Search results for ""arc""

The gardens made on the fringes of Central Asia in the past 5000 years form a great arc. From the Fertile Crescent, it runs west to Europe and east to China and Japan. Asia's fringe was a zone of interchange: a vast landscape in which herders encountered farmers and the design of symbolic gardens began. It appears that as they became settlers, nomads retained a love of mobility, hunting and the wild places in which their ancestors had roamed. Central Asian and Indian ideas influenced the garden culture of China, Japan and South East Asia.In West Asia, Aryan settlers made hunting parks known as paradises. They were walled enclosures stocked with exotic plants and animals. In East Asia, great landscape parks were used for similar purposes and had a sacred role. Across Asia, gardens were influenced by religious and other beliefs: polytheist, Hindu, Buddhist, Muslim, Daoist, Shinto and Modernist. Early parks and gardens symbolized wild and civilized nature, sometimes conceived as the realms of the Sky God and the Earth Mother. Asian Gardens: History, Beliefs and Design explores the ways in which designs were guided by beliefs.Tom Turner has been researching and teaching the theory and history of garden design for some forty years. His visits, research, drawings and photographs are brought together in detailed studies of West Asia, South Asia and East Asia. The period covered extends from the earliest gardens to the present. Using maps, diagrams and photographs, the author explores how and why Asian gardens developed their characteristic forms and functions. Treating garden design as a 'word and image' subject, the account is coherent, comparative and readable. Further details of all the gardens are available on the gardenvisit.com website, which the author edits.

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Like the ever-widening universe, Standard candles expands on Alice Major’s earlier themes of family, mythology, and cosmology, teasing out subtle wonders in form and subject. Her voice resonates through experiments with old and new poetic forms as she imbues observed and imagined phenomena—from the centres of galaxies to the mysteries of her own backyard—with the most grounded and grounding moments of human experience. In Standard candles, readers will find an emotional dimension that seamlessly intersects with the dimensions of space and time. Fans of Alice Major will enjoy seeing her work through familiar themes, while readers new to her poetry will discover unexplored universes. Alice Major emigrated from Scotland at the age of eight, and grew up in Toronto before coming west to work as a weekly newspaper reporter. She served as Edmonton’s first poet laureate and has been inducted into the city’s cultural hall of fame. A widely-published author, she has won many distinctions. Her most recent book is Intersecting Sets: A Poet Looks at Science, which received the Wilfrid Eggleston Award for Nonfiction as well as a National Magazine Award gold medal. Her website is www.alicemajor.com. Let us compare cosmologies There is a beginning and a middle. There is an arc of narrative. There is a word, a large engraved initial. There is imperative— a cause, a god. Or not. There is an end. A purpose. Or maybe none. There is a plot with reasons, reason. There is a circus, a theatre stage of space and time. There are equations at the bottom or the top. There is a pantheon of matter, motion, scattered photons. And the questions every universe expects: what came before? What happens next?

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From Jennifer duBois, “one of a handful of living American novelists who can comprehend both the long arc of history and the minute details that animate it” (Karan Mahajan) and “a writer of thrilling psychological precision” (Justin Torres), comes a gripping new novel.In 2001, a few months after the death of her husband, Angela is devastated when she is ejected from her graduate program in linguistics at Harvard University. Soon after, she suffers a miscarriage. Spinning and raw, and with suppressed unresolved trauma, the young widow and her four-year-old child move into her mother’s house.Trained with an understanding of spoken language as the essential foundation of thought, Angela finds underpaid work at the Center, a fledgling organization utilizing an experimental therapy aimed at helping nonspeaking patients with motor impairments. Through the Center, Angela begins to work closely with Sam, a twenty-eight-year-old patient who has been confined to his bedroom for most of his life. Sam quickly takes to the technology—and so does Angela. Her once deeply philosophical interest in language comes vividly to life through her interactions with Sam. Angela becomes intensely drawn to him, and their relationship soon turns intimate.When Sam’s family discovers their relationship, they intervene and bring charges. As Angela tells her story from prison in the form of an unrepentant plea, we are plunged into the inner workings of her mind as she rejects all else in pursuit of a more profound understanding of language and humanity. As the sole narrator and perspective giver, Angela’s understanding pushes and pulls us into ambiguity, and a Nabokovian hall of mirrors emerges as she tumbles deeper and deeper into obsession.Provocative and profound in its exploration of the basis of humanity, this is an extraordinary novel from one of our most acclaimed contemporary writers.

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"He loads his head full of coal and diamonds shoot out of his finger tips. What a trick. The mole genius has left us with another digest. It's a full house--read 'em and weep."--Tom Waits After toiling in obscurity for years, Charles Bukowski suddenly found fame in 1967 with his autobiographical newspaper column, "Notes of a Dirty Old Man," and a book of that name in 1969. He continued writing this column, in one form or another, through the mid-1980s. More Notes of a Dirty Old Man gathers many uncollected gems from the column's twenty-year run. Drawn from ephemeral underground publications, these stories and essays haven't been seen in decades, making More a valuable addition to Bukowski's oeuvre. Filled with his usual obsessions--sex, booze, gambling--More features Bukowski's offbeat insights into politics and literature, his tortured, violent relationships with women, and his lurid escapades on the poetry reading circuit. Highlighting his versatility, the book ranges from thinly veiled autobiography to purely fictional tales of dysfunctional suburbanites, disgraced politicians, and down-and-out sports promoters, climaxing with a long, hilarious adventure among French filmmakers, "My Friend the Gambler," based on his experiences making the movie Barfly. From his lowly days at the post office through his later literary fame, More follows the entire arc of Bukowski's colorful career. Edited by Bukowski scholar David Stephen Calonne, More Notes of a Dirty Old Man features an afterword outlining the history of the column and its effect on the author's creative development. Born in Andernach, Germany in 1920, Charles Bukowski came to California at age three and spent most of his life in Los Angeles. He died in San Pedro, California, on March 9, 1994.

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‘Superb … radically new and beautiful’ Observer ‘Magical and evocative’ Imogen Hermes Gowar, author of The Mermaid and Mrs. Hancock ‘Heartachingly poignant’ Lucy Holland, author of Sistersong ‘An ancient tapestry of legend brilliantly rewoven’ Francis Spufford, author of Light Perpetual The new novel from the Costa-Award winning author of In The Days of Rain. AD 500. An island in the Thames. Isla has a secret: she has learned her father’s sophisticated sword-making skills at a time when even entering a forge is forbidden to women. Her sister, Blue, has a secret, too: at low tide on the night of each new moon, she visits the bones of the mud woman, drowned by the elders of her tribe who wanted to make a lesson of someone who wouldn’t hold her tongue. When the local Seax overlord discovers Isla's secret there is nowhere for the sisters to hide, except across the water to the walled ghost city, Londinium. Here Blue and Isla find sanctuary in an underworld community of squatters, emigrants, travellers and looters, led by the mysterious Crowther, living in an abandoned brothel and bathhouse. But trouble pursues them even into the haunted city. Dark Earth takes us back to the very founding of Britain to explore the experience of women trying to find kin in a world ruled by blood ties, feuds and men in quest of a nation. ‘Unique and extraordinary … It is difficult to imagine any reader not becoming bewitched by Dark Earth’ Irish Times ‘Thrilling’ Alice Albinia, author of Cwen ‘Pulses with the energy of a brave new world, a world as beautiful as it is dangerous, where a belief in myth and magic can save your life’ Katherine J. Chen, author of Joan: A Novel of Joan of Arc

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In the first decade of the twenty-first century, Kanye West created the most compelling body of pop music by an American artist during the period. Having risen from obscurity as a precocious producer through the ranks of Jay Z's Roc-A-Fella records, by the time he released My Beautiful Dark Twisted Fantasy (MBDTF) in late 2010, West had evolved into a master collagist, an alchemist capable of transfiguring semi-obscure soul samples and indelible beats into a brash and vulnerable new art form. A look at the arc of his career, from the heady chipmunk soul exuberance of The College Dropout (2004) to the operatic narcissism of MBDTF, tells us about the march of pop music into the digital age and, by extension, the contradictions that define our cultural epoch. In a cloud-based and on-demand culture – a place of increasing virtualization, loneliness, and hyper-connectivity – West straddles this critical moment as what David Samuels of The Atlantic calls "the first true genius of the iPhone era, the Mozart of contemporary American music." In the land of taking a selfie, honing a personal brand, and publicly melting down online, Kanye West is the undisputed king. Swallowing the chaos wrought by his public persona and digesting it as a grandiose allegory of self-redemption, Kanye sublimates his narcissism to paint masterstroke after masterstroke on MBDTF, a 69-minute hymn to egotistical excess. Sampling and ventriloquizing the pop music past to tell the story of its future – very much a tale of our culture's wish for unfettered digital ubiquity – MBDTF is the album of its era, an aesthetic self-acquittal and spiritual autobiography of our era’s most dynamic artist.

