezzanine living. Elegant brickwork, textural concrete and slatted wooden facades are perennial features of their work. Design awards from the Singapore Institute of Architecture and the World Architecture Festival have followed, with Rene Tan named Designer of the Year at the President's Design Awards in 2016, Singapore's most prestigious award. Tropical indoor-outdoor living has seen a huge surge in interest during the Covid pandemic, whilst travel was so restricted. This title offers the armchair adventurer an aspirational tour of cutting-edge domestic architecture from a practice shaping the future of luxurious living in Southeast Asia.

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The new M+ museum of modern and contemporary visual culture will open its permanent new home in the West Kowloon Cultural District of Hong Kong in the autumn of 2021. Designed by Herzog & de Meuron, the building is set to become a striking landmark on the waterfront of Hong Kong’s Victoria Harbour. But even before the new building opened, M+ has been busy engaging with local and international audiences through a broad range of programmes and exhibitions and a strategic approach to collecting. The opening of M+’s new home is undoubtedly a milestone in the institution’s ongoing story, yet it also marks an important moment to reflect on its development to date. The Making of M+ is an immersive visual encounter with the many stages of the museum’s evolution. H. G. Masters, the book’s guest editor, and Sulki & Min, its award-winning designers, present images and words relating to M+’s first three decades – starting with the reclamation of the land on which the M+ building stands. While the hundreds of images in the book document the programmes, collections, staff, audiences and architecture that have helped shape the museum, the texts have been carefully selected from key moments in the institution’s formation, encompassing official pronouncements, staff mantras, public reactions, and snippets from the local and international press. Offering a wide range of perspectives and voices, The Making of M+ is an innovative companion to the creation of a remarkable cultural institution – the first of its kind in Hong Kong and Asia.With 360 illustrations in colour

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A compelling and vivid narrative history of one of the founding civilizations of the modern world, the Byzantine empire, evocatively told through the lives of its 92 emperors. The Byzantine empire was one of the most successful states of the Middle Ages, ruling over a huge terrain straddling Europe and western Asia for an unrivalled eleven hundred years. Yet its history remains largely unfamiliar. This chronicle brings this majestic yet turbulent period to life through the lives of its emperors: supreme military commander, Head of State and God’s representative on earth, no less. These were the men and women that presided over many of the foundations of the modern world, from the establishment of the Eastern Orthodox Christian faith, to the magnificent artistic heritage of Hagia Sophia and Mount Athos, and the creation of a visual template for Christian art. Each illustrated biographical entry contributes to the story of how Byzantium shaped our art, culture, religious beliefs and justice systems, and the role this extraordinary empire played in halting repeated invasions, allowing the idea of ‘Europe’ to flourish. Through stories of nobility and petty revenge, of religious devotion and brutal genocide, and of sexual intrigue and artistic brilliance; from soaring intellectuals to illiterate peasants, eunuchs and despots, this is a humanizing portrayal of individuals, whose role impacted the lives of millions.

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GamesMaster: The Oral History charts the highs and lows of Channel 4’s iconic and anarchic UK videogames entertainment show. First broadcast in 1992 amid a brash youth television takeover, the ambitious and sometimes chaotic production of GamesMaster is as much a story of the 1990s, set against a backdrop of videogame console wars, Britpop and a curious new thing called the World Wide Web. This definitive retrospective is guided by show host Dominik Diamond and features over 40 contributors, including production crew, celebrity guests and the games-playing members of the public who became either playground heroes or defeated outcasts vying for the iconic Golden Joystick prize.

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The first fully illustrated and comprehensive introduction to May Morris's work as an artist, designer and embroiderer, published in association with the V&A. May Morris (1862–1938), younger daughter of William Morris, was a significant figure in the British Arts and Crafts movement and a pioneer of ‘art embroidery’. She ran the embroidery department of Morris & Co., as well as designing textiles, wallpapers and jewellery. May was also an influential teacher and lectured in the UK and America. May Morris: Arts & Crafts Designer is the first publication to present the full range of May Morris’s work and reveals her exceptional skill and originality. It draws together her designs, exquisite embroideries, watercolours, costume and jewellery from museums around the world, and in particular the rich collections of the Victoria and Albert Museum and the William Morris Gallery, London. The book contains more than 180 items in colour and detailed information on their materials and provenance compiled by leading experts. There are also new insights into May’s personal life and relationships, her social activism and her support for other craftswomen. This authoritative and illuminating study places May Morris, whose reputation has been overshadowed by that of her father, firmly among the leading British designer-makers of the Arts and Crafts movement.