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A radical rethinking of how to make distressed urban neighborhoods more livable while preserving the residents’ ability to live there “With piercing insights, Joe Margulies compellingly traces the history of one neighborhood in Providence, Rhode Island, a stand-in for distressed neighborhoods around the country. This utterly original book takes on many of our assumptions about race, poverty, and gentrification— and tackles the toughest question of all: In restoring these places, do we set them up for destruction?”—Alex Kotlowitz, author of An American Summer When a distressed urban neighborhood gentrifies, all the ratios change: poor to rich; Black and Brown to white; unskilled to professional; vulnerable to secure. Vacant lots and toxic dumps become condos and parks. Upscale restaurants open and pawn shops close. But the low-income residents who held on when the neighborhood was at its worst, who worked so hard to make it better, are gradually driven out. For them, the neighborhood hasn’t been restored so much as destroyed. Tracing the history of Olneyville, a neighborhood in Providence, Rhode Island, that has traveled the long arc from urban decay to the cusp of gentrification, Joseph Margulies asks the most important question facing cities today: Can we restore distressed neighborhoods without setting the stage for their destruction? Is failure the inevitable cost of success? Based on years of interviews and on-the-ground observation, Margulies argues that to save Olneyville and thousands of neighborhoods like it, we need to empower low-income residents by giving them ownership and control of neighborhood assets. His model for a new form of neighborhood organization—the “neighborhood trust”—is already gaining traction nationwide and promises to give the poor what they have never had in this country: the power to control their future.

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From court portraits for the Spanish royals to horrific scenes of conflict and suffering, Francisco José de Goya y Lucientes (1746–1828) made a mark as one of Spain’s most revered and controversial artists. A master of form and light, his influence reverberates down the centuries, inspiring and fascinating artists from the Romantic Eugène Delacroix to Britart enfants terribles, the Chapman brothers. Born in Fuendetodos, Spain, in 1746, Goya was apprenticed to the Spanish royal family in 1774, where he produced etchings and tapestry cartoons for grand palaces and royal residences across the country. He was also patronized by the aristocracy, painting commissioned portraits of the rich and powerful with his increasingly fluid and expressive style. Later, after a bout of illness, the artist moved towards darker etchings and drawings, introducing a nightmarish realm of witches, ghosts, and fantastical creatures. It was, however, with his horrific depictions of conflict that Goya achieved enduring impact. Executed between 1810 and 1820, The Disasters of War was inspired by atrocities committed during the Spanish struggle for independence from the French and penetrated the very heart of human cruelty and sadism. The bleak tones, agitated brushstrokes, and aggressive use of Baroque-like light and dark contrasts recalled Velázquez and Rembrandt, but Goya’s subject matter was unprecedented in its brutality and honesty. In this introductory book from TASCHEN Basic Art 2.0 we set out to explore the full arc of Goya’s remarkable career, from elegant court painter to deathly seer of suffering and grotesquerie. Along the way, we encounter such famed portraits as Don Manuel Osorio Manrique de Zúñiga, the dazzling Naked Maja, and The 3rd of May 1808 in Madrid, one of the most heart-stopping images of war in the history of art.

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The groundbreaking two-term President of Ireland tells the stories of her lifeWhen a young Mary McAleese told a priest that she planned to become a lawyer, the priest dismissed the idea: she knew no one in the law, and she was female. The reality of what she went on to achieve - despite those obstacles, and despite a sectarian attack that forced her family to flee their home - is even more improbable.In this luminous memoir, Mary McAleese traces that astonishing arc: from the tight streets of north Belfast, to a professorship in Dublin while still in her twenties, behind-the-scenes work on the peace process, and two triumphant terms as President of Ireland. She writes of her encounters with prime ministers, popes and royalty with the same easy candour and intimacy with which she describes her childhood. And her account of the latest act in her remarkable career - quietly pursuing a doctorate, and loudly opposing the misogyny of the Catholic Church - is inspiring.Here's the Story is warm, witty, often surprising and relentlessly fascinating: an extraordinarily intimate memoir by one of the most remarkable public figures of our time._______________'A fascinating story and well worth the read' Irish Times'Riveting ... A fiercely urgent reminder to the world - and the Government - that peace must never be sacrificed for politics' Telegraph 'Excellent' Matt Cooper, Irish Daily Mail'I was enthralled and absorbed by this memoir' Sunday Independent'What an incredible life lived by an outstanding role model. I ate this book up' Sinéad Moriarty'Full of conviction and isn't afraid of plain speaking ... Priests, popes, paramilitaries and Ian Paisley are all held to account' Herald Scotland '[A] chatty, provocative and embraceable biography' RTÉ Guide

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Tough Test Questions? Missed Lectures? Not Enough Time?Fortunately for you, there's Schaum's.More than 40 million students have trusted Schaum's to help them succeed in the classroom and on exams. Schaum's is the key to faster learning and higher grades in every subject. Each Outline presents all the essential course information in an easy-to-follow, topic-by-topic format. You also get hundreds of examples, solvedproblems, and practice exercises to test your skills.This Schaum's Outline gives you 1,600 fully solved problems Complete review of all course fundamentals Fully compatible with your classroom text, Schaum's highlights all the important facts you need to know. Use Schaum's to shorten your study time--and get your best test scores!Schaum's Outlines--Problem Solved.Topics include: Elements of Algebra; Functions; Graphs of Functions; Linear Equations; Simultaneous Linear Equations; Quadratic Functions and Equations; Inequalities; Locus of an Equation; The Straight Line; Families of Straight Lines; The Circle; Arithmetic and Geometric Progressions; Infinite Geometric Series; Mathematical Induction; The Binomial Theorem; Permutations; Combinations; Probability; Determinants of Order Two and Three; Determinants of Order; Systems of Linear Equations; Introduction to Transformational Geometry; Angles and Arc Length; Trigonometric Functions of a General Angle; Trigonometric Functions of an Acute Angle; Reduction to Functions of Positive Acute Angles; Graphs of the Trigonometric Functions; Fundamental Trigonometric Relations and Identities; Trigonometric Functions of Two Angles; Sum, Difference, and Product Trigonometric Formulas; Oblique Triangles; Inverse Trigonometric Functions; Trigonometric Equations; Complex Numbers; The Conic Sections; Transformations of Coordinate; Points in Space; Simultaneous Quadratic Equations; Logarithms; Power, Exponential, and Logarithmic Curves; Polynomial Equations, Rational Roots; Irrational Roots of Polynomial Equations; Graphs of Polynomials; Parametric Equations; The Derivative; Differentiation of Algebraic Expressions; Applications of Derivatives; Integration; Infinite Sequences; Infinite Series; Power Series; Polar Coordinates; Introduction to the Graphing Calculator; The Number System of Algebra; and Mathematical Modeling

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The wedding is off, but adventure awaits...The perfect armchair escape for fans of Jo Thomas, Jenny Colgan and Phillipa Ashley.'Funny, inspirational and so evocative' CATHY BRAMLEY'The ultimate armchair adventure - I absolutely loved it!' HEIDI SWAIN'Will leave you feeling inspired' CRESSIDA MCLAUGHLIN'THE BROKEN HEARTS HONEYMOON is truly gorgeous. A great premise, sympathetic protagonist and a journey full of laughs and drama. A true love story to Japan too - the most wonderful setting - five stars from me. A really brilliant read.' ROSIE BLAKE____________________________When disaster strikes, adventure calls...Charlotte had a plan. The perfect country wedding, followed by a month-long honeymoon in Japan - but when her fiancé starts having second thoughts, she knows there's no choice but to call off the wedding.Charlotte isn't sure she knows how to be single, but she is going to try, starting with taking that trip of a lifetime - alone.Will she find herself in the hills of Mount Fuji, or in the karaoke bars of Tokyo?And will she be ready for romance by the time the cherry blossom flowers?A feel-good story of reclaiming your life, set among the cherry blossom of Japan. The Broken Hearts Honeymoon is Eat, Pray, Love for the Instagram generation.____________________________READERS ARE FALLING IN LOVE WITH THE BROKEN HEARTS HONEYMOON'Has the reader completely there in the thick of the adventure. One of the best books of the year.''Gloriously rich descriptions and an emotional arc that is deeply felt and sweetly told''I loved the messages the book had about knowing yourself and taking the time to find out what you want out of life''Just what I needed as a pick me up - made me feel happy''What an incredible book!''This is a fabulous read'

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Cultural and literary historians investigate the unique literary bridge between German-speaking women and the "New World," examining novels, films, travel literature, poetry, erotica, and photography. In a 1798 novel by Sophie von La Roche, a European woman swims across a cold North American lake seeking help from the local indigenous tribe to deliver a baby. In a 2008 San Francisco travel guide, Milena Moser, the self-proclaimed "Patron Saint of Desperate Swiss Housewives," ponders the guilty pleasures of a media-saturated world. Wildly disparate, these two texts reveal the historical arc of a much larger literary constellation: the literature of German-speaking women who interact with the New World. In this volume, cultural historians from around the world investigate this unique literary bridge between two hemispheres, focusing on New-World texts written by female authors from Germany, Austria, or Switzerland. Encompassing a broad range of genres including novels, films, travel literature, poetry, erotica, and even photography, the essays include women's experiences across both American continents. Many of the primary literary texts discussed in this volume are available in the online collections of Sophie: A Digital Library of Works by German-Speaking Women (http://sophie.byu.edu/). Contributors: Christiane Arndt, Karin Baumgartner, Ute Bettray, Ulrike Brisson, Carola Daffner, Denise M. Della Rossa, Linda Dietrick, Silke R. Falkner, Maureen O. Gallagher, Nicole Grewling, Monika Hohbein-Deegen, Gabi Kathöfer, Thomas W. Kniesche,Julie Koser, Judith E. Martin, Sarah C. Reed, Christine Rinne, Tom Spencer, Florentine Strzelczyk, David Tingey, Petra Watzke, Chantal Wright. Rob McFarland and Michelle Stott James are both Associate Professors of German at Brigham Young University.