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The mass of available data about World War II has never been as large as it is now, yet it has become increasingly complicated to interpret it in a meaningful way. Packed with cleverly designed graphics, charts and diagrams, World War II: Infographics offers a new approach by telling the story of the conflict visually. Encompassing the conflict from its roots to its aftermath, more than 50 themes are treated in great detail, ranging from the rise of the Far Right in pre-war Europe and mass mobilization, to evolving military tactics and technology and the financial and human cost of the conflict. Throughout, the shifting balance of power between the Axis and the Allies and the global nature of the war and its devastation are made strikingly clear.

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‘A photographer’s gift to the viewer is sometimes beauty in the overlooked ordinary’ Saul Leiter Photography lovers the world over are now embracing Saul Leiter, who has enjoyed a remarkable revival since fading into relative obscurity in the 1980s. This collection reveals the secrets of his appeal, from his life philosophy and lyricism to masterful colours and compositions. Some 200 works – including early street photographs, images for advertising, nudes and paintings – cover Leiter’s career from the 1940s onwards, accompanied by quotations from the artist himself that express his singular world view.

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Genius. Anti-artist. Charlatan. Impostor! Since 1914 Marcel Duchamp has been called all of these. No artist of the 20th century has aroused more passion and controversy, nor exerted a greater influence on art, the very nature of which Duchamp challenged and redefined as concept rather than product by questioning its traditionally privileged optical nature. At the same time, he never ceased to be engaged, openly or secretly, in provocative activities and works that transformed traditional artmaking procedures. Written with the enthusiastic support of Duchamp’s widow, this is one of the most original and important books ever written on this enigmatic artist, and challenges received ideas, misunderstanding and misinformation.With 172 illustrations in colour

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‘For millions of children, Dick Bruna’s books are the first they will encounter. They don’t know how lucky they are’ Michael Bond This latest instalment in The Illustrators on Dutch artist Dick Bruna (1927–2017) takes readers behind the scenes of the creation of some of the world’s most endearing children’s characters. Offering a deeper appreciation of the artistry and skills behind the international icon Miffy, fellow illustrator Bruce Ingman also reveals Bruna’s lesser-known work, including his striking book and poster designs. A glimpse into his studio in Utrecht reveals a man of many media, including drawing, painting, collage and photography. All the elements of Bruna’s extensive body of work, spanning book covers, posters, stamps and merchandise, are given due significance in this illuminating study of his reputation and success. By the time of Bruna’s retirement, Miffy had become an industry in her own right and Bruna an international star far beyond the sphere of children’s books. Ingman shows us how the simple complexity of Bruna’s work appeals to children, artists and designers alike, capturing the imagination across ages and artistic disciplines.

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Timeless, evocative and hauntingly beautiful: a retrospective monograph by a truly innovative image maker whose female gaze transformed fashion photography. American photographer Deborah Turbeville defies classification. She belongs to no school or movement. Her unique visual signature has been recognizable since her emergence as a major talent in the 1970s. Her images are evocative, difficult to date at first glance, and seem dreamlike to our 21st-century eyes. Turbeville stands apart from her male contemporaries, whose hard-edged, highly sexualized photographs of women now seem to be of their time in comparison with Turbeville’s very different representation of beauty. This book focuses on the area of Turbeville’s practice where her genius as an artist can be found: photocollage. In contrast to her contemporaries in fashion photography, she was deliberately playful with her images: xeroxing, cutting, scraping and pinning prints together, writing in the margins and creating narrative sequences. Her work is located far from single, glossy images. It inhabits a liminal zone between art and commerce. Built upon extensive research in the Deborah Turbeville archive, the work shown spans commercial and personal projects, with many images published for the first time. With texts by Vince Aletti, Anna Tellgren and Felix Hoffmann, this book brings into the spotlight the ways in which Turbeville redefined fashion photography, moving away from the sexual provocation and stereotypes assigned by male photographers to an idea of femininity on her terms. Deborah Turbeville: Photocollage will be an essential publication with modern relevance for all with a passion for fashion photography.

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‘A photographic encyclopaedia of one of the 20th century’s greatest creators’ The Business of FashionFounded by Yves Saint Laurent and Pierre Bergé in 1961, shortly after the young couturier left his post at the helm of Christian Dior, Yves Saint Laurent would soon become one of the most successful and influential haute couture houses in Paris. Introducing Le Smoking, the first tuxedo suit for women, in 1966, Saint Laurent also presented iconic art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection. This definitive publication opens with a concise history of the house, followed by a brief biographical profile of Yves Saint Laurent, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with a gallery of carefully curated catwalk images. These showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs – and, of course, the top fashion models who wore them on the runway. A rich reference section concludes the book.

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The first monograph on Richard Smith, a key figure in the development of British art. Richard Smith (1931–2016) was one of the most original painters of his generation, and one of the most underrated. As Barbara Rose said of Smith’s major Tate Gallery retrospective in 1975, he was ‘at once in and out of touch with the currents of the mainstream … au courant and aloof at the same time.’ That he latterly slipped under the radar to some extent is partly explained by his detachment from the mainstream as well as by his frequent switching of studios between England and the USA, although this helped charge his creative batteries. He is the only artist of his stature who has not been represented by a monograph, which the dazzling presentation of images in Richard Smith: Artworks now fulfils. It has been produced with the generous collaboration of the Richard Smith Foundation. Richard Smith: Artworks traces Smith’s entire career, from the breakthrough lyrical abstraction of the early Pop-inflected paintings, through the radical shaped canvases and three-dimensional works that he produced in the 1960s, to the ‘Kite’ works beginning in 1972 and, eventually, his return to the flat canvas. As a Senior Curator at Tate, Dr Chris Stephens knew Smith well, and he contributes a wide-ranging introduction to Smith’s art and life. Prof David Alan Mellor investigates and explains the Anglo-American cultural contexts that drove Smith’s art, while Alex Massouras’s two themed essays, ‘Young and British’ and ‘From Motion Pictures to Flight’, explore Smith’s originality from fresh perspectives. The book is completed with an Afterword by its editor, Martin Harrison.

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Troy is familiar to us from the timeless and epic tales of Homer’s Iliad and Virgil’s Aeneid. These have been retold over the centuries by writers from Chaucer to Shakespeare to Madeline Miller and Rick Riordan, and enacted by stars such as Elizabeth Taylor and Brad Pitt. But how much do we really know about the city of Troy; its storytellers, myth, actual location or legacy? In this richly illustrated book, the story of Troy is told through a new lens. Published to accompany an exhibition at the British Museum, it introduces the storytellers and Classical artists inspired by the myths of Troy, then examines the tales themselves – from the Judgment of Paris to the return of Odysseus – through the Classical objects for which the museum is internationally known. The third section focuses on Heinrich Schliemann’s excavations at Hissarlik, introducing the nineteenth-century search for the location of Troy that convinced the world that this city did once exist. Also explored is the possible Bronze Age background for the myth of the Trojan War, the historicity of which remains unresolved today. The final section delves into the legacy of Troy, and the different ways in which its story has been retold, both in literature and art, from Homer to the present day. Focusing on the major characters – Helen of Troy, Achilles and Hector, Aeneas and Odysseus – it illustrates how artists from Cranach and Rubens to Romare Bearden and Cy Twombly have been inspired by this archetypal tale to reflect on contemporary themes of war and heroism, love and beauty.

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One of the greatest Netherlandish artists, Pieter Bruegel the Elder (1525/30–1569) is best known today for his paintings of peasant life. Yet it was above all through his exceptional graphic work that he achieved widespread fame during the 16th century. This luxurious book offers readers the opportunity to get up close and personal with Bruegel’s famous prints. Published as part of this special Bruegel year, it accompanies the exhibition at the Royal Library of Belgium, Brussels, which is renowned as a pioneer in Bruegel scholarship and holds an unparalleled collection of the artist’s graphic work.

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A fresh perspective on British landscape drawing in the Victorian and Modern eras. The attempts by artists of the Victorian and early Modern period to convey not merely the physical properties of a landscape but also its emotional and spiritual impact – landscape as ‘places of the mind’, as the critic Geoffrey Grigson put it – is the focus of this fascinating new study of British watercolours produced between 1850 and 1950. Drawing on the British Museum’s impressive collection, this book explores artists’ spiritual quests to capture the essence of landscape and convey a sense of place. Artists of the later nineteenth and early twentieth centuries drew on earlier traditions but developed and extended the genre through their imaginative, personal responses to the artistic, cultural and social upheavals of the time. The book includes works by Victorian artists Edward Burne-Jones, Dante Gabriel Rossetti and Edward Poynter and by many well known twentieth-century artists, such as John and Paul Nash, Ben Nicholson and Henry Moore, some of which have never previously been published.