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The definitive biography of a distinguished public servant, who as US Secretary of Labor, Secretary of the Treasury, and Secretary of State, was pivotal in steering the great powers toward the end of the Cold War. Deftly solving critical but intractable national and global problems was the leitmotif of George Pratt Shultz's life. No one at the highest levels of the United States government did it better or with greater consequence in the last half of the 20th century, often against withering resistance. His quiet, effective leadership altered the arc of history. While political, social, and cultural dynamics have changed profoundly since Shultz served at the commanding heights of American power in the 1970s and 1980s, his legacy and the lessons of his career have even greater meaning now that the Shultz brand of conservatism has been almost erased in the modern Republican Party. This book, from longtime New York Times Washington reporter Philip Taubman, restores the modest Shultz to his central place in American history. Taubman reveals Shultz's gift for forging relationships with people and then harnessing the rapport to address national and international challenges, under his motto "trust is the coin of the realm"—as well as his difficulty standing up for his principles, motivated by a powerful sense of loyalty that often trapped him in inaction. Based on exclusive access to Shultz's personal papers, housed in a sealed archive at the Hoover Institution, In the Nation's Service offers a remarkable insider account of the behind-the-scenes struggles of the statesman who played a pivotal role in unwinding the Cold War.

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There is a newfound interest in architectural education. This AD is a survey of some of the best contemporary architecture student work in the world. The most forward-looking architecture schools worldwide are reinventing pedagogy in the hope of developing radical syllabi that are a rich mix of the virtual and the actual. Design education is changing and adapting to compensate for the new material changes to the discipline, and is being used to disentangle old, outmoded spatial practices and replace them with new paradigms of space and representation. This issue showcases the students and teachers who are pushing the envelope of architecture in extraordinary ways, offering their insights into its future materiality and spatial dexterity. It premieres a new young generation of architects who are likely to become names in the architectural profession and possibly important teachers themselves. Their work has been selected by their own influential teachers of architecture who describe the studio methodologies – and reasons for them – that prompted the work. Contributors: Daniel K Brown, Jane Burry, Nat Chard, Odile Decq, Evan Douglis, Riet Eeckhout, Mark Garcia, Nicolas Hannequin, Perry Kulper, Elena Manferdini, Mark Morris, Hani Rashid, and Michael Young. Featured institutions: A Alfred Taubman College of Architecture and Urban Planning, University of Michigan; Architectural Association, London; Bartlett School of Architecture, University College London; Carleton University, Ottawa; CONFLUENCE Institute for Innovation and Creative Strategies in Architecture, Paris; Cooper Union, New York; University of Greenwich, London; KU Leuven, Belgium; Rensselaer Polytechnic Institute, New York; Southern California Institute of Architecture (SCI-Arc), Los Angeles; Swinburne University of Technology, Melbourne; Victoria University of Wellington, New Zealand; and the University of Applied Arts, Vienna

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For eighty years, students of parliamentary democracy have argued that durable cabinets require majority party government. Lawrence Dodd challenges this widely held belief and offers in its place a revisionist interpretation based on contemporary game theory. He argues for a fundamental alteration in existing conceptions of the relationship between party systems and parliamentary government. The author notes that cabinet durability depends on the coalitional status of the party or parties that form the cabinet. This status is created by the fractionalization, instability, and polarization that characterize the parliamentary party system. Cabinets of minimum winning status are likely to endure; as they depart from minimum winning status, their durability should decrease. Hypotheses derived from the author's theory arc examined against the experience of seventeen Western nations from 1918 to 1974. Making extensive use of quantitative analysis, the author compares behavioral patterns in multiparty and majority party parliaments, contrasts interwar and postwar parliaments, and examines the consistency of key behavioral patterns according to country. He concludes that a key to durable government is the minimum winning status of the cabinet, which may be attained in multiparty or majority party parliaments. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Among the world’s major literary traditions, Arabic poetry is perhaps unique in that the theme of the hunt runs in a continuous, if uneven, current from the pre-Islamic, oral tradition, dating as far back as the fifth century CE, through the coming of Islam in the seventh century and the Umayyad and 'Abbasid caliphates, ultimately serving as a classical substrate for the radical Modernism of the twentieth century. This striking continuity of theme and motif of the pursuer—the hunter, companions, his steed, hounds, or falcon—and the pursued, whether the prey be oryx, onager, gazelle, hare, quail, or fox, is subject to dramatic transformations of poetic genre, structure, and sensibility throughout the arc of Arab cultural history. Through elegant translations and compelling interpretations, Jaroslav Stetkevych brings this dynamic Arabic tradition fully into the purview of contemporary cultural and humanistic studies. In the chapters of Part I of The Hunt in Arabic Poetry, Stetkevych explores the divergent themes of the heroic and the anti-heroic hunter within the grand genre of archaic Arabic odes and its transformation with the transition to Islam to a poetics of sacrifice and redemption. Part II traces the emergent aesthetics of the free-standing hunt lyric within the courtly culture of the Umayyad and ‘Abbasid caliphates and the transition from description to imagism, concluding with the appearance of the long narrative hunt poem. Part III moves to the high Modernism of twentieth-century Arab free-verse poets and with it the reemergence of the classical theme of the hunt, now as a metaphor for the Modernist poet’s metapoetic pursuit of the poem itself.

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Jack Foley has been prominent in the San Francisco Bay Area poetry scene since the mid-1980s. The Light of Evening traces the arc of his life since his birth in New Jersey in 1940. Foley has spent his life in the pursuit of ways to continue writing poetry in a world in which the status of poetry has been seriously diminished. This candid autobiography offers a portrait of an artist who has continued to produce experimental as well as traditional work and who created theoretical underpinnings for that work. His exciting “choruses” – duets performed with his late wife Adelle – established him as a unique presenter of poetry in an area in which poets abound. Along with his creative work, Foley studied at Cornell with the brilliant and notorious deconstructionist critic Paul de Man. He lived through the 1960s in and around Berkeley, California, attending the university at the height of the Free Speech Movement. Following on the heels of Kenneth Rexroth, he has presented poetry on KPFA-FM, Berkeley’s radical radio station, for over thirty years. He produced a 1300-page history of Californian poetry from 1940 to 2005 that has been called “an oddball masterpiece ... the first adequate account of California's complex and contradictory literary life.” At eighty, Foley looks back at a life in which he managed to maintain himself as a contrarian poet who never resorted to the academy for sustenance and who never courted fame from the East Coast literary hegemony. The Light of Evening is the story of a complex, always-in-motion public intellectual for whom poetry was first, last, and always.

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Learn how to master the art of convincing others in any business situation—with insider tips from a former FBI hostage negotiator and a top DC publicistFrom CEOs communicating with board members to managers negotiating salary increases and entrepreneurs looking to raise capital, it's impossible to overstate the role of persuasion in making your personal and professional goals a reality. The ability to convince others—respectfully and effectively—is one of the most important skills you can master, whatever your profession. In Convince Me, you'll find eye-opening, behind-the-scenes details revealing how some of the best in the business ply their trade.Inside, you'll discover how to: Adapt Forensic Listening™ techniques to your needs Understand "unstated narratives" and employ de-escalation techniques Become a master at generating enthusiasm Read people effectively and spot attempts at manipulation Walk through the type of story arc negotiators use to gain a hostage taker's trust And more! Delivering compelling, real-life stories that give you an inside look at the kinds of techniques and strategies that prove effective in high-risk situations, former FBI hostage negotiator Chip Massey and top DC publicist Adele Gambardella show you how these tactics can be used in any business situation you'll face. You'll find fascinating tips on how a hostage negotiator reads people, rooms, and situations at a glance and gain insights from the neuroscience of convincing. Armed with useful, ready-to-use strategies and insightful advice as to how, when, and with whom each tool can best be used, you'll finish Convince Me feeling more capable and confident about your own powers of convincing others.

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Los Lobos leaped into the national spotlight in 1987, when their cover of “La Bamba” became a No. 1 hit. But what looked like an overnight achievement to the band’s new fans was actually a way station in a long musical journey that began in East Los Angeles in 1973 and is still going strong. Across four decades, Los Lobos (Cesar Rosas, Conrad Lozano, David Hidalgo, Louie Pérez, and Steve Berlin) have ranged through virtually the entire breadth of American vernacular music, from rockabilly to primal punk rock, R&B to country and folk, Mexican son jarocho to Tex-Mex conjunto and Latin American cumbia. Their sui generis sound has sold millions of albums and won acclaim from fans and critics alike, including three Grammy Awards.Los Lobos, the first book on this unique band, traces the entire arc of the band’s career. Music journalist Chris Morris draws on new interviews with Los Lobos members and their principal collaborators, as well as his own reporting since the early 1980s, to recount the evolution of Los Lobos’s music. He describes the creation of every album, lingering over highlights such as How Will the Wolf Survive?, La Pistola y El Corazon, and Kiko, while following the band’s trajectory from playing Mexican folk music at weddings and dances in East L.A. to international stardom and major-label success, as well as their independent work in the new millennium. Giving one of the longest-lived and most-honored American rock bands its due, Los Lobos celebrates the expansive reach and creative experimentalism that few other bands can match.

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In this new telling of Mexico's Second Empire and Louis Napoleon's installation of Maximilian von Habsburg and his wife, Carlota of Belgium, as the emperor and empress of Mexico, Maximilian and Carlota brings the dramatic, interesting, and tragic time of this six-year-siege to life. From 1861 to 1866, the French incorporated the armies of Austria, Belgium--including forces from Crimea to Egypt--to fight and subdue the regime of Mexico's Benito Juarez during the time of the U.S. Civil War. France viewed this as a chance to seize Mexican territory in a moment they were convinced the Confederacy would prevail and take over Mexico. With both sides distracted in the U.S., this was their opportunity to seize territory in North America. In 1867, with aid from the United States, this movement came to a disastrous end both for the royals and for France while ushering in a new era for Mexico. In a bid to oust Juarez, Mexican conservatives appealed to European leaders to select a monarch to run their country. Maximilian and Carlota's reign, from 1864 to 1867, was marked from the start by extravagance and ambition and ended with the execution of Maximilian by firing squad, with Carlota on the brink of madness. This epoch moment in the arc of French colonial rule, which spans North American and European history at a critical juncture on both continents, shows how Napoleon III's failure to save Maximilian disgusted Europeans and sealed his own fate. Maximilian and Carlota offers a vivid portrait of the unusual marriage of Maximilian and Carlota and of international high society and politics at this critical nineteenth-century juncture. This largely unknown era in the history of the Americas comes to life through this colorful telling of the couple's tragic reign.

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It's every woman's fantasy: to pack a bag and leave everything behind. Meet Maribeth Klein, a harried working mother who is so busy taking care of her husband and twins that she doesn’t even realise that she has had a heart attack. But her recuperation seems to be an imposition on those who rely on her. So Maribeth does the unthinkable – she packs a bag and leaves. Maribeth has always wondered who she is and where she comes from: and now's the time to find out. Now, far from the demands of family and career, she is finally able to own up to the secrets she has been keeping from herself and those she loves.From the bestselling author of If I Stay and I Was Here comes a stunning new novel for Forman’s adult readers, an unflinching portrait of a woman confronting the joys and sorrows of marriage, motherhood and friendship. *~*~*Readers love Leave Me*~*~* '[Leave Me] reminds you that we are all fragile human beings, imperfect and all a work in progress and above all, it reminds us that life is complex and frightening but not impossible' The Bookbag ‘Read it, as they say, and weep’ Daily Mail 'When I reached the end of this book, I was in tears because of how honest and raw it was. This book will really make you think very deeply about your deepest desires' Twenty-Three Pages 'An appealing fairy tale for the exhausted and underappreciated' Kirkus 'Deftly explores the domestic struggles of 21st-century bourgeois life. This is an insightful ode to—and cautionary tale for—the overburdened working mother' Book Page 'With humor and pathos, Forman depicts Maribeth’s complicated situation and her thoroughly satisfying arc, leaving readers feeling as though they’ve really accompanied Maribeth on her journey' Publishers Weekly

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Bringing the wisdom of the ages to the palm of your handThe Great Quotes Catholic Bible features an array of beautiful quotes from saints, artists, and popes, allowing you to study God’s Word with the leaders of our faith each time you open the Bible. The text of this beautiful edition is presented in two-columns on each page for easy reading, with a beautiful stained-glass motif throughout. It comes complete with full-color maps and two elegant ribbon markers to keep your place during study or prayer. Includes quotes from: St. Augustine, St. Ignatius, St. John Chrysostom, St. Joan of Arc, Blessed Pope Pius IX, Mother Teresa, St. Francis of Assisi, Pope John Paul II, Pope St. Gregory the Great, Benedict XVI, Pope Francis and so many more.Features Include: Complete Catholic Bible with the official imprimatur of the Roman Catholic Church 120 beautiful, artistically rendered quotation pages from popular figures in the Church’s history for deeper study Anglicized text utilizing British English spelling and grammar within the text Durable Smyth-sewn binding lies flat in your hand or on your desk Full-color maps are a visual representation of the locations where key events take place in the Bible Two double-sided satin ribbon markers so you can easily navigate and keep track of where you were reading Classic raised detail on the spine Presentation page allows you to personalize this special gift by recording a memory or note Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Gilded page edging Exclusive 10-point Catholic Comfort Print® typeface created specifically for Catholic Bible Press by 2K/DENMARK type foundry

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Bringing the wisdom of the ages to the palm of your handThe Great Quotes Catholic Bible features an array of beautiful quotes from saints, artists, and popes, allowing you to study God’s Word with the leaders of our faith each time you open the Bible. The text of this beautiful edition is presented in two-columns on each page for easy reading, with a beautiful stained-glass motif throughout. It comes complete with full-color maps and two elegant ribbon markers to keep your place during study or prayer. Includes quotes from: St. Augustine, St. Ignatius, St. John Chrysostom, St. Joan of Arc, Blessed Pope Pius IX, Mother Teresa, St. Francis of Assisi, Pope John Paul II, Pope St. Gregory the Great, Benedict XVI, Pope Francis and so many more.Features Include: Complete Catholic Bible with the official imprimatur of the Roman Catholic Church 120 beautiful, artistically rendered quotation pages from popular figures in the Church’s history for deeper study Anglicized text utilizing British English spelling and grammar within the text Durable Smyth-sewn binding lies flat in your hand or on your desk Full-color maps are a visual representation of the locations where key events take place in the Bible Two double-sided satin ribbon markers so you can easily navigate and keep track of where you were reading Classic raised detail on the spine Presentation page allows you to personalize this special gift by recording a memory or note Words of Christ in black for a reading experience that is easy on your eyes throughout Scripture Gilded page edging Exclusive 10-point Catholic Comfort Print® typeface created specifically for Catholic Bible Press by 2K/DENMARK type foundry

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Don’t miss this chance to escape to stunning Cornwall for a heartwarming new standalone novel about secrets and second chances They say a single moment can change your life… For Cornish artist Sennen Kellow that moment comes with the discovery of her late gran’s epic love story – a story that happened years before she ever met Sennen’s grandfather. Now, as Sennen digs into her grandmother’s past and discovers a forgotten beach, a hidden poem, and a love that blazed brightly before Fate intervened, her search for answers leads her on a fated journey of her own. One which sees history repeating itself, and Sennen faced with a chance at the kind of once-in-a-lifetime love her gran experienced…but only if she’s willing to risk everything. Readers LOVE The Forgotten Beach: ‘A true love story…curl up in a comfy chair and be transported by this talented author’ Brenda ‘A beautiful love story that spans generations…I loved how the old house slowly got renovated and came back to life plus I could picture the steps down to the private beach with the cave’ Muriel ‘Complex characters, with a simple love story and a heartstopping final arc but the ending we all wanted!’ Ritu ‘The author does a wonderful job of describing the beauty of Cornwall … a good beach read’ Sarah ‘Perfect escapism and I read it in almost one sitting…so much more than just a romance’ Helen ‘A heartwarming love story…My eyes were a bit teary at the end’ Anne ‘I have always been an avid fan of Amanda James, a truly talented author who strives to write a beautiful story for others to enjoy time after time’ Joan ‘Delightful story with the past gently woven into the present.…a joy to read’ Judy

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The first 2,500 million years of the geological history of Britain are stored in the gneisses of the Lewisian Complex of North West Scotland. This book explores the long journey of discovery in which this history has been gradually deciphered since the end of the 19th Century when these rocks were first investigated in detail. The usual tools of stratigraphic investigation were of no value in dealing with such a complex assemblage of highly deformed and metamorphosed rocks; there was no fossil evidence and few signs of recognisable sedimentary strata.This book charts the increasing sophistication of the geochronological and geochemical techniques used to decipher the complex. The first important breakthrough was the recognition that a set of intrusive metamorphosed dykes could be used, perhaps, to separate episodes of deformation and metamorphism that occurred before the dykes were intruded, from those that occurred subsequently.Geochronological dating methods evolved from the first relatively crude potassium-argon and uranium-lead dates in the 1950s to the present amazingly accurate lead isotope dates. Geochemical techniques have also advanced to the point when mafic igneous assemblages can be identified as having oceanic volcanic arc signatures or were the products of intra-continental magmatism. Thus, from a stratigraphy composed of three events, Scourian, dyke intrusion and Laxfordian, has grown a complex history covering many separate events of igneous, metamorphic and tectonic activity spanning 2,500 million years of Precambrian time.Much of the extensive literature on the Lewisian is highly specialised and not easily accessible to the general reader; this book is an attempt to distil the most important results of this research into a more user-friendly form. It will appeal to many geologists including students, geological visitors to the North West of Scotland and academics seeking a readable account of remarkable and significant advances in earth science.