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The definitive, full-career retrospective of the life and work of Chris Killip (1946-2020), one of the UK’s most important and influential post-war documentary photographers. ‘I didn’t set out to be the photographer of the English de-Industrial Revolution. It happened all around me during the time I was photographing’ Chris Killip, 2019 Grounded in sustained immersion and participation in the communities he photographed, Chris Killip’s keenly observed work chronicled ordinary people’s lives in stark, yet sympathetic, detail. His photographs are recognized as some of the most important visual records of 1980s Britain; as editor of this book Ken Grant reflects, they tell the story of those who ‘had history “done to them”, who felt its malicious disregard and yet, like the photographer with whom they shared so much of their lives, refused to yield or look away.’ Published to coincide with the first full retrospective of Killip’s life and work at the Photographers’ Gallery, London, this book, designed by Niall Sweeney & Nigel Truswell at Pony Ltd, presents photographs from each of his major series alongside lesser-known works. It includes a foreword by Brett Rogers, in-depth essays by Ken Grant tracing Killip’s life and career, and texts by Gregory Halpern, Amanda Maddox and Lynsey Hanley.

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A landmark publication that captures the beautiful richness of every aspect of trees and their importance for science, culture and the future of humankind. Trees feed us, shelter us, inspire us and heal us. In a world facing the destruction of the Amazon rainforest and a pressing climate emergency, the importance of these primeval beings in shaping our future is hard to understate. Generously illustrated and organized according to tree lifecycle – from seeds, leaves and form to wood, flowers and fruit – this book celebrates the great diversity and beauty of the 60,000 tree species that inhabit our planet. Exquisite details are rendered by surprising photography and infographics: intricate bark and leaf patterns, intertwined ecosystems, colourful flower displays, archaic wooden wheels and timber houses. Integral to science, art and culture, fundamental and fragile, dependent and depended on, the vitality of trees is revealed like never before.

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Todd Webb is largely known for his skillful photographic documentation of everyday life and architecture in cities, most notably New York and Paris, as well as his photographs of the American West. This new book showcases a different side of Webb’s work, taken from an assignment that took him to eight African countries. In 1958, Webb was invited by the United Nations to document Togoland (now Togo), Ghana, Kenya, the Federation of Rhodesia and Nyasaland (now Zimbabwe, Zambia and Malawi), Somaliland (now Somalia), Sudan, Tanganyika and Zanzibar (now merged as Tanzania) over a five-month assignment. Equipped with three cameras and briefed to document industrial progress, he returned with approximately 1,500 colour negatives, but less than twenty of them were published, in black and white, by the United Nations Department of Public Information. The archive was then lost for over fifty years and was only rediscovered by the Todd Webb Archive in 2017. Todd Webb in Africa includes over 150 striking colour photographs from Webb’s African United Nations assignment. This book, and an accompanying touring exhibition, provides expert insight into Webb’s images with contributions by both African and American scholars. Accompanying essays place the photographs in their historical and artistic moment, and provide crucial insight into the role of photography in visualizing national independence and ingrained imperialism.With 203 illustrations in colour

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Silk has long captured the imagination of peoples round the globe, inspiring creativity in the making of luxurious textiles. This major new survey draws on the exceptional collections of London’s Victoria and Albert Museum and explores tradition and innovation across the history and geography of silk production, celebrating the ingenuity and skill of designers and makers. Structured by technique, from weaving and knitting to dyeing, printing and embroidery, this compendium showcases a rich variety of artworks, furnishings and clothing, including fashions from recent designer catwalk shows in North America, Asia and Europe. Silk will inform every student, connoisseur and admirer of beautiful textiles.With 620 illustrations in colour