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'A multiple biography with overlapping chronology is a tricky feat and Buruma pulls it off magnificently.' Ben Macintyre, The TimesOn the face of it, the three characters here seem to have little in common - aside from the fact that each committed wartime acts that led some to see them as national heroes, and others as villains. All three were mythmakers, larger-than-life storytellers, for whom the truth was beside the point. Felix Kersten was a plump Finnish pleasure-seeker who became Heinrich Himmler's indispensable personal masseur - Himmler calling him his 'magic Buddha'. Kersten presented himself after the war as a resistance hero who convinced Himmler to save countless people from mass murder. Kawashima Yoshiko, a gender fluid Manchu princess, spied for the Japanese secret police in China, and was mythologized by the Japanese as a heroic combination of Mata Hari and Joan of Arc. Friedrich Weinreb was a Hasidic Jew in Holland who took large amounts of money from fellow Jews in an imaginary scheme to save them from deportation, while in fact betraying some of them to the German secret police. Sentenced after the war as a traitor and a con artist, he is still regarded by supporters as the 'Dutch Dreyfus'. All three figures have been vilified and mythologized, out of a never-ending need, Ian Buruma argues, to see history, and particularly war, and above all World War II, as a neat tale of angels and devils. In telling their often-self-invented stories, The Collaborators offers a fascinating reconstruction of what in fact we can know about these fantasists and what will always remain out of reach. It is also an examination of the power and credibility of history: truth is always a relative concept but perhaps especially so in times of political turmoil, not unlike our own.

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Inspiring teachings centered on navigating our world’s collective challenges with indigenous wisdom and the power of psychedelics• With contributions from Christopher Bache, Zoe Helene, Dennis McKenna, Martina Hoffmann, The Dank Duchess, Jamie Wheal, Grandmother Maria Alice, and others• Explores the immense healing intelligence of nature, the wisdom of ancient Indigenous prophecies and shamanic practices, the importance of the Divine Feminine for environmental regeneration, and the crucial role of psychedelic and entheogenic plants in initiating transformations of consciousnessExploring the way forward for humanity in the face of unprecedented crisis, more than 25 contributors show how the wisdom of Indigenous peoples and the power of psychedelics can help us enact the radical shift in consciousness necessary to navigate the collapse of the old world order and the birth of a new consciousness.We hear from psychedelic visionaries Christopher Bache, Zoe Helene, Wade Davis, Chris Kilham, Laurel Sugden, and others on the promise of psychedelic medicines for spiritual and healing work. We learn about Indigenous stories to support our transformation from Native American leader Solana Booth, ancestral memory from Grandmother Maria Alice Campos Freire, cannabis’s role in world building from Minelli Eustàcio-Costa, the ritual roots of talking plants from Michael Stuart Ani, and alchemy across the arc of time from shaman Ya’Acov Darling Khan. We also hear from cannabis grower The Dank Duchess; Tyson Yunkaporta, Australian Aboriginal artist and scholar; visionary artist Martina Hoffmann; activist Duane Elgin; Kohenet Rachel Kann, ordained Jewish priestess and ceremonialist; and several other wise leaders for our time. Throughout these profound essays we are reminded of the immense healing intelligence of our plant allies, of the wisdom of shamanic practices, of the importance of the Divine Feminine for environmental regeneration, and of the crucial role of entheogenic plants in initiating transformations of consciousness and healing our world’s collective disconnection from Spirit.

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"This is a volume that will be informative to specialists, but also a visual delight for the average reader. An indispensable addition to the field." ― John Wilmerding, Sarofim Professor of American Art, emeritus, Princeton University "William Morgan offers an overview of the flowering of the collegiate Gothic style in America between the Civil War and the crash of 1929. Here is a splendidly illustrated book full of insight." ― New Criterion Explore America's most breathtaking college campuses ― where Gilded Age wealth found a Gothic inspiration. The Collegiate Gothic style, which flourished between the Gilded Age and the Jazz Age, was intended to lend an air of dignified history to America’s relatively youthful seats of higher learning. In fact, this mash-up of Oxbridge quaintness with piles of new money gave rise ― at schools like Princeton and Vassar, Yale and Chicago ― to unprecedented architectural fantasies that reshaped the image of the college campus. Today the ivy-covered monuments of Collegiate Gothic still exercise a powerful hold on the public imagination ― as evidenced, for example, by their prominent place in the Dark Academia aesthetic that has swept social media. In Academia, the noted architectural historian William Morgan traces the entire arc of Collegiate Gothic, from its first emergence at campuses like Kenyon and Bowdoin to its apotheosis in James Gamble Rogers’s intricately detailed confections at Yale. Ever alert to the complicated cultural and social implications of this style, Morgan devotes special sections to its manifestations at prep schools and in the American South, and to contemporary revivals by architects like Robert A. M. Stern. Illustrated throughout with well-chosen color photographs, Academia offers the ultimate campus tour of our faux-medieval cathedrals of learning.

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With this unique and beautifully produced book, explore the outrageous history of the godfather of heavy metal through 75 career accomplishments and life events. Black Sabbath, “Crazy Train,” one alleged unfortunate bat…Ozzy Osbourne is widely considered the founder of heavy metal, an artist whose outlandish off- and onstage antics and songcraft have spanned the entirety of the genre. In Ozzy at 75, veteran rock journalist Daniel Bukszpan celebrates and examines the “Prince of Darkness” through the lens of 75 milestones. This exquisite volume features: Slipcased hardcover format Stunning concert and candid offstage photography Images of memorabilia, including gig posters, 7-inch picture sleeves, ticket stubs, and more Gatefold Ozzy timeline Gatefold commissioned artwork depicting Ozzy through the years Key studio albums are featured, of course, but Bukszpan delves deeper to reveal the events that helped chart the course of Ozzy’s career: Key albums, both with Black Sabbath and as a solo artist Ventures like Black Sabbath reunions, Ozzfest, and his autobiography Collaborations with guitarists like Randy Rhoads, Jake E. Lee, and Zakk Wylde His diagnosis of Parkinson’s Induction in the Rock and Roll Hall of Fame Collaborations with wife Sharon and children Jack and Kelly …and of course the mythic offstage misadventures Beginning with his cofounding of Black Sabbath, Ozzy Osbourne is regarded as one of the most influential musicians and entertaining performers of the previous five decades. Bukszpan’s insightful and entertaining prose provides a unique presentation of Ozzy’s career arc, from his first steps as a solo artist to the breakthrough album Blizzard of Ozz and Diary of a Madman to his mythic offstage misadventures, and beyond. The result is a rollicking tribute to one of the most admired stars in rock—in a milestone year.

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Peter Davison, Janet Fielding and Sarah Sutton reprise their roles as The Doctor, Tegan and Nyssa, in a run of stories following on from 1983's adventure The Arc of Infinity: Today should be much like every other day for Hargreaves, the computer consciousness that co-ordinates daily life aboard the spaceship Aquitaine, stationed on the outer fringes of a black hole. Water the plants, run the diagnostics, cook the Captain's breakfast; then tidy the plates away, rotate the ship, clean the windows of the observation deck. When at last the day's work is done, Hargreaves will dim the lights in the sleeping quarters. But no-one will sleep aboard the Aquitaine tonight. Because the Aquitaine's crew is missing. But today will be different. Today, a space/time ship called the TARDIS will materialise in the botanical section, bringing the Doctor, Nyssa and Tegan aboard the Aquitaine. Together, they'll seek to discover the truth of what happened to Hargreaves' crew...if only the ghosts will let them. Forever kept busy, Peter Davison's most recently been seen on the London stage in the critically acclaimed The Vertical Hour, and in the musical Gypsy opposite Imelda Staunton. The Doctor, Nyssa and Tegan team first met in 1981's Doctor Who adventure Logopolis, where Tegan and Nyssa were on hand to help the Doctor (Tom Baker) regenerate into his fifth incarnation (Peter Davison). One of Big Finish's last outings with The Fifth Doctor, Tegan and Nyssa was in Doctor Who - The Fifth Doctor Boxed Set, one story from which (Iterations of I) won the Scribe Award at the 2015 San Diego Comic Con. CAST: Peter Davison (The Doctor), Janet Fielding (Tegan), Sarah Sutton (Nyssa), Matthew Cottle (Hargreaves), Harry Myers (Dr Sergei Akunin), Nina Sosanya (Captain Anna Maynard), Gerald Kyd (Lt Maurizio Savinio), Danusia Samal (Lt Freya Jennings).