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A splendid – and necessary – publication…a great resource Iain SinclairCharles Booth’s landmark survey of life in late-19th-century London, published for the first time in one volume. In the late nineteenth century, Charles Booth's landmark social and economic survey found that 35 percent of Londoners were living in abject poverty. Booth's team of social investigators interviewed Londoners from all walks of life, recording their comments, together with their own unrestrained remarks and statistical information, in 450 notebooks. Their findings formed the basis of Booth's colour-coded social mapping (from vicious and semi-criminal to wealthy) and his seventeen-volume survey Inquiry into the Life and Labour of the People of London, 1886-1903.Organized into six geographical sections, Charles Booth's London Poverty Maps presents the hand-colored preparatory and printed social mapping of London. Accompanying the maps are reproductions of pages from the original notebooks, containing anecdotes and observations too judgmental for Booth to include in his final published survey. An introduction by professor Mary S. Morgan clarifies the aims and methodology of Booth's survey and six themed essays contextualize the the survey's findings, accompanied by evocative period photographs. Providing insights into the minutia of everyday life viewed through the lens of inhabitants of every trade, class, creed, and nationality, Charles Booth's London Poverty Maps brings to life the diversity and dynamism of late nineteenth-century London.

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Virgin by Design is the official publication volume celebrating 50 years of daring innovation and creativity at Virgin, presenting the stories, the people and the work that went into the building and shaping of a much-loved and globally respected brand. More than a retrospective, it gets to the heart of the values that make the Virgin brand so unique, communicating how those values resonate with people today – and will continue to do so in the future. Based on in-depth research and interviews with all the key people who have played a part in Virgin’s companies past and present, Virgin by Design is organized into ten chapters – each with fully illustrated case studies – that provide a sense of how hard work and brilliant ideas have resonated with audiences worldwide. Spanning the full 50-year period from Virgin’s beginnings as a record store to its bold future in space tourism with Virgin Galactic, it also embraces Virgin’s broad diversity in terms of its global presence as a brand, its mission and purpose to change business for good, and in its offerings across multiple sectors, including travel, banking, health and fitness, communications and entertainment. Virgin by Design is packed with the wit, verve, spirit of adventure and ‘how it was done’ insights that will make it a must-have publication.

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A monograph on leading South African architecture studio SAOTA. Light Space Life is the first monograph from internationally recognised South African architecture studio SAOTA, known for crafting exceptional modern buildings that forge powerful connections to their extraordinary settings. Presenting memorable and distinctive residences selected from its wide-ranging global output, the book celebrates thirty-five years of innovative residential design from Lagos to Los Angeles, including houses from the dramatic South African coast where it all began. SAOTA is led by Stefan Antoni, Philip Olmesdahl, Greg Truen, Philippe Fouché, Mark Bullivant and Logen Gordon, and has designed luxury residential and commercial projects on six continents. With reference to South African Modernism, and a grounding in the International style, its projects take advantage of wildly beautiful settings, and are rooted in place by the relationship between the building and its site. The practice cites spirit of enquiry and close examination of function and form as hallmarks of its work, as well as the use of the most current technology, including virtual reality, in its design processes. This monograph features twenty-three recent residential projects from around the world, with a particular focus on Africa, illustrated with colour photography and including a foreword by SAOTA’s client Reni Folawiyo, founder of the West African fashion label, Alara.

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A House for Mouse tells the story of a little grey mouse who leaves his tiny hole in the forest to explore the wider world. On his search for a new home he unwittingly encounters some of the biggest stars in the fairytale genre. He discovers a house shaped like a shoe (belonging to Old Mother Hubbard); he takes tea with a little pig in a house made of straw (awfully breezy); is flummoxed by a tower with no door (Rapunzel’s); and dares to take a nibble from a most remarkable house made of gingerbread (narrowly missing Hansel and Gretel). The little grey mouse is about to give up his search for a new home when he comes face to face with the most spectacular house of all: a glorious, towering castle (Sleeping Beauty’s). Its ballrooms, turrets and drawbridge win him over, and he moves in immediately. But the little grey mouse feels terribly alone in his roomy new digs – until there is a knock at the door. His friends from the forest, and all those he has met on his journey, descend on the castle. Their feasting and dancing are so happy and lively that they even wake Sleeping Beauty, leading the little grey mouse to conclude that it is family and friends that turn a house into a home.

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A beautifully designed, fact-filled fold-out book on Antarctica. John, an intrepid journalist, has long dreamt of visiting Antarctica - and finally his dream is coming true. He's off to Antarctica to be part of a scientific expedition. Join him on his journey as he learns all about this amazing continent and the people who work there.

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