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In 1445 a fifteen-year-old French girl left her homeland to marry the son of the great warrior Henry V. Sixteen years later, her husband had lost his throne and she had fled into exile. For a decade, she struggled to reclaim the throne of England before her final and shattering defeat at the Battle of Tewkesbury. It marked the final destruction of the House of Lancaster by Yorkist King Edward IV and his brothers. Margaret lost more than her family: she was also vilified. Shakespeare cast her as a sadistic killer who murdered the noble Richard, Duke of York. History cast her as a manipulative seductress whose destructive ambition was a major cause of the Wars of the Roses. Margaret of Anjou remains one of the most notorious consorts in medieval history, the queen we love to hate. But is her reputation deserved, or was she simply caught between the machinations and rivalries of powerful men? By examining Margaret’s life and actions in detail, this biography reveals a new side to the last foreign-born queen of medieval England. Margaret came from a family of strong women. Faced with hardship in the first years of her marriage, Margaret’s choices arose from a conviction that it was natural for a woman to take control in the absence of male leadership. A wealth of records have been left behind, allowing historians to investigate Margaret’s career as a beloved wife and, later, as the leader of a political faction struggling to secure the crown for her family. If the course of history had run differently, would she instead be considered a heroic warrior queen today – perhaps even England’s Joan of Arc?

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The first book to tell the full story of American isolationism, from the founding era through the Trump presidency. In his Farewell Address of 1796, President George Washington admonished the young nation "to steer clear of permanent alliances with any portion of the foreign world." Isolationism thereafter became one of the most influential political trends in American history. From the founding era until the Japanese attack on Pearl Harbor, the United States shunned strategic commitments abroad, making only brief detours during the Spanish-American War and World War I. Amid World War II and the Cold War, Americans abandoned isolationism; they tried to run the world rather than run away from it. But isolationism is making a comeback as Americans tire of foreign entanglement. In this definitive and magisterial analysis-the first book to tell the fascinating story of isolationism across the arc of American history-Charles Kupchan explores the enduring connection between the isolationist impulse and the American experience. He also refurbishes isolationism's reputation, arguing that it constituted dangerous delusion during the 1930s, but afforded the nation clear strategic advantages during its ascent. Kupchan traces isolationism's staying power to the ideology of American exceptionalism. Strategic detachment from the outside world was to protect the nation's unique experiment in liberty, which America would then share with others through the power of example. Since 1941, the United States has taken a much more interventionist approach to changing the world. But it has overreached, prompting Americans to rediscover the allure of nonentanglement and an America First foreign policy. The United States is hardly destined to return to isolationism, yet a strategic pullback is inevitable. Americans now need to find the middle ground between doing too much and doing too little.

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SAVE THE SOLAR SYSTEM FROM THE ULTIMATE COLLAPSE In the eighth decade of the Queendom of Sol, three commodities rule the day. The first is wellstone, a form of programmable matter capable of emulating almost any substance. The second is collapsium, a deadly crystal composed of miniature black holes, vital for the transmission of information and matter—including humans—throughout the Solar System. The third is the bitter rivalry between Her Majesty's top scientists. Bruno de Towaji, famed lover and statesman, dreams of building an arc de fin, an almost mythical device capable of probing the farthest reaches of spacetime. Marlon Sykes, de Towaji's rival in both love and science, is meanwhile hard at work on a vast telecommunications project whose first step is the construction of a ring of collapsium around the Sun. But when a ruthless saboteur attacks the Ring Collapsiter and sends it falling into the Sun, the two scientists must put aside personal animosity and combine their prodigious intellects to prevent the destruction of the Solar System—and every living thing within it. About The Collapsium: “Ingenious and witty . . . as if Terry Pratchett at his zaniest and Larry Niven at his best had collaborated.”—Booklist "Fresh and imaginative. From a plausible yet startling invention, McCarthy follows the logical lines of sight, building in parallel the technological and societal innovations."—Science Fiction Weekly "The future as McCarthy sees it is a wondrous place." —Publishers Weekly "[McCarthy] studs his narrative with far-out scientific concepts. . . . He certainly has a sense of humor."—The New York Times “An ingenious yarn with challenging ideas, well-handled technical details, and plenty of twists and turns.”—Kirkus

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. Features works by some of the 20th-century's leading artists, including Georgia O'Keeffe, Alexander Calder, David Hockney, Wayne Thiebaud, Richard Diebenkorn, Jackson Pollock and Roy Lichtenstein Combining outstanding artworks and engaging text, this striking book captures many of the defining moments of modernism. It features over 80 innovative paintings and sculptures by key artists of the 20th-century-all from the outstanding collection of Sam Rose and Julie Walters. Picasso, Miró, O'Keeffe, Pollock, and Warhol created art that defined cubism, surrealism, American modernism, abstract expressionism, and pop. The crosscurrents and intersections that give modernism its complexity and energy are further revealed in works by artists as diverse as Neel, Bearden, Lichtenstein, Stella, Hockney, and Diebenkorn. Why and how 20th-century artists broke the rules and transformed the look of art is the subject of Virginia Mecklenburg's introductory essay. Each work is then superbly illustrated and discussed through such themes as portraiture, nature, metaphor, and social engagement. All of the paintings and sculptures are clearly positioned within the context of the artist's career. These insightful explorations of the works of 33 inventive artists illuminate the wider arc of modernism. Published in conjunction with the exhibition of the same title, on view at the Smithsonian American Art Museum from October 30, 2015-April 3, 2016. AUTHOR: Virginia Mecklenburg is the chief curator at the Smithsonian American Art Museum and the author of Modern Masters: American Abstraction at Midcentury (2009) CONTRIBUTORS: Karen Lemmey is the Smithsonian American Art Museum's new curator of sculpture. Joann Moser is the deputy chief curator, Smithsonian American Art Museum. E. Carmen Ramos is the curator of Latino art at the Smithsonian American Art Museum. 105 colour

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One of The Guardian's Best New Children's Books for Summer 2018.Longlisted for the North Somerset Teachers' Book Award.Instead of just studying history, let's think about HerStory too! In this uplifting and inspiring book, children can learn about 50 intrepid women from around the world and throughout history. Telling the stories of their childhood, the challenges they faced and the changes they made, each gorgeously illustrated spread is a celebration of girl power in its many forms. With a range of pioneering careers - from astronauts to activists, musicians to mathematicians and many more - young readers will be inspired to follow their own dreams and to make the world a better place. Compelling, motivating and brilliantly illustrated in equal measure, this is the perfect introduction to just some of the amazing women who have shaped our world.List of women featured: Elizabeth I, Joan of Arc, Indira Gandhi, Theresa Kachindamoto, Empress Wu Zetian, Harriet Tubman, Boudicca, Hatshepsut, Isabella I of Castile, Sacagawea, Frida Kahlo, Beatrix Potter, Coco Chanel, Billie Holiday, Anna Pavlova, Mirabai, Maya Angelou, Georgia O'Keeffe, Emily Bronte, Sarah Bernhardt, Florence Nightingale, Helen Keller, Anne Sullivan, Mary Seacole, Shirin Ebadi, Maria Montessori, Mother Teresa, Wangari Maathai, Elizabeth Blackwell, Eva Peron, Marie Curie, Rachel Carson, Ada Lovelace, Hypatia, Rosalind Franklin, Mary Anning, Katherine Johnson, Dorothy Hodgkin, Dian Fossey, Valentina Tereshkova, Malala Yousafzai, Rigoberta Menchu, Amelia Earhart, Hannah Szenes, Rosa Parks, Noor Inayat Khan, Emmeline Pankhurst, Cathy Freeman, Sophie Scholl, Anne Frank.This is a lush non-fiction collection with beautiful illustrations, photos and interesting facts. Herstory celebrates fearless women from all over the world, and is sure to inspire young girls and women everywhere.

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Traces Eisler's art songs through the political crises of the twentieth century, presenting them as a way to intervene in the nationalist appropriation of aesthetic material. Best known for his collaborations with Bertolt Brecht, composer Hanns Eisler also set nineteenth-century German poetry to music that both absorbs and disturbs the Lieder tradition. This book traces Eisler's art songs (German: Kunstlieder) through twentieth-century political crises from World War I to Nazi-era exile and from Eisler's postwar deportation from the US to the ideological pressures he faced in the early German Democratic Republic. His artsongs are presented not as an escape from the "dark times" Brecht lamented but rather as a way to intervene in the nationalist appropriation of aesthetic material. The book follows a chronological arc from Eisler's early Morgenstern songs to his Lied-like setting of Brecht's 1939 "To Those Who Come After" and his treatment of Hölderlin's poetry in the 1940s Hollywood Songbook; the final two chapters focus on Eisler's Goethe settings in the early GDR, followed by his late Serious Songs recalling Brahms in their reflective approach. In its combination of textual and musicological analysis, this book balances technical and lay vocabulary to reach readers with or without musical background. The author's practical perspective as a singer also informs the book, as she addresses not only what Eisler asks of the voice but also the challenge of evoking both intimacy and distance in his politically fraught art songs. Heidi Hart holds a PhD in German Studies from Duke University. She is an instructor in the College of Humanities and Social Sciences at Utah State University.

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In Reconstructive Surgery: Anatomy, Technique, and Clinical Applications, Drs. Zenn and Jones pay full deference to Mathes and Nahai's original contribution to the field while adding their own considerable expertise to this topic. The authors are assisted by a select group of internationally recognized contributors who provide expert commentary on clinical cases. Together, these leading surgeons share their vast experience and insights on techniques for reconstructing all anatomic regions. This two-volume set features superb medical illustrations that depict important flap anatomy as well as the step-by-step surgical technique for each of the operations described. Highlights: Features a select group of expert contributors who cover a range of reconstructive options in each anatomic area Presents hundreds of cases demonstrating clinical applications Provides a systematic approach to flap selection and step-by-step instructions for dissection Uses an outline format highlighting key anatomic features Contains thousands of color photos, cadaver dissections, radiographs, and medical illustrations Includes four DVDs with videos demonstrating cadaver dissections for all major flaps Offers clinical caveats and tips and tricks throughout Each chapter follows a distinct and consistent format, beginning with key anatomic landmarks and includes vascular anatomy, design and markings, guidelines for dissection, arc of rotation, flap transfer, inset and closure, and clinical applications. Each chapter concludes with clinical pearls and pitfalls along with commentary provided by a noted expert in the area. Like its predecessor, the book is essential reading for residents and a must for any professional performing reconstructive surgery. Its clear organization, generous use of illustrations, and surgical guidance will improve surgical outcomes for a range of patients.<

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An overview of the turbulent 1960s and 1970s through the lens of fashion, a period when demure silhouettes and pastels exploded into bold prints and tie-dyed psychedelic chaos and ultimately resolved into a personal style dubbed by Vogue the "New Nonchalance." Mod New York traces the fashion arc of the 1960s and 1970s, a tumultuous and innovative era that continues to inspire how we dress today. During this period, demure silhouettes and pastels favored by First Lady Jacqueline Kennedy exploded into bold prints and tie-dyed psychedelic chaos and ultimately resolved into a personal style dubbed by Vogue the “New Nonchalance.” Accompanying a major exhibition at the Museum of the City of New York, this book is beautifully illustrated by two hundred groundbreaking and historically significant designs by Halston, Geoffrey Beene, Rudi Gernreich, Yves Saint Laurent, Andre Courreges, Norman Norell, and Bill Blass, among many others, all drawn from the renowned costume collection at MCNY. By the mid-1960s, clothing assumed communicative powers, reflecting the momentous societal changes of the day: the emergence of a counterculture, the women’s liberation movement, the rise of African-American consciousness, and the radicalism arising from the protests of the Vietnam War. New York City, as the nation’s fashion and creative capital, became the critical flashpoint for these debates. Authoritative essays by well-known fashion historians Phyllis Magidson, Hazel Clark, Sarah Gordon, and Caroline Rennolds Milbank explore the ways in which these radical movements were expressed in fashion. Of special note is Kwame S. Brathwaite’s presentation of the Grandassa Models and “Black is Beautiful” movement, which is illustrated with photographs by his father, Kwame Brathwaite.

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A sweeping history of how writing has preserved cultural practices, traditions, and knowledge throughout human history.In How Writing Made Us Human, 3000 BCE to Now, Walter Stephens condenses the massive history of the written word into an accessible, engaging narrative. The history of writing is not merely a record of technical innovations—from hieroglyphics to computers—but something far richer: a chronicle of emotional engagement with written culture whose long arc intimates why the humanities are crucial to society. For five millennia, myths and legends provided fascinating explanations for the origins and uses of writing. These stories overflowed with enthusiasm about fabled personalities (both human and divine) and their adventures with capturing speech and preserving memory. Stories recounted how and why an ancient Sumerian king, a contemporary of Gilgamesh, invented the cuneiform writing system—or alternatively, how the earliest Mesopotamians learned everything from a hybrid man-fish. For centuries, Jews and Christians debated whether Moses or God first wrote the Ten Commandments. Throughout history, some myths of writing were literary fictions. Plato's tale of Atlantis supposedly emerged from a vast Egyptian archive of world history. Dante's vision of God as one infinite book inspired Borges's fantasy of the cosmos as a limitless library, while the nineteenth century bequeathed Mary Shelley's apocalyptic tale of a world left with innumerable books but only one surviving reader. Stephens presents a comprehensive history of the written word and demonstrates how writing has preserved and shaped human life since the Bronze Age. These stories, their creators, and their preservation have inspired wonder and an endless appetite for historical revelation.

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This wide-ranging work confronts the complex question of nationalism in France in its various permutations—myths, obsessions, possibilities, and dangers. French nationalism has always been a double-edged sword, from its beginnings in the French Revolution through the two Napoleonic empires, Boulangism, the Dreyfus affair, the fascist groups of the 1930’s, Marshal Pétain’s National Revolution during World War II, and its latest contemporary incarnation in Jean-Marie Le Pen’s National Front. The author distinguishes between an “open” nationalism, based on the revolutionary values of liberty and equality for all, and “closed” nationalism, which is xenophobic—and, more particularly, antisemitic. He studies not only governments and political figures—Napoleon, Louis Napoleon, Marshal Pétain, and General de Gaulle—but also the myths associated with nationalism. These myths are captured in newspaper articles (the charity bazaar fire of 1897), in literature (Huysmans, Céline), and in the writings of insurgents (Edouard Drumont, Jules Guérin). The author pays particular attention to French “national socialism,” which wanted to transcend the categories of left and right in order to unite workers and owners under the banner of a providential leader, but which inevitably scapegoated the Jews. In tracing the history of closed nationalism and its need for a providential man, the author also sheds new light on the relation between socialism and fascism in France, most recently brought to the fore by the Mitterand government in the 1980’s. In the process of analyzing nationalism in France, the author draws on areas of study ranging from French anti-Americanism and Zeev Sternhell’s history of “unconscious” fascism in France to the mythical use of Joan of Arc in the service of antisemitism.

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Folklore in the Baltic History: Resistance and Resurgence is about the role of folklore, folklore archives, and folklore studies in the contemporary history of Estonia, Latvia, and Lithuania—together called the Baltic countries. They were occupied by Russia, by Germany, and lastly by the USSR at the end of the Second World War. They regained freedom in 1991.The period under the rule of the USSR brought several changes to their societies and cultures. Individuals and institutions dealing with folklore—archives, university departments, and folklorists—came under special control, attack, and surveillance. Some of the pioneer folklorists escaped to other countries, but many others witnessed their institutions and the meaning of folklore studies transformed. The USSR did not stop folklore studies but led the field to new methods. In spite of all the pressure, folklore continued to be a matter of identity, and folksongs became the marching songs of crowds resisting Soviet control in the late 1980s. Since independence in 1991, folklore scholars and institutions revamped and reconstituted folkloristics. Today all three countries have many active scholars and institutions.Sadhana Naithani recounts this resilient arc through an intermedial and interdisciplinary methodology of research. She combines the study of written works, archival documents, life-stories, and conversations with folklorists, ethnologists, archivists, and historians in Tartu, Riga, and Vilnius. She recorded conversations on video, creating current reflections on issues of the recent past. Based on the study of life-stories and oral history projects, Naithani juxtaposes the history of folkloristics and the life of the folk in the Soviet period of the Baltic countries. The result is this dramatic, first-ever history of Baltic folkloristics.

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"Daniel Pauly is a friend whose work has inspired me for years."—Ted Danson, actor, ocean activist, and co-author of Oceana"This wonderfully personal and accessible book by the world’s greatest living fisheries biologist summarizes and expands on the causes of collapse and the essential actions that will be required to rebuild fish stocks for future generations.”—Dr. Jeremy Jackson, ocean scientist and author of BreakpointThe world’s fisheries are in crisis. Their catches are declining, and the stocks of key species, such as cod and bluefin tuna, are but a small fraction of their previous abundance, while others have been overfished almost to extinction. The oceans are depleted and the commercial fishing industry increasingly depends on subsidies to remain afloat.In these essays, award-winning biologist Dr. Daniel Pauly offers a thought-provoking look at the state of today’s global fisheries—and a radical way to turn it around. Starting with the rapid expansion that followed World War II, he traces the arc of the fishing industry’s ensuing demise, offering insights into how and why it has failed.With clear, convincing prose, Dr. Pauly draws on decades of research to provide an up-to-date assessment of ocean health and an analysis of the issues that have contributed to the current crisis, including globalization, massive underreporting of catch, and the phenomenon of “shifting baselines,” in which, over time, important knowledge is lost about the state of the natural world.Finally, Vanishing Fish provides practical recommendations for a way forward—a vision of a vibrant future where small-scale fisheries can supply the majority of the world’s fish.Published in Partnership with the David Suzuki Institute

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The Tigerbelles tells the epic story of the 1960 Tennessee State University all-black women’s track team, which found Olympic glory at the 1960 games in Rome.The author tells an epic story of desire, success and failure—of beating the odds—against the backdrop of a changing America, but tells it in an intimate way. Readers will come to know the individuals’ unique struggles and triumphs, while also understanding how these dreams emerged and solidified just as the country was struggling to leave the Jim Crow era behind. Coach Edward Temple pushed each team member to the limit and saw the possibilities in them that they often did not see themselves. The elite group of talent included Wilma Rudolph, Barbara Jones, Lucinda Williams, Martha Hudson, Willye B. White and Shirley Crowder: women who once were and should still be known world-wide. Ultimately the team’s drive was for more than medals: Coach Temple and the Tigerbelles wanted to change the world's perception of what a group of young Black women in the Jim Crow south were capable of. Tigerbelles is a multi-layered inspirational tale of triumph over adversity. Operating on a shoestring budget and pitted dirt track, they nevertheless shared a common goal: to represent the USA in Track and Field. The arc of their story starts in Tennessee in the summer of 1960, and continues through the national meets in Texas, training in Kansas, media events in New York City and finally the Olympics in Rome in the early fall. Based on memoirs and interviews with surviving team members, including Coach Temple, this is the story of an impossible dream come true.

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Twenty-first-century Kandinsky: a reappraisal of the Russian abstractionist’s art, life and thought through the extraordinary collection of the iconic museum One of the foremost artistic innovators of abstraction in the 20th century, Vasily Kandinsky sought to liberate painting from its ties to the natural world and promote the spiritual in art. This richly illustrated publication looks at Kandinsky anew, through a critical lens, reframing our understanding of this vital figure of European modernism, who was also a prolific aesthetic theorist and writer. A series of thematic essays considers his engagement with avant-garde artistic communities including the Bauhaus, his relationship to improvisation and music, his travels in Europe and Russia, and the influences behind his self-declared anarchist mode of abstraction, among other topics. Tracing Kandinsky’s life and work through his years in Moscow, several cities in Germany, and Paris, the texts offer striking new insights into an artist whose creative production and style were intimately tied to a sense of place—and displacement—and evolved amid the political and social upheavals catalyzed by the Russian Revolution and World Wars I and II. Kandinsky’s history is closely linked to that of the Guggenheim Museum. Solomon R. Guggenheim began collecting the artist’s work in 1929; a year later, they met at the Bauhaus, in Dessau. This book features more than half of the museum’s deep holdings of works by Kandinsky, presenting the full arc of his artistic development and career. Included are paintings in oil and oil with sand, reverse-glass paintings, as well as woodcuts, watercolors and drawings on paper. An illustrated chronicle of Kandinsky’s life and career, including selected exhibitions and publications, rounds out the volume.

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Beatrice's Last Smile is a sweeping narrative history of the medieval west from the beginning of the third century to the beginning of the sixteenth. This book focuses on slow formation of Latin Christendom over a millennium in the aftermath of the disintegration of the western Roman Empire. Beatrice's Last Smile is a sweeping narrative history of the medieval west from the beginning of the third century to the beginning of the sixteenth. The reader travels from the Mediterranean to the North Sea, from the Nile to the Volga, from north Africa to the central Asia, until finally ending in the Americas. Through a focus on slow formation of Latin Christendom over a millennium in the aftermath of the disintegration of the western Roman Empire, Beatrice's Last Smile is a history of holiness which includes Judaism and the revelations of Muhammad. The narrative moves from the violence within fifth-century Britain and Gaul to the Hundred Years War between England and France, from the plague of the sixth century to the Black Death of the fourteenth, from the first crusaders sacking Jerusalem to the Spanish capturing Tenochtitlán, from Viking raids to Mongol invasions, from the inquisitons into heresy to the trials of witches, from a third-century Christian mother dying in a Roman arena to the immolation of Joan of Arc in the fifteenth, from an ancient universe without heaven and hell to a medieval cosmos with a fiery inferno and a shimmering paradise. Over these centuries there is an emphasis on individual men and women and their stories woven together with the story of the emergence of a distinctive western culture.

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Everyone in Cape Verde knew Senhor da Silva Araújo. Successful entrepeneur, owner of the island’s first automobile, a most serious, upright, and self-made businessman, Senhor da Silva Araújo was the local success story. Born an orphan, he never married, he never splurged—one good suit was good enough for him—and he never wandered from the straight and narrow. Or so everyone thought.But when his 387-page Last Will and Testament is read aloud—a marathon task on a hot afternoon which exhausts reader after reader—there is shocking news, and not just for the smug nephew so certain of inheriting all of Senhor da Silva Araújo’s property.In his will, Senhor da Silva Araújo has left a memoir that is a touching web of elaborate self-deceptions. He desired so ardently to prosper, to be taken seriously, and to join (perhaps, if they would have him) the exclusive Grémio country club. But most of all, he wanted to be a good man. And yet, shady deals, twists of fate, an illegitimate child: such is the lot of poor, self-critical Senhor da Silva Araújo. A bit like Calvino’s Mr. Palomar in his attention to protocol and in his terror of life’s passions; a bit like Svevo’s Zeno (a little pompous, a little old-fashioned, and often hapless), Senhor da Silva Araújo moves along a deliciously blurry line between farce and tragedy: a self-important buffoon becomes fully human, even tragic, figure in the arc of this wonderful novel—translated into Spanish, German, French, Italian, Dutch Norwegian, and Swedish, and now, at last, English.

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From young love to heartbreak, the fourth anime drawing book in Christopher Hart’s bestselling Master Guide to Drawing Anime series helps users learn to draw the hugely popular Romance anime genre. The newest addition to Christopher Hart’s bestselling Master Guide to Drawing Anime series takes on one of the most popular styles in Japanese cartoons: Romance. It provides an overview of romance subgenres and teaches every aspect of drawing romance anime, from common male and female anime character types to the dramatic—and funny—situations they find themselves in. Hart covers the complete arc of romantic anime stories—bliss, arguing, breaking up, and getting back together—and explains how to draw anime heads and bodies, match poses to the characters’ personalities, craft emotional expressions, design standout features, draw couples that click, and create a romantic setting. Fans will welcome this deep dive into the genre, and newcomers will be drawn in by the dynamic artwork that is a hallmark of Christopher Hart’s anime and manga drawing titles.Suitable for all levels, from beginners who are just starting to learn how to draw anime, to advanced users who want to hone their skills, this is the ideal resource for all fans of anime and manga drawing, and can be used on its own or with the other titles in the Master Guide to Drawing Anime series. Drawing books are a perennial present to inspire young artists and a popular gift for teens. There is no greater tool than an art book to spark creativity, develop new artistic skills, and help kids and teens channel their energy towards positive self-expression. Paperback; 144 pages; 9 in W by 10 in H.

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In Corrosive Solace, Daniel O’Quinn argues that the loss of the American colonies instantiated a complex reorganization in sociability and politics in the British metropole that has had long-lasting effects on British national and imperial culture, which can be seen and analyzed within its performative repertoire. He examines how the analysis of feeling or affect can be deployed to address the inchoate causal relation between historical events and their mediation. In this sense, Corrosive Solace’s goals are twofold: first, to outline the methodologies necessary for dealing with the affective recognition of historical crisis; and second, to make the historically familiar strange again, and thus make visible key avenues for discussion that have remained dormant. Both of these objectives turn on recognition: How do we theorize the implicit affective recognition of crisis in a distant historical moment? And how do we recognize what we, in our present moment, cannot discern? Corrosive Solace addresses this complex cultural reorientation by attending less to “new” cultural products than to the theoretical and historical problems posed by looking at the transformation of “old” plays and modes of performance. These “old” plays—Shakespeare, post-Restoration comedy and she-tragedy—were a vital plank of the cultural patrimony, so much of O’Quinn’s analysis lies in how tradition was recovered and redirected to meet urgent social and political needs. Across the arc of Corrosive Solace, he tracks how the loss of the American War forced Britons to refashion the repertoire of cultural signs and social dispositions that had subtended its first empire in the Atlantic world in a way more suited to its emergent empire in South Asia.

